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| 61. Emma Director: Douglas McGrath | |
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Reviews (195)
Casting was well done. Northam provides a sturdy, but not overly-stern, Knightley, and Paltrow does an amazing job of convincing us that she is, indeed, British in her portrayal of Emma. Her accent is nearly flawless, and I felt that she truly captured the personality of Austen's most spoiled heroine. The sets and lighting are bright, airy, and perfectly suited to the comedic approach taken by this particular director. The scenes are edited just brilliantly. Each scene flows seamlessly from one to another, and the pace of the plot runs along just perfectly. It moves fast enough to keep everyone interested and slowly enough to make sure that everyone has enough time to absorb what's going on. The criticism I've heard most often is that the film really only touches on the Jane Fairfax/Frank Churchill subplot for the briefest of moments. I did not find that to be injurious to the film. It's plain, while watching this version, that the director wanted to keep the story light and funny. Adding Jane and Frank's saga would have done two things: First, it would have seriously darkened and dramatized the bouncy and bright atmosphere of the entire film. Second, it would have taken the spotlight off of Emma Woodhouse as the focus of the story. I felt that, given the abbreviated length of time that a movie has in which to communicate a story...the omission of Frank & Jane's affair was a wise choice. The second criticism I've heard of the film is that it's just too clean and "pretty" to be accurately representative of Regency England. Again...this didn't bother me. The focus of this film is NOT to be true to history. It is not a Regency documentary. It is a fun and aesthetically pleasing depiction of Emma Woodhouse and her friends. It's romantic, funny, charming, and very very pretty to look at. I loved it.
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| 62. The Big Easy Director: Jim McBride | |
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Amazon.com Director Jim McBride (Great Balls of Fire) was in top form with this 1987 sizzler. You may not remember the particulars of the plot, which concerns supposed gang killings and police corruption, because it is the romance that has staying power. Blame this on Quaid and Barkin, who send off enough sparks to light up Bourbon Street. They are not only sexy together, but endearing, which makes you want to like them as much as they like each other. --Rochelle O'Gorman Reviews (27)
I have viewed this movie and will continue to do so, it's just that sort of a good time. I absolutely adore New Orleans, and you get some good scenery and even better cajun music (though where is Doug Kershaw??? I ask!), with excellent supporting performances from John Goodman and Ned Beatty. Dennis plays Remy McSwain, a police Lieutenant that loves the Big Easy and takes everything in laid back stride, until problems arise. There is a supposed drug war going on, he thinks he has all the answers until Burkin's ADA Anne Osbourne starts asking questions of her own. Their attraction is instantaneous, sexy and fun, as she knows she cannot fall for the man she is investigating, but she cannot seem to stop herself. Uncle Souse tells Barkin's character at once point "put your purdy face in the car, cher."....well, put your purdy face in front of the telly and enjoy a trip down to Dr. John's way. Please note that is Jim Garrison playing Jim Garrison!! For those who do not recall the name, see Oliver Stone's JFK. Mature audiences as there is one sexy, steaming love scene between the leads (which they said they had trouble doing since they were friends in real life - well, it sure does not show!!!) Look out for the gator, baby!!!
Dennis Quaid gives a terrific performance as Remy McSwain, a second generation cop who sold out early on in his career, accepting it as the norm but not letting it hinder him from doing his job. When the prim and sexy Ellen Barkin arrives on the scene in the form of D.A. Anne Osborne he attempts to wine and dine his way out of trouble as bodies start piling up in an apparent drug war. The sexy encounters between Remy and the shy Anne blend seamlessly with some very brutal crime scenes and a lot of New Orlean's music to propel this film at a breezy and very enjoyable pace. When Remy's own corruption is exposed their relationship becomes more complicated as he tampers with evidence and gets off. But her comments to him that he is no longer one of the 'good guys' causes him to take a serious look at himself. When cops are discovered to be behind all the recent drug trouble, the answers will hit far too close to home. A very unique cop thriller that manages to maintain a light and breezy ambiance throughout, this is one of the most memorable films of it's kind. It's spicy flavor goes down easy and makes you crave more. The supporting cast that includes Ned Beatty, John Goodman, and Lisa Jane Persky offer fine support in this very seductive and one of a kind film you must see. Pick this one up today!
