Reviews (12)

Great early Nichols
Another great early Nichols. He was on one mean ... streak I tell ya. Virgina Wolf, the The Graduate, Catch 22, and then this film. Which is: Very well done, Very mature, extremely confident in it's telling, thought provoking, well acted, well written, etc.

Jack Nicholson and Art Garfunkle star as best buds in this story that follows their sexual encounters from college to middle age. That's really it. No other action takes place in this movie that doesn't have something to do with, yup, Carnal Knowledge. Good title too. Don't you think? Just grabs you.

Like Catch 22, which I just saw, this movie is all about great framing and long one takes. Even though this movie takes place almost completely inside and is very much like a play, it is very cinematic. Nichols always has the camera in the right place, or at least an interesting place. The structure of the film is also so interesting. It just pops around from sexaul encounter to sexual encounter. And it addresses the whole spectrum...: first love, to marriage, to adultery, to apathy, to..well, it covers a lot. And though it tends to focus mainly on the negative, which can be a little bleak, it sure is real.

At times it can be a little slow and a little tedious (you sort of feel Nichols getting a little TOO into some of these long takes), but this remains a very good, intelligent, unflinching movie. Check it out.

B, B+

This film tells the truth. Controversial at its time.
This film tells the truth. Not such an old film, the mature adult situations are still happening today even in this decade. Very controversial film of its time. Almost was not released and could not be shown on Network TV at all. Finally in the mid-1980's it was finally allowed to be shown on the then-independent KTLA Channel 5 Los Angeles tv station. Hard-hitting drama about two male roomates. One man (played by Art Gurfunkel as "Sandy") is more sensitive to woman while the other man played by Jack Nicholson feels so macho he must have more than tweleve women a year. When Art falls in love with Candice Bergen (she plays a virgin) it starts as a good friendship until Jack Nicholson buds in. He secretly makes a phone call to her without Art knowing. Jack dates Candice and she loses her virginity by the macho man who can get any woman he wants anywhere, anyway. (So why, Candice?) When Jack talks about his "girlfriend", Art dos not know it's the same woman he loves. When Candice decides to break it off with Jack, Jack becomes a cad and thinks he can break it off first. Well, Jack now has to keep his mouth shut whenever Art and Candice are in the same room together with him. Jack finally comes to the realization that he is getting older and can't get as many woman as he used to. He feels bad when he sees Candice and Art together (metal break-through finally!) Then, the sizzling Ann-Margret enters the picture. Who becomes the more mature man? Who is given LOVE, not just LUST & LEAVE. Some men will find this film a bit hard to swallow. Some women who see this film will say "AMEN!" by the end of it. There is a lesson to be learned here. Get the message of the film. Carol Kane and Rita Moreno are also in the cast. No special features on this DVD. Wide-Screen and Full-Screen available on either side of DVD.

Coming to the screens of film schools everywhere...
What I found so impressive about this in the early 70's is a mystery--unless it's Ann-Margret's statuesque figure. Most of the dialog is better suited for writer Jules Feiffer's stylish cartoon characters. Even Jack Nicholson can't keep this tub afloat, although it's fun to see mannerisms and intonations which were used to perfection only 3 years later in the incomparable "Chinatown."

Hard to believe this film is more than 30 yrs old
Carnal Knowledge spans 30 years in the lives of two college friends, guys played by Jack Nicholson (you won't believe how young he looks) and Art Garfunkel (yes, one and the same). Jack Nicholson plays a tax lawyer with the hots for women who are, shall we say, well-endowed. Garfunkel plays the more temperate guy, a doctor who has quiet affairs. As they go from youth to middle age, the movie, revolutionary at the time and wonderfully directed by Mike Nichols, follows their paths, examining how their attitudes toward women and sex are a reflection of their life values. It's not a pretty picture, and despite the titillation of the title, it's not even particularly sexy. But it's worth seeing, even if only for the way in which it is viewed as a pioneer film of the early 70s, a time in which long-held Hollywood traditions were giving way to more adult-style movies.

Excellent
Mike Nichols was on a roll after "The Graduate" and "Who's Afraid of Virginia Woolf?" "Carnal Knowledge" is his most intimate film, and one of the most daring of the 1970s. Its frankness in dealing with young men's sexual psychology has not lost its edge after thirty years. On top of it all, it gives us Nicholson's first truly great performance. The early scenes between him and Garfunkel are fresh and sincere. Spanning some three decades of their friendship, we see how their attitudes towards sex, and women in general, shape their lives. Both actors do a fine job of communicating the gravity of those years, and the most devastating scene is the one where Jack delivers a long and furious tirade at Ann-Margret. "I don't want a job, I want you," she says, to which he replies, "I'm taken...by me!" Brutally honest, yes, but because we've seen what comes before, it's perfectly logical. These men are still affected by the innocence of their younger years, but that innocence is violently clashing with their adult understanding (or lack thereof)--the understanding that the personality is in perpetual motion, and that it becomes difficult to keep up. The movie is often bleak in its settings and its subject matter, but the characters are very real--they challenge you to challenge them. Their dysfunctions may enlighten you, and there is nothing bleak about being enlightened. Oh, and Ann-Margret achieves bombshell status with this movie, playing a woman who at first seems to be the answer to all of Nicholson's fantasies. "Bye Bye Birdie" it ain't. ... Read more

Reviews (46)

Whoopee!! It's Whoopi!
I am a Whoopi Goldberg fan, but most of the films I've seen her in have been comedic efforts. This movie bowled me over. Goldberg's acting is superb with so many different levels and nuances. She is perfectly cast as Corrina, the new housekeeper/angel who is hired to care for a recently widowed father and his withdrawn daughter. Her gentleness, no nonsense attitude, spirit, and intelligence make her a nearly perfect character. The complexities of an interracial relationship in the 50's are dealt with wonderfully as are themes of discrimination and tolerance. Ray Liotta is wonderful in his role as the jingle-writing dad and brings a depth and a realness to the role. Tina Majorino, as his daughter, is able to handle the roller-coaster of emotions of a girl who is confused and depressed about the loss of her mother; and yet she retains a spunk and a liveliness that slowly appears thanks to Corrina's understanding and influence. The movie is pure magic and shows the evolution of a family's grief from sorrow to hope. "Corrina, Corrina" is a must have.

Complete Classic- The Movie is Filled With Magic...
This movie is beautiful from start to finish.

Whoopi Goldberg is perfectly casted as Corrina, a black (well, duh) nanny who is employed by a white Jew (very well played by Ray Liotta), to take care of his daughter Molly (again excellently played by Tina Majorino).

The plot. Manny Singer's (Ray) wife has just died leaving him and his 7 year old daughter (Tina) behind. Molly is a little lost after this and she doesn't speak a word to her father or anyone else. After employing a plethora of disastrous nannys Manny finally comes to Corrina, who is perfect. One problem: She's black, he's white, and this is 1959 segregated America.

After a little while Molly begins to talk again and is generally uplifted by Corrina, who seems to have this miraculous way of bringing people back to their feet, including Manny. Corrina and Manny fall in love against all odds, and what you get is a beautiful interracial romance that at that time is classed as wrong, even abnormal. No one approves apart from Molly and her Grandfather (Don Ameche).

One down side to this film, and I will add that it is the only down side, is the ending - you don't really know what happens. If I hadn't done a little research then I wouldn't have known that director Jessie Nelson had based this film on her true life story. She's black and her now husband of 40 odd years was white. This story is her story. They got married and lived happily ever after - but we have to guess. So the ending could have used a little bit more work. But that's it!! The movie is just wonderful. It's uplifting, heartbreaking, humorous and romantic.

Captivating Corrina, Corrina
I have only seen about 4 or 5 feature movies starring Whoopi Goldberg and even less with Ray Liotta. Of these few, Corrina, Corrina is my favorite. Corrina, Corrina is a movie with so many heartwarming moments. It is also in the rare category of movies made in the last 2 decades which actually teaches a number of lessons. The lessons in Corrina, Corrina deal with loss, love, giving, hope, faith, art, beauty, optimism, racism, and forgiveness.

