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| 161. The 5,000 Fingers of Dr. T Director: Roy Rowland | |
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Reviews (22)
of Dr. T Genuinely Disturbing! Reviewed by Bruce Cantwell (visit a-movie-to-see.com) I always thought there was something a little disturbing about Dr. Seuss. Remember the total anarchy of Cat in the Hat, the hubris of Yertle the Turtle and, of course, the parsimonious Grinch? Illustrations of negative personality traits have always had their tutorial value in children's literature, but Seuss's miscreants always seemed so vivid and his morals tagged on simply for social acceptance. In this little nightmare, Bart Collins (Tommy Rettig) runs around wearing a "Happy Fingers" beanie, topped by a rubber hand, chased by an army of pudgy men in skin tight suits and balaclavas bearing colorful child-catching nets. He awakens from his daydream to the stern admonitions of his piano teacher Dr. Terwilliker (Hans Conried) for whom "practice makes perfect." Bart introduces his young and Betty Crocker beautiful war-widowed mother Mrs. Collins (Mary Healy) and surrogate father figure/plummer August Zabladowski (Peter Lind Hayes). From here, Auntie Em, we're not in Kansas anymore, but at the Terwilliger Institute where we find Bart mano a mano with Dr. T, diligently exercising his "10 Little Dancing Maidens" at the 44,000-key extended bi-level keyboard designed for 500 little boys. The films most inseussiant highlight is a ballet sequence of by the non-pianistic instrumentalists that Terwilliker has banished to one of his dungeons. Here green skinned trumpeters, string players, percussionists, saxophonists etc. bound about in their tattered tuxes as if performing the halftime routine at the Hell Bowl. How does one play an instrument resembling a man with bells attached to his antlers? You grab him by the neck and shake him, of course. Buglers sway their instruments from right to left while overhead, a percussionist on a rope swings over to bang his drum. A half dozen men in colorful fuzzy mittens man the xylophone. Occasionally, during this bacchanale, there's a cutaway to fresh faced Bart looking on in wonderment. One only hopes he didn't have to witness the event. There is no moral to this story and no apologies for its perversity. Did anyone have a problem with the roller skating Hassidics who fly about joined at the beard? And what about a piano teacher who wants to wear...well, check it out.
Bart Collins is your average little boy--he loves his mom, he likes to play with his dog, and there is nothing he despises more than practicing the piano. No doubt his eccentric, but strangely captivating piano instructor, Dr. Terwilliker, has something to do with this. After a particularly trying lesson, Bart falls asleep at the ivories and is transported to the Terwilliker Institute, a prison-castle for tiny piano players like himself. He immediately attempts escape, but finds himself surrounded by a whole lot of bizarre characters, including some green-skinned musician-hostages who do not play the piano. This colorful film may be a bit quirky, but beneath its oddity is a charming story that is sure to involve you and stimulate your imagination. Every aspect of "Fingers" is truly memorable, from the beautiful set to the catchy sing-along numbers to the original screenplay. This is a movie that the entire family will love--kids can identify with Bart and Dr. Seuss, adults can enjoy the music and choreography, and everyone will want to watch it again and again. Once you watch "The 5,000 Fingers of Dr. T," you'll see why I went crazy when I was able to tape it on TV (and went crazy when someone taped over it!). I couldn't wait until this title appeared on DVD! Get it while it's hot! :)
Oh, and I'm 13, not 12. ... Read more | |
| 162. Desperado (Special Edition) Director: Robert Rodriguez | |
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| 163. Detroit Rock City (New Line Platinum Series) Director: Adam Rifkin | |
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Reviews (114)
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| 164. Dream a Little Dream Director: Marc Rocco | |
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Pick up the sound track and you will love it. I listen to it all the time and the inclusion of the Van Morrison hit "into the mystic" sets the mood for any situation. Beautiful movie and all time classic.
