Reviews (128)

Not even a traditional SCI-FI fan
Star Trek bores me, and Star Wars doesn't do much for me either. So that disqualifies me from being a Sci-Fi geek. That being said, I've reviewed a handful of movies on Amazon, but I've never reviewed my favorite of all time. Year after year, this one stands out: The Time Machine, first viewed during my junior year of high school, is my favorite movie of all time.

The movie is very easy to get interested in. It brings up the What If questions about the world you ask yourself and your dearest friends. The dialogue is clever and enjoyable. And Rod Taylor is the perfect gentleman time traveler.

Some people can't handle the 1960 special effects... Appreciate the nostalgia.
Romance. Action. Intruige. Suspense. Emotion. Watch this thrilling movie about much more than TIME TRAVEL, and you'll find yourself loving it, too.

And when you're finished watching the movie, you'll be taking a few minutes to think about starting your own civilization...and what three books you would take to help you build THE FUTURE!

And then you'll stop thinking and look for something else to watch on TV.

An Ageless Enthralling Classic of Sci Fi
As gorgeous as the new time machine is, its hard to imagine it can ever top the beauty of the original. Watching the film again today the elegance and detail in the design astonish me. The machine is unforgetable but its the intelligently crafted story and character filled casting in this version that can still fill young hearts with wonder at the possibilities of time travel. Its amazing how the initial half of the film seems as contemporary a tale as when it was first invented. It is only in the land of the far distant future that the film turns into a traditional pulp heroic adventure. But the evil underground dwellers, the morlocks with their blue skin, white hair and glowing eyes remain quite scary and create wonderful tension and excitement. This is a really fun adventure film that warrants its classic status because it can still be apreciated today.

Accompanying the film is a sentimental featurette documenting the finding of the original time machine in a thrift shop and its loving restoration. The film is hosted by the original star Rod Taylor who reprises his role with his co-star Alan Young (Wilbur Post on Mr. Ed) at the end of the feature performing a ten minute skit that imagines a scenario where H.George Wells returns in his time machine to convince his friend to time travel with him to prevent his death in a soon to happen WWI plane crash. The affection for this film for everyone connected with it is palpable as they wistfully delight in telling stories of the experience. Oddly enough one of the big reasons I purchased this DVD at this time was the cover art was so beautiful I had to have it. Click on the Amazon.com icon for this film to see a larger version. It must be one of the best movie posters ever made. Good companion pieces to this film are Fantastic Journey and Journey to the Center of the Earth.

Don't let it fool you
I gave it 5 stars just for the movie, but this edition deserves 3, cause you see the audio cd shown on the picture won't be inside the package. I returned it, and got myself the standard version, cause I bought this edition most for the cd. The picture is from an initial pressing of this edition and is no longer available, you'll get all the stuff you see, but no cd. I just thought you'd better know it.

The Time Machine still a timeless classic
Rod Taylor, Alan Young, and Yvette Mimieux star in George Pal's "The Time Machine", a great sci fi movie based on the novel by H.G. Wells.

Taylor plays George an inventor in the late 18th century (1899 to be exact) who makes a machine that can go back in time.

At first his colleagues are skeptical, but when they see George's small model machine that goes back in time, they start to believe him.

George's best friend, and supporter is David played by Alan Young.

George takes the machine back, because he is sick of the present time, with war being brought on.

He travels to the early and middle 1900's and to his shock , George finds out that Man's future lies in war (which is pretty accurate even up to today's time).

He sees how WWI and WWII started, and even sees when his house is destroyed by an enemy plane!

George then travels far into the future, the year 802701, to see if mankind has any hope of living in peace.

At first, he sees a great paradise with many people (mostly children) play about in solitude. But when one lady named Weena, starts to drown, he sees that no one seems to care. He rescues her, and after talking to the other youths, he learns that they learned nothing from their ancient ancestors.

The books they have are old and buried.

They have lived the good the life, based on the sacrifices from mankind, and they don't appreciate it (which is another accurate telling of today's times).

He learns that Weena is part of the Eloi society which is under the slavery of the Morlocks, a cannibalistic race.

The Morlocks give everything, food and clothing to the Eloi , in exchange for the slavery and their bodies as food.

The movie was directed by sci fi whiz George Pal who won an impressive 7 oscars and awards for his movies.

He is the Steven Spielberg when it comes to sci fi movies.

What's astonishing about the film is the special effects that were made without computer help (which in most movies make the movie look more fake than real).

The way the special effects people made flowers bloom, candles burn while the Time Machine went in time, is very special to see.

It's a great site, from a special effects view, how these people managed to do these effects, with the limited resources they had.

He directed "War of the Worlds" and "Destination Moon" which won numerous awards. DVD comes with a number of great features:

A behind the scenes documentary with Rod Taylor. A great documentary where he shows how George Pal designed the machine. Taylor even shows us storyboards which haven't been seen in 30 yrs.

Even the DVD main menu with Taylor on the cover and the Murlocks in the background, give the DVD a great sci fi look!!

From 1899 to 802,701 AD The "Timeless" Classic
There are a lot of reviews about this great picture and how it influenced an entire generation. All of it is true! For some reason this film ties into the imagination and fills you with wonder. We can thank Mr. Wells for creating the story, but we really owe it to George Pal, Wah Chang and Gene Warren for translating the book into a miracle of romantic adventure. The real draw of course is "The Time Machine" prop. Never in the history of film has a prop been more imitated and desired. The special effects received an Academy Award and it was well deserved. All of the elements of Victorian London in winter, cozy parlors surrounded with friends gathered for dinner, "tea table" chat over the 4th dimension and the recollection of an experiment in time travel utilizing a flashback technique are what makes this film so enchanting. When Rod Taylor finally begins a slow initial journey we see the sky in motion in day and night sequences that are breathtaking in astronomic splendor. As the flowered garden and fruit trees go through their seasonal cycles in rapid progression you cannot help but be drawn into the wonder of creation and the genius of invention! The screenwriters then play with your imagination as we see our traveler stop at different events in our 20th century past and a "cold war" interpretation of the decade in which it was filmed when he stops in the "future" on August 18th, 1966 to witness a nuclear holocaust. From here we are quickly transported to the focal point of the Wells story to a future society of Eloi and Morlock culture. The care that went into this DVD should not be understated. It is a highly polished film that restores 20/20 vision to the frames so that we can see all of the colorful beauty that was originally there. Once again, we can SEE the atomic satellite zeroing in, the clear sky above the Eloi "cafeteria" and the smoking machinery of the Morlock caverns. When our traveler returns to 1899 and presents the flower to Filby that was given to him by Weena you will agree that "that flower could not have possibly bloomed in the winter time" and in the holding of that flower you will realize that this is a magic moment in film that will be with you forever and as Mrs. Watchit gradually turns off the lights in our view from the snowy evening outside you will think about the three books you would have taken and agree that having seen this film you will never be the same again, because you are in love with a romantic idea, TIME TRAVEL. ... Read more

Reviews (63)

Martin Brody likes it dark and violent
Please ignore the poorly thought out review on this page. Anyone with either a passing interest in Shakespeare or an appreciation of film should seek this out now. Polanski, avoiding the trap so many other filmmakers fall into, makes a film based on Macbeth, not merely recording a performance of the play. He has crafted a breathlessly paced film, making very reasonable cuts in the text in order to bring the film in under 2½ hours. I have seen much longer versions that had no grasp of the play at all.

Polanski also wisely chose not to use well-known stars for the major roles; instead utilizing some of the best (and youngest) British stage actors of the time. Jon Finch and Francesca Annis perfectly capture the most emotionally wrenched marriage ever, without the moustache twirling that finds its way into Shakespeare film adaptations too often. This film is dark, muddy, and violent; it is not intended for children. I have to assume that the people who complain about the violence in the film have never actually read the play. And I hope, for the sake of their own sanity, they steer clear of Titus Andronicus, Richard III, Julius Caesar, Othello, and if beheadings put a bee in your bonnet, beware Cymbeline!

... This is a raw, passionate telling of one of the great fictional works in the English language, by one of the great filmmakers of our time. But wait for the wide-screen DVD.

