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| 21. Agony and the Ecstasy Director: Carol Reed | |
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| 22. Six Days, Seven Nights Director: Ivan Reitman | |
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Amazon.com Reviews (97)
Ford's an island hopping pilot in the Western Pacific, ferrying passengers and cargo as opportunity arises. It's not an easy life, nor financially rewarding, but there are benefits. There's the scenery, including the human type. There's freedom. And there's flying. Ford as the pilot of a DeHavilland Norseman brilliantly takes on the role every pilot, even of only a four seater, must assume - he's "the captain". Inevitably, that brings him into conflict with Heche's part as the modern, corporate, self-assertive woman. It's a beautifully portrayed clash, fully liberating this film from the mundane. In the best scene in the film, Ford's actually invisible as he tries to regain control over events. Survival, however, means teamwork and the pair do settle down to the business of escape or rescue. Heche's arrogance virtually eliminates the second option, and the arrival of some unwelcome visitors nearly obviates the first. But the team is now functional and they evade an unhappy fate through cooperative effort. The suspense builds nicely until that situation is resolved. The collective action reaches a fever pitch [when do they eat?] as they strive to engineer an escape. The mechanism of their return to the resort might be considered contrived if some astute producer hadn't settled on the choice of the Norseman as Ford's aircraft. No other airplane could have survived the indignities this film bestows on it. There's really only one other meaningful character in this film. David Schwimmer is a perfect Frank Martin as Heche's fiancee. And why not? He's simply playing himself with no acting involved. He doesn't need to develop any skills if the directors continue to run him in similar roles. Schwimmer's typecasting was done in an iron foundry. Fortunately, the role is needed, so we can't argue that he detracts from the film or story. The fine job done by Ford and Heche nearly make Schwimmer superfluous, but Heche needs him to set her character properly. This film seemed pretty lightweight at first look, but is well worth repeats. It's entertainment value has few peers in the type and the scenery alone is worth review. It's still a mystery, however, as to why Bob Marley was chosen for the closing music. Perhaps the producer, having shot his bolt in selecting the Norseman, thought the story takes place in the Caribbean.
Harrison Ford plays "Quinn Harris", a no frills free lance pilot operating his small plane between tropical islands in the South Pacific. Anne Heche is "Robin Monroe" a magazine writer from NY, on vacation with her fiancé Frank (David Schwimmer), on the island of Makatea. When she unexpectedly needs transportation to Tahiti to get an interview, she reluctantly hires Ford to fly her there. Running into bad weather, the plane is forced down, and crash lands on the beach of the proverbial "uncharted island". Surviving the crash, the pair begin the task of survival, getting on each other's nerves while exploring their lush surroundings. Much of this film was shot on the Hawaiian island of Kauai, and we are treated to some truly beautiful topical scenes. Pirates unexpectedly appear offshore, breaking their solitude and forcing them into a different kind of survival mode. Finding the wreckage of a plane in the jungle, gives Quinn the material he needs for a dangerous attempt at a return to civilization. The movie finishes in a predictable fashion, but could it ever be any other way? Logical or not, love will find a way, at least according to Hollywood. This formula works again, because of the charm and chemistry of the two stars. When this was released, it was already common knowledge that Heche and Ellen DeGeneres were a couple. This may influence how you view her performance. I found Anne Heche totally convincing, charming, and cute to boot. Heche's and Harrison's acting styles complement each other, and they really benefit from some very clever dialog, and the direction of Ivan Reitman. There is no denying that Ford (56 when this was made), is slowing down a bit, but though a bit grizzled, he still has the ability to take command of the screen, either with his physical presence, or his boyish charm. If a sappy romance between an older stud and an intelligent young woman doesn't turn you off, by all means give this a chance.
If you enjoyed movies like; Romancing The Stone, Crocodile Dundee, Hopscotch, and The Electric Horseman then you'll love this movie too.
