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| 141. Halloween II Director: Rick Rosenthal | |
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Amazon.com Reviews (292)
Fraught with production difficulties and critically reviled upon its original theatrical release, Rick Rosenthal's entertaining sequel manages to defy low expectations, despite a ho-hum script by co-producers John Carpenter and Debra Hill. Taking place immediately after events in the first film, the movie benefits enormously from the work of ace cinematographer Dean Cundey, who transforms the wide Panavision frame into a patchwork of light and shadow. The immortal theme music (slightly reworked from the original by Carpenter and associate Alan Howarth) is beautifully incorporated into the memorable credits sequence, in which a spectral jack o'lantern dissolves into a grinning skull, followed by an episode which establishes Dr. Loomis (Donald Pleasence) as the central character, an obsessive psychologist whose former patient is now the soulless killer running amok in small-town America. The opening fifteen minutes are terrific, an exhilarating combination of atmosphere, suspense and impressive visual technique. But the narrative quickly succumbs to rambling plot developments and a series of routine set-pieces, much of it centered around one of the most understaffed hospitals in movie history! That said, however, the movie recreates the look and feel of the first film in spades and delivers a couple of really good scares along the way. Pleasence gets most of the best lines ("We're all afraid of the dark inside ourselves"), and Curtis does her best with an underwritten role, but few of the actors are stretched by their material. The gore quotient has been upped this time around, the result of post-production tampering by Carpenter, who added extra 'kill' footage against Rosenthal's wishes, and there's a plot twist at the halfway mark which probably contributed to the movie's poor reception in 1981. Nice touches abound, however, including a ghostly flashback to Laurie's past as she comes face to face with the boy who will grow to adulthood harboring a supernatural impulse to kill her, and the tears of blood which roll down the killer's face during his final showdown with the main protagonists. For all its flaws, the movie has much to recommend the casual viewer, and was followed by the unrelated (and poorly conceived) HALLOWEEN III SEASON OF THE WITCH (1983). Universal's region 1 DVD - which runs 92m 15s - letterboxes the wide Panavision frame at 2.35:1 (anamorphically enhanced). Picture quality is generally OK, though spoiled by faint blemishes which flicker almost constantly across the left side of the image. It's particularly noticeable during dark sequences (check 01:11:16 onwards, for example), and while it may be less of a problem on 4:3 TV's, viewers with widescreen monitors may find it distracting. Sound format is 2.0 stereo, and while the multichannel effects are generally subdued, it makes a real virtue of Carpenter's creepy music score. English captions and subtitles are provided. Extras include a trailer and production notes, along with brief biographies of the movie's key personnel.
We rejoin Dr Loomis and Laurie right where the original film left off. The police are now fully aware of Michael's capabilities after finding the bodies in the house across the street. Laurie is then taken to the local hospital where sadly again she is hunted by Michael who slowly kills off the staff one by one until only he and Laurie are left in the building! But in the meantime Dr Loomis reveals why Michael is obsessed with making sure Laurie doesn't make it through to see daylight! This film is good in terms of the fact that it doesn't fall victim to sequel disease! By that I mean it isn't an exact clone of the first film with new characters. It keeps the story going and introduces many new obstacles. Sadly the fact that John Carpenter felt the need to add lots of blood and gore in this film to make up for the lack of it in the original. The shots look cheap and tacky which doesn't make sense considering the millions that the original film took in! Also the Michael that appears in this isn't as eerie as the one before and his mask clearly isn't the same one used in the first film because it looks as if it's about to fall about! Jamie Lee Curtis and Donald Pleasence reprise their roles excellently although the character of Laurie has changed in a weird way. In the first film she's a quiet bookworm who adores her friends. You'd think she'd be reeling over their deaths yet in this film she seems fine and spends her time flirting with one of the ambulance drivers! However it's not all gloom. The twist John Carpenter throws in is genious. It also makes you feel a lot more sorry for Laurie as well! All in all a good sequel but looks tacky at times and doesn't seem to be carrying over the entire spirit of the first film. However compared to the awful 3rd Halloween film this one is a masterpiece.