Shakespeare as Cinema!
Purists beware, Roman Polanski and Kenneth Tynan have cut, rearranged, and shaped Shakespeare's material to make a MOVIE! And what a grand film they created. Flowingly cinematic, with stunning location filming and superb cinematography the many cuts allow for a smooth narration without sacrificing the gut and heart of the play.

There was much controversy when this film debuted, probably due to it being financed and produced by Hugh Hefner and Playboy, and probably because it was unblinkingly bloody upfront (although the blood is in the play, much of it is naturally offstage), and because of nudity in several key scenes (including the witches....all those old nude crones, while factually correct, no doubt upset many). Today, these seem like perfectly reasonable choices. The film is relentless and remorseless, as befits the story. I don't know what part of Polanski's personal tragedy had any part in his work here, but the direction is excellent. Finch and Anis are fine as the murderous Laird and his Lady, as is the rest of the cast.

If you want the play, see the play. If you want a stimulating and fully realized CINEMATIC treatment of Shakespeare's great themes of greed, ambition, murder, guilt and destiny, see this finely produced, directed, and acted work. Well worthwhile.

Vaulting Ambition
This is a terrific cinematic adaption of one of Shakespeare's greatest plays. The film is also known as "The Tragedy of Macbeth", or sometimes "Roman Polanski's Macbeth". Set in early medieval Scotland ( although filmed, I understand, in Wales ), this is a well-known tale of the ruthless ambition of a young noble, Macbeth, who is goaded into acts of evil by his scheming, manipulative wife. Macbeth literally murders his way to the throne of Scotland. Of course, we know what happens to those who "live by the sword" !

British actor, Jon Finch, has the title role, and he expertly peels away the various levels of his character's personality--his Macbeth is no cardboard villain. His performance is more than matched by Francesca Annis as Lady Macbeth, whose twisted mind and blood-soaked hands drive her to madness. Performances by other members of this primarily British cast are all fine, with Martin Shaw particularly effective as Banquo.

The other "star" here, of course, is Polanski. The story of Macbeth, and the times in which it occurred, were brutal, primitive, stark--wars were constant--men settled disputes with swords, daggers, axes and maces--death was not heroic or pretty--women and children could be victims as well. Polanski portrays this environment with as much matter-of-fact authenticity as possible. There are certainly some gory scenes, even by current cinema standards, and the final battle between Macbeth and his sworn enemy Macduff is far from some of the choreographed sword fights in Hollywood movies. The spare landscape and ancient castles add to the atmosphere--for interior scenes, light is used very sparingly, to add to the mood and sense of foreboding.
The scenes with the three witches are creepy and effective.

I do have one question. The credits indicate that the script was written by Polanski and noted drama critic, Kenneth Tynan. Doesn't William Shakespeare deserve a little credit here ? Those soliloquies sound awfully familiar !

The DVD exhibits a decent, occasionally hazy, colour wide-screen picture. I was concerned at first when I noticed a vertical line on the right of the picture, but it disappeared, and the rest of the print seemed fine.

There have been numerous versions of this classic play, and I'm sure there will be more. How long before Kenneth Branagh decides that we need a new version on film ? In the mean time, Polanski's "Macbeth" gives us a totally engrossing, if bleak, cinematic experience.

A Great Performance For A Great Play
If reading the play wasn't enough, this movie kept me asking for more. Roman Polanski brilliantly executed what I had envisioned while reading the script for the play. The dark of the night at Macbeth's, to the special effects which were quite good for their time. I especially enjoyed the scene with the dagger, it was exactly as I had imagined it.

Truly Inspiring
I can't recommend this enough. I teach Shakespeare to 6th and 8th graders, and this movie absolutely engrosses kids of this age. Polanski makes every nuance of the play clear, and the acting is superb. We read a little of the play, work with it, then I show just that part of the DVD. (I have to leave out very few scenes because I teach in a public school, so no nudity allowed.) I wish Polanski would tackle other of Shakespeare's plays. ... Read more

Description

A glorious Technicolor epic that influenced generations of filmmakers, artists, and aspiring ballerinas, The Red Shoes intricately weaves backstage life with the thrill of performance. A young ballerina (Moira Shearer) is torn between two forces: the composer who loves her (Marius Goring), and the impresario determined to fashion her into a great dancer (Anton Walbrook). Criterion is proud to present The Red Shoes in its DVD premiere. ... Read more

Reviews (36)

Moira Shearer exquisite in debut (VHS Edition)
This film directed by Emeric Pressburger and Michael Powell, and released as one their Archers productions in 1948, is one of the films which I truly cherish. It tells the tragic story of the very talented young ballerina Victoria Page who has to make an agonizing choice between her love for composer Julian Craster and her dedication to art, which is personified by impresario Boris Lermontow. A film about the ballet world, art and love. It features several real dancers such as Moira Shearer, Leonide Massine, Robert Helpmann and Ludmilla Tcherina. This contributes to the feel of authenticity. Volatile/prima donna tempers flare. We certainly get an intimate look into a fascinating world. As with many other Powell and Pressburger films, there's an underlying myth, in this case Hans Christian Andersen's tale of the red shoes [Andersen's downbeat tale deals with a girl who desires a lovely pair of red shoes so much but once she has them in her possession, she can't stop dancing, and only death will liberate her from what has now become a torture]. In this production of 'The Red Shoes' life will irrevocably imitate art. Filmed in lavish technicolour it captures all of the magic of ballet perfectly. It is accompanied by an interesting and haunting music score by Brian Easdale.

The beautiful and luminous center of this film however is Moira Shearer's exquisite performance as the tragic Vicky. She brings Vicky's devotion to ballet and vunerability poignantly to life. 'The Red Shoes' would be Moira Shearer's debut, who was at the time a rising star with 'The Sadler's Wells Ballet' and it definitely earned her a place in cinematic history. Not in the least because of the stunning fifteen minute dance sequence which Lermontow's company performs: 'The Ballet of the Red Shoes'. Herein Moira Shearer's and Leonide Massine's performances as the girl and the shoemaker stand out. A spectacular and surrealistic ballet on its own, this was choreographed by Robert Helpmann and designed by painter Heinz Heckroth. Also shown are interesting and very well executed fragments from such classic ballets as 'Giselle' or 'Le Boutique Fantastique'.

Further stood out for me Anton Walbrook's performance as the fanatical and tyrannical impresario Lermontow, who demands total commitment of his employees to their art. Together with Moira Shearer's Vicky his intelligent, intense and ultimate poignant interpretation carries this picture. In Lermontow we meet a man who has the vision, knowledge, connections and creative instinct to bring a dancer such as Vicky to greatness. Marius Goering is adequate as Vicky's love but Leonide Massine as Grischa/the shoemaker was very eloquent and poignant.

An intense, passionate and unforgettable film which occupies a special place of honour in my film collection.

A Must See For Ballet Fans
The 1948 classic film starring Moira Shearer (herself a professional ballerina) is no only an enjoyable semi-realistic fantasy film, in much the same lines as say The Wizard Of Oz, but a brilliant film technically to look at. It's drawn from the dark fairy tale by Hans Christian Anderson (responsible for such stories as The Little Mermaid), in which a young girl is forced to wear red shoes with a will of their own. The poor girl dances until she dies. The concept is taken to a late 40's England, where the aspiring ballerina Victoria Page seeks to dance in the prestigious company headed by the eccentric, perfectionist and intensely driven impresario Lentmontov. The story provides the audience with a glimpse of dance rehearsals, theatrical life both pre-performance and during, the charm of the glamourosu life ballerinas are said to enjoy. But in reality, it is a study on obscession, the demand for virtuouso performance and the conflict between love of one's career and romantic love. Victoria Page is herself doomed to dance to her death when she is torn between her duty to Lentmontov and her love for his musical composer and choreographer. This movie is excellent for ballet fans, and for stage magic fans- the Ballet of the Red Shoes is the most striking moment in the film, an original ballet set against surreal, nightmarish backgrounds of carnivals, ballrooms and ghostly netherworlds where neon lights change colors in blinding and dizzying speed and danced to jazzy 40's music. The film is sure to impress adults (I disagree that it is for children due to the drama of the whole thing), and it is marvelously shot in Paris, London and Monte Carlo. A film like this does'nt come often.

