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| 141. The Time Machine - Limited Edition Collector's Set Director: George Pal | |
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Reviews (128)
The movie is very easy to get interested in. It brings up the What If questions about the world you ask yourself and your dearest friends. The dialogue is clever and enjoyable. And Rod Taylor is the perfect gentleman time traveler. Some people can't handle the 1960 special effects... Appreciate the nostalgia. And when you're finished watching the movie, you'll be taking a few minutes to think about starting your own civilization...and what three books you would take to help you build THE FUTURE! And then you'll stop thinking and look for something else to watch on TV.
Accompanying the film is a sentimental featurette documenting the finding of the original time machine in a thrift shop and its loving restoration. The film is hosted by the original star Rod Taylor who reprises his role with his co-star Alan Young (Wilbur Post on Mr. Ed) at the end of the feature performing a ten minute skit that imagines a scenario where H.George Wells returns in his time machine to convince his friend to time travel with him to prevent his death in a soon to happen WWI plane crash. The affection for this film for everyone connected with it is palpable as they wistfully delight in telling stories of the experience. Oddly enough one of the big reasons I purchased this DVD at this time was the cover art was so beautiful I had to have it. Click on the Amazon.com icon for this film to see a larger version. It must be one of the best movie posters ever made. Good companion pieces to this film are Fantastic Journey and Journey to the Center of the Earth.
Taylor plays George an inventor in the late 18th century (1899 to be exact) who makes a machine that can go back in time. At first his colleagues are skeptical, but when they see George's small model machine that goes back in time, they start to believe him. George's best friend, and supporter is David played by Alan Young. George takes the machine back, because he is sick of the present time, with war being brought on. He travels to the early and middle 1900's and to his shock , George finds out that Man's future lies in war (which is pretty accurate even up to today's time). He sees how WWI and WWII started, and even sees when his house is destroyed by an enemy plane! George then travels far into the future, the year 802701, to see if mankind has any hope of living in peace. At first, he sees a great paradise with many people (mostly children) play about in solitude. But when one lady named Weena, starts to drown, he sees that no one seems to care. He rescues her, and after talking to the other youths, he learns that they learned nothing from their ancient ancestors. The books they have are old and buried. They have lived the good the life, based on the sacrifices from mankind, and they don't appreciate it (which is another accurate telling of today's times). He learns that Weena is part of the Eloi society which is under the slavery of the Morlocks, a cannibalistic race. The Morlocks give everything, food and clothing to the Eloi , in exchange for the slavery and their bodies as food. The movie was directed by sci fi whiz George Pal who won an impressive 7 oscars and awards for his movies. He is the Steven Spielberg when it comes to sci fi movies. What's astonishing about the film is the special effects that were made without computer help (which in most movies make the movie look more fake than real). The way the special effects people made flowers bloom, candles burn while the Time Machine went in time, is very special to see. It's a great site, from a special effects view, how these people managed to do these effects, with the limited resources they had. He directed "War of the Worlds" and "Destination Moon" which won numerous awards. DVD comes with a number of great features: A behind the scenes documentary with Rod Taylor. A great documentary where he shows how George Pal designed the machine. Taylor even shows us storyboards which haven't been seen in 30 yrs. Even the DVD main menu with Taylor on the cover and the Murlocks in the background, give the DVD a great sci fi look!!
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| 142. Bonjour Tristesse Director: Otto Preminger | |
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| 143. Miss Congeniality 2 - Armed and Fabulous (Widescreen Edition with Soundtrack CD) Director: John Pasquin | |
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Amazon.com Reviews (29)
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| 144. Stir Crazy Director: Sidney Poitier | |
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Reviews (13)
In STIR CRAZY, their best film in my opinion, the two play an actor and a playwright from New York who decide to head out west to look for work. However, along the way, their plans are put on hold as they get framed for bank robbery and find themselves in a Texas penitentiary. They then go through a series of adventures attempting to prove their innocence, escape from prison, and stay alive. The movie does not contain a very original plot, but the viewer can expect many laughs watching two of the greatest comedians of all time at their best!