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| 142. The Beast Director: Kevin Reynolds | |
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It is pretty graphic in areas, I saw it as a kid and the scene with the guy getting driven over by a tank certainly didn't help me get to sleep. War is hell, to say the least. As people have pointed out, they used actual soviet T-62 tanks in the film and it really added to the realism and overall effect. Suffice to say it's not going to make you want to become a tank commander any time soon. The T-62 is dark and dingy inside and definitely didn't come with any cupholders. Performances are great across the board. It's interesting to see Jason Patric in such an early role, but George Dzunda as the tank commander spearheads the cast. Yes, some people have noted the helicopter isn't an actual Mi-8, but I don't know how they could have gotten their hands on one back in 1988 anyway, it's a minor quibble and I'm just glad they didn't respray an M-1 to make it the T-62!;) The desert landscape is cruel and unrelenting, yet strangely beautiful. All up, five stars, this is tight, solid film, that will hold your interest throughout and is superbly shot. Perhaps somewhat topical at the moment, it's well worth a view.
I found Jason Patric to be the least believable character in this story. I find it hard to believe that a Soviet tank driver, even if he were to disagree with his superiors or the war, would suddenly join the Afghans in fighting his compatriots; an act tatamount to desertion and treason. The best performance was that of George Dzundza who played the hard and tempered tank commander. The movie follows the tank as it wanders lost through the desert like a wounded animal being stalked by hunters. Altogether an enjoyable action movie that is well paced with good acting.
Buy this movie, you won't be disappointed!
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| 143. Sanford and Son - The First Season Director: John Rich, Bud Yorkin, Peter Baldwin, Hal Cooper, Rick Edelstein, Stan Lathan, Mark Warren (II), Bill Foster (IV), Jack Shea (III), Herbert Kenwith, James Sheldon, Norman Abbott (II), Alan Rafkin, Russ Petranto | |
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Description Reviews (56)
01) Crossed Swords Also recommended:
Nevertheless, you get the entire first season here and it's worth every penny. Obviously, this show was ahead of its time and un p.c. as well. One significant plus with this first season is that you will get each episode in its entirety. TV Land obviously has to edit out certain parts (ie Fred using the N word)for today's audiences. You also see the evolution of Fred and Lamont, along with Fred's buddy Melvin(played by longtime Redd Foxx partner Slappy White), and see early nemesis' of Fred like Aunt Hazel (Esther didn't appear until season two). All of the episodes are excellent, with my favorites being "Piano Movers", "Happy Birthday, Pop" "We Were Robbed", and "Color TV." I can't emphasise how important this show was in the realm of pop culture and some of the issues tackled are still relevant today. Nothing like this will ever hit the airwaves again. Pick up the Season 2 and 3 sets as well. ... Read more | |
| 144. 55 Days at Peking Director: Andrew Marton, Nicholas Ray, Guy Green | |
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Reviews (6)
I'm a big fan of epic period pieces and I think there is a lot going for this kind of movie to be made today (with an international cast) First I'd choose John Milius, Michael Mann, or Mel Gibson as director Sample Cast You get the picture :-)
Prince Tuan: "Your majesty, the execution has been stopped!" The Empress: "Who!" Prince Tuan: "Jung Lu!" However if you can keep that momentary suspension of disbelief going just long enough to allow yourself to get into the story, then you can believe Flora Robson is the Empress and 55 Days is one of the most underrated films of all time: the action sequences are extremely well paced and choreographed and the film, for the most part, stays faithful to history. Obviously the producers could not reproduce the entire Forbidden City so the "palace" exterior scenes are somewhat hokey, but the legation compound and the city wall are reproduced in a convincing way and as set pieces they are used to great effect. Look for Walter Gotell (General Gogol from the 007 films) and Nicholas Ray himself (in wheelchair) as the American ambassador.
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| 145. Varsity Blues Director: Brian Robbins | |
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Amazon.com Reviews (118)
The story takes place in a fictional town called West Canaan, Texas, a small, steamy town in southwestern Texas where high school football is a way of life. The town is the home of the West Canaan Coyotes, a football team which has won 22 consecutive district championships and 2 state championships. The head coach of the team, Coach Kilmer (Jon Voight), has a "win-at-all-costs" attitude, meaning he has a reputation of playing his players injured or sick. He has also coached many of the current players' fathers, who seem to be re-living their glory years through their sons. When the all-Texas star quarterback Lance Harbor (Paul Walker) goes down with a season-ending knee injury, backup quarterback Jonathan "Mox" Moxon (James Van Der Beek from Dawson's Creek) reluctantly assumes the duties of filling Lance's shoes. Once he miraculously leads his team to victory, his life begins to drastically change. He becomes very popular in school, gets free under-the-counter alcohol, and even easy sex from the former quarterback's girlfriend. So as the movie goes on, Mox continues to lead his team to victory, while dealing with the pressure of his coach and the love triangle that he has gotten himself into. In the final game at the end of the movie, he shows what it is like to be a high school hero after the coach abandons the team. As the movie ends, we hear a voiceover of what became of the characters. So in conclusion, it's a pretty good movie from MTV which shows what high school life mixed with football is really all about. That is why I mentioned that this film should mainly be viewed by high school/college students. There are some really funny scenes in this movie; the most notable would probably be when one of the players hijacks a police car and parades around town with a bunch of naked girls in the backseat, and when they discover that their science teacher has a job at a local strip club. Adults might want to stay away from this one. 3 1/2 stars.
