Amazon.com

"Do ya wanna party?" challenges the soundtrack to this freaky and funny reworking of George Romero's Night of the Living Dead. Paced to the beat of a pounding rock score, this comic flesh feast delivers both laughs and outlandish gore. No longer lumbering, moaning creatures, these lithe, feral, and cunning undead claw their way out of the cemetery and into the skulls of a human smorgasbord. They even master the art of home delivery: "Send more cops," croaks a corpse into a patrol car radio. Director Dan O'Bannon even takes pains to explain their motivation between the tributes to the granddaddy of zombie horrors ("Well, it worked in the movie!" screams James Karen when a pickax to the skull hardly phases a lively cadaver). Not that it really matters amid the gore and gallows humor, but it does add a kick to the cynically sinister climax. --Sean Axmaker ... Read more

Reviews (141)

"It worked in the movie!"
Re-animated corpses, swearing, blood & gore, full-frontal female nudity, iconoclastic jabs at American culture, and lots of gallows humor--what more could a horror fan ask for?

Any genre fan who has a morbid sense of humor is sure to enjoy 1985's THE RETURN OF THE LIVING DEAD. In the same vein as other tongue-in-cheek horror shtick such as the Chiodo Brothers' KILLER KLOWNS FROM OUTER SPACE and Sam Raimi's ARMY OF DARKNESS, this one's specifically a spoof of George Romero's classic and highly revered zombie film NIGHT OF THE LIVING DEAD. Director/Screenwriter Dan O'Bannon, probably best known for having penned the original ALIEN movie, does a fantastic job of lovingly poking fun at the Horror and SF genres while at the same time satirizing everything from the U.S. Military to Punk Rock. This movie is not only funny, it's got plenty o' "brains"!

And you can't beat the financial value of the DVD edition. Not only does it cost less than a lot of other full-length, widescreen DVD thrillers--including some that are hardly worth the plastic and aluminum it took to make 'em--but it also includes these cool extras: an optional audio commentary by O'Bannon and production designer William Stout; both the G-rated and R-rated theatrical trailers; over 5-minutes of various TV spots; some storyboard-like production stills; and a really cool "Designing the Dead" featurette, in which O'Bannon and Stout discuss the evolution of the final look and feel of the movie (lots of great shots of Stout's EC-Comics-like designs for the zombies offered in this one).

THIS FILM ON DVD WAS WELL WORTH THE WAIT
Well, Well, Well, here's a film that offers great brain food ... RETURN OF THE LIVING DEAD. This film was a surprise hit in August 1985 when this film was released theatrically. I think both cops and peramedics enjoyed this film as well.

This film stars James Karen, Clu Galuger (Nightmare 2), Thom Matthews (Jason Lives : Friday the 13th Part6), scream goddess Linnea Quigley (who plays Trash in this movie), Miguel Nunez and Marc Venturini (whom both appeared in Friday the 13th Part5 - The New Beginning) and a bunch of other actors we all never heard of.

This film pays homage to Night of the Living Dead - the George A. Romero 1960 classic. It also blends in horror along in with comedy (one of the first horror films to do it) with satisfying results. My favourite part of this film is when Trash (Linnea Quigley) visits the Resurrection Cemetary with her friends and tells them her fantasy of dying - to be attacked by older men and eaten alive - and Trash just happens to get her wish.

This film deals with a medical worker (James Karen) and his assistant (Thom Matthews) encounter cannisters of dead cadavers, that splits open that awakes the dead and they turn to a crematorist for help - with disasterous results. The army eventually gets involved and the dead are ready to party.

This film has a good sound mix for a film of the 80's era. A good 80's soundtrack that is now hard to find. A noted song in this film Tonight (We'll Make Love Till We Die) by SSQ was better known as Stacey Q who would later sign on with Atlantic Records the year later with the #2 hit "Two of Hearts". Unfortunately for Stacey Q, she was a one hit wonder, made two albums and was dropped by Atlantic Records in 1990.

I have nothing but great things to say about this film and this DVD. MGM did a great job with the transfer of this film, both piture and sound quality wise. This film is presented in tis standard version and for the first time in widescreen (1.85:1) version. Extras include a soundtrack commentary, a "Featurette" with the writer and director Dan O'Bannon, tv spots and two theatre trailers. This film is a must have for fans of the genre and of this film. Highly reccomended for cops and peramedics !!!!

This film and DVD is well worth the wait so do get your copy today !!!!

"Not the common Zombie flick"
In this sequel of N.O.T.L.D, a mortician I guess you could say, cremated a Zombie and the smoke from his ashes created acid rain which brought the dead back to life. Like I said it's not the common zombie flick, in this sequel the zombies run and talk, which is kind of a disappointment, but it was something different plus it wasnt a Romero film but it was pretty good. Its worth buying and holding on to. It was pretty cool when they basically interviewed the Head of a zombie to ask why it was killing people, so that was a plus. Pretty good and like I said its definately worth buying.

i love all the return of the livind dead's
hi i just want everyone to know these return of the living dead are the best movies i had ever seen ....i wish so bad they will make a remake of this movie like they did to the dawn of the dead cause these movies were my favorite especially this part ..part1 ....i am so happy they are starting to make zombies movies agin....that i remeber it was residents evil first it was ok but not a real zombie movie then dawn of the dead....now i want my favorite one ...(return of the living dead)remakeings...

Perversely funny and haunting
Taking the old zombie/living dead legends and movie treatments, and then standing them on their ears, RETURN OF THE LIVING DEAD is a perversely funny and, yet, fiercely frightening movie. A combination of "The Night of the Living Dead," "Thriller", and a little bit of "Sid and Nancy", RETURN OF THE LIVING Dead is a great punk horror film. The tag-lines are hysterical. (My favorite: "Hey, guys, how can you kill something that's already dead?" "You know, Frank, the kid's got a good point there")

Some gruesome special effects, especially the make-up, are effective, but they do not overwhelm the film. The cast, playing it up between tongue-in-cheek camp and true terror, is made up mostly of no ones but they are quite up to the task. RETURN OF THE LIVING DEAD is a great horror comedy. ... Read more

Reviews (19)

GUARANTEED FUN
Forget what the uptight film critics had to say. If you enjoy Steve Martin at his best, and if you're a fan of Goldie Hawn, this movie's a keeper. Is it silly, goofy and a bit predictable? Yes. But who cares? It's a comedy, and that's what's comedies should be. Martin, Hawn, along with a wonderful supporting cast make for a memorable movie!...

One of My All Time Favorites
I remember being 14 and going to see this movie on opening weekend with my sister, I was a big Goldie Hawn fan at that point and I fell for her big time after seeing her in "Overboard", another underrated comedy from Goldie's cinema showcase. Even though this movie mostly got mixed reviews, I loved it instantly and ordered it constantly on PPV until I managed to get my hands on a tape of it. It is truly hilarious and the comedy team of Goldie Hawn & Steve Martin is absolutely magical perfection. This movie has so many laughs in it that one would be hard pressed to pick 1 certain defining moment but it is well worth the price and I would recommend it to anyone who wants to laugh. Also recommended is Goldie's other hit from the summer of '92, "Death Becomes Her".

Best Movie Ever!
You may think the only reason I like this movie is because I am a big fan of the writer. Although that is not true this is a great movie for the family. It's a must see.

Excellent screwball comedy vehicle for Steve & Goldie
I wish more projects were assembled for this tag-team of born screwball comedy geniuses, because "Housesitter" offers a great display of how well Martin and Hawn work together onscreen. Their senses of timing are tremendous and both have a gift for physical comedy and wringing the best out of every line of dialogue. I disagree with the Amazon staff reviewer, I think this movie is very well constructed, with a tight plotline and just the right balance of jokes and exposition. Not a word or scene is wasted. The humor is absurdist but good-natured, as in older-style films, and the supporting cast does standout service. This is a very underrated comedy, in my view, and I give it a high recommendation for fans of either of these fine actors or zany comedy in general. A very refreshing change from in-you-face gross-out jokes and sophomoric scatalogical/sexual put-down gags that pass as "comedy" in so many films today.