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| 145. Tales from Avonlea - Beginnings Director: Paul Shapiro, Harvey Frost, Richard Benner, Graeme Lynch, Charles Wilkinson, William Brayne, Stuart Gillard, Bruce Pittman, Allan Eastman, Gilbert M. Shilton, Robert Boyd, Graeme Campbell, Kit Hood, Stacey Stewart Curtis, Allan Kroeker, Stephen Surjik, Otta Hanus, Allan King, Eleanor Lindo, George Bloomfield | |
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Reviews (7)
Episode 1.1, "The Journey Begins" tells how young Sara Stanley (Sarah Polley) is shipped off to her late mother's relatives on Prince Edward Island when When her father is threatened with financial ruin. Sara arrives in Avonlea with her Nanny Louisa is tow, only to meet up with the formidable King family, headed by the imperious Aunt Hetty (Jackie Burroughs), who also happens to be the local school teacher. Episode 1.6, "The Proof of the Pudding" finds Felicity in charge of her siblings when Alec and Janet go to Charlottetown to celebrate their anniversary. Sarah is added to the mix when Aunt Hetty goes to visit the Governor's office to prevent an over-zealous lawyer from denying the King's water rights to the local pond. Actually it is sawdust that ends up in the pudding and the woman who shows up at the King's farm is not the tone deaf Great Aunt Eliza but Agnes Leslie, the wife of the Governor. Episode 1.3, "Quarantine at Alexander Abraham's" is one of the best adaptations of a Montgomery short story. Mrs. Rachel Lynde (Patricia Hamilton) is put in charge of the boy's Sunday School class and when she finds the young boy who work's Alexander Abraham's farm has gone truant, she heads out to save the boy's soul. However, everybody involved is in for a big shock when they all end up in Abraham's home only to discover he has been quarantined because of the small pox. Episode 1.4, "The Materializing of Duncan McTavish," begins when Sara asks Marilla Cuthbert (Colleen Dewhurst) "Did you ever have a beau?" Having endured a lifetime of slurs because she never did, Marilla defiantly declares "I had one once" and weaves a fantasy about her beau Duncan (because it is her favorite name) and McTavish (because she sees an advertisement for McTavish Porous Plasters). Of course, who should arrive in town but Duncan McTavish himself and Sara Stanley knows Fate has brought the two former lovers together again. Episode 1.11, "The Witch of Avonlea" is about Peg Bowen (Susan Cox), who lives in the woods smoking her pipe and doing whatever she wants with no concern for what the good folks of Avonlea think or say. When Felix King (Zachary Bennett) finds himself unable to spell anything during the class spelling bees because he is so afraid of Aunt Hetty, his nightmares convince him she might be a witch. So he goes off to visit Peg, who gives him a "magic" stone to give him confidence Episode 1.13, "Nothing Endures but Change," finds that Blair Stanley, Sara's father, has been acquitted of the scandalous embezzlement charges that forced him to send his daughter to live with her mother's relatives on Prince Edward Island. Blair arrives in Avonlea ready to take Sara back to Montreal, at which point everyone of Sara's King relatives absolutely freaks, especially Aunt Hetty, who announces she will not give the child up to her father. Sara wants to say goodbye to all her friends and attend the upcoming skating party she has been looking forward to, but her father wants to get out of Avonlea and as far away from Hetty as quickly as possible. Sara cannot abide the thought that two of the people she loves most in the world cannot even talk to each other civilly, and so she hatches up a plan to force their reconciliation. Episode 2.2, "How Kissing Was Discovered" begins Great Aunt Eliza (the real one) coming for a visit and turning the King household upside down. Meanwhile, Alec discovers that playing cricket is not as easy it was when he was a younger man and Felicity has her eye on a young cricket player on the visiting team. After all, she is now all grown up and has decided it is time to receive her "first kiss." However, Sarah and Felix have made a new friend in Gus Pike (Michael Mahonen), a young sailor recently arrived in Avonlea and looking for work. Alec lets Gus stay in his barn and while Felicity will not give the boy the time of day, it is clear that he finds her rather interesting. Episode 2.3, "Aunt Hetty's Ordeal" begins the pivotal relationship between Gus Pike and Hetty King begins. Given how Hetty treats Sara, Olivia and everybody else in the extended King family, you have to worry about poor, uneducated Gus. The problem is that everybody in Avonlea knows to take Hetty King with a grain or salt. But Gus thinks everything Aunt Hetty says is carved on stone tablets and when Hetty makes a heated offhand remark to the young man it has significant repercussions. Gus had been a minor character in previous episodes, and "Aunt Hetty's Ordeal" is where he starts becoming more important to the show in general (and Felicity King in particular). This is also the point where Hetty King, who tended to be a bit insufferable for my money, started to thaw, because the big difference between Gus and Sara, is that Gus is not family and Hetty ends up opening her heart to him. Granted, these are probably the better half of those first sixteen episodes. But the legion of fans for "Avonlea" would be better served by having each season available on DVD and they may well hold out for that then pick this up.
