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| 121. Inspector Morse - Second Time Around Director: Danny Boyle, Stephen Whittaker, Sandy Johnson, Herbert Wise, Edward Bennett, Anthony Simmons, Charles Beeson, John Madden, Stuart Orme, Alastair Reid, Colin Gregg, Brian Parker, James Scott, Peter Hammond, Antonia Bird, Jack Gold, Jim Goddard, Adrian Shergold, Roy Battersby, Peter Duffell | |
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An old police detective is murdered while writing his memoirs. A suspect, Frederick Redpath, is brought-in for questioning. Morse and another chief inspector on the case, Dawson, recognize the man as a suspect from a child murder case from over a decade ago. Dawson becomes heavily involved in the new case, and Morse and his sergeant, Lewis, are trying to work at it from their own angle. There is conflict, emotion, heartache, introspection, and mystery aplenty in "Second Time Around", and all of these factors come together to help make the episode a real treat. The direction is wonderful, and the acting is amazing. John Thaw, as usual, excels as Morse, and Kevin Whately does well as the ever-faithful Lewis. Oliver Ford Davies, an underrated gem of an actor, is convincing as the troubled Redpath, but the real star of this story is Kenneth Colley (famous from the first "Star Wars" trilogy) as Chief Inspector Dawson. Probably one of the best characters ever to grace the Morse series. "Inspector Morse" is one of my all-time favorite television shows, and this episode is simply tremendous. It encompasses the best aspects of the series: an introspective Morse, a haunting murder case, great guest stars, and sorrowful music from Puccini ('Senza Mamma' from Suor Angelica). This is simply the best of "Morse". Don't pass it up.
The death of senior police office shortly after his retirement celebration sets the scene of a murder investigation which departs from the immediate concern of his murder to become a much broader investigation which encompasses an 18 year old unresolved murder mystery which Morse was involved in. In this rather unusual Morse there are some exemplarary performances notably from Pat Heywood (RootInto Europe) and Oliver Ford Davies (who would later co-star with Thaw in the sublime series, Kavanagh Q.C.). What distinguishes this particular Morse from the others is the degree of personal involvement shown by Morse. Despite his usual disspassionate, academic approach. Morse cannot resist responding to the friction from his old colleague who found success following his mentor, the Deputy Chief Police Commissioner to London. Also there is a heightened sensitivity shown by Morse to the case of the young girl, murdered many years earlier. There are the usual twists and turns but in particular the scenes where the long suffering suspect of the child's death is finally completely cleared of any involvement. At that point the latest suspect is mentioned only for the first accused to fiercely criticise the police for their continued incompetence. The conclusion to the story is a tragic scene wherein Morse confronts the killer with the evidence of his guilt. At that juncture the viwere is faced with sympathy with the killer's motive for the crime only to discover that the man who was killed was doing so protecting his child's life in just the same way that the murderer is revenging his. Here the extent of Morse's involvement is revealed and one of the lasting impressions we have is the depth of tremendous sadness in his eyes. This episode shows us the emotional side of Morse in many different ways. The storyline is supported in this regard by a stellar performance of Kevin Whately who gives vent to his frustrations with what he perceives to be Morse's attitude and verbally lashes him, only to discover later that he was wrong and very sheepishly apologises. Morse is magnanimous in his acceptance of the apology and moves on. All around a very polished performance and an enthralling whodunit in the very best traditions of the genre. A+++
"Second Time Around" is yet another example of the superb work of John Thaw as Morse--even in those episodes which lack the usual tension and bite, Thaw's Morse is an astounding presence, irritable, acidic, vulnerable, funny, pompous, and compelling, by turns, and thoroughly, entertainingly, convincing. For those unfamiliar with the series, here is a good place to start. ... Read more | |
| 122. Star Trek - The Original Series, Vol. 24, Episodes 47 & 48: Obsession/ The Immunity Syndrome Director: James Goldstone, Murray Golden, James Komack, Don McDougall, Robert Butler, Marc Daniels, John Meredyth Lucas, Leo Penn, John Erman, David Alexander, Michael O'Herlihy, Jud Taylor, Herschel Daugherty, Ralph Senensky, Gerd Oswald, Lawrence Dobkin, Marvin J. Chomsky, Joseph Sargent, Herb Wallerstein, John Newland | |
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Description Reviews (8)