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| 23. Army of Darkness (Boomstick Edition) Director: Sam Raimi | |
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Description Reviews (477)
A brilliant, entertaining and hilarious final in the awesome Evil Dead series with wit, humor, skill, good special effects and great battle scenes. Sam Raimi is a genius of a filmmaker, Bruce Campbell is definitely a great actor portraying a lovable moronic hero. Like i said, this movie isn't a horror flick, it's really a Fantasy comedy adventure and doesn't have gore like the last two flicks but this movie is also enjoyable for the whole family. I own this movie on DVD in 2-versions such as the Cut U.S. version with happy ending and the Director's cut with alternate ending, this is a must see movie. Also recommended: Lord of the Rings: Fellowship of the Ring, The Evil Dead, Evil Dead II, The Princess Bride, The Neverending Story, The Dark Crystal, Conan The Barbarian, The Crow, Lord of the Rings: The Two Towers, Harry Potter and The Sorcerer's Stone, In The Army Now ( Pauly Shore), The Flight of Dragons, Return of the King, The Last Unicorn, Gladiator, The Wizard of Oz, Excalibur and Mulan.
The movie begins where EVIL DEAD 2 ended: Ash has been transported to the 13th century and is surrounded by the Army of King Arthur. He is assumed to be a member of a rival army and is taken prisoner. After defeating a couple of Deadites in the pit, he is declared to be the prophecized hero who will rid the kingdom of the evil that has befallen it. However, Ash, being the befuddled hero he is, makes things worse and almost destroys any chance he has of returning home. ARMY OF DARKNESS is hilarious. It's filled with comedy and all sorts of literary and pop culture references from The Three Stooges to Gulliver's Travels to JASON AND THE ARGONAUTS to Frankenstein. I found myself laughing about every three minutes and some of the one-liners just rock: "Give me some sugar, baby" and "I'm going to cut your gizzard." Of course, this movie isn't for everyone. There are some people who would be offended and some who would see this movie as garbage. However, I see the movie as pure genius and great fun. Whatever.
There were a number of flaws in this particular DVD. The first thing I noticed was really bad pixellation in many scenes. They did a great job in many cases of cleaning up any scratches or flaws in the source film, but then they did a really bad job of DVD compression. I'm sure the other editions aren't any worse on that score, and hope that they're better. Also, this cut is actually missing some of my favorite scened and lines. The worst offense is that the line "Good, bad - I'm the guy with the gun" (which for me has always epitomized Ash) was replaced by "I'm not that good". In the commentary, Campbell and Raimi actually note that they prefer the "Good, bad" line... So why not include it in the "director's cut"? They also deleted an early fight scene, just after Campbell's arrival, and went back to what was apparently the original ending. I really liked the ending in S-Mart, though. I also found the editing on the windmill scene in this edition less cohesive than the theatrical release. The commentary by Campbell and Raimi was very good, since those two have a long history together, and really seem to have loved making this movie. Still, though, it was clear that they could see some of the same issues I mentioned above, leaving me baffled as to why they didn't work together to make this edition a true reflection of what they think the "best" version of "Army of Darkness" would be.
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| 24. Lady Chatterley Director: Ken Russell | |
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Amazon.com Reviews (8)
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| 25. The Turning Point Director: Herbert Ross | |
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Reviews (24)
Bancroft, on the other hand, is an aging prima ballerina whose star has all but faded, and whom the company is slowly but surely putting out to pasture in favor of younger, fresher dancers. She begins regretting the things she's forsaken for her career, such as marriage, motherhood, and a meaningful romance with a special man. In turn, she starts stewing a jealousy of MacLaine's having these things that is as strong as MacLaine's resentment of her career success. To fill in the void, she seeks to endear MacLaine's young dancer daughter to her in a mentor/friend/mothering relationship that she hopes will overshadow and upstage the girl's devotion to her own mother. All these emotions build and build and build till they end up climaxing in a screamfest of accusations and insults between the two leads, that progresses to a classic physical cat fight in the parking lot of Lincoln Center. Meanwhile, MacLaine's daughter is having problems of her own. She falls for the company's primary male dancer (a handsome young Mikhael Baryshnikov) who turns out to be a ladies man and stomps on her heart. The music, the moods, the gauzy views of MacLaine's drowsy family life in Oklahoma City and the disciplined New York Ballet world in summer, all have the quality of a golden fairy tale, and the dancing sequences performed by some of the best professional dancers in the world at the time are breathtaking. MacLaine and Bancroft are unmatched as the competitive friends, Leslie Browne is flawless as the somewhat airheaded but magnificently gifted daughter, Barishnikov is perfectly believable as the devil-may-care loverboy, Tom Skeritt does a fine job as MacLaine's patient husband, and even the boy and girl who play MacLaine's two younger children are captivating as typical opinionated adolescents. I hope a DVD for this beautiful film is issued SOON and it is not a case of having to wait till 2007 for the 30th anniversary!