Don't ignore human nature
Amazon Reviewer "ploompy" notes, "...Look for Lermontov's great advice to Kraster when his intellectual & creative material is purloined by a professor. Lermontov says simply, "It is better to be stolen from than to have to steal..." I agree, this is an excellent piece of advice to remember in life.

Another line in the "Red Shoes" by the Lermontov character is worth noting. Lermontov is warned about "human nature" and how current events within his theatre group is breaking up the act. Lermontov responds to this by saying "I simply ignore it". As events unfold with the "Red Shoes" story Lermontov's ignoring of human nature comes back to haunt him in the end. One can never IGNORE human nature. It trumps eveything else.

Excellent movie on all levels. A true movie classic.

Enjoy

Great movie
My husband and I just saw this movie on Turner Classic movies last nite and we just loved it. My husband had seen this movie when he was 5 years old, around the time the movie was made and had not seen it since. The ballet sequences were great, the technicolor and special effects were super. We highly recommend this movie to anyone who has a taste for the ballet or just folks who enjoy a good movie

Thanks to Turner Classic Movies.....
I saw "The Red Shoes" tonight once more on TCM and my heart pounds each time I see it...The color, the acting, the art direction, the music. This is a film that has aged well like fine wine...... you just want more and more of it.
I am so glad to have finally ordered the DVD. I have had the VHS tape a few years but now I will soon have the DVD thanks to CDNOW for making it so easy to order...
Dave Reep
Kansas City ... Read more

Amazon.com

MGM is grouping episodes from the new Outer Limits anthology series by theme rather than chronology for DVD, and this first collection compiles six episodes that focus on matters of the heart (and other body parts). Alyssa Milano's nude scene in "Caught in the Act" will probably garner the most attention, but the disc's strongest hour is "The Human Operators," a thoughtful, award-winning take on man vs. machine that's adapted from a story by science fiction legends Harlan Ellison and A.E. van Vogt. This reworking of the 1963-1965 science fiction series is competent but lacks the palpable suspense of the original series. Also, there's no sense of new ground being broken with its stories; the original series took risks with its parables on war ("Soldier") and technology ("O.B.I.T."). The new Limits also tackles issues, but the end results pack a lesser punch. Hardcore sci-fi fans may take to this tempered-down version; all others will find it mildly diverting. --Paul Gaita ... Read more

Reviews (8)

Nice
I like the themed DVD series. I would have rathered by series but the themed ones are just as good. My only complaint is that MGM is really slow and need to get out the rest of these shows!!!

"The Outer Limits" - just a mystic dream
Hi there...I'm from Germany and I like the series very much, too.
I searched nearly the whole Internet to find episode guides and other information about the series. Today I have found out, that the copmplete series will NOT come out on DVD in our country.

Of course, the two Discs are not bad, but where's the rest ??

"The X-Files" is also out there, but why not "The Outer Limits" ?

However, I'll buy the Original Soundtrack - that's enough for the moment.

And let us hope that at least the two DVDs will also come out in our language.

Mike

Pushing the limits
The original OUTER LIMITS series aired in the early 1960s. It was often compared with its rival (and more popular) show, THE TWILIGHT ZONE. However, there was a distinctive difference between the two shows. TZ only sometimes had stories that belonged in the science fiction genre, while OL was STRICTLY 100% of the science fiction genre.

In the mid-1990s the show idea was renewed on SHOWTIME. Being on SHOWTIME meant that the writers did not have to worry about censors. So, what resulted was a science fiction show with a nice blend of eroticism. The current DVD is 4 of the top episodes from the seasons on cable.

3 of the 4 stories deal with the concept of artificial intelligence, which is a "biggie" at this juncture as we stand right on the threshold of making AI a reality. The fourth story is the most "pure" science fiction story as it takes place almost entirely in outer space.

From the eroticism side of the house, it is good to see that the nudity / sensuality is not contrived in the stories. Rather, it follows along naturally w/the storyline. For me that is the whole KEY to making eroticism "work."

The biggest names in the casting are Alyssa Milano, Natasha Henstridge and the voice of Malcom MacDowell. The sultry Milano does a nude scene which is likely enough to entice a great many people to purchase the DVD. Milano does a memorable job of going from the innocent girl-next-door to seductive vixen in World Record speed.

Although I have never been a huge fan of behind the scenes material on DVD, this does offer a decent package of the thoughts and perspectives of the creation of the storylines. It also gives us some insight from one of the makers of the original OL.

If you like science fiction movies and short stories, you will like this movie. If you like erotic movies, you will like this DVD. If you like science fiction movies AND erotic films, you will LOVE this one!

Good Episodes But...
video transfer quality was poor. Lots of video noise artifacts, making enjoyment of episodes a struggle. Very disappointed. What kind of "master" did MGM use, a copy of a copy?! 2/5

ahhhhh! just right
i usually like television on dvd to come out by the seasons, but i am glad ...no make that ecstatic that m.g.m decided to put these by themes. with six 45 minute stand alone episodes on each disk seperated by themes you can't go wrong......even if M.G.M follows its historical pattern of releasing a few dvds of a series and then following that up with a complete box set you won't regret buying these especially at this great price. ... Read more

Amazon.com

Fans of the testudinate pace and art-house vibe of writer-director Sally Potter's other works (Orlando, The Tango Lesson) will likely enjoy The Man Who Cried. Fegele (Christina Ricci) is a Russian Jew separated from her father as a child. Raised as "Susie" by an English family, she makes her way to Paris, where although the city's multiculturalism is vibrant, the Nazis are already on the rise and the secret of her origin becomes increasingly dangerous. The cast of The Man Who Cried is excellent; Cate Blanchett, Johnny Depp, John Turturro, and Harry Dean Stanton all do fine jobs in what could have easily degenerated into an accentfest. Depp and Ricci do very well with minimal dialogue--both go through the entire movie almost without speaking. The film moves at a leisurely pace and is beautifully shot. Not a film to show to a roomful of action movie fans, but it's well suited to people who like their films a little more European in flavor. --Ali Davis ... Read more

Reviews (50)

Actors' Showcase
This is a great "acting" movie. The stars are great, but the rest of the movie was missing something--my interest.

I'm not saying it was bad. The acting was wonderful, masterful even. The cast consists of Christina Ricci, Johnny Depp, John Turturro, and Cate Blanchett, all doing work that is equivalent to their best. Ricci, especially, as the main character, gets to run the gamut of emotions and I couldn't take my eyes off her. Blanchett does a thick accent that is hard to understand sometimes, but her performance was as good as I've seen her give. And as for Depp and Turturro, well, they don't make wrong moves. Even if they are in bad films now and again, they can always be depended upon to give superb performances.

No, the cast was not the problem. It was the story. I just didn't care what was happening. I liked watching great actors practice their craft, and I cared about them, but I couldn't get involved in the story. I know there was some subplot involving a white horse, but I couldn't tell you the significance, except to make the Johnny Depp character look sensitive, but he does that anyway.

I would definitely recommend it for fans of the actors, but I couldn't recommend it as entertainment.

A visually beautiful film in the shadow of oppression...
A Russian-Jewish man travels alone to the United States in order start a better life for his family, which he intends to send for when he has raised enough money. However, the communist rule under Stalin separates the family which leads to the death of the mother and the escape of the daughter, Suzie (Christina Ricci). Suzie's escape brings her to England where she is adopted and forced to assimilate to the British traditions and culture that eradicates her of her own past. Years later when Suzie has reached adulthood she travels to Paris with hopes to raise money that can bring her to her father in the United States. In Paris she meets love, dreams, hope, and horror as she must face anti-Semitism brought to France by the Nazi's during World War II. Man Who Cried is visually stunning as it portrays the struggles of Suzie and those around her in a time of hostility. The visual elements are also enhanced by a terrific cast such as Christina Ricci, Johnny Depp, Cate Blanchett, John Turturro and many more. In the end, Potter ties together a meaningful cinematic experience that has both historical value as well as morals.

