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"I see dead people," whispers little Cole Sear (Haley Joel Osment), scared to affirm what is to him now a daily occurrence. This peaked 9-year old, already hypersensitive to begin with, is now being haunted by seemingly malevolent spirits. Child psychologist Malcolm Crowe (Bruce Willis) is trying to find out what's triggering Cole's visions, but what appears to be a psychological manifestation turns out to be frighteningly real. It might be enough to scare off a lesser man, but for Malcolm it's personal--several months before, he was accosted and shot by an unhinged patient, who then turned the gun on himself. Since then, Malcolm has been in turmoil--he and his wife (Olivia Williams) are barely speaking, and his life has taken an aimless turn. Having failed his loved ones and himself, he's not about to give up on Cole.

This third feature by M. Night Shyamalan sets itself up as a thriller, poised on the brink of delivering monstrous scares, but gradually evolves into more of a psychological drama with supernatural undertones. Many critics faulted the film for being mawkish and New Age-y, but no matter how you slice it, this is one mightily effective piece of filmmaking. The bare bones of the story are basic enough, but the moody atmosphere created by Shyamalan and cinematographer Tak Fujimoto made this one of the creepiest pictures of 1999, forsaking excessive gore for a sinisterly simple feeling of chilly otherworldliness. Willis is in his strong, silent type mode here, and gives the film wholly over to Osment, whose crumpled face and big eyes convey a child too wise for his years; his scenes with his mother (Toni Collette) are small, heartbreaking marvels. And even if you figure out the film's surprise ending, it packs an amazingly emotional wallop when it comes, and will have you racing to watch the movie again with a new perspective. You may be able to shake off the sentimentality of The Sixth Sense, but its craftsmanship and atmosphere will stay with you for days. --Mark Englehart ... Read more

Reviews (761)

Great movie and a great DVD
Haley Joel Osment turns in a great performance as a young boy who sees dead people. Finally, after 2-bit thrillers like Scream and I Know What You Did Last Summer, we have a film that doesn't use violence and screaming women with tight shirts to put you on the edge of your seat. This film makes you think and once you've seen the ending you'll want to watch it again immediately. Needless to say Bruce Willis turns in another stellar performance as the psychologist who helps little Cole (Osment) with his odd 'gift'.

The DVD also gives you cut scenes (with explanations) and the normal behind the scenes that come along with all good DVDs. Picture quality is great and the sound quality is descent (although I didn't get a chance to watch it on Dolby 5.1). Plus you get to see the first film by director M. Night Shyamalan.

Although it didn't win any Academy Awards, it certainly was deserving of all the nominations, especially Osment's Supporting Actor Nom. Great movie, definantly worth the purchase.

Subtle, creepy, and intelligent!
Here comes a thriller which is smart and uniquely chilling, unpredictable and starkly original. "The Sixth Sense" falls into an enjoyable but very tricky genre of filmmaking: thrillers which succeed in balancing suspense and tension with an equal level of emotion. Writer/director M. Night Shyamalan does so much with this story, his third feature, yet he keeps the plot twists on the down-low so that the movie speaks to us in such a way that our only choice is to follow it through to the final, gut wrenching climax. Through a combination of subtly effective cinematography and a powerful cast, "The Sixth Sense" rises up to become one of the best movies of 1999.

Setting itself up quite nicely with an eerie opening credits scene, the movie introduces us to Malcolm Crowe, who has just one a prestigious award from the city of Philadelphia for his work as a child psychologist. That same night, upon going upstairs to their bedroom, he and his wife Anna find a strange man in the bathroom, claiming to be a former patient of Crowe's who feels his bedside manner was less than helpful. After a lengthy "session" of trying to calm him down, Malcolm is shot in the stomach, and the intruder commits suicide.

Skip ahead a year, in the fall season, and we find Malcolm embarking on another assignment: helping a small child named Cole deal with visions of ghosts that permeate his thoughts and come to him in reality, leaving visible scars on his body and causing his severe fright. The child is at first reluctant to reveal these apparitions, but once he knows he can trust Malcolm, he tells all. Malcolm, whose life has taken a bit of a nose dive (his wife barely speaks to him anymore, and he suspects that she's having an affair), is not about to stop helping Cole, who wants more than anything to be rid of the terrifying "sixth sense" he has been given.

The film's story structure and plot machinations are completely unique and possess zero predictability factor, keeping the story moving at a slow, easy pace which allows us to take in everything that's important. What is really nice about this movie is its attitude towards it audience: it knows exactly what we want to see, and it gives us that in an ultra-creepy form without falling into any of the clichés or pitfalls of other thrillers. Visions of ghosts are nothing new, but the reasons for which they haunt Cole are completely new and fascinating, providing for some incredibly taut twists and surprises as the story rounds itself out to absolution.

Suspense and intensity are evident in the plot as well, yet are not the in-your-face types we are so used to from mainstream thrillers. Shyamalan substitutes hardcore scare tactics for sinister, eerie instances that rarely last more than a second. The effects are never gory or bloody, which softens the senses while throttling the mind with twists that need attention in order to grasp the final impact the film will have. There is a lot to miss in this movie if you do not keep yourself focused on it, but the final climax is worth all the attention you give it.

Countering the suspense and tension is an equal amount of emotional feeling and intensity, which has a great impact, even on cynics. It's impressive to watch Cole handling the situations he finds himself in; he is truly frightened, but finds the courage to try and solve the problem, with some help, of course. His relationship with his mother provides heartwarming moments of love and devotion. His mother truly does love him, and through their struggles and happy times, we believe it because it is totally convincing.

Cinematography plays a big role in this film as well, aiding the movie in its quest to break away from the regular methods and tactics used in filmmaking. Throughout the movie, cinematographer Tak Fujimoto conveys an atmosphere that is cold and, at times, dismal. Flesh tones and an overall casting of shadow on many shots, as well as the setting itself, all add to the sense of eeriness and the unknown. This is some pretty effective material here, all of which gives us the creeps without ever totally sending us off the deep end.

Characterization and acting bring a lot to this movie, and is the key element in bringing it to life. Bruce Willis gets a chance here to play a role that's a little out of his league from the action blockbusters and high-speed films of his career, taking a more quieter and gentle approach with his acting as Malcolm Crowe. This is his best work to date, and marks him as a very talented actor for his ability to play it rough in action films and totally segue into this area of acting with ease and effect. The main star of this movie, whom all the action and plot centers around, is Cole, played brilliantly by Haley Joel Osment, a small boy with eyes that speak when his mouth does not. Cole is portrayed as being wise beyond his years, and his fear and emotions are brought out wonderfully under Osment's incredible performance. Toni Collette is Cole's mother, Lynn, who does a fine job of playing out her confusion and fright over her son's actions and conditions.

"The Sixth Sense" is a landmark piece of filmmaking, one of those movies that stays in the mind long after it is seen. You need to keep close attention fixated on the film, but the movie does such a tremendous job of bringing you into its story and suspense that your attention will do anything but hinder. The performances are intriguing, the material is brilliant and intense, and the overall effect the movie has in the end, along with being a superb surprise, is one of refreshment and satisfaction.

first rate psychological thriller
I was listening to the Movie Show on Radio one Saturday as I was working on my truck, when I heard Mad Max Weiss mention that The Sixth Sense had one of the most surprising endings of any movie. That did it, I had to rent it.

Staring Bruce Willis as child psychologist Malcolm Crowe and Haley Osment and the disturb child Cole Sear, The Sixth Sense is both a psychological thriller and a horror movie at the same time. Terrifying visions of dead people haunts the child, Cole. He has learned to repress what he sees for fear of being called insane. So at first, we see it as a psychological thriller. Later, we learn that the visions are real, so perhaps we are watching a horror flick, but as the move progresses it never degenerates into a silly horror movie, but keeps its psychological edge.

Although Bruce Willis is one of my favorite actors, I am afraid that I have underestimated his acting ability. This is an outstanding movie that grabs your attention and does not let go until the final credits roll. And the ending, oh yes, it was a surprise- I did not see it coming. If you have not seen this movie, rent it now. You will want to watch it several times. It is that good. Not a movie for the faint of heart or your wee ones- it will give them nightmares for a week; but if you are looking for a first rate psychological thriller you may want to add this to your DVD collection.