The Immunity Syndrome-The giant amoeba episode has less going for it than its companion on this disk. While the hook is probably slightly more intriguing than Obsession's, this is really a 'face value' episode. It doesn't pack any subtle messages. If the episode were more engaging, I'd say no problem, but unfortunately this one is pretty dull. McCoy fans will appreciate his prominent role in this one though. (2 stars)
OBSESSION PRELIMINARY BRIEFS: Moral, Ethical, and/or Philosophical Subject(s) Driven Into The Ground: Obsession (no, really...); dealing with guilt; priorities; Making the right choice when caught in a dilemma Expendable Enterprise Crewmember ('Red Shirt') Confirmed Casualty List: Four dead, one injured REVIEW/COMMENTARY: Oh, what to do: destroy a gaseous vampire-cloud that has killed half a starship crew and will doubtless kill endless more beings in the future, or transfer and deliver a highly-perishable vaccine to a world stricken with a deadly plague that could claim millions of lives? As might've guessed, that's the little dilemma ol' Jimmers has to turn around in his head here. Throw in his guilt over hesitating to destroy the same creature years before-- a seeming error that claimed the lives of several shipmates-- and the son of one of those crewmen, and Kirk is firmly entrenched in the stickiest of wickets! Fortunately, ol' Jim manages to overcome his single-minded obsession towards the deadly cloud-being, and saves the day once again! But not before he has that obligatory moment of self-doubt over the course of action he's taking, which naturally is chock-full of that Shatnerian method acting that you all know and love! McCoy's confrontation with Kirk following this precious moment adds a bit more meat to the ham sandwich with one of the series' most memorable bits of character-developing dialogue! Also thrown into the mix: Thanks (once again) to his differing half-Vulcan physiology, Spock manages to survive the vampire cloud's shipboard attack with narry a missing red corpuscle (mainly 'cuz he doesn't possess any)! And there ain't many just-in-the-nick-of-time transporter rescues that are more suspenseful than the one that puts the final punctuation on this eppie's climax! Tricky stuff, that anti-matter... THE IMMUNITY SYNDROME PRELIMINARY BRIEFS: Moral, Ethical, and/or Philosophical Subject(s) Driven Into The Ground: A Macrocosm of the Immune System Notable Gaffe/Special Defect: The shadow of the camera man can is just noticeable as he pans/dollies in for a close-up on Kirk's reaction to McCoy's intercom statement that the crew is "all dying". Expendable Enterprise Crewmember ('Red Shirt') Confirmed Casualty List: none REVIEW/COMMENTARY: This particular show highlights the advantages of DVD technology: the high-pitched whining sound that pops up when the Enterprise enters the amoeba's outer membrane caused me to react in a similar manner as the crew did when the noise hit their ears- a bit annoyed, and a tad nauseous. Now, THAT'S interactive TV! 'Late
OBSESSION deals with Kirk's past and one of his greatest fears that has somewhat haunted him over the last 11 years. A mysterious vampire cloud, that feeds off the red bloods cell of humans, attacks the Enterprise crew. With it's distinct sickly sweet smell Kirk realizes it is the same monster that attack and killed his crew mates years ago when he was a Lieutendant. Upon realizing that this monster is alive Kirk drives himself into obession (hence the title) in an attempt to destroy this creature. He even disregards his orders to deliver greatly needed drugs to another planet. Kirk also punishes Ensign Garrovick (played by Stephen Brooks) (which Kirk sees a younger version of himslef in him) after the Ensign attempts and fails to kill the monster when disobeying Kirk. This episode really developes Kirk character and how (at times) he can be so self critical. OBSESSION is a slightly above average episode of Star Trek but barely. Without the nice dramatic moments between Kirk and Garrovick, plus Spock and McCoy's confronting of Kirk's actions, this episode wouldn't be so special. THE IMMUNITY SYNDROME has stood up suprisingly well over the last thirty years. The story was very well written and scientifically accurate. The concept of The Enterprise discovering a single celled organism of massive size in the body of space is a really creative idea. To think that space is a body, that single cell is a virus and humans are mere antibodies in the whole thing is such a diverse concept. As the Enterprise encounters this massive cell that drains energy out of everything (including humans), the crew gains information of the cell and realizes it begins to reproduce like a virus, and pretty soon it will plague the depths of space unless it is destroyed. THE IMMUNITY SYNDROME is another one of those Star Trek episodes that would've been average had it not had a few special moments. This episode is actually very good the acting is well done and the story was well written and concieved. In conclusion Star Trek Volume 24 has two good episodes with a few special moments. This DVD is worth getting but you may want to check out other more classic Star Trek episodes before this. Recommended.
