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With its series-finale episode, Dawson's Creek summed up its six-year run on the WB Network with a sweet and sad tale of reunion and farewell for old friends, soul mates, and lovers.The friends are now 25 and living new lives: Dawson (James Van Der Beek) is in Hollywood executive-producing The Creek, obviously based on his own life and considered "the new hit teen soap at the WB"; Joey (Katie Holmes) is a book editor in New York with a serious beau; Jen (Michelle Williams) is a single mother; Pacey (Joshua Jackson) is the relatively respectable owner of the reborn Icehouse Restaurant; and Jack (Kerr Smith) is teaching at the high school and struggling with his relationship.A wedding brings everyone together in Capeside, but tragedy strikes, and the remaining friends are left to consider their lives and what they want to do with them. Whether or not you agree with the final choices, of course, probably depends on who you've been rooting for.

The extended cut of the finale runs 104 minutes, about 16 longer than when it was broadcast in May 2003.Unlike deleted scenes on movie DVDs, each addition seems like a useful part of the story, and the DVD borrows a helpful feature from the Lord of the Rings extended editions by designating on the chapter menu which scenes are new or extended.Some differences are minor, but there are significant new scenes with Joey at work, Joey and her boyfriend (Jeremy Sisto of Six Feet Under), Joey and Dawson's reunion in Capeside, and Pacey's conversation with old flame Andie (Meredith Monroe).

As they did for two episodes of Dawson's Creek: The Complete First Season, creator Kevin Williamson (who co-wrote the finale) and executive producer Paul Stubin provide a commentary track in which they discuss the new scenes and which characters were originally intended to end up together.There are also four scenes that were filmed for the original pilot presentation (not the finished pilot shown in season one) then reshot. There's a small but important difference in the last scene, Pacey meets Tamara Jacobs in a different video store, and Dawson's dad is played by a different actor before the role was recast with John Wesley Shipp. --David Horiuchi ... Read more

Reviews (97)

All Good Things Must Come to an End
I caught the series finale on the original air date on the WB. It was both fantastic and heart breaking. It brings the 6 friends back for a wedding. But soon the heart warming reunion turns sour with the news of a friend harboring a heart breaking secret. When the secret is revealed it makes the friends look at themselves.

When Jen tells her daughter to believe in God, is the most powerful scene in the whole show. This coming from a girl who would avoid churches and any mention of God. Jen has difinitely changed throughout the six season on the WB.

Joey resides in NY with her current boyfriend. But when she makes an unexpected return to The Creek, old feelings rise up again. But in the end she gets what she wants without feeling guilty about hurting anyone else.

Although this show is called Dawson's Creek, I don't believe that means Dawson should get the girl. Although he doesn't get the girl, he gets a highly sucesessful show and gets to meet is all-time favorite film maker.

Pacey still gets in trouble with older women, and owns the new Ice House. Pacey is another example of a character that has changed throught the airing of this show. He goes from a troubled-slacker, to someone who has things figured out, for the most part.

Jack finally gets his man! But in the end loses the most important person in his life, Jen. They were, in my eyes, soulmates. Not as lovers, but as life long friends. He is also in a relationship with a secretly gay man (Who knew is would be Deputy Doug. Didn't he claim to be a straight man all these years?)

In the end, they all get what they wanted. And figured some things out along the way. Joey made the right choice. Pacey was the right man for her. He made her happy, and they both had strong feelings torward eachother. Dawson was her soulmate, as a friend. He got what he wanted either way.

We left these 6 friends on TV, but we now can have them on DVD!! GET THIS DVD!! This will be a great UNCUT version of what was aired. Andie should have been apart of the airing of the show, but we still get to see what she turned out like on the DVD. I wish they could have brought all the rest of the characters through out the years back, like Audrey, Drue, and Gretchen. But either way, it is a great ending to a GREAT show!!

Pacey and Joey: True Love
First of all i have to say that I have been a Dawsons Creek fan since the first episode. Granted there were some episodes i didnt really like, i watched them anyways. I never missed one. I think that the finale show was brilliant. Honestly, you can't tell me that Dawson and Joey just make a terrible couple. They are best friends and have always been best friends. You can't throw them at eachother and make it work. When they were together when the show first started, they spent more time trying to come up with reasons why they should be together, than just being happy together. All Dawson did was complain about everything and cried like a little baby. Come on, i know that all the girls around the world would agree with me that they would rather be with a guy like pacey. A guy who acts like a real man. Pacey and Joey have always found a way back to eachother. Plus, he was her "first". At the ski lodge, is when i knew pacey and joey were meant for eachother, just by the way she was talking to him, and also i knew when he turned that girl down because he knew he loved joey. Yeah, Pacey turned a girl down... for true love. One of the best episodes was when Joey left Dawson that summer to go with Pacey. Right there tells you that she loves him more than anything, and most of all more than Dawson. Joey and Pacey ending up together was the best way to end the show not just because it gave the fans a twist, but because its true love, and true love conquers all. great ending to and awesome show!! great job kev

Best Series Finale of Any Show I Have Ever Seen
When I saw this episode when it first aired, I was blown away. It was the best 2 hours of television that I have ever seen.

It takes place four years in the future, which I thought was a great idea. It let us see our favorite characters in the real world after college, and it was good.

Joey's now an editor, Jack's an English teacher, Dawson is the writer and director of his own show The Creek, which was based on the indepedent movie he made during the second season of the show. Jen is a mother to a beautiful baby girl, Amy. It's said that her boyfriend knocked her up and then left her. I would assume that the boyfriend wasn't Jensen Ackle's character, who we last saw her with because he seems like too nice of a guy to do that, but they never really say who it was.

The gang is in town for Dawson's mother's wedding, and the first hour has to do with the death of one of the cast, which is very heartbreaking, I cried many times, while the second deals with the love triangle that is Pacey, Joey and Dawson.

I loved the finale when it aired in May, but when I heard that there were deleted scenes in the dvd, I had to buy it even though I had the other on tape. It was well worth it, if just for the return of Meredith Monroe as Andie. The best addition was at the very end when they show clips of all of the most important scenes of the last 6 years. It's very touching.

I would definitely recommend buying this whether you saw it when it aired, or if you have yet to see it.

It is an excellent episode.

All Good Things Must Come To An End...
All in all, the series finale for Dawson's Creek is quite satisfying. Excellent performances, interesting storylines/scenarios, suspense, sheer conflict and resolution. In terms of entertainment, it portrayed what a true finale should be. It brought things full circle and didn't seem rushed. One thing did irk me, though, and this bothers me with any show: the re-writing of history (example: Joey always knew? Um, I thinketh not..) It truly is an issult to viewers who've watched a show non-stop. It's sloppy, and very poor writing. But nothing's perfect, and the finale definitely could've been a lot worse considering the last few lackluster seasons of 'DC'. It closed things out, at least. Maybe not in the best way, nor with the best tactics... but closed it out nonetheless.

Huge Disappointment
It was bad enough that in the beginning, after Joey's longtime feelings for Dawson, their first kiss and their move into a relationship, she starts having doubts and breaks off the relationship.

But we could let this pass in the name of teenage angst, or "let's find new plot twists to make show interesting".

But ending the show with Pacey and Joey getting together, when there was so much magic and chemistry between Dawson and Joey, is just bad writing.

We watch these types of television shows to escape, and to get the happy ending that we perhaps did not get in real life. The main guy always gets the girl.....But more than that, Dawson and Joey, that was something special....

Had this been the ending I would have bought all the seasons. As it is, I will not waste my money. ... Read more

Description

In one of moviedom's most influential roles, James Dean is Jim, the new kid in town whose loneliness, frustration and anger mirrored those of postwar teens -- and reverberates 40 years later.Before the feature are three Behind-the-Cameras segments from the Warner Bros. Presents TV series (including a "safe-driving" interview withdrawn from airing following Dean's September 30, 1955 death) about Rebel Without a Cause.A documentary segment exclusive to this Warner Bros. Classics edition contains recently recovered screen tests and outtakes that show intriguing variations on what ended up in the final film. ... Read more

Reviews (80)

Quintessential punk rebel
This is a great movie. James Dean plays the quintessential teenage punk rebel. He is the sensitive soul misunderstood by parents and the society that surrounds him. His efforts to fit in with other students fail and this leads to problems. Natalie Wood and Sal Mineo turn in realistic portrayals of teenagers without a cause. This film shows a darker side of the '50s than the vision espoused by the Happy Days sitcom. These kids are feeling a lot of alienation and angst. This is Seattle grunge 40 years before Eddie Vedder and Kurt Cobain. The pain they feel is very real. The screenplay by Stewart Stern reveals great sympathy towards these kids. They are good kids who have gone bad because they don't fit in. People always tell you that the high school years are the best years of your life. That isn't true for all kids, however, as this film poignantly illustrates. It is heartbreaking but powerful. It is vintage James Dean and becomes more wrenching due to Dean's early death. One can only guess how good his career would have been if he hadn't died so soon.

1950s Utopia?
This will always remain one of my favorite films of all time. After seeing it I can finally understand the reasons why James Dean has such a following. He is what everyone either envisions himself as or wishes to be. In my mind, you can't quite label him an anti-hero in this movie. You have to show his character respect. In my mind, what makes this film great is what you might find fault with in other films. At times it seems overly melodramatic and so emotional it seems painful to watch. But this ain't no "Titanic." Somehow, all this intense emotion is what gives the film its power. When you are in high school everything seems as though it is a life or death situation. Who can honestly say that they weren't utterly self-absorbed at that age and even in the present? All the typical themes are included such as unrequited love, fitting in, complex family relations, and violence(today kids might have guns but name another scene as riveting and dangerous as the switchblade fight). The additions to the widescreen version are very worthwhile and offer some extra insight. Is it just me or does Natalie Wood seem on edge during her interview? The Dean "safe driving" interview is also rather interesting if not kind of sick.

True Classic.
This movie is one of the best however one reviewer had a lot of negativity about this movie do not listen to him this movie is not crap. For one James dean is not wearing a Leather Jacket on the Cover is happens to be his Red... Jacket in black and white.Anyhow the story line was very authentic Natalie Wood is just great in this Movie Sal Mineo Is Great and James Dean As always Is Exceptional.I recommend this movie trust me you will not be Disapointed.

These Rebels DID have a cause
For all that the title is such a classic one, it is rather inaccurate. And possibly, it was meant to be. Maybe a catchy title to draw in the crowds or a deliberate lie to show later that their cause, seeming meaningless, was a valid one. And in the end, this film is so poignant! Not a "dated" film at all, but a lesson to the generations of teenagers before and afterwards. Teenage angst has not changed in the last 50 years, and the reasons have not become any less meaningful. "Rebel Without a Cause" offers a very truthful look into the lives of teenagers, the reasons they rebel and gives a reason to why rebeliousness should not be taken so lightly.

The movie begins with all three of the main characters Jim (James Dean) Judy (Natalie Wood) and Plato (Sal Mineo) in a police station in the wee hours of the morning. All are dressed in obviously middle and upper-class clothes but have been picked up on the street for wandering, drunkeness and violence. The title of the movie immediately gives itself away, Judy is upset because her father was rough with her, Plato's father left him and his mother is never at home...
Then we meet Jim's parents. A submissive father, sharp-tongued mother and uptight grandmother. True, they may give him "many things" but the tension, strain and ignorance of Jim's needs are, as he says, "tearing me apart!"