The theme is sensitive: daughter becomes successful ballerina, makes mother hark back to her own difficult decision to give up her dancing passion to raise a family. Envious angst and catty remarks ensue, but of course all is patched up towards the end. The performances are sterling all round but the dialogue could have been a little more taut, it is hit-on-the-head-obvious when things get sappy. But that doesn't matter because it's the choreography that the movie will be remembered for, the ballet sequences are simply stunning. Minor gripe: a couple of ballet scenes have overbearing voiceovers which recap all that the dancer has gone through in life, which interrupts the lyric of the moment a bit. Again, editing may have been in order. Nonetheless, it makes for an engaging, luminous portrait of dance and its various twists and turns as apt metaphors for the quirky vagaries of life, loves, ambition. Very decent rental, but a great must-own if you dig chickflicks.
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| 26. Sneakers (Collector's Edition) Director: Phil Alden Robinson | |
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Reviews (55)
Sneakers on the other hand shows us what the government(and people pretending to be the government) is capable of through the eyes of very entertaining yet somewhat believable characters in the industry. From a phone phreak to an ex cia man, their group covers the gambit in skills and personalities. Redford leads an allstar cast as a good looking social engineer who talks his way past security in lieu of hacking. Dan Akroyd gives a performance unparalelled except maybe for his character in Gross Pointe Blank. So if you are in the mood for something completely different from the Net, Conspiracy theory, and Masterminds, then this is the movie for you. Loved it, seen it uncountable times, just upgraded to DVD version. James *Too Many Secrets* Stewart
One of my favorite movies of all time, for all of the same reasons listed by others here. I own the original DVD, which was released in 16:9 anamorphic, quite ahead of its time. Unfortunately, it's painful to see a favorite movie come out on DVD with so few Special Features. This was a wasted opportunity, considering the quintessential ensemble cast that made this movie as fun as it is. The movie's 11 years old, and while I'm glad Universal thought enough to re-release it earlier this year with director Phil Alden Robinson doing a commentary track, I think there's much more that could have been done. I can understand the difficulty in tracking down such an incredible ensemble cast after 11 years. But as a consumer, I can say: this movie is too good to have this few DVD extras. I *will* buy this new version for the following reasons: It's under $15, my existing copy is worn from repeated use, and I have been hoping for extras such as Robinson's commentary. I am, however, disappointed at the waste of potential on Universal's part: The quality of this movie deserves a DVD with a lot more to it. 5 stars for the movie, 2 stars for the extra features.
For a Collector's Edition, the supplementary material on the DVD is disappointing. The high point is the commentary: the detailed reminiscences of the director and writers are informative and enjoyable. The "Making of" documentary is pleasant, but doesn't build much on the commentary; the comments of the cast don't expand beyond telling who the characters are (only Ackroyd describes anything he brought to his character beyond the writers' amalgam of 70s and 80s phone phreaks and social engineers). The single theatrical preview is nice, but with along with the bonus materials in general, you feel there should have been more. The only other item on the Bonus Materials section is a "Recommendation" for "other films you might enjoy": Field of Dreams (same director/writer), Spy Game (also with Redford), and The Sting (Redford again, with James Earl Jones' father); there aren't previews of these films, just three small DVD cases sharing the screen. No deleted scenes (although several are described in the commentary). No outtakes (you know there had to be some serious hijinks on the set). No scripts or scene comparisons to show the film's decade-long evolution. Not even an Easter egg to reward devoted hackers. Buy this disc for the movie, not the bonus materials. It's a lot of fun and the cast is a "Six Degrees of Kevin Bacon" player's dream. ... Read more | |
| 27. The Sherlock Holmes Collection, Vol. 1 (Voice of Terror / Secret Weapon / In Washington / Faces Death) Director: John Rawlins | |
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Description SHERLOCK HOLMES AND THE SECRET WEAPON (1942) The great detective must stop the Nazis from getting their hands on a new bombsight, wrapped in a code of dancing men. SHERLOCK HOLMES IN WASHINGTON (1943) Top-secret documents are missing and a British secret service agent is dead.Holmes and Watson go to Washington to recover the documents before they fall into the wrong hands. SHERLOCK HOLMES FACES DEATH (1943) - Holmes and Watson are summoned to Musgrave Manor to investigate a murder. Holmes solves a complicated puzzle of an ancient family ritual to expose the murderer. BONUS MATERIAL Reviews (25)
Previous reviewers have already commented on how Universal moved Holmes ahead into the WWII era, and had him chasing down Nazi's, spys, and assorted modern "evil-doers." Never-the-less, the series appeal lies not in the historical context, but in the charisma of Rathbone and Bruce as the series' Holmes and Watson. These films are not great cinematic milestones, but they are great fun - pure entertainment, and as each new generation discovers Holmes, they always key in on this series as the all-time favorite. If you haven't seen these films before, or even if it's been awhile since you saw them on TV as a kid, do yourself a favor and pick this set up - you won't regret it.