After Manny Singer's wife's death, he and his young daughter Molly are left alone to cope with their loss. After interviewing a number of unsuitable and eccentric applicant's as for the job of nanny, he chooses Corrina Washington. Corrina is far too qualified for the job. She is a college graduate with dreams of writing liner notes for jazz albums. But she is born too early, for she is an African-American woman, and it is 1950s America.

Being an optimist with a strong faith, Corrina becomes Molly's nanny. In the process, she changes the lives of both Manny and Molly. Love blooms effortlessly between the three. Molly sees Corrina as a new mother. Corrina and Manny see beyond one ano-
ther's skin color. They listen to one another. Their tastes in music and their outlook are similar. They fall in love to Molly's glee. But their families and 1950s America is not ready for their romance.

All of the actors in this movie were attractive. Whoopi Goldberg never looked better. Ray Liotta's looks and whole demeanor took my breath away. I think it was very courageous to cast Goldberg and Liotta together as love interests. Seeing them together in the film, made me wish that they were a couple in real life. Tina Majorina was precious, and one of the best child actors I have ever seem. I have been waiting to see her in more films ever since I first saw her in Corrina, Corrina.

Corrina, Corrina is a nearly flawless film for the whole family.

Charming Genre-Defying Film
Liotta & Goldberg are an unlikely but perfect match in this heartwarming bittersweet story of interracial love. Thoughtful direction, cinematography and casting enhance this highly watchable film which sends some subtley important messages on love, grief and family.

One of my favorite movies of all time.
I've been wanting to buy this movie on DVD for myself for such a long time, and I finally did the other day. I just watched it tonight. It's still as great as it was the many over times I've watched it.

Corrina, Corrina is a heartwarming film that's heartbreaking romantic, and all around a joy to watch. Whoopi Goldberg plays a nanny who is hired by an Athiest (Ray Liotta) to look after his 7 year old girl, Molly. It takes some time getting used to Corrina and her religous beliefs (because she'd tell Molly that her mother, who had recently passed away, was in Heaven and the father told Corrina not to be telling Molly such things because he and his deceased wife were Athiest), but in the end, the father comes to accept Corrina's intentions and find what's best for his daughter. There are some heartbreaking moments in the film that will have tears running down your cheeks, but there are also moments where you'll be laughing your sorrow away. This movie is pretty much perfect. When Molly's mother died, she became miserable and wouldn't talk to anyone. She wouldn't say one word. But, when Corrina came into her life, Molly slowly became her fun old self and she began glowing once again. This is a great film to watch over and over again and you'll never grow tired of it. ... Read more

Reviews (32)

Fun from start to finish
Freaky Friday is a hilarious film. It is filled with funny, quotable dialogue. The script is great, and what makes it all come together are the performances by it's stars. Jodie Foster is very good and entertaining as Annabel. Barbara Harris as Mrs. Andrews is so wonderful she steals the show. Her transformation into her teenage daughter trying to be a wife and mother is a blast. Barbara Harris has a wacky, rebelliousness that comes though in her performance. It's perfect. Her scenes with Boris (Annabel's teenage crush who lives across the street) and her son Ben, are especially funny.

The young Sparky Marcus as little Ben Andrews is adorable. His scene of confiding in his "mother" about his true feelings for sister Annabel is very touching. Marc McClure as Boris Harris (who makes a cameo appearance in 2003's Freaky Friday as Boris making a delivery) is great in his role as the allergy-prone object of Annabel's affections. Another standout character is Mrs. Schmauss the cleaning lady. Her interactions with "Mrs. Andrews" are side splitting.

The title song, "I'd Like To Be You For A Day", is really beautiful and compliments the sentiment in the film. Freaky Friday is a feel good film with a message that is obvious, but also has a subtle message throughout that reminds us not to take life too seriously. It seems to say "Enjoy the people you love, appreciate their individuality and struggles, and most of all, allow yourself to have fun on this crazy journey."

Original 1977 FREAKY FRIDAY Is The Best!
For a guy who likes Ingmar Bergman and other indy, artsy films, I guess it seems weird that I bought the DVD of the original FREAKY FRIDAY the minute it hit amazon. But, this film was made in the good old days of Disney, before they lost focus of their business and started behaving like most other monster corporations. This story has had at least 3 lives: the 2003 version (enjoyable), the 90's TV version (I never saw that one), and the one at hand. The original 1977 release gives us the unique pleasure of seeing two wonderful performers, Barbara Harris and Jodie Foster, going through their paces in this mother-daughter-switch tale. Barbara Harris is one of the great performers who never quite made the level of fame she deserved. Whether in her Broadway turns in ON A CLEAR DAY YOU CAN SEE FOREVER and THE APPLE TREE, to several good films, she had an amazing ability to be vulnerable in one moment and seamlessly turn into a glamourous, gutsy bombshell in the next. And her voice! This film and, perhaps, Hitchcock's FAMILY PLOT are nice samplings of her skill. Add in the very young Jodie Foster and you can't lose. (The DVD has a nice on-screen commentary by Foster, which proves how spontaneously articulate she is. Too bad they didn't get Harris to discuss her part.) As an added benefit, the screenplay is by source book author, Mary Rodgers (Richard Rodgers' daughter and author-composer in her own right). For those who like THE GILMORE GIRLS, which is a tremendous and enjoyable example of an almost-impossibly-idealistic relationship between a mother and her daughter, this film will be a nice reality check. Here the mother and daughter can't relate to each other at all until they go through the fiery baptism of spending a day in each other's body. Ultimately, this film provides us with 90-plus minutes of enjoyment and humor in the hands of the very talented cast.

Extremly Funny!!!!!!!!
I like this one MUCH better than the remake! Although the remake was still good. It is MUCH closer to the book. It was also more funny and I thought that Jodie Foster did an excellent job as Annabel! MUCH better than Lindsey Lohan. I also thought that Barbara Harris did a great job as Ellen. The Remake is not close to the book at all. After you see the orginal one, you'll probaly think that the remake isn't as good!

The best nothing beats a classic!
I grew up with this movie. I think I saw it for the first time on the wonderful world of Disney. Either that or Mom got it for me at the library & even she likes it.
Jodi foster is both brilliant & lovable! She's believable and as the child her issues where at least believable & somebody I could sypathise with. As an adult in a childs body well hillarious! By the way Ben or Ape Face really showed talent. What happened to that kid? He was cute & delivered a preformance of giant perportion that added dynamic to both mother and daughter. Plus that ball game scene & his love & envy of his big sister. The kid had a real talent for delivering dialog, yet also proved though he first apears a little geek that he had a real little boys spirit.
The jokes where clean & in good taste. Yet timeless & funny. Nothing beats a great chase scene & that car chase was both exciting and funny.
I seached long & hard for a copy of the vhs but it'd been vaulted. just when I bought it used My VCR broke & I got a DVD player for my birthday. A week later the DVD came out. Purchase of that DVD is one of the first things I'll do with my next paycheck. It will be money well spent on a classic disney movie I could watch again & again.

Thank you, Disney
At last, Disney DVD presents a fine, widescreen print of one of its '70's classics with an accompanying twenty-minute recollection by Jodie Foster of her formative years on the Disney lot. Although this DVD of the original "Freaky Friday" is not a special edition, it is exactly the kind of product we Disney fans and DVD purists have been begging for. Hopefully, good sales will lead to new widescreen releases of previously botched fullscreen DVDs of "Follow Me, Boys," "Son of Flubber," "The Gnome Mobile" and "Blackbeard's Ghost," among others.