An almost Perfect comedy !!
This movie is one of my favorites. I originally seen this movie in 1992. Eleven years later I still think of this movie as being one of my favorites for comedy. Goldie Hawn and Steve Martin are fun to watch together and I think they compliment each other in this movie, unlike the other movie they recently did together. (I think the Out of Towners?) I would highly recommend this movie to anyone who wants to watch a "great(semi-romantic)comedy". ... Read more

Amazon.com

Not the Steven Spielberg blockbuster, this Lost World is a splendid 2001 BBC TV dramatization of Sir Arthur Conan Doyle's famous adventure story. Bob Hoskins makes an unusually genial Professor Challenger, far less of a bully than Doyle's character, but his slightly stereotyped companions are nicely filled out by a solid cast. James Fox is Challenger's more timid but still covertly adventurous rival, Tom Ward is the mustachioed big-game hunter who faces an allosaur with an elephant gun, and Matthew Rhys plays the tagalong reporter hoping to impress his faithless fiancée.

As usual, the adaptation adds a woman--orphaned jungle girl Elaine Cassidy--to the expedition, and an interesting villain (religious fanatic Peter Falk) beefs up the travelogue by marooning Challenger's gang on the South American plateau where dinosaurs, cavemen, and Indians coexist eventfully. The Walking with Dinosaurs-style effects work well for the TV frame, but the real success is in integrating the adventuring with subtle eco-awareness, complex character interplay, and the reliable wonder of soaring pteranodons and carnosaur attacks. --Kim Newman ... Read more

Reviews (11)

Top quality tv movie
The Lost World (2001) is high quality. I spent four hours over two days watching this on tv with all the commercials in between. Of all the movies I've seen on tv in the past few years this is probably the most memorable.

This version of The Lost World reminds me of the 1960 version, obviously due to it being based on the same book, and I knew some major points of the story and seeing them redone with a contemporary style was very rewarding. I love this movie.
It is quite modest and not full of in-your-face visual effects.
The length (given by IMDB at 2 and a half hours) is well used to develop characters and all that stuff. I just watched it for interest and because Bob Hoskins is a cool actor, and all this is my review.

The besf film adaptation ever of Doyle's novel!
If you didn't see this wonderful Lost World minseries A&E did, buy the DVD or video. Or do like I did-buy it after having seen it on A&E. It was spectacular, by far the best film adaptation I have seen of Sir Arthur Conan Doyle's novel. No, it doesn't stay true to the novel (face it, few films ever stay true to the novels they are based on), but the differences actually make the story enjoyable and interesting in its own right separate from the novel.

The changes from the novel include the following:

1) Professor Challenger-in the book, he is not at all a likeable character, and is not meant to be, but in the film, they made him more amenable, yet still kept much of his stubborness and self-righteousness. It was a good compromise for the purpose of viewer accetability of a main character.

2) Agnes Clooney-the female member of the team in the film was not in the novel, but is still a welcomed addition. She is a more liberated woman in some ways, but it isn't done over the top so she is beating up savages and shooting up things (she isn't Sheena, Queen of the Jungle, and that type of character wouldn't have fit in this story). Rather, Agnes as a character does fit a woman living in her circumstances in that time.

4) The Demented Reverend-He wasn't in the book either, but I actually think he wasn't a very good addition. I'm kind of sick and tired of this cliched evil missionary character who kills in the name of the lord. Its been done to death. Thought, admittedly, Peter Faulk played this character very well, and did instill in him more soul and complexity than most of these evil missionary stereotypical characters get in most films.

One thing I really liked about this film was how it was an action/adventure story, but it also made you think about what was going on in the story. It had some really good things to say about man's interaction with nature, and preservation of the environment against exploitation. Challenger, towards the end of the film, makes a comment about science often not being accessible to the public at large without it being dressed up a bit as entertainment. This is exactly what this film does in some ways. It presents and entertaining, engrossing adventure, but also presents interesting scientific thoughts about ecology. Just what can happen when man starts mucking about and disturbing the balance of nature?

And the answer to that question wasn't entirely clear in one circumstance. The dispute between Challenger's point of view versus Lord Roxton's view on what to do with the Ape Men in the film. They were both right and both wrong from my view. This really points to the difficult balance between how much we should interfere in nature and how much we should just leave things alone.

I recommend this film very highly to anyone who loves the original novel, or action/adventure stories in general. This film continues A&E's record of excellence in creating film adaptations of classic stories.

Slick, Better-Than-Average Version of Doyle's Classic Tale
The BBC/A&E production of "The Lost World" tunred out much better than I expected, giving us slick storytelling and solid characters with good acting.

THE STORY is 'basically' the same. Well, at first I was worried looking at the cover -- six people apparently looking at the dinosaurs. Six? Yes, the film, based on Conan Doyle's 1912 novel, added TWO extra characters to the original expedition team (misunderstood genius Prof. Challenger, natural-born cynic Prof. Summerlee, newsreporter Edward Malone, adventure-loving hunter Lord Roxton), which are about to reveal the secret of the plateau in the Amazon, and to prove that dinosaurs are still living there.

THE NEW CHARACTERS are one zealous priest and his niece, played by Peter Falk and Elaine Cassidy respectively. They join in Professor Challenger (Bob Hoskins) and his team in the jungle, only to complicate the situation -- deadly dinosaurs, the more dangerous apemen (or the Missing Link) and the "Indians" (so they say).

The addition, in fact, works for the better, getting rid of the annoying elements in the original book, like the patronizing way Doyle treated the natives in the book. And other changes done to the story are justified, but some might find the different tone in the ending (or the modernized answer to Challenger's expedition) slightly anti-climax, compared with the slient version, or Spielberg's "Lost World."

SPECIAL EFFECTS are first-rate, with the convincing images of dinosaurs walking in the jungle. The fierce fight between the humans and the allosaurs is the highlight of the film though some kids find it too horrible. (And parents should be warned that there is a suggested scene of cannibalism). The location is fantastic, showing some of the scenes (like the entrance to the plateau) almost exactly as the book tells us.

In spite of its length (more than 2hrs 30 mins), "The Lost World" keeps on rolling as smooth as "The Jurassic Park," and it makes you think a little about the way we meddle with the nature. It aspires to be more than just a dinosaur movie, and it succeeds well.

Hit and Miss
I was pleased to see a version of this story that had the special effects to back up the concept. However, I think I almost would have rather had a "special edition" of the version with the perfectly-cast John Rhys-Davies than this creationist-basher. The writers used just enough of the standard Creationist arguments to make them sound like legit, but then showed the character (not in the book) as having no answer to the "problems" posed by the staunchly evolutionist scientist. What I'm wondering is why the filmmakers chose a perfectly good (if Darwin-inspired) story to make a pedestal for evolutionist propaganda. It makes it difficult to watch for me, because I am tired of movies and TV portraying preachers as ignorant and uneducated in the way of science, and to use half-hearted attempts at "legitimate" creationist positions in order to make them look even more foolish strikes me as particularly vindictive.

Pros: Good look to the story; great effects. Good cast.
Cons: One of many unfaithful adaptations of the book, NOT widescreen, and certainly the writers had a malicious agenda (as opposed to a simple erroneous worldview). Also, the ape-scat scene was pretty nasty.

The REAL Lost World
This is the Ultimate 'Lost World' Dinosaur movie experience. Had this been released in the theaters it may have been just as big, if not bigger, than the Jurassic Park Lost World. It sets around the much more believable theory, unlike Jurassic Park where the Dinosaurs we're magically recreated by a few droplets of DNA from a Mosquito, something Scientists still admit is physically not possible, And set the Dinosaurs as always living, from the time of their origin, in a remote Plateau deep in the South American Rain Forests, land where No man has lived to see, especially since it takes place in the early 1900's when Planes and Helicopters we're not exaclty accessible. All in all, one of the Best movies I've personally ever watched, and the fact that it was never in theaters makes it even more incredible. Well worth the x amount of dolalrs it costs for the DVD, no matter what format it is in. ... Read more

Amazon.com

You'll believe a thumb can talk! Writer-director Steve Oedekerk (Ace Ventura: When Nature Calls) compresses highlights of the entire trilogy into this goofy burlesque of the original Star Wars. The humor is pretty adolescent, a spoofing series of pithy puns, winking in-jokes, silly sight gags, and character caricatures, but the screwy magic Thumbation skews it all into a brand-new realm. This revolutionary process marries desktop digital effects and good old-fashioned thumb puppetry with a twisted, sick genius: human mouths and eyes are not merely morphed onto the thumbs but squished into cartoonish exaggeration. The resulting creations are like strange alien beings from a galactic farce far, far away, and the film is an equally oddball mix of chintzy toy sets and doll costumes and elaborate CGI space battles. For an all-thumbs production, it's genuinely inspired.