We find out in the course of the movie, as Jim, Judy and Plato come together, that they are really good kids who are only looking for love and acceptance. We see how little their parents understand of them and how they are rebelling against the ignorance that has been starving them for years!

And truly, this is my FAVORITE James Dean movie, I think his portrayal of Jim is really a mirror of his own life with his biological Dad and some of the kids he grew up with. His acting is just so true, real, passionate and believable. This movie is my reasoning for why he is still such a legend. Truly, one of the greatest actors of all time. And a fantastic movie to boot!

Great 50's fun.
This film was first released in 1955 and stars James Dean, Natalie Wood and Sal Mineo. It was directed by Nicholas Ray and is probably one of the best, and most remembered movies from the 1950's.

"Rebel Without a Cause" begins in the local police station, where Jim (James Dean) has been arrested for drunkeness, Judy (Natalie Wood) has been picked up for walking around before dawn after a fight with her father, and the disturbed Plato (Sal Mineo) has been brought in for killing a puppy. Jim is new to the place (his parents are always moving) and finds it hard to fit in at school. He gets in a fight, which later leads him to have a chicken race with one of the gang bullies. Jim, Judy and Plato are brought back together again at the chicken race, but it ends in trouble. While Jim gets away unharmed, his opponent is killed when he gets caught in the car and goes flying straight off of the cliff. While being chased by the dead boy's friends, Jim, Judy, and Plato end up at a deserted mansion, to hide out, away from their parents and the trouble looking for them out on the streets. But still, it does not end nicely.

The film may seem dated to some people, but it still remains a brilliant movie to a lot of others.

Now for the DVD:
The film is presented in widescreen format and the print is brilliant. The sound is in 5.1 Dolby Digital. The extras include Trailers, behind-the-scenes documentary, and a few segments from TV Documentaries with Gig Young, including the 'Drive Safely' interview. Along with a few other little things aswell.

Overall, I think this is an excellent presentation for a great movie and I highly recommend this DVD.

PLEASE NOTE: Refers to Region 2 release, which appears to be the same as this Region 1 release, by the same company. ... Read more

Reviews (1047)

Spider-man spins a complex web of humanity in characters
An excursion to Columbia University science lab transforms the bespectacled Peter Parker (Tobey Maguire) with miraculous vision, sculpted body after a genetically-altered spider bits him. He possesses agility in leaping from skyscrapers and can spin webs from his wrist. Henceforth he assumes the identity Spider-man to combat evil manifested in the form of the Green Goblin (Willem Dafoe), a Species-look-alike perpetrator that terrrorizes the city with a glider that drops bombs.

Spider-Man embodies the heroics created by Stan Lee and Steve Ditko who had graced the popular Marvel Comics to become an comic icon as a crime-buster - and now the film further increases the fanaticism. It is a US 140 million blockbuster and gaudy with sleek costumes and galvanizing stunts. It is digitally-enhanced F/X to capture panoramic swings in its most realistic and The Times Square action-sequence is one of the most dazzling in cinematic history.

Yet the superhero adventure fails to surprise because of its conventional storyline of good-vs-evil. The self-discovery and mutation renders so much punch that the second-half falls relatively lack-lustre. Fortunately Spider-Man spins a complex web of humanity and empathy for the characters - and Tobey Maguire as the lead is the emotional core who captivates with his vulnerability in handling his growth traumas, doubts and fears. No less sterling is Willem Dafoe who is all hysterics and maniacal in his split personality inherited from the aftermath of a blundered experiment. Kirsten Dunst as his love-interest Mary Jane, James Franco as his buddy and even his uncle Ben played by Cliff Robertson show surprising dimensions.

Spider-Man is thus an evocative tale of a hero struggling with his adolescence, betrayal and murder. And Sam Raimi displays the same sensitivity here with his eariler works like Darkman with his flawed avenger. He directs it with eye-popping visuals like Army of Darkness and the comic hero resonates in its true-self. Its brooding hero is what makes Spider-Man a nifty web - and Maguire has definitely triumphed the cynics with his soulful spin.

Spinning A Worthy Web
Spider-Man is an entertaining film that is a great summertime, popcorn movie. The film explores the origins of the transformation of Peter Parker from nerdy high school student to the web slinging superhero Spider-Man. Tobey Maguire is quite good in the title role. He plays the character with the right amount of torment as an outcast who has been put down all his life, but injects pride, joy and happiness into the Peter from his newly bestowed powers. Kirtsen Dunst is Peter's next door neighbor, Mary Jane Watson. Ms. Dunst is not given much to work worth in the character, she is the requisite love interest, damsel in distress but she is appealing in the role. Willem Dafoe is plays the Green Goblin who is the villain in the film. The Goblin's alter ego is Norman Osborne who is the rich father of Harry (James Franco), Peter's best friend and roommate. Mr. Dafoe is perfectly cast as the Goblin and he handles the character's schizophrenic outbursts with creepy aplomb. Mr. Franco plays Harry sullenly and he appears as if he is moping through the picture. J.K. Simmons plays Daily Bugle editor J. Jonah Jameson as a pushy, demanding blowhard who listens only to himself with hilarious results. People have criticized the fighting and action scenes, but they are really no better or worse than most current action films. There are some Matrix like sequences with the slow motion, but these scenes actually help show Spider-Man's spider senses that allow him to anticipate and react quickly to danger. The film was a box office smash and we should expect to see numerous sequels that will hopefully be as appealing as the first installment.

ETMR - Spiderman
1. Humanity: What events in the film drove Peter Parker to adopting his vigilante attitude toward crime?

2. Implications: How is Spiderman's understanding of "with great power comes great responsibility" an example of contemporary American thought? Think specifically about the nature of evil and the propensity toward intense individual classification when one's existence becomes threatened.

3. Evolution: Spiderman was a hero born out of the 60s, springing from both the dangers of genetic manipulation and the problems of substance abuse (in the form of Oscorp Chemicals). Raimi makes little mention of the chemical abuse in the story, and paints it in a much simpler picture of the probable evil in man's soul and the strange world of pseudoscience. Therefore, it is obvious that in many ways, the film departs from its traditional conditioning while remaining loyal to the original personalities of the characters. In which ways is Spiderman the hero shown to be a creation of the contemporary age, versus a creation of the 60s, in the film?

4. Realism: America has a long history, not only in comics but in legendary history, of people who take the law into their own hands. If a being like Spiderman existed, could he survive in our real world, or is he only a dream?

5. Stageplay: Spiderman is classicly a cynic, an individual thinker, an avid contemporarian (someone "in" the times), a man of passions (versus someone who could care less), an irreligious jokester and a man who is not sure of his destiny, but lives to succeed. Do you feel Maguire fulfills this role? Some critics say he is too much of a "boy" to fill Spiderman's shoes, while others claim it is his boyishness that charms us into belief. What do you think?

Spiderman
This was a good movie with lots of great special effects and action sequences. If you like superhero-type movies you'll really enjoy this family oriented movie. I would recommend this movie.

Spiderman, Spiderman, watch this movie when you can
This movie has exceeded my expectataions of it far beyond my belief. Probably because I went in thinking that it would suck. I'm just not into this kind of stuff. Of course, I'm a closet "Batman" fan so I guess it does say something. Anyway, I really enjoyed this movie. The cinematography was awesome! From all the camera dynamics following Spidey's twists and flips, you really felt that you were flying through the air with him. The cinematography also had a warm, upbeat feeling to it. It was one of the main reasons the movie kept my eyes glued to the screen.

The second reason is, of course, the actors. From Tobey Maguire's clumsy but lovable Peter Parker to Kirstin Dunst's beautiful Mary Jane Watson to Willem Dafoe's deliciously evil Green Goblin, the actors most definitely made the movie. The producers certainly picked the right people to handle the characters.

The only downside to this movie was that the opening credits were too long and too boring. ... Read more

Reviews (4)

MYSTERT MAGNIFIQUE!
It's no mystery why this is the most-watched detective show in the history of the PBS "Mystery!" series --- Christie penned a brilliant Belgian [detective]who solves crimes only using
his "little grey cells" and the aid of his affable associate Captain Hastings. And not one hair out of place on his perfectly coifed hairy lip! No mystery why fans shouldn't host sleuthing fetes: Acorn is releasing the entire canon! Mystery magnifique!

STEP OUTSIDE THE BOX WITH POIROT
The supernatural provides an eerie undertone in this trio of episodes featuring Agatha Christie's most famous detective. Poirot's secretary Miss Lemon (Pauline Moran) experiments with the Ouija board and tarot cards; she even hypnotizes a murder victim's widow (with some success) in "The Underdog." And is an ancient Egyptian curse responsible for the four untimely deaths in "The Adventure of the Egyptian Tomb"? Poirot braves the untidy desert sand to find out. Finally, in "Yellow Iris," friends and family gather for dinner to commemorate the second anniversary of a woman's death; the atmosphere at the table is so charged one almost expects the victim to come back from the dead.
As always, the fastidious habits of Poirot (played to perfection by David Suchet) and the charming naiveté of his assistant Hastings (Hugh Fraser) add just the right touch of levity to these grim tales. For this, one must credit the scriptwriters as much as the actors--their addition of witty exchanges and subplots make Christie's stories even more delightful onscreen than on the printed page.

HERCULE POIROT HELPS YOU STEP OUSIDE THE BOX

Yellow Iris RULES!
Okay, so it's my favorite one-hour episode, forgive me!

The Adventure of the Egyptian Tomb - Great! Quite different from all preceeding episodes, and while a more complex solution would have been nice, the build-up makes the episode wonderfully multi-faceted! - 4.5 stars

The Under Dog - Well, this was the under dog of this set, but it's actually pretty good. Again, the solution was just a little too simple for my taste, but I did like the "Trapped behind the curtain" bit. - 3.5 stars

Yellow Iris - It's hard to say how much I like this! Probably only the third episode in which the music really hit home with me (the other two being the Cornish Mystery and Double Sin) and the whole recreation of the murder scene, and flash back, and the murder's Pshycological moment thing were intertwined incredibly well! BRAVO BRAVO BRAVO! - 5 stars

Box Set Overall score (Not an Average) - 5 stars

Three thumping good entries in the Poirot series
The seventh set of 3 mysteries is now available from Acorn Media and all three are very satisfactory indeed.

"The Adventure of the Egyptian Tomb" starts with a wonderful mixture of old newsreel footage and newly filmed studio shots of an Egyptian tomb being excavated and the entire premise bears more than a passing similarity to the Karloff film "The Mummy." As always, a little subplot is added to the original scenario that somehow ties in thematically (and now and then dramatically). The seeming curse on all those who attended the original opening of the tomb is killing them off but in very dissimilar ways. By putting his own life in the hazard--though not very deeply, as it turns out--Poirot forces the culprit to show his hand. As with all of the episodes in this series, the production values are high.

"The Underdog" concerns British businessmen who don't mind turning a profit even if it is with Nazi Germany. The scenes at the chemical plant are imposing, the red herrings well cooked up, and the acting up to standard for these productions. If the murder scene is a bit overly crowded (even for Christie), it does give us a chance to see the crime from several points of view and the cast manages to keep things on the serious side of what is nearly a French farce of people hidden behind doors and curtains. Even Miss Lemon's abilities as a hypnotist help Poirot to gather the clues in this one.

"Yellow Iris" has Poirot caught up in a coup d'etat in Argentina and actually arrested for espionage, all of which prevents him from solving a murder at a French restaurant owned by an Italian in Buenos Aires. While his demonstration of how the first murder was done leaves one a little incredulous (are intended murder victims all such good actors on the spur of the moment?), the psychological assumption of the killer is quite clever, making one think, "Yes, it would work!"