Un-Finished Business
The Sixth Sense

The Sixth Sense (1997) directed by M. Night Shyamalan, which he wrote and plays the part of Dr. Hill, a psychiatrist, is a timely masterpiece. The late 90's was a time for increased and renewed spiritually. Many individuals were and are still seeking answers to what happens after we die. Shyamalan was born in India where belief in reincarnation is very strong. While he was born in India he grew up in the United States in Philadelphia. There is a quality of "other world ness" or "wholly unknown" that he brings to the screen. What some have only imagined or "wholly sensed" he brings to life on film. His works include Signs (2002) and currently he is in post production of The Village (2004). What he and fellow director Jerry Zucker (Ghost, 1990) both portray through the genres of drama, mystery, and thriller is: Unfinished business keeps you around after you die.

Unfinished business is what keeps Malcolm Crowe, a child psychologist around for a while. Despite the fact that his grieving wife has not been able to let him completely go- she plays home movies to keep him close, for a while. Individuals do sense sometimes their loved ones who have passed on are right beside them. This could be in the role of protector, as in Ghost, where Sam Wheat (Patrick Swayze) tries to protect his girlfriend Molly Jensen (Demi Moore) from harm, or as a guardian angel. One theme within both films is that of coming to terms with oneself and to be at peace. This was accomplished for Sam when he was able to communicate his message through Oda Mae Brown (Whoopi Goldberg), thus saving Molly from certain death. In The Sixth Sense Crowe feels guilty about not being able to help is de-ranged ex-client. To do penance for that he tries to help, and succeeds in doing so, Cole. Cole for his part learns to face his fears, and works with his gift instead of against it. He helps the dead girl communicate a message to her father about her death. Through the process Crowe walks with Cole, afterwards he is able to let go, but first he whispers into his wife's ear how much he loves her.

What makes this film and others like it so interesting is that our society has within it a sub-culture of those who believe in the supernatural. The popularity of Crossing Over with Jonathan Edwards attests to this fact, as well as It's a Miracle. People want answers and will go to almost any length to get them. Many individuals have testified that they have either sensed or seen deceased family members at one time or another. The Sixth Sense is a great film for those of us with imagination and also for those without imagination.

UPLIFTING
Cole Sear (played wonderfully by Haley Joel Osment) is always hiding behind the "magnificent red curtain". Unable to comfortably associate with his peers, he has accepted the delegated task of the minor player, the victim, the bullied. Only when Sear tried to accept his 'fate', with the help of child psychologist Malcolm Crowe (brilliantly acted by Bruce Willis), did he realise the many beautiful opportunities he could have.

M. Night Shyamalan delivered, for me, an unusually uplifting suspense thriller. Sort of a 90s "Wizard of Oz". His craftmanship is superb. It was highly disappointing he failed to win the OSCAR Best Director trophy for The Sixth Sense.

Australian actress Toni Collette, as Cole's mother, is wonderful in her minor role. She is a world-class actor, and the car scene with Osment would have to be one of the best acted scene in the history of the silver screen. Subtle yet powerful!!! ... Read more

Reviews (42)

Mostly cliched, but there are some good things. (SPOILERS)
"Jersey Girl," Kevin Smith's first foray away from Jay and Silent Bob, is a father's story. Smith, a new parent when he wrote it, had feelings about his experience that he wanted to share - how a reluctant single father, played by Ben Affleck, sees his life change because of a child and how he comes to embrace it. That part of the film rings true. And there are touching moments regarding how he deals with his seven-year-old girl's questions about sex. And Affleck's performance is better than usual.

However, much of the film is completely mundane, featuring movie cliches that are so tried and true that you'll often know where "Jersey Girl" is going before it gets there. For instance, when you hear the daughter in the film mention her "school play," you know something's going to happen to keep her father from getting there on time. After a downright wacky elementary school performance of "Sweeney Todd" (that no authority figure organizing the event seems completely aware of until it's onstage), the shocked audience proceeds to "slow clap" their way into a standing ovation.

And the movie's essential conflict at the end is between a father's ambition to be something other than a garbageman and loving the quirky life that he and his daughter already have, so the conclusion is far from surprising. (My problem with this film and other movies who pose this conflict, like "Sweet Home Alabama," is because few in Hollywood really picked the small town life, though they make movies about people who do.)

There was a Q&A with Kevin Smith after the screening I attended, and the Q&A was far more entertaining than the film. Smith, who has done edgy films confronting homosexuality and religion in the past, makes his most Hollywood-ized film here.

just a little laugh..a little tear...
Ollie Trinke is a slick Manhattan rock promoter who falls in love, gets married, and has a baby. Things are cool so far. During labor, his beautiful wife delivers a lovely baby girl. But sadly, Mom doesn't make it. Ollie really loved his wife. And the problem is now: Who will take care of the child while Ollie presents Fresh Prince? A talented cast, a witty script, and the devilish Kevin Smith have given birth to the sleeper of the year. Aren't we all chasing that better job? Should I buy a new cell phone? Is my car out of date? Does it matter? "Jersey Girl" attacks the GEN-X madness of modern big-city rat-race. What is happiness all about? The big bucks or the little family? No new ground here, but very flawless execution. "Jersey Girl" stars Ben Affleck, cool and sober, and perfect as big-shot Ollie Trinke. The cast includes Liv Tyler, Jennifer Lopez, Matt Damon, Will Smith, and a very remarkable George Carlin. The real ringer is little Raquel Castro,as 7-year-old Gertie. This tiny ball of dynamite from Long Island steals your heart and leaves you laughing out-loud. Doubt me? Don't just buy a ticket for "Jersey Girl", get down to the theater right now! My mother was from Teaneck. Trust me on this one. There's nothing like a "Jersey Girl".

Why not? Watchable. And Liv Tyler is on fire.
The worst thing that one can say that J Lo is tragically miscast. I am not saying she is a bad actress (because she is not bad, she is quite simple THE WORST), but for the role, it is impossible to feel sorry when she dies: talk about impossibility of separating actor's own image from the role. The saddest moments of the movie are the first minutes when this self-centered, hysterical, unstable, whining cow is actually on the screen.

Ben Affleck is average - I did not mind watching him in this role; and he has a credible go at credible depiction of the type. George Carlin is superb, and his caustic wit, an echo of all-stops-pulled stand up performances, occasionally shines through - a delight.

But of course it is Liv Tyler who makes the movie not just watchable, but very, very pleasantly watchable. Liv is heart-stoppingly cute in this film, even in her slightly unflattering librarian spectacles. The film is family stuff, so don't expect One Night At McCool's type of drooling (foamy car wash and stuff), but oh boy is she worth her royalty check.

Give it a chance!
I don't know what everyone is complaining about. It is a moving tearjerker and cute too. Of course it's not going to get any oscars for acting, but why not just give it a chance? Raquel Castro is an incredibly talented kid, and I am no fan of child actors or actresses, believe me. I also found George Carlin to be perfectly cast. Maybe the folks who are panning this movie are not parents yet, so they see the whole thing differently. I say, "Give it a chance!"

A Little Bit for Everyone....
So I admit that it's not the best I've ever seen of Afleck. It is the best I have seen of J Lo (though that is not saying much). But the movie overall is pretty good. I am an avid Kevin Smith fan and as such I was excited to see the movie, but I did not get my hopes up. I found this movie to cater very much to his fans. In my opinion it is an attempt for Kevin Smith to bring a heartfelt family type, quasi-chickflick to his fans who probably aren't the biggest fans of those types of movie. Unfortunately for other moviegoers, it seems to be lost on them as the style doesn't fit into any "normal" category. It is for that reason that I applaud him. This isn't the best movie Kevin Smith has made, but it is very enjoyable and successfully translates Smith's style to other genres of film. The movie is fun, funny, and touching. Raquel Castro is absolutely enchanting, Carlin gives a wonderfully touching but hilarious performance, and Afleck can be sentimental if you give him a chance and don't prejudge.

Other people say that this film is just a rehash of the cliche, but then aren't most touching chickflick type movies? I think that Kevin Smith's style adds a great deal to the movie to make it stand out from the rest, as I am tired of all the other cliched heartfelt movies.

However, I'm waiting to buy the movie until it comes out on Special Edition with all those great Kevin Smith extras next year. ... Read more

Description

Farscape is an adventure as broad and weird as the universe-full of strange creatures, bizarre twists,irreverent humor, raucous, action, passion, and romance!Produced in Australia with the incredible talents of Jim Henson’s Creature Shop, Farscape is the fantasy-scifi-drama-romance-comedy-adventure you will always rememeber! ... Read more

Reviews (4)

This a great deal, for fans of the show
I happen to really like the show, so I am biased. But, I bought the singles dvds for over $100 so this is a great deal. This season the production values were so much better than season 1 and it shows, a lot more action, most of it, took place away from sanctuary. They all start to grow in their powers which reveals a dark side to Emma, and Brennan acts like a petulant teenager and questions and confronts Adam on everything. Fans, be sure to check out episodes 201, 205, 206,218, 220. The "Inferno" episode is truly the best.
Buy it you won't be disappointed.