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| 165. Red Dragon - Collector's Edition (Widescreen) Director: Brett Ratner | |
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Anthony Hopkins returns as the cannibalistic doctor who was caught by Will Graham(Edward Norton). Will Graham retires from the FBI, but returns when asked to help find THE TOOTH FAIRY(Ralph Fiennes). The cast is asembaled well. The suspense is good and the overall atmosphere is fantastic. The DVD is the best. I had to search everywhere for the Director's Edition and when I found it I was pleased. The Directors Edition includes another disc of extras that aim to please. The picture is fantastic and the sound is crystal clear. The extras include: criminal profile of Hannibal, life history of Hannibal, Hannibal's FBI case file, commentary, deleted scenes, (disc 2) directors journey, directors student film, screen tests, makeup application, and much much more. So if you like thrillers and a good cast, this is a definate buy. If not, be sure to rent it.
Anthony Hopkins is Hannibal Lecter, whose very presence, menacing albeit elegant, has become an American cinema icon. Hopkins hosts the DVD, which is quite a treat for his fans, and takes us on a tour of "the dungeon", chalk-full of his criminal profiles and behind-the-scenes looks on the making of the film. Danny Elfman provided the music and we are also treated to some of his more chilling orchestral pieces. The erratic loner that is Ralph Feines character is similar to Norman Bates in Hitchcock's Psycho, unstable, threatening and unbelievably cruel. He lived in a large home by the swamps of the rural South, and there are hints that he was abused. Eventually, he loses grip on reality and transforms himself into "The Red Dragon", otherwise known as Satan the Devil as seen in the Book of Revelation. In psychotic delusion after seeing a William Blake painting, he is convinced he must do the Devil's work by bringing death and disaster in Apocalyptic proportions. The F.B. I. agent played by Ed Norton tracks down the killer, and his mission becomes more urgent when the Red Dragon killer is bent on murdering his wife and child. The film is the most gruesome of the Hannibal Lecter films in my personal opinion. It has more R-rated visuals, blood, etc than any of the other films. Not even the dinner scene in Hannibal in which Lecter makes his victim eat his own brain is as shocking in material as some of the horrific atrocities the Red Dragon commits during his killing sprees. Evidently, this film is for a very mature audience, and to be taken as a film that exposes the terrible, inhuman and psychotic psychological make-up of crazed killers. The F.B.I. and police authorities can benefit immensely from watching this film. Other than the gore, the drama is full of suspense, and of course, Anthonly Hopkins as the incarcerated Dr. Lecter is a must see as always. He is witty, dark and humorous and makes his introduction in a film that begins the series.
Red Dragon is difficult to watch also, with Lechtor's and Chilton's charachters, hopelessly "Made up" to look as if they're 20 some years younger than (the actors) actually are! It looks silly. Pete
Red Dragon feels more like a psychological horror film than does Manhunter. Those who remember 80's police action films like Clint Eastwood's "Tightrope" or Silvester Stallone's "Cobra" will find Manhunter in common thriller territory. The tension in Red Dragon is strong throughout the film; however we see little development of the Francis Dolarhyde (Tom Noonan) serial killer (known as the Tooth Fairy). While we see the central elements that define his psychosis, we only barely glimpse at his struggle with his own humanity except for through emotion expressed in Ralph Feinnes' eyes. Tom Noonan's Francis is distant and perhaps zombie-like, and so the character is development more through subsequent scenes. Red Dragon is also more bloody -- appropriate for the times; whereas Manhunter has virtually no gore (that I can recall). Absent from Red Dragon is the 80's power pop-rock music that scores Manhunter. This is perhaps for the best as the music used in Red Dragon actually adds atmosphere to the scenes. The central figure in Red Dragon, FBI agent Will Graham (Edward Norton) is more clearly defined as having a sixth sense that aids him in his investigations. This is less clear in Manhunter as it's arguable that Graham is just highly intuitive. However, William Petersen's portrayal of Graham is darker, more complex. This helps to enrich the drama even more since both the protagonist and antagonist seem to be living inside themselves, shut out from the rest of the world. Brian Cox portrays Hannibal Lector with confidence, but pales in comparison to Anthony Hopkins' more sinister performance. As good a film as Manhunter is, it is difficult to recommend movie fans from overlooking Red Dragon since the success of the film has been built largely on Hopkins' role as the good, er evil doctor. The 4-star rating I gave to this DVD is not based on the caliber of the film itself but on it's presentation in the DVD and on the extras. The DVD is pretty much standard fare for today, which is a good thing; however, I didn't find myself overly thrilled about the extras.