For some reason, the box shows Poirot as he appears in an episode slated for Set 8. A little Acornian production slip up? Still, three examples of top notch little-gray-celling. ... Read more

Reviews (157)

Prince of Action Heros
Kevin Costner got a lot of... for his English accent, and while it wasn't great, it wasn't that distracting. "Robin Hood: Prince of Theives" slightly brakes from traditional myth in that Robin Hood is a returning knight from the Crusades. In the absense of King Richard, Sherriff of Nottingham attempted to take power. When Robin returns he swears vengence against the sherriff who killed his father and defamed his name. Then it's basicly "Die Hard" in the forest. The greatest change is Morgan Freeman's Moorish warrior traveling with Robin. Freeman is good, as usual. Christan Slater is full of fire and wind (putting it nicely) as Will Scarlet. Costner dose well as Robin, I really thought he did excellent. Mary Elizabeth Mastrentonio is pretty good as more or less independent Maid Marion (she has a lot of 1990s style "Thelma and Louise" attitude than was not realistic in the Dark Ages). But it's Alan Rickman's Sherriff who steals the show. He is wild, over the top, very funny to watch. This movie is dark, violent, and kind of scary with it's witch and occultic themes. This is pure action from start to finish. Just excellent.

Entertaining
First off, I wanna address this whole thing about Kevin Costner's accent. What difference does it make at all??? If you think it makes the movie more historically accurate, well, I hate to break it to you but, you're wrong. English people in 1194 weren't speaking in modern British accents, they were speaking in Old English, which is basically a dialect of German. So, with that thought, the British actors were as from the historical truth as Costner with their accents. Costner I think plays a very realistic Robin Hood, who is a lot more human than the other Robin Hoods. He shows emotion, and in the beginning, really plays well his role of a spoiled, rich boy. A lot of people commend Allan Rickman on his performance here, but I think he was one of the worst characters. When talking about him, people spoke so frightenedly about him, but in every single one of his on screen moments, he was acting like a goofy weirdo. I couldn't ever tell if what he was saying was supposed to be serious or a joke. I think his character took away from the more serious, adventurous tone of the rest of the movie, and made Prince of Thieves seem like a parody in itself. Not to say that he was a bad actor, I think that s a fault of the writers. There were a few inaccuracies, like the way that the Scots dressed. My exact first thoughts of that scene are expressed by other reviewers. They looked more like people who would have been ravaging the Roman establishments in Britain in the 4th and 5th centuries, not like Scots of the 12th. A lot of people have complained about the witch, and although I m not sure what her purpose was in the movie, she was entertaining, and kind of scary at the same time. On the whole, this was a good movie that s entertaining to watch, not too far away from Braveheart. (Although Robin's rhetoric skills are definitely much worse than William Wallace's. I could not comprehend at all what he is trying to say while he s lecturing the people from the fallen tree. He started off with something about being freedmen, and then ended with making weapons from the forest, I don't understand that connection. If they are free men then while in the hell are they living in the forest? I think that if you re free you can live wherever you want, not be forced into a "haunted" forest in the middle of nowhere. And if they were already free, they wouldn't need to fight back.)

4 1/2
Much better than the original release. This version has optimal quality in the picture and sound and has lots of bonus features. Now I can review the content of the film as this version is the best you can get! The film presented here is pretty good, well done. Im not a huge Costner fan but he does fairly well here, this story of Robin Hood did well in the theatres but skyrocketed with the help of Brian Adam's song "Everything I do, I do it for you". Its a good film with a great soundtrack and it helped sell cereal, toys and books...Good film, GREAT dvd! Must buy

Prince of Leaves
I'm rating this film so low only because of the dvd itself. Its a double sided disc that doesnt need to be flipped but the studio was so cheap they made it double sided at the time! The film itself looks average, not wonderful. Do yourself a favor...get the new extra disc version....

aging slowly but surely...
This was one of my favorite movies way back when it came out in '91. What may have even prompted me to see it was that it wasn't gonna be the proverbial 'men in tights' satire. But Kevin never really did much that was meant to be an intentional comedy (some only turned out to be that way not by design). Hilarity was an element was not intended to dominant the script. However, anyone who may have been expecting this to be anything like Dances With Wolves will have been thrown a curveball. Costner did not hold the directorial reigns and it shows, with no disrespect to K. Reynolds.
I bought the DVD recently and I cringe at some of the choices the project had taken. It's easy to say it in hindsight but the truth is rough considering the lineup of some high-profile actors cast. Bottom line: It fumbles from being having all components of a comedy, drama, and romance in one release. In other words, typical Hollywood fare.
I found the second supplementary disc sub-par. I'm surely not asking for anything on the level of the Lord of the Rings, Terminator 2 or Star Wars prequels, but I thought the SE version was going to merit more information and detail. I also grew weary of Costner's commentary here.
I might have given Robin Hood: Prince of Thieves three stars. But the cast did all they could do to save a rushed screenplay. The movie did do well in the theatres in '91 so it did have its charm. Get this only if there is absolutely nothing on the store shelf. ... Read more

Reviews (173)

Crystal Comedy Sparkles
Billy Crystal writes, produces and stars in a "boy-loses-girl", "boy-gets-girl" tale with a twist or two along the way. Crystal plays Lee the publicist sent to placate the media with a "junket" and get separated "American Sweethearts" Gwen Harrison (Catherine Zeta-Jones) and Eddie Thomas (John Cusack) back together again. Gwen is the self-centered movie star sister with a Spanish live-in lover with a lisp, Hector, played by Hank Azaria. Eddie is the soon to be ex-husband who has spent the last six months with his East Indian guru, Alan Arkin, getting over being betrayed. Julia Roberts as sweet sister Kiki is Gwen's personal assistant who also happens to be in love with her brother-in-law. Can you imagine a fat Julia Roberts? Flashbacks show us Kiki before she slimmed down. A great cast that also includes Christopher Walken in a pivotal bit part and a cameo appearance by Larry King. Great fun!!

Cute and entertaining
Catherine Zeta-Jones plays the star actress with a diva attitude, Julia Roberts is her ever-so-kind and helpful sister and personal assistant, and John Cusack is the love-sick estranged husband of Catherine Zeta-Jones'. Although they have been living apart for a year, are going to be divorced, and try to avoid each other, Zeta-Jones and Cusack both star in a movie which the movie's producer is anxious to earn big bucks from. Billy Cristal is the PR guy hired by the movie's producer to encourage (let's say, "dupe") Zeta-Jones and Cusack into making a star appearance at the film's premiere and he also orchestrates a series of "scandals" for the reporters and tabloids, just to make more money (as they say, no publicity is bad publicity, or something like that.) In the process, Zeta-Jones and Cusack end up in all sorts of funny, embarassing circumstances which they both try very desperately to extricate themselves from.

Cusack is not at his best, but he's entertaining. Roberts is looking good (and I wonder if she did really put on all that weight for this movie, cos it looks so real!). Zeta-Jones is stunning and ever-so-convincing in these diva roles.

I wouldn't say this is a great movie... but its a good one for renting for those nights in (with lots of crisps and popcorn at the side!). It does have enough unpredictability and gags in it to keep you chuckling, and the nice little happy ending will make you go "Awwww...." with a smile :)

Cusack is America's Sweetheart
This is Cusack at his best . . . quirky, new age, obsessive over Catherine Zeta-Jones, who is the most loveable self-absorbed prima donna ever to grace a screen.

I'm mad about this movie, it is probably the one that pushed me over the Cusack edge.

Star Studded Folly
How did someone take a light-hearted but cute premise, big name stars, and turn it into such a lame and inane film? The talent is obviously there, but the movie simply doesn't work. Alternating between over-the-top (which I think was the point) and deadly dull (which probably wasn't), this film stalls and fizzles.

Won't Win Any Oscars
This movie wasn't amazing, but it was a cute story. It was interesting to think about everything that goes into publicizing a movie, and what the actors are like in real life. Crystal's character was very funny. See it at some point if you don't have anything better to do, but don't spend too much on it. ... Read more

Amazon.com

Let's be honest: this 1995 epic isn't nearly as bad as its negative publicity led us to expect. At the time it was the most expensive Hollywood production in history (it had a Titanic-sized $200 million budget), and the film arrived in theaters with so much controversy and negative gossip that it was an easy target for ridicule. The movie itself, a flawed but enjoyable post-apocalypse thriller, deserves better. Waterworld stars Kevin Costner as the Mariner, a lone maverick with gills and webbed feet who navigates the endless seas of Earth after the complete melting of the polar ice caps. The Mariner has been caged like a criminal when he's freed by Helen (Jeanne Tripplehorn) and enlisted to help her and a young girl (Tina Majorino) escape from the Smokers, a group of renegade terrorists led by Dennis Hopper in yet another memorably villainous role. It is too bad the predictable script isn't more intelligent, but as a companion piece to The Road Warrior, this seafaring stunt-fest is adequately impressive. --Jeff Shannon ... Read more

Reviews (115)

Engrossing story suffers from card-board antagonists.
"Waterworld" had a lot going for it, and I'm a sucker for post-apocalyptic disaster films/novels. Although the premise of the polar ice-caps melting and covering the Earth is a little far-fetched (I doubt all but Mount Everest would be covered as depicted in the movie), I forgave that improbability and enjoyed the film anyway. What I didn't really enjoy that much were the card-board characters representing the "smokers", although I have to admit, Dennis Hopper did give the movie some comic relief. If the movie would have stayed primarily on the boat and dealt a little more with the interesting relationship developing between the mariner and the woman and little girl, and gave a little less time to the "smokers", I'd have enjoyed it more. As the movie played out, I often thought I was watching Mad Max on water. With that said, I have to admit the actions scenes were first-rate, and some were quite amazing.

Actually, I enjoyed the expanded television version more than I enjoyed the theatrical release. The simple reason is because they added needed scenes (not action scenes) to round out the story. Between 1 and 10, I give the theatrical release and the VHS I purchased a 6, or a 3 star rating. The tv version, I give a 7, or a 4 star rating. (I should have taped the tv version).

Better than it's given credit for
Waterworld drowned in its own negative pre-release hype, which I along with pretty much everyone else bought into at the time (a similar set of circumstances rightfully crushed Gigli, which is so much worse than this film as to be in its own category). Upon age and reflection, Waterworld stands on its own as a coherent, enjoyable apocalypse film. It simply doesn't look like something that $200+ million was spent on (much of which went into rebuilding set pieces after a storm, so it had no effect on the look of the film). If you can get past whatever expectation that budget might have placed for you in terms of shiny effects, this is a pretty darn good movie. Costner is believable and entertaining as the Mariner, and the supporting cast does a good job. Hopper has fun chewing the scenery as the Deacon, leader of a huge pack of scavengers called Smokers due to the fact their vehicles and industry run off crude oil carried in their massive mobile oil tanker home.
Most people bash Waterworld because of either its huge price tag, which didn't "deliver," or because they feel it is simply a rehash of Road Warrior but on the ocean. I believe there are strong counterarguments to both these claims. I love Road Warrior, but I hardly believe it invented the genre; there were films coming out 25 years earlier that had the same theme. An apocalypse film is usually the only way to posit an alternative reality movie without having to bloat up on futuristic robots and/or aliens (the other possibility is a caveman film, which we all know will be a resounding success). Costner's film parallels Road Warrior really only to the extent both involve a lone warrior in a savage post-apocalyptic world, which is how every single other film in the genre is also set up. It basically IS the genre.