Load of Garbage, Maybe one good show in the whole disk...
They release the whole second season, while different episodes were released on earlier disk sets.Where's the goal to do that?A.D. Vision must really be run by geeks who smoke weed.

i cant believe they ended it!
mutant x is one of the best shows around i cant believe they ended it on a cliff hanger and never made any more. i think season 2 is a really good season as it shows when ashlock gets into shalimars head, which is really interesting to see.

Bring on the third seson
the third sesaon is all that. its a shame that they took emma out of the show but oh well, what done is done. YOU HAVE TO RELAESE THE COMPLETE THRID BECAUSE SEASON TWO ENDED NOT RIGHT AND FOR THE MUTANTX DVD COLLECTION TO END WELL, YOU Need to have the complete third one out there. the second one, i loved soo much. everybody's powers were growing especailly emma's, her powers were the best. I loved it when she had went inside the guys mind and turn into three and used the lazr blast on him. The best part was when her eyes had turned black. Creepy. ... Read more

Reviews (43)

Probably my favorite little-known horror film.
If you're all stocked up on the requisite horror/sci-fi DVDs and are looking to go deeper in your collection, here is a little gem from 1987 that I guarantee will please. Everyone has a movie they love that nobody else saw - this is one of mine.

You can get a feel for the story from the Amazon blurb above. My testimony is for the fun of the film. It's not gory, or even necesarrily bone-chillingly scary. It's just extremely entertaining and really well done (it's cousin in this genre is TREMORS, for the fun and campiness of it all).

But what makes this DVD worth BUYING is its extras, especially the commentary by director Jack Sholder. This guy is a B-movie director if ever there was one, and his resume isn't all that impressive: Nightmare on Elm Street 2, Renegades, some other forgettable 80's films, and the recently abysmal Supernova. But gosh darnit if he didn't make a good enough film to warrant some director's audio commentary, and boy does he go to town. You can tell he's probably a real jerk to work with, and quite impressed with himself. And his cranky disposition makes for some great dirt on the making of this film. He disses the star, Michael Nouri, and even blasts the poor acting of some of his bit players. This is a guy who likely makes few friends with his commentary, and it's VERY entertaining, especially after having enjoyed the film for your first time. On top of that, he's a pretty practical low-budget director who shares the tricks of what he did and adds depth to one's appreciation for the film.

So to sum up - a great little movie on its own merits, with great director's commentary to warrant purchasing the DVD.

Graphic sci-fi with a sharp sense of humor.
"The Hidden" turned out to be a real surprise. The aliens in this picture love fast cars and rock-'n-roll music. The story is about an alien cop of one species looking for a criminal alien of another species, which he follows to Earth. Both aliens enter human bodies and control these bodies until the host is dead. Violent and graphic, this film doesn't cover new ground, but twists it by juxtaposing this violence with a keen sense of humor. Michael Nouri is fine as the haggard city cop trying to understand the random killings suddenly spreading throughout his city, and Kyle MacLachlan is perfect in the roll of the quirky alien using an FBI agent's body to hunt down the criminal. Between 1 and 10, "The Hidden" gets a marginal 7.

An Excellent Sci/Fi Thriller.
A Series of Bizarre, Unusual Crimes are Committed by Seemingly Ordinary Citizens of Los Angeles. L.A. Police Detective (Micheal Nouri) is totally buffled by these stranges crimes. When a Mysterious F.B.I. Agent (Kyle MacLachlan) is helping the Police Detective with these inexplicable robberies and murders but not telling the detective that a Demonic Extraterrestrial Creature is Invading the Bodies of Everyday Citizens and Transforming Them into Inhuman Killers.

Directed by Jack Sholder (A Nightmare on Elm Street 2:Freddy's Revenge, Wishmaster 2:Evil Never Dies, Alone in the Dark) made a entertaining, wildly violent, kinetic, sci-fi action/thriller that is even touching with a sense of humour. This Independent Film has High Production Values was made with a Budget of $5-6 Million. This was a Small Hit for then Independent Studio-New Line Cinema. MacLachlan and Mouri are good in the film. DVD has an fine anamorphic Widescreen (1.85:1) transfer (also in Pan & Scan) with an digitally remastered-Dolby Digital 5.1 Surround Sound.

DVD has an great filmmakers commentary track by the director:Sholder and another film director (Who nothing to do with the film production but He's a fan of the film):Tim Hunter (River's Edge). DVD also has Unused Footage, never seen before special effects production footage with narration by the director of the film and the Original Theatrical Trailer. This film has become a Cult Classic and it's also a Underrated Film. This is a Fast, Violent, Edge of your Seat Thrill Ride of a Movie. Writer:Bob Hunt, who wrote this film is really-Jim Kouf. Which Kouf wrote "The Stakeout Films" and the little seen-"Gang Related". Terrific Music Score by Micheal Convertino. Grade:A.

Kill Those Smarmy Car Salesmen!!
This movie takes a tentacled stab at the Human Race. A great sense of humor throughout the film. Wild special effects. Surprised faces on nearly everyone in the movie! If you need a worthy SCI-FI flick for your collection this would be a good choice. Very re-watchable for the [gory scene/surprised faces] laughs alone.

The Hidden (1987)
Director: Jack Sholder
Cast: Michael Nouri, Kyle MacLachlan, Ed O'Ross, Clu Gulager, Claudia Christian.
Running Time: 97 minutes.
Rated R for violence, sexual situations, gore, and language.

A nice surprise of an action-science fiction feast, pitting police detective Michael Nouri and federal agent Kyle MacLachlan to join forces against an unknown evil. When a bizarre series of crimes wreck havoc on the streets of Los Angeles, California, the two discover that they may be up against a slithery alien intruder that wants to take over the world. MacLachlan's behavior gets stranger and stranger as the film goes on, prompting Nouri to suspect that he may have something to do with it.

Director Sholder creates a "Lethal Weapon" on extra-terrestrial steriods, creating an original and amusing cop-buddy flick that is satisfyingly different. While the script is fairly bogus and the performances are only mediocre, the action sequences and special effects are very well-done. Not a film that should cause anyone to drop all of their things and watch at once, but an exciting motion picture that will gratify those who enjoy many genres. ... Read more

Reviews (584)

Superbly executed
You'll enjoy this stylish blend of sci-fi and film noir if you're willing to suspend your disbelief at the door. Many have decried the illogical holes in Scott Frank and Jon Cohen's otherwise excellent screenplay, but in the end these deficiencies hardly matter. Movies dealing with predestination never answer the big questions effectively - they just use them as the springboard for a story. And "Minority Report" tells a pretty good one, even if it does reveal where it's going too soon and is occasionally marred by Spielberg's trademark mawkishness. Tom Cruise is hugely enjoyable as the frantic John Anderton, and Colin Farrell does a fine job of making you hate Detective Witwer. It looks great, sounds great, holds your attention for all 147 minutes, and will even have you giggling at the spectacular product placements and some unexpected comedy. It's a reasonably faithful adaptation of Philip K. Dick's story, too, so fans of the original should be pleased - although Act 3 does see the writers wandering into Hollywood-ending territory and has Spielberg wrapping things up on a typically optimistic false note. Still, it's refreshing to see a bunch of filmmakers tackling a sci-fi adaptation seriously and successfully while still keeping an eye on the box-office. If you're going to spend close to $100 million on a sci-fi project - and, let's face it, these days you have to - then you also have to consider the return. The result is a memorable film that strikes a savvy balance between deep thought and commercial appeal. "A.I" flopped because it glorified the former and "The Time Machine" failed by pandering to the latter. "Minority Report" wisely walks the middle-path. It won't have enough explosions to thrill die-hard action fans, nor quite enough depth to really please sci-fi devotees. But for the rest of us, it works.

Critics say this is five stars. For once they're right!
I probably would have waited until Minority Report hit the rental stands if it weren't for all the five-star ratings critics have been giving this movie. After being digitally assaulted by the current crop of high-budget special effects films like Spiderman and Attack of the Clones, I was already weary of acting and storyline taking a backseat to gee-whiz computer graphics. I underestimated Spielberg's ability.