While "The Immunity Syndrome" does not offer anyone acting like Ahab we do have a giant amoeba playing the symbolic part of the great white whale. The Enterprise encounters a massive area of darkness and discovers the giant single-cell organism inside. When the always-curious Spock investigates in a shuttlecraft, he ends up inside and discovers the creature is about to reproduce. Since one of these things is a threat to the galaxy, two would probably be a lot worse, so Kirk takes the Enterprise inside the amoeba (I mean, come on, that is obviously what they have blown up here, an amoeba) in an effort to save the universe. The magnified amoeba is certainly interesting looking, but the tension in this episode is equally artificial. But it sure is amazing what you can find out there in deep space. "The Immunity Syndrome" is, at best, an average Star Trek effort. ... Read more | |
| 123. The Nightmare Room - Scareful What You Wish For Director: David Jackson, Ron Oliver | |
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Description Reviews (3)
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| 124. Inspector Morse - The Silent World of Nicholas Quinn Director: Danny Boyle, Stephen Whittaker, Sandy Johnson, Herbert Wise, Edward Bennett, Anthony Simmons, Charles Beeson, John Madden, Stuart Orme, Alastair Reid, Colin Gregg, Brian Parker, James Scott, Peter Hammond, Antonia Bird, Jack Gold, Jim Goddard, Adrian Shergold, Roy Battersby, Peter Duffell | |
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Reviews (4)
We are introduced to the deaf Nicholas Quinn, an examiner at a Board based in Oxford, England. He is standing by himself reading the lips of the various people talking with one another at a wine party. We see the obvious concern on his face that something is desperately wrong, but, like him, we can't hear what many of the guests are saying. He does not need to hear; his facility reading lips is evident. He tells another reviewer that the examinations conducted by the Board are compromised and he walks out of the party in distress. In the next scene, still while the credits are playing, we watch a fire drill at the Examining Board. We don't see Nicholas Quinn leave the building even though we are told that everyone is accounted for. If you watch this scene a second time carefully, many of the clues to unlock the mystery are contained in this first few minutes of the program. My guess is that most people who view this mystery like solving complicated puzzles and will enjoy watching each clue that Morse uncovers right to the last scene. John Thaw, unfortunately now dead, was a superb English actor and he found an ideal character to play in the crusty Chief Inspector Morse. Kevin Whately is almost equally as good as his long suffering sidekick, Sergeant Lewis. Viewers who like this early installment will have a chance to watch Morse and Lewis in action many more times in this outstanding and long running series.
The murder is set in the arcane world of examiantion boards which were affiliated to some of England's major universities as arbiters of the academic development of students at ages 16 and 18. This obscure branch of academia is nonetheless an ivory tower existance disguising basic human failings of jealousy, greed etc. When a relatively new examiner is found dead at home the detectives seem to be looking beyond the workplace but in the course of the investigation the examination board becomes the centre of attention. Essential Morse has three main interests, his love of opera, his appreciation of real ale (microbrews in American parlance), and his fascination of crosswords. It is in the last of these that we find the core to this story. As always the story is composed like a crossword such that the clues must be solved before completing the case. Here, however, the crossword assumes a much greater role. One of the other examiners, and as such a suspect, turns out to be an intellectual hero of Morse, Daedalus, who sets a particu;arly challenging crossword which gives Morse great pleasure. The two men share similar interests and it becomes apparent that they have a similar view of the world. They become competitors in trying to resolve the case but only until Daedalus (played superbly by Michael Gough) is also murdered although he leaves some difficult clues behind. Another dimension to this story is the love interest of examiner Monica. Again there is a crossword perspective. Morse is intrigued by the physical and intellectual beauty of this woman, but as usual he cannot solve the clues to understanding her. He is torn between his feelings for her as a person and the growing suspicion that she is somehow involved in the murders. Ultimately this conflict is only resolved when it is too late. The plot twists and turns and has several blind allies but it is compulsive viweing and by the device of Daedelus we get to see a mirror image of Morse the man. Kevin Whately puts in another superb performance as the long suffering Lewis who we perceive as the apprentice of the master but also the master's concience. An excellent vintage and quite excellent indeed. The DVD version is a little disappointing in that it delivers a full-screen format with a cleaner sound. Moreover Barrington Phelong's incidental music does not benefit from the transfer. It would certainly benefit from a remastering. The other additional features are minimal but did make me replay the Jeremy Brett version of Arthur Conan Doyle's "Sign of Four" shortly afterwards to find John Thaw in fine form. I am sure that Inspector Morse fans would appreciate the show even more if it was available in the widescreen format but I am afraid that that is unlikely. Still, this remains an exceptional introduction to the Morse series and an absolute must have for one's fledling DVD collection.
The film is vintage Morse. The shots of Oxford are fabulous --some of the best. This episode was part of the set of stories used to introduced Morse to the American viewing public. John Thaw, who plays Inspector Morse, was born in 1942 and sadly died this past year. Colin Dextor ended the life of his character Inspector Morse about the same time--perhaps knowing the actor had cancer. The series always resonated with sadness and loss, but now the loss is real. Phelong Barrington's wonderful music beating out the no longer used Morse code adds to the angst. The series was able to snare the best BBC actors and this episode is no exception. Mystery fans will recogize Kevin Whately as Lewis. Barbara Flynn, who played a private investigator in another Mystery presentation, plays a female don. Frederick Torres, who has been suspected of murder more than once and who fans of the "Jewel in the Crown" will know, also plays a don. Clive Swift, known to those who watch "Keeping up Appearances" as Richard Bucket (Bouquet) plays the head of the syndicate. The DVD is a recording of the tape and is thus not top notch. This is the A&E version and A&E does not always do the best job. However, if you are a Morse fan, this is one of the best of the series, and unlike some of the later episodes was based on a book by Colin Dexter with the same title--so the plot is ingenious.