Waterworld takes its place in that genre quite adeptly. It has plenty of interesting but disposable side villians, neat gadgets and surprises, a cynical central adventurer with lots of deadly skills, and surprisingly good dialogue. Heck even the annoying child actor gets thrown overboard when she becomes too annoying. If only The Phantom Menace writers were taking notes. Likewise, the action in this film proves satisfying, as it is CGI free.

Waterworld was a failure at the time, but it has aged well and deserves another look. It's not as good as Road Warrior, no, but what is? I'd take a screening of Waterworld over most of the recent "summer" action films (Hulk, Daredevil, S.W.A.T. etc) of this past summer any day of the week.

Hello? Am I the only one that understands what Fiction means
First I want to state that I really enjoyed this movie. I liked it's post apocolypitic view of the world covered in water. The story was done well and the look and feel of a watered down Mad Max was creatively done. I enjoyed it from start to finish.

Now on to all the people that apparently do not know what ficiton is. This movie is fiction! That means it's not real or based on total possible reality! So all these people saying, it's not possible for a guy to have gills, or that one scene just couldn't be possible, go get an A&E special if you want reality. If you find yourself repeating to yourself "It's only a movie", go get an imagination too!

Everyone is entitled to their opinion but sometimes I wonder how people allow their ideas to be skewed by the majority.

By the way after the 4th viewing I just barely noticed Dry Land is Mt. Everest!

Um... Yeah
In the scene where the little girl is in the water and Kevin Costner bungees down to get her, even if Costner had not retrieved the girl, the two water-jetting enemies would have crashed into each other anyway.

I just wanted to point out this humerous fact, I'm sorry.

They should release the extended version
I first saw this movie as a rental of the theatrical version. It was okay. But I liked it much better when I saw the extended version on broadcast tv. About 45 minutes of footage is added to the extended version, which actually helps the movie a great deal in my opinion. While the extended version is shown on sci-fi channel from time to time (in a four hour time slot), it is not available on video. Nor is the additional footage contained on the DVD release - to my knowledge. So they should release the extended version on DVD, which would be worth buying. ... Read more

Description

Jean Renoir's 1939 classic is widely regarded as one of the greatest films ever made, and Criterion is very proud to present the film in a special two-disc edition. Cloaked in a comedy of manners, this scathing critique of corrupt French society is about a weekend hunting party at which amorous escapades abound among the aristocratic guests-which are also mirrored by the activities of the servants downstairs. The refusal of one of the guests to play by society's rules sets off a chain of events that ends in tragedy. ... Read more

Reviews (36)

The Game Rules
"The Rules of the Game" directed by Jean Renoir is now ranked #1 on many film critic lists. Renior built a comedy of manners around old stories. When this film was viewed in Paris in 1939 there was a near riot. The critics hated it for political reasons, but also because characters were walking about the Chateau at amazing speed and angles. If you don't understand the history of the beginnings of WW2, then all will be lost on your Philistine soul. Somehow in an upstairs-downstairs comedy, Renior has described the failed French society. I'll describe the plot concept using English names. Randy, the aviator loves the rich lady, Christine. She's not French; she's Viennese (the only outsider). He's a romantic fool, she's an innocent compared to the Parisian women like Clair, the sophisticated lover of Christine's husband, the Count. Renior plays Alph, a court jester character and friend of Christine from the old days. He's a failed musician. He's also Randy's best friend. The French Count is played by a Jewish actor (which was a scandal in itself considering the anti-Semitism in Europe) So they all leave Paris and go to the country estate of the Count where we meet the servants of the Chateau. Christine's maid, Crystal is playing around with Alph and the newly hired rabbit poacher Jimmy. The gamekeeper, the cuckold Paul chases the amorous Jimmy around the Chateau with a gun for the next forty minutes. All the lovers and friends switch partners amidst declarations of love, slaughter of animals, and fist fights. In the end, noone is in love with anyone and all of society is concerned with the game, which is where he or she were in the first place. Truth is not a concern and the masterpiece is complete.

The DVD of the Year.
On its surface, "The Rules of the Game" is a light farce involving the couplings - and decouplings - of an assortment of weekend guests staying at the chateau of the Comte de la Cheyniest (Marcel Dalio). Without knowing any other context, the film can be enjoyed on this level: Renoir's writing (he co-scripted) is witty and his direction is elegant and sublime. His fluid long-shots make you feel like you're gliding along in this rarified - though topsy-turvy - world; and his open approach to the actors is suffused with generosity. He never allows us to focus on one particular person, or couple, because, in this social world, "everyone has their reasons" and everyone's actions bounce and intertwine with everyone else's.

As a homage and updating of a classic French farce, "Rules" is flawless; it is, however, as a commentary on the decline of a social order that makes this more than a cinematic souffle. Shot in 1939, "between Munich and the War" as Renoir says, the film is portrait of the European aristocracy where ethical codes (conjugal fidelity above all) are not only violated, but are even dismissed as irrelevant. Human relationships collapse and reform with sudden ease (witness the gameskeeper and the poacher) and those who cling to outmoded notions of love and faithfulness set themselves up for disaster (such as the aviator). This is the domestic complement to Renoir's war drama, "La Grande Illusion", where the mournful French and German artistocratic officers, having more in common amongst themselves than with the common soldiers of their respective nationalities, lament that mechanized warfare has rendered their class irrelevant.

Both "Illusion" and "Rules" may seem irrelevant themselves in the US, which did not have a traditional feudal aristocracy. Yet both films fascinate by showing individuals attempting to survive, and thrive, in worlds where the old, comfortable standards no longer apply. If the aristocrats in "Rules" openly, and rather disinterestedly, conduct affairs with each others' spouses, why shouldn't a humble poacher poach a gameskeeper's wife too? If "everyone has their reasons", the famous quote from the film, then, who's to decide which "reasons" are justified or unjust, legitimate or scandalous?

The Criterion double-disc sets its own standards. The extras are plentiful and fascinating, including interviews from the few remaining cast and crew members, the essay booklet intelligent and penetrating, and the transfer quality of the film is superb considering the film's history (having been cut at its premiere, banned, its original negative destroyed in WWII, and finally reassembled in the late 1950's). This disc was clearly a labor of love and the effort shows throughout: this disc is worth Criterion's asking price.

One of the greatest movie ever. Hardly.
Let's see. We have an aldulterer, a cheat, a liar, a slut & a guy with anger management issues. They all exist in this ultra chic, super rich sub-culture. If such a time (the 30's) & place ever existed it is easy to see why the French lost to the Germans, one year after this movie was actually made.
It is of course a satire & a pretty good one at that. The host, of a weekend hunting party has a mistress. He is afraid his wife is going have an affair with the another guest a hero flyer a la Charles Lindberg. But she has other admirers as well. My favorite character is the slut, the maid whose new husband take exception to her behavior. The whole mess is overseen by Jean Renoir, the director, who is also a major player in the movie itself. Eventually there is a murder. I won't tell who is murdered or who the murderer is here. On the dvd there is an alternate ending. A shorter version of the last scenes came out in 1959. This imparts a totally different context from the original which was banned in 1939. It is well done & gives different meanings to the motives of all involved. The major drawback is it is in French with English subtitles. But you'd want to pay strict attention to this one in any case.

The Rules of the Game - Criterion Collection
When affluent Marquis Robert de la Chesnaye (Marcel Dalio) hosts a party at his sprawling property, emotions run high. Guests include Robert's mistress Genevieve (Mila Parely) and pilot Andre Jurieu (Roland Toutain), who fancies Robert's wife, Christine (Nora Gregor). Meanwhile, Schumacher (Gaston Modot) is trying to keep Marceau (Julien Carette) from hitting on his wife (Paulette Dubost). All the while, the servants watch with great interest.

I again can not think of a title
Corruption of the French aristocracy and their "Rules of the game" that they abide by in order to remain where they are, it revolves around a central plot of this pilot who flies to France for the woman he loved but she is marries and the husband is trying to end the affair and they are all with a bunch of members of the aristocracy, it is truly a great film. Criterion collection is growing to my liking quite a lot, the picture and sound are great for a movie made in 1939. Good movie, watch it you fiend. ... Read more

Description

Marvelous mustachioed Hercule Poirot stamps out evil with savoir faire to spare in this British television production that became a hit on both the PBS Mystery! series and A&E. Based on the fiction of Agatha Christie and starring David Suchet as the definitive Poirot, the series features great ensemble acting, witty scripts, and gorgeous period sets and costumes. The dapper, diminutive Poirot and his lanky assistant Captain Hastings (Hugh Fraser) sort out cases in and around 1930s London.

Dead Man's Mirror—At a fine furniture auction, Poirot loses in the bidding for an art deco mirror but wins a new client willing to part with the mirror for Poirot’s services.
Jewel Robbery at the Grand Metropolitan—Poirot tries to take a holiday but is soon required to save the day when a priceless necklace disappears.
The Adventure of the Clapham Cook—Finding a missing cook proves tougher, and more suited to his superior skills, than Poirot expects.

DVD SPECIAL FEATURES INCLUDE biographies of Agatha Christie and David Suchet, cast filmographies, and Agatha Christie materials. ... Read more

Reviews (1)

3 strong entries in the almost complete POIROT series
Having sung the praises of Sets 1-8 of the Acorn Media releases of , I can find little to add about the general excellence of this series, which offers up the shorter episodes on VHS and the longer ones on VHS and DVD formats. With 3 of the projected 12 sets to go for the shorter entries, Set 9 offers up a trio of fairly strong tales.

"Dead Man's Mirror" concerns a ruthless millionaire who outbids Poirot on a mirror at an auction and then dangles the item as bait for the detective to investigate a case of fraud. There is much ado about inheritances, a second (unsigned) will, possible murderers, dinner gongs, and shots behind locked doors. And if the ending is far fetched, who cares? This one needs total concentration.

"Jewel Robbery at the Grand Metropolitan" is lighthearted and contains a wonderful spoof on the mystery plays popular in Christie's own time. You will enjoy not only the usual good characterizations by the supporting cast but also the very imaginative camera shots inside a chest of drawers.

"The Case of the Clapham Cook" hangs on a hoax that is a bit overly complicated, since the perpetrator could have accomplished his aims in a far less roundabout way; but then there would have been no plot. The use of disguises, fine in the original stories, often does not work on video, because it is too easy to spot the face behind the beard.

All in all, superior viewing for an evening. ... Read more

Description

Based on the best-selling books by Laura Ingalls Wilder, this classic, produced and directed by Michael Landon, takes us from the woods of Wisconsin to the plains of Kansas where the Ingalls struggle to build a new life.With indomitable courage that celebrates the resilience of the human spirit, the Ingalls face endless challenges and experience countless adventures as they pursue their dream of a new home. This premiere movie is a "must-have" for all Little House fans! This DVD has been restored using state-of-the-art color correction, picture enhancement and noise reduction technologies.

Special Features:
*Interactive Full Motion Menu
*Actor Biographies
*Scene Index
Run Time: Approx.95 min.
Components: 1 DVD ... Read more

Reviews (3)

The best show of all time!
I wish there were shows like this still on TV today! We got this DVD for a family Christmas present a couple of years ago and we're starting to collect the whole series on DVD.