So what is the plot exactly? Well, dear reader, take comfort in knowing I will not spoil the movie for you. In the year 2054, Americans are subjected to Gap clothing stores (that scan your retina and hard-sell khakis by your name) as well as USA Today newspapers with animated front page covers that update in real-time. Tom Cruise is John Anderton, Washington D.C.'s top-cop in the experimental pre-crime unit that seeks out and eliminates would-be murderers through the use of precognitive beings that are able to sense murders shortly before they happen. The premise sounds wonderful until John discovers he's about to murder someone he has never met. This is the story on the surface yet it is not the story. I fear many will avoid this movie because this is all they will expect. I will stump for this movie because it's not just an action-thriller and it's not just a thinking-man's science-fiction movie. What lies beneath the story is much deeper and darker.

You see, even in knowing the future, Mr. Anderton is confronted with an awful dilemma. How can he prevent himself from killing the person he is supposed to murder if he has never seen the person he is supposed to kill or the location the murder is supposed to take place? Is the future preordained or does man create his own destiny? As Anderton uncovers the answers to these questions, viewers will find that this is not the underlying story either.

Minority Report is a dark and disturbing vision of the future made believable with Cruise's much more human characterization of Anderton than his previous Mission Impossible persona. Samantha Morton, Colin Farrell, and the incomparable Max von Sydow all serve to effectively help and hinder Anderton's quest. Are there flaws in the movie? Perhaps. The action scenes are impressive and appropriate, but one particular scene in the LEXUS factory contained so much eyeball-jarring camera manipulation that I felt I was hit by a "sick stick." And speaking of brand-names, reviewers complain of the blatant commercialization of the movie. Without question, an obscene amount of advertising permeates almost every frame. Did Spielberg sell out to the highest bidder or is he making a statement about the not-so-distant future, or even the present? I'll let you decide. Finally, the fact this movie received a PG-13 rating is a statement in itself. I remember all the controversy generated by parent-groups when Poltergeist received a PG rating. It seems so long ago...

Yet credit must go to Steven Spielberg as there was much of this movie that could've been done ineffectively. After the disappointing box-office numbers of A.I., many (including myself) were expecting a dumbed-down formulaic hack to swing alongside the rest of the massives. Instead, Spielberg shows he's master of the technology as the impressive display of visuals serve to add to, not overwhelm the story. By the time the movie ends, you may find yourself pondering the kind of questions only philosophers argued over.

does not live up to the hype.
this was supposed to be a glimpse into a very possible future.i heard on an hbo special that the directer payed the top experts in almost every field to come to his house for the weekend to discuss the realities that will be in the future.the fields included automative,law enforcement,science,marketing etc.im having a hard time beliving this now.the whole point of this story has any basis in reality at all.there are these 3 psycic chicks who the government keeps in a tank.there only function is to send mental images into these computers that fortell future murders.the murder rate drops to 0 and the system is perfect.well one day tom cruise gets his name as a would be murderer and decides to buck the system.there is a child abduction/murder angle in this movie.i think it is unthinkable enough that this really happens.i think it is an abselute atrocity that moviemakers feel like they have to put that in movies.i watch movies for entertainment not to be reminded how sick and twisted this world really is.or two hours i could escape the harsh realities.then some jerk says hmmmm we could use any bad guy we want.lets use a child killer.that sucks!i would have rated this movie a 4,if not for that.steven spielsberg is your director.ill give him yet another award.the most overated directer of all time.this is his best work ever though.theres a lot of slow parts in it also.a lot of police detective type work and talk.there are a couple gross parts but if you dont mind watching a movie centered around a child killer youll be alright.when the bad guy is finaly met,a very intense scene goes on.i was right there.the main psycic chick would be sexy if she wasnt so damn wierd.tom cruise does a great job in this one.this is a very good movie all in all but the hype makes it sound better.this is tom cruises 2nd best movie.this movie drags on longer than most.

Do You Have One?
Minority Report definitely ranks as one of the best future-theme movies of all time. Although not as groundbreaking as The Matrix or visually stunning as Blade Runner, it has it's own pro's.

In a future where future crimes are predicted using triplets or 'Pre Cogs' with the ability to foresee events yet to come, the Police Officer in charge and support of the device himself (Tom Cruise) is accused of a murder that he has yet to commit. Though he believes that he is innocent, the squad doesn't, so Cruise sets out on his journey to find the truth.

The storyline for the movie is interesting, very thought provoking. A lot of what is talked about sounds complicated at first, but listening closely will reveal that they are really talking about the Minority Report of Cruise. Listen even more closely and you'll understand the entire movie, otherwise you will be lost.

Good actors playing good characters, impressive special effects, quality action, and a deepening plot - Minority Report is definitely worth the price of admission.

Awful Minority
I may be in the minority, but Minority Report is awful. Tom Cruise shines in actual human dramas like Jerry McGuire or Rainman, but this futuristic garbage, this futurramma cop is just a showcase of movie technology without a heart. Vanilla Sky had the same problem. Why should I care about these characters that are so zippy futuristic? Spielberg cannot get science fiction right unless it's for children. His best movie required no computer gyration, Shindler's List, but then again, that movie had a script. I was asleep by the time they put this morph in the water. ... Read more

Amazon.com

Considered by many to represent a low point in Steven Spielberg'scareer,1990's Always did suggest something of a temporary drift in thedirector's sensibility. A remake of theclassic Spencer Tracy film A Guy Named Joe, Always starsRichard Dreyfuss as a Forest Service pilot who takes great risks with his ownlife to douse wildfires from a plane. After promising his frightened fiancée(Holly Hunter) to keep his feet on the ground and go into teaching,Dreyfuss's character is killed during one last flight. But his spirit wandersrestlessly, hopelessly attached to and possessive of Hunter, who can't see orhear him. Then the real conflict begins: a trainee pilot (Brad Johnson), alikable doofus, begins wooing a not-unappreciative Hunter--and it becomesDreyfuss's heavenly mandate to accept, and even assist in, their buddingromance. The trouble with the film is a certain airlessness, ahyper-inventiveness in every scene and sequence that screams of Spielberg's self-education in Hollywood classicism. Unlike the masters he is constantly quoting and emulating in Always, he forgets to back off and let themovie breathe on its own sometimes, which would better serve his clockworkorchestration of suspense and comedy elsewhere. Still, there are lovelypassages in this film, such as the unforgettable look on Dreyfuss's face ahalf-second before fate claims him. John Goodman contributes good supportingwork, and Audrey Hepburn makes her final screen appearance as an angel. --Tom Keogh ... Read more

Reviews (44)

ALWAYS--An Unfairly Maligned Movie
A loose reworking of Victor Fleming's 1943 World War II drama A GUY NAMED JOE, ALWAYS has to rank as perhaps director Steven Spielberg's most unfairly maligned movie. Even though it has a very old-fashioned feel updated to the late 1980s, this is still a fine movie done with real poignancy. This is nowhere near the bottom of the Spielberg canon; that dubious distinction belongs to "1941" and HOOK.

Richard Dreyfuss stars as Pete, a dare-devil aerial firefighter with a penchant for taking a lot of unneccesary chances in his line of work. As much "fun" as he has, he is worrying not only his partner Al (John Goodman), but also his one true love Dorinda (Holly Hunter). After much pressure, including Hunter's threat to leave him, he agrees to settle down and become an instructor for up-and-coming flyers in Colorado after one last mission. But on that mission, in the process of saving Goodman when his plane catches fire, Dreyfuss loses his life when his aircraft explodes. Goodman is horrified, and Hunter devastated.

In heaven (or a burned-out section of forest), Dreyfuss is met by a guardian angel (Audrey Hepburn, in her final role). He comes back to earth as a spirit, to help a rookie fire-fighter (Brad Johnson) learn the tricks of the trade. Johnson does this and more; unfortunately, he also falls head over heels for Hunter, and Dreyfuss feels the pain of having to watch this, not being able to let go. But Hepburn gives him very good counsel, and he is redeemed by saving Hunter from a fiery death in a flight through a nightmarish firestorm.

One of Spielberg's most touching movies, ALWAYS was unfairly castigated by critics as being heavy-handed and manipulative. I, however, am extremely cynical of such critics who only analyze certain films and don't really FEEL anything. This is a film of pure emotions, ranging from comedy, both dark and slapstick, to tear-jerking drama to a suspense and terror-laden climax. The cinematography and the special effects are typical for Spielberg--convincing and top notch. Spielberg, however, wisely, does not stint on the drama. Dreyfuss and Hunter are excellent, as are Goodman and Hepburn. Johnson, often heavily trashed, does a fairly good job with his role, complete with his John Wayne imitation (specifically borrowing a line from John Ford's THE MAN WHO SHOT LIBERTY VALANCE).