Does anyone know why this part has been cut? It doesn't seem to make much sense, as without it, the conclusion of the film is very abrupt and disjointed... it's amazing the difference that one tiny little scene makes! Don't give up your VHS copy just yet- not until those editors find that damn five minutes and put 'em back in where they belong! ... Read more | |
| 63. The Greatest American Hero - Season Three Director: Gabrielle Beaumont, Tony Mordente, Robert Culp, Bob Bender, Robert C. Thompson, Christopher Nelson, Christian I. Nyby II, Arnold Laven, Sidney Hayers, Ivan Dixon, Lawrence Doheny, Rod Holcomb, Bruce Kessler, Chuck Bowman, Georg Stanford Brown | |
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| 64. Persuasion Director: Roger Michell | |
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Reviews (189)
The film makers did take some liberties with the story....it has been commented on several times by critics that Anne and the Captain never kissed in Austen's novel. While this is true, most of the film adaptations of Austen's works that I have seen include scenes of kissing between men and women who have come to an understanding of their love for each other. "Persuasion" is certainly a more faithful adaptation of Austen than is "Mansfield Park," which was released about the same time, probably because it does not have a political ax to grind.
1) It isn't stuffy and unnatural. The characters sound human when they speak; you can imagine that this is how people spoke in the 19th century - not like pompous orators, but like real people. The world surrounding the characters isn't overly polished or brightly lit; again, there's a natural, "lived-in" feeling to all the buildings and landscapes; they do not look like they came out of a glossy postcard. 2) The performances. I don't have enough praise for Amanda Root, who plays Anne Elliot, a woman whose marriage prospects are slim to nil, and who has just been thrown into the company of a man whom she rejected years ago. Root can speak volumes just with her eyes, and everything about her fits perfectly with the gentle, wry and intelligent Anne Elliot. As Captain Wentworth, Ciaran Hinds is also great; he disappears into the character. Both actors aren't conventionally beautiful or handsome either; Root in particular blossoms before the viewers eyes - at first she's very faded and quiet, and then we (like Wentworth) see her spirit shine out. In addition to Amanda Root and Ciaran Hinds, the rest of the cast also do a wonderful job. Perhaps because there aren't any big name actors, we can get totally immersed in the film. 3) It's true to Austen. There's subtle humor, real human feeling, and a keen understanding of human nature. It's an unforgettable love story. 4) The kiss. One kiss - perfectly timed, perfectly executed... you will melt. 5) The soundtrack. This holds true particularly for the assembly at Bath, and the Italian vocal pieces.
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| 65. Cats - The Musical (Ultimate Edition) Director: David Mallet | |
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"Macavity , Macavity theres not one like Macavity there never was a cat of such deceitfullness and suavity he always has an alabi or one or two to spare at what ever time the dead took place Macavity wasnt there" These are only two of the great songs in the show! it is really really good; great songs, funny, good acting, good dancin!
I'm no great Andrew Lloyd Webber fan, but that's not really the point. I don't think that you need to be to recognise when something is well done. And whilst it may help? to have seen the stage show before, it's clearly not essential to enjoy the DVD. Sometimes it can be the opposite, as people may feel a film version does not live up to their expectations/memories of the live show. If you are considering buying this then please do, and for goodness sake, do not worry AT ALL about this being unsuitable for children. Some previous reviews commenting on it's unsuitablity for children are way off the mark. I can only imagine they live in households where table cloths are required to reach to the floor, lest young ladies in the house are offended by the sight of the table legs! Unreal...
