Description

In 1897, Quentin Collins and Magda the gypsy discover the mysterious urn which contains the flames of life for Laura Collins, an immortal Phoenix. Jenny Collins, Quentin's insane wife, escapes from her basement cell at Collinwood and attempts to kill Quentin. Magda, Jenny's sister, places a curse on Quentin which causes him to turn into a werewolf during a full moon. Jamison Collins finds Barnabas' coffin in the Old House basement and reveals the discovery to his father Edward. Carl Collins returns from Atlantic City with a showgirl and mentalist named Pansy Faye. She uses her psychic abilities during a seance to help determine the fate of servant Dirk Wilkins, who rises as a vampire after being attacked by Barnabas. Bonuses: Includes exclusive interviews with actors David Selby, John Karlen, Kathryn Leigh Scott and Terry Crawford. ... Read more

Reviews (1)

Back Into The Past
Barnabus finds the I-Ching Wands which he uses to go back into the past where he manages to get out of the coffin which imprisoned him the first time. He then uses Magda and her husband as slaves, and changes history so the Quentin does not get killed. Count Petoffi enters the picture and is indirectly responsible for making Quentin Immortal. Dirk gets used as a scape goat and turned into a vampire. Eventually Julia will also come into the past after Angelique also comes into the past. This section of the past is filled with new action and many events that keep the person interested. Oh yes, remember to keep an eye out for The second reverend Trask who is a hypocrite that discovers Barnabus' secret and kills himself in the end. Josette Dupris also comes back in a recarnation. Any one who liked Dark Shadows will certainly enjoy this chain of events and the one that will be released in September ... Read more

Amazon.com

The Great Escape image of Steve McQueen (as "The Cooler King") astride his motorcycle has entered silver-screen iconography, alongside Brando on his bike from The Wild One. Based on a true story about a group of POWs who mount a daring breakout from a supposedly inescapable Nazi prison camp, this rousing and suspenseful WWII epic features an all-star cast, including James Garner, Richard Attenborough, Charles Bronson, Donald Pleasence, James Coburn, and David McCallum. The DVD also includes a 24-minute documentary about the making of the film. --Jim Emerson ... Read more

Reviews (151)

250 men just walking down the street? You're crazy!
That is the plot in the nutshell. 250 men planning to escape from German WWII camp. This movie has stars Steve McQueen, James Coburn, and Charles Bronson. John Sturges directs and Elmer Bernstein composes. If this sounds familar, its because you have seen Sturge's "The Magnificent Seven". Like "Seven", the Great Escape was sorely missed from AFI's top 100. They were later included in the top 100 thriller movies with Great Escape coming in at #20.
Here's the bad news. Its widescreen, but its not anamorphic. In other words, the movie is trapped in darkness even on an enhanced tv. Also there is no commentary, which is a shame.
Despite these techincal flaws, this three hour epic is enjoyable. James Garner, James, Donald, Richard Attenbourgh, Donald Pleasance and David McCallum also star. (Trivia: the latter two appeared in The Greatest Story Ever Told as Satan and Judas!)Sorry, no girls allowed in this film. This a man only film. Sturges carefully crafts it that each man is an unique individual who works with the team. You can see the competition going on in their acting which brings out the best of them.
The blend of American film stars and British stage actors is fabalous.
Elmer Bernstein, once again delivers a rememarkable score that you will be whistling when you finish watching the movie.
Favorite scenes: Charles Bronson crying in the dark tunnel, the 4th of July celebration, the river scence, and of course Steve McQueen's motorcycle chase! Steve agreed to do the film only if he had a bike chase. The result: the wisest choice in script rewriting creating a great climax.
Features include a documentary and a little booklet.
Highly resommended!

Gripping Tale of a
After more than a decade of trying to get a studio to film a movie based on Paul Brickhill's book "The Great Escape," John Sturges finally got backing from the Mirisch Company to recreate the true-life story of Allied officers escaping from a German POW camp in 1944.

While the screenplay by W. Burnett and James (Shogun) Clavell fictionalizes the characters and compresses time to fit a feature film's running time, the details of the escape attempt are true-to-life. Even better, the film was actually shot in Germany (even the thickest wooded areas in California don't come close to resembling the Black Forest area). Not only does Germany look like Germany, but the availability of WWII-era vehicles and uniforms make the authenticity more palpable.

