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| 1. The Andy Griffith Show - The Complete Second Season | |
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Description Reviews (29)
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| 2. Quantum Leap - The Complete Third Season | |
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| 3. Closer (Superbit Edition) Director: Mike Nichols | |
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Amazon.com Reviews (259)
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| 4. Summer Magic Director: James Neilson | |
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| 5. Earth 2 - The Complete Series | |
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| 6. Three Coins in the Fountain Director: Jean Negulesco | |
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There is to be no fraternizing with other employees -- after all, they are told, they are only secretaries -- but when one falls for a coworker she gets them both into trouble. Another has spent 15 years as the secretary to a great novelist who is obvlivious to her feelings for him. And another goes about being a "Rules Girl" (it IS the 1950s), learning everything about her Italian Prince Charming and pretending to like all the same things as he does, but then feeling horrible for misleading him. Charming and beautifully filmed, this is a romantic film for audiences of all generations.
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| 7. Angels in America Director: Mike Nichols | |
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Amazon.com The story centers around Prior Walter(Justin Kirk) and Louis Ironson (Ben Shenkman), a gay couple that fallsapart when Prior grows ill as a result of AIDS. But cancer is not the onlything invading Prior's life: He begins to have religious visions of anangel (Emma Thompson, Sense and Sensibility) announcing that he isa prophet. Louis, who doesn't cope well with disease and suggestions ofmortality, leaves and starts a relationship with Joe Pitt (PatrickWilson), a closeted Mormon who works for Roy Cohn (Al Pacino, Dog DayAfternoon)--the real-life right-wing lawyer, notorious for hisruthless behind-the-scenes machinations. Add in Joe's depressed andhallucinating wife Harper (Mary Louise Parker, Fried GreenTomatoes), his determined but open-minded mother Hannah (Meryl Streep,Adaptation), a fierce drag queen/nurse named Belize (JeffreyWright, Basquiat, reprising his celebrated performance from theBroadway production), and you've still only begun to discover the wealthof characters and storylines in Kushner's ambitious work. Thepowerhouse cast (also featuring James Cromwell, Michael Gambon, and SimonCallow) is uniformly superb. The script has its weaknesses--some of thefantastic elements, including Prior's journey to Heaven towards the end,fall flat--but even what doesn't work is bristling with ideas and aferocious desire to capture human existence in this time and place.--Bret Fetzer Reviews (20)
There are a lot of things that you could comment on in this play -- the exploration of Jewish-American assimilation, the powerful reaffirmation of a supposedly marginalized leftist perspective, etc. -- but the most profound insight Kushner has to offer is about who the real redeeming angels will have to be in our nation's coming cultural reconciliation. The humanity that he is able to impart into the character of the middle-American Mormon, Mother Pitt (played faultlessly by Meryl Streep), is a marvel of modern political drama: and it rings undeniably true. Pushing past our narrowly defined social and political "roles," and into our shared humanity, is the only road open to folks who want to see America's moral and ethical core liberated from the ideological intrusions of the religious far-right, and the resulting frustrated anger of the disenfranchised middle-liberal-left. In a strictly us-vs-them world view, Mother Pitt would be derided by those on the we're-here-we're-queer Left... but as many people have learned, particularly amid the devastating upheavals of the HIV crisis, our real emotional lives are (ideally) not ruled by dogma. Mother Pitt isn't just a caring parent, she's also a kind, pragmatic person, and for her, the most pragmatic choice when confronted with an epidemic, is to simply offer sympathy and solace. What could be more natural? Let's hope her example prevails.
Streep and Pacino deliver the finest performances of their careers here (Streep in 4 roles!). Emma Thompson is radiant. And the performances of Jeffrey Wright, Mary-Louise Parker, Justin Kirk and Ben Shenkman positively shine. And the WRITING and DIRECTION! As close to Shakespearean as any American work I have ever read. And scenes that captivate in their composition and lighting, in their structure and their content. And a magical blending of profundity, humor, pathos, tragedy, and ultimately, the triumph of the human spirit over desperation and resignation. A musical score to match the high levels of word and vision. In short, this film is nothing short of miraculous. All who worked on this masterpiece should be proud of their achievement. Angels in America stands as testimony to what the human mind can accomplish at its finest and most creative.