One of the first of the popular body-switching genre, 1977's "Freaky Friday" is a fast-paced, perceptive comedy about a typical mother-and-daughter relationship and how the two react when they literally switch personalities for a day, with Foster's Annabel trapped in her mother's body, and Barbara Harris' Ellen going to junior high as Annabel. The complications are obvious but nonetheless funny and engaging, with Harris proving herself a skilled physical comedienne while skateboarding, playing baseball, and suffering through numerous pratfalls and humiliations. My only problem with Harris' performance is she seems to be playing Annabel too young--perhaps as a nine-year-old instead of a bright thirteen-year-old, so she's never entirely believable in the role. (Jamie Lee Curtis, on the other hand, nails the teenager-in-a-grownup-body role in the remake.) Foster, on the other hand, is just about perfect in her characterization of daughter/mother Annabel. Even in 1977 it was easy to see this phenomenal young talent was destined for great things as an actress. Indeed, "Freaky Friday" was part of an incredible string of top-notch performances Foster gave from 1973-1977 ("Tom Sawyer," "Echoes of a Summer," "Bugsy Malone," "Taxi Driver," "The Little Girl Who Lives Down the Lane" and "Candleshoe") that turned her into one of the finest (if not THE finest) child actresses of all time.

Rounding out the cast is a fine group of veteran actors: John Astin as Bill Andrews, Annabel's confused father; Patsy Kelly as the family's grumpy and unlikeable housekeeper; Dick Van Patten as Bill's boss; and Ruth Buzzi, in a funny cameo as a field hockey coach (her strategy: "Get Annabel Andrews and get her good!") Gary Nelson's direction is crisp, and the script by novelist Mary Rodgers perceptive for the time, although she was forced to change the plot somewhat to include that tired Disney '70's staple: a protracted slapstick car chase involving Ellen/Annabel outracing several police cars without facing any consequences whatsoever. Like most Disney films of the era, the production values are stellar and the film is colorful and reminiscent of a live-action cartoon. Even the opening cartoon-credit sequence is engaging.

Yes, there are some creepy sexual subtexts here (which Foster amusingly comments on in the documentary) involving Bill and neighbor-teen Boris (Marc McClure) both coming onto Ellen/Annabel, but they will go right over younger kids' heads and older kids will be as amused by it as their parents. Regardless, this is perfect family entertainment and will make a fine double-feature with the 2003 remake, which is equally good with its own merits. (I prefer Jamie Lee Curtis over Harris, and Foster over Lohan and think the remake is more successful in dealing with the sexual subtexts; i.e., the makers wisely scuttle the father's role and make Curtis a widow with a fiance played by Mark Harmon, which was the smartest of many changes made in the plot.)

So, once again, thank you, Disney, for a fine DVD of one of your best '70's films. Please, please, please follow this one up with more widescreen releases. ... Read more

Reviews (36)

Live-action cartoon
What fun! I stumbled onto this movie in progress on a program called "Golden Age of Comedy Movies." I paused when I saw Arnold and Ann-Margret in an old western, curious as to what this was. When Ann-Margret leaned out of the train and handed Arnold her bags, nearly falling out of her low-cut dress in the process and saying, "Take hold of these," I knew this wasn't a serious drama I was watching. When Kirk Douglas showed up, I was hooked. It's impossible not to make comparisons with The Roadrunner cartoons as Kirk Douglas performs impossible leaps and survives intact after being crushed by a giant boulder and hit by a train. His trusty sidekick, Whiskey the horse, is a pure delight. It's odd to see Arnold in cowboy garb. His job is mostly to look studly and his lines mostly consist of, "I really don't know!" delivered with a bewildered look. Definitely a one-of-a-kind movie. Don't watch it if you're expecting great acting and writing, but if you just want to get in on the fun of big name stars acting very silly, you'll love it.

A Live-Action Road Runner Cartoon!
The fun starts fast, and never ends in this live-action version of a Road Runner cartoon! Kirk Douglas stars in a role unlike any he's ever done, as Cactus Jack Slade; who undergoes the same troubles that the Coyote would endure. His horse (Whiskey), however, steals the show as he puts Cactus Jack into some really awkward situations throughout the movie. Arnold Schwartzenegger is Handsome Stranger (another unlikely role for him), the hero that escorts Ann Margaret's character from "point A" to "point B" safely (or is she safe?) If you're looking for a serious western, put this one down; however, if laughter is what you're looking for... "just push PLAY" on this outrageous comedy!

cactus jack the early years
The Movie advertised is wrestling NOY A MOVIE = no Ann Margaret , NO Krik Douglas- the description belongs to The Villian not the Title listed

an all time favorite
This is one of my most favorite movies. It actually is a family favorite. We made our original "beta" copy when it 1st appeared on cable in the early "70's-. Arnold, Mel Tillis- Ann Margaret, Ruth Buzzy-- Kirk Douglas - (he was amazing) Paul Lynn- Who am I missing-- Oh yeah the horse Whiskey - and road runner- This was hilarious in the 70's and still is. - As we showed it to all of our friends in the 70's-- we present it to all of our friends now- every one must see "The Villain" over and over and over.- cant get enough of it.

"A tale told by an idiot . . ."
No, no. This movie is far from being Shakespearean. In fact, The Villain is quite possibly the worst movie I've ever seen. This comes as no surprise as it was recommended by my grandmom, whose taste in movies has always been viewed as dubious by the rest of my family. What's even more hilarious is that she once heard that Arnold would be on The Tonight Show, and-- get this-- she said, "I wonder if he's going to talk about The Villain..." Sure, grandmom... He's really going to tarnish his reputation as a respected movie star by reminding everyone of this late-seventies bomb! Anyhow-- you probably get the point. Plainly stated, The Villain is parody at its worst, so don't even think that it's going to make you laugh. ... Read more

Reviews (26)

TOP DRAWER WEREWOLF MOVIE...
This is a thinking person's werewolf movie. Well directed by Mike Nichols, it features a stellar cast who give excellent performances. Jack Nicholson, Michelle Pfeiffer, Christopher Plummer, James Spader, Kate Nelligan, and David Hyde Pierce all contribute to the successful execution of this sophisticated and subtle horror film. As an added bonus, those of you who are devotees of the TV series, "Friends", should look for David Schwimmer's cameo appearance in the film.

Jack Nicholson plays a middle aged, married, senior book editor for a publishing company. Driving home at night from a business trip in New England, he hits an animal on the road. When he gets out of his car to check on the condition of the animal, he discovers it to be a wolf. What happens next will change the course of his life forever.

When Jack gets back to his office, he is feeling the after effects of his interaction with the wolf. He is also concerned about his job, as his publishing house has been taken over by Christopher Plummer. Jack initially plays his character as a somewhat laid back, nice guy, a good man who doesn't see the knife being plunged into his back by his young, ambition driven underling, played with obsequious perfection by James Spader, until it is too late. Publishing is, indeed, a dog eat dog world.

Betrayed by his underling who has been given his job, Jack finds himself undergoing a subtle, physical metamorphosis. He no longer needs reading glasses, his hearing is extremely acute, and he has a keen, very keen, sense of smell. It is these enhanced senses that lead him to discover that his wife, well played by Kate Nelligan, has shockingly betrayed his love and devotion, causing him to leave her. It is a betrayal that is to have dire consequences for her.

Finding himself more robust and aggressive, literally a new man, Jack goes on the attack and, and with the aid of his loyal underling, played to perfection by David Hyde Pierce, gets his job back. He aggressively asserts himself with Spader and lets him know, in no uncertain terms, who is top dog. There is a memorable scene to this effect. In the process of regaining his life, Jack falls in love with the boss's beautiful daughter, played with gritty charm by Michelle Pfeiffer, and she with him.

Still, Jack finds himself battling his inner demons over his change. The transformation of Jack is subtle, and there is very lttle use of special effects to enhance his metamorphosis. Jack is often able to convey to the viewer what he is undergoing with a flick of the eyebrow, a twitch of the nose, a curl of the lips. It is a wonderful piece of acting and a tribute to the power of suggestion.

Certain events transpire that make Jack fear that his transformation will result in injury to Michelle. She eventually buys into his fear, misinterpreting certain events that take place. What he and she ultimately discover is that they both, in fact, have a great deal to fear, but that their initial fear was misplaced. Look to a great finale.