The murder is set in the arcane world of examiantion boards which were affiliated to some of England's major universities as arbiters of the academic development of students at ages 16 and 18. This obscure branch of academia is nonetheless an ivory tower existance disguising basic human failings of jealousy, greed etc. When a relatively new examiner is found dead at home the detectives seem to be looking beyond the workplace but in the course of the investigation the examination board becomes the centre of attention. Essential Morse has three main interests, his love of opera, his appreciation of real ale (microbrews in American parlance), and his fascination of crosswords. It is in the last of these that we find the core to this story. As always the story is composed like a crossword such that the clues must be solved before completing the case. Here, however, the crossword assumes a much greater role. One of the other examiners, and as such a suspect, turns out to be an intellectual hero of Morse, Daedalus, who sets a particu;arly challenging crossword which gives Morse great pleasure. The two men share similar interests and it becomes apparent that they have a similar view of the world. They become competitors in trying to resolve the case but only until Daedalus (played superbly by Michael Gough) is also murdered although he leaves some difficult clues behind. Another dimension to this story is the love interest of examiner Monica. Again there is a crossword perspective. Morse is intrigued by the physical and intellectual beauty of this woman, but as usual he cannot solve the clues to understanding her. He is torn between his feelings for her as a person and the growing suspicion that she is somehow involved in the murders. Ultimately this conflict is only resolved when it is too late. The plot twists and turns and has several blind allies but it is compulsive viweing and by the device of Daedelus we get to see a mirror image of Morse the man. Kevin Whately puts in another superb performance as the long suffering Lewis who we perceive as the apprentice of the master but also the master's concience. An excellent vintage and quite excellent indeed. ... Read more | |
| 125. Star Trek - The Original Series, Vol. 25, Episodes 49 & 50; A Piece of the Action/ By Any Other Name Director: James Goldstone, Murray Golden, James Komack, Don McDougall, Robert Butler, Marc Daniels, John Meredyth Lucas, Leo Penn, John Erman, David Alexander, Michael O'Herlihy, Jud Taylor, Herschel Daugherty, Ralph Senensky, Gerd Oswald, Lawrence Dobkin, Marvin J. Chomsky, Joseph Sargent, Herb Wallerstein, John Newland | |
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Description Reviews (10)
A Piece of the Action remains one of Trek's most popular episodes. In essence, it's a time travel episode, without the time travel, which frees the story from the usual "Don't alter the future" constraints. The hands of Gene L. Coon, who co-wrote this episode, are evident in the colorful writing, and in the banter between the characters. Deliberately, the Iotians are all made to speak using a nonstop stream of 1920s cliches. When Kirk adopts these cliches, and eventually persuades Spock to adopt them, the course is set for maximum comedy. By Any Other Name is mostly standard action fare, involving the Enterprise being hijacked by an invading force of Kelvans from another galaxy. These esoteric aliens have taken Human form to be able to function in a human environment. The solution is to introduce them to the pleasures of the senses, which creates a chance for James Doohan to shine as Scotty gets a Kelvan, and himself, drunk. This episode also highlights one of Kirk's finest characteristics: his willingness to forgive. Even after the Kelvan leader has killed one of his crew, Kirk is willing to extend the hand of friendship and offer the Federation's help. Both sound and picture are fine.
In "By Any Other Name" a group of Kelvans take ove the Enterprise using advanced technological weapons that allow them to reduce the crew to small blocks of chemicals until only Kirk, Spock, McCoy and Scotty are left. Rojan, the leader of the Kelvans, wants to modify the Enterprise so his group can get back to the Andromeda Galaxy in only 300 years, at which point his descendants will inform their government that the Milky Way is suitable for conquest. Fortunately, the Kelvans have assumed human form, which means they are now susceptible to sensory inputs, a fact that Kirk and the others seek to exploit. Scott introduces one Kelvan to liquor (the "green" type), McCoy slips them stimulants, and Kirk hits on Kelinda, while Spock helps Rojan experience the wonderful world of jealousy. It is rather surprising that "By Any Other Name" goes the comic route, but it does get pretty funny. You know, it is important to have fun when you are out trekking around the universe on a five-year mission.