Also helpful in the success of The Great Escape is the cast. Although the DVD artwork features the late Steve McQueen on its cover (and McQueen's contribution IS quite large, especially in the now-famous motorcycle chase, where McQueen did most of the real driving, since he was famous for his love of 'cycles and fast cars!), Sturges' movie is an ensemble movie. It's hard to remember, especially in the post-Vietnam era, that there was a period when war movies had all-star casts (The Longest Day is perhaps the best-known of these, and the trend continued -- even as viewership declined -- with such films as Tora! Tora! Tora!...Midway (a really bad film, by the way)...and ending with the well-made but poorly-received A Bridge Too Far). The Great Escape not only reunited director-producer with Steve McQueen, Charles Bronson and James Coburn (whom he'd directed in The Magnificent Seven); it also features the talents of Donald Pleasence, James Garner, David McCallum and Richard Attenborough (who would later go on to direct A Bridge Too Far and Gandhi).

Also reuniting with Sturges was composer Elmer Bernstein, who had scored The Magnificent Seven three years previously. Bernstein's main theme is pretty catchy and still holds up well in these John Williams and James Horner-dominated years.

The DVD itself is pretty standard. The image is a bit grainy but it's not too distractingly so. It also includes the theatrical trailer and a short "making of" featurette.

And why did Sturges have such a hard time selling this now-classic film to major studios? Get this: Studio heads thought the subject matter was too depressing (most of the escaping POWs were recaptured, and 50 were shot on Hitler's personal orders), and there was no female romantic lead!

If you have the original DVD release SELL IT NOW!!!
Okay....All the extras are great...and there are MANY featurettes and interviews to keep you busy for hours....BUT..the main point I want to make is for all of you who don't care about extras and figure you already have this on DVD....you don't...
this transfer is AMAZING!!! it is a real HIGH DEFINITION transfer and STUNNING is what they say on the case and its true! Many DVDs say digitally transfered....and often that just means they pulled it from a previously issued laserdisc via digital output...you have never seen this movie this pristine....EVER!

TRUE AND INSPIRING AND TRAGIC
THE GREAT ESCAPE Special Edition (MGM) is based with fidelity on Paul Brickhill's best-seller. The inspiring story is about heroic men who cannot be broken and refuse to give up.

This was Steve McQueen's career defining role but it's the late and much lamented Charles Bronson that you most remember as the taciturn tunnel digger with claustrophobia.

Previously released on DVD, this hi-def transfer has new 5.1 surround sound, and interesting extras that include five featurettes, a terrific documentary on the untold true story and a commentary track that includes John Sturges, some of the cast (including the late James Coburn) and crew.

The two disc is WELL worth the money
I just finished watching all the extra stuff on the 2nd disc and if you are into the true story of this WWII event, you'll love it! I'm not sure, but I think there is almost 2 hours of extras. Although the film seems dated (especially after 'Band of Brothers'), I've now changed my mind - after seeing how accurate the director tried to keep the film. The only draw back was the director had to put the American's (mostly Steve McQueen) in the forefront where they didn't belong. ... Read more

Reviews (330)

Username: Swordfish; Password: EXCELLENT!
Here are some things you probably know about "Swordfish": It features some wildly exciting action sequences. John Travolta is not wearing dreadlocks but the classic "Pulp Fiction" (1994) cut. Yes, Halle Berry goes topless -- and so does Hugh Jackman. There's a nice twist at the end of the film. John Travolta plays Gabriel Shear, a super spy, and is playing the same standard bad guy he played in two films directed by John Woo, "Face/Off" (1997) and "Broken Arrow" (1996). "Swordfish" was directed by Dominic Sena, who began his career directing MTV music videos and flashy commercials. Berry plays Ginger, how original. She is Shears exotic and mysterious partner in crime -- or is she? Besides her impressive golf skills, she does have some good acting skills and breakthrough screen time with co-star Hugh Jackman from "X-Men". To sum up her acting ability in this movie, I'd have to agree with the words of Beonce' from Destiny's Child, "She's too bootylicious for me.". Jackman takes on the persona of Stanley Jobson, a world renown computer hacker who's our unlikely hero. He's just been released from jail and now he's a penniless, jobless bum living in a trailer with a low-wage job. So Ginger is sent by Shear to recruit Jobson to hack into a special Drug Enforcement Agency bank account which holds billions of dollars in drug money -- money which was taken from dealers and used in sting operations given the code "Swordfish." The secret account has been dormant for years, just collecting interest -- a tidbit of information that's attracted Shear's attention. Now he can bankroll his grand, egomaniacal anti-terrorist plans. Of course, Jobson has no interest in the proposal until he's given an offer he can't refuse -- obtaining the custody of his daughter. Critics have said this movie to be a sophomoric rendition of a wannabe "Matrix" film. I think this movie deserves some credit for keeping me guessing and leaving me breatheless during many of the action scenes.