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| 166. Color of Night Director: Richard Rush | |
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The ONLY reason to watch this movie is if you absolutely must see Jane March naked. But I think you'd be better off with "The Lover."
Honestly, if you're looking for a film with a story, go elsewhere -- even March's first hit, "The Lover" -- is a good alternative. If you're looking for some guilty pleasure, look no further. Fast-forward through the non-nude scenes and you'll be watching this one over and over. It's a guilty pleasure, but sometimes you just gotta give in.
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| 167. Darkman Director: Sam Raimi | |
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Amazon.com Reviews (51)
I could not stomach it, and as I wrote, I walked out of the theatre after about thirty minutes, which was about twenty minutes too long. ... Read more | |
| 168. A Cinderella Story (Widescreen Edition) Director: Mark Rosman | |
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The movie picks up 8 years later where Sam is a senior in high school preparing to go to college at Princeton (that is, if she gets accepted). High school isn't exactly a happy experience for Sam as she has only two friends. One real, one an email friend that texts her constantly. To everyone else in the school she's know as Diner Girl. Since I saw the previews of this movie I thought it looked funny. I've been looking forward to it since the first preview. However, now that it's out and I read the reviews I was nervous. Luckily my fears weren't realized. This movie ended up being a sweet, family friendly, romantic comedy. Duff does an excellent job of portraying Sam. She truly is an excellent young actress, the pep rally scene is proof of this. While this movie wasn't really laugh out loud funny, it was funny at times, but more than that it was sweet and, for lack of a better word, cute. The direction was really nice. It wasn't super artsy, but it was well done and added a certain beauty to the film. Cinderella Story ended up being a really sweet movie that deserves a better reaction than it recieved. Great acting, a clever update of an old fairy tale, an awesome soundtrack, and a likeable cast makes for a great afternoon at the movies.
While it is a simple story, the movie turns out to be hilariously funny and immensly entertaining. It is by no means Oscar-worthy, but it is a great movie nonetheless. Hilary Duff delivers a good performance as Sam, our Cinerella, and her football playing prince, Chad Michael Murray also does well. Jennifer Coolidge brings in the laughs as the evil stepmother and Regina King delivers a strong performance as always as Sam's co-worker and her 'fairy godmother'. Overall this is a great movie and I'd recommend it to all, especially fans of Hilary's or the other stars and those of you who want to see a comedy or a feel-good movie now. So, go see it!