Look people, this isn't supposed to be a drama. This is a comedy-drama. Some dramatic parts, but it's supposed to be funny overall. That's why the movie has Tweeder! There are a few dramatic parts to the film, but it's mostly comedy. The intended audience is obviously the high school and college age, but can be enjoyed by nearly everyone...especially football fans. Who knew that MTV Films was capable of making a movie like this? It did very well at the box office, and the DVD has sold well too...for good reason. Come on....everyone has to laugh when Tweeder steals the police car.
Anyone know? Thanks in advance...
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| 146. The Stunt Man (Limited Edition) Director: Richard Rush | |
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Reviews (46)
I kept waiting for the big suprise, the part of the movie that floored me. It never came. I wasn't drawn into an anti-reality, didn't see a dual reality and did not see any allegory. To some reviewers this is the greatest film ever. There's a guy at DVD Verdict who wrote that this film changed the way he looked at movies. I didn't see that. I watched a movie, that while good, was not thought provoking. I suppose I should watch it again, but it just didn't flip my minnow. ... Read more | |
| 147. Groundhog Day (Special Edition) Director: Harold Ramis | |
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Reviews (239)
This movie is straight out funny...it will make you crack up with every viewing. Watch out for Stephen Tobolowski in his bizarre role as Ned Ryerson, and a cameo appearance by the film's director (and Murray's costar in Ghostbusters) Harold Ramis. The features are well worth the money too.
Bill Murray and Andie McDowell are perfect in this film, Murray as the cynical, infinitely self-centered TV weather newscaster, and Andie McDowell as his radiant and relentlessly uplifting TV producer and love interest. The plot has been rehashed many times by others, so I won't repeat it again. The thing that makes this movie so memorable, and makes it stand out from all others is not the comedy, which is enjoyable, but the deeper themes behind it. What are these themes? In reading the other 226 reviews, people have mentioned everything from Buddhist karma and reincarnation, Nietzsche and existentialism, Kubler Ross, the Seven Sins, and Gurdjieff -Ouspensky and the Fourth Way. Comparisons have been made to themes from the Twilight Zone, and Frank Capra movies like "It's a Wonderful Life". Yes, I suppose all of these themes are present, and people will interpret this movie in the religious or philosophical context with which they are most familiar. Which is why it's a bit surprising that so far nobody has mentioned the main theme that stood out immediately for me in this movie. Above all the existentialism and New Age themes that might be found in this movie is a very old fashioned one - at its core, this movie is a moral tale of love, hope, and redemption. Bill Murray's character is stuck in time, stuck in purgatory, stuck in a perpetual rut of endless reincarnation and immortality, whatever you want to call it. His character, Phil Connors asks, "What would you do if you were stuck in one place and every day was exactly the same, and nothing that you did mattered?" Connors first uses his recursive immortality to dive even deeper into the Seven Sins, and then sinks into despair, hopelessness, and attempted suicide. But gradually, he awakens to the possibility that his choices of action do matter, and discovers that through caring for the other people in this town, he is able to regain hope in his own life again. It is this genuine turn in becoming a better person that wins the heart of Andie McDowell's character and earns him redemption from this purgatory. Another reviewer had mentioned a link to the theme of making hard choices in the "Lord of the Rings". Thanks to "Groundhog Day", I came to understand one question from LOTR that had always bothered me - why would any immortal being (i.e., elves like Arwen and Haldir in LOTR) ever give up their immortality? The answer: maybe immortality becomes tiresome and meaningless if one cannot make a difference in this world, maybe leaving immortality to gain the love of another is truly more worthwhile. There was just one other aspect of this idea that came to mind - what if whoever or whatever had kept Phil Connors stuck in time had continued to keep him there even after his transformation? We like to think that love and hope always leads to redemption. What if it doesn't? That's one real-life possibility which is not explored in this movie, but nevertheless, it is still a terrific movie.