The actors are awesome, especially Michael Landon. Charles Ingalls was about the kindest, smartest, and sweetest father you'll find in any TV show or movie, ever. Karen Grassle was pretty good as his wife, Caroline Ingalls. Not all of her performances in the series are that great, but in this, the Pilot Episode, she really shines. Melissa Sue Anderson is perfect in the role of sometimes annoying, but still lovable, oldest daughter Mary. Of course, then there's Melissa Gilbert as Laura. Next to Michael Landon, she exhibited the most talent. Finally, the twins Lindsey and Sidney Greenbush play the adorable baby of the family, Carrie.

This is such a touching story, and true to boot. A family who sticks together through hard times--what could be better? One warning, though: if you see this pilot you'll find youself buying all the other Little House DVDs there are.

NOT included on the Complete Season sets
This is the ONLY single disc release that is not being included on the Complete Season box sets being released by the same company. All of the 2-hour specials, etc. being released individually are also included on the box sets, but this pilot episode is not. So, if you are a Little House completist, buy this disc to add to your box set collection.

The best pilot of all
Little house on the prairie is the greatest show ever.
The pilot was not aired here in France. I know folks who had bought the VHS so I could see it. But I ordered the DVD anyway.
The quality is great, the pictures are wonderful, much more than the VHS. It is so great to hear the original voices! And funny to hear the Osage chef speaking french with such an accent! :-))
Anyway, the DVD is worth the buy, you won't be disappointed and although it is encoded region 1 ONLY, you can perfectly see it with ALL DVD player as it's written behind "zones (1-6)".
I absolutely recommend this article for all the fans and the others. It's the beginning of all, you discover the characters, you love them!
Everybody acts so well they don't look like acting. It seems that you are looking your dreamed-neighbours by the window!!
Well, buy it, even in other countries than USA, because it's not very expensive regarding its value. ... Read more

Reviews (3)

The English Abroad
The "Poirot" Box Set #11 contains "The Third Floor Flat," "Problem at Sea," and "Triangle at Rhodes." The first episode is set largely within Hercule Poirot's apartment building, Whitehaven Mansions; the other two take place very far from home, in Egypt and in Rhodes, Greece. I didn't care for "The Third Floor Flat"; its ending was far too predictable. "Triangle at Rhodes" is much more intriguing, a story about a "love triangle" that is not quite what it appears to be. The location shots and the décor in this episode are absolutely gorgeous. Like the previous reviewer, I did notice parallels between this story and that of "Evil Under the Sun," an excellent "Poirot" novel that I would recommend to anyone who enjoyed "Triangle at Rhodes." In "Problem at Sea," Poirot and Hastings investigate a murder aboard a cruise ship bound for Alexandria. The episode features interesting characters and an uncanny denouement. Though "The Third Floor Flat" is only average, the two "abroad" episodes are well worth the price of the whole box set.

MYSTERY MAGNIFIQUE!
It's no mystery why this is the most-watched detective show in the history of the PBS "Mystery!" series --- Christie penned a brilliant Belgian dick who solves crimes only using
his "little grey cells" and the aid of his affable associate Captain Hastings. And not one hair out of place on his perfectly coifed hairy lip! No mystery why fans shouldn't host sleuthing
fetes: Acorn is releasing the entire canon! Mystery magnifique!

11 down, 1 to go
Only one to go! This is Set 11 of the Acorn Media "Poirot" 12 box series that will include all the shorter Poirot episodes we enjoyed so much on PBS way back when and later (in much mutilated form) on A&E. Starring the "definitive" Hercule Poirot, David Suchet, this series includes (I believe) all or most of the Poirot short stories penned by Agatha Christie, three to a VHS box, while the longer tales are available on VHS and DVD with running times of about 110 minutes.

The three episodes in Set 11 are pretty good. "The Third Floor Flat" brings a murder very close to Poirot's very own flat, just below it in fact. The solution is not very satisfactory and comes a little too early; but the setting more than makes up for it all.

"Triangle in Rhodes" (1937) bears a strong resemblance to "Evil Under the Sun" (1941), and the solution to the former is more credible. Hastings is absent from this episode and the scenery is gorgeous. Be sure to see "Evil" with Ustinov as Poirot and Diana Rigg as the victim for comparison purposes.

Hastings (Hugh Fraser) is back in "Problem at Sea," in which some of the characters are more interesting as believable humans than in most of the Poirot tales. You might guess not only the guilty party but even the modus operandi early on; and while Poirot's forcing a confession from the murderer is a little overdone, this is (correct me if I'm wrong) the only Poirot story in which he is strongly criticized for being "cruel."

A very good set, despite small story faults. ... Read more

Reviews (95)

One of the Most Edgy Courtroom Drama's of All Time!
To say A Few Good Men is superb is an understatement. This film has it all: a great story, great acting, great suspense, and great drama. The film should really be part of the 5-Star Collection. The film has a great cast Tom Cruise, Demi Moore, Jack Nicholson, Kevin Bacon, and Kevin Pollak.

This film is about two members of the Navy, who are being tried for the murder of their partner for being a witness to one of them shooting illegally into Cuba. This sparks for a great drama in which a smart mouthed, cocky lawyer (Cruise), his brash female love interest (Demi Moore), his "helper" so to speak (Kevin Pollak), a angry Col. (Nicholson), and the prosecutor (Kevin Bacon).

This film is great, and I would recommend it to anyone who loves good acting and an even better story.

DVD Special Features Include:

• Region 1 encoding (US and Canada only)
• Color, Closed-captioned, Widescreen, Dolby
• Production notes
• Audio Commentary by Director Rob Reiner
• Exclusive Documentary: Code of Conduct
• Featurette: From Stage to Screen with Aaron Sorkin and Rob Reiner
• Full-screen and widescreen anamorphic (2:35:1) formats

A Great Courtroom Drama
I have always been fond of courtroom dramas. I have always enjoyed watching lawyers and prosecutors giving their opening speeches, doing their job the best way they can, and closing statements. I love everything regarding those things. "A Few Good Men" is perhaps the best courtroom drama so far.
Lt. Daniel Kaffe (Tom Cruise in an excellent performance) has to defend two U.S. Marines accused of accidentally murdering one of their colleagues because they were ordered to carry out a disciplinary punishment called 'Code Red'. The characters fulfill their performances well: Jack Nicholson -in a scene-stealing performance -as the commander of the accused soldiers, the late J.T. Walsh as his executive officer, J.A. Preston as the judge on this court martial, and Kevin Bacon as the prosecuting Marine. The only person I feel uncomfortable with is Demi Moore as the Navy officer who pushes Kaffe to the limit in his duty as a defending lawyer; she seems to me like a rag doll, just a cast-filler.
But who cares? The fact is that director Rob Reiner made an excellent courtroom movie from a fantastic material written by Aaron Sorkin. Marc Shaiman's music score does a fine addition to these precedings, and the photography by Robert Richardson adds a touch of class to this film. This is a great movie all the same.

Best movie EVER!
I really like this movie. It has alot of suspense and it keeps you wondering what the outcome will be. This movie is my favorite movie and I keep wanting to watch it over and over again. I strongly recommend this movie to anyone who likes suspense mixed in with a little humor!

Unit - Corps - God - Country.
How much critical thought can the military allow its rank and file? Certainly most orders must be followed unquestioningly; otherwise ultimately the entire Armed Services would collapse. But where do you draw the line? Does it matter how well soldiers know not only their military but also their civic duties? Does it matter whether trials against members of the military are handled by way of court-martials, or before a country's ordinary courts?

I first saw "A Few Good Men" as an in-flight movie, and after the first couple of scenes I thought that for once they'd really picked the right kind of flick: A bit cliched (yet another idle, unengaged lawyer being dragged into vigorously pursuing a case against his will), but good actors, a good director and a promising storyline.

Then the movie cut from the introductory scenes in Washington, D.C. to Guantanamo Bay, Cuba, and Jack Nicholson (Colonel Nathan Jessup) inquired: "Who the f**k is PFC William T. Santiago?"

And suddenly I was all eyes and ears.

Director Rob Reiner and Nicholson's costars describe on the movie's DVD how from the first time Nicholson spoke this (his very first) line in rehearsal he had everybody's attention; and the overall bar for a good performance immediately rose to new heights. Based on my own reaction, I believe them sight unseen. Or actually, not really "unseen," as the result of Nicholson's influence is there for everybody to watch: Never mind that he doesn't actually have all that much screen time, his intensity as an actor and the personality of his character, Colonel Jessup, dominate this movie more than anything else; far beyond the now-famous final showdown with Tom Cruise's Lieutenant Kaffee. Nobody could have brought more power to the role of Jessup than Nicholson, no other actor made him a more complex figure, and nobody delivered his final monologue so as to force you to think about the issues he (and this film) addresses; and that despite all the movie's cliches: The reluctant lawyer turning out a courtroom genius (as lead counsel in a murder trial, barely a year out of law school and without *any* prior trial experience, no less), the son fighting to rid himself of a deceased superstar-father's overbearing shadow, and the "redneck" background of the victim's superior officer Lieutenant Kendrick (Kiefer Sutherland, who nevertheless milks the role for all it's worth).

Screenwriter Aaron Sorkin, who adapted his own play, reportedly based the story's premise - the attempted cover-up of a death resulting from an illegal pseudo-disciplinary action - on a real-life case that his sister, a lawyer, had come across in the JAG Corps. (Although even if I take his assertion at face value that assigning the matter to a junior lawyer without trial experience was part of the cover-up, I still don't believe the real case continued the way it does here. But be that as it may.) Worse, the victim is a marine serving at "Gitmo," the U.S. Naval Base at Guantanamo Bay, where *any* kind of tension assumes an entirely different dimension than in virtually any other location. In come Lt. Daniel Kaffee (Tom Cruise) and co-counsels Lt. Sam Weinberg (Kevin Pollack) and Lt.Cmdr. JoAnne Galloway (Demi Moore), assigned to defend the two marines held responsible for Santiago's death; L.Cpl. Harold Dawson (Wolfgang Bodison) and PFC Louden Downey (James Marshall), who claim to have acted on Kendrick's orders to subject Santiago to a "code red," an act of humiliating peer-punishment, after Santiago had gone outside the chain of command to rat on a fellow marine (none other than Dawson), attempting to obtain a transfer out of "Gitmo." But while Kendrick sternly denies having given any such order and prosecuting attorney Captain Ross (Kevin Bacon) is ready to have the defendants' entire company swear that Kendrick actually ordered them to leave Santiago alone, Kaffee and Co. believe their clients' story - which ultimately leads them to Jessup himself, as it is unthinkable that the event should have occurred without his knowledge or even specific direction.

By the time of this movie's production, Tom Cruise had made the part of the shallow youngster suddenly propelled into manhood one of his trademark characters (see, e.g., "The Color of Money," "Top Gun" and "Rain Man"); nevertheless, his considerable skill (mostly) elevates Kaffee's part above cardboard level. Demi Moore gives one of her strongest-ever performances as Commander Galloway, who would love to be lead counsel herself in accordance with her rank's entitlements, but overcomes her disappointment to push Kaffee to a top-notch performance instead. Kevin Pollack's, Kevin Bacon's and J.T. Walsh's (Jessup's deputy Lt.Col. Markinson's) performances are straight-laced enough to easily be overlooked, but they're fine throughout and absolutely crucial foils for Kaffee, Galloway and Jessup; and so, vis-a-vis Dawson, is James Marshall's shy, scared Downey, who is clearly in way over his head. The movie's greatest surprise, however, is Wolfgang Bodison, who, although otherwise involved with the production, had never acted before being drafted by Rob Reiner solely on the basis of his physical appearance, which matched Dawson's better than any established actor's; and who gives a stunning performance as the young Lance Corporal who will rather be convicted of murder than take an unhonorable plea bargain, yet comes to understand his actions' full complexity upon hearing the jury's verdict.