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| 169. Where's Poppa? Director: Carl Reiner | |
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This is a signature movie of the 60's, a companion piece to that other iconoclast comedy of the period, Harold and Maude. Only here, the counter-cultural message is less noticeable, limited pretty much to mock face-offs with a deranged army general and a marauding football coach. The screenplay is richly inventive, trading on the unexpected in often highly provocative ways. The film however belongs to Segal whose comedy instinct proves flawless, his hang-dog deadpan growing ever longer as the gallows grow ever closer. We want him to win, get control of life, and escape mom's clinging grasp. But can he.The film is not so much an attack on aged parents as a healthy plea for adult independence--old lady Hocheiser has few redeeming qualities while Gordon's irrepressible girlishness, unlike her role in Harold and Maude, resembles that of a demented kewpie doll. Admittedly, the movie is not for everyone, many scenes being as outrageous as they are funny. Yet the social commentary remains lively and incisive, and despite fashions of the day, retains a distinct relevancy. (Consider the old age home operated as a zombified warehouse by Paul Sorvino looking and acting like a mafia capo.) (My copy, incidentally, contains a humorously satisfying conclusion of a car exiting in long shot.) So, if you're curious about what even the permissive and freewheeling 60's found controversial, then take a chance on this one. ... Read more | |
| 170. For Love of the Game Director: Sam Raimi | |
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Amazon.com Although it is no Bull Durham, For Love of the Game finds a solid and very believable role for Costner. The film is based on Michael Shaara's (The Killer Angels) stream-of-consciousness novel (the rough manuscript was found after his death 1988). The entire film takes place on Billy's day on the mound against the Yankees, a meaningless late-season game for the Tigers, but everything for Billy. In flashbacks, he lingers over his long relationship with Jane and his baseball career (from World Series heroism to a career-threatening injury). His one viable link to the game at hand is his catcher, played winningly by John C. Reilly. Costner, like Chapel, is looking for one more great performance, but the film is too simplistic and loopy at times to resonate. The love story has an extra helping of cuteness, and legendary baseball announcer Vin Scully nearly takes on a leading role, waxing grandiloquent. It's no grand slam, but a soliddouble. --Doug Thomas Reviews (114)
Although I do agree (somewhat) in many reviewers' disappointment concerning the relationship aspect in this film, it still held enough interest for me that I enjoyed the film as a whole (heck, I almost bought it hook-line-and-sinker, but then again, I can be a real sucker). I also liked how the love aspect of the story was told in flashbacks as Chapel (Costner) was pitching the game of his life. I believe that many people may actually enjoy this film who are not baseball fans, but it sure couldn't hurt if you were. Between 1 and 10, I give "For the Love of the Game" a solid 7. It's nice to see an actor who is athletic enough to pull off a sports movie and make it look real. Some of the scenes (where people are watching the "game" on television, ala Kelly Preston at the airport bar) looked 100 percent authentic. I would have no hesitation in viewing this film a second time, especially the dvd version (if it puts back what was left on the cutting room floor, as one reviewer indicated).
(A) The team owner (Brian Cox) has sold the Tigers, (B) He might get traded, (C) His on and off girl firend he leaving him and taking a job in London, Because she tells him "you don't need me, you'r perfect with the ball and the diamond. Not the thing you want to hear when you are facing retirement. Billy Chapel (Kevin Costner) has to decide to hang it up after 19 years or have a 20th season? His girlfriend is Jane Aubrey (Kelly Preston). She is his on and off girlfriend. Then it flashes 5 years before a game in New York, when Billy and Jane first met. At first she doesn't know who he is until a tow-truck driver says, "Hey your Billy Chapel." Anybody Kevin Costner's age might be retired from baseball. Kevin Costner had two or more baseball films before this, and when of them was called "Field of Dreams". Soon he has to look for his grandfriend's daughter named Heather (Jena Malone). Which after first she says freedoom. The movie was directed by Sam Raimi. If you love baseball, then this is the one for you.
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| 171. Open City Director: Roberto Rossellini | |
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Amazon.com Reviews (16)
There has been so much written about this picture, I will only mention a few details. It was shot in Rome using captured German newsreal film as the Nazis left town. (Which is the reason the film quality bounces around as the differing film stocks were used.) When Ingrid Bergman saw the picture, she fell in love with the director she had never met, left her husband, flew to Italy, and married Rossellini. There are too many great scenes to list. Let me just say that the near-final scene when the little priest damns the German officer and then apologizes to God is, for me, the single greatest moment in film. Open City should be seen and owned by anyone interested in the movies.