The commentary by creator Steve Oedekerk and producer Paul Marshal doesn't shed much light on the production, but it does up the pun quotient significantly. The DVD debut also features trailers from Thumbation classics Thumbtanic and The Blair Thumb; gag "thumbographies" of the characters; a strange, silly interview with Gabba the Butt; and a gallery of storyboards (look closely and you'll see the title The Incredible Mr. Limpet printed on the bottom--guess who was funding this picture's preproduction). --Sean Axmaker ... Read more

Reviews (48)

That's thumb movie
I was completely taken off guard by Thumb Wars. I'd never heard of it before, but I instantly fell in love with it. Sure, there are tons of spoofs on Star Wars, but this has been the one that's made me laugh the most. In only 30 minutes, it skims through the plot of "A New Hope" (with a few extras from the others) using little characters with thumbs as heads. My favorite part about this is the superimposed faces of the thumbs. Their expressions are hilarious, not to mention all the quotable one-liners and off-the-wall gags they include! If you enjoy quirky comedy like The Simpsons, you must own this wonderful DVD, even if you've never seen Star Wars. I'd close by giving this movie two definite thumbs up, but that'd be a little ridiculous, don't you think?

HILARIOUS, Best "Star Wars" spoof EVER!
Well, Steve Oedekerk does it again. With his whitty Thumb Theater productions, I'd have to say this is the best one. I loved his choice of names too. "Loke Groundrunner"(Luke Skywalker), "Princess Bunhead"(Princess Leia), "Hand Duet"(Han Solo), "Black Helmet Man"(Darth Vader), Prissype(C-3PO), "Beeboopbeep"(R2-D2), and "Crunchie"(Chewie), great names Steve! The "nail side of the thumb" was with Steve when I created this one. I especially liked "Oobedoob Scooby Dooby Benubi", he was great. BUY this movie, you will laugh for HOURS! And may the "thumb" be with you.

Thumb Wars
This an absolutly hilarious movie that is a remake of the original Star War movies ecept for the characters in this film are THUMBS. If you are looking for a movie that is stupid but funny, this is it. This is the only thumb movie I have seen so far but I plan on getting the others. I think the creater of all the thumb movies Steve Oedekerk did a great job of the characters names, like Dark Helemet Man(a.k.a Darth Vader), Princess Bunnhead, Loke Groundrunner(a.k.a Luke Skywalker), Scooby doobie kanubie(a.k.a obie one kanobie). (...)One of my favorite parts is when one of the thumbs says " Why do we have to speak in a British accent if there is no Brittin in space"? Then dark helmet man uses the force to pop of his head. I first saw this film when we rented it from BlockBusters videos. After I watched this movie once I had to watch it again about 5 times before we had to take it back. I inspire you to watch the whole collection of these hilarious videos that will have you laughing every 4 seconds.

And may the thumb be with you.

Very Funny
I rarely watch a movie more than once. My family and I have watched this movie over and over again and I laugh out loud every time!!!!!!!!

Amusing, but not that great compared to other "Thumbs."
Oedekerk and his group continue to fascinate with this entry in the Thumbation series. It probably helps to be a "Star Wars" fan to find this "Thumb" entry really funny, but I'm not one of those fans, so much of it fell rather flat in terms of humor to me. High points were the "Hans Solo" counterpart in "Thumb Wars" involved in a conversation where nearly all of Harrison Ford's non-"Star Wars" movies are mentioned, and the revelation of the "Star Wars" Obi Wan Kenobe's counterpart's middle name as a Thumb character. One of my favorite Thumb characters....The One-Eyed Thumb guy--appears yet again...Woo Hoo! I've found other Oedekerk "Thumb" movies more amusing than "Thumb Wars" (though the subtitle "The Phantom Cuticle" WAS amusing.) This effort reminded me a lot of the "Star Wars" parody "Space Balls" done by Mel Brooks, (though without thumbs.) That wasn't one of Brooks' better films, either. So maybe I'm just biased against the "Star Wars" phenomena and even such parodies. My favorite Thumb movie remains "The Blair Thumb," a parody of the awful film "The Blair Witch Project" so I gave this one a slightly lower rating. ... Read more

Amazon.com

With a story that's too flimsy to support its running time, this road-movie comedy has plenty of problems, but at its best it's a surprisingly inspired vehicle for the clever teaming of Tim Robbins and Martin Lawrence. Robbins plays an addled advertising executive who comes home early one day and discovers his wife in bed with his boss. To make matters worse, he's later carjacked by a struggling, unemployed family-man-turned-petty-thief (Lawrence), and that's when he loses his cool completely. He takes the carjacker hostage and recruits him on a road-trip scheme of revenge against his wife and boss. Plotting to break into his boss's high-security vault, Robbins gets a criminal assist from Lawrence, but they're also on the run from another pair of would-be thieves who trail them to the vault's location. The routine plot is occasionally limp and sluggish, but writer-director Steve Oedekerk (who makes a wacky cameo appearance as a security guard) mines comedy gold during several scenes that detour from the plot for the sake of sheer lunacy. Robbins and Lawrence have great comedic chemistry (if you can tolerate Lawrence's constant profanity), and although the movie ends on a false note with some unlikely turns of fate, it's definitely good for more than a few solid laughs. --Jeff Shannon ... Read more

Reviews (37)

From Bad To Worse
In "Nothing To Lose" Nick Beam (Tim Robbins), a white executive from the suburbs of Los Angeles, is having a really bad day. To start with, he walks in on his wife in bed with another man. He's having a really rough time with his boss. And to top it all off, he gets carjacked by T.(Terrence) Paul (Martin Lawrence). Feeling he has "nothing to lose," Nick decides to turn the tables on this would be carjacker and take him for the action packed thrill ride of his life.

In this 1997 comedy, directed by Steve Oedekerk, you will get 98 minutes of gut busting laughs. If you like comedies with lots of action, hold-ups, high speed chases, and revenge, I would recommend this movie to you.

I give this film four stars because, while it is a very funny film, it does have a lot of foul language. Therefore, I wouldn't recommend this film for young people, or people who prefer to keep young sensitive ears.

Tim Correll's Nothing to Lose review
Tim Robbins (who is white) and Martin Lawrence (who is black) are great together in this movie. They committ a couple of robberies in Arizona and are mistaken for another white and black man (John C. McGinley and Giancarlo Esposito). Nick Beam (Robbins) hated Terrance P. Davidson (Lawrence) at first but he met the Davidson family and change his perspective completly. There are a lot of funny moments in this movie and (in my opinion) Nothing to Lose is quality entertainment. Die hard Martin Lawrence fans should definetly see this movie!

Absolutely funny!
I'm a fan of Tim Robbins. I saw this at the movies and just had to have it in DVD. The story is a typical buddy film but the chemistry between Robbins and Martin Lawrrence was priceless. The funniest line from Robbins in response to the real spider crawling on his head was, "I'm not up on all this jive talkin' homeboy lingo". This is a must see!

Odd couple vehicle for Robbins and Lawrence (He so crazy!)
This movie is basically an odd couple comedy. ONe man, Nick, is a successful white busines man and the other, T for Terrance, is a down on his luck black man. Not the most original set-up.

The plot starts of with Nick coming home only to spy his wife having sex with his boss (played by Michael McKean of Spinal Tap fame). He walks out of his house in a daze and just starts driving the streets of L.A. He come to a bad part of town, rap music now plays in the background, and is mugged in his car by T.

Well, the mugging doesn't go as planned. Nick maces T and keeps driving. They get all the way to the desert in remote Arizona.