A typically fine score by John Williams, which presages his work for Spielberg's controversial 2001 sci-fi drama A.I.: ARTIFICIAL INTELLIGENCE, tops off ALWAYS, one of the most misunderstood movies of recent times. For poignant romantic drama, this is an essential movie, a true must-see.

An wonderful fantasy drama.
When a daredevil pilot (Oscar-Winner:Richard Dreyfuss), who died, after saving the life of his best friend (John Goodman) and leave behind his darling fiancée (Holly Hunter) until he comes back as a guardian angel to give advice to his Successor (Brad Johnson) but his Successor ended up falling in love with his fiancee, he still loves.

Directed by Four Time Oscar-Winner:Steven Spielberg (Empire of the Sun, Schindler`s List, A.I.-Artifical Intelligence) remade this from a 1947 film named A Guy named Joe. Dreyfuss is in Top-Form here. John Goodman is good in this supporting role, so is Holly Hunter as the second lead of the film. Two-Time Oscar-Winner:Audrey Hepburn (in her last film) is also great as Dreyfuss Guide. DVD has an sharp non-anamorphic Widescreen (1.78:1) transfer and an excellent Digitally Remastered:Dolby Digital 5.1 Surround Sound. This is a touching, funny, life-affrming and lightweight. Fine music score by John Williams (Fiddler on the Roof). Grade:A-.

One Of Williams's Most Enchanting Scores
John Williams has created a very beautiful score for, in my opinion, Steven Spielberg's most underappreciated film. Williams's score is very subtle and heavenly since we're talking about a dashing air firefighter (Richard Dreyfuss) who dies while trying to save his best friend (John Goodman), thus leaving behind the woman he loves (Holly Hunter).
After a string of good songs, -The Platters' 'Smoke Gets In Your Eyes' is included here, along with a very nice version by J.D. Souther -Williams's score begins with 'Among The Clouds', a lovely piece that has something like an overture before giving way to a full treatment of the main theme, itself repeated in cues like 'Pete And Dorinda', 'Saying Goodbye', and 'Seeing Dorinda'. There is also a fun moment with 'Follow Me' where Williams uses one of his trademark techniques: allegretto, if I'm not mistaken. We have also an element of suspense with 'The Rescue Operation', in which the fire flyers are getting ready to put out a big forest fire; in here what I call the "farewell theme" is heard for the first time when the Dreyfuss character is ready to say goodbye to his loved one. That "farewell theme" is better represented in the final cue 'Dorinda's Solo Flight'. However, we have sort of a "heaven-like motif", especially when the Audrey Hepburn character is present, and I'm not quite satisfied with it; somehow it makes the album feel a bit long.
In general, "Always" is a beautiful and touching score. A fine work by John Williams.

The air is full of surprises
Now this I stumbled across at the library. I didn't expect much of it, there were only three reasons I got it. One: I really like flying. Two: it had Richard Dreyfuss in it, one of my favorite underrated actors, and Three: An appearance by the lovable Audrey Hepburn. After watching it, I knew I had to have it. You'll like it too. The acting is superb by some of the greatest actors of our time. A surprising movie that will definitely keep your interest soaring.

Fires are raging out of control in the forest. As one of the particapants of the containing of the fires, Pete (the likeable Richard Dreyfuss) is torn between his true loves, his tomboy girlfriend, Dorrinda (the beautiful Holly Hunter), and his career. His choices would be made too soon. When his friend Al (John Goodman, hilarious as ever) is in danger when his plane engine catches fire, Pete heads for the rescue, only to get killed himself.

Not aware that anything has happened to him, he meets up with a strange yet kind angel named Hap (Audrey Hepburn's last role) who tells him what really happens. Pete has one more duty to do before leaving Earth. Hap gives gim an assignment, six months after his death, of helping a rookie fire fighter pilot named Ted (Brad Johnson in his first movie) in the ways of getting the job. Things don't go too well for Ted, for it is obvious he has a lot of work to do after dumping red fire retardent all over Al. Things begin to go for Ted, but bad for Pete as he begins to fall in love with Dorrinda. Pete soon realizes that he has to help Ted with his blossoming relationship with Dorrinda, his firefighting carrer, and that it's not his time anymore, and that life must go on, for them anyway.

I loved the movie from the start and immediately purchased it. Some people may not like it, but it is their choice. I will Always love this movie, and I suggest it to anyone who needs a little drama, and laughter rolled together in a movie. 5 stars to a great Spielberg movie once again.

Mr Spielberg, is that you?
"Always", starring Richard Dreyfuss as Pete Sandich, Holly Hunter as Dorinda Durston, Brad Johnson as Ted Baker, John Goodman as Al Yackey with a special appearance by the late Audrey Hepburn as an "angel" Hap. Dreyfuss plays a firefighter who lives life on the edge, flying his plane precariously into danger and causing his girlfriend much grief in the process. He soon comes to grief in a horrific accident and is sent back by an "angel" to help out a young pilot (Brad Johnson).

I really did not enjoy this movie. Being a Spielberg film and one that I was not familiar with, I gave it a shot. This was a fairly weak effort, Holly Hunter does not make a good leading lady at all. I like Richard Dreyfuss, but his creepy stalking of his old girlfriend was just that - creepy. I like Brad Johnson, he's an ok actor and he did well with the poor script he was given. The film was very melodramatic and Hunter delivered her lines as if she was in a high school play.

Audrey Hepburn was still as lovely as ever playing the character "Hap" who sends Dreyfuss' back. The writer's understanding of the afterlife and angels was very poor though, (I know it's only a fantasy film). I have seen the original with Spencer Tracey but did not find that memorable at all either.

Allow me to go up on my soapbox for a moment (cause I feel like it). Yes I know it's just a movie but it got me thinking. You will not learn anything of the afterlife from watching Hollywood movies. This one, like Ghost, show that if you are what the world considers a "good person", you will go to a good place when you die. In Ghost, the baddies got dragged of by demons when they died whilst the goodies went off to God. In reality, it's only through Jesus' death and sacrifice that we are made ready for heaven and those who live in wilful sin (such as Dreyfuss and Hunter shacked up in a fornicating relationship), show no true faith or repentance and would not enter heaven. As far as good or bad people, only Jesus was a perfect human being, everyone else is sinful and needs God's forgiveness which is available to all who will sincerly come to Him and ask Him for it, (you don't need to go through a priest either, there is only one go-between, his name is Jesus). All of us have broken God's ten commandments, (the first one is to love Him with all our hearts, who has done that?).

In conclusion, Always is a mediocre film that could have been great had the script been more interesting and even theologically sound (...)that everyone goes to heaven and that there are many ways to God. Check out a christian movie "escape from hell" if you want to see a film that is based on fact and that shows the afterlife as it could be. (...) ... Read more

Description

C’est vrai!
David Suchet is the definitive Poirot.
Hercule Poirot is the detective, and no actor has defined the brilliant little Belgian’s onscreen persona like DAVID SUCHET, the Poirot. Millions of fans made Suchet’s Poirot the most-watched detective in the history of the PBS Mystery! series and a hit all over again on A&E. Armed only with his razor-sharp wit, Poirot unravels the intricate plots concocted by Dame Agatha Christie, the mother of the modern mystery story. Ablaze with the elegance of its 1930s setting, the series also stars Hugh Fraser as Captain Hastings, Philip Jackson as Chief Inspector Japp and Pauline Moran as Miss Lemon.

THE THEFT OF THE ROYAL RUBY — International relations are at stake as Poirot hunts for a stolen Egyptian royal jewel. THE AFFAIR AT THE VICTORY BALL — When two revelers at a lavish costume ball are murdered, small but telling clues lead Poirot to the killer. THE MYSTERY OF HUNTER’S LODGE — Poirot must find a murderer among the members of a quarrelsome hunting party. DVD SPECIAL FEATURES INCLUDE biographies of Agatha Christie and David Suchet, cast filmographies and Agatha Christie materials. ... Read more

Reviews (5)

It's great!
Every once in a while, an actor comes along who not only plays the role of Sherlock Holmes, but actually redefines the role. Well, this has now happened with Agatha Christie's detective, Hercule Poirot! In 1989, veteran actor David Suchet (b.1946) was tapped to play Poirot, and the rest, as they say, is history.