A beautiful artistic masterpiece of a film.
No, it's not a fast-paced story. It's slow, it is subtle, and you have to savor it to really enjoy it. Performances by everyone are perfectly wonderful. Turturo & Blanchett especially, Stanton included. Very well done. I loved it. If you reflect on the film after you see it, you realize how much LIFE this girl lived. Beautiful movie. Underappreciated.

\m/
I haven't seen this film either but I still give it 5 stars because it ... has Johnny in it.

The Holocaust goes Hollywood...literally!
From an impoverished Jewish settlement in Russie to the soundstages of Hollywood, this well intentioned but overwrought melodrama seems much longer than its nearly two hours.

In spite of the interesting, original premise, the story goes south with incessant lipsynching and an improbable melange of accents. Christina Ricci's tragic waif, "Susie," isn't a viable heroine in spite of excellent performances by the stars surrounding her. Blanchett, as usual, steals the show and captivates every moment of her screen time. ... Read more

Reviews (40)

Great Movie!!
Outbreak is a fantastic action/drama with a great, all-star cast.

Outbreak features the acting talent of Dustin Hoffman, Rene Russo, Morgan Freeman, Cuba Gooding Jr., Kevin Spacey and Donald Sutherland. Dustin Hoffman puts on one excellent performance throughout this film, and the supporting cast is nothing short of excellent. This thriller will keep you on the edge of the seat until the very end of the movie.

The DVD while lacking many special features, is still well worth owing. The crisp picture, theater sound, and low price makes this one well worth getting.

If you are a fan of any of the above actors, pick this one up!!!
You will not be disappointed.

Highly Recommended!!

A movie worth watching!
Outbreak, brings to the screen the likely scenario that a deadly virus (similar to the Ebola virus) spreads rapidly endangering mankind, and threatening life on Earth. The likelihood of such a phenomenon is presently great indeed (as it always has been i.e. the Black Death etc), and hopefully the film will get many people thinking.
The movie is very realistic in its approach, and conveys a much needed message of the dangers facing people, especially when dealing with viruses (how easily many of them spread e.g. an airborne virus in an airplane or a movie theater). Moreover, one realizes how the government would have to act in such an emergency and the type of use of the military one should expect in order to protect the majority of people that have yet to be infected and contain the spread of the disease.
Dustin Hoffman, Morgan Freeman, Kevin Spacey, and Rene Russo, whose performances are simply amazing, make this movie one of the best of its kind.
The actors' great talent and chemistry clearly shows, thus providing a film that can be watched over and over again.
Resident Evil (Milla Jovovich) is another very good movie dealing with virus-related incidents/threats, though it falls much more under "Horror" than Outbreak, which is a more "Thriller/Action" type of film. Another movie that comes to mind is Twelve Monkeys (Bruce Willis, Brad Pitt, Medeleine Stowe), which is a futuristic/science fiction approach to similar virus-related threats to humanity.
In short, Outbreak is a very good movie, it's an eye opener, and very much worth watching!

Stop that Virus!
Viruses scare the bejesus out of people who spend any significant amount of time thinking about them. Stephen King has written a couple of horror stories where humanity is essentially destroyed by the flu. "Outbreak" taps into that primal fear and elevates a killer virus to a status cinematically usually only reserved for tornadoes, volcanoes, great white sharks or Godzillas. In Outbreak a bad virus is discovered in a deep dark place, carried by a cute monkey, and attempted to be stuffed into a military pandora's box.

Wolfgang Peterson knows how to make a suspenseful movie as he proved with "Das Boot" and "Air Force One" and here he gets to work with a cast that would be difficult to reproduce today with Dustin Hoffman, Morgan Freeman, Kevin Spacey, Cuba Gooding, Jr, Rene Russo and Donald Sutherland.

There are a few cliches in the film. Sutherland plays a stereotypical military general who sneers as he orders the death of thousands of innocents in the name of "National Security" - but he does it with skill and enthusiasm. Morgan Freeman dispatches a bomber crew with a speech that could have been replaced word for word with the same speech Slim Pickens delivers to his bomber crew in "Dr. Strangelove" ("I know you have reservations about what you've been ordered to do..... you wouldn't be human if you didn't....")

There are several light-hearted moments, such as when Hoffman's Colonel is out in a helicopter flown by Gooding's Major and they all but acknowledge that they are the characters-in-a-disaster-movie-tasked-with-saving-humanity. "I don't need you to get negative on me now", Dustin says after Cuba summarizes the hopelessness of their situation. "Affirmative, Sir!"

Awesome
I loved this movie. That is all that can be said. That is all that is needed to be said.

Casualties of War.
"In war, truth is the first casualty." - Aeschylus.

In 1989, a secret U.S. Army SWAT team was called in after an Ebola outbreak among monkeys in a Reston, VA lab; a mere ten miles from Washington, D.C. They eventually determined that this particular strain wasn't contagious for humans - others, however, are; capable of producing a 90% mortality rate within a matter of days. The incident produced Richard Preston's bestselling book "The Hot Zone," on which this movie is loosely based (another project involving Robert Redford and Jodie Foster eventually folded).

Like the Reston Ebola strain, the (fictitious) Motaba virus at the center of Wolfgang Petersen's "Outbreak" is brought to the U.S. by an infected monkey, caught near a village in the Zairean (now: Congolese) Motaba Valley. Unlike the Reston Ebola it is contagious for humans, with a 100% mortality rate within a single day. And unlike any known Ebola strain it is airborne, i.e. not only transmitted by direct human-to-human contact.

Officially nobody has any prior knowledge of the virus at the time of its apparent first hit. In fact, once they've overcome their shock about its gruesome effects, USAMRIID Colonel Sam Daniels (Dustin Hoffman) and his assistants, Majors Schuler and Salt (Kevin Spacey and Cuba Gooding Jr.) - in Zaire to provide medical assistance - are downright ecstatic to have discovered a new virus; a once-in-a-lifetime event for most scientists, if it happens at all. What they don't know is that their own superiors, Brig.Gen. Billy Ford (Morgan Freeman) and Maj.Gen. Donald McClintock (Donald Sutherland) have encountered this virus before, albeit non-airborne, in a mercenary camp in 1967 ... and on McClintock's orders, firebombed the camp to secretly develop a biological weapon. Now McClintock insists that their knowledge remain secret even after a first Motaba outbreak in Boston, brought about by the Californian animal lab worker (Patrick Dempsey) who has unwittingly smuggled the carrier monkey out to sell it to a pet store; and after another outbreak in Cedar Creek, CA, transmitted through the pet store owner and a lab technician infected by his blood. McClintock's solution is the same as 30 years earlier: Firebomb the contaminated area and everybody in it, keep your weapon and be done with it.

But unlike 1967, complete secrecy is no longer an option, as not only Colonel Daniels's team but also his ex-wife Robby (Rene Russo), who is now with the CDC and has helped contain the Boston outbreak, is aware of the virus's presence. Thus, McClintock opts for the reverse strategy, obtains a presidential OK for his "Operation Clean Sweep" - after a dramatic presentation to the assembled cabinet resulting in the conclusion that the "bug" is capable of spreading to the entire country, including D.C., within a mere 48 hours; and the admonishment "Be compassionate, but be compassionate globally" - and orders Ford to get Daniels out of the way and keep him "in line."

Daniels, however, who has long earned a reputation for following orders rather selectively, rushes to Cedar Creek, to work alongside Robby and her team trying to contain the virus. In short order Ford and McClintock show up as well, and soon the town is crawling with soldiers, who seal it off to the outside world and implement a curfew, to prevent a further spread of the virus but also in preparation of "Operation Clean Sweep." A frantic race ensues; pitting Daniels and Salt, who set out to search for the host animal to develop an antiserum, against their own comrades.