From here on the rob together, fight, and meet up with another mixed crime spree couple. They get to know each each other and there are some fairly touching moments as they understand each other's background. You'll have to see the movie to see how it all ends.

I thought the movie plot was fair but a bit contrived as a vehicle for Martin's screwball antics. Fans of Martin should enjoy this flick. Also look for the clear-faced ex-Oxy spokes-girl Rebecca Gayheart.

MARTIN AT HIS BEST
IN THIS MOVIE, A MAN [TIM ROBBINS] DISCOVERS HIS WIFE CHEATING, THEN TO MAKE MATTERS WORSE, HE GETS CARJACKED BY A THIEF [MARTIN LAWRENCE] THEN HE JUST LOSES HIS MIND. SUPRISINGLY FUNNY, AND MARTIN LAWRENCE AND TIM ROBBINS MAKE A VERY GOOD TEAM FOR A BUDDY MOVIE. IT'S FUNNY AND IT'S VERY FUN TO WATCH. I WOULD RECCOMEND THIS TO ANY MOVIE FAN THAT LIKES COMEDIES. A VERY FUNNY AND ENTERTAINING MOVIE FOR ALL. ... Read more

Reviews (196)

A underrated masterpiece of fantasy!
Jim Henson's 1982 Fantasy epic is set in another world and time, a elf-like being called " Jen" has a task that he must take. His task is to return an important Crystal shard back to a important universal source called " The Dark Crystal" before 3 suns line up, he joins up with a female Gelfling and must save the universe from the evil Skeckis before it's too late.

A magical movie that is one of the greatest fantasy epics of all time and also one of the best animated movies ever made, why is it animated you say? cause it's performed by Puppets that why. The DVD is impressive with excellent transfer and widescreen the way it was meant to be seen, the extras are phenomenal such as trailers, documentary, deleted scenes and more that adds to the value of the DVD. It's a must see movie if your into adventure, fantasy, sci-fi and animation, it's also a must see movie for your whole family and a guaranteed good time.

Movie Fairy Tale Told Right.
Jim Henson was one of the greatest artists and filmmakers of the 20th century. It took awhile for his genius to be appreciated in the United States, but over a decade since his death people are finally beginning to recognize the mastery of his creative mind. For example, THE DARK CRYSTAL. The film had a fairly decent run when it was originally released in theatres in 1982. However, the film wasn't acknowledged or heralded for the creative and complex masterpiece that it is until recently.

THE DARK CRYSTAL was a humongous undertaking. It is a film that takes place in a fantasy world, filled with frightening and mystical creatures; yet does not star one human being. The entire cast of the film consisted of nothing but puppets: some rather large and cumbersome, some that human performers were fitted in, some that were small, some that were animatronic; but all puppets nonetheless. Nothing like it had ever been attempted before and through the work on THE DARK CRYSTAL, Henson pushed puppetry and animatronics to a whole new level.

THE DARK CRYSTAL is about a young male Gelfling (think of an elf, but much smaller) named Jen and the journey he undertakes to save his world from an eternal dominion by a group of dragon-like creatures called Skesis. Jen's entire race was wiped out in a holocaust by the Skesis in an attempt to prevent a 1000 year old prophecy from being fulfilled. Jen is the last of his race, or so he believes. Jen leaves the race of Mystics who have raised the child since his parents' murder and sets forth on a journey to the great Palace to heal the Dark Crystal by inserting The Shard that had been broken from the crystal a millenium ago. Along the way he meets a variety of fantastical creatures from a one-eyed wise woman, the a race of miniture-round-headed people called Podlings, to a female Gelfling named Kira.

The plot of the movie is excellent and is told in the manner of such classic works as THE LORD OF THE RINGS, STAR WARS, and THE ODYSSEY. The world that Henson created is one of magic and fantasy, yet the story contains a great deal of Truth within it. It is a tale of adventure, love, sacrifice, and redemption; which speaks to the divinity in us all.

The movie is acceptible for an entire family to watch and contains several morals. However, children younger than five may find some of the creatures frightening. Nevertheless, THE DARK CRYSTAL is a fairy tale and like all true fairy tales, it does not gloss over the fact that evil is an ugly and nasty business. This movie is one of the best by one of the greatest.

Beautiful, but something missing...
Perhaps *beautiful* is the wrong word, for this movie is rarely aesthetically beautiful. Don't get me wrong on this point, beauty is not necessarily a good thing. What I mean to say is, atmospherically this is a triumph... but not beautiful. The 'characters' blend in perfectly(... beautifully?) to their world. The landscapes are... well... dark (which is fitting). It's aesthetically perfect, and in a movie like this, perfection demands there be little beauty.

The creatures are organic. 'Nuff said. They're wonderful. They're believable. They're just plain... wow.

So what's missing?

Terry Gilliam is quoted as saying a children's movie should be "Exciting enough for adults, and intelligent enough for kids" (Re: Time Bandits). The Dark Crystal is an imaginative masterpiece, but I couldn't help but feel the simplistic plot, 2-dimensional characters (I appreciate that making puppets' mental workings visible must be one of the hardest tasks in a movie with a fully puppet cast) patronizes the intelligence of all but the youngest children. They're a lot brighter than we treat them, and they're getting brighter by the day ;)

But, I suppose a great movie can do without great characters as long as the focus isn't on the characters, as long as it compensates atmospherically. And "The Dark Crystal" more than compensates.

So what's missing?

I'll relate this to another adventure movie: Dune. Dune was atmospherically beautiful, but it took itself too seriously. It was a massive undertaking, granted, but I can't remember laughing... or even smiling once. 137 minutes without smiling is a long time.

And it's the same with "The Dark Crystal". The only slightly comic break from the plot is the antics of a round-furry-dog-thing, but this isn't enough. "The Dark Crystal" Takes its battle-between-good-and-evil far too seriously, and unless one's awe at the world Jim Henson created can last one the full 90 minutes or so of the movie, one becomes impatient. Humour is an important tool with infinite potential - especially in a movie aimed at children, but it's a tool almost entirely overlooked in "The Dark Crystal". Even in a story as serious as Macbeth takes a moment to let its audience step back and chuckle towards the beginning. "The Dark Crystal" doesn't give us this opportunity.

In conclusion, "The Dark Crystal" is a... beautiful movie, but one that takes itself far too seriously. I became impatient with the simplistic plot, 2-dimensional characters (as 'beautiful' as they may be), and almost total lack of humour, but... clearly from the other reviews I've read, other's did not.

RE: the DVD
It's a lovely little package, but for the price you pay for it, it better be. I'm particularly fond of the little note-pad included. I would have liked to see more documentaries on the DVD, perhaps audio commentary, but alas - it shall not be.

Glorious!
I admit to being scared out of my wits by the Skeksis and the Garthim when I was little (reptiles combined with vultures and spiders combined with crabs are still terrifying to me), but I've come to really cherish this Tolkien-esque/ Froudian film. The gentle, nurturing Mystics, and cute little dog/ dust ball Fizzgig are among my favorite characters. The Podlings are simply adorable... the Gelflings are finely- featured and beautiful(Jen is very ponderous, if somewhat passive... Kira shows just how women can be, and are, just as strong as men!)... the Landstriders (which gracefully manage to combine the aspects of cats, moths, giraffes, camels, bats, rabbits, and who knows what else, into such beautiful creatures) are swift, courageous animals, and are very dear to me (for some odd reason). Possibly because I love animals(and I just have a thing for the underdog/unsung hero.) And there's the gentle Nebrie and many other creatures.

It's incredible to me that they were able to do this whole film without human actors! I seriously thought when I first saw it that they were real, flesh-and-blood creatures! Jim, Frank, Brian, and the rest of the crew really put their time and effort into making this film! Their hard work really paid off; the facial expressions and movements are impeccable! And the scenery is unbelievably lush, beautiful, and realistic. All of it looks so natural and earthy. It is as if they actually had real-live creatures acting, in my eyes... and they fact that they took the time to make up all of the history beind this story! That's just amazing!... and I could not get enough of "The Making of The Dark Crystal". How they all managed to sculpt, design, and perform these characters is mind-blowing for me, since I'm far from an artist like this crew. No matter...