However, if you go to amazon.ca (Canada) you will find much more to choose from on this wonderful series!
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| 146. In the Line of Fire (Special Edition) Director: Wolfgang Petersen | |
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Reviews (49)
Eastwood plays the role of Frank Horrigan, who?s an older, obnoxious Secret Service agent who, years ago, was unable to prevent JFK from being shot. So when a ?wet-boy? posses a great threat to the current President, Frank?s past is brought back to light courtesy of the self-proclaimed Booth (played brilliantly by John Malkovich). Booth is a very scary character. And it?s not until partway into the movie that we see his face clearly. He is a smart, flawless exhibitioner who has a profound obsession with President?s deaths. Most others in the office ignore the threats and leave Frank as though he?s an old fuddy-duddy past his prime. But Eastwood knows, claiming right from the start: ?I know things about people?. What Booth does is lead Frank and other agents through a series of set-up clues that keep them close; though not too close. Because Booth singles out Frank, the two are able to form an excellent on screen double act. They may not be working together, but they interact with each other just so perfectly. That aspect of the movie was hands down the best element. Along with the aforementioned quote, a few others give Eastwood that appeal that would most likely do for this movie what the ?...punk? quote did for ?Dirty Harry?. And even Malkovich chimes in with a most-memorable quotation: ?all we have is the game?. And the game continues all the way till the very end, when we see if Eastwood?s instincts were right all along. Aside from all the great acting and an exalting story, there were a couple of ugly spots in the movie. The first that comes to mind is the romance scenes between Eastwood and Rene Russo. The bedroom scene was predominantly unlikable, but Eastwood finished it off with a hilariously unforgettable line. I won?t spoil it for you. Also, the special effects were nothing to write home about; a part at the end actually made me laugh. But in the end, the greatness of the movie outweighs the few poor spots. If you are a Clint Eastwood fan I?m sure you already own this movie. If you?re a budding Eastwood fan born after his time, I can?t tell you ?In The Line Of Fire? is better than any other Eastwood classics. But, again, I can tell you it?s worth watching. The character of Frank Horrigan is played perfectly by Eastwood. And John Malkovich drops in the best performance of his career as the lofty but likable Booth. There is not a moment of this movie that?s not entertaining (romance bits excluded), and the thrills just keep on pilling up. On a more serious note, when you?re watching this movie, it?s frightening to think there?s no one like a Frank Horrigan out there who?d protect the President with such pride. I picked this up for a buck at the Half-Price Book Store; for that price I couldn?t pass it up. And I don?t recommend you pass it up either.
So anyway, some might say that this is just another action flick, which it is, so if you'd like to see Eastwood play a hard nosed secret agent and hunt down a humerous, serial killer physcopath played by Malkovitch, then this movie will do alright. It may be a typical movie but the good thing about movies everybody would like to see is the highly awaited climax. So watch this if you are an action fan.
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| 147. The Lost Prince Director: Stephen Poliakoff | |
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| 148. Hello Again Director: Frank Perry | |
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Description Reviews (8)
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| 149. Cross of Iron Director: Sam Peckinpah | |
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Reviews (112)
Sam Peckinpah's directing is superb in this film. Coburn's Sergeant Steiner, who is just trying to survive and keep alive the men who follow him, versus the incompetent Captain Stransky (Maximillian Schell) who is on the Eastern Front only because he wants to win the Iron Cross, Germany's military award for valor in combat - makes for a very tense atmosphere throughout the movie. The viewer ultimately sides with Coburn's character, and can't help but feel outrage when Stransky deliberately tries to hang Steiner's men out to dry as the order to retreat is given, and Stransky does not pass along the order to Steiner. The battle scenes were magnificent, the best I had seen until "Saving Private Ryan" came along. You got a glimpse of the sheer terror the German soldiers must have felt when facing one of the Russians' human wave charges. The T-34 tanks used by the Russians appear authentic, unlike the substitutes used in many war films (see: Battle of the Bulge). This film is a must-see for anyone interested in WW2. It is unfortunate that so few films were made about the Russian Front. The Soviet Union did more to bring down the Nazi regime than the rest of the Allies combined. 90 percent of all battle casualties suffered by the Germans in the war happened on the Russian Front. The part of the movie that really grabbed me, however, was the beginning. While German children sing a song to the tune of "Lightly Row, Sweetly Row", images are shown of battle, death and the Holocaust - a wrenching juxtaposition of childhood innocence and the horrifying extents of man's inhumanity to man.