Go Fish
When I first saw Swordfish, during its theatrical run, I remember not being all that enthused with the end result. To be fair, I don't consider myself a John Travolta fan, and I think that had a lot to do with my initial impression. With nothing else to rent, I decided to give the film another shot.

Stanley Jobson (Hugh Jackman) was one of the best and most dangerous computer hackers in the world. That is until he got caught and spent two years in prison. A condition of his parole states that if he ever uses a computer again--it's back to jail. All he wants to do now, is make amends to his daughter, and be left alone. Yet, a $10 million dollar paycheck is all his, if he agrees to help covert agent Gabriel Shear (Travolta), gain access to a government slush fund, worth 9.5 billion. FBI Agent Roberts (Don Cheadle) is hot on Shear's trail and Ginger (Halle Berry) is there as Gabe's girl.

Dominic Sena is a very solid director. I have to admit that perhaps my earlier asessment may have been incorrect. I liked Swordfish much more this time around. I still don't care for Travolta all that much, but I can get past that, if I take the the film for what it is, a mindless enjoyable actioner. Jackman is the perfect balance to Travolta, as he's really someone you can root for, the hero with a checkered past. There's also a lot more well placed eye candy than I remembered.

The bonus material on the DVD includes an informative audio commentary from Sena. There are 2 making of featuretes: An HBO First Look Special and The Effects in Focus. Both are standard stuff of this kind. What is of more interest though, are the two alternate endings, with Sena's commentary. A DVD-ROM interface offer additional production information, while the theatrical trailer tops off the extras.

Better than I first gave it credit, Swordfish makes a nice rental, even for non Travolta fans like me.

I watched it for Drea
I rented this so I could see Drea De Matteo, and sure she has only a couple scenes, only a few lines, and so on, but I loved her in it. It's cute how they did the irony thing with her talking about parental fitness while she makes porn and drinks and can't even be there when her daughter needs a ride. Also, she get whacked (preparing for when Adriana gets it? HA HA).
See this for her, and Halle Berry's boobies, and forget the rest.

GOOD GRAPHICS AND STORY!
EXCELLENT GRAPHICS COMBINED WITH A COMPELLING STORY WITH HUMANIZED CHARACTERS! LOVED IT!

If I could have received $9.5 billion for watching this film
I'd have built a time machine to stop this movie from ever having been made, which would have created a paradox destroying the entire cosmos, but it's a universe better off for not having this movie in it.

As many critics have noted, with Travolta's opening lines, "You know what the problem with Hollywood is? It makes $#!*" truer words were never spoken. Rotten villains -- okay. Utterly incompetent villains -- eh. "Realistic" depictions of programming a worm include nonsense technobabble while Hugh Jackman -- a better actor than this movie deserves -- gyrates his hips in front of a computerized Rubik's cube.

It tries to be both Sneakers and The Usual Suspects and ends up worse than Hackers. Don't rent this film, much less buy it. ... Read more

Amazon.com

David Suchet brings the great detective Hercule Poirot to rich life in this collection of some of Agatha Christie's best work. This entertaining set includes three episodes, all lovingly true to their 1930s settings. The Disappearance of Mr. Davenham takes the standard case of a businessman's disappearance and spices it up with a friendly wager that Poirot can't solve the mystery without leaving his apartment. The Veiled Lady is more of a comic caper, as Poirot and the ever-ready Captain Hastings (Hugh Fraser) resort to burglary to stop a blackmailing cad, and The Lost Mine is cleverly set in a Chinatown reminiscent of the '30s concept of the Mysterious East. Suchet is a perfect Poirot, capturing both his dignity and his humor, and Fraser does a beautiful job of underplaying Hastings enough to keep him the perfect sidekick without ever making him boring. Special features include selected cast filmographies and biographies of Agatha Christie, David Suchet, and Poirot himself. --Ali Davis ... Read more