This film, while impressive, is not for all people; there is a sizable mortality rate in this film that (the little ones) are likely to find very disturbing, including several struggles (Screaming Podlings being snatched up to be converted into slaves, Nebries being served to the Skeksis for dinner, and two Landstriders squealing as they fall to their deaths in a cliffside battle with the Garthim... I can't bear to watch (or hear) animals being harmed, and especially animals as gentle and benevolent as they are. Was showing these things really necessary?)

Apart from little things here and there, it is truely quite an accomplishment, if not earth-shattering, to watch!

22 Year Old Masterpiece of puppetry, still
When you think of Jim Henson you would sooner think of brightly colored animals with funny voices like dogs, bears, frogs and gonzos or fraggles. The Dark Crystal is something completely different however. It is scary, scary as hell.

It is a story of two races, Scepsis and Mystics who became seperated when the crystal cracked. To regain the balance in the universe the crystal must be whole again. In a prophecy it is said that a Gelfling will do this, allmost all of them are killed, except for one Gelfling called Jen...

Even though this movie is made 1982 it does not look dated at all. The puppets and body suits are amazing and really form their own world, much like Lord of the Rings. I'm surprised not more movies or stories in this fantasy world have been made.

This movie should not be watched by children under at least 12. The Scepsis are scary, vulture like creatures aided by an army of big bugs. Even the Gelflings look a little scary.

It's a masterpiece of puppetry, so definitely watch it. ... Read more

Reviews (3)

Steed has some rare outings - Tara's on the dance card
The Avengers Season 6 - the final season of the ever popular British TV cult classic. In this, the second set of the Tara King era, we have six rare outings. Featuring fan favorite "All Done With Mirrors". So join join the always suave and sophisticated John Steed, and his able bodied female counterpart Tara King, as they battle ville villians, confounding criminals, and dangerous doubles.

We have two class acts in volume one. The solo Tara King outing "All Done With Mirrors", and the outrageous and stylish "Maltese Falcon" spoof "Legacy of Death". In "All Done With Mirrors", Steed is put under house arrest by Mother, and Tara is sent to investigate the leakage of secrets from a top-security facility. One of my favorite Tara King episodes, "All Done With Mirrors" is sharp and clever, with great direction and performances, and Tara at her series best. She proves quite resourceful, level-headed, and good in a fight (looking wonderful in her denim wardrobe, I might add). In "Legacy of Death", Steed is given the Falcon Dagger, which is the key to unlock a secret buried treasure, which is also the central interest of a bunch of crazed criminals. It's actually quite fun in spots, and then exessively over-the-top in others. But just a bevy of weirdos help it to succeed.

Volume two also has two keepers. The heavy romantic qualities of "Noon Doomsday", and the gag-filled luncy of "Look (stop me if you've heard this one) But There Were These Two Fellers...". Both are quite good, "Look..." being somewhat of a polarizer as not everybody loves it as I do. In "Noon Doomsday" an injured Steed, again, becomes the the target of an old foe who put him away. Not the best episodes, but still enjoyable. Features some good romantic interplay between Steed and Tara, if you like that sort of thing. Could have done without the western music cues though. "Look..." is a much better episode, as retired vaudiville artists seek revenge on the compapny who are planning to bulldoze their old theaters, in order to build and underground miltary shelter. The number of gags in this episode is immense. Beautifully directed by James Hill, "Look..." is absolutley hilarious! And I stand (in good company) firmly on the positive side of this when I say that this is a great episode.

In volume three, we have the rather dull "Have Guns - Will Haggle", which is recycled from an earlier unused Tara episode, and the slow but solid "They Keep Killing Steed". In "Have Guns - Will Haggle", a bunch of top-of-the-line rifles are stolen and tested on living targets, only to be auctioned off to foriegn bidders. A real yawn, as nothing really exciting happens, in this below average episode. I'd advise you to fast-forward to the much better episode "They Keep Killing Steed", in which a madman attempts to create a duplicate of Steed in order to infiltrate and sabotage a peace conferance. It's slow, but it' still good. Worth it for the fights alone, which are great.

In a nutshell - a good buy. Most of the episodes are good, but worth the price alone for "All Done With Mirrors". And, as I said for set one, if you don't like Tara, don't bother. Still, it's great fun for any Avengers fan!

Final series makes it to DVD
The final season of the original Avengers finally comes to DVD & VHS in region one. "The Forget me knot," the debut episode of Ms. Tara King played by Linda Thorson, was released back in 1998, but only now is the entire series seeing the light of day - and it's been well worth the wait.

There are many of course who do not rate these last adventures featuring the debonair John Steed as Britain's top government agent as highly as what had gone before, and it's easy to see why. Steed's pairing originally with Mrs Gale (Honor Blackman) and later Mrs Peel (Diana Rigg) had been an excellent match for his skills. With Mrs Peel leaving the show, the producers, Brian Clemens and Albert Fennell followed suit and John Bryce was brought back to the programme, following his stint producing the early Mrs Gale episodes.

The first thing Bryce did was to cast his girlfriend, twenty one year old Canadian Linda Thorson as Steed's new assistant, Miss Tara King. In order to complete the delivery of episodes to the US market, production was fairly rushed, and what came out of it was deemed substandard. Bryce was sacked and Fennell and Clemens brought back to rescue the production. Clemens was particularly unhappy about Linda Thorson's role, but it was too late in the day to do anything about it. They set about filming the initial block of 8 episodes (extended to 9), rehashing two of the abandoned Bryce episodes, and bringing back Mrs Peel for the one-off story "The forget me knot" to introduce the new character of Tara (although this "debut" was actually filmed third). Once these episodes were ready, they set about producing the final batch of 24.

There is a very significant shift in the character of Tara King between these two production blocks as Thorson began to gain confidence in the part. Also added as a regular into the later stories is Steed & Tara's boss, "Mother," played by Patrick Newell. Thorson's inexperience and the naivety of the character are often cited as the reason the show was cancelled after these episodes were transmitted. Personally, I think the inclusion of the very annoying "Mother" to be a far more valid reason. But it's all a matter of taste.

The stories are included on the discs in the order they were first transmitted in the UK. I would strongly recommend viewing them in PRODUCTION ORDER (easy to track on any Avengers website). There are several reasons for this. It's easier to warm to Miss King as you follow her character development. It also makes more sense to understand her constant hair changes and costume. She started as a blonde, moved to a be-wigged brunette, and only in the latter 24 episodes did we see Thorson's own hair. We can also see how the actress started in "slimmed down mode" (on the orders of the TV station) but regained her lost weight as the series moved along. The character also started out as a complete "spy" trainee, but by the second production block, had become one of the most experienced agents in Mother's department. I also enjoyed seeing the rehashed sets from episode to episode too. All these nuances are lost by following the stories strictly in disc order, and indeed the characterisation of the leads is actually confusing if you simply watch the shows in disc order.

As for the discs themselves, sadly A&E have once again neglected to include any extras at all. All there is are a few still photos, although it has to be said that the menus are at least very well done. The picture quality is certainly very sharp, but there are definitely flaws due to sparkle and dirt. Sadly, "You'll catch your death" has been transferred incorrectly, and the picture strobes and jumps throughout. Clearly no-one at A&E was paying much attention to the remastering process.

Clemens believes this batch of episodes to be the best of the entire run of The Avengers. He has stated that everything came together right in terms of production and scripts. I can't say I agree entirely. They are certainly as enjoyable as anything else, but the total fantasy nature of the stories and the weakness of Tara and Mother characters combine to take the edge away when compared to the earlier Peel episodes. Regardless, it's all camp and wacky fun and I still highly recommend this collection to any fan of the series as there is plenty here to enjoy.

VERY VERY GOOD.
I JUST GOT THIS A FEW DAYS AGO AND I THINK IT IS FAB
THE STORIES ARE AS FOLLOWS.

ALL DONE WITH MIRRORS- TARA MUST CLEAR STEEDS NAME BUT CAN SHE DO IT.

LEGACY OF DEATH- A JAPANEESE SWORD CAUSES CHAOS FOR STEED AND TARA.

LOOK (STOP ME IF YOU HEARD THIS ONE BUT THERE WERE THESE TWO FELLAS)-STEED AND TARA CLOWN AROUND WITH SOME HOMICIDAL CLOWNS.