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| 28. Meet the Parents (Full Screen Special Edition) Director: Jay Roach | |
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Reviews (368)
Favorite quotes from this film: "Well, if you're going to have little Fockers running around..." "You didn't tell me much about your cat-milking days in Motown." "That was a lot of.... information." "They'd have to be interesting people, right? To name their son Gaylord Focker?" Caught your interest? Thought so. Now BUY THIS FILM!
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| 29. Barney Miller - The First Season Director: Lee Bernhardi, John Rich, Max Gail, Alan Bergmann, Theodore J. Flicker, Bob Finkel, Dennis Steinmetz, David Swift (II), Allen Baron, Gennaro Montanino, Alex March, Danny Arnold, Jeremiah Morris, Stan Lathan, Mark Warren (II), Noam Pitlik, Tony Sheehan, Lee Lochhead, Homer Powell, Greg Tiefer | |
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Amazon.com Arnold, along with Chris Hayward (Get Smart) and other scribes, would pen the majority of the first season, which set the tone for the series by pitting the squad against a host of offbeat criminals, other cops, and regular citizens, several of whom would become semi-regulars; James Gregory's crusty Inspector Luger makes his debut in "Vigilante" (episode 9), while unscrupulous lawyer Arnold Ripner (Alex Henteloff) and Detective Wentworth (a pre-Alice Linda Lavin) have their first appearances in "The Experience" (episode 2) and "Ms. Cop" (episode 8), respectively. Columbia/TriStar's two-disc set offers all 13 episodes of the first season, as well as short credit lists for some of the major players; the little-seen 1974 pilot, "The Life and Times of Captain Barney Miller," might have made an interesting supplemental feature, but fans should be pleased to have this set regardless. --Paul Gaita Reviews (26)
Disc One: Trivia: *The characters of Barney, Wojo, & Harris would be the only detectives to remain throughout the entire series as regular cast members. Fish left after 3 seasons, Chano after 2, and Yemana after 4 (Jack Soo passed away in January 1979). In season 3, Detrich (Steve Landesberg) & Levitt (Ron Carey) would join the cast as regulars until the series ended. *Look for Linda Lavin (TV's Alice) in episode 8 debuting as Det. Janice Wentworth. She would make appearances in the second season as well. *Before Barney Miller, Gregory Sierra (Chano) was popular for his role as Fred and Lamont's neighbor, Julio, who had a pet goat named Chico, on Sanford & Son. He made appearances on everything from All in the Family (where he had no accent) to Miami Vice. After Barney Miller, Sierra joined the cast of Soap. *One of the main series writers, Reinhold Weege, previously wrote on M*A*S*H* and went on to create one of the funniest sitcoms ever, Night Court! (by the way, where's season one?!!) Jack Soo (1916-1979) Also Highly recommended on DVD:
Compared to some of the later Barney Miller seasons this probably isn't worth the full 5 stars, but it certainly deserves 5 starts compared to the zillions of average TV shows around, past or present. I agree with the earlier review that mentioned that the picture quality isn't top-notch, but then it is almost thirty years since the original broadcasts and the quality is good enough that I forgot to worry about it within the first five minutes of the first episode. It's as good as other 70s television DVDs. I don't mind the lack of bonus extras - as long the episodes are there I'm happy, though I miss not having "The Life and Times of Captain Barney Miller" mentioned in the other review. Can't wait for the other seasons to be released, and well done to Sony for not coming out with a stupid 'best of' (which we all know would've picked the 'wrong' episodes). Full season releases are the only way to go.