"Unit - corps - God - country" is the code of honor according to which, Dawson tells Kaffee, the marines at "Gitmo" live their lives; and Colonel Jessup declares that under his command orders are followed "or people die," and words like "honor," "code" and "loyalty" to him are the backbone of a life spent defending freedom. Proud words for sure: But for the "code red," but for the trespass over that invisible line between a legal and an immoral, illegal order they might well be justified. That line, however, exists, and is drawn even in a non-public court-martial. I'd like to believe that insofar at least, this movie gets it completely right.

Another Good Jack Nicholson Film
A good adaptation of Aaron Sorkin's play, A Few Good Men. Rob Reiner does a great job creating a suspenseful, entertaining tale of a fence line shooting at a Guantanimo Bay marine base. Sorkins dialogue sparkles as it always does. The sound is particularly strong technical high point. Jack Nicholson does a great job as Col. Nathan Jessup, the base commander. This role earned him a well-deserved Best Supporting Actor Oscar nomination. Tom Cruise, Keifer Sutherland, and Kevin Bacon all have respectable performances. The only true weak spot in the film is yet another wooden, one-dimensional performance by Demi Moore. ... Read more

Reviews (473)

One serious horror flick! TREMENDOUS!
"The Evil Dead" is one serious horror masterpiece. It makes "The Exorcist" look like a "G" rated film. My flesh is still crawling...it will definitely give anyone nightmares, and this digitally remastered version has it all. I bought the Special Edition on DVD. I have never seen more gore, greater sound, so many jump-out-of-your-skin scenes in my life. If you are a horror fan...and have a strong stomach...this one's for you. No kidding everyone...this is a SERIOUS film. It was rated NC-17 when it first came out in 1982. It should stay that way! I was raised on horror films, but I never thought they'd go this far!!! The setting is a deserted cabin in the woods. For 85 minutes you never leave it...nor do you want to! Don't go into the woods! Whatever you do, don't go into the woods! Of all people, I may not sleep well tonight. This film accomplished what I thought no horror flick could ever do...it scared the %$#( out of me. There have been "moments" in other films, but this one is non-stop. I think I'll take a break now and go watch "Peter Cottontail" or something. Wanna get scared? Wanna venture deep into the horror genre'? See "The Evil Dead" and don't let anyone or anything interrupt you. It's better than any thrill ride I've ever been on. It takes your stomach to the same place. I gave it 5 stars on Amazon.com scale. It deserves a 6. Don't rent this. Buy it! It's one you'll want to relive over and over again when you need/want a good scare...or need/want to scare others.

10 Stars - This Is Some Serious Horror Flick
Having been raised on horror films, "The Evil Dead" is a must-see for all hor-gore fans. It makes "The Exorcist" look like a G-rated film. It is non-stop, out-of-your-skin, out-of-the-dark, out-of-the-woods terror. While it is 20 years old, it holds its own. Many have failed in trying to capture the essence of true horror...this film does it with no finesse, no class, no-holds-barred. This is one serious horror flick. If you have a good stomach, love to feel your flesh crawl, haven't had a good scare lately, buy "The Evil Dead". But whatever you do, don't go into the woods. DON'T GO INTO THE WOODS! The entire film is shot inside and outside a rickety cabin in, yes (how'd you guess it?) the woods. The DVD even has a printed color insert called "The Girls of The Evil Dead". Does that tell you something? These three ladies will, at the outset, win your heart. By films end, they will tear your heart out - LITERALLY!!

The BEST packaging EVER
Wow, your own copy of the necronomican (sp?). This case rocks!! I have it sitting on a little easle in my office -- what a conversation piece. It rocks.

With regard to the movie. If you are reading this then you know the whole Evil Dead saga. If you ask me, while this movie is interesting, it is good to watch sam and bruce warm up for the second one. Taken on its own, this movie is enjoyable, but when it is viewed as their honing of their skills it is incredible. You can see what they wanted to do in this one, and then watch them execute it in the second.

The new sound and picture are a huge improvement over the first three releases. It sounds and looks awesome.

These guys crack me up
Okay. I'm going to have to admit it. I really only like this movie because of Bruce Campbell. I admit it's really interesting filmmaking on such a limited budget, and I laud the result. But I wouldn't come back for repeated viewing if it weren't for Bruce.

And that's what makes this DVD so great. There is a whole Bruce Campbell commentary track that is so much more amusing than the movie itself. I can watch that over and over again. (The Sam Raimi/Rob Tapert commentary is interesting, but it's also clear why they are behind the camera.) This DVD also features Bruce's short documentary, "Fanalysis" - also great if you are a Bruce fan. (I still think that Evil Dead 2 is better, both the movie and the dvd, but that doesn't mean this one doesn't rock.)

As for the Book of the Dead keepcase, it's creepy in that manufactured kind of way. It's spongy and textured. The pages inside are hilarious. I spent an evening on the sofa with two friends figuring them out and laughed til I hurt.

If you are an Evil Dead fan or a Bruce Campbell fan, get this. Get it for the spongy book so you can poke its nose and watch it spring back into place. Ewwww...

Fantastic Flick ... but only a warmup of what's to come.
This movie is incredible ... it is an incredible study on how to make a great movie on a shoestring budget. The sound explosion in the new dts version is unbelievable. However, pass on this one, and get the BOOK OF THE DEAD version -- best packaging ever ... Read more

Reviews (25)

Ice Pirates leave a warm feeling!
What a wonderful piece of sci-fi fun! I always loved this picture since the first time I saw it WAAAYYY back in '84. I have to admit, it's not for everybody. You really have to be in a class of science fiction fans who also enjoy movies like Sleeper or tv shows like Red Dwarf. My only regret about Ice Pirates was that the director didn't have a larger budget--then again... Urich, Roberts and Huston (The Space Samurai Chick!) really steal the show--check out the gut-funny scene when Ulrich and Roberts were about to lose their "manhood". Hilarious!! The story is ludicrous in itself, water has become more valuable than gold or silver. I always found it funny that these people have the ability of interstellar travel but they can't produce water. I give the movie four stars--even though it loooks really bad on tv--in anyevent, Ice Pirates makes me wish filmmakers would produce more sci-fi satires. Long Live Jason and his Ice Pirates!

clasic cult sci fi
i stumbled across this in a video shop that imports vids from all over the world & it only cost me £2.99 (about $6.00) it aint a pg here thogh its a 15 so i had to get some 1 to buy it.
my mates used to pile round to watch it evry so offten the short guy loved the tiny robot kicking hell out of the big one

cant wait for it on dvd

I'm tired of waiting
I remember when cable was first introduced into this world except it was called "ON TV" where i'm from. I remember when this movie came on at that time. I was amazed by the humor and science fiction mixed into this great film. I'm still searching for a copy on DVD. I can't wait I've tried everything as to getting this film on DVD. I tried to buy a DVD format machine, but it was sold out. I'm getting impatient, but I still have some patience, and not for long.

SWKO-period piece
This a cult B-sci fi, and another SWKO (Star Wars Knock Off). Another Period Price. To it's credit, it is a lot funnier than Buckaroo Banzai.

A different type of sci-fi
This is one of my all time favorite b movies. The fx aren't well done but the story is great. There needs to be more cheesey sci fi movies like this, and space raiders. I would really be heart broken if this title never arrives on DVD because I would love to add it to my collection. ... Read more

Amazon.com essential video

When speaking of Jean Renoir's timeless masterpiece The River, one can easily exhaust their supply of superlatives. Frequently listed among the greatest films ever made, it was Renoir's first English-language film and his first in color…and what rich, astonishing Technicolor it is! Shot by Renoir's nephew Claude, the film is a love letter to India, seen through the eyes (and narrated as memories) of an adolescent British girl living with her family near the banks of the Ganges, a location which allowed Renoir to indulge his burgeoning affection for the region, it's people, and the exotic allure of the Orient. Under challenging conditions, Renoir and author Rumer Godden adapted Godden's autobiographical novel into an elegant, loosely plotted reflection on the romance of India, and on coming of age in a culture that, until then, few Western filmgoers had ever seen on screen. (To enhance this journey to a new world, Renoir used Indian music recorded live in Calcutta instead of a traditional score; the effect is hypnotically inviting.) Blessed with eternal lessons of life, death, and love, The River offers a transcendent film experience, guaranteed to touch the heart of anyone who sees it. The film was meticulously restored to its original glory in 2004; Criterion's DVD release preserves that restoration with a pristine digital transfer. --Jeff Shannon ... Read more

Reviews (14)

on a technical side: great film, needs better reproduction.
DVD technical details: marvelous as this film is, and replete as this DVD disc is with such extras as might allegedly fit without marring the alleged needed disc space for the film itself, I question the reproduction. For the average viewer, the VHS print might be preferable. in short, this connoisseur DVD disc of 'The River' seems more for such DVD players as may be useable with 'RGB' (three-plug, Red-Green-Blue) cables, as opposed to a single video cable. By comparison, the VHS tape previously available looked rich even on a two head vcr, in my experience: ditto
on a four head vcr.

'The River' DVD from Conoisseur, apparently the only edition currently available on VHS or otherwise, is visually vague as to general reproduction. While the picture is sharp, the colors seem washed out a bit. Without proper equipment, the technicolor as reproduced and 'cleaned up' for this disc release may disappoint as compared to any previously available VHS tape. On a cheap DVD player, reproduction may be filled with more detail than any currently available non-digital VHS tape of this film. However, as far as many viewers will be concerned, this DVD will be less filled with the marvelous technicolor this Jean Renoir film is noted for.

(however, if it werent for Connoisseur, we might not have this DVD version of 'The River' at all.)

The problem of including a lengthy documentary that challenges the quality of the film itself, is discussed in the picturesque and informative booklet that comes with this DVD.

I would venture a guess, that the inclusion of this rather overlong and padded, though very inclusive and excellent documentary of Rumer Godden's life, featuring the author herself, did, in fact, have alot to do with reducing the quality of reproduction of the film itself onto this DVD. Desirable as this documentary may be, one wishes it to have been placed on a separate disc. It would then have removed the problem of any kind of crowding of the film itself, more to allow for optimal
video reproduction.

( Musicians have been know to complain about having to cope with sound men, perhaps particularly in live performances, who simply didnt know their music well enough to monitor the sdound equipment and reproduce it properly. Perhaps this sort of issue is pertinent to the problems of the video on this disc.

A future 'collectors edition' would be no doubt desirable. Most extras foisted onto a separate 'Disc Two' in such a set, with video of the film itself faithfully reproduced on ' Disc One,'assuming all technical factors equal for the film itself, would be worth paying the small premium for.

A DVD reproduction of 'The River' could be produced entirely by a staff of people specifically chosen, who are totally enthusiastic about the film, and richly appreciative of its true vibrant technicolor. Such people are more likely to make no compromises, cut no corners, and overlook no problems, overcome all barriers, and ensure excellent reproduction for this worthy film.)

On a pricier TV set with triple comb filter (preferably flat screen,) viewing problems may be resolved to an appreciable extent. ( the serious viewer may consider the excellent cables marketed by LAT International.)