A PIECE OF THE ACTION may very well be one of the top five most popular episodes of the original series. The Enterpirse crew arrives at Sigma Iotia II to find a civilization similar to the Chicago Mobs of the 1920's. The planet itself has been divided by gang wars and Kirk feels he must reunite the planet so it can have good relation with the Federation. Kirk resorts to him and Mr. Spock donning mobster gear and talking in slang which leads to A PIECE OF THE ACTION being one of the funniest Star Trek episodes. The episode itslef is quite good and very entertaining especially Kirk driving the old jalopy, the card game and Spock acting like a gangster. However the episode wraps up unevenly and it really makes you think: Kirk completely disobeyed the Prime Directive in this episode! However this episode doesn't fail to please and the end left this plot open for a sequel. Unfortunetly it has never been produced. A PIECE OF THE ACTION is an excellent episode of Star Trek though. BY ANY OTHER NAME may be one of the strangest episodes of Star Trek ever! Kirk and the crew are abducted by Kelvans who take on a human form. The Kelvans demand control of The Enterprise so they can take a voyage to find a planet suitable for colonzation since there own ship was destroyed. The Kelvans are so ruthless they even go to the extent to killing an innocent enterprise crew member to get what they want. This makes BY ANY OTHER NAME seems like a serious episode that is until the crew discovers the Kelvans weakness: human sense and emotion. This results in Kirk flirting with the beautiful Kelinda, Spock making Rojan feel jealousy, and Scotty getting himself and another Kelvan drunk. This results in BY ANY OTHER NAME to be a comical episode of Star Trek but it's strange how the mood changes. The first half hour is somewhat dark whereas the second half hour is bright and funny. The episode ends with The Kelvans making peace with the Federation even after the death of a crewmate. BY ANY OTHER NAME is an uneven but above average episode of Star Trek. In conclusion I highly recommend this DVD for it does have twoo great episodes. The picture and quality are fine too! Highly recommended!
By Any Other Name-An average episode, this one sees the enterprise crew reduced to salt (Styrofoam?) crystals for future use by the colonization-bent Kelvans. As others have pointed out, this is an interesting episode in that it has two tones. The events of the first half are frightening (although not as eerily stylized as 3rd season shows), as Kirk seems powerless to prevent the Kelvans' cold blooded homicide and control of the Enterprise. The ominous sense that anything goes is augmented by the surprising turn of having a female crew member killed. The tone changes dramatically in the second half of the show though, as the remaining crew exploit the Kelvans' newfound emotions, with entertaining results. These scenes are not just entertaining, but also insightful; it reminds the viewer that much of our own (only semi-successful) acculturation is devoted to reigning in our emotions. But one wonders whether the blend of the dark and the comic seen here was for the best; it still worked here to some extent, but the episode's schism is somewhat jarring, and we're not quite as able to go along with the blend as we were in say Friday's Child, or A Private Little War. Why? Because a growing lack of introspection was beginning to border on cynicism. Did this gradual moral drift taint the show? Certainly the shows were becoming more calloused, a process that would accelerate in season 3. Season 3 certainly had other problems, but I believe some of the roots of future problems can be found, ironically enough, even in some of the strong episodes from season 2. But back to By Any Other Name. Other pluses include Kirk's willingness to forgive even a defeated and cruel foe. And don't forget the lovely Kelinda. (3 stars)
A PIECE OF THE ACTION PRELIMINARY BRIEFS: Moral, Ethical, and/or Philosophical Subject(s) Driven Into The Ground: The consequences of cultural contamination Historical Milestone: Kirk 'introduces' a few skells to the fictional card game 'Fizzbin' Expendable Enterprise Crewmember ('Red Shirt') Confirmed Casualty List: none REVIEW/COMMENTARY: Notable guest star: the late Vic Tayback, best known on the sit-com 'Alice' as the crusty diner owner/cook Mel, keeps the fun flowin' as Jojo Krako, the chief rival of main heavy Bela Oxmyx. I could almost see one of his molls turning to him and uttering, "kiss mah grits"! BY ANY OTHER NAME PRELIMINARY BRIEFS: Moral, Ethical, and/or Philosophical Subject(s) Driven Into The Ground: The advantages and pitfalls of being human; human frailties and learning to control and deal with them Expendable Enterprise Crewmember ('Red Shirt') Confirmed Casualty List: One dead REVIEW/COMMENTARY: 'Late ... Read more | |
| 126. Star Trek - The Original Series, Vol. 36, Episodes 71 & 72: Whom Gods Destroy/ The Mark of Gideon Director: James Goldstone, Murray Golden, James Komack, Don McDougall, Robert Butler, Marc Daniels, John Meredyth Lucas, Leo Penn, John Erman, David Alexander, Michael O'Herlihy, Jud Taylor, Herschel Daugherty, Ralph Senensky, Gerd Oswald, Lawrence Dobkin, Marvin J. Chomsky, Joseph Sargent, Herb Wallerstein, John Newland | |
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Amazon.com "The Mark of Gideon" Reviews (8)
The Mark Of Gideon screams for an obvious message. Duh! Birth Control. Anyway, why would a supposedly intelligent race free of disease allow its' population to run amok! Do I see Soylent Green?