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| 66. Medicine Man Director: John McTiernan | |
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Reviews (34)
Will Dr. Campbell and Dr. Crane be able to find this miracle cure that could be just over the horizon? Will they be able to set aside their differences and actually be able to get along one of these days? These are the major questions that watching "Medicine Man" will answer for all the viewers who watch this great movie. "Medicine Man" is one of those movies that doesn't need a bit of special effects to make it an unforgettable movie. It's a film that is real compelling and interesting to watch from start to finish without ever getting boring. With Sean Connery as the lead character, you know there will be great acting included. If you're a fan of great movies, I definitely recommend to not miss out on your chance to watch and even own "Medicine Man."
"Medicine Man" is the rare action/adventure film with something more than car chases and shootouts on its mind, a passionate parable of the rampant destruction of the rainforest and the miracles of nature now threatened by "progress". Sean Connery gives one of the best, most nuanced performances of his career, almost certainly the definitive "mature" Connery role, and Lorraine Bracco is a perfect foil as the sharp-tongued but endearing "Dr. Bronx" - their conflict thoroughly understandable and its resolution none too easy. The breathtaking beauty of the rainforest and the haunting images of the native tribes driven from their homes (or decimated by the white man's diseases) are punctuated by thrilling aerial sequences high above in the jungle canopy - "the top shelf in the pharmacological superstore". Forget the critics. This is an almost perfectly realized film, one that just gets better with each viewing, one that stays with you long after it's over. For Connery fans, I also recommend one of his early (and nearly forgotten) films, "The Hill".
Totally removing himself from modern society, Dr Robert Campbell (Connery), has become a Medicine Man to the people of the Amazonian village, in which he now calls home. Thanks to an unforeseen mishap, Campbell has discovered that the cure for cancer can be derived from a chemical found in a Brazilian flower. Dr. Rae Crane (Lorraine Bracco), a fellow scientist from the states, tracks down the elusive Campbell in an effort to monitor his progress. The two doctors are practically at odds from the moment they meet. When a villager becomes sick, Campbell wants to use only remaining bit of cancer curing serum, to save the native's life. Rae isn't sure if that's a good idea. As if battling each other, weren't enough, the doctors find themselves having to also deal with a group of loggers who pose a danger to the village and to the cancer cure. Shot in Mexico and Brazil, director McTiernan delivers the goods and the theme of conservation is delivered but not on a soapbox using a bullhorn. Also gone is the gore from McTiernan's other films, but the action is exciting to watch just the same. The sparks and chemistry between Connery and Bracco are intense. They are evenly matched in the film. Campbell is as memorable a character for Connery to play, as his turn as Malone was, in The Untouchables. Mention must also be made of composer Jerry Goldsmith's very fitting score to the film and how it adds flavor to the mix. Medicine Man deserves to have a special edition DVD release. The bonus material is, to say the least, lacking. Aside from the forgone theatrical trailer, the disc also has an EPK style, and all too brief production featurette. Unfortunately, the featurette is even less interesting than watching paint dry. Recommended until a better version comes along.