This marvelous DVD contains three(!) of the hour-long episodes of the Adventures of Hercule Poirot:

The Theft of the Royal Ruby - Season 3, episode 8 (February 24, 1991) - When a priceless jewel is stolen from a foolish Egyptian prince, the government turns for help to Poirot.

The Affair at the Victory Ball - Season 3, episode 3 (January 20, 1991) - When a man is murdered in a crowded costume party, and no one saw who did it, Poirot begins to exercise his little gray cells.

The Mystery of Hunter's Lodge - Season 3, episode 10 (March 10, 1991) - Poirot's visit to a millionaire's hunting party turns tragic when he gets a near fatal cold. But, when the host is found brutally murdered, Poirot realizes that only he can bring the perpetrator to justice.

This is a great DVD, one that I highly recommend to anyone who loves a good mystery, or just loves excellent drama. It's great!

MYSTERY MAGNIFIQUE!
It's no mystery why this is the most-watched detective show in the history of the PBS "Mystery!" series --- Christie penned a brilliant Belgian [detective]who solves crimes only using his "little grey cells" and the aid of his affable associate Captain Hastings. And not one hair out of place on his perfectly coifed hairy lip! No mystery why fans shouldn't host sleuthing
fetes: Acorn is releasing the entire canon! Mystery magnifique!

Poirot continues to be wonderful!
The Theft of the Royal Ruby - While it's interesting to see Poirot on his own, I still missed Hastings and Miss Lemon. But what turned my away from this one is the mystery. It's just not that interesting and revolves too much around coincidence. - 3 stars

The Affair At Victory Ball - This episode combines a great atmosphere, intriguing characters, and chilling murder, with many great plot devices inclucing the six coustumed-characters and the final radio broadcast. While at first I thought this awkward, in the end I love it cause it just captures how much Poirot loves to show off, and I love the comment made about the broadcast at the end. GREAT TELEVISION! - 5 stars

The Mystery of Hunter's Lodge - Some repetitive plot devices, but still solid and Poirot's "One can Leave!?" comment has becomoe a staple in the quotes I say way too much. - 4 stars

Box Set Overall score (Not an Average) - 4 stars

wonderful mysteries with an added bonus
The Poirot series in general stands as a wonderful example of how good the much-maligned medium of television can be. Obviously the attention to period details is wonderful, but that in istelf is not nearly the greatest of the program-makers' achievements. Rather the quality of the writing and acting is what deserves the most notice, and this sixth set from the folks at Acorn Media is no exception. All of the mysteries here are highly enjoyable.

As a fan of radio, "The Affair at the Victory Ball," with its broadcast-focused climax is great fun and "The Mystery of the Hunter's Lodge" is classic Poirot. My personal favorite in this set, though, is "The Theft of the Royal Ruby," because it's one of the uncommon cases where we get to see Poirot without his familiar sidekicks. David Suchet is always marvelous as Poirot, but here he makes the fullest use of the full spotlight.

And, if three great Poirot mysteries wasn't enough to make me happy, Acorn Media has included an excellent little guide-book to the show with this set called "The Poirot Casebook." Not only did it give cast and credits for the many episodes of the series, it included quotes, trivia and an introduction written by David Suchet. I don't know if this is a limited time offer, but if you're a fan of Poirot, this book is a must-have item.

Suffers only in comparison with the earlier sets
At last, the final set in this series of video mysteries. I say "this" series, because the friendly people at Acorn Media assure me that other entries are to follow in the not too distant future. Please see my reviews of sets 1-3 for general comments about these offerings.

"The Theft of the Royal Ruby" starts with both Miss Lemon and Hastings away (probably a holiday for Pauline Moran and Hugh Fraser) and Poirot all ready to spend Christmas alone with a box of chocolates. He is urged by a high official to retrieve a priceless ruby that a young and arrogant Egyptian prince has foolishly lent to an adventuress who vanished with it. The way in which it is retrieved halfway through the episode is stretching things a bit too far; and Poirot's plot to trip up the thieves is even more far fetched. A lot of fun, but not a really successful episode.

"The Affair at the Victory Ball" involves Commedia dell' Arte costumes; and somehow the Detective's explaining the solution over the radio simply does not work. The business of cocaine abuse among the upper classes, though, always has its effect; and by a coincidence, Acorn Media released this set at the same time as the Peter Wimsey "Murder Must Advertise," which also deals with drugs in the England of that period.

"The Mystery of the Hunter's Lodge" uses the by now familiar device of the attractive woman disguised as a homely one, but it is the most satisfactory of the three. Although the relationships between the characters at the lodge are revealed sporadically during a hunt in which the dialogue is difficult to follow, this episode comes closer to film noire than does any other in the series and that makes it unusual.

Although I feel bad being so negative in this review, I realize that we have the 16th to 18th dramatizations of Christie's short Poirot mysteries and that most of the better ones have already been used. Still the production values and the acting are superior to the relentless realism of what now passes for "crime" television series and I must give it the top rating. If it suffers in comparison, it is only in comparison with the earlier offerings in this same series! ... Read more

Reviews (4)

Good, old, HBO horror series
They really should bring this series back. To those of you who have been living under a rock for the last 16 years, this is basically a very good, revamped-gory version of the twilight zone. Some great short horror stories!
Side note: I still have the old Crypt keeper dolls (still in their boxes) in my closet. I bought them at Spencer's gifts ages ago, maybe someday they will be worth something.

"Mirror, mirror on the wall. Who's the FEAREST of them all?"
Welcome to my review, horror freaks! So glad you could join me and read about the 6 eerie episodes of HBO's "Tales from the Crypt," the very ones that helped the series rise from its tomb back in 1989. It's been 9 long years since the show went off the air, and until now, I've been waiting for the Crypt Keeper's putrid puns and awful alliterations to be forever preserved on DVD format. And why not? The show lasted a full 7 seasons and featured many of the biggest actors and directors in Hollywood. Each tale carefully incorporates the grisly black humor William M. Gaines EC comic books, which were almost banned in the 1950's. Did I say 'almost?' Anyway, as other HBO programs like "Dream On," "Deadwood," and "Carnivale" were packaged and displayed on Best Buy shelves, I wondered if "Tales" would ever be among them. Well, the time has finally arrived, creeps! As stated by John Kassir himself, Warner Brothers wisely chose to create these discs so we ourselves can scare the next generation of kiddies to come. Even better is the fact that the second disc of this Season 1 set will contain a sickening array of never-before-seen extras. I don't want to give the surprises away, but I will briefly tell you the stories you are about to see. Enter, if you dare!
"Dig that Cat...He's Real Gone" stars Joe Pantoliano as Ulric, a homeless alcoholic who becomes a rich and famous sideshow performer after a mad doctor (Gustav Vintas) surgically implants a cat's gland into Ulric's brain. This procedure allows him to die and return to life nine times. Morbid hilarity ensues as a carnival barker (Robert Wuhl) presents Ulric the Undying to astounded audiences who watch him get electrocuted, hanged, drowned in a tank, and shot with an arrow (among other things).
In "The Man Who was Death," Bill Sadler (who eventually starred in the 1995 Tales from the Crypt film "Demon Knight") plays Niles Talbot, a state executioner who loses his job after spending 12 years pulling the switch. This resulted because the government unexpectantly repealed the death penalty. However, not wanting to abandon his favorite occupation, Niles drifts to the other side of the law by killing criminals who were acquitted by the courts.
The frightening and festive "And All Through the House" stars Mary Ellen Trainor as a devious housewife named Elizabeth, who brutally bludgeons her husband with a poker to collect on an insurance policy. Just when she is ready to eliminate the corpse, a homicidal maniac donning a Santa Claus costume (Larry Drake) terrorizes her with an axe. Even worse, Elizabeth can't call the police for fear of being convicted of first degree murder and losing custody of her daughter.
Vanity and greed play a central role in "Only Sin Deep," a tale about a street prostitute named Sylvia Vane (Lea Thompson). After killing a pimp and stealing his gold jewellry, she willingly sells her beauty to a strange pawnbroker (Britt Leach) in exchange for $10,000 cash. At first, Sylvia wins over the affections of a suave playboy millionaire. But immediately afterward, as a result of some black magic performed by the pawnbroker, she gets increasingly distraught as her face quickly ages. Desperate to buy back her looks, she shoots her rich lover dead, but is then forced to avoid prison by staying ugly for life.
Prepare for a honeymoon hell in "Lover Come Hack To Me." Here, a cunning bachelor named Charles (Stephen Shellen) marries a naive Peggy (Amanda Plummer) for her inheritance money. On a rainy night, after accidentally getting stuck in an abandoned mansion, the two go up to the bedroom and make perfect love for the very first time. Originally, Charles was going to kill Peggy and stage the crime to look like a burglary. But he soon discovers that her family history is cursed, and that much darker skeletons lie in the bride's closet.
Last but not least is one of my favorite episodes, "Collection Completed." M. Emmet Walsh plays Jonas, a grouchy tool salesman who finally gets to retire after 47 years on the job. His slightly odd wife Anita (Audra Lindley) has developed a fondness for pets...alot of pets. In fact, she keeps a zoo-full of cats, dogs, and birds in the house. On top of that, she talks to squirrels and runs an aquarium in the bathtub. Obviously, such an attachment to animals is enough to drive Jonas up the wall! Inevitably, he gets sick and tired of not having enough attention, and he gleefully takes up taxidermy as a hobby. But those poor animals weren't the only living creatures that ended up getting stuffed.