DVDs being generally somewhat more expensive than their VHS
counterparts, one might expect to have paid for fewer viewing
problems.Generally speaking, the higher priced the reproduction medium, the more expensive equipment one probably has to play it on, for overall best results.

One should mention, that one's existing menu alternatives accessible on their respective remotes for tv or DVD player may offer many options to explore for best viewing of this DVD, even on less expensive, or simply less carefully-chosen, 'home theatre' arrangements.

DVD audio: curiously enough, the audio on this disc is less afflicted by filtration and other attempts to reduce sound 'hiss,' noise, etc. This is to be congratulated. In short, this DVD sounds as accurate and excellent and realistic as the VHS tape I used to rent and view !

Assessments of sound on allegedly 'new and improved' DVD technolgy may seem heretical to some. However, many VHS tapes of older films simply have better sound than their newer DVD counterparts, at least on average equipment. This is because attempts to remove sound 'problems' often hurt other aspects of reproduction. The sound on VHS often seems 'fuller' and 'richer' by comparison. The only possible way around this,
would be to have stereo speakers hooked up to the tv or DVD playerafter some fashion ( tv set speakers being notoriously bad, even on many more expensive models.)

Again, however, the sound on this Conoisseur DVD is one of the better results I have ever heard for such a DVD effort, and is about as pleasing as the sound on the VHS tape, if not better.

Certainly the sheer fact of this DVDs marketing and availability will help make this film better known thru various venues. The booklet included is informative: I now know more about Renoir and the making of this film in particular, than I ever knew before. Scorseses' segment on the disc is also helpful.

However, to really be able to demonstrate the great beauty of this film to friends, we shall have to wait for another, more faithful and enthusiastic reproduction of this film onto DVD.

I rather imagine that Scorsese himself may emerge from his schedule at some point, on the subject of this DVD. His request that it be re-released more faithfully to the original could be a great help.

Faithful customers in the past have graduated from foggier analog VHS prints to new and improved digital reproductions of their favorite films. I imagine the same idea will apply to a new, more faithful reproduction of this film, minus some of its features like the Godden documentary ( which in my opinion, is overindulgent, overlong, and somewhat overly poetic to no real consequence.)

In any event, should you actually buy this DVD? Yes! One is occassionally requested by a friend to recommend an intelligent yet charming color film. With its color beauty, overall simplicity and emotional/psychological depth, there are few better choices than 'The River.'

Worth having also, for convenient repeated viewings. For certain
reasons (partly to do with editing matters mentioned in the
accompanying booklet, and no doubt essential matters of the story itself,) repeated viewings enrich this film's appreciation and understanding.

a great film
This review is for the Criterion Colection DVD edition of the film.

The River is film based on a novel by Rumer Godden, who alsowrote the novel, Black Narcissus which was also made into a film and released by Criterion.

It is the story of a British family living in colonial India. The older daughter becomes friends with several other people.

The film has some great acting and was the first color movie filmed in India. It was also director Jean Renoir's first color film.

The DVD has some excellent special features also.

There is an introduction by director Jean Renoir, an interview with Martin Scorsese, an audio interview with Ken McEldowney, There is also a 1995 BBC documentary about Rumer Godden, a stills gallery of production photos, and a theatrical trailer.

This is a must see film

India Captured in Vivid Nostalgic Detail
This is not quite the rediscovered masterpiece some have asserted, but there are pleasures to be had with the river-as-life metaphor, which frames and drives master filmmaker Jean Renoir's 1951 film about the waning years of British colonial life in India. As experienced by Harriet, a young, impressionable British girl, the story is essentially one long flashback whose unseen narrator is really the grown-up version of Harriet. Based on a novel by Rumer Godden, her nostalgic descriptions of her early childhood in Bengal conjure up the images presented here of a time long past, when her family lived along a tributary river bank of the sacred Ganges.

There is little in the way of a plot as the movie drifts at a leisurely pace from one episode to the next with the insertion of National Geographic-style documentary scenes, in particular, focusing on the traditional Diwali festival of lights and ceremonies praising thegoddess Kali. The main storyline involves Captain John, a dashing American war veteran who has lost his leg and a sense of purpose, as he shows up and becomes the center of attention for not only Harriet but her flighty friend Valerie and a half-caste friend named Melanie. Along the way, Harriet creates a Hindu-based story to get the captain's attention away from the alluring Valerie, Melanie is on a search for her own identity, and Harriet's mischievous brother becomes drawn to a deadly cobra in the woods. It's fair to say that the plot strands sort themselves out in predictable fashion with death followed by birth to emphasize the continuity of the river that sustains them and the villagers. With the exception of a few British veterans like Nora Swinburne as the mother, the cast is comprised mostly of children and amateurs (including an affecting Patricia Walters as Harriet), which further feeds into the documentary feel of the film. Thomas E. Breen, a real-life amputee, plays Captain John admirably after appearing in only minor roles in a couple of Hollywood movies. Neither Walters nor Breen made another film after this one. Fortunately the lack of experienced actors does not detract from the film's innate exoticism, brightly-hued scenery, and authentic regional music, which provide the idyllic setting for Renoir's exploration of the fragility of human existence. Renoir's nephew Claude produced the luminous Technicolor cinematography, which is captured well though not exceptionally in the Criterion DVD package.

Extras with the Criterion package include a 13-minute 2004 interview with Martin Scorsese, who was instrumental in pushing forward the restoration effort. As a champion for film restoration, Scorsese talks about the film's impact on him as a child and explores in some detail the techniques Renoir deployed in his quest for authenticity. Renoir himself is captured in a brief video introduction for the film, as he discusses the circumstances which brought him together with florist-turned-fledgling producer Ken McEldowney to make the movie. An intriguing, uncompromising man, McEldowney himself is interviewed in just audio format as he discusses his mission to make the movie against seemingly insurmountable odds. The best feature of the package, however, is the hour-long documentary, "Rumer Godden: An Indian Affair", produced in 1995, which traces in visually stunning detail the life of the novelist as she returns to the India of her childhood and revisits remembered sites and memories long past.

A Bit Disappointed
The movie itself is wonderful but I have to say I am a bit disappointed in the transfer and cleaning of the film for DVD.

In several shots the colour varies from frame to frame and as the background moved from a muted blue to brown and back again I found it disquieting. Although colour was touted as another character in the film I found it overall dull.

My expectations of Criterion may be too high and perhaps digital enhancement of the colour was beyond its capability or its intent. I just imagine the original film in Technicolor popping off the screen and was disappointed that the DVD didn't as well.

Brilliantly Colorful and Culturally Insightful Cinema
The River offers a riveting cinematic experience presented in Technicolor, which projected the strong colors of the environment around the one of many Indian rivers.These strong colors reveal the symbolic contrast for the cultural differences between Western and Indian culture, which is an essential part of the film.Selflessly, Jean Renoir directs this film, as he brings the audience on a cultural journey into the foreign traditions through the daily life of an English family and a young teenager.Through the family, Renoir offers a visual presentation of the ethnic differences that stand out even more in relation to the British family who have adapted to the culture in which they coexist.This is elevated through camerawork that provides a feeling of non-fiction, and a depiction of the truth.

In its presentation, the River does not seem like much, but it is here the magic rests.Renoir uses a simplistic approach to the story that reveals the mundane of everyday life and how it would be to live in India.Through this routine, the audience gets to see and hear how things are along the exotic and sacred river next to which they live.The audience will learn about the origin to the people's beliefs, morals, and values that color the life for those who live along the river.Harriet (Patricia Walters), a young teenage girl, provides thorough illustrations of the Indian society and culture, as she writes poetry and is on the verge of becoming a woman.

The story focuses on Harriet who also is the story's narrator, as she discloses this story from her youthful years growing up along a river in India.Besides Harriet, the audience gets to meet her confident friend Valerie (Adrienne Corri) who is the only daughter of a rich family.Together these two teens fall in love with Captain John (Thomas E. Breen), an American World War II veteran.Harriet and Valerie begin to secretively compete for Captain John and Valerie decides to take no prisoners, as her approach brings the notion of Western attitude that expresses that everything is allowed in love and war.Harriet on the other hand brings forth a mixed approach of both Western and Indian culture in her attempt to gain Captain John's attention through providing a detailed description of herself through the Hindu society in which she lives.

A third girl, Melanie (Radha) has recently finished school and returned home to find herself outside in a cultural and social predicament.Melanie is the daughter of the Western man, Mr. John (Arthur Shields), and her late Hindu mother.Her birth into two different cultures has left her in a social no man's land, as the Indian society's caste system leaves her without a caste and the Western society does not welcome her.Even her father, Mr. John, thinks that it was cruel to bring her into the world.Nonetheless, she also has feelings like the other girls, as it seems that she has feelings for Captain John.However, she does not overtly express her feelings, as she continues to yearn for him at a distance.

Life and death are crucial portions of the culture where Harriet lives, as she narrates "Kali the goddess of eternal destruction and creation - creation impossible without destruction."This suggests a cyclical existence where once something is created it will eventually be destroyed and once destroyed it will be created again.Harriet's youngest sister Victoria even embraced this notion, as she pretends her rabbit Hoppity is a newborn--an idea that seems to go against Harriet's logic to which she points out that Hoppity was a new born last week too.However, Victoria simply states, "Babies can be born again and again, can't they?"

The river becomes an analogy for fundamental existential ideas of cyclical existence, as it continues to flow as it has done for millennia.The river starts its flow in the Himalayas, as it is continuously replenished by new melted snow and it runs down to the Bay of Bengal.The water returns to the hills and mountains in the north through monsoons to once again flow down streams to the Bay of Bengal.Amidst the water of the river wildlife, fish and people coexist in life and death, which is brought to all by the water of the river.This image is provided in the opening of the film, which offers an honest depiction of the culture in which the story takes place.

The River is a much smaller film compared to Renoir's previous accomplishments, but it does not lack artistic skillfulness and thoughtful design.On the contrary, the River is much more personal as it slowly embeds itself in the cerebral cortex where it provides much contemplation for those who seek it.Renoir does not seem to care whether the film has an exciting story or pleases hordes of moviegoers.Instead he simply lets the characters seem to exist in an environment where the river destroys life and over again offers birth.This film brings the audience a brilliant cinematic experience, which displays that Renoir truly is elevating his personal visual storytelling through his own visions. ... Read more

Amazon.com essential video

This 1984 Carl Reiner comedy is one of the best film showcases of Steve Martin and Lily Tomlin's sundry talents. Tomlin plays a sickly spinster who is given the chance to transfer her soul to the body of another woman, and thus go on living. But the magic man who is supposed to make this happen goofs up and locks her spirit inside a bachelor lawyer (Martin)--or, more accurately, within the right half of the poor fellow's body.Suddenly, the swinging man-about-town is literally at odds with himself, unable to make a self-determining decision without a huge internal struggle. Martin's physical comedy, always remarkable, is absolutely inspired this time around, as he convincingly portrays a man split down the middle between opposing sensibilities. This is also one of the best films by Reiner, a filmmaker whose novel ideas are sometimes more striking than their execution.--Tom Keogh ... Read more

Reviews (20)

Classic 80's Steve Martin
1984 found director Carl Reiner teaming up with old friend Steve Martin once again. "All Of Me" captures some of Martin's best physical comedy to date. Martin plays sympathetic lawyer Roger Cobb who happens to be in the wrong place at the wrong time... and gets crusty "just-dead" Edwina Cutwater's (Tomlin) soul dumped into him by accident... and the lunacy starts. Vicious Terry Hoskins (Victoria Tennant) is quietly evil to a tee. The majority of this film concentrates on Cobb dealing with his mixed feelings (his and Cutwater's), and trying to find the bumbling Prahka Lasa (played by Richard Libertini) so the lost soul of Cutwater can find it's final resting place. I remember this movie being hilarious when it came out and Steve Martin was one of the kings of comedy. While still an entertaining watch today (20 years later), it has lost a tad of it's luster. Three major flaws with this DVD, 1. The lack of absolutely no worthwhile extras on this DVD (comes with a trailer only), 2. Terrible MONO sound, 3. Full screen only... it's no wonder you'll find "All Of Me" in most stores on the bargain rack.

Must see
Simply one of the best movies ever made. As a romantic comedy it does very well, Steve Martin and Lily Tomlin operating in peak form. The soul-searching Martin brings a haunting power to the title song 'All of me', without performing it. I can't hear the song anymore without welling up.

They do it with mirrors
Be advised that this is a rather naughty movie for a PG rating; it probably would have earned a PG-13 had that rating been around at the time. That aside, this is a real gem. What you have is Steve Martin as a lawyer and jazz guitarist (he seems to learn a new skill for every movie), a dog named Bix, a creepy girlfriend, a blind saxophonist, a Tibetan swami, Lily Tomlin as a wacky rich invalid, an amazing and riotous courtroom scene, a New Orleans funeral band playing excerpts of "Just a Closer Walk With Thee" and "Oh Didn't He Ramble," a horse, a dented bowl, a bucket of water, and various and selected other props, all rollicking to an ending so happy it'll bring tears to your eyes. Crazy musicians! (BL, Tucker, GA)

One of my Favorite Comedies!!
This is one of my Favorite comedies of all time! It has the best cast ever for the lead characters, Steve Martin and Lily Tomlin. As for the plot I am going to copy from what I have on a poster in my room of the movie:
"When rich, eccentric Edwina Cutwater died, a crazy guru tried to transport her soul into the body of a beautiful young woman. But the guru goofed, and Edwina's soul is accidentally taken over the entire right side of her lawyer, Rodger Cobb [Steve Martin]. He still controls what's left. Now, Edwina and Roger are living together in the same body. He's losing his job; He's losing his girlfriend. And he just can't seem to get her out of his system. No matter how hard he tries."
Well, there you have the plot...and now for the good part: The acting! Steve Martin and Lily Tomlin are two of my favorite actors of all time...and when I heard they were in a Comedy together I was suprised and amazed! So when I popped in the video I knew it was gonna be good. I'm not going to go into descriptions in detail of the movie because you'll just have to see it to believe me...and I know you won't be dissapointed! This is truly one of the best comedy's ever and with great performances by great actors, "All of Me" certainly can't be missed!!

Great performance
Proof that the Academy Awards don't care for comedy is Steve Martin's failure to get a nomination for his performance in "All of Me", as challenging a role as any in drama. Martin is brilliant in his portrayal as a man with two souls in one body. The story, cast, and laughs are first-rate. The DVD transfer is average and the choice of full-screen is, as always, disappointing. An essential purchase for Steve Martin fans, however. ... Read more

Reviews (8)

GOD MAKE ME A BETTER SWIMMER
this is one of the funniest movie of all time. it was crazy but cute. if anybody is reading this do yourself a great favor and buy this on dvd or rent it first because it is very funny.

I wish it would end!
What did I think was so funny about this movie back in the 70's?....must have been the substances I was on....this movie stinks....it's just bad!.....I couldn't wait for it to end!(actually couldn't make it all the way through!)

Funny but Not For The Easily Offended!
The End is a dark comedy about a man played by Burt Reynolds who has had a extremely bad day including being told by his doctor that he has a terminal ilness and is going to die so he tries to kill himself but is discovered by a cop and taken to a mental hospital where he meets a deranged patient played by Dom Deluise.

Burt Reynolds was very good and of course so was Dom Deluise in his hilarious scene stealing performance and also very good are Joanne Woodward as Burt Reynold's ex-wife, Sally Field as his ditzy girlfriend and Kristy McNichol as his daughter but unfortunately she only had a tiny cameo.

The subject matter of this dark comedy may offend some people so I would definitely not buy this or recommend this to anyone who you think may get upset at the humor in the movie and have a hissy fit, but anyone who likes a good dark comedy should be able to enjoy it.

Side-splitting hilarity abounds
I have not laughed this hard in ages. Ok the premise is that a man is dying and wants to spare his family, by killing himself. On the surface that's not funny, but this movie had me in stitches. Burt Reynolds plays bumbling very well. Joanne Woodward is a riot as the liberated ex-wife! Her scenes are not to be missed. ~ (comedy, drama, the woman is a genius!) Sally Field is neurotic and kooky. Dom Deluise is deranged. Oh boy did I have a ball. Recommended viewing for those with a twisted sense of humour.

An underrated masterpiece
Burt Reynolds directs and stars in this much underrated black comedy which also features Dom DeLuise, Sally Field and Carl Reiner. Reynolds plays Sony Lawson who is diagnosed as having a toxic blood disease. From this rather bleak premise stem a series of hilarious sequences, including the diagnosis itself by a very unsympathetic doctor, and Reynolds confessing his sins in church to a juvenile priest. Adamant that he'll die with dignity, Reynolds resolves not to tell his daughter, parents, girlfriend or ex-wife about his terminal illness, and he tries to cope with it himself by committing suicide. But his plan goes wrong and he finds himself in a mental hospital where he meets DeLuise (in a performance tour de force)who agrees to 'help' him. The resulting scenes of DeLuise's failed attempts to kill Reynolds are brilliantly executed moments of comedy. Tiring of these failures, Reynolds escapes from the mental hospital and again decides to do the job himself. It is really quite a shame that this film has been virtually forgotten. The concept of someone facing such monumental adversity is a universal theme, and this work is much better and more intelligent than higher-profile Burt Reynolds outings such as 'Smokey And The Bandit'. Perhaps this video release (is a UK version in the works?) and Reynolds' recent success in'Boogie Nights' will help gain this film more than just a cult following. It certainly deserves it. And there's even some atmospheric music from Frank Sinatra and Glen Campbell to enjoy too. ... Read more

Description

Brilliant Belgian detective Hercule Poirot cracks the toughest cases with brainpower alone, endearing him to thinkers everywhere and making Agatha Christie the bestselling author of her day. As portrayed by DAVID SUCHET in this British television production, Poirot became the most-watched detective in the history of the PBS Mystery! series and a hit all over again on A&E. In these three stories, Poirot outsmarts both the criminals and the other crime-solvers in and around elegant upper-crust 1930s London.
Murder in the Mews—On Guy Fawkes Night, Poirot is called in on a case he suspects is murder made to look like suicide.
The Adventure of Johnnie Wavery—A country squire hires Poirot to investigate threats against his young son.
Four and Twenty Blackbirds—Poirot’s keen powers of observation and culinary know-how help him solve a murder case. ... Read more

Reviews (2)

MYSTERY MAGNIFIQUE!
It's no mystery why this is the most-watched detective show in the history of the PBS "Mystery!" series --- Christie penned a brilliant Belgian [detective] who solves crimes only using his "little grey cells" and the aid of his affable associate Captain Hastings. And not one hair out of place on his perfectly coifed hairy lip! No mystery why fans shouldn't host sleuthing
fetes: Acorn is releasing the entire canon! Mystery magnifique!

Great productions, two weak plots
The excitement mounts (and shelf space decreases for collectors) as the 10th entry in the Hercule Poirot series appears! has, of course, all the superb production values of the other sets (both the short episodes on VHS and the longer ones on VHS and DVD) with the nearly perfect incarnation of Poirot in actor David Suchet. However even the most rabid fan must admit that two of the three plots are not top drawer.

"Murder in the Mews" is the strongest entry with its twist on "the murder set up to look like a suicide" element. Toss into the salad the caddish Major (James Faulkner), the pompous politician (David Yelland) engaged to the victim, and the best friend (Juliette Mole), and you have all the ingredients for a solid whodunit with a good red herring.

"The Adventure of Johnnie Waverly" telegraphs its solution too early in the proceedings for any interest to build up except for the question of How rather than Who. Also the precautions taken to prevent the crime are too unrealistic for credibility.

"Four and Twenty Blackbirds" again uses a bearded character, which in series such as this one too often means someone in disguise. I am not revealing too much, since Poirot knows this halfway through, but the criminal in this case was simply too careless and there are "too many clues." A nude artist's model with a sense of humor, however, does not hurt.

But mind you, these are still fun to watch as Suchet penguinwalks circles around Chief Inspector Japp (Philip Jackson). ... Read more

Reviews (24)

television cut?
well, the only uncut version I've seen of this movie was when it airs on TBS, and sure there version of the film has all the scenes which were cut from the VHS release; Mick's gf picking her raper out of the line-up, Paco spitting on the ground after he gets his assignment, when Tweety goes free, and there first class session. But the one that I saw on TBS completly cut out the whole bit of the movie, where Sean Penn escapses from prision to go and visit his girlfriend after she's been raped, from where is cellmate burns a hole in the fence to where they come to pick Mick up at his girlfriends house after he escapes. Perhaps they did it to fit the whole movie into there hours/half and hours time block (I mean this is TBS, no HBO.) or maybe they have some other version. hell if I know.

Finally-the Uncut Bad Boys!!!
This is fantastic! Now we can finally see the uncut version of Rick Rosenthal's gritty classic(in my opinion). When I think of Bad Boys, I always think of Sean Penn and Esai Morales. It's too bad that you have to clarify which film your speaking about when you mention it and lots of people have only seen Michael Bay's crappy movie of the same title. I have been waiting a long time for a nice special edition of this film. Now we get the film uncut(it was previously only available uncut on laserdisc) and a commentary! And cheap too! I love Anchor Bay!!!!!

1983 BAD BAOYS
THIS IS SEAN PENN'S GREATEST MOVIE.HIS PRFORMANCE WAS TREMONDOUS SO YOUNG IN HIS CAREER,THIS MOVIE DEFINED WHAT KIND OF ACTOR HE WAS GOING TO BE.THE NEW BAD BOY MOVIES WITH WILL SMITH,MARTIN LAWRENCE IS AN INSULT TO USING THE SAME NAME.

SEAN PENN'S BAD BOYS IS DEFFINETALY HIS BEST WOK EVER

bad boys
bad boys i saw this movie about 3 years ago this was a good movie I'm 15 this was one of my best movies

Bad Boys, Bad Boys, what you gonna do!
Alright, I know that is another movie, but seriously this movie rates as one of my childhood gangster like classics, growing up kids have a couple movies that stand out as being something you want to emulate when older, one being Scarface, two, living the life of the Godfather, and three to name a few would be Bad Boys! This is a classic, and I have no idea what that austrailan guy was watching, but he is not American so he can't be perfect right! Anyways, this movie is straight foward, gritty and rough to say the least, people that have never been to a Boys prision really don't know what goes on inside walls like these, but Bad Boys although some of it was far fetched, stayed true about how boys that grow up rough, might behave in a prision setting. The beatings with pop cans, and the exploding radio are classic scenes, and the acting was pretty good for all of these people being so young! This is a definite buy if you are in to somewhat realistic violent films, this may not be Oz, but this is the little baby OG cousin of the show! ... Read more