Unfortunately, on the first DVD, the picture quality is very bad, like VHS in the "LP" mode (e.g., way too much compression). The second disc is acceptable, but it only has 4-episodes on it. Rather than cram 9-episodes on one DVD, they should have placed only 4-episodes per DVD, or a maximum of 6-episdoes on Disc 1 and 7-episodes on Disc 2. If you can rent it (e.g., NetFlix), I would.
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| 30. From Dusk Till Dawn (Dimension Collector's Series) Director: Robert Rodriguez | |
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Reviews (167)
The film depicts the story of the infamous Gecko Brothers', Seth (George Clooney) and Ritchie (Quentin Tarantino), odyssey from their violent southern Texas exploits to their arrival at the unforgettable Titty Twister bar. Along the way, the Gecko brothers inadvertently blow up a liquor store, hallucinate flirtations and verbal taunts, "accidentally" rape and murder a seemingly docile hostage, and kidnap a disillusioned pastor's family and their motor home on their way to their bar rendezvous across the Mexican border. Though these characters may seem to be the most unsympathetic characters to be rooting for. Tarantino's knack for instilling humanity into his criminals is second to none, and along the way towards the bar and the film's personality switch, through absorbing dialogue, gritty performances, and realistic plot developments (in the Tarantino half), we are given unusually affable characters that allow the audience just enough audience identification with the characters before they are literally placed into hell incarnate. While watching From Dusk Til Dawn, it crucial to note the film's story arc is essentially one-half Tarantino crime tale/ one-half gory horror gore opus. This was done I believe to introduce the characters, personality dynamics, and innate personal tendencies of the people in their real environments before establishing the horror. What happens quite often in horror films of the last two decades is we, the audience, are immediately transported to the improbable before we even really know our characters. The characters of a movie are our conduits into the realm and the story of a movie. Doesn't it seem probable that if we have an enhanced understanding of the characters we might enjoy the film's narrative a lot more? From Dusk Til Dawn follows this mentality to its most logic summation as character and style overcome commercial convention. Since it release, From Dusk Til Dawn consistently besieges it audiences with an intoxicatingly visceral affront of violence, mayhem, elaborate chaos, and inventive havoc that entertains and delights beyond anyone's expectations. Though definitely not Academy Award material so to speak, From Til Dawn remains a superlative horror extravaganza. As for the film's new DVD Collector's Series edition, FDTD contains an informative Rodriguez/Tarantino commentary track, a feature length documentary entitled "Full Tilt Boogie", extensive outtakes, deleted scenes, two music videos, the theatrical trailer, and much much more. A Definite Must for any Horror Fan.
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| 31. Spider-Man 2 (Widescreen Special Edition) Director: Sam Raimi | |
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Amazon.com Reviews (251)
Two years after the events of the first movie, Peter Parker is still saving the day as Spider-man, while at the same time shirking his other responsibilities and trying to maintain and ordinary life. As he tries harder and harder, he comes to realize that for Spider-man, there is no ordinary life. He's failing college classes, losing his job, and not keeping up with his friends and family. Things get rougher when Harry Osborn's new ticket to progress has an accident. Professor Otto Octavius demonstrates the ability of his fusion device that will generate new, reusable power when something goes wrong. His additional limbs that were used to manipulate the fusion environment have been fused to his own spine. While the ads focus heavily on Doc Oc, the real plot here is Peter Parker's dilemna. Doc Oc might have seemed like an after-thought had not the writers kept Harry closely involved with Peter, reminding him again and again how he wants to kill Spider-man for what he did to his father. I don't blame the critics who dislike the movie. For most of it, Peter is in misery, as his life spirals down the toilet due to the conflicting sides of Spider-man and Peter Parker. There's humor dispersed evenly throughout to make the experience a little lighter. It's a hard movie to watch because of this, as Peter has to decide between what he wants and the responsibility he has, and even I was a little uncomfortable as his suffering continued. But Sam Raimi's never been one to leave the audience without a pay-off, either. His love for the material continues to show as it did in the first movie, making Spider-man 2 even more visually dynamic and dramatically endearing than its predecessor. Bruce Campbell also makes a cameo, but people probably guessed that months before it was announced, and that was still months before the movie was released. The musical score is as spectacular as before, and Danny Elfman wisely maintains the theme he composed for the first movie. Rather than simply supporting the movie or carrying it, the music works with it, something rarely accomplished in film. I honestly can't think of something negative to say about this movie. I don't think I could have been more pleased. The goal set after Spider-man was a hit was to make the second one even better, and the film-makers succeeded. I can only wonder if they will be able to do the same for the third after such an excellent film as this.