Reviews (3)

Magnifique, n'est-ce pas?
Agatha Christie's quirky Belgian detective Hercule Poirot has come to life in the form of David Suchet. The most watched series on PBS Mystery! and a huge hit on A&E, Poirot retells the tales, short stories, and novels written in the 1930s and 40s by Dame Agatha Christie, mother of the modern mystery. David Suchet plays the part perfectly, with some outstanding acting and chemistry from the supporting cast: Hugh Fraser as Captain Hastings, Philip Jackson as Chief Inspector Japp, and Pauline Moran as Miss Lemmon. All play off of each other beautifully and most often with hilarious side effects.

One of the most endearing features about this series as well as the others that follow is the humor value that is omnipresent throughout most of the series. Not only are the mysteries difficult to solve (most of them anyways), but the Christie's writing shines through giving the characters lovely quirks that spark laughter often during the episodes. You might find yourself distracted from the mystery itself by getting caught up in the comedy. The nuances come out perfectly and brilliant acting all around leads to one of the best shows ever produced for television.

I can't find anything at fault with the series. AcornMedia is not known for their superior picture quality, but this first in the series is actually a great transfer. If you enjoy a bit of British comedy, a good mystery, and all around outstanding entertainment, you should start collecting the series. You won't be disappointed!

Incredibly Well Done Television!
It's too bad that so few people know of this series, for it is one of the most well put-together television series I've ever seen. The series as a whole gets an easy 5-stars from me, but I plan to rate every episode so this particular box set gets its own score of 4-stars. Here are my thoughts on the individual episodes.

The Disappearence of Mr. Davenheim - Decent, but not great this one seems way to similar to Conan Doyle's "The Man With The Twisted Lip" to me, but not as good. - 3 stars

The Veiled Lady - Better than the first, but somewhat silly all throughout with a strange, but minor, flaw in the solution. Also the chase scene near the end was too drawn out. - 3.5 stars

The Lost Mine - Perhaps a glimpse of the greater future of the Poirot series, this one shines with a more interesting case and a more interesting solution. Also, watching Poirot and Hastings play Monopoly is priceless - 4 stars

Box Set Overall score (Not an Average) - 4 stars

Good fun and no gore
There were many one hour and somewhat less two hour episodes of the Hercule Poirot mysteries shown on PBS; and foresighted fans should have taped them then, because when A&E re-runs them, parts of each have to be removed to make room for all the commercials. Very often, the solution at the end flashbacks to scenes that we never saw because of the abridgments and frankly the value of these episodes are reduced considerably.

But now Acorn Media is reissuing them in complete versions, with the two hour features on DVD and the shorter ones on VHS. Both series are a delight. The acting genius of David Suchet is enhanced by his usual supporting cast (Hugh Fraser as Hastings, Philip Jackson as Japp, and Pauline Moran as Miss Lemon), the wonderful guest casts, the done-to-perfection ambiance of time and place--the late 20s and early 30s--with all those fabulous art-deco buildings they have managed to find and populate.

The first boxed set of 3 episodes contains "The Disappearance of Mr. Davenheim," "The Veiled Lady," and "The Lost Mine." In the first, you might spot a bad flaw in the solution.

The second set includes "The Cornish Mystery" (with a genuine "blonde hussy"), "Double Sin" (with a Sweet Young Thing in Distress), and "The Adventure of the Cheap Flat" (with a neat reversal on the plot of Doyle's "The Red Headed League").

And if too many solutions depend on Poirot overhearing by chance some remark early in the story, well that should teach you to be more alert to these things on future viewings. Also if Poirot is not above breaking the law with a little forced entry now and then, well so did Sherlock Holmes.