If you are the type of horror film fan who likes excessive gore, as well as many high tech, special effects, this is not the film for you, as there is very little of that in this film. This is a subtle, multi-layered, symbolic type of horror film that will leave the viewer analyzing what they just saw. It is simply a great werewolf film.

A movie with a modest bite
Will Randall (Jack Nicholson) is the senior editor of a big book company and his life isn't as great as he would like it to be. However, things drastically change, and mostly improve, for Will after he is bitten by a mean looking wolf. Will soon finds out that he is changing more and more every day and that he is becoming like a wolf. Before long, he has better vision, hearing, and a spectacular sense of smell, but not everything has improved for Mr. Randall. Since he is now a lot more like a wolf, animals are now afraid of him and he becomes a murderer, just by following his wolf instincts. Will Mr. Randall find out what he's becoming, and is there a way to stop it?

"Wolf" is a pretty good movie. The makeup and the special effects in the movie aren't some of the best, but they get the job done. Jack Nicholson does a good job of acting and so does Michelle Pfeiffer as Will's new love interest. "Wolf" is a moderately exciting movie, it doesn't have as much blood and gore as you would expect it to have. It also doesn't have as much action as I would've liked to have seen, but it was still an entertaining movie and I recommend anybody who likes horror movies to at least watch "Wolf."

Intelligent horror film/character study
This is an interesting film, because it's partly a character study of a tired, middle aged publisher and partly a horror film about werewolves. Jack Nicholson plays a publisher about to lose his job to his friend and protege, who also happens to be sleeping with his wife. He seems too worn out to put up much of a fight, until he is bitten by a dying wolf, and begins to feel as if he has taken on its spirit. He also falls for the incredibly beautiful daughter of his boss (Michelle Pfeiffer). This movie has top notch acting, an intriuging story and a cool ending. I recommend it.

JACK NICHOLSON was made for this role of strange WOLF
This movie can demonstrate that the talents of JACK NICHOLSON are immenses, ernormous ! This is a film which i 've seen many time and i ave not lassitude ! The scenario is structured as much as a jewel ! Sure i like this film !

Wicked good fun!
Imaging the weirdest of all actor getting even weirder. That's what happenes when Jack Nicholson hits a large black animal and is bitten when he attempts to remove it from the road.
I love this movie as it shows the strength and rejuvination which comes with the werewolf's bite. Jack Nicholson is old but has an OK job, he has a cheating wife, and a new nose which smells a drop of tequilla in a cup of coffee on your breath.
He learns more of his internal demon wolf as the moon cycles. He also finds a way of controling his complete change, but when a new woman in his life is in danger from a rival wolf he must decide if he really wants to. ... Read more

Reviews (20)

A Classic, Period!
One of Isabelle Adjani's best qualities is that no matter what character she plays, she's always convincing. 1988's "Camille Claudel" is probably her most passionate, convincing performance. From the film's moving start, to its tragic end, there is never a dull moment. Easily handling a full range of emotions, Adjani manages to charm us, sadden us and even frighten us. This is a long movie but never once did I tire of it or lose intrest. Before this movie, I had no idea who Camille Claudel was. After seeing it, I was moved to find out as much about her and her sculptures as I possibly could. Along with Adjani, Gerard Depardieu deserves credit for his outstanding performance as Rodin. Production values are meticulous right down to the smallest details. While several great movies come out every year, very few "classics" manage to break through. "Camille Claudel" is one of those who thank God, managed to do so.

Good!
Camille Claudel is a must-see. There are various topics in it that make this film interesting: the struggle of women artists of that time; the influence of Rodin on her artistic and personal life; her father's support and insight for his daughter; insanity as product of social misconception on females' role in the art world.

Great acting and a superb story. The only drawback is that it seems to be told entirely by the 'pro-Claudel's side of view'. In spite of that, this is still a movie that has depth and gives an accurate picture of that passion and conflict for being a fine artist.

Passionate, Creative and Tragic, A True Art Movie
I began watching this film on a late night of insomnia....it didn't help me to sleep and that's a good thing!

Isabelle Adjani artfully plays real life French sculpturess, Camille Claudel. She displays pure emotion and passionate reactions such that she is completely believable as the tragic yet talented Claudel. Claudel becomes Auguste Rodin's assistant and eventual lover/muse. They fight and compete for fame together and seperately with Claudel always the more talented but underscored by Rodin's jealously and fierce connections to the art world. In the end Claudel succumbs to a broken and ravaged heart betrayed in many ways by her one true love, Rodin.

I recently returned from a trip to Paris and having seen first hand the sculptures created by Claudel and Rodin I am even more impressed with this tragic story of talented yet conflicted artists. To see the obvious gentleness with which Claudel can carve marble and to feel the warmth that stems from a slab of cold stone left me mesmerized by her talent. Rodin appears clumsy and inept next to her creations despite his world reknown fame. I will always wonder what a woman of her talent could have created had she been alive today and not under the influence of an egotistical maniac!

'Camille' est magnifique!
As a French major, this is an excellent film. The language is clear (the nudity is a little inappropriate for some ages, though). I've seen this film twice some months apart and each time it was certainly engaging.

The pace was a little frustrating near the end, but considering the topic at hand (the demise of a promising artist), it is understandable. What does make an impression are the images. Many of the scenes have almost a photographic quality - very nice cinematography. The relationship between Camille and Rodin is very full of little nuances that keep the viewer engaged, too.

This is a great film for pleasure, an art classroom or a history class. Obviously, francophiles would love it, were they to see it!

Good Movie
I saw the movie on cable and it was a fascinating story about the sculptress Camille Claudel and her lover Renoir. She was a talented artist in the beginning with ambitions. Then she gets involved with Renoir, a womanizing artist and a married man. She forgets herself in his world and when he doesn't choose between her and his wife, she leaves feeling as if he is at fault for her waning popularity. Claudel was a talented artist of her day when women were considered second-class citizens and encouraged by her father to be the person she was. Unfortunately, she came across disappointment and mental distress when her relationship with Renoir ended. While she was his mistress, she wasn't herself, and without him, she lost her spirit. Her brother, who was considered the troublemaker, made himself a well-known person in diplomacy and literature. The movie examines the close relationship between Paul and his sister. It was sad that her relationship with her mother was never restored. She always felt she was a threat to her because of her work. Her father was supportive through and through. What disappointed him was the daughter that changed into someone else's shadow. Camille was a gifted woman of her time. Had she kept her sanity and let go of the demons, she would have maintained high status as Collette. The movie was a very interesting movie to watch. ... Read more

Reviews (95)

4.5 stars -- more enjoyable than "Titanic."
"The Poseidon Adventure" is the quintessential disaster movie -- the very best of the disaster film genre that reigned through the 70's and early 80's.

This particular disaster flick involves a ocean liner capsized by a tidal wave (on New Year's Eve of all times!)and the ten survivors who struggle to make it up to the hull (which is actually the bottom of the ship) to possibly find a way out through the stern. Being that everything is upside down presents major obstacles to the cast.

The pic features a stellar cast, including a young Gene Hackman and a fit Ernest Borgnine, who are constantly at each others throats because, as the Hackman character points out, they're two of a kind and Borgnine simply doesn't like what he sees in the mirror. The female cast includes Pamela Sue Martin (Nancy Drew), Carol Lynley and Stella Stevens, all well-cast as scantily-clad babes in distress. Also, Shelley Winters does a nice job as an overweight heroine. Red Buttons, Roddy McDowall and Leslie Nielson (in a serious role as The Captain) are also on hand.

The sets of the sinking, upside down ship are absolutely outstanding. The scene wherein the ship tips over showing the party-goers fall/slide to the ceiling is superb.

The characters are great and you really start to care for them. Okay, there is admittedly some silly dialogue, but I KNOW people who talk like this in real life, so it's not as campy and unrealistic as some criticize.