Tales from the Crypt
I have written HBO countless e-mails over the years begging for this dvd set. I never received one e-mail response from HBO. Oh, well. I really did not expect one.
This is one of the best horror shows, period. Some of the top horror/adventure writers and directors wrote and directed these episodes. I believe this series ran for seven seasons. This can be intense stuff, not for children because of the nudity, sex, graphic violence, superb gore effects, language, and more. Some of these stories are truly the stuff of nightmares. They will haunt you.
If you have never seen Tales from the Crypt you are in for a treat, if you are a fan of horror. Go to your local book store and pick-up a trade paperback of the old EC comics these stories are based upon to get a feel for the translation from comic book to television show. Wait until you meet the Cryptkeeper, who introduces each episode, for a meeting of the surreal and insane and just plain weird. And, you will see some big name stars come to fantastic demises. Just wait, you'll see.
Now, where are Tales from the Darkside and Friday the 13th the series. These are two more violent horror series from the pre-politically correct present day.

Great Series Finds It's Footing In A TV/DVD Obsessed World
Yes, It has finally happened: Warner Bros./HBO Productions has announced that a 2-Disc, First Season set of "Tales from the Crypt" will be released on July 12th. The first season consisted of six episodes that fit quite nicely on this set's first disc. They are: "The Man Who Was Death", Dig That cat...He's Real Gone", "All Through The House", "Only Sin Deep", "Lover Come Hack To Me", and "Collection Completed". The second disc will hold bonus features that are rumored to include 2 Featurettes: One on "Tales From Comic Books To Television" and the other on "The First Season's History." Plus a new introduction by "The CryptKeeper"(John Kassir). Now this has not been confirmed, so it's pretty much a rumor but these are the possibilities. So far, there is no cover art or any other materials but stay tuned to tvshowsondvd.com for more news info which should be coming soon! Tales From The Crypt: Season One, July 12th! ... Read more

Description

Seasons 1 and 2 of the 4-time Emmy Award-winning Drama available together on DVD. ... Read more

Reviews (2)

Excellent Episodes. Not so great extras
The DVD version of this series is dangerous because the story arch is so compelling you'll find yourself sitting and watching episode after episode unable to stop just to see what happens next. If you've already seen the shows you'll watch them in great anticipation of those dynamic character moments contained in each episode (Yo-Yo Ma at the White House, sparing between the Bartletts, the moment when Donna learns of the President's medical condition). It's incredibly enjoyable to spend time with these characters and Mr. Sorkin's writing tickles us and touches our hearts such that we're reluctant to leave this amazing world and these equally amazing people who populate it.

The unfortunate part of the DVD package is the extras. The commentaries are just plain awful. They are stilted, awkward and boring, offering very little insight into the making of the show, backstage with the actors or any technical information - or what we're all hoping for -- some real gossip. In the published scripts of the show, Mr. Sorkin has written introductions which provide fascinating anecdotes about what was going on around the construction of the script and/or what was the inspiration for the story. That doesn't happen on the DVD. The outtakes or gag reel is short and not very satisfying. And where are the taped interviews with the actors and show's creators? I wonder if the departure from West Wing by Mr. Sorkin and Mr. Schlamme (which seemed to happen not be their choice) has created a situation in which pulling together some meaningful documentary regarding this significant television drama undoable.

Buy the DVDs to watch the episodes over and over (and you will, I'm sure). Buy the published scripts for the real "behind the scenes" stuff that adds a bit of color and depth to an already deeply colorful and moving television show.

Fantastic First Season & Superb Second Season
I didn't start watching The West Wing till early in the second season, but it quickly became my favorite show (replacing Aaron Sorkin's other masterpiece, 'Sports Night', which had just been dropped by ABC). It was killing me that I'd missed so many episodes, so I was ecstatic when I heard that Warner was finally releasing the first season on DVD! Having the episodes on DVD is great, even for episodes you've seen. If you've seen The West Wing, you know how rapid-fire the dialogue is; with DVD, it's easy to back up a few seconds to catch a line you missed.

Sorkin is an amazing writer. He is able to weave a compelling and entertaining storyline involving real issues facing our country and world. The characters debate those issues in a way that illuminates both sides of the argument. You'll likely find yourself thinking, 'I'd never looked at it that way', at least a couple times every episode. It may be fiction, but it is fiction that inspires hope that our political system CAN work.

The show is definitely a thought-provoking drama, but that certainly doesn't mean it's dry or boring. There is a huge dose of witty banter and a fair share of light-hearted sub-plots in every episode. Great writing, great acting, great sets and music, all come together to form what has become my favorite TV show ever. Get these DVD's to get caught up on early episodes you missed, or to revisit the incredible beginnings of this masterpiece.

SEASON ONE:
Pilot
Post Hoc, Ergo Propter Hoc
A Proportional Response
Five Votes Down
The Crackpots and These Women
Mr. Willis of Ohio
The State Dinner
Enemies
The Short List
In Excelsis Deo
Lord John Marbury
He Shall, from Time to Time
Take Out the Trash Day
Take This Sabbath Day
Celestial Navigation
20 Hours in L.A.
The White House Pro-Am
Six Meetings Before Lunch
Let Bartlet Be Bartlet
Mandatory Minimums
Lies, Damn Lies and Statistics
What Kind of Day Has It Been?

SEASON TWO:
In The Shadow of Two Gunmen (Part 1)
In The Shadow of Two Gunmen (Part 2)
The Midterms
In This White House
And It's Surely To Their Credit
The Lame Duck Congress
The Portland Trip
Shibboleth
Galileo
Noël
The Leadership Breakfast
The Drop In
Bartlet's Third State of the Union
The War at Home
Ellie
Somebody's Going to Emergency, Somebody's Going to Jail
The Stackhouse Filibuster
17 People
Bad Moon Rising
The Fall's Gonna Kill You
18th and Potomac
Two Cathedrals

(You can look up an episode guide if you want a quick summary of the plots; I didn't want to spoil any surprises here. My favorite guide is at epguides.com.) ... Read more

Reviews (150)

The Best of Farley
SNL's Chris Farley and David Spade take their act on the road in the pleasing comedy "Tommy Boy". After seven years of college parties, sweet-natured goofball Tommy Callahan (Farley) returns to take his place along side his father (Brian Dennehy) at Callahan Auto Parts. When his father dies, Tommy and his unwilling co-worker (Spade) hit the road to save the family business. "Tommy Boy" is a very funny and enjoyable road comedy that remains the late comedian's finest and most successful film. The storyline is simple and quite predictable. Chris Farley and David Spade have great comic chemistry and deliver some wildly entertaining antics and gut-busting laughs. The cast also includes Rob Lowe, Bo Derek and Dan Aykroyd. The film is presented in its 1.85:1 anamorphic widescreen format. The DVD contains a colorful video transfer and a simple 5.1 Dolby Digital sound. Its only special feature is the film's original fullscreen theatrical trailer. Despite the poor presentation and the lack of extras, "Tommy Boy" is a worthy addition to any SNL fan and earns a "C+".