The Mark of Gideon-Another episode struggling to fill up its allotted 50 minutes, this one features Kirk and a beautiful lady alone on the (?) Enterprise. I know I've said in other reviews that I don't hold Star Trek to a high plausibility standard, but this episode even offends my sensibilities. Rebuilding a ship like the Enterprise, to perfection? Spock, and the transporter system in general, getting fooled again (as in the prior episode)? Not to mention the extent of the overcrowding on Gideon!
WHOM THE GODS DESTROY is simply a fun Star Trek episode. Kirk and Spock beam down to the prison planet Elba II to find that Garth of Izar (Steve Ihnat), an infamous Star Fleet Captin who wiped out an entire race, has taken control of the prison complex from Governor Cory. Using his ability to shapshift into different characters Garth attempts to take over the Enterprise. This episode is actually pretty laughable. Garth's evil plan is way too far fetched to even work. But perhaps the producers wanted to point out that the character was utterly insane. It's the cast of colourful characters and the over the top acting that save this one. Ihnat is great as the bantering Garth and Yvonne Craig (Batgirl from the TV show Batman) makes a great acting appearance as Marta (the green alien woman). Ironically the third Batman guest star to appear in a consecutive Star Trek episode. Too bad Adam West, Burt Ward, Burgess Meredith and Caesar Romero never showed up as guest stars huh? MARK OF GIDEON is a little more serious and almost creepy. Another Star Trek issue oriented episode. This time tackling overpopulation problems and contraception. Most of the screen time is given to Shatner and guest star Sharon Acker who plays Odana. There is great chemistry between the two and the acting in this episode is quite good. Good casting and a strong plot overshadow the obvious production budget flaws on this episode (most of it was filmed on the Enterprise set). The Gideon council leader, Hodin, is played by David Hurst, who made a hilarious appearance as Baron Von Klutz on the Monkees TV series. Here though he plays a suprisingly serious role as the main antagonist. Overall a good set of third season episodes. One laughable one a little more dark and serious. Considering that the tail end of the final season was filled with bad episodes this is quite refreshing to watch becuase these are a few better episodes from the wildly uneven third season. Highly recommended!
"Mark of Gideon" isn't terribly plausible, but it is fun, and actually kind of creepy. Captain Kirk beams down to an isolated planet on a diplomatic visit - but never arrives there. Instead, he finds himself still on board the Enterprise, but all alone. Yet the Enterprise can't find him aboard, despite the insistence of the planet's inhabitants that Kirk never materialized among them. Eventually, Kirk encounters a beautiful alien girl (is there any other kind, where he's concerned?) named Odona, who falls in love with him (come on, you knew that, right?). It's all part of a nefarious plot by the planet's inhabitants to thin out their overpopulation - but as to how, you can find that out yourself. The early scenes, with Kirk haunting an empty Enterprise like his own ghost, are rather eerie, and Sharon Acker is delightfully appealing as the childlike Odona. "Whom Gods Destroy" is just plain fun, no matter how you slice it. The inmates have taken over the asylum on an isolated prison planet, but Kirk doesn't find out until he's beamed into the situation and found himself held prisoner. The man who freed his fellow inmates is a fellow Starfleet captain gone mad named Garth (Steve Ihnat), who learned the unique talent of being able to rearrange his molecular structure to appear like anyone he chooses, and intends to impersonate Kirk and commandeer the Enterprise. Spock smells something wrong, but can't get into the facility to arrange a rescue attempt. While he works that little problem out, Kirk has an assortment of adventures with the mad Captain Garth and his erstwhile concubine, the equally mad green alien dancer girl, Marta (Yvonne Craig). Ihnat was a lesser-known character actor of the time, whose premature death unfortunately deprived us all of seeing more of him - he's quite good here, as he was in everything he did - and anything with Yvonne "Batgirl" Craig is always a delight. ... Read more | |
| 127. Avengers '67 - Set 3, Vols. 5 & 6 Director: Peter Hammond, James Hill, Peter Graham Scott, Roger Jenkins, Leslie Norman, Don Leaver, John Krish, Robert Day, Kim Mills (II), Raymond Menmuir, Don Sharp, Robert Fuest, Peter Sykes, Sidney Hayers, Laurence Bourne, Gerry O'Hara, John Knight, Richmond Harding, Guy Verney, Robert Asher | |
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Apart from the use of color film, there were other subtle changes to the show for this fifth season. Both Steed and Emma were given new apartments and Mrs. Peel a much more stylized wardrobe. The device of ending each story with the two leads driving off in a variety of vehicles was abandoned and instead a tag scene was used to introduce each story, where Steed informed his partner that they were needed in a variety of humorous ways. Each story title was also given a two-line subtitle. After completion of the first batch of 16, the American backers did provide finance for a further 16 but asked for both the subtitles and tag scenes to be dropped, and also requested that Mrs. Peel's wardrobe became more recognizably en vogue. After only 8 episodes were completed, producers Brian Clemens and Albert Fennell left the show after a disagreement and the new producers opted not to continue with Mrs. Peel and began their own interpretation of the show. It wasn't long before Clemens and Fennell were back in charge, but the 67 series ended with "Mission highly improbable," although Rigg was brought back in 1968 for the one-off "The forget me knot," to introduce her replacement Tara King. This episode is included in this release as a bonus episode. In terms of storylines, acting and the wonderful interplay between the two leads, there is little difference between this color season and the preceding black and white stories and the show had really reached its zenith by this point. Certainly in terms of popularity and ratings, it was never as successful again. Interestingly, several of these stories are in fact remakes of earlier episodes from the Mrs. Gale era. "The joker," "The correct way to kill," and "The $50,000 breakfast," are all remakes, whereas "The return of the Cybernauts," is a sequel to an earlier Steed/Mrs. Peel adventure. Fans of The Avengers will of course be delighted to have these discs, and I'd highly recommend them to any other fans of the sci-fi/fantasy genre, and indeed fans of the 60's spy format. If you've ever seen the dreadful movie featuring Ralph Fiennes and Uma Thurman, don't let that put you off. These stories are the real McCoy!