Hackman as the fiery-passionate rebel preacher is excellent. His real struggle is ultimately with his Creator, who he "has it out" with at the end. Unspiritual people will no doubt tend to laugh at this scene, but it powerfully portrays humanity's grappling with the universal question "Why does a righteous God allow evil and hardship to exist?"

The "Preacher" is nicely balanced out by the Pamela Sue Martin character who loves him and the Borgnine character who despises him; but observe Borgnine's nice change-of-heart at the very end.

It's interesting to note that, even though some say this flick has campy aspects, everyone highly rates it. "The Poseidon Adventure" is just a very entertaining and moving motion picture. It's got "cult movie" written all over it.

I find it of interest that many reviewers state how they like "The Poseidon Adventure" better than "Titanic." "Titanic" is hailed as one of the greatest, most popular pics of all time, yet all these folks say they prefer to see the former. I'd have to agree. "Titanic" is a good flick, there's no doubt; but given the choice I'd much rather see "The Poseidon Adventure."

the mother of all disaster movies
Irwin Allen's THE POSEIDON ADVENTURE is regarded as being the forerunner of the myriad of disaster movies that reigned supreme at the box-office through the 70's and into the 80's.

In this enjoyable and quite campy film, we see the "stock characters" that would become a fixture in the disaster movie genre; the Jewish couple (Jack Albertson and Shelley Winters), the swashbuckling ah...priest? (Gene Hackman), the rowdy policeman and his ex-hooker wife (Ernest Borgnine and Stella Stevens), the nervous little singer (Carol Lynley), the bachelor (Red Buttons), the leggy teen (Pamela Sue Martin) and the know-it-all little brat (Eric Shea).

Mind you, the ship was bound to sink with Leslie Nielsen (AKA Frank Drebin) at the helm...

When the SS Poseidon capsizes in a tidal wave on New Year's Eve, this motley bunch of survivors try to climb to the thinnest part of the hull to escape. Climbing up a huge Christmas tree to begin the adventure, the Priest first makes some convienient "alterations" to the women's outfits. First he orders Stella Stevens to take off her evening gown and put on a short pink shirt; then he orders Pamela Sue Martin to take off her red mini-skirt, which she does, only to reveal a matching pair of red hotpants beneath!!

Then sit back and watch as our vaccuous and totally unbelievable band of dim-wits try to thwart the crumbling wreckage that is continually exploding around them. I mean really, what is Stella Stevens thinking that she can climb through vents and up ladders in silver stilettos?!!

Featuring the theme song "The Morning After" (mimed convincingly by Carol Lynley) and some marvellous miniature effects techniques.

My Favorite Disaster Movie!
I have written a review of The Poseidon Adventure before but that was before I got the DVD and in that review I basically was reviewing the movie so I thought I would write a new review. I received the DVD for Christmas and just watched it a little while ago and though I do think that they should release a new special Edition DVD with anamorphic widescreen and more extra features I'm pleased with this letterbox widescreen for now but will definitely think of getting a special Edition DVD if one is ever released. I enjoyed watching this movie and I think this is the best disaster movie I have ever seen and the whole cast is great. Gene Hackman (The French Connection), Ernest Borgnine (The Dirty Dozen), Shelley Winters (Night of the Hunter), Stella Stevens (Where Angels Go, Trouble Follows), Jack Albertson (Chico and the Man), Pamela Sue Martin (Dynasty), etc. If you are looking for great extra features on this DVD you will find that this is a bare bones DVD and the features are rather sparse and are only the trailer and a couple of short biographies and filmographies of only a couple of the actors from the cast and I hope that if a new DVD is released that it will have more special features that will include a biography and filmography of the whole cast and also cast interviews, deleted scenes and all of the usual extras. Well anyway until a better DVD comes along I'm actually content with this one.

SPECIAL EDITION!
Come on, everybody, just keep chanting it 'til we get it:
SPECIAL EDITION!
SPECIAL EDITION!
SPECIAL EDITION!
SPECIAL EDITION!
SPECIAL EDITION!
SPECIAL EDITION!
SPECIAL EDITION!
SPECIAL EDITION!

ALL STAR DISASTER CLASSIC!
As far as disaster flicks go, it's hard to find one as effective and engrossing as THE POSEIDON ADVENTURE. Director Ronald Neame, and the astute guidance of Irwin Allen, forged this riveting tale of a world turned upside down. Remember, they didn't have CGI back then, but the set builders and other technical crews gave us a ship turned topsy turvy by a monstrous tidal wave. While all the performers did very well, my favorites were Stella Stevens as the foul-mouthed ex-hooker starting a new life with her cop husband; Ernest Borgnine as Rogo, the aforementioned cop who brought all his trademark bluster, and innocence, to the role; Roddy McDowall, the oh-so-polite steward who always called everybody sir or ma'am; and Jack Albertson, the devoted husband of the doomed Shelley Winters.
THE POSEIDON ADVENTURE will always be one of (if not the) best disaster films----it has all the necessary ingredients and yes, it even had THE MORNING AFTER.
A good film!!!! ... Read more

Reviews (6)

INTERESTING MURDER MYSTERY....
When blackmailing night club singer Mavis Marlowe is strangled with her own silk scarf, a man she was blackmailing and involved with is arrested. He says he's innocent, his loyal wife says he's innocent---but all evidence points to his guilt. The wife (June Vincent) sets out to prove his innocence even though the cop on the case (Broderick Crawford) is doubtful. She finds an unlikely ally in Marlowe's alcoholic piano player husband Dan Duryea. The clue to the murder is a missing ruby brooch. Duryea plays a nice guy here with a big problem---his drinking. He's talented, likable and really cares for Vincent. He's practically the whole show but Peter Lorre is also on hand as a mysterious night club owner and a potential suspect. Good noir photography, interesting twists, solid performances from the cast and a good DVD print make this an enjoyable little thriller. Worth watching for noir enthusiasts.

BLACK ANGEL DISTURBING, COMPELLING, THRILLING
A sexy singer, an ex lover and a dutiful wife: classic film noir lover's triangle tinged with a race against time and singed in sparkling performances from a stellar cast. In "Black Angel" femme fatale chanteuse Mavis Marlowe (Constance Dowling) turns up dead. Kirk Bennett (John Phillips) who used to be her lover seems the natural choice for the police's prime suspect and their latest blackmail victim. No one believes Kirk's story - it is a little hard to swallow - that he found Mavis already a goner on the floor of her apartment. However, when Kirk is sentenced to death, his long-suffering, too-good-to-be-true wife, Catherine (June Vincent) begins to investigate the crime for answers of her own. She's aided by Martin Blair (Dan Duryea) Mavis' husband. The film is riddled with rich curiosities of character; Kirk's philandering innocence, Mavis' evil vixen turned victim, Catherine's never wavering devotion to her wayward hubby and Blair's nonchalant, noncommittal dedication to discovering who really killed his wife. At one point Blair even goes so far as to offer himself as Kirk's replacement, should salvation not come in time to spare him from the electric chair. It must be love! An outstanding cameo comes by way of Peter Lorre as Marco, the always spurious, never to be trusted seedy nightclub owner who happened to visit Mavis Marlowe on the night she bought the farm. It should be pointed out however, that the suspense of finding the killer gets somewhat diffused in the process and never quite reaches the par excellence caliber of say, "The Asphalt Jungle" or "Laura."
Another solid effort from Universal.The gray scale is very well balanced with deep solid blacks and whites that are almost pristine. There's a hint film grain and some age related artifacts. Also, some edge enhancement and pixelization occur as well but nothing that will distract. The audio is mono and very well represented. There are no extras on this disc. Nevertheless, it is a good disc to add to your library of classic cinema.

"Sometimes I find myself surrounded by puzzles."
In the film "Black Angel" when beautiful singer Mavis Marlowe is found murdered in her apartment, her ex-lover and latest blackmail victim, Kirk Bennett is arrested and tried for her murder. No one believes his story that he found Mavis dead, but when he is sentenced to death, his long-suffering wife, Katherine starts looking for answers of her own. Katherine seeks out Martin Blair (Dan Duryea) the husband of the victim, and together they try to solve the crime.