HAVE GUNS WILL HAGGLE-WHERE TARA'S LIFE IS FOR SALE...TO THE HIGHEST BIDDER.

THEY KEEP KILLING STEED..AN ARMY OF STEED LOOKALIKES CAUSES CHAOS AT A PEACE CONFERANCE..WILL TARA SHOOT THE RIGHT ONES.

ALL IN ALL A MIXED BAG I FOUND EPISODE 6 A BIT BORING BUT IT IS ALL VERY WATCHABLE.I WOULD RECOMMEND YOU BUY IT NOW. ... Read more

Reviews (9)

Steeds breaks in a new partner - Tara makes her debut
In the first episodes of 1968, Steed's new partner Tara King is introduced. Beautiful and athletic, yet less able than her predecessors, Tara is nonetheless a suitable replacement. But, let's face it, no one will ever be able to replace Emma Peel. Any way, Steed and King are a delightful pair, sharing a closer relationship than the others, battling masterminds and supervillians, doing it in style, and always being fashionable. These six episodes are good, four being average, and only two being truly great, in my opinion.

In volume one we have the delightful escapade that is "Game", and the outdorsey caper "Super Secret Cypher Snatch". Both of these episodes are winners, for me anyway. In "Game", an escaped lunatic seeks revenge on the men who put him away, one of them being Steed. It's one of my favorite Tara King episodes. The delightfully, if not disturbingly, inexplicable deaths, the wonderful Steed/Tara interplay, that wonderful end battle, and the ever diabolical Peter Jeffrey as Bristow. While it's a bit predictable, and slightly unoriginal, "Game" remains a dear favorite. "Super Secret Cypher Snatch" in which window cleaners are involved in the leaking of secrets, is not as good as "Game", but I still like it. Marvelously directed and acted, it has all the elements needed to make a great episode, with the added affect of some truly wonderful sets. Both are highly reccomended and are worth the price alone of this set.

In volume two, we have "You'll Catch Your Death" and "Split!". In "You'll Catch Your Death", doctors are being killed by a madman who's created the ultimate in cold viruses, to be sold to the highest bidder (naturally). It's just an average episode; not bad, but not great either. It has its fair share of continuity errors (all the victim's sneezes are the same) and not everything makes sense. It's actually rather straigtforward, but the premise is interesting and Mother has a wonderful set. "Split" is better, but not much, as ministry agents find that they have a murderous split personaltiy. I rather like it. While it's rather dark, towards the end its almost outrageous, as the baddies attempt to inject part of a madman's mind into Tara's. Predictable, but still enjoyable with alot of familiar faces. Save for a wonderful scene where Steed puts "away" a hospital receptionist and enjoys himself doing it. Also, look for Christopher Benjamin, who gives a delightfully "Wemarkable" performance.

And last but not least, there's "Whoever Shot Poor George Oblique Stroke XR40" and "False Witness" in volume three. Their titles might be misleading, as you might think "Woever..." would be delighfully over-the-top, but it's actually a bit more stupid than funny. "False Witness" is much better, and alot funnier, even though it may not sound like it. In "Whoever...", a super computer is actually shot, and then operated on, as things get a little to silly. It's nonetheless enjoyable, and Linda Thorson is great as Pelly's niece, pulling off a fine American accent . In the hilarious "False Witness", agents are drugged and say the exact opposite of eveything, without knowing they're doing it. It may not sound interesting, but trust me, the whole thing is side-spltting. Leads to a wonderful scene where Steed drugs all the baddies with humorous results, then rescues a drugged Tara who lovingly admitts "I really do hate you Steed."

All in all, these episodes are all good, and none of them are really bad. But you may no think so, as I happpen to like Tara King. But, I'll admit, she does lack Emma's panache, but makes up for it with her wackiness. So if you don't like Tara King, don't bother. But if your in the mood for some good, light, fantsy land sluething, these episodes are just the ticket!

Tara Gets Here Due
If you fondly remember that great British import that we watched on TV way back in the 60s then you no doubt know about the content of what you are getting. You know you are getting the best in that department. You are more likely concerned about the quality of the product. Like John might say to Tara, "You scratch my back and I'll scratch your back. Just watch the hat please." At last now, John and Tara are back and are here to stay on DVD. The Tara King episodes were excellent, being well scripted, thought out and well acted. More appropriately one may ask how they look. They look good, very good, excellent in fact. Tara would have it no other way.

Holds Its Own in Relation to the Mrs. Peel Set.
As some of you who have read other reviews that I have done for The Avengers series and I'll say it again... Being a new fan in terms of seeing the movie, see my review, I became interested in the show.

Now granted Mrs. Peel was beautiful and had class and brains, and Blackman had curves and brains also, yet most people over look Tara King. She did have very good wits and great intellect.

When I first bought this set I thought I was wasting my money, but I was wrong. This volume is pretty good. The firt two episodes are hard to get use to the idea of Steed working with someone else other than Peel, yet after that you warm up to the idea nicely. She adds a new spark to the show and a something... I don't know what, as the French would say. The transfer of the shows is not bad although A&E should have made another master copy and given some better color job or sharpened the picture. Yet those are just small complaints. Steed and King do work well together and they do have chemistry which does make watching the show more enjoyable.

Tara King provided a spark we all knew would flame
Let's be honest. It was a little frustrating watching the playful antics of Steed and Mrs Peel, knowing that all that would ever happen would be a respectful peck on the cheek or a cordial hug. Enter Tara King, Steed's last partner. She is a Peel-in-training, only a little younger and a lot more in love with John Steed. Of course we know that nothing overt would ever happen between the two. It's just nice to know that when the credits roll the two might actually kiss on the lips. Linda Thorson is absolutely terrific as Steed's sidekick. She is athletic, fearless and determined. The '68 episodes were constructed with the same care and attention as the Rigg episodes and they are a pleasure to watch. If you think Mrs Peel was the only game in town, check out Tara King. She is a gas.

Superb episodes but...
For those new to The Avengers, ignore all the bad press that the delectable Tara King gets. Sure Emma Peel was sublime, and Cathy Gale was right on. But Tara King was also top notch, as were most of her episodes. Wherever you go on the web you will find Tara's episodes variously panned. Tish and pish! They are some of the most interesting, quirky and truly '60's' episodes of ANY television show ever.

Let me first state that the high rating of five stars relates to the greatness of the episodes, which is mainly the point of these reviews. Sadly the quality of these so-called 'digitally remastered' episodes by A&E is worse than bad.

Unfortunately the picture quality of my A&E DVD release of these magnificent episodes is passable at best. Now given the mass production method used in manufacturing these things I do not accept that only my copy is dodgy and I assume that the VHS releases are similarly affected. In particular, the episode on vol 1 of this set, "You'll Catch Your Death" is so poorly remastered as to be distracting. The brightness is shocking and the screen flickers with the old stains and blemishes I can only assume remain on the original film stock. Why haven't they been removed? Come on A&E (and Canal+ in France) get it together! There are many fans out there that expect better and will pay for it. Don't sell us short.

If you want truly good remastered episodes, I suggest you try and find the (now deleted) 1990's Lumiere releases on VHS. I know its an increasingly unpopular format, but faced with the abysmal quality of the A&E releases, it's worth the hunt believe me. I have several and they are excellent.

Sorry A&E but you should know better than that. ... Read more

Reviews (3)

Early adventures for Steed
For all the fans of The Avengers familiar with the Emma Peel/Tara King era of the show, these early episodes featuring Cathy Gale and Venus Smith may come as something of a disappointment. In fact, fans of the later shows may find it hard to believe that they are even part of the same TV series!

After the initial run of 26 episodes featuring Police Surgeon David Keel and his cohort John Steed had aired in the UK in 1961/62, the producers of the program opted to bring Steed to the forefront of the action and give him a number of different "assistants." Thus, for season two, 26 further episodes were made and broadcast in 1962/63 featuring Steed abetted by Martin King, Venus Smith or Cathy Gale. Mrs. Gale turned out to be the most popular and successful foil for the suave agent, and the other characters did not return after season two. Unlike the later Peel/King stories which were all made on film, these studio based TV shows are much more reliant on dialogue and plot than visual elements, and can be somewhat heavy going as a result.