The premise of "Outbreak" is entirely believable; as evidenced by the 1989 Virginia incident - after all, it was mere luck that the Reston strain didn't prove contagious for humans - and by the fact that, as is public knowledge, various kinds of viral strains do exist in the U.S. and other countries; at the very least for experimental purposes. While their military use is banned under the 1925 Geneva Protocol and the 1972 Biological Weapons Convention, there still is no functioning control mechanism in place (which was/is also a factor in the Iraq WMD debate). And although the U.S. is a signatory to both aforementioned instruments and has previously stated its non-use policy, the Bush government abandoned international discussions on the issue in 2001.

So, "Outbreak" addresses enormously important concerns; and it does so compellingly and with a stellar cast. Dustin Hoffman imbues his Colonel Daniels with tremendous compassion but also a great sense of humor; and his snappy exchanges with Russo's Robby Keough and his team are a delight, especially those with Kevin Spacey, who in 1995 burst into movie audiences' collective awareness with this film, the Oscar-winning "Usual Suspects" and "Se7en." Morgan Freeman brings all his sensitivity to the movie's most intricate role, General Ford, who is caught between being party to McClintock's scheme and realizing its profound immorality. Then-27-year-old Cuba Gooding Jr. may have been a bit young to play a Major, but he certainly stands his ground; and few actors can portray a villain as menacingly as Donald Sutherland, although the script gives him little opportunity for true complexity.

Unfortunately, "Outbreak" gets the full "Hollywood thriller" treatment, complete with dramatic score, two-dimensional villain, cliched ending and reliance on a few coincidences too many. This (and some plot inconsistencies) somewhat reduces its effect, preventing a good movie from becoming a truly great one - although its 'copter chases are pure eye candy; and it certainly helps that they were shot by Michael Ballhaus, arguably the business's best cameraman. But for the importance of its subject alone, and its outstanding cast, "Outbreak" is worth all the notice it has received.

"[The Cedar Creek population] are casualties of war. ... I'd give them all a medal if I could. But they *are* casualties of war." - "Outbreak," Maj.Gen. Donald McClintock.

"[N]o massacre has occurred ... no further action is warranted." - From the initial Department of the Army investigation report on the March 16, 1968 My Lai incident (Vietnam). ... Read more

Reviews (6)

The iceman cometh
THE HUNTERS is a good war movie saddled with a lame and unconvincing romantic subplot. Robert Mitchum plays Major Cleve Saville, a little long in the tooth fighter pilot newly arrived in Korea to lead a squadron of F-86 Sabre jets. While stationed in Tokyo awaiting assignment he meets weak little 1st Lieut. Carl Abbott (Lee Philips) and his cute little wife Kris (May Britt), as well as slang spewing rookie pilot Lieut. Ed Pell (Robert Wagner.)
As an action picture THE HUNTERS is incredibly entertaining, especially the filming of the jet dogfights. Unfortunately, there's a rather substantial romantic subplot involving a sour little triangle whose points are Carl and Kris and Cleve. Every romantic scene sucks the life right out of this movie. May Britt may be beautiful but her "affair" with Saville borders on the melodramatic and is pretty unconvincing. How often do you tell a married woman after your second platonic visit that you love her? The only reason for the romance is to establish tension between Saville and wing man Abbott, anyway.
Mitchum teamed with director Dick Powell a year earlier on THE ENEMY BELOW, one of the best WWII movies available. With that movie in mind, it's doubly disappointing to see him fall back on cliched characters, like the cocky rookie Ed Pell, and a trite and time consuming love story.
There's more to like than dislike in THE HUNTERS, but not nearly as much as I expected when I popped this dvd into the player. I liked this movie a bit less than I wanted to. Make sure to play both sides of this double-sided disk, as there are a different set of 'Special Features' on each side.

The Citizen Kane of modern air/space combat movies!
When I was 11 years old, I saw this movie when it was released. In its air combat sequences, The Hunters is the Citizen Kane of all modern air/space combat movies, as revolutionary for its time as Star Wars later was to be for its time. While prior air combat movies had been on the square screens, usually in B&W, The Hunters was filmed in state-of-the art CinemaScope (widescreen) and Technicolor. Its air combat sequences -- twisting jets on each other's tails soaring in mountainous clouds, then diving and roaring a treetop level through valleys -- were brilliantly conceived and breathtakingly executed -- unlike anything that had been seen before. They still hold up with the best ever filmed, although they've been copied so much (by movies such as Top Gun and Star Wars) that they no longer have the knock-your-socks-off novelty that they originally did. Unfortunately, the feel-good screenplay, with a distracting romantic subplot, bears no resemblance to the gritty, macho novel on which it was based. In James Salter's best-selling novel, the Robert Michum character, Cleve Saville, is a WWII veteran fighter jock who can't get a kill to save his soul, then has no witness when his first-and-only kill (before he himself dies) is the legendary enemy ace. Hence, The Hunters movie is really a first-rate action-hero fantasy set in wartime. (...)

Jet-Propelled Action !
"The Hunters" is a well-made, exciting Korean war drama, with the accent on aviation. It has an above-average plot for this type of film, and the whole movie, particularly the aerial sequences, is expertly directed by Dick Powell. If you are interested in combat aircraft, there are many scenes of F-86 Sabre Jets engaging MIGs in dogfight battles to the death.

While the planes are great to watch, this film is primarily about human beings caught up in war. It stars Robert Mitchum, and he is terrific--his fighter pilot character is a born leader, yet he also suspects there is something important missing in his life. He enters into a guilt-ridden relationship with the wife of another pilot, played by lovely May Britt. When there's a war on though, the feelings of two people aren't worth--as someone once said--"a hill of beans". Mr. Mitchum's main job is to lead a fighter squadron, and satisfy his boss on the ground--Richard Egan in a strong performance, knowing that every day he may be sending a man to his death.

Just to make things even more interesting for Mr. Mitchum, his squadron includes Ms. Britt's husband ( a paranoid, self-doubting Lee Philips ) and a cocky, young "hotshot" who doesn't like "rules" ( a young, excellent Robert Wagner ). It would be unfair to reveal more of the plot, but the film is consistently interesting and exciting.

The DVD is full screen on one side, and wide-screen on the other. The colour is very good for a 46-year old film. It does not have "surround sound", of course, unlike that 1986 aviation hit, "Top Gun"--then again, "Top Gun" didn't have Robert Mitchum ! Tom Cruise has a nice smile--but, for leadership and grit, I'd follow Robert Mitchum through the gates of hell !

Actually, I'll give "The Hunters" 4 1/2 stars. Action--suspense--romance--Sabre Jets--Robert Mitchum--what more do you want ? Thanks, Fox--a very nice disc !

The Hunters--Fighter Pilot's Attitude
The HUNTERS catches the atttitude of the Fighter Pilot Ace. Great performances by Robert Mitchum, the WWII veteran who won't fly a desk and Robert Wagner as the kid "hotshot" pilot.
Additionally great work by Richard Egan who is Mitchum's commander and flew with him in WWII. The scenes between Egan and Mitchum are the highlight of great acting in the movie. Perhaps Egan's best work ever.

Definitely an Ace
"The Hunters" (1958) and "The Enemy Below" (1957) are 2 war movies produced by Dick Powell for 20th Century Fox filmed in Cinemascope both with Robert Mitchum in the leading role.

Major Cleve Saville (Robert Mitchum), the squadron commander, is a famous ace and veteran fighter pilot of World War II. He is a career man whose world was his squadron and the men who flew with him. Lt. Pell (Robert Wagner), in the early part of the movie, is a reckless but eventually courageous young jet ace to whom Saville owe his life. Lt. Abbott (Lee Phillips) is the confused husband of Kris (May Britt) whom Saville falls in love with although their acknowledged desires are never to be fulfilled.

The picture is based on the novel "The Hunters" by James Salter who is himself a jet ace in the Korean conflict. In the late 50's long before the development of CGI technology, real fighter jets F-86 Sabrejet and F-84 Thunderjets (painted gray with a red star to simulate MIG-15) were flown in the aerial battle sequence which made it the more realistic than Pearl Harbor (2001).