One interesting element in this film is the contrast between the two female leads--both are singers--both are attractive, and both are about the same age and size. Mavis Marlowe, though, is the quintessential Film Noir evil female, and this is evident by her dress, love affairs with men, and also in the abysmal way she treats people (especially the maid). Katherine Bennett, on the other hand, as the 'good woman' here, maintains an absolutely perfect home, and she sticks by her man no matter what he does. Kirk Bennett is a philanderer and quite possibly a murderer, but Katherine's heart never wanders--even though Martin Blair (Duryea) makes it perfectly clear that he'd happily step into Kirk's place now that hubbie is safely locked up in San Quentin.

Another equally fascinating element in "Black Angel" is Marco (Peter Lorre)--the nightclub owner who visited the naughty Mavis Marlowe on the night of her death. Those lizard-like eyelids hide many secrets, and Peter Lorre is always fun to watch in any role. "Black Angel" as a classic Film Noir does include essential elements--an unsolved mysterious death, an evil woman, a race against time, irrevocable choices etc., However, that said, the suspense of finding the killer is not emphasized, and the film--while enjoyable--does not reach its maximum suspense potential. Some of the drama seems to surround the question of Kathy's choices--and whether or not Martin will do the right thing, and this results in a 4 star rating for this film--displacedhuman.

Black Angel = Mavis Marlowe
This 1946 memorable noir boasts a fine cast that includes: Peter Lorre, Dan Duryea, June Vincent, and the stunningly beautiful Constance Dowling. Based on the novel by Cornell Woolrich and directed by Roy William Neill, Black Angel's storyline hinges on the elements that comprise many noir classics. Murder, blackmail, deceit, and a race against time to prove a desperate man's innocence are the essential plot elements that propell Neill's film through the uncertainties of urban darkness. Cheating husband Kirk Bennett (John Phillips) is wrongfully convicted of murder and is sentenced to die in the electric chair. This time it is a woman, Kirk's wife Cahterine ( June Vincent) who intensifies the murder investigation. As Kirk's execution date draws near, Catherine instills the help of an alcoholic songwriter, Marty Blair (Dan Duryea). Blair is the ex-husband of the murdered woman ( Constance Dowling). The unlikely pairing uncover a trail of clues that lead them to a swarthy night club owner named Marko ( Peter Lorre). Great performances by all actors highlight the picture. Lorre is excellent as the shaddy club owner who is being blackmailed. June Vincent as Catherine gives an admirable performance as she attempts to balance emotional distance and closeness with the rejuvenated Marty. But it is Constance Dowling as Mavis Marlowe who devours her screen time with vampish presence. Mavis exudes sexual danger as a pretensiously concieted singer who lives in a posh high-rise apartment surrounded by trinkets that reaffirm her beauty and status. Why Dowling never achieved the same screen stardom as actresses such as: Lauren Bacall, Barbara Stanwyck, or Rita Hayworth is mystifying. Maybe that is why films such as Black Angel are worth viewing over and over again.

Great Treasure re-released
Finally available is a not too often discussed, but superbly filmed drama about a person, whose guiltiness becomes clear only late in the movie. Dan Duryea, often framed by dull stories, acts without his usual (wanted) sliminess and is the tragic hero of a dark drama. A fine score as well as good costumes and a false fire performance by Peter Lorre complete this beautifully restored edition. Every noir fan has to get it. ... Read more

Description

Episodes: "Time Enough at Last" (Ep. 8, November 20, 1959) - A bookworm (Burgess Meredith) yearns for more time to read--then a nuclear holocaust leaves him alone in the world with lots of time, plenty to read, and one ironic twist! "The Monsters are Due on Maple Street" (Ep. 22, March 4, 1960) - Inexplicable events cause the residents of quiet Maple Street to erupt into rioting. The residents suspect an alien invasion has occurred. If so, where are the alien monsters? "Nightmare at 20,000 Feet" (Ep. 123, October 11, 1963) - A salesman (William Shatner) recovering from a nervous breakdown spots a gremlin on the wing of his plane. When he attempts to alert the others, his nightmare truly begins! "The Odyssey of Flight 33" (Ep. 54, February 24, 1961) - Flight 33 picks up a peculiar tailwind and is blown off course. After apparently correcting the problem, the flight arrives at its destination--a billion years ahead of schedule! ... Read more

Reviews (17)

This is definitely the BEST volume in the DVD collection
No matter how many DVDs they put out with episodes of "The Twilight Zone," they cannot put out one with better episodes that Volume 2. "Time Enougth at Last" is THE quintessential Zone episode, adapted by Rod Serling from Lynn Venable's short story. Burgess Meredith, in what was surely his most recognizable role, plays Henry Bemis, a mild-mannered, myopic bank teller who only wants to read, but can never get away from this shrewish wife and demanding boss. But then Henry has the fortune of being in the bank vault reading a book when the world is destroyed by a nuclear war. Directed by John Brahm, no "Twilight Zone" episode ever backed a more unforgettable ending. "The Monsters are Due on Maple Street" finds neighbors turning on each other as unexplained events fuel their fear that human-looking aliens have infiltrated Maple Street (filed on MGM's "Andy Hardy" street). Claude Atkins and Jack Weston head a strong cast in this classic written by Rod Serling and directed by Ron Winston. "Nightmare at 20,000 Feet" stars William Shatner as poor Bob Wilson, who has left a sanatorium only to take a plane flight where a gremlin keeps trying to sabotage the engine. Written by Richard Matheson, who wrote the original short story, "Nightmare" was directed by Richard Donner, who went on to be a film director of some note. "The Odyssey of Flight 33" is the only sub-classic episode on this disc. The story by Serling, directed by Justus Addiss, is of a plane that picks up a freak tail wind that sends it back in time. John Anderson as Captain Farver leads the excellent cast that makes this rather far-fetched idea utterly believable.

There's a man on the wing!
This is a superb compilation of some of the best Twilight Zone episodes ever made.

This DVD includes the following episodes: "Time Enough at Last", "The Monsters are Due on Maple Street", "Nightmare at 20,000 Feet", and "The Odyssey of Flight 33".

"Nightmare at 20,000 Feet" is my favorite episode. William Shatner is a passenger on an airplane who sees an alien on the plane's wing every time he looks out the window. However, he's the only one who sees the alien - every time he yells to the stewardess or other people, the alien disappears. Everytime he sees the alien, he yells "there's a man on the wing! " It is such a great episode - it made William Shatner the star he is today!

Also, be sure to look for Burgess Meredith in "Time Enough At Last" before he was known as "Mickey" from the Rocky movies.

My only complaint is that there are not more episodes on this disk. I don't understand why CBS didn't release the episodes on a season-by-season basis.

One of the Best Twilight Zone DVDs
This second volume of Collection One might be the best of the entire Collection. "Time Enough at Last" and "Oddyssey of Flight 33" features two excellent stories with amazing and unforgettable endings. Another classic is "Nightmare at 20,000 Feet," featuring William Shatner, who plays a man recovering from a nervous break down. His flight with his wife proves to be horrific. "The Monsters are Due on Maple Street" is a classic exploration into social psychology and mob mentality when a gang of residents on a quiet street are convinced that an alien invasion has occurred.

This second volume is well written with wonderful acting by Burgess Meredith and William Shatner. Highly recommended!

another great DVD
Vol 2 had even better episodes that Vol 1.