The movie follows the conflict between an embittered and defiant combat soldier named Stiener (played by James Coburn) and his new CO, a glory-seeking martinet named Stransky (played by Maximillian Schell). From the git-go, the movie follows every stale antiwar convention in the book: the bitter, insubordinate sergeant with an unspoken love for his men vs. the bloodthirsty killer-officer who wants to win a medal and doesn't care how many men die in the process. We've seen this in numerous American war movies, but it never quite works in German unfiorm. This wasn't a democracy; discipline in the Wehrmacht, particularly during the period in questoon, was severe and the slightest defeatism or insubordination were ruthlessly punished. The scene, for example, where Stiener berates and threatens a replacement soldier who is a Party member would probably never have happened. By late 1943 even officers were being degraded and sent off to suicide-squad 'punishment battalions' for minor transgressions or seditious statements. In reality, a soldier like Stiener would have most likely been shot, sent to a military prison or killed off digging up land mines in a penal outfit. The "lone wolf" mentality was simply not tolerated in the German army of 1943 (in Sajer's "Forgotten Soldier" a lieutenant is demoted to corporal and sent to the punishment squad for losing his field telephone when he swam the 900-yard Don River...what would have happened to Stiener for mouthing off to the colonel?). Additionally, we have more sterotypes: the loveable but doomed men of Stiener's squad, including the "I have dead meat written all over me" teenage boy, the evil Party member, the cowardly lieutenant, the well-meaning but ultimately hapless senior officers (played by James Mason and David Warner) and the obligatory scene where we find out that the Russians are people too. Really, the film is very similar in structure to a Dirty Harry movie: the lone-wolf anti-hero who scorns medals and glory, the pencil-pushing politician/boss, and nice-guy dead-meat partner, the ultimate hollow victory....blah blah blah. "Cross of Iron" is undermined by the love of cruelty that Sam Peckinpah was rightly infamous for. Graphic violence certainly has its place in a war movie, but as usual, Peckinpah felt the need to cram the viewer nose-first into buckets of human gore. This cheapens the antiwar theme of the movie; viciousness is fine so long as it is committed by the hero, but dastardly if if perpetrated by the villain. Morally, the massage of the movie is unclear: Stiener does not avenge the death of the innocent young soldier by the Russian POW women, but later brutally kills his own lieutenant for shooting others of his squad. Then, when confronting Stransky, who actually gave the order by blackmailing the cowardly lieutenant, he does not kill him but gives him a chance to "show that Prussians can fight." Okay, Stiener is probably insane by the end of the film, but none of this made sense to me. In Peckinpah's mind, the trembling lieutenant deserves to die more than Stransky, because he's afraid and "just wants to go home" wheras Stransky, while evil, deserves to live because he is not a hypocrite: he is willing to kill and allow others to be killed for his Iron Cross, but is also willing to fight himself. Maybe Peckinpah's theme was that war is unfair. So it all balances out, I guess? I guess not. "Cross of Iron" is a chronically over-rated war movie that bludgeons the viewer with Americanized themes, graphic violence, and a hypocritical antiwar message, brought to you by a director who idolized violent men. As entertainment it is a matter of taste, but as historical fiction, it is nonsense.