A&E is releasing these stories in a somewhat confusing order, and has started with season three. The first two sets released, Avengers 64 1 & 2, feature the LAST six episodes of season three. Next comes Avengers 63 sets 1 & 2 which comprises of the first half of the season. Next up in the release order is 63 sets 3 & 4 which precede 1 & 2 in running order and in fact feature the last seven stories from season two, plus the first from season three. Confused? Ultimately, it doesn't really matter, since thankfully there's no real reason to watch the stories in chronological order anyway.

What is interesting is the development of the production standards. 63 sets 3 & 4, featuring the latter stories from season two, are far more rudimentary in terms of production quality. The sets are extremely small and sparse; The direction very slap-hazard; Camera work shoddy; Sound is extremely poor; and the acting is negligible. With no budget for editing or reshooting, all the actor's fluffs and goofs stayed in. Steed's character is far less suave and sophisticated then he became later during his familiar role alongside Mrs. Peel, and the relationship with Mrs. Gale in particular is at first downright hostile with very little warmth between the two. He seems to get along much better with Miss Venus Smith, a night club singer who he engages at various gigs to act as his eyes and ears. Venus is a very odd character, and played strangely, but enthusiastically by Julie Stevens. She looks about 12, sings like she's forty, and dresses like anything in between. She also seems extremely naïve and it's hard to imagine why Steed engages her to help him at all. The far more intelligent and elegant Mrs. Gale does eventually warm up to Steed, and in the season three stories where she is the exclusive companion to him, their relationship develops nicely and they become much warmer and closer to each other.

The production values on season three are also much better than the earlier episodes. The sets became larger and more elaborate. The direction, lighting and sound improved greatly and the acting was much less wooden. Some editing was clearly allowed on these later stories, whereas the earlier ones clearly were broadcast as if they were live. There's a terrific blunder in "Six hands across a table," where Cathy is called "Ros" in one scene, and both actors realize the mistake, but keep going.

The quality of the DVD's is somewhat disappointing, even accounting for the age of the material and the production values mentioned above. It may not be the case, but it certainly appears that A&E have made no attempt whatsoever to re-master the original tapes, and the flaws, jumps, scratches and sound blips are too numerous to mention. Virtually every episode on 63 sets 3 & 4 are hampered by picture and sound flaws and defects. Things do improve for 63 1 & 2 and 64 1 & 2, but the quality is still disappointing. Mind you, it appears they have done nothing to clean up the Tara King episodes either!

As a big fan of the series, I wouldn't even consider not having these episodes in my collection, but if you're looking for the wacky camp humor and the tele-fantasy of the Peel/King eras, these stories may not be for you.

An Inimitable Partnership
Not a very gentleman-like Steed you say? Before the good old days you say? If you fondly remember that great British import that we watched on TV way back in the 60s then you no doubt know about the content of what you are getting. Yet, you may be surprised by this one. John seems a bit rough and tumbled around the edges. And his partner is quite a looker. In this case it is not John and Emma, but instead John and Kathy Gale (Honor Blackman). Still you may likely be concerned about the quality of the product. Being on DVD, the aesthetics about the actual episodes are not in question here. All these episodes were shot directly to videotape and they have great historic value to lovers of the show. 'Warlock' is my favorite episode. Very creepy that one is.

Of more historical interest than dramatic at this point
Of the 160 "Avengers" episodes telecast since its inception (recorded on 1/61) to the last of the Tara King entries (5/69), numbers 41-128 are now available from A&E on tape and DVD. This means we have almost all of the Cathy Gale's and all of the Diana Rigg's, which is saying a lot! The latest entry in this series is that give us those telecasts starting with "Intercrime" (1/63) and ending with "Brief for Murder"(5/63).

In reviewing the other sets, I stated that we must judge these older offerings on their own merits without comparing them unfairly with what was to come when Rigg took over. Here we must even forget the more fanciful Honor Blackman episodes that began after the ones included in these sets; for indeed many of these are pretty cut and dry detective plots without much imaginative development or even witty dialogue. (An exception is a female character's claiming that in her act she does "interesting things with stuffed snakes"!)

The best one of all is the last, which is really the opening of the third Avengers season. Here we have Steed apparently involved in treason and then in a murder, the latter being that of Cathy Gale. Since we simply KNOW that the whole thing has to be a put up, the suspense is minimal. However the acting is the smoothest of all the episodes in these sets, special thanks given to John Laurie and Harold Scott, who play two lawyer brothers determined to make legal history in a way that followers of the O.J. murder trial will find very up to date.

Some of the telecasts find Julie Stevens as Venus Smith in place of Honor Blackman; and I for one found myself fast forwarding through the two obligatory songs she was given in each of her appearances. As always, the chemistry between Steed and Gale is never that between Steed and Peel. Gale seems to display more annoyance than admiration for him; and frankly I do find his character a little too cocky, enough to make me agree with her.

It is always fun to spot actors who will appear in future episodes or as stars in their own right in the years after these shows were recorded. We have a very young Paul Eddington ("The Good Neighbors," "Yes, Minister"), Philip Latham (the Rigg episode "Room Without a View" and the series "The Pallisers")--to name only two.

Still, there is enough enjoyment in these old telecasts, which (by the way) seem to have a better picture and sound quality than early issues of later shows; but still with occasional blurring and jumping, much of which I suspect is in the original tapes, and now and then fuzzy sound, due mostly to the accents. ... Read more

Reviews (3)

...and Steed's Mother makes three!
The final season of the original Avengers finally comes to DVD & VHS in region one. "The Forget me knot," the debut episode of Ms. Tara King played by Linda Thorson, was released back in 1998, but only now is the entire series seeing the light of day - and it's been well worth the wait.

There are many of course who do not rate these last adventures featuring the debonair John Steed as Britain's top government agent as highly as what had gone before, and it's easy to see why. Steed's pairing originally with Mrs Gale (Honor Blackman) and later Mrs Peel (Diana Rigg) had been an excellent match for his skills. With Mrs Peel leaving the show, the producers, Brian Clemens and Albert Fennell followed suit and John Bryce was brought back to the programme, following his stint producing the early Mrs Gale episodes.

The first thing Bryce did was to cast his girlfriend, twenty one year old Canadian Linda Thorson as Steed's new assistant, Miss Tara King. In order to complete the delivery of episodes to the US market, production was fairly rushed, and what came out of it was deemed substandard. Bryce was sacked and Fennell and Clemens brought back to rescue the production. Clemens was particularly unhappy about Linda Thorson's role, but it was too late in the day to do anything about it. They set about filming the initial block of 8 episodes (extended to 9), rehashing two of the abandoned Bryce episodes, and bringing back Mrs Peel for the one-off story "The forget me knot" to introduce the new character of Tara (although this "debut" was actually filmed third). Once these episodes were ready, they set about producing the final batch of 24.

There is a very significant shift in the character of Tara King between these two production blocks as Thorson began to gain confidence in the part. Also added as a regular into the later stories is Steed & Tara's boss, "Mother," played by Patrick Newell. Thorson's inexperience and the naivety of the character are often cited as the reason the show was cancelled after these episodes were transmitted. Personally, I think the inclusion of the very annoying "Mother" to be a far more valid reason. But it's all a matter of taste.

The stories are included on the discs in the order they were first transmitted in the UK. I would strongly recommend viewing them in PRODUCTION ORDER (easy to track on any Avengers website). There are several reasons for this. It's easier to warm to Miss King as you follow her character development. It also makes more sense to understand her constant hair changes and costume. She started as a blonde, moved to a be-wigged brunette, and only in the latter 24 episodes did we see Thorson's own hair. We can also see how the actress started in "slimmed down mode" (on the orders of the TV station) but regained her lost weight as the series moved along. The character also started out as a complete "spy" trainee, but by the second production block, had become one of the most experienced agents in Mother's department. I also enjoyed seeing the rehashed sets from episode to episode too. All these nuances are lost by following the stories strictly in disc order, and indeed the characterisation of the leads is actually confusing if you simply watch the shows in disc order.