Imagine waking up every morning and it is the same day over and over again? Well, Murray has this happen to him. Every time he does his day becomes one disaster after another until he finally gives in and figures out he can use each day to improve himself and his life a little at a time. The message here is clear. We all have a life that is made up of the same day everyday, what we choose to do with that day is really up to us. Do we want to improve our lot in life or just go along with being ourselves in a boring unfulfilled endless life that is a cycle of recurring themes? This movie shows anyone, even though it is a comedy, that each day we have a choice to make the day what it can be. Murray plays Phil Connors, on Ground Hog Day when the ground hog's name is also Phil...go figure. Connors is as arrogant as they come and he just keeps trying so hard to impress people. He goes from egotisical and self serving to seeing himself to get the girl of his dreams, Rita. It would be nice to know how many days of Ground Hog Days he spent there. You can see him go from this to a renaissance man who really cares about people, loves life and takes each day and uses it to improve himself. Rita, although the same person and not being influenced or affected by being in Ground Hog day, comes to really like Phil. This movie makes us laugh at ourselves and our humanity. And by the end of the movie, he shows that he can have a positive effect on everyone he comes in contact with. So when you hear the song, "I've Got You Babe," and the announcers saying, "It's Ground Hog Day....." remember to use the day to its fullest.
I'm facinated each time watching the totally self centered Bill Murray caught in this marvelous time paradox, living the same day over and over. He goes through differing stages: fear and confusion; euphoria, when he realizes he can do ANYTHING without consequence; despair, when he realizes that life is meaningless if one pursues selfish pleasures without goals; and finally a peaceful self actualization when he dedicates himself toward self improvement and the humanitarian goals his situation gives him the opportunity to pursue. It gives one pause to consider what each of US would do in a similar circumstance. Oh, it's really funny, too.
Bill Murray plays Phil Connors a weatherman, who covers everything from weather to Ground Day. Phil isn't happy with his life, in fact he realizes that he is repeating the same routine over and over again. From work in the morning,to I use the term breakdown because well Phil isn't exactly a nice guy, he's arrogant and obnoxious. We hardly sympathize with this guy, much less that he is miserable. He drives reckless around the train tracks, gets arrested, steals a bagfull of money from a couple of dumb cops, charms his way into sleeping with a beautiful young girl and yet finds out that he still isn't happy. Until he puts the moves on Rita (Andy McDowell), his producer. McDowell is the few actresses that I know that has limited acting potential but her beautiful presence can convey some emotions making her sympathetic. However, in order to get close to Rita, Phil has to get info on her likes and dislikes from her friends. This angle in the movie, really made me a little sick, because even we are suppose to sympathize with Phil, he hasn't really changed all that much. Rita, eventually finds out Phil's motives and slaps him in the face, and telling him to get lost. LOL No surprise there, in fact Rita's action sums up my argument that Phil hasn't really changed all that much despite his aim to not repeat the same day, he is still repeating his same behavioral patterns. Phil though in order to impress her and to change himself, starts doing bizarre, yet unreal things that get him attention and he does start to become nicer. This is where the movie gets ridiculous, because even though this is a comedy, I found the rest of the movie to be predictable, superficial, yet enjoyable Yes Harold Ramis does go a bit over the top with this Phil guy, obviously a lot of the stuff he pulls of is almost impossible giving Phil's background, but Ramis is again trying to show the point (although laughingly bad) that Phil is changing. He now has a heart and will do anything to be with this nice woman and of course by Phil doing this he has filled that empty void that he had when he was repeating the same unfulling routine of covering that stupid Groundhog Day in Pennsylvania. Ramis is actually a buddy of Murray going back to the old days of their ''SCTV'' days, and ''Ghostbusters'' days, so these two talented comedian can pull the hijinks in the film with some realism. Still though Ramis does do a good job of making us think about the movie and Phil itself and gives us that scary thought that we perhaps might end up like Phil, a shriveled, ugly man who has been repeating the same stupid routine yet doesn't have the capacity to see that this misery is at his own doing. LOL ... Read more | |
| 148. Creepshow Director: George A. Romero | |
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Description Reviews (87)
While the stories are a bit brief, the style is appropriate for the anthology format. Romero's use of garish colors to mimic the ink in comic books is visually appealing, preventing the gore on display from being too off-putting. Featuring early appearances by actors such as Ed Harris and Ted Danson, CREEPSHOW is eerie, engaging entertainment. There are so many reasons why I like this film. The length of the film. 120 minutes. That's two hours of horror stories. If you notice lately, any movie that has more than two stories is usually about an hour and a half. Stephen King and George A. Romero on the other hand, were able to put together a two hour film. It's mostly the suspensful scenes, that get you asking, "what if that was me?" Seeing people suffer in this movie, adds a great effect on the audience. Most of the time I could feel the pain they were going through. Like Ted Danson's story, or when Ed Harris was under that grave. Stephen King was funny as he acted as a retarded farm boy. If you haven't seen this film, then do so. If you get the same effect I did, then my review should be helpful to you. Oh yeah! if you're one of those guys who like having snacks and pop during a scary movie, then I would suggest you eat up fast before the last story. Trust me on this one! I hope my review was helpful to you!