Time Enough At Last- Loved it! One of my favorite episodes actually. I felt very sorry for the guy. (*****)

Monsters are Due on Maple Street- Another great episode. Very surprising on who the monsters were. (****)

Terror at 20,000 feet- Uh, didn't care too much for this one. I got a little bored watching it actually. A lot of people seem to like this one though. (**)

The Odessy of Flight 33- another great and entertaining one. (***)

Your Next Stop is¿
Besides the TV Plays that you will buy this for, there are some DVD goodies (extras.):
Special "Inside the Twilight Zone" Section Written by Marc Scott Zicree
Biographical info on Rod Sterling
History of the Twilight Zone
Cast information
A season-by Season commentary
They claim to be digitally re-mastered yet there are still a few glitches and snow.
Episode 8 "Time Enough at Last" November 20, 1960

Henry Bemis (Burgess Meredith) has a healthy interest in reading; he is surrounded by people that underestimate its worth. He is conspired against by the bank president and even his wife. He works in a bank and spends his afternoons in the vault catching up on his reading. I will say no more as you and Mr. Bemis are about to enter the Twilight Zone.

Burgess Meredith will be found in several of the Twilight Zone episodes and again as the narrator of the 1983 Twilight Zone movie.

Episode 22 "The Monsters are Due on Maple Street" March 4, 1960

The typical neighbors, like Claude Atkins and Jack Weston, are out doing neighbor things like mowing their lawn. They stop to hear a weird sound and see a strange light. It is assumed to be a weird meteor. All of a sudden the power goes out and nothing works no phones, no cars, nothing. This is the last moment before the real monsters came out.

Episode 123 "Nightmare at 20,000 Feet" October 11, 1963

Mr. Wilson (William Shatner) is a salesman that is recovering from a nervous breakdown he had in an airplane. He is on his way down in a propeller commuter plane. You know something is amiss with him as he realizes he is next to the emergency window, over the wing. Of course his psychiatrist, Dr. Martin, would not let him fly home unless he was well. In the middle of an electrical storm, he looks out the window and I will say no more as you are about to enter the darkest part of the Twilight Zone.

This episode will be included in the 1983 movie with John Lithgow playing Mr. Wilson.

Episode 54 "The Odyssey of Flight 33" February 24, 1961

An international Jet flight, Global 33, is heading for Idawiled airport. On the way they get a sensation of great speed and go through some unknown barrier. Captain Farver (John Anderson) looses all external electronic guidance. He goes down for a closer look. I will not say anything more as you have now entered the Twilight Zone.

I wonder if we have a current remake, would Global 33 lose global positioning. ... Read more

Description

Our racers are back for a second cannonball run - the illegal race that takes place all over the country... Almost every star of the first film is here, along with new ones. Will J.J. McClure (Burt Reynolds) finally be the winner this time? ... Read more

Reviews (34)

One of the four best movies ever made
This movie is wicked good. It is the movie with car chases that is better than a lot of other movies like that. Some of the cars go very fast, but some just move along at a good speed. In a cross country race it is all about strategy. There are a lot of people in this movie. Some of the actors are more famous than others, and some are really famous. Steve McQueen is not in this movie. It is all a surprise when you see it the first time. There is a good fight scene at a ranch or something like that and it's good. The cars are cool. The winner of the race is a real cool plot twist. I love this movie and it's a good one. There are a lot of scenes that involve drinking and driving, but it is not made to look cool. This is a good movie for the whole family.

it's fun!
Look sure it's not going to win awards and it's not the best looking movie around but it's a lot of fun. i look to a movie for fun and not all of them must high budget, twisted plot line type to do it, burt and these stars had fun making it and it shows. plus there if a monkey in it and people like Jackie Chan in a early role, it has corny jokes you know are coming but you still laugh i mean who can not laugh when you have Dom, Burt and sammy davis all dressed up in womens clothes dancing?

get this movie is you want a fun light hearted movie to enjoy.

An Honest Review!
This movie is great! But the reason I gave it a 1 star was coz Jackie Chan had a very small role and he appeared through both movies. I know his english isn't good but he could've done some of the fighting scenes

The first one really deserved a sequel?
If you liked the first Cannonball Run movie, then I guess there's no reason not to like this one. There's a little bit other than the race going on in this one. They have the mob chasing them. It stars out with the exact same opening credits as the first movie with the cops casing on of the fast cars and the sexy women defacing a speed limit sign.
Then there's that familiar "Cannonballers getting drunk at the hotal the night before" thing.

The race starts in the west coast this time, but throughout the entire movie, they never get past the Nevada desert until the cloing credits. Almost the entire movie take place in the Navada desert so there's not much racing going on.
This movie had a slightly better supporting cast than the first one, which is why I gave this movie 2 stars instead of 1.
This time we have the 19-foot tall behemoth Richard Kiel sharing a small computerized Japanese car with Jackie Chan. Some of the baddies chasing them include Henry Silva (who's always a ruthless bad guy, but here he's more of a nerdy bad guy), Abe Vigoa, Alex Rocco, Telly Savalas, just to name a few. Another mismatch of 2 people sharing a car is Mel Tillis and Tony Danza. You really have to be a fan of redneck fast car movies like Smokey And The Bandit, Hooper, and Stroker Ace, then maybe you'll like this, but If you like comedies that are actually FUNNY, then you'll be disappointed.

The Cannonball Run 2 (1983)
This film is exactly like its original only this time the mob is after them. And also instead of Michael Hui, Jackie's capilot is Richard Kiel (the giant who played "Jaws" in 2 James Bond Movies: "The Spy Who Loved Me" and "Moonraker"). But then again it's quality is very poor... if you want to buy it don't waste your money on the expensive DVD edition, buy it on the cheap VHS edition. Jackie Chan still appears in a few cameo appereances but this time a few more. ... Read more

Reviews (13)

Holds your attention
I am glad I did not read the book first as this film has to tell the story minus many of the sub plots. However there are enough left to keep you well off balance. If it is your first time through the movie some of the plots are evasive.

It is definitely a Forsyth story with a good mixture of fact, myth, and plausibility. Well it could happen. The film is permeated with rising action; in several places you have no time to catch your breath. You will find your self kibitzing as "Don't make that phone call!"

The story was best told with black and white flashbacks to explain what happened in history to support today's (1974) action.

Reporter, Peter Miller comes in possession of a diary of a man that survived Riga concentration camp. Something he reads encourages him to seek SS Captain Eduard Roschmann, the commandant of the camp, who was presumed dead. In his endeavor he is thwarted at every turn by the authorities. Finally one posing as a doctor confirms Roshmann's existence by his very insistent that Roschmann is dead.

In the beginning we hear of President Kennedy's death which triggers the end of innocents. This combined with the overlapping plot of the Egyptians to build missiles, overlays Peter's personal pursuit with that of a Jewish organization attempting to infiltrate the Odessa (Organisation der ehemaligen SS-Angehörigen),an organization to reorganize and protect prominent people that where in the "National Socialist German Workers' Party".

Will Peter succeed with his mission (what ever it is) or will he be hindered by the Jewish organization? Will the organization succeed in thwarting the Egyptian missile plot or be hindered by Peter? Is SS Captain Roschmann still alive and if so what is he up to.

A great suspensful tale and excellent acting
This is a very good movie that will get the viewer on the edge of their seat as the tale of a man who is out to get justice against the ODESSA who are former SS soldiers hiding out after World War II. Jon Voigt portrays a German who infiltrates the highly secretive and guarded ODESSA with help from the Israeli's, who's ultimate goal is to capture a former high ranking SS officer portrayed by Maximillian Schell and get a full list of ODESSA members.

What makes this movie a cut above the average suspense style of movie is the superior acting by the lead characters. They are believeable and draw the viewer in for more. An excellent plot adapted from a novel by Frederick Forsythe has twists and turns at every corner, and finally the reason why Voigt is on the mission to either kill or kidnap Schell for the Israeli's is answered at the end.

This is highly recommended to all movie fans who enjoy an excellent suspensful plot and great acting from all the lead characters in this movie.

A well-crafted suspense thriller
The year is 1963...as the world is reeling from the assassination of President Kennedy, Egypt has missiles posed to annihilate Israel. The only thing preventing this is the lack of guidance technology to properly target the missiles, which Egypt is on the verge of obtaining with assistance from a group of Germans, once officers within the SS during World War II, now members of a group called Odessa, a clandestine organization designed to assist ex-German military personal gain new identities and lives, thereby avoiding capture, after the end of the war.