The casting, acting, and staging are all very well done. The movie is from 1992 but brings up an issue that is very pertinent in today's world. As with many older movies that have been switched over to DVD, the special features can be considered weak/non-existent. ... Read more | |
| 67. Jim Henson's The Storyteller - Greek Myths Director: Tony Smith, Paul Weiland, John Madden, David Garfath | |
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Amazon.com By nature, the Greek myth episodes are a bit more mature and downbeat (ages 8 and older) than the rest of the series, yet give the audience lasting impressions of oft-quoted tales. In "Perseus and the Gorgon," King Argos locks away his wife when it is foretold his future son will kill him. Soon mother and son (Perseus, fathered by none other than Zeus) are washed ashore and another angry king looks to take away Perseus's mother. How can Perseus win the day? By killing the evil Gorgon whose snake-covered head includes eyes that turn humans into statues. Derek Jacobi stars as the brilliant Greek designer in the second tale, "Daedalus and Icarus." The father goes through many hardships, including the famous episode of his son flying too close to the sun. All is not well and does not end well. John Madden (Shakespeare in Love) directs the tale of "Theseus and the Minotaur." A young man reunites with his father, King Aegeus, but is cursed by his witch of a stepmother (literally). When Theseus tries to stop the regular sacrifice to the half-bull, half-man Minotaur, a new curse awaits the young prince. The magical musician Orpheus (Art Malik) finds his muse in "Orpheus and Eurydice." Unfortunately, she soon dies and goes to Hades where Orpheus follows, attempting to win her soul from the devil himself. --Doug Thomas Reviews (2)
The music (which is a crowning point, in my opinion) is weaved by Rachel Portman who, as always, delivers a lovely score marred fittingly with dark, forboding - yet bittersweet tones. In many instances such as in the tale of 'Orpheus & Eurydice', the climatic storytelling is accompanied by the score which successfully heightens the intensity of what will happen next. Everything set to music from Eurydice's 'birth' to Ariadne's furious curse when she realises Theseus has abandoned her is rapturously beautiful, chillingly haunting. The acting performances are also well worth mentioning, most notably that of Gina Bellman [Eurydice], Jesse Birdsall [Aristaeus] and Maggie O'Neill [Ariadne]. Whether it be the wonder found in new life, mischief or the sting of being betrayed, these things prove small feats to bring across by such seasoned performers as these. Having waited what seems forever for this program to come to DVD, I am ecstatic that it finally has. Remaining true to the original Grecian myths, this series will be cherished for ages to come in the homes of fantasy and mythology lovers alike.
And to let you know what is on the DVD, here is the episode info provided by Columbia Tristar Home Entertainment: DAEDALUS AND ICARUS: Daedalus, one of the greatest inventors of ancient Greece, and his son Icarus are betrayed by cruel King Minos and must flee for their lives. To escape Daedalus creates wings to they can fly to safety but will the young Icarus heed his father's instructions or will their dreams melt away. ORPHEUS AND EURYDICE: The great musician Orpheus vows to bring back the soul of his beloved Eurydice from the depths of Hades. But the task he must complete to reunite with his love turns out to be as tortuous as the fate he will have to endure. PERSEUS AND THE GORGON: When the evil king threatens Perseus' mother, he must bring back the head of Medussa - who's stare will turn anyone who looks upon her to stone. Will the help of the gods be enough to aid in this seemingly impossible task? THESEUS AND THE MINATAUR: With the help of a beautiful princess, Theseus tracks down the man-eating Minotaur, half-man, half-bull to prove his courage and loyalty. A fight to the death ensues, and a shocking secret emerges. ... Read more | |
| 68. Mutant X - The Complete Second Season Director: T.J. Scott, John Fawcett, John Bell (XI), Milan Cheylov, Terry Ingram, Ken Girotti, Alan Goluboff, Jonathan Hackett (III), Philip David Segal, Andrew Potter (II), T.W. Peacocke, Oley Sassone, Bruce Pittman, Jorge Montesi, Brad Turner, Jon Cassar, Graeme Campbell, Bill Corcoran, Stacey Stewart Curtis | |
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| 69. Pretty Baby Director: Louis Malle | |
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The reasons that it can be considered a good movie is that it effectively tells the taboo story of the prostitutes, and it seems like it's realistic. However, none of the actors or actresses did that great of a job acting, at least not in my opinion. Keith Carradine seems lifeless, and it just seems that the director pretty much just jumbled up the story and threw it all in without thinking much about it at times. A lot of people won't like "Pretty Baby" because it's real controversial because of its subject and especially because of Brooke Shields shown nude at only age 12. However, if you look past the nudity and the controversy, you'll find out that it's not a terrible movie. A lot of people seem to really like the movie, so you might want to give it a try.