Holy Shnikes
"Holy Shnikes"

The movie Tommy Boy was released in 1995 and has a running time of 98 minutes. Peter Segal directed Tommy Boy in association with Paramount Pictures. The film features Chris Farley (Tommy Callahan), David Spade (Richard Hayden),
Brian Dennehy (Big Tom Callahan), Bo Derek (Beverly Barish-Burns),
Rob Lowe (Paul Burns) and Dan Aykroyd (Ray Zalinsky). Tommy Boy is rated PG-13 for sex-related humor, some drug content and nudity. The soundtrack album is available on Warner Bros. Compact discs and cassettes.
Tommy Callahan is a party animal that has just graduated from college, by passing his last class with a D+. Tommy has spent the last seven years at college before returning home to Sandusky, OH to work in his father's auto parts manufacturing plant. Upon returning home, he learns that his widower father is to re-marry and she has a son who will be Tommy's new brother. On the day of the wedding, Big Tom, Tommy's father, dies of a heart attack. Tommy must now learn to run the company and go on this father's sales trip to sell the company's new brake pads. He is paired with Richard,
Big Tom's assistant, for this sales trip. If the two don't succeed in selling enough brake pads, the company will be forced to sell out to a competitor and 300 jobs will be lost. Tommy has a lot at stake if he fails. Tommy's sales pitches initially don't result in any sales until he learns that selling is really about confidence and being able to sell himself. Unbeknown to Tommy and Richard, Beverly and Paul, Tommy's new stepmother and stepbrother, are con artists and are trying to sabotage Tommy's efforts to save the company. Beverly and Paul are really married to each other and stand to inherent the family fortune if the company is sold. Eventually, Tommy and Richard are able to foil Beverly and Paul's plot. Tommy is hailed as a hero for saving the plant and the jobs of its 300 workers.
I give Tommy Boy five stars out of five. I absolutely loved it from start to finish. Chris Farley is a wonderful physical actor and uses his size to his advantage. When paired with David Spade, the two are a perfect comic couple. David has a very dry and sarcastic sense of humor that he unleashes on Farley. Tommy Boy is funny on several different levels that require several viewings to fully appreciate. The sound track is great and has lots of songs that you can sing along with, if you know the words. Tommy saves the company and gets the girl. It doesn't get much better than this.

High Five, here's another one!
Amongst the classics of 90's comedy arrive Wayne's World, P.C.U., Billy Madison, Happy Gilmore...and of course, Tommy Boy. Where would the world of comedy be, without this movie? Well, it'd be a notch down as far as range goes, but other than that, it'd just be missing a great film.

Coming home, fresh, actually well done, from college, Tommy Callahan arrives to his hometown to find everything...the same. His father owns the big ol' auto business and everyone's great, until his father dies. With the town leaping on Tommy's back for safety of their jobs, he must take it to the streets and save the business and become the salesman he was meant to be. This would be a great drama film, but it's a Farley comedy, so expect one wild ride.

The film takes a dive into some of the greatest and most memorable scenarios. From Tommy slamming into doors, burning models, and ruinings cars to the memorable lines and bickering between he and fellow co-star, David Spade. The film also has a fine supporting cast, from Dan Ackroyd, Brian Dennehy, and even Rob Lowe as the antagonist.

I could sit here and point out my favorite scenes, but what good does that do. Anyone knows any impersonation or recreation cannot even equal the amount of good fortune one will have when watching the film, for the first time. All I can say is, this is a fine film. This is comedy when it was still important to introduce bold characters, great storyline, and even some drama to tie in emotional aspects. If it were up to me, this film would be sitting on AFI's shelves. But, it's not...so take my word.

You can get a good look at a bull's---

No wait...

It's your buy.

Most underated comedy of 90's
I love this film. it ishould be a classic. Too bad farley died so young.

funniest movie
I remember when I first saw this movie I laughed my butt off.
And now 9yrs later I still laugh whenever I watch the movie.
I especially love the part when tommy Goes Cow tipping w/ his new step brother. ... Read more

Reviews (34)

Pulling on your emotions
This made-for-HBO movie definitely transcends the "disease of the week" genre that it's part of. Based on the book by Randy Shilts, it chronicles the struggle of science vs. politics vs. morality in the early days of the AIDS crisis. Our point of view character is Dr. Don Francis (Matthew Modine), a passionate young scientist with the Centers for Disease Control. He and his colleagues, both at the CDC and France's Pasteur Institute, seem to be the only ones who remember that there are real people dying of this mysterious disease. Dr. Robert Gallo (Alan Alda)is one of the few human "villians" of the piece, more interested in writing himself into the history of the disease than in helping anyone. Two other notable performances are those of Lily Tomlin as the tough, no-nonsense Dr. Selma Dritz) and Ian McKellan as Congressional aide Bill Krause, who as part of San Francisco's gay community, is in the epicenter of the crisis.

Watching this movie, I got very angry. The blood banks, for example, were more worried about money than lives. One of the best scenes in the movie is where Dr. Francis stands up at a meeting and screams at reps from the blood industry, "How many dead hemophiliacs do you need?" before they do something about it. (That was a reenactment of a real outburst, not a fictional event.) An end title tells us that "By the time President Reagan made his first speech on AIDS, 25,000 people had died." Between events like these and Gallo's blatant scientific misconduct, it's hard to avoid being incensed.

The acting is excellent, especially Modine and Alda, who even look a little like the men they're playing. Modine brings an incredible amount of passion and frustration to Dr. Francis. I especially like McKellan's character, an older gay man who is not a stereotype. Several familiar character actors show up as supporting players, and some very famous faces (Steve Martin, Richard Gere, Phil Collins, Swoosie Kurtz, and Anjelica Huston) make cameo appearances.

If you're looking for something light and fluffy, this is not the movie for you. If you want something that will make you think, with some fine acting and a realistic script, this is for you. (Watch this, then go read Shilts' book.)

An eye-opener!
Having gotten poliomyelitis in 1953, I see comparisons between the two diseases. People with AIDS suffered prejudice and lack of information of how the disease is passed just like those who got polio. There was isolation and fear with both. Polio killed as did AIDS, but Polio was not necessarily a death sentence as was AIDS (at least at first). Polio children were often pitied,especially if they were crippled. But, much money was raised from the public sector by the National Foundation to pay for braces, operations, etc. The story of AIDS is as tragic as the disease itself. It is a gripping story that everyone should know. This movie shows clearly how it happened and why money was hard to get. It certainly kept my attention throughout. All the actors did a wonderful job with their respective roles. Even Alan Alda was convincing as Dr. Gallo, the researcher. (Alda was a polio survivor.) Lily Tomlin was wonderful as was Matthew Modine, and all the rest. My advise is not to watch this movie on the same day as you see Tom Hanks' "Philadelphia" (another great movie). At least for me, I can only take so much injustice in one day. I now want to read the book by Randy Shilts.

And the Band Played Good.
'And the Band Played On' is an excellent film about the true story of the discovery of the AIDS virus from the late 1970s' into the 1980s'. It has an All-Star cast that bring delight to the screen. More interesting than 'Philadelphia'.

Lies and lying liars who tell them!
I actually got this from a blog from Dean's World (Dean is a liberal) who nailed the problem with this movie:

"Reagan had an excellent record on gay rights issues--to the extent that anyone at that level of office in that day and age could be said to have such a record, anyway, since he had publicly supported gay rights measures and, while he did ally with some conservative Christian forces, never once backed any anti-gay legislation and was always personally gay-friendly. While it's true that there were things his administration could have done better about the early AIDS crisis, this is true for just about everyone in the 1980s--gay rights activists, local and national elected officials of both parties and at all levels of government--responded poorly. If any of you saw that execrable HBO movie And The Band Played On, you should be aware that it gave a horribly politically slanted accounting, but the book it was based on, And The Band Played On by Randy Shilts, was a much fairer and more damning book. Shilts would never have approved that attrocious movie. The book is must-reading, for Shilts (who was gay, lived in San Francisco, and himself eventually died of AIDS) documents in excruciating detail how local government officials, gay rights activists, judges, and career civil servants in many cases conspired to keep the plague from being recognized and to prevent government from even getting involved. Shilts was unsparing in his indictment of everyone at all levels and in both parties, and if he was sometimes harsh on the Reagan administration, he was usually even harsher with others, including gay rights activists he personally knew and who were responsible for preventing government from taking direct action to stop the plague in its tracks.

It's great reading. And a good supplement, by the way, is David Horowitz' autobiography Radical Son, because in the last half of the book Horowitz talks about how he befriended Randy Shilts and saw himself how radical left-wing gay activists fought tooth and nail to prevent government from taking any action to stop the plague or even recognize that a plague was spreading. And how gay men who tried to act against it were often attacked as liars and traitors and sellouts to "the fundamentalists." It's powerful reading.

Oh, and by the way, there is also a consistent rumor floating around parts of the gay community that the Reagan administration wanted to put AIDS victims into concentration camps. Just so you know, that too is a myth.

It's remarkable what some people think they know that simply isn't true."

What about region 4 in Australia?