The other problem I have is, although most of the battle scenes contain close to accurate german and russian weapons, the overhead bombing scenes contain shots of U.S. navy corsairs dropping bombs. These were probably stock footage taken from a navy film and look horribly out-of place here. But despite those two issues, most of the rest of the movie is good and portrays an accurate, interesting and engaging portrait of battle in the russian theatre during ww2. I especially liked the use of light as most of the battle scenes were shot as daytime attacks and that indeed was the way it happened on the russian front. The sneak attack at the bridge by Steiner's platoon was filmed and sequenced to show all of the moves by the attackers, leaving nothing hidden or off camera. Certainly an interesting way to portray this kind of sequence and it came out quite effectively. Sam Peckinpah uses the slow motion to good effect and has indeed changed the face of war films circa 1977. Every war movie that was released after this movie tends to show a more grimmer and graphic view of war and that is certainly how it should be done as there is nothing glorious or heroic about war. Those are the words used by the politicians that order people to fight each other to the death. Great casting, excellent camera work and a good story combined with music that adds a sense of innocence lost and horror to the subject, all ad up to not quite a classic but a very good depiction of ww2 battle action in the Russian theatre. ... Read more | |
| 150. Galaxy Quest - DTS Director: Dean Parisot | |
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DVD has good anamorphic Widescreen (2.35:1)picture quality and excellent dolby digital 5.1 sound also got the alien dubbed track for dolby surround track! is quite funny to listen. Seven deleted scenes. A small behind the scenes featurette and Omega 13, you have to watch the movie first to make it worth. Travia:In one of those deleted scenes has Dian Bachar(Baseketball, Orgamzo) has a comic scene with Tony Shalhoub. Bachar is credited as Nervous Tech Alien. Is also in the film, cast like as a extra. You can spot the actor in a couple of scenes only. Grade:B+. Panavision.
That is, until I began reading the reviews, and then saw the film as soon as it came out on DVD. This is one of those movies that I can't believe has taken me this long to write about on these pages. Make that rave about: GALAXY QUEST is one of the funniest films I have ever seen, and would be in my Top 30 Listmania List if I were allowed to go to 30. It does help that I'm a STAR TREK fan (although not quite a Trekkie; please read my review of the documentary TREKKIES for more exposition on this point), but I honestly think that anyone with a good sense of humor will like this movie. It is written with a knowing wink to the Trekkie phenomenon as well as to Star Trek, and has smart dialogue courtesy of David Howard; unbelievably enough, this was his first---and still his only---film for which he has written. The film opens with a convention for the immensely popular "Galaxy Quest" series, which starred full-of-himself screen hog Jason Nesmith (Allen) as Cmdr. Peter Quincy Taggart (not dissimilar to James Tiberius Kirk), Gwen DeMarco (Weaver) as Lt. Tawny Madison, former Shakesperean actor Alexander Dane (Rickman) and former child actor Tommy Webber (Daryl Mitchell) as Lt. Laredo, the ship's (very) young Navigational Officer. Nesmith secretly hates the Conventions, but plays up to the shows' fans, whose attention he monopolizes at every turn. Naturally, this long-established practice has alienated him from his co-stars, who hate his guts but like participating in the Conventions (except for Alexander Dane, who rues the day he became more famous for his character, and his character's famous rallying cry, than for being a 30+ year veteran of the Shakespeare stage). Nesmith finally loses his cool when being overly nagged by a teenaged nerdy fan (Justin Long), and yells at him in a manner that instantly recalls the "Get a life!" mock admonition that William Shatner gave in a 1986 Saturday Night Live skit. However, on the next drunken-hangover morning, Nesmith is visited by a strange-looking and talking man (Enrico Colantoni) who introduces himself as Thermian Cmdr. Mathesar, whose people are under attack by an evil alien leader named General Sarris (Robin Sachs). He pleads for Taggart's assistance, having seen the "historical documents" of his crew's many victories over greater enemies. Nesmith hazily just assumes that this is another nerdy fan with no life and goes along with him just to appease, and perhaps he has nothing better to do at this point. But then he finds out... Of course, Mathesar and the Thermians are real aliens who had picked up the TV-wave transmission of the "Galaxy Quest" show and, in their childish impressionability, have assumed that the crew, the ship, everything was real. They have replicated the ship in full, both inside & out (since you know, for