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| 70. The Lost Battalion Director: Russell Mulcahy | |
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The film was done in the same style as Saving Private Ryan. When action was happening, the cameras were right there. Plenty of detail added to the authenticity. It is especially interesting for anyone that is familiar to the ways in which warfare was fought toward the end of WWI. Bayonets! Man, I'd hate to have been a soldier at this time.... Some of the scenes are not for the squeamish. The film holds nothing back... I have seen the film twice in the last three nights. I am still picking up information. In my opinion, the cast did an excellent job of bringing this film to life. Even from the German point of view, this must be a good film. The details in the trenches as well as the "no man's land"... The weapons used... It all makes for a good film. It is a definite must for any collector of war films.
The story is true, as are the characters. The 308th, along with the 307th, battalions are trapped after a succesful attack and find themselves hard pressed by German officers, determined to wipe out the Americans in an effort to prove to the Yankees they are not undefeatable. The battalion manages to hold out even when they're own artillery bombs them and the Germans unleash flamethrowers at the defenders. 500 men went in, and less than 200 came out, but they managed to help secure a line deep in German-controlled territory. Some of the other reviewers have tried bad-mouthing this film by saying it gives too much glory to the battalion. I ask: why shouldn't it? Any time a group of men vastly outnumbered by their enemies, and with circumstances against them, manage to hold out by sheer bravery, that is a thing to be admired. There is no flag-waving in this movie, nor do they make the battalion out to be the saviours of the war, but this film does give the men their just deserve in honor. And those who think that this film copied off "Saving Private Ryan" in its style should give themselves a firm kick in the head: this movie came out long before "Ryan" was even advertised. A high quality movie. If only TV networks could come up with more movies such as this.
Its a story about a courageous and well lead American battalion that breaks through the German lines during an Allied Offensive late in the war. The battalion finds itself cut off because the allies on its left and right flanks have either been halted by the Germans or have withdrawn. The battalion is surrounded but fights for its life in the dense woods of France over the course of several days. You'll just have to get the movie to find out if they survive.
This is hands down the best WW1 film ever made. It has none of the Hollywood triteness or silly conventions that pollute virtually all other Hollywood war movies. There are very few symphony orchestras on battlefields and there are none in this one. On real battlefields men rarely scream when they are hit. They just blow apart, drop, or keep going when they are hit, although they may cry with pain afterward. Battle orders are not given with some histeric little actor's scream. They are issued coolly and matter-of-factly, just as they are in real battle. This film depicts the violence of war as it really is. The action is depicted on the slopes of the Argonne Forest in October. There are no trenches and very little rain, as winter is just setting in. The previous reviewers have described well the plot and political implications of the film, so there's not much left to say. I would, however call attention to the few reviewers who have given this film low marks. One can quickly see that they were rating the idiocy of war, the stupidity of some Headquarters commanders, or some other aspect of war, not the quality of the film. They are making political statements by rating the film low. Take that into consideration. I can think of no faults in this film. It is perfectly written, perfectly cast, perfectly acted, perfectly filmed, and perfectly edited. It is a spellbinder from start to finish, and it is true. It is also interesting to note that Major Whittlesey, the actual commanding Officer of the unit depicted, committed suicide three years after the events depicted. He was obsessed with brooding over the decisions he made that resulted in 300 of the 500 of his men getting killed because he tenatiously followed orders to hold his position. Three Congressional Medals of Honor were awarded as a result of the action depicted.