I have kept like a treasure a copy of "The Hunters" VHS tape and it is pretty worn out by now from years of repeated viewings. Thank you Fox for putting it on DVD...46 years after its theatrical release. ... Read more

Amazon.com

It's a good thing Sandra Bullock knows her strengths and weaknesses, because without Bullock as star and producer, Miss Congeniality would be an insufferable mess as opposed to being a mildly enjoyable trifle that is custom-made for Bullock's established screen persona. Only Bullock's fans could really appreciate this fluff (even then they'll wish its ripe premise had been more intelligently handled), but it's not without some highlights to accompany Bullock's reliable charms. Here she plays clumsy, nerdy FBI agent Gracie Hart, who is given the horrific pseudonym Gracie Lou Freebush (one example of the movie's juvenile tendencies) when assigned to infiltrate a beauty pageant to investigate threats of a terrorist attack.

Transforming Bullock from frumpy to stunning is a piece of cake (although she gives pageant coach Michael Caine a run for his money), so the movie's premise is trivial at best. More enjoyable is her character's uncouth disdain for pageant contestants and her mistaken perception that they're all a bunch of bimbos. The movie nicely charts Gracie's realization that her own pageant makeover provides a much-needed ego boost. In addition to Caine's effortless scene-stealing, pageant host William Shatner and organizer Candice Bergen are smart choices for comedic support (Shatner's a perfect Bert Parks wannabe), but the movie desperately needs a credible foundation for its comedy to really pay off. Bullock's bureau boss (Benjamin Bratt) is an unconvincing dimwit, and none of the plotting is as smart as say Beverly Hills Cop in combining procedure with laughs. That leaves Bullock to carry the burden of a comedy that just barely works in her favor. --Jeff Shannon ... Read more

Reviews (304)

Light, fun - and all Sandra Bullock
Let's not be confused: this movie is not intended to be more than it is, a light comedy that highlights Sandra Bullock's considerable talents. It succeeds admirably with its goal. "Miss Congeniality" is funny and well-paced, slapstick in parts, but all Sandra Bullock.

Gracie Hart (Bullock) is a rough and tumble FBI agent who is both clumsy and skilled in self-defense, a woman who pounds her punching bag after a frustrating day at work. She is the unlikely candidate to go undercover at a beauty pageant, but she's the only one in the bureau office who looks good in a computerized bathing suit. Michael Caine is hilarious as the man in charge of making her over in two days, and Benjamin Bratt is convincingly clueless and charming as her friend and sudden supervisor. Candice Bergen and William Shatner, as the pageant's directors, are brilliant casting choices.

While Sandra Bullock goes overboard at times making her character uncouth and uncoordinated, she completely carries this movie with her on-screen presence. Her makeover is convincing because Bullock never allows us to forget what lies underneath the sheen.

The best part of the DVD is not the movie itself. It's the running commentary of Bullock and co-writer Marc Lawrence found in the special features menu. I almost watched this movie twice in one sitting as I listened to them joke and tell the background of the filming and writing from the beginning to the end of the movie. They were as entertaining as the movie itself. If you buy or rent the DVD, don't miss this feature!

Sometimes you just want a hotdog!
I like Sandra Bullock, she's fun and at the same time you can see a working thoughtfulness to her. She's carved out a holdiay niche for a certain kind of movie and at the sametime I think takes more risks than Julia Roberts occasionally. Perhaps as she grows older she'll mature into parts that aren't so----easy on the thought process but for now she serves a purpose. Like a Star Trek novel, fun, light entertainment where you can genuinely see that she is a good actress and cares about her work.

She plays an FBI agent who undergoes a Pygmalion like transformation. A friend actually left this movie at my house and I watched it a month or so later. I wouldn't have minded seeing it at the theater. Her and Benjamin Bratt have a nice chemistry and Candace Bergen who will never regain her former "soft" acting style after Murphy Brown makes a great villain. Michael Caine is fun as Sandra's beauty coach and Sandra mocking the whole beauty industry for having beauty contests (It's about the scholarship!) makes the film funny. No true horrid violence and the mystery isn't that deep but Sandra holds the film up for what it is.

Sometimes you just want a hot dog and not filet mignon.

Miss Congeniality
Miss Congeniality DVD ~ Sandra Bullock is not the next idea for the noble peace prize. Then why bother with to much pretense. The movie is fun, francy free and void of social commentery which is nice.

The best movie
Miss Congeniality is a very good movie. Sandra Bullock is SO funny! I would for sure recomend this movie. YEE HAW

Fantastic Comedy With a Great Message
Sandra Bullock is one of America's best loved actresses for a reason - she is genuine, not fake. I have seen several of her movies, and I love them all. They just wouldn't be the same with another actress in it. Miss Congeniality is a hilarious comedy. It is that rare picture, that although it screams CHICK FLICK, is something men will roar with laughter at, too. My friend persuaded my husband to see it, and he LOVED it.

Benjamin Bratt and Bullock have *sigh* chemistry. I found myself wishing they could get together in real life. Such wonderful supporting actors, including William Shatner, Michael Caine, and Candice Bergen, make the film even more delightful. This movie has slapstick, action, romance, everything. It is one of the best comedies ever, a true classic. ... Read more

Amazon.com

F.B.I. operative Gracie Hart (Sandra Bullock) famously went undercover in a beauty pageant a while back, and now she's supposedly so recognizable that her only use to the agency is as a pretty public representative. Dumped by her boyfriend (whom Benjamin Bratt wisely decided not to portray this time around), a gloomy Gracie goes along with the promo biz until her friend, Miss United States (Heather Burns), is kidnapped along with pageant official Stan Fields (William Shatner) in Las Vegas. Bullock still has perk to please her fans, but neither she nor her awkward alter-ego has any purpose in a sequel to a movie released five years prior. The result is a desperately unfunny, feature-length commercial for Las Vegas tourism, with outdated homosexual stereotypes (Diedrich Bader, as Gracie's stylist) and the usually terrific Regina King (of Ray and Jerry Maguire fame) stuck in a glum role as Bullock's butch bodyguard. Armed? Yes. Fabulous? No. --Steve Wiecking ... Read more

Reviews (29)

Where Is Michael Caine, and a Decent Story? Just a Mess.
Do we really want "Miss Congeniality 2 - Armed and Fabulous," unnecessary sequel while we have the surprisingly entertaining original made five years ago?It depends on your expectation level.Keep that very low, and you may like this run-of-the-mill comedy, like watching a TV sit-com extended to lengthy two hours.

Excuse my bitter words, but from the beginning to the end "Miss Congeniality 2 - Armed and Fabulous" makes wrong steps -- Sandra Bullock's Gracie Hart is back, which is fine.But as her face is widely known, she cannot do any undercover assignment, so she starts to work on an FBI PR campaign.Gracie begins to consider herself as celebrity, clad in the expensive costumes like Anna Nicole Smith, and appears on a TV show to promote her (ghost-written) book.

In addition to these hackneyed ideas, "MC2" tells us that Gracie's friend Cheryl (Heather Burns) and Stan Fields (William Shatner) are kidnapped by two masked guys on the street of Las Vegas, to which Gracie flies for the most unconvinging reason I have heard in the film's history.Oh, and Sandra Bullock's silly, very silly costumes continue, including one in wheelchair (disguised as an old lady) and one big featherly creature from the Sesami Street.Oh, dear, I love you Sandra, but not this.

[NO CAINE, NO FUN] All these things could have been forgiven if there is chemistry between Sandra Bullock's Gracie and her new 'buddy' Sam Fuller (Regina King, 'Ray').There is none that reminds me of Benjamin Bratt's good-natured personality here.To make matters much, much worse, Michael Caine is gone, replaced by 'fashion advisor' Joel (Diedrich Bader) whose mannnerism, based on poor copy of Caine, is just irritating and awfully unfunny.Finally, when Treat Williams as FBI officer in charge appears with bad acting, the whole film starts to go down to the bottom of the theme parks of Las Vegas, the town which is repeatedly shown on the scree for no other reason than that it is another kind of production placement.