As for the discs themselves, sadly A&E have once again neglected to include any extras at all. All there is are a few still photos, although it has to be said that the menus are at least very well done. The picture quality is certainly very sharp, but there are definitely flaws due to sparkle and dirt. Sadly, "You'll catch your death" has been transferred incorrectly, and the picture strobes and jumps throughout. Clearly no-one at A&E was paying much attention to the remastering process.

Clemens believes this batch of episodes to be the best of the entire run of The Avengers. He has stated that everything came together right in terms of production and scripts. I can't say I agree entirely. They are certainly as enjoyable as anything else, but the total fantasy nature of the stories and the weakness of Tara and Mother characters combine to take the edge away when compared to the earlier Peel episodes. Regardless, it's all camp and wacky fun and I still highly recommend this collection to any fan of the series as there is plenty here to enjoy.

GREAT VIEWING
I JUST GOT THIS DVD AND IT IS GREAT.
THE STORIES ARE AS FOLLOWS.

THE INTERROGATORS-STEED AND TARA VS AN EVIL MASTERMIND KILLING AGENTS INFORMERS WILL TARA SPILL THE BEANS..

THE ROTTERS- STEED AND TARA INVESTIGATE A VERY BAD CASE OF DRY ROT...

INVASION OF THE EARTHMEN- STEED AND TARA ARE HUNTED THROUGH A BIZZARE SCHOOL FULL OF PITS,KILLERS AND DEADLY TUNNELLS.

KILLER-TARA TAKES A HOLIDAY AND STEED GETS A NEW ASSISTANT WHO CAN MORE THAN TAKE CARE OF HERSELF.

THE MORNING AFTER- STEED AND A MAN HE IS TRYING TO PUT INTO CUSTODY MUST TEAM UP TO SAVE A DESERTED TOWN...AND TARA IS PUT TOO SLEEP!!

THE CURIOUS CASE OF THE COUNTLESS CLUES- STEEDS FREINDS ARE BEING FRAMED FOR MURDER SOON IT IS STEEDS TURN ..THE VICTIM A INCAPACITATED TARA..

I LIKED THESE ONES ALL ARE VERY INTERESTING BUY THIS NOW.

Steed Goes in for the Kill - Tara Takes a Spill
For those staunch Emma Peel fans, you can rejoice, for the infamous episode "Killer" is in your hands, featuring the undeniably Emma Peel-ish Lady Diana Forbes. But for those other unbiased viewers, you'll be happy to know that there's only one sour apple in the bunch. So settle down and take these six doses of Tara, and judge for yourself; adorably wacky or embarassingly inept?

First, we have the indelibly charming "The Interrogators", and then the humorous "The Rotters", and of course the detestable "Invasion of the Earthmen". "The Interrogators" is perhaps the definitive Tara King episode, in which agents run trough a special interrogation course, and then find all their contacts have been murdered. So many plusses for this one! First of all, we have the great Charles Crichton directing (his last episode, sadly), a terrific script, and an exorbant amount of batty boffins, with lots of cute touches such as Izzy Pound and his Incredible Marching Sound, which, for me, takes the cake. This is one of my favorite Tara episodes, featuring the ever-menacing Christopher Lee as villianous Colonel Mannering. A truly brilliant episode in every respect! Next we have "The Rotters", in which experts on forestry are being murdered for knowing too much about dry-rot. I can't find much to say, but it smacks with classic Avengers touches, such as a delightful pair of villianous, a good dose of wit, and plenty of eccentrics. Last there's "Invasion of the Earthmen", in which Tara and Steed invetigate at a Space Academy, training astronauts with aspirations of conquering space. This one's a dud thanks to its shakey production history. It was half finished with producer John Bryce at the helm, before he was sacked, then additional scenes were filmed and the result presents a fascinating premise, but it's just so very dull. I reccomend you pass on this one, unless you feel you can really stomach it.

On the second disk, there's the fan favorite "Killer", the haunting "The Morning After", and the straightforward but well-executed "The Curious Case of the Countless Clues". "Killer" seems to work much better for the Tara-haters, as Tara is off on holiday and she's replaced with leggy Lady Forbes, in which agents are all turning up dead, gift-wrapped, clean as a whistle, and dumped in a graveyard. The Forbes character seemed quite wooden to me, while the episode was still good, I would have much preferred Tara. Good all-round production, though. "The Morning After" also excludes Tara, as she spends the episode asleep, and Steed, handcuffed to a criminal, searches a deserted town. This episode is extremely haunting and memorable for it's somber and sweeping atmosphere. Much like "The Town of No Return", it's quite eerie. Last we have "The Curious Case of the Countless Clues", in which aristocrats are being implicated as murderers thanks too some extremely damning evidence, courtesy of a very clever killer with a weakness for art. This episode is quite good. While rather bland, there really isn't much at fault, and features an extremely harrowing climax well worth the price of admission.

This set is definitely worth your money, and all the episodes, except one, are good. It's worth the price for "The Interrogators" alone. So don't hesitate, Tara won't bite. ... Read more

Amazon.com

Providing a unique opportunity for the appreciation of Yasujiro Ozu's signature style, Criterion's definitive double-feature of A Story of Floating Weeds (1934) and Floating Weeds (1959) demonstrates the evolution of a master. Drawing inspiration from the now-obscure 1928 American carnival-troupe drama The Barker, Ozu first made A Story of Floating Weeds as a silent film (despite the advent of sound by that time), and Criterion's DVD features a sublime, newly recorded original score that sounds and feels like it's been part of the film all along. The film itself concerns a traveling Kabuki troupe faced with dramatic revelations as they perform in a rural village: Their master has had a son from a former lover whom he is visiting for the first time in a dozen years. Unaware of his parentage, the now-grown son thinks the visitor is his rarely seen uncle, and the master's mistress, upon discovering her lover's secret family, plots to undermine their relationship by urging a young actress to seduce the son, knowing that this would enrage the master's discreet familial pride. By story's end, all of these central relationships will undergo deep and resonant change.

Ozu was justifiably proud of this meticulous character study, in which his celebrated low-angle style began to assert itself. A quarter-century later, he remade the film as Floating Weeds, retaining the same story and characters, switching the setting to a seaside town, and demonstrating a more casual acceptance of human foibles that makes the 1959 version (Ozu's first film in color) relatively calm and compassionate when contrasted with the more turbulent tone of the '34 silent. Having grown as an artist, Ozu was at his stylistic peak here, having refined his style to the point where all camera movement had given way to flawless refinement of static compositions. These and other comparisons abound in the study of original and remake; to that end, commentaries by preeminent Japanese film expert and dialogue translator Donald Richie (on the '34 film) and film critic Roger Ebert (on Floating Weeds) provide astutely thorough appreciations of the parallel structures, stylistic evolution, and cultural specifics of films that, until the early 1970's, were considered "too Japanese" for an international audience. Never dry or pretentious, their scholarly analyses lend solid, sensitive context to the enjoyment of two of Ozu's most critically and commercially successful films. --Jeff Shannon ... Read more

Reviews (3)

TIMELESS MASTERPIECE
Sublime heroism in small gestures and difficult moral decisions infuses Yasujiro Ozu's 1959 masterpiece, FLOATING WEEDS (Criterion).

An aging Kabuki actor returns to a small town with his troupe and reunites with his old lover and illegitimate son, an act that enrages the actor's current mistress. In some ways, the story is the flip side of the Prodigal Son parable. Here, a bad dad returns to save his son from the temptations of the corrupt world.

This great humanistic film transcends the time and place of its story. I especially enjoyed Roger Ebert's highly informed commentary. Highest recommendation.

Note: The loaded double disc also includes the original 1934 silent version of Ozu's film with an extraordinary new score by noted silent film composer Donald Sosin.

I loved loved loved this movie!
If you only buy one Japanese film to add to your DVD collection, let it be an Ozu film and "Floating Weeds" is a wonderful place to start. There's really nothing I can say that isn't absolutely praiseworthy about Ozu and this film. It truly is a masterpiece in every sense of the word.

The Criterion Collection DVD is also a masterpiece, giving us both the original silent "Story of Floating Weeds" and the 1959 remake "Floating Weeds", (both directed by Ozu). The mastering is done well, the sound is great, and the voice-over