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| 71. Spartan Director: David Mamet | |
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"Spartan" is not an adrenaline-pumping thriller. It's more of a puzzle. It's filmed in a shadowy, brooding style. A surprising number of scenes take place at night. "Spartan" presents an extremely cynical view of politics and power, which might be interesting if the story made any sense. Not only does the story not make sense, the dialogue doesn't either. It's conspicuously unnatural and consistently nonsensical. I think Val Kilmer's timing is poor in a few places, but it's hard to tell, because the lines are cringe-inducing anyway. Derek Luke and Tia Texada give the most memorable performances as young rookie agents Curtis and Black. I'm giving "Spartan" three stars for the cinematography by Juan Ruiz Anchia. I like the way this film looks. But the writing is just plain bad. The DVD: Bonus features include an audio commentary by Val Kilmer and a theatrical trailer. Don't watch the trailer before the movie. It's full of spoilers. The audio commentary is interesting in spots but a little frustrating because it meanders and contains a lot of long pauses. Kilmer also frequently doesn't comment on the scene that he's looking at. It's very stream-of-consciousness. It gives more insight into Val Kilmer than into the film, so I would recommend it for his fans only.
"Spartan" puts the focus on Robert Scott (Kilmer), a career military officer working in a highly secretive special operations force. Scott is a man hardened by years of brutal service, but is respected by his peers and elders in the world of espionage. When Scott is recruited to find Laura Newton (Bell), the daughter of a high-ranking official (more than likely, the daughter of the President of the United States), he is paired with novice Curtis (Luke), who becomes his protege. Working with a special task force comprised of presidential advisors, the Secret Service, FBI and CIA, Scott and Curtis stumble upon a sex slavery ring, which may have some connection to Laura's disappearance. As the story unfolds, the straightforward search-and-rescue mission becomes complicated by the political ambitions of those in high places. Like Stoddard (Macy), a political operative who may know more than he's telling about the clandestine circumstances surrounding the abduction of Laura. Scott and Curtis are on the brink of tracking Laura's whereabouts when the mission comes to an abrupt conclusion, with the media issuing reports of the girl's death. Scott returns to the quiet life of landowner in a rural location and awaits his next assignment in relative peace. But Curtis can't rest. In his naivete, he seeks out Scott to confide his belief that Laura is in fact alive. If she is, their continued unofficial investigation will put them, as well as Laura, at the center of a dangerous conspiracy that reaches the highest levels, even past the doors of the White House itself! In conclusion, "Spartan" is a fine, superb, underrated thriller that will keep you on the edge of your seat as well as to keep you guessing from heart-pounding beginning to breathtaking finish! With powerful performances by a stellar cast and masterful direction by David Mamet, "Spartan" is nothing short of a DVD must-own when it's released!
This movie was just a dull action film dressed up (and not very convincingly) as an art film or as something with intellectual appeal. The dialogue gets so fast and furious at points that, if it weren't for the all the frequent repetitions, you'd have to be rewinding all the time to hear what was said. We gave it our best effort, but in the end, we both agreed that we'll pass on any future Mamet productions.
It isn't bad. Matter of fact, it is pretty good. The first few minutes are corny, but the rest of the movie is great. Basically Val Kilmer tracks this 19-year-old girl down. He shoots alot of people and the action is great. I mean, it's not like he has a futuristic blaster and blasts people in the shoulder. I love movies with guns that look real and I love seeing cool gun fights. This movie has quite a few gun fights and they are good. They are imaginable also. The guns are awesome. The movie's plot is okay, but again, the gun fights and guns make it worth watching. Also, the plot has quite a few twists, including alot of things that you wouldn't exactly be prepared for. This movie isn't "bad". It's good, and after watching it I was pretty impressed.
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| 72. The Glenn Miller Story Director: Anthony Mann | |
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However, the music in this film (orchestrated by Universal Pictures staff composer, Henry Mancini) more than makes up for the deficiencies in the story. The orchestra assembled does a excellent job re-creating Miller's hits (far better than some of the ghost bands later organized by the Miller Estate). You'll enjoy the music, especially in stereo, just don't take the story seriously. Also, the VHS version has a couple of scenes clipped to make the movie time out to 120 minutes. Hopefully, these scenes will be restored when the movie is released on DVD (in March, 2003, as a double feature with The Benny Goodman Story, another Hollywood b.s. bio-pic). Here's a interesting factoid: Harry (Henry) Morgan ("Chummy MacGregor") actually appeared in a film with the real Glenn Miller, "Orchestra Wives". Unfortunately, they did not appear in any scenes together.