Rosselini's Open City rejected nuance and ambiguity; it was an angry film and understandibly so. Yet both Rosselini's film and Renoir's film attempt to reveal what is noble in humans. Many criticisms can be made of Rosselini's film--other reviewers have made them--but it is a film that has an impact on the viewer. But the viewer should be reminded of one of Renoir's points: to what exent does the belief in black and white and the belief that good will eventually triumph serve as a grand--but false--illusion. The viewer of Open City should keep in mind the real world political context of the film: the resistence movement in Italy was often led by communists. This was true in many other European countries during WWII. Rossellini's film certainly presented a communist leader as noble and heroic. This was a real problem for the US forces which displaced the Germans. Domestic communists often had the most legitimacy of all groups who resisted the Germans. US policies in the immediate post-WWII period often attempted to undercut the political standing of the communists. Some have argued that the post-war Marshall plan for the reconstruction of Europe was based on the attempt to foster pro-business groups in Europe in order to undercut the social standing of communists. I'm sure that the US post-war European authorities hated Open City because of OC's celebration of the role of communisits.
OC is one of the top half-dozen films ever made. The attempt by Kino Video to make a version of this classic for the 'sweet-and-light' crowd by excluding (actually, they diminish) the blowtorch shot, is an abomination. I'm glad this film is only $.... It is abridged in this edition. The Conoisseur Video print is, as others here have indicated, superior for that reason. Films like this go for about $... in these 'art house' editions. The viewer is, however, being cheated of the overall impact of the film by this Kino 'dollar-saver' edition. You can regard a scene as brutal. However, trying to adapt a classic like OC for the 10-year-olds' market, or for effetely over-sensitive types is ridiculous. Would you take 'White-Out' to a Bosch painting ? I consider this slashing of OC to be on the order of tampering with the classic scene in 'Citizen Kane' of Orson Welle's trashing the bedroom. It is regrettable. For this reason, I am unlikely to procure a Kino Video copy of this film. I would be cheating my guests who I introduce this film to. I lament that I have waited so long to procure a copy. The more complete Conoisseur Video print is, as of this date, unavailable.(It features the Italian title footage,'ROMA: Citta Aperta' at the beginning, with an overhead shot of the city, by the way, for those who like to know such things...) ... and Kino has the gall to feature a snip of the blowtorch scene on the back package/cover, as though to imply it is included in their print! What a rip-off ... Rossellini would turn in his grave. Kino deserves to be snubbed for the violence they have done to this print. It offends and irritates me deeply. They should be hissed off the stage. ... Read more | |
| 172. Von Ryan's Express Director: Mark Robson | |
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Granted, the movie is a smidgen below The Great Escape, but not by much. If you liked that movie, and who didn't, then you are sure to like this one. Instead of Steve McQueen this has Frank Sinatra who carries this role off to perfection. What makes Von Ryan's character so appealing is the believable character growth. Ryan begins appeasing his captors in exchange for fairer treatment; but over the course of the movie this changes radically and he leads a prison escape on a hijacked train through the spectacular Alps of Northern Italy. The movie also offers fine acting by Trevor Howard, and an unknown Italian beauty. The costumes and sets are perfect recreations and of interest to people who reminisce or read about that era. Dialogue is excellent. And scenery is of sweeping beauty. I also loved the old trains. This movie is an unheralded gem. Recommended.
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| 173. Dancing At The Blue Iguana Director: Michael Radford | |
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Description Reviews (24)
Each of the characters in this dark film were given enough information about their character to have an outline which they then fleshed out into the richly three dimensional characters we see on the screen. This takes great courage on the part of a director, but given the quality of talent involved, the payoff is well worth it. Sandra Oh gives a thrilling performance of a poet-by-day/stripper-by-night and finally has a venue for showing how richly talented she is. Daryl Hannah turns in a wholly believeable bravura performance as a less than bright yet tender and near delusional young woman in search of a life that makes sense. Jennifer Tilly gives an over the edge portrayal of a leather-type who perhaps holds more aching tenderness beneath her tough shell that she herself knows. Sheila Kelly's character just smolders. All of the actresses have the courage to 'bear it all' in the dance sequences and we can only applaud their commitment to Michael Radford's sense of style. This is a much overlooked little movie that will probably surface in the art houses on a routine basis as a film ahead of its time.