Toby McGuire once again stars as Peter Parker/Spiderman, now confronting a new enemy Dr. Octopus (Alfred Molina). The special effects were awesome, no doubt about that, however unlike the first one, the second half is pure nonsense and I was left unsatisfied. Alfred Molina as Dr. Octopus is tremendous, just like Willem Dafoe's characters as "Green Goblin" we see his rise to power. (Spoilers) Yet Raimi's dumb writers in the second half of the film have him playing as a patsy. Spiderman clashes with Dr. Octopus several times and actually the fights are fair, however Dr. Octopus eventually gets Mary Jane (Dunst, who really doesn't do much as far as acting) and uses that to his advantage while creating a new weapon. Tobey as Spiderman again like the first film is not a strong presence, yet I know some nerds are trying to hype him up to be like Christopher Reeve but please give me a break. He will never have the same charisma as him. Alfred Molina is great as Dr. Octopus, but the story seems to go nowhere and we get the same crap from the same movie, like Parker, still being the nerd recluse who is unable to go after what he wants, though this is hilarious in retrospect, but then becomes tiring. The special effects and action are what saves "Spiderman2" from being a disappointment as far acting and plot go, and that wasn't a surprise was it. Still though I was left wanting more, and the cheap ending and the way Dr. Octopus out of the thin blue sky has a change of hear for not killing "Spiderman" was pathetic though, that wouldn't have happened really, still I know there will be many nerds seeing the movie 10 times and saying it was the greatest movie ever, but they aint kidding anybody. "Spiderman 2" is what it is a great special effects bonanza with some great action scenes, but not great character development and predictable plot lines.
The story, unlike the original, instead focuses on the negatives of being Spider-Man; Peter Parker is struggling to balance a life of his own, but Spidey always gets in the way. He even forgets his own birthday! And it also shows the effects it has on his family and friends, especially Mary Jane. And to top it all off, Doctor Otto Octavius, a brilliant scientist, is turned into Doctor Octopus, complete with four mechanical arms attached to his body, thanks to a failed fusion experiment. The battles between Spidey and his foe were terrific, unsurpassed by most action films to date. But I found myself wanting more of these scenes...in the end, you really sympathize with Peter, but I just wish we could've seen our favorite webslinger in action more. But at least the ending was good (left WIDE open for Spider-Man 3.) ... Read more | |
| 32. Little House on the Prairie - Seasons 1-3 (Amazon.com Exclusive) Director: Maury Dexter, Lewis Allen, Michael Ray Rhodes, Michael Landon, William F. Claxton, Alf Kjellin, Leo Penn, Victor Lobl, Victor French, Joseph Pevney | |
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I was very disappointed, however, with the production quality of the DVDs. There are no subtitles for the hearing impaired, no special features at all and, most annoying, there are no chapter breaks between scenes allowing you to skip ahead. Instead you have to "forward" through it just like with your VCR (so what's the point of having it on DVD?). Also, the claim that the films have been "restored" is either a joke or a lie as many scenes are peppered with white specks and other visual debris. Also, there are moments when the screen looks like a video tape with the tracking gone awry. At times it almost looks as though they copied a bad video onto DVD. It seems they rushed through the production of these DVDs with little concern for quality. In spite of this, I do not regret my purchase and have enjoyed watching these with my family, including my three teenagers who have all become fans of the show. And to Amazon let me say how annoying it is that any moron can write a "review" of something they obviously did not purchase or spend any time watching but rather are only posting a review because they have an adolescent need to rant against a particular genre which they have absolutely no appreciation for. Such reviews are a waste of everyone's time, including the person writing the "review". When only 2 out of over 50 people find a review helpful, I think it would be a service to everyone to pull it.
I think I even learned something from the episode we watched after work today.
~L.H.o.t.P. Lover~ ... Read more | |
| 33. The Philadelphia Experiment Director: Stewart Raffill | |
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Amazon.com Reviews (20)
I like time travel science fiction movies. The movie has very good actors (Michael Pare and Nancy Allen), an exciting plot and an interesting soundtrack. The executive producer was John Carpenter and you will remark his present in the movie making.
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