The film begins, we see Mr. Stewart appear in character, he is the same, tall ,lanky and charismatic. As the film proceeds on..slowly but surely, Mr Stewart becomes " That" character he is playing. Soon the viewer is hooked by the total talent of Jim Stewart , he invites us in to each character he is playing. He is Glenn Miller for us here in this film. If we didnt see Glenn Miller while he was around this is a good chance to see a close example.It does not matter how accurate the film is really. I cant see Krupa or Satchmo in any biography , and for sure I cant hear them. In this film I can..with superb effect. A snapshot in time of our musical history. Finally, I was not around during during the Miller era however, after viewing this film .. " I was there" C Pope
First, this movie IS INDEED anamorphic, despite the claim of another writer that the package was wrong in claiming such. Secondly, to expect any biographical picture out of Hollywood to NOT play loosely with the facts is expecting a bit much. After all, from "The Babe Ruth Story" to "JFK", Hollywood has always subscribed to the theory of "fictional biographies". Frankly, I found this movie to be quite enjoyable. First, ANY movie with Jimmy Stewart has something going for it. Throw in some FANTASTIC music, and a great...albeit way to short...cameo by Louis Armstrong, and this movie is a real piece of cinematic history. Unfortunately, Universal Pictures seems to have a different opinion, as they have given this picture a very bare-bones AND shabby release. The picture, while widescreen AND anamorphic, has a VHS quality to it. Some portions had an "out of focus" appearance. But most distracting was a frequent pulsating color...going from bright to dull to bright...ad infinitum. In some instances, this REALLY distracted from the enjoyment of...and the concentration on...the movie. Having seen other pictures from this era with wonderfully clear transfers, I can but only believe that this was merely the result of laziness, cheapness, or carelessness on the part of Universal. As this is not considered a classic in most film circles, I doubt this movie will ever see a second release. So sad, as it could be so enjoyable with a good picture. As it is, I hate to say it, but I'd recommend against a purchase. ... Read more | |
| 73. The Castle of Cagliostro Director: Hayao Miyazaki | |
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Amazon.com Reviews (81)
Seriously speaking, Lupin is a successful merger On the technical side, the animation shows its (technically speaking; the voicing is wonderful).
Manga's dvd is less then stellar. Picture quality is dicey. Most of the time the picture is fine with good color, but there are problems that pop up. Black spots appear on the film from time to time and several times heavy black blobs show up on the frame. The print also suffers for instances when the images shudders and appears to shake a bit when there isn't movement in the frame. These problems do detract, but generally they didn't distract from my viewing. The video is presented in letterboxed format with subs that are half on the frame, half on black. I avoided the dub because the Japanese audio was just fine. Purists might be annoyed to find that the end credits are typed in English over a black screen without music, I don't know what the orginial Japanese print had. There aren't any extras other then several lame Manga Video ads. Castle of Cagliostro is not part of the Disney/Ghibli deal so don't plan on them for releasing a new dvd. I would still recommend this dvd, although hopefully someone in the future will release it without the minor picture problems. Pioneer and Funimation both have recently put out other Lupin dvds, but I don't know of plans to pick up this title. | |
| 74. Heat (Two-Disc Special Edition) Director: Michael Mann | |
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our price: $20.24 (price subject to change: see help) Asin: B0006J28KU Catlog: DVD Sales Rank: 3766 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (370)
The DVD is a major disappointment, due to the lack of any extras, save for a trailler and production info. I wish those in charge would consider a special edition reissue soon. The movie is a winner despite the DVD sans extras and should be part of anyone's film collection. Warner Home Entertainment GET CRACKING on HEAT 2 disc set!
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