Cast off any aspersions that this is another T&A movie. There is nudity, but it's (for the most part) tastefully done, and not always gratuitous. Unlike such moronic fare as "Striptease" or "Coyote Ugly", this film aspires to much higher ground, more along the lines of Atom Egoyan's brilliant "Exotica". *side note* like that film, it includes a lot of Leonard Cohen and features noted Canadian character actor Elias Koteas! Coincidence? Daryl Hannah acquits herself admirably, and Jennifer Tilly does a great job of combining pathos and comedy (the S&M scene is hysterical), but the standout here is Canadian actress Sandra Oh ("Last Night"), who plays outside of type and has you alternatively seduced and saddened along with her character. Not to be ignored; rent it, then tell a friend. Films like this are few and far between.
I highly recommend this intelligent film. ... Read more | |
| 174. Flying Leathernecks Director: Nicholas Ray | |
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Amazon.com Reviews (5)
John Wayne is pretty good as tough as nails Major Kirby, a role very similar to his role as Sergeant Stryker that earned him a Best Actor nomination. Robert Ryan gives a decent performance as Captain Griffin, who Kirby believes is not ready to take over command of the squadron. Wayne and Ryan work well together throughout. Don Taylor plays Griffin's brother-in-law and fellow squadron member. Jay C. Flippen has a very funny role as Master Sergeant Clancy, Kirby's line chief who has a talent for taking things that are just lying around. Like all Duke movies, I hope this one gets a DVD release since the VHS is not in the best of shape. For an enjoyable Duke adventure, check out Flying Leathernecks!
The movie centers around two things. First, it shows the usage of military planes providing close ground support. Repeatedly, everyone mentions it can't be done, but the Duke and his group continue to show that it is viable. Second, we see the agonies of command. John Wayne is a major who is not always liked by his subordinates. He is a career military man trying to keep his team, mostly young college men, alive by enforcing discipline. He drives them relentlessly as the executive officer tries to ease up on them. By the end of the movie, the executive officer gets an explanation on why it is necessary for commanders to push their men. For military film buffs or John Wayne fans, I would highly recommend seeing this movie.
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| 175. A Life Apart - Hasidism in America Director: Menachem Daum, Oren Rudavsky | |
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Description Reviews (12)
I found that a few of the interviewees came across as caricatures: the lazy yeshiva student (all grown up but unwilling to take on the responsibilities of real life), the dissatisfied feminist poet (Pearl Gluck, who was raised in a Chassidic family and decided to leave). So, please... if you watch this movie (and I do recommend it!), be aware that these caricatures are not representative. Most members of these communities are hard-working and devout; the "dropout rate" is astonishingly low. But that's a little less interesting on film, so you've got to take what you can get. This documentary would be valuable for anyone interested in Judaism, or religious life in America, but it's especially helpful for non-religious Jews who have always been curious (or suspicious, or even hostile) about this closed little world.
I found that a few of the interviewees came across as caricatures: the lazy yeshiva student (all grown up but unwilling to take on the responsibilities of real life), the dissatisfied feminist poet (Pearl Gluck, who was raised in a Chassidic family and decided to leave). So, please... if you watch this movie (and I do recommend it!), be aware that these caricatures are not representative. Most members of these communities are hard-working and devout; the "dropout rate" is astonishingly low. But that's a little less interesting on film, so you've got to take what you can get. This documentary would be valuable for anyone interested in Judaism, or religious life in America, but it's especially helpful for non-religious Jews who have always been curious (or suspicious, or even hostile) about this closed little world.
1. Most of what the scho | |