The original "Miss Congeniality" was not critic's favorite, but it gave Sandra Bullock a prestigious Golden-Globe nomination.The sequel unwittingly tells us that a good support and decent (if not special) scripts was the key to that, both of which fatally lack in "Miss Congeniality 2 - Armed and Fabulous."

Don't Pass "Miss Congeniality 2" Up On Poor Reviews!
I was planning to pass 'Miss Congeniality 2' up on the strength of poor reviews but braved the show anyway since I had nothing better to do on a Saturday night. The opening scenes were so-so and just when I began to start fidgeting in my seat when I saw Sandra Bullock getting all dolled up donning Chanel suit, Gucci Shades, Fendi bags and heavy make-up to look all plasticky and artificial, the movie got better and better and I saw myself laughing my head off in perhaps formulaic but no less FUNNY sequences. Regina King was perfectly cast as Bullock's glum-faced sidekick - just when viewers were convinced that she was all macho, serious and anything but funny, she totally surprised on the upside in her awesome, show-stealing performance as 'Tina Turner' in drag. In fact, the entire song-and-dance sequence was so kick-ass and hilarious that it had the entire audience in stitches!

Seeing Sandra Bullock 'armed and fabulous' in her reprised role as agent Gracie Hart was a continuous testimony as to why she has transfixed moviegoers in the past decade. While not a conventional beauty, her ever-present wholesomeness, well-crafted comedic timing, not least self-denigrating but always endearing performances (as evident in "While You Were Sleeping", "Two Weeks' Notice" and "Miss Congeniality") confirmed her place as one of America's beloved sweethearts to ever grace the silver screen.

The sequel was more superior in terms of laughs, all-round direction, storyline and showcased a supporting cast whose performance was competent in their own right and sub-plots which more than overtook the forced romantic angle in the prequel. My advice: ignore the poor reviews writing off 'Miss Congeniality 2' as brainless/stupid if you're either a die-hard Bullock's fan or just want to immerse yourself in some 90 minutes+ of unadulterated fun.

PS For extended laughs, do stay back for the closing credits as the producers had gratuitously slapped on rejected takes right at the end of the movie: selected clippings depicting the cast bursting at the seams when they got so carried away and forgot their lines and/or their failed attempts to not burst into irrepressible laughter in supposedly 'serious' situations. ENJOY!

For what it is...
I think the problem is that people are taking this movie WAY to seriously! It's not meant to be avant-guard or brilliant! It's meant to entertain! This movie succeeds at its main goals, being hilariously entertaining with fantastically fresh performances. Bullock shines, even though the script and plot may not be flawless, I have to admit, that I was extremely entertained throughout the entire movie, and everyone in the theatre laughed at every scene and applauded at the end. Don't listen to the critics, Sandra in her own right is brilliant. And while Miss Congeniality 2 is not brilliant, it definately has brighter prospects than a lot of movies out there.

4.5/5

Miss Congeniality 2 is great!
I went and saw this movie with very high hopes and it didnt let me down. The movie is really good. Dont pay attention to these "professional" reviewers because they grade it on how artsy and all that crap that it is. These reviewers gave the 1st movie bad reviews and its a classic. This movie is hillarious and lives up to the original. If you liked the original I reccomend this or if you didnt like the first one because of the beauty pageant stuff then you'll love this one.

"Miss" No Hit
Sandra Bullock returns to the role of Gracie Hart in this unfunny sequel to the surprise hit "Miss Congeniality".

Taking place three weeks after the original, "Miss Congeniality 2" has Gracie Hart returning to her undercover job for the F.B.I. Problems arise when Hart is recoginized wherever she goes, so the Bureau reassigns as a spokesperson for the F.B.I., keeping people informed of the different procedures that occur within the Bureau.

When on "assignment" in Las Vegas, Hart finds out that her new best friend from the first film, Miss United States, is kidnapped, its up to Hart to piece the clues together & find out where the kidnappers have Miss U.S. stashed. But, first Gracie has to get rid of her new He-Man style bodyguard (Regina King) & deal with some crooked Vegas F.B.I. agents (led by Treat Williams).

The film is bit of a bore. It should be funny, but, it just isn't. There's the stereotypical homosexual makeup artist that Gracie has thats there for the obvious jokes. Regina King is wasted in her role. As for Sandra Bullock she trys to act tough but just can't. She came across tougher in the first film (I like her, but,in some shots she just looked old).

The film was released in March 2005 (...).

"Miss Congeneiality 2" is a formuliac sequel that is better watched in the dead of winter on HBO, if watched at all. ... Read more

Description

The evil Shredder believes he's found what gives the turtles their power and proceeds to create dangerous mutants. Armed with Professor Perry's anti-mutant antidote, it's up to the crime fighting turtles and a pizza delivery boy to conquer these mutants. ... Read more

Reviews (41)

Teenage mutant ninja turtles 2 the secret of the ooze!
LOVE IT LOVE IT LOVE IT!!This was awesomely entertaining,and cartoonishly funny.Speaking of that,I like the change they made from dark and serious to bright and toonish (as I just said).what I think is that the director perpously wanted to have each turtle film to be different.As in,the first to be dark and moody,the second to be for younger kids and the third film to be more in between.See what Im talking about,that gives you a choice on what kind of movie style you like.....you know what,I barely know what the hell im saying..So,anyway!The entire film is way funny and well done,I just love those creature things Rahzar and Tokka.There are non stop laughs and parts that are little over done,wich is okay.I always laugh my head off when donatello gets thrown 50 feet in the air.Well the dvd has plenty of fun stuff like Pick that flick game and a theatrical trailer.OK,I give the movie 5 stars and 3 and a half for the dvd.I like the second one the most and the third and first are tied for second...hmm sounds fare enough.

GO NINJA GO!!!
Okay, cheesy title, I personally hate Vanilla Ice, but I loved this movie. There was more humor in it, and the turtles were fun. The first one was absolutely thrilling, and this one matched it quite nicely. I personally like the looks of the turtles better in #2. I also like Donny's voice better. I love Corey Feldman, but whoever did Donny in #2 was really good. Raph was the best looking turtle, and his accent was so perfect!!!! GO RAPH!!! The mouth movements of the turtles in this one were much better, and I loved the humor. I didn't really care for Keno, but yah. He was cool too I guess. Some people don't like the fact that this one is more cartoonish in appearance, sound and storyline, but it started out as a cartoon, why not make it a bit more cartoony? Okay, I could live if there was less humor, but YA GOTTA LOVE MIKEY!!!! Yeah, so out of the trilogy, the second one was my favorite. (I LOVE DONNY!!!)

Just GREAT!
THIS MOVIE IS SO GREAT AND IS FILLED WITH ACTION, HUMOR, AND A GREAT SCRIPT! LOVE IT!

YES!
Teenage mutant ninja turtles 2 is a great movie and is much better than the first one because it has more of everything a movie needs to have in order to be a good movie. It isn't one second boring and I still love after I watched it 11 times already. A GREAT MOVIE!

It has Vanilla Ice in it!
This movie is worth the price and its 5 star rating just for Vanilla Ice. He sings a rad song called 'Ninja Rap' and its one of the greatest audible compilations to ever enter my ear lobes.
But it. Now! ... Read more

Description

"The Root’s Of A Classic" – Explore the story’s journey from book to film through interviews with the author’s wife and filmmakers. "Lights, Camera, Animals" – See how the film’s animal stars were "discovered" and trained for their roles. ... Read more

Amazon.com

It helps to have one of history's greatest scoops as your factual inspiration, but journalism thrillers just don't get any better than All the President's Men. Dustin Hoffman and Robert Redford are perfectly matched as (respectively) Washington Post reporters Carl Bernstein and Bob Woodward, whose investigation into the Watergate scandal set the stage for President Richard Nixon's eventual resignation. Their bestselling exposé was brilliantly adapted by screenwriter William Goldman, and director Alan Pakula crafted the film into one of the most intelligent and involving of the 1970s paranoid thrillers. Featuring Jason Robards in his Oscar-winning role as Washington Post editor Ben Bradlee, All the President's Men is the film against which all other journalism movies must be measured. --Jeff Shannon ... Read more

Reviews (66)

Their obsession for a good story brought down a president
This Oscar winning 1976 film is about Carl Bernstein and Bob Woodward, the two Washington Post reporters who broke the biggest story of the 1970's - that of the Watergate scandal. It originally seemed like a small story, a break-in at the Democratic headquarters, but because of these two young men doggedly going after the facts, it brought down a president.