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| 128. Zatoichi 20 - Zatoichi Meets Yojimbo Director: Kihachi Okamoto | |
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Amazon.com Reviews (8)
Comparing this film to the likes of Yojimbo, Aka Hige, or The 7 Samurai isn't really appropriate. It would be like Classic American Western to Spaghetti Western, both are western genre but not really comparable. Toshiro Mifune (the bodyguard) and Shintaro Katsu (the blind masseur Ichi) hook up as opportunists playing two yakusa syndicates against each other. Does this sound familiar? The predictable theme and general story line lets the really subtle relationship build between Ichi and the Yojimbo. It evolves to be a bit more complex and fun than the typical Japanese morality play.
The picture quality is fantastic and the movie is fun too. Katsu Shintaro turns in his usualy good performance as Zatoichi, and Toshiro Mifune is always fun to watch, especially in roles similar to Yojimbo. This DVD has some good extras, great video, and good audio. Add all that to a good film, and there's no reason not to buy this DVD!
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| 129. Smallville - Pilot (Mini DVD) Director: Paul Shapiro, Terrence O'Hara, David Carson, William Gereghty, Pat Williams (III), Michael W. Watkins, Jeff Woolnough, James A. Contner, Chris Long, Thomas J. Wright, John Schneider, Craig Zisk, David Jackson, Rick Wallace, Jeannot Szwarc, Kenneth Biller, Greg Beeman, Steve Miner, D.J. Caruso, James Frawley | |
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| 130. Goodbye, Mr. Chips Director: Stuart Orme | |
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| 131. Star Trek - The Original Series, Vol. 4, Episodes 8 & 9: Charlie X/ Balance of Terror Director: James Goldstone, Murray Golden, James Komack, Don McDougall, Robert Butler, Marc Daniels, John Meredyth Lucas, Leo Penn, John Erman, David Alexander, Michael O'Herlihy, Jud Taylor, Herschel Daugherty, Ralph Senensky, Gerd Oswald, Lawrence Dobkin, Marvin J. Chomsky, Joseph Sargent, Herb Wallerstein, John Newland | |
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Reviews (27)
Charlie X is a remarkably frank and moving study of adolescence, with a supernatural twist. Robert Walker, Jr's. awkward Charlie Evans may well be the most sympathetic "villain" in the Trek canon. Anyone who has ever embarrassed himself during adolescence (who among us hasn't?) will feel for Charlie and the agonizing loneliness he endures. William Shatner has some surprisingly subtle moments as Kirk tries to explain the facts of life to Charlie. This episode also contains a glaring continuity error: When Kirk enters the turbolift en route to the bridge, he's wearing his standard gold tunic, but when the turbolift doors on the bridge open, he's wearing his green v-necked pullover! Balance of Terror consistently winds up on nearly every Trekker's top ten list. This story gets a lot of its flavor from the classic submarine film Run Silent, Run Deep. Viewers who have also seen the recent U-571 can also see the influence of this episode on that movie: Both stories contain an "enemy alien," Spock in this episode, Wentz in U-571. Kirk's forthright confrontation with prejudice ("Leave any bigotry in your quarters. There's no room for it on my bridge.") should be part of a training manual for company managers. Mark Lenard's scenes aboard the Romulan ship have an almost Shakespearean gravitas. The picture is remarkably clean, considering the source elements are over 35 years old. The sound has been enhanced with stereo effects, although this has not been overdone.