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| 8. Monsoon Wedding Director: Mira Nair | |
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Reviews (149)
An extended Verma family is overjoyed when Aditi, the daughter of the house, agrees to an arranged marriage with a young man now living in Texas. Unfortunately, she is only doing this because she doesn't believe her married lover will get divorced and marry her. As the wedding preparations swirl around her, she wobbles on the line of rebellion -- especially when she begins to really like her future husband. Like the charming "Waking Ned Devine," this is one of those great movies that doesn't use a single stereotype; you could imagine these people in any part of the world. And like "Waking," the main plot isn't the only one: There is a charmingly hesitant romance between the harried, marigold-munching wedding planner and a shy young maid, a frustrated young boy's hopes to become a chef, a young woman trying to keep her niece safe, and a budding attraction between a pair of very photogenic teenagers. Of course, there are the staples of a wedding movie -- first everyone is giddy and love-obsessed, then they're freaking out because the tents aren't waterproofed. One of the funniest scenes has Aditi's frazzled mom going out shopping with curlers in her hair. The direction in this movie is exquisite. Nair manages to capture actions as small as a girl tucking a flower in her hair, and makes it a vital element in the plot; at the same time, there is the camera swooping and ducking as a girl does a sexy, rollicking dance for the wedding crowd, cutting between a sweet, intimate wedding ceremony and the bouncing, joyous bigger ceremony. The colors of the movie are dazzling without ever being garish. The biggest problem is that often handheld cameras are used, and the result was making me dizzy. And English, Hindi and Punjabi are all spoken, sometimes shifting in mid-sentence, so keep your eye on the subtitles. The actors are one of the best elements of "Monsoon Wedding." You don't get acting like this in most movies. The actors often will go through a scene with only one or two words, but their faces and eyes eloquently show what the characters are feeling. Vasundhara Das is pretty good as the conflicted Aditi, although she is probably the weakest performance of the film; Parvin Dabbas is charming and sensitive as her very tolerant fiancee; Naseerudin Shah is wonderful as Aditi's father, who is put in a horribly difficult position while under wedding stress; and Shefali Shetty crackles with repressed emotion as Ria. Tilotamma Shome is adorable as the maid Alice, and Vijay Raaz is delightful as her suitor. There is some profanity, not really any violence. There is a bit of smut, but nothing too substantial -- the most disturbing element is a serial child molester going after Aditi's young cousin, and former victim Ria speaking out against him. These scenes are the only ones without a trace of humor or sweetness, and it makes them all the more intensely sad and powerful. And the soundtrack is outstanding, a mix of traditional Indian music and rollicking pop that had me bouncing in my seat. "Monsoon Wedding" is a charming, delightful romantic comedy that makes the whole tired "wedding fiasco" plot seem fresh and charming again. So bring out the marigolds!
Cross-cultural/generational and traditional vs. modern themes have always been a favorite of mine, but here these ideas are explored in layered levels, w/ all of their subtle complexities. There is nothing hackneyed in this presentation. There are various subplots weaving throughout, carrying the viewer through many twists and turns at a perfect pace. Observing the wedding planner Dubey (Vijay Raaz) as he falls in love is especially sweet and charming and funny. Yet this film is by no means a frivolous fluff piece. It has its dramatic and unexpected moments, which serve to enrich one's understanding and empathy for the characters involved. Oh, and did I mention that the music is delightful? Can't wait to get my copy of the soundtrack (it's on order) to play in the car. I'm also eager to view some of Mira Nair's other films, since she certainly did a superb job with "Monsoon Wedding".
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| 9. The Graduate Director: Mike Nichols | |
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Reviews (131)
Then, Ben's parents think it would be nice if he dates Elaine, that nice Mrs. Robinson's daughter! They set up the date, paying no attention to Ben's wishes against it. He acts like a complete jerk during the date so Elaine won't like him, then ends up falling for her anyway. This ends up with him proposing to her later, even when she has decided to marry someone else. The wedding scene is dramatic, and has been parodied on everything from Wayne's World 2 to The Simpsons. The writing is hilarious, and Hoffman's delivery is great - upon seeing Elaine's finacee approaching them, he gives the sarcastic praise: "He's a good walker!" I love Ben's mom's over-the-top scream of delight when Ben announces he is getting married -- though he hasn't actually asked Elaine yet. And in the scene at the zoo, when Ben is left alone watching Elaine walk off with her fiancee, the camera cuts from the actors to a pair of monkeys grooming each other, and then to a lonesome gorilla. (I think they were trying to be dramatic but I found it funny.) The Simon & Garfunkel soundtrack is great, and the acting is superb. Ben's father is played by William Daniels, also known as the voice of KIT on the 80s show "Knight Rider" and Mr. Feeny on "Boy Meets World". Ben's landlord at a boarding house is Norma Fell, Three's Company's 'Mr. Roper' (does he always play a landlord?). A great film!