Starring Dustin Hoffman as the chain-smoking and quirky Bernstein, and Robert Redford as the more sophisticated Woodward, there is a chemistry between them which gave them the impetus to push way beyond the limits of what the story required, and as one discovery led to another, build on the accumulated details to go even further. Both the men were good at sizing up people, and the film shows how, in one interview after another, they got each interviewee to reveal those details that could fit into the king-size puzzle that they had taken on. Martin Balsam, cast as the managing editor, wanted to give the job to more senior reporters, but as Jack Warden, the metro editor, pointed out, the two young men had a passion for the story that was very special. Jason Robards, the executive editor, was quick to question all their facts, but generally supported them all the way.

Throughout, there are lots of shots of the massiveness of the tall buildings in contrast to the smallness of the men. And, when it came to the secret informer who they called "Deep Throat", those scenes were cast in shadow. The pacing was excellent and the there was tension throughout, which kept me fascinated even though I knew the eventual outcome. This story became an obsession with the two reporters and it seemed as if nothing would stop them. Occasionally, it got a bit repetitive, but that is the nature of good reporting, which can also be called good detective work.

The film brought back the reality of the 1970s, from the hairstyles to the manual typewriters. I found myself thinking about the cell phones and computers we take for granted today, as I watched them pour through phone directories as well as thousands of library take-out slips as they followed up on every clue. The acting, of course, was excellent as well the screenplay, which focused entirely on the news story, rather than becoming maudlin with the personal lives of the men. I give this film a high recommendation. It's definitely worth seeing.

A timeless historic piece
Absolutely shameful that "Rocky" beat out this Oscar nominee as Best Picture. "All the President's Men" is the faithful big screen treatment of the same-name book by the Washington Post reporting duo that dug deeply enough into the Watergate burglary that it led to the downfall of the Nixon Administration. Robert Redford and Dustin Hoffman, each in some of their best work of their careers, portray their real-life counterparts not only as journalists but with the human frustration they undoubtedly felt while chipping away at what at first couldn't be predicted to become a major event in American history. Just what was at stake for the country is best delivered by the late Jason Robards in his role as Post editor Ben Bradlee, a performance that got Robards one of two back-to-back Best Supporting Oscars ("Julia" was the other). We even get to see Deep Throat. He's Hal Holbrook but, for reasons that still exist, we don't know who he really is and how he has obvious insider knowledge. Read the book by Woodward and Bernstein first, though, for an appreciation of the faithfulness of the movie to its subject. Not only is "All the President's Men" riveting entertainment, it's a vital historical reference. How "Rocky" beat it out for Best Picture ought to be deemed one of those Academy embarrassments.

Re-birth of a Nation
"All the President's Men" is the well-made movie about the political fiasco known as "Watergate". Watergate remains the biggest political mess in American history and it led to the resignation of president Richard "I am not a crook" Nixon.

The movie has big stars, including Dustin Hoffman and Robert Redford as the two Washington Post reporters who begin to unearth the story about the break-in at the Watergate hotel and subsequently piece together the details that implicate a long list of top politicians.

The intriguing story is helped by supporting actors Jason Robards, Jack Warden, Martin Balsam, and Hal Holbrook who plays "Deep Throat", the still-unidentified informant who guided Woodward and Bernstein along the trail of information.

The DVD includes text-based cast/crew info, casting notes, location info, a bit about "Deep Thoat", a chronology of the Watergate activity, and a list of awards which include 4 oscars.

If you don't know much about the circumstances surrounding Watergate, this is a good place to start.

A 70's Time capsule.
Nixon resigned on my older sister's 4th birthday. The actual Watergate incident took place exactly one day shy of two monthes before I was born. For my parents its something they lived through. For me, it's American History. This movie is quintessential 70's. Redford, Hackman and tricky dick. Every 70's time capsule should have a copy of this movie tucked inside a folded brown dinner jacket. Even if you don't believe a word of it, you have to admit ATPM is tremendously well made and entertaining. All the cloak and dagger sneaking around, the high-pressure newsroom meetings, the breathless interviews and the clandestine deep throat meetings are perfect Cold War/X-Files/Michael Moore conspiracy theory what-iffing. The truth is out there: Nixon not only knew, he authorized the Watergate break-in it, Reagan knew about and authorized the Iran-Contra arms sales arangement, Clinton lied and he meant to lie, aliens are alive and well among us, and George W. Bush and Co. used 9-11 as an excuse for the hostile and unwarranted takeover of a sovereign nation for it's oil. And so on. Great stuff.

THEN REDFORD MADE THE KENNEDY-STOLE-1960-ELECTION MOVIE??
"All the President's Men", based on the book by Woodward and Bernstein, was impossible to resist for Redford. Nixon! Oh boy! Again, Hollywood passed up the Kennedy-stole-the-election story. What a shock! You have to hand it to these guys, though; they have talent. "President's" was masterful, thanks in large part to Goldman, who knew how to condense the story. Redford tried to play it close to the vest, and comes close to making it come off as straight and narrow. The actual truth portrayed betrays the lack of objectivity, however, at the Washington Post. Redford is Bob Woodward, a former Navy officer and a Republican. This is revealed to Carl Bernstein (Dustin Hoffman) who gives him a furtive look upon learning this shocking truth. Jason Robards is Ben Bradlee, the Post's editor. We all know the story: The DNC is broken into by Cubans with White House phone numbers in their address books, and in investigating the burglary Woodward and Bernstein suspect a larger plot, which they uncover through dogged journalism that cannot be denied. The two writers are shown to be complete heroes. Hal Halbrooke plays "Deep Throat", the White House insider who gives Woodward the leads he needs to keep investigating. To this day his identity is unknown, and it remains entirely plausible that he was invented out of whole cloth.
The story is the story, and there is no room for liberal bias in that. To Redford's credit, he does not demonize the Republicans or sermonize. Implicit threat against the pair are made, but not expanded into anything. G. Gordon Liddy did volunteer to "off" Jack Anderson for revealing CIA assets in the U.S.S.R., but there is no evidence that Nixon's Republicans ever thought about blowing Woodward and Bernstein away. Domestic political murders, as best as I can tell, are the province of the Democrats. Even in Oliver Stone's "JFK", it is Lyndon Johnson who supposedly was in on the plan to kill the President.
The bias in "All the President's Men" is subliminal, but leave it to yours truly to see it. First, there is the acronym CREEP, which stands for Committee to Re-elect the President. There have been numerous such committees over he years, and they always go by the acronym CRP. But Woodward and Bernstein turned it into CREEP. Gotcha. There is also a scene in which Bradlee, who in real life was a drinking buddy (and God knows what else) of Kennedy's, getting the news that the story is progressing and has real legs.
"You run that baby," he tells Woodward and Bernstein, then does little jig as he leaves the office. This is telling. Redford and director Alan Pakula allowed it, probably because it let them impart their own happiness over Nixon's downfall through the character. In another scene, Robards/Bradlee tells the reporters, "There's not much riding on this. Just the First Amendment and the Constitution of the United States."
Now just hoooold on there, Ben. Was Watergate really about the Constitution? Was that august document threatened? This begs the question, Where was Bradlee and Post publisher Katherine Graham when the Constitution really was threatened by their pal JFK, who stole the 1960 election? Where were they when their pal Bobby Kennedy was wiretapping Martin Luther King? Democrat operatives had to break into homes, hotels and offices to wiretap Dr. King just as the Plumbers had to break into Dr. Fielding's office, and Larry O'Brien's. A free press is undoubtedly the cornerstone of Democracy, but it functions best when it is not populated by over-inflated egos who think they are the soul arbiter of freedom of expression.

STEVEN TRAVERS
AUTHOR OF "BARRY BONDS: BASEBALL'S SUPERMAN"
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