"Charlie X:" A troubled adolescent with powerful telekinetic abilites comes aboard the Enterprise and horrifyingly subjects the crew to his undisciplined, torturous powers. Writers Gene Roddenberry and Dorthy Fontana serve up a mature and utterly captivating yarn of space horror that further explores the "power corrupts and absolute power corrupts absolutely" theme, which was well presented in the (second) pilot "Where No Man Has Gone Before" (episode #2). Highly memorable. GRADE A+ "Balance of Terror:" The Enterprise plays cat and mouse with a cloaked (i.e. invisible) Romulan ship in this space version of "The Enemy Below." This is Mark Lenard's first role for Star Trek as the Romulan commander. He is much better known as Spock's Vulcan father Sarek, who first appears in the second season episode "Journey to Babel" (episode #44). Interestingly, Lenard would also go on to play a klingon in "Star Trek: The Motion Picture." He thus holds the distinction for being the only actor to play a Romulan, a Vulcan and a Klingon on Star Trek. Bottom Line: Okay, but generally boring; ridiculously overrated by some. Grade: B- (I'm being generous)
Balance of Terror-This Romulan battle episode was one of Star Trek's best shows. This episode demonstrates that while science fiction expands the range of possible stories, generally some of the best stories are the most universal. This episode could easily have been transported to the deep, and renamed Das Boot. The basic premise is simple enough, but the story is divided into discrete sections, each of which contains a surprise. I can't think of an episode which more often faded to commercial with actual drama. We are allowed right inside the Captains' minds, so we feel both their uncertainty and fear about encountering each other, and see them reformulating their strategies and estimations of each other as the chess match unfolds.
WARNING - POSSIBLE SPOILERS AHEAD!!!!! CHARLIE X: Robert Walker Jr. guest stars as Charles "Charlie" Evans, a boy with special powers who is welcomed aboard the Enterprise during a routine space flight from the vessel Anteres. Things become complicated when Charlie develops a crush on Yeoman Rand, and begins to display feelings of hostility towards any crewmembers who get in his way. After the Anteres vessel is destroyed, Kirk becomes suspicious of Charlie. The theme of parental responsibility. Charlie illustrates an example of a young boy, who is confused and frustrated. He tries to be nice to those he encounters, especially women who he has a flame for, yet has a hint of anger and danger about him just beneath the surface. As adolescents we all grew up this way, and naturally many of us who grew up watching this show can view as more than a classical entry. It serves as an episode to educate. There are many extreme moments when Charlie induces crewmembers to freeze, spout poetry, turn into lizards, have their faces erased, or simply disappear. There are also moments of heartbreak when Yeoman Rand disciplines Charlie for overacting his emotions. A truly classic episode. BALANCE OF TERROR: An important episode for three reasons. 1) The debut of the Romulans, and Mark Lenard (later played Sarek) guest starring as the Romulan Commander. 2) An episode focusing on the grim reality of war. 3) An episode also focusing on prejudicial behavior. The wedding ceremony of crewmembers Robert Tomlinson and Angela Martine is interrupted when Federation Outposts fall under attack. The Enterprise moves into investigate, but they find themselves intruding into the Romulan Neutral Zone. When Earth Outpost 4 is destroyed, it is evident Romulans are behind the attack. When transmissions are able to be made, the crew is astounded (us as viewers likewise) to discover Romulans resemble Vulcans, which causes Crewman Andrew Stiles to display feelings of distrust and bigotry to Spock. The Romulans perfect a cloaking device on their ship, which they must deactivate in order to attack. A deadly game of cat and mouse ensues. Under Paul Schneider's screenplay this episode is a true classic. It has moments of mystery as before crossing Romulan Space, they are believed to be a race bent on war and destruction. Yet no one has seen or knows anything about them. There is also the footnote of Crewman Stiles, who had a Father killed during a Romulan battle. No doubt he has a personal vendetta to settle. There are elements of who is the more tactical. The Romulans possessing weaponry much superior to Kirk and the Enterprise, and who is the more clever with sneak attacks and evasive maneuvers. I personally like the moments when the Enterprise is badly hit, and is forced to shut off power to avoid detection. When Spock is repair phaser thrusters, he accidentally triggers the reactivation button. Also when the Enterprise crew helplessly watches the destruction of Outpost 4, they see an illusion of a laser fired from the Romulan ship to destroy the outpost. Later when the Romulans fire the very same laser at the Enterprise, it cleverly echoes the Outpost 4 destruction - only this time it is no illusion. Lastly there is the theme of war fatalities. When a phaser coolant overheats, Stiles and Tomlinson are rendered unconscious leaving them wide open for the Romulans to fire for full destruction effect. Spock heroically enters the room and presses the firing button, and the Romulan ship is disabled. Kirk communicates with the Romulan Commander through a transmission asking him to beam aboard to safety. The Commander refuses and self destructs his ship. He unforgettably states "You and I are another kind. In a different reality, I could have called you friend." Every time I see it, I can't help but shed a tear. The Enterprise crew is victorious, unfortunately one crewman was killed: Tomlinson - the boy who was going to marry! BALANCE OF TERR | |