example, that Star Trek has always been so detailed that exact replicas of the Enterprise have numbered in the thousands) and have modeled their society from their example. Nesmith exitedly gets back to his fellow cynical and unbelieving actors, who go along only because they think it may be a well-paying job. Then they find out... GALAXY QUEST is smart, funny and has a lot of fun with the TREK phenomenon, as portrayed through this fictional TV show and its characters. It also has fun with all the conventions (that is, *customs*) of Sci-Fi TV shows, such as gigantic, death-defying devices being present in a starship's engine room, or that the fate of our heroes comes down to one final second. It nudges & prods at all of these (plus more) with a complete love for the Sci-Fi genre. It also manages to convey a *sense of wonder* through visual effects that are really excellent. As for the acting, everybody---yes, including Tim Allen---gives a terrific performance, including Sam Rockwell as a minor "Galaxy Quest" character who constantly fears for his life during the actors' real mission, because nobody knows his last name, which, of course, is a sure sign that he is going to die, just like his character did on the one episode of the TV show! Enrico Colantoni's performance as Mathesar is infectious, and is perhaps the biggest revelation in the entire film; it can be argued that he may have deserved an Oscar nomination for Best Supporting Actor. Robin Sachs creates an evil presence as the murderous, slimy alien General Sarris. Best of all, everybody's in on the joke. GALAXY QUEST is a great buy on DVD. The "On Location In Space" feature is entertaining and informative. The deleted scenes are a hoot! All in all, this film is a great way to entertain the entire family, as it is among the few comedies that are intelligent yet can be viewed by children. I wholeheartedly give it a "thumbs-up"---wait, no, that's the other guy! In other words, I deem this movie to be HIGHLY RECOMMENDED; AGES 8 & UP
Galaxy Quest mines a shuttle-full of sci-fi cliches for its banter, and while I don't remember anything laugh-out-loud rip-roarious, there is a good deal of congenial charm that permeates throughout. Which makes it a perfect family flick to watch on a lazy Sunday afternoon. Apart from the spoof gags, what took me by surprise were the superb special effects, as octopodal aliens morph effortlessly into humans and back again in articulately designed space (the interior of the spaceship itself borrowed its staid cardboard looks from Star Trek of yore, perhaps as an intentional sardonic effect) Overall, the film's affection for its audience (especially those weaned on Lost in Space, or The Next Generation, etc) and for the characters it parodies covers up for the gaping blackholes in its highly implausible and goofy plotline. Great rental, and even a good buy because it lends itself easily to repeat viewing.
The premise is simple enough. "Galaxy Quest" was a TV show that rode the success of "Star Wars" in the late 70s to join "Battlestar Galactica," "Buck Rogers in the 25th Century," and "Star Trek: The Next Generation" as the popular programming of the time. But like those shows, "Galaxy Quest" didn't survive through the early 80s, and now the cast is a bunch of washed-up has-beens who are lucky to be earning paychecks from convention appearances and electronics store openings. That is, until they are approached by a group claiming to be Thermians needing assistance with the interstellar bully in their quadrant of the galaxy. The cast takes the Thermians and their leader, Mathesar (Enrico Colantoni, "Hope and Gloria"), as ardent fans of the show wanting a private appearance of the cast, but the truth is, the Thermians are real aliens with a real problem; it seems the Thermians are a very naive race, believing the television signals from Earth to be real historical accounts of the NSEA Protector and it's gallant crew, and at the same time, gifted scientists and engineers capable of recreating the NSEA Protector as a real spaceship. But they aren't warriors, so they come to Earth looking for the "real" crew of the original Protector to man their version, and to help them in their negotiations with General Sarris (Robin Sachs, TV's "Buffy the Vampire Slayer"), the resident bully. The actors that played the original Protector's crew are lead by Jason Nesmith (Tim Allen, TV's "Home Improvement" and the "Santa Clause" series), who played Cmdr. Peter Quincy Taggart, a character not unlike the original Star Trek's Capt. Kirk, constantly mugging for the camera and sleeping with every alien princess. Gwen DeMarco (Sigourney Weaver, the "Alien" series) played Lt. Tawny Madison, the buxom blonde kitten whose only real job on the show was to look sexy and repeat everything the computer said. Alexander Dane (Alan Rickman, "Robin Hood: Prince of Thieves" and the "Harry Potter" series), a Shakespearean actor, is Dr. Lazarus, the alien science officer. Fred Kwan (Tony Shalhoub, TV's "Monk") is the laid-back engineering officer, Tech Sgt. Chen. Tommy Webber (Daryl Mitchell, "Sgt. Bilko") is the actor who as a child played the Protector's helmsman, Lt. Laredo. And Guy Fleegman (Sam Rockwell, "Matchstick Men") was Crewman #6, who died in his lone episode (in the original Star Trek, Fleegman would have been the crewman in the red shirt on the away mission), but who tags along on the mission anyway, constantly fretting that he'll die in real life on this mission just as his character died on the show. These guys are in no way heroes. For example, none of the other actors can stand Jason Nesmith, for example, because of the constant attention he gets being the commander (which does much to fuel an already sizeable ego), but especially Alexander Dane, who sees him as a scene-stealing hack with no talent, and Gwen DeMarco, who's simply tired of him hitting on her all the time. Are you reading this, William Shatner? In the end, though, the prima donnas find their inner-strength and succeed against Sarris, but that much you already knew going in, right? This movie should have been an instant classic. Seeing actors playing actors is always loads of fun, as we get a peek at how Hollywood really views itself. The sci-fi spoofing is dead-on accurate, and it really is an homage to the classic series as well, most notably "Star Trek." There are also great bonus stuffs on the DVD, including a "making of" special, deleted scenes that made me wonder why they were deleted, and an alternate soundtrack in the Thermian bark-and-squawk language. If you love "Star Trek," you'll love "Galaxy Quest." If you hated "Star Trek," you will also love "Galaxy Quest." ... Read more | |
| 151. The Electric Horseman Director: Sydney Pollack | |
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Reviews (17)
The movie itself is a definite 4 of 5. The transfer rates about a 3. It is, however, a bare-bones edition. Not even a main menu. Just scene selection and the movie.
Redford's performance is wonderful and spontaneous. Jane Fonda shines as a TV reporter bent on getting a story at any cost and in the end gets the cowboy too. Together Redford and Fonda pack the screen with a chemistry that quite literally mesmerizes every viewer. Willie Nelson is terrific as a Steele handler and contributes with some of his best musical offerings and look for an early Wilford Brimley cameo. Buy this one for the soundtrack alone. I keep hoping that one of these days Willie Nelson fans and lovers of the classic western harmonica tracks in this one will stage some sort of a revolt to get it released. Until then the movie's the next best thing. Douglas McAllister
The latest version has omitted Willie Nelson's "My Heroe's Have Always Been Cowboys" in favor of some generic faux-Western instrumental. The song was played during the opening credits and when Sonny releases Rising Star into the wild. When I watched the new version (not knowing there was a new version), I was left emotionally flat by the experience, but I couldn't figure out why. Finally, I dug up an old VHS version I'd taped off of cable several years ago and realized the change. Call it song as metaphor, song as objective correlative...call it any theoretical term you need to. MAYBE it would not matter to a person who'd never seen the original. But I think it would (somehow). The song captures those two moments of the film -- the song makes an emotional connection. The image and the sound, the joyful melancholy, all gel perfectly. Why'd they change it? Who knows. The rest of Willie Nelson's songs remain on the soundtrack. I tend to think that the dimwits in charge of "product" treat these films like, uh, product. The battle of art versus commerce rages on... It matters. And I'm sick of the culture industry manipulating music and movies that have affected me. ... Read more | |
| 152. Jungle 2 Jungle Director: John Pasquin | |
![]() | list price: $19.99
our price: $17.99 (price subject to change: see help) Asin: B000068QPM Catlog: DVD Sales Rank: 5435 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Description Reviews (32)
Michael is forced to take Mimi to his home, in New York, in order for Mimi to complete a task given to him by the tribal leader. The task being to bring back fire from the Statue of Liberty. But Michael has to much of a busy schedule, in spending time with his fashion designer fiancee, planning the wedding, & finding a buyer for 5 tons of coffee beans, to spend time with Mimi. But Mimi's jungle instincts make it hard to keep him cooped up. Also starring future teen idol LeeLee Sobieski, Jobeth Williams, Valerie Mahaffey, & Lolite Davidovich. This film is great when you need cheering up.
In conclusion, if you want to see one of the most awfull films made in history then please go ahead and buy it, wast your money if not on this then on some other some other appaling film. As i saud befor this IS the second worst film i have ever seen
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