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| 10. The Cannonball Run Director: Hal Needham | |
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Amazon.com Reviews (53)
With such a great cast, its somthign you dont see too often with the amount of actors that where put into this movie! Burt Reynolds, Dom DeLuise, Farrah Fawcett, Dean Martin, Sammy Davis Jnr, Roger Moore, and so many other great cameos and actors in this film! Including the introduction role to introduce Jackie Chan into the American market! This was Jackies first English speaking movie! This whacky car race accross the states, involves some of the best stunts caught on film! Hal Needham sure knew what he was doing when he put this classic together! Unfortunalty it dosent come with much of a bonus feature selection, theres an Audio Commetry with a couple of insighfull things about the movie. And the usual cast and bio thing. But it would have been great to see deleted scenes, but they probably dont exsist anymore? but that dosent drag this great fun for all action ride! I recomend you buy it with Cannonball 2. As I think Cannonball 2 is one of the rare seaqulls that was just as great as the original! And if they ever release Speed Zone (known as Cannonball Fever in other places) I'd recomedn getting that one too! If you like whacky ,over the top, crazy, action, comedys with alot of great stunts with vehicles, then this is the top of the list for anyones collection!
Other stars joining in the challenge are Dean Martin and Sammy Davis, driving a Ferrari dressed as priests. Adrienne Barbeau and Tara Buckman provide some stimulating appearances as Marcy and Jill in a Lamborhini that looks somewhat like Darth Vaders personal space ship. There's an hillarious fight scene towards the end of the film featuring Peter Fonda and Jackie Chan that will keep you smiling for days. Even after twenty years, still wonderfully refreshing and entertaining. Don't miss it. :)
The best part of the movie is the opening session, one sleek black Lamborghini tearing up the road. The rest is ridiculous and corny. More emphasis should have been placed on the cars rather than the actors, actresses, and corny stuff. "The Gumball Rally" did a better job with two lovely cars and serious acting mixed with just the right amount of comedy; not corny and ridiculous antics. Scenes of beautiful actresses in this movie are nice but who needs it if there are beautiful cars and who wants to see an ambulance go cross country, that killed me. Buy "The Gumball Rally" instead if it ever comes out on DVD. If you still have a (soon to be antique) VHS player then your lucky and can buy it now. If you really want this movie though buy my copy for four bucks so I can take back 50% of my loss. It's only been used once and I won't use it again.
The second movie was so so the chimp making phun of people was kinda dumb..will there be a third? who knows. /me gets a captain chaos costume a bunch of friends ready to drive cross country (with cameras) walla Cannonball Run 3.. Fort Walton Beach, FL to Hawthorne, CA. (It would be fun) - http://www.robfwb.com
This is a hilarious movie that never gets old, despite the fact that it was released in 1982. Big name starts (at the time) Burt Reynolds, Dom Deluise, Sammy Davis Jr., Dean Martin, Farrah Fawcett, Terry Bradshaw, Mel Tillis, Roger Moore, Jamie Farr, and...some unknown guy named Jackie Chan, all race against each other in The Cannonball Run, a race from sea to shining sea. This movie is way better than its sequel, the Cannonball Run 2. | |
| 11. The Thing from Another World Director: Christian Nyby, Howard Hawks | |
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Description Reviews (135)
As John Carpenter reminded us in his 1982 "remake," the 1951 version is not even remotely faithful to John W. Campbell, Jr.'s classic sci-fi short story, "Who Goes There?" Campbell wrote of a stranger visitor from another planet who could take on human appearance, so that the problem was that you never knew if the guy sitting next to you was your buddy or the monster. "The Thing" offers a monster from outer space, but with atmosphere, pacing and wit rarely seen on the silver screen. Charles Lederer gets screen credit for the script, but we know know both Howard Hawks and Ben Hecht had a hand in the writing as well (you can find Lederer's original script on line to check out the differences for yourself), and it has been taken as gospel for years that Hawks had some hand in the direction as well (as did Orson Welles according to some). After all, this was Christian Nyby's first screen credit as a director and he went on to direct mostly television series from "Gunsmoke" to "Kojak." Whatever the background of the story, what is important is that this film manages to combine claustrophobia, xenophobia, paranoia and hypothermia into a first rate chiller. The story is relatively simple. Something crashes in the arctic near a scientific station and Air Force Captain Patrick Hendry (Kenneth Tobey) and his crew fly on up to see what is going on. The station is run by Dr. Arthur Carrington (Robert Cornthwaite), who may well be the haughitest scientist on the planet. Just to make things interesting Hendry has a relationship with the good Doctor's secretarial assistant, Nikki Nicholson (Margaret Sheridan, technically the "star" of the film). The group heads out to the crash site, where they find something buried in the ice. In one of the most famous (not to mention inexpensive) special effects shots of all time, the group traces out the shape of the buried object and discover'it is round. When attempts to use thermite to thaw out the space ship only end up destroying it, the crew finds the "pilot" has been thrown clear and frozen in a block of ice, which they obligingly take back to the station and where an electric blanket used so the armed guard does not have to look at that thing in the ice serves as the deus ex machina for getting the creature out and about. Mayhem then ensues. Note: I remember people referring to the Thing (played by James Arness, who avoids monster makeup as the heroic FBI agent in another classic 50's sci-fi film, "Them!") as the "carrot monster" movie because the creature is more like a sentient vegetable than any animal. Unlike "Them" where the military willingly listens to the nice elderly scientists to get the big bad giant ants, "The Thing" has a more complex socio-political sub-text. Dr. Carrington declares "Knowledge is more important than life" and pontificates about how "There are no enemies in science, only phenomena to be studied." Offering a more objective point of view is Ned "Scotty" Scott (Douglas Spenser), a reporter who came along for the ride and stumbled onto the story of the century, who pointedly asks, "What can we learn from that thing except a quicker way to die?" Thus we have a conflict in the group between the scientists and the military men, although in the end it is Carrington alone who refuses to see the errors of his freethinking ways. But more importantly, Captain Hendry is not the true hero of the piece, and one of the great running gags of this film is that he is always trying to catch up with the plots of his crew, especially Bob (Dewey Martin) the crew chief, whether in regards to finding a way of dealing with the carrot monster or trying to get their captain to settle down with Nikki. Another great thing about this film is that the romantic subplot is one of the most unromantic subplots in movie history, having to do mostly with what may or may not have been said during a drinking engagement on a previous weekend. This is one of those science fiction films where if you do not love it then you probably have not seen it, although you have probably seen people watching "The Thing" since it pops up in both "Halloween" and "Scream." Not until "Alien" do we have such a superb combination of science fiction and horror, and I would still pick the simple elegance of this 50 year old film over the special effects of Ridley Scott's film. Just compare two scenes from these films to prove by point: the chest-buster scene from "Alien" and the gieger-counter scene from "The Thing." In 2001 "The Thing" was added to the National Film registry, which is a totally appropriate piece of timing. Finally, remember: "Watch the skies, everywhere! Keep looking. Keep watching the skies!"
Kenneth Tobey stars as Captain Patrick Hendry, the by-the-book, courageous leader of the Air Force team sent in to investigate the crash of the spacecraft. Robert Cornthwaite plays Dr. Carrington, the scientist who wants to preserve the Thing because he holds progress in science above all else. Douglas Spencer plays journalist, Scotty, who wants to break the big news to the world. Margaret Sheridan plays Nikki, the love interest for Captain Hendry. Hendry's crew includes James Young, Dewey Martin, Robert Nichols, and William Self. James Arness of future Gunsmoke fame plays the Thing. The movie also stars Eduard Franz, John Dierkes, Nicholas Bryon, George Fenneman, and Paul Frees. The DVD offers fullscreen presentation and the theatrical trailer. For an exciting, well-made horror/scifi movie, check out The Thing from Another World! ... Read more | |
| 12. The Moon-Spinners Director: James Neilson | |
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Nicky Ferris (Hayley Mills) and her aunt (Joan Greenwood) are travelling through Europe. Her aunt is a music historian from the BBC and is recording folk songs from the remote villages. They travel into Crete, staying at the Moon-Spinners Inn, run by a kindly lady (Irene Papas) and her young son. However, some shady dealings are being done, with the owner's brother (Eli Wallach) heavily into astrology and smuggling. Nicky finds herself thrown into a world of espionage and theft, and finds the love of her life. Also featuring Pola Negri in a rare film appearance, THE MOON-SPINNERS is one of Hayley Mill's best Disney films.
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| 13. My Family Director: Gregory Nava | |
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Description Reviews (29)
What makes this movie so good is that the director, Gregory Nava, captures the nuances that many Mexican-Americans can relate to. 'Crossing the Bridges,' as Edward James Olmos explains, is something that the patriarch of the family must do when he goes to work on the other side of downtown LA. What's so strange is that many people continue to cross those bridges every day of their lives (literally and figuratively). Little things like this as well as Chucho's pride in having the best creased pants, the mother's passion for her 'novelas,' and Jimmy Smits' hard personality really give this movie a feeling of familiarity. I also like the fact that Memo goes to UCLA. The casting is good, and it's weird to see Jennifer Lopez in small roles like this before her rise to stardom. While the movie may not identically reflect the experiences of every Mexican-American, it will be hard not to see some parallels.
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| 14. Blade (New Line Platinum Series) Director: Stephen Norrington | |
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