The Odessa File (1974) takes the popular Frederick Forsyth novel of the same name, which is supposedly based on actual facts and events, and presents it as a truly wonderful, tense thriller that I really enjoyed. Directed by accomplished cinematographer and director Ronald Neame, the film stars Jon Voight as freelance German journalist Peter Miller and Maximilian Schell as an ex-German officer named Eduard Roschmann, a man responsible for horrible atrocities, earning him the nickname 'The Butcher', during his tenure as head of a concentration camp which housed Jewish prisoners. After the passing of an elderly Jewish survivor of a WWII concentration camp, Miller comes into possession of a diary kept by the man, one which detailed, in particular, the various crimes against humanity by Roschmann, and also seemed to indicate that the war criminal may still be alive. As Miller begins delving into the story, uncovering tidbits of information, he meets resistance in the form of various individuals, many of which turn out to be members of the secret Odessa organization, and are now actively working against Miller for fears that he may uncover their secrets.

As Miller gets closer to uncovering the truths, the resistance against him grows, and takes the form of actual attempts on his life. Around this time he comes into contact with a Jewish group, working to locate the site within Germany that's developing the guidance system for the Egyptian rockets, and Miller agrees to work with them, changing his identity in order to become an ex-German officer and enable him access to the Odessa organization. In exchange for this, Miller will supply the group with information, while he himself tries to get closer to Roschmann. As Miller infiltrates the group, his cover is eventually blown, but not before he learns of the existence of the Odessa file, documents that detail many of the members within the group, including Roschmann. The goal now is survival, and given the circumstances, his chances seem pretty slim.

I have not actually read the book, but I really liked this film. Jon Voight is wonderful and believable, German accent and all, as a reporter, seemingly driven by a determination to expose a subversive hideousness, once prominent in his country, that has now gone underground, and threatens yet again a great many peoples of the world. Listed as a thriller/drama, The Odessa File certainly doesn't disappoint. The plot, while having many twists and turns, keeps focused, and rarely falters in its' progression. The development of the characters is carefully planned, but not so to bring attention to the fact, allowing for the viewer to become drawn into the film. The exposition at the beginning was a little awkward to me, but I didn't see any other way around it, so I accepted it. Schell provides an excellent performance as an ex-German officer hiding in broad daylight, one who will resort to any means necessary to protect his secrets, along with those of the Odessa group. One point I enjoyed was near the end, as a particular revelation was made. Prior to that point, I had started to question one of the main character's motivations, and, as if the film knew what I was thinking, it answered my question in a completely satisfying manner. The film runs just over two hours, and the first half may seem slow, but I felt as if this was deliberate, allowing time for the story to develop. During the second half the film picks up speed as the tension mounts, drawing on the momentum carefully constructed in the beginning, resulting in a wholly enjoyable conclusion. Given the nature of realizing novels to film, I suspect a number of plot elements were left out, but what was left seemed to be missing very little, at least anything that left a glaring hole which would pull the viewer out of the movie with its' obviousness, which indicates a skillful adaptation of original source material, done with care to preserve the elements which made the book so very popular and well received. All in all, this is a really thrilling outing, one that requires a little patience, but provides a rewarding experience overall.

Presented on this release are really good looking prints, both in wide screen and full screen formats (it's double-sided). The audio seems a bit soft, but there are English subtitles, so I missed nothing. As far as special features, there are some well put together production notes in a four page booklet within the DVD case, an original theatrical trailer, talent biographies for actors Voight, Schell, and director Neame, and trailers for Anaconda (1997) and Oliver Stone's U-Turn (1997), neither film as good as this one, but both certainly benefiting from Voight's appearance...and that's another thing...remember when Jon Voight appeared in good films? Along with this film, I also count Midnight Cowboy (1969), Catch-22 (1970), Deliverance (1972), and Runaway Train (1985) to be some real highlights of his career...and let's look at some of his more recent films...Most Wanted (1997), The Karate Dog (2004), and Baby Geniuses 2 (2004)...not exactly the caliber of films early in his career, but who knows what the future holds?

Cookieman108

Detective story dressed up as thriller
This was the second of the two Frederick Forsyth classic thrillers set in recent history. Forsyth had a wonderful talent for setting taut detective stories in what-if scenarios. Here he connects the secretive Odessa unit, dedicated to protecting former SS soldiers, with a plot to drop onto Israel WMDs loaded with bubonic plague, around 1963/64. Sadly little is made of this second element -- a pro-Israeli secret service unit features strongly in the film, but it seems to have no awareness of the threat that Kiefel Industries and Egpyt's Nasser pose to Israel.

This is a great detective story, but there is little action, no sex and almost no humour. Many would argue that one should not expect these elements in a plot set against the historical background of the Holocaust. Nearly all the Germans are heavy stereotypes -- humourless, cold, threatening, and occasionally explosive.

This DVD is definitely worth watching every 10 years or so, but I cannot say that it rewards more frequently repeated viewing.

The score, such as it is, reveals Andrew Lloyd Webber in his jazz-rock phase between 'Jesus Christ Superstar' and 'Variations'. Jon Voight does a great job as the sincere protagonist freelance journalist. Perhaps the big winner from this movie was Derek Jacobi, playing the troubled printer of false papers for the Odessa. He demonstrated that, with a couple of orange eyebrows stuck on, he could become a totally different personality -- ideal preparation for his masterful role in BBC's I CLAUDIUS a couple of years later.

not as good as the book but pretty decent
The book is better (it usually is) but the movie stays true to it and is a pretty decent one overall. Absolutely nothing fancy about it; no exotic sets and no dazzling special effects or stunts. This isn't an action movie, so there's not any real action sequences either. What it is is a suspense tale, a story of one man's quest for the truth. A nice blend of history and current events, which derives from the book the movie is based on; its author, Frederick Forsyth, is one of the best storytellers around. If you like the movie, you'll definitely enjoy his books. ... Read more

Description

Towering screen and stage legend Ian McKellen (The Lord of the Rings, X-Men) stars in this ferocious, deeply human and timeless production of William Shakespeare's classic tragedy from legendary director Trevor Nunn (Les Miserables) and the Royal Shakespeare Company. Noble Moroccan Othello finds his life with beautiful, fiercely loyal Desdemona thrown tragically out of balance when secretly jealous, scheming confidante Iago begins an insidious campaign of lies and treachery. Featuring agracious and dignified performance from celebrated operatic bass Willard White and a superb Imogen Stubbs as the tragic couple, this award-winning presentation is one of the controversial tale's most acclaimed and powerful interpretations to date. ... Read more

Amazon.com

The Quiet American proves that elegant and intelligent filmmaking can be emotionally powerful. Michael Caine plays Thomas Fowler, a British journalist in 1950s Vietnam with a lovely Vietnamese mistress named Phuong(Do Thi Hai Yen) and a jaded view of the political strife teeming around him. He befriends a seemingly innocuous American named Alden Pyle (Brendan Fraser), who falls in love with Phuong--and slowly, Pyle's real purpose inVietnam becomes revealed. Fowler finds that, to hold on to the carefully balanced life he's created for himself, he must make choices he's long avoided. Caine and Fraser are both superb and give a human face to complicated politics; as a result, The Quiet American manages to becompelling as both history and a story about very specific people embroiled in a very personal conflict. An impressive film from director Philip Noyce (Rabbit-Proof Fence, Patriot Games). --Bret Fetzer ... Read more

Reviews (92)

Caine scores again
Michael Caine gives yet another outstanding performance in "The Quiet American," Philip Noyce's 2002 adaptation of the Graham Greene Cold War novel (the first movie version was released in 1958). Set in 1952 Saigon, the film features Caine as Thomas Fowler, a world-weary British journalist who's been sent to Vietnam to cover the attempt by colonial French forces to hold back the communist insurgence from the