Very amusing sleuthing for one and all--and a very welcome relief to the grizzly "modern" mysteries now being shown with extreme close-ups, whispered dialogue, and as much gore as possible in each frame. ... Read more

Reviews (80)

A poignant, beautiful adaptation of Steinbeck.
Gary Sinise's "Of Mice and Men" was virtually ignored by critics and public when it was first released, and I have never known why. It strikes me as one of the truly great cinematic adaptations of a literary classic. The screenplay is remarkably faithful to both the letter and spirit of Steinbeck; the photography by Kenneth MacMillan is heartbreakingly beautiful; and the performances by Sinise, John Malkovich and Ray Walston are almost unbearably poignant. My sister, a high-school English teacher, shows this film to all of her classes, and all of them have loved it. This is the rare movie that really imparts the flavor and significance of the novel on which it is based.

An American Masterpiece
John Steinback's classic novel "Of Mice and Men" has been made again for the big screen, but with direction by Gary Sinise. It's touching, gripping and powerful. The lavish scenery shows well and George and Lennie are running away to find work. Lennie (John Malkovich) is a tall, slow-minded fellow who means well, but causes trouble. George (Sinise) is his friend and looks out for him. The movie stays close to the novel and will definitely help any freshman in high school who doesn't want to read the book. Forget the Shakespeare garbage, this book really is good! The two men along with an older man have a dream to buy a nice little place to tend rabbits and it would be paradise. Unfortunately, Lennie gets himself into trouble with the boss' son and his girlfriend. I've learned that you should never try to punch a man twice as big as you, unless you're a genius because your hand will get smashed. Seriously, the movie is a tour de force and kudos to director Sinise for making a poignant picture of true friendship. John Malkovich is brilliant and the supporting cast is great. A must-own masterpiece.

Great movie version of the classic novel
I had to read Of Mice and Men in high school and I liked the book so I figured I would watch the movie one day. Very few movies even come close to being as good as the book, but Of Mice and Men is an exception. Gary Sinise and John Malkovich play great roles as Lenny and George in the movie as do the ones that play Slim, Candy, and Curley.

Gary Sinise couldn't have done a much better job directing the movie to be just like the book. Of Mice and Men is one of the best novel to movie translations ever. If you liked the book and even if you haven't ever read it, this is one movie worth getting anytime.

Highly Recommended!!
This Steinbeck classic comes to life with the brilliant acting of Gary Sinise and John Malkovich. This is one time when I can truly say the movie was almost as good as the book!

Malkovich plays main character Lenny to a "T."

All high school English students should see and evaluate this one. It is powerful human drama.

John Malkovich and Gary Sinise Play Roles to Perfection
If you have read the book but haven't seen the movie, you are making a (as Donald Trump would say) "HUGE" mistake. Acting was created so Gary Sinise and John Malkovich could play these roles! And I really mean that.

I have read John Steinbeck's novel a few times. I am seriously bothered by the constant "using the Lord's name in vain" in all of Steinbeck's novel, but that doesn't discount the fact that he is a great writer - one of the best of all time. When I finally got to watch the movie, I was blown away by what a great job Malkovich and Sinise did playing their characters. But I was even more blown away by the rest of the actors ability to step up to the plate too. Every character was just as I pictured them in my head.

There are a few scenes that are not exactly as they were in the book: Curley's wife confronts George while he is alone in the barn...that's not in the book. Candy walks in on Lennie and Crook in Crook's room which is not in the movie. But these little changes matter not...the soul of each character is captured perfectly by this amazing movie!

Lennie and George are partners in their walk through life, and they couldn't be more opposite: Lennie (Malkovich) is a child in a big man's body, and George (Sinise) is the quick thinking (though never quite quick enough) sidekick determined to watch after his friend. The two actors are amazing on screen; I could almost swear they were having a contest to see who could actually (really) change in to their character. I think it was a tie!

I wish I could give it six stars - not an option though.

See ya next review!
www.therunninggirl.com ... Read more

Amazon.com

One of Jim Henson's finest hours was the Storyteller series that first aired on HBO in 1987. As with his other non-Muppet creations (Labyrinth), Henson fills the screen with wonderful creatures that have a wisp of a J.R.R. Tolkien fantasy. This collection of nine stories (it does not contain the Greek myths arc) were adapted by Anthony Minghella, who became an Oscar-winning filmmaker a decade later with The English Patient. Minghella weaves the narration of the storyteller (played with aplomb by John Hurt) with dialogue from the stories to beguiling effect; the storyteller