A man pays a visit to his family from beyond the grave... A farmer finds a meteorite that, when broken, spills fourth a strange moss that grows on everything, including his own flesh... A man and his lover seek revenge on her husband AFTER they've been murdered... A mysterious crate found in the basement of a college hids some thing that should never be let out. You're about to find out what... Finally, a cold-hearted billionare with a horrible fear of germs and insects finds his penthouse apartment infested with nine hundread QUADRILLION cockroaches! ... Read more | |
| 149. Good Burger Director: Brian Robbins | |
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Description Reviews (53)
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| 150. Rush Hour/Rush Hour 2 Director: Brett Ratner | |
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| 151. The Black Cauldron (Disney Gold Classic Collection) Director: Ted Berman, Richard Rich | |
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If you're going to watch it, though, please DON'T read the books first. Read the books, by all means, but if you read them before watching the movie, you'll find the flick unbearable. Disney changed so much, and with no fathomable reason behind most of the changes. The changes to the character of Fflewddur Fflam hit me especially hard, since he's my favorite from the books -- apart from the name and harp, he's unrecognizable. Basically, everything's been simplified and, well, Disneyfied. All of the PG rating comes from visuals, and any bad things happening to the good guys are fleeting, unlike the books, which carry the more difficult -- but true -- lesson that life can be unfair sometimes. Anyway, in closing, the movie isn't bad, but as has been said, the books are far better. If you're thinking of buying it for your kids, especially, I'd highly recommend getting the books instead and sharing them. If they like Harry Potter, they're almost sure to like these. The Prydain Chronicles have a depth and a warmth to them that's difficult to find; I first read them when I was a kid, and I find myself re-reading them every few years or so.
A mixture of visual styles are used in the film, hand-drawn animation, CGI (Disney's first attempt) and even live action smoke. This mixture gives the film a very distinctive look. One that is strikingly different from other Disney animated films. The Horned King is Disney's most terrifying looking villain ever but he's got the personality of a dead fish. We never connect or understand him like we did say Lady Tremaine or Maleficent. When one character sacrifices himself for the good of the others it should be an act filled with great drama and emotion but it didn't even choke me up much less bring a tear to my eye. What the film really needs is character development and a clearly thought out plot. About a third of the way through we learn that the film is not about what we were lead to believe (the thwarting of evil) but Tarran's need to accept his position in life. This is a drastic change and the film never really recovers it's footing afterwards. I'd like to see Disney attempt a film like this again some day because there is much they got right (the tone, character designs, general look of the film). I'd recommend The Black cauldron if you are a serious animation, Disney or fantasy film fan.
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| 152. Summer School Director: Carl Reiner | |
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| 153. Madonna - Video Collection 1993-99 Director: Chris Cunningham (II), David Fincher, Johan Renck, Jonas Åkerlund, Brett Ratner, Jean-Baptiste Mondino, Melodie McDaniel, Michael Haussman, Stephane Sednaoui, Walter Stern, Mark Romanek | |
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Product Description Reviews (137)
Bad Girl- I love this video! It is so beautiful! 5/5 | |
| 154. Son-In-Law Director: Steve Rash | |
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My kids wanted to watch this on Thanksgiving, and now that we've finished, I realized that it really is a fairly decent film. Besides its somewhat predictable plot, the story is quite funny. Pauly Shore plays a California college student, nicknamed Crawl, who goes home over Thanksgiving with his friend, played by Carla Gugino, to her parents' farm in "middle America," as he puts it. Crawl pretends to be his friend's fiance so she doesn't have to face her high school sweetheart, and proceeds to help out at the farm. Throw the California city boy into farm life, and you can only imagine what type of trouble he gets into. Shore seems to be at his best in the role, and Gugino adds a lot of flavor to the film as well. The acting on the whole was pretty good, and overall, it was a pretty enjoyable film to watch with my family. It's funny and leaves you with a warm feeling in the end. This is a nice family film.
Very entertaining, funny and sometimes heartwarmining with fine performances, a must see movie. The DVD looks good with picture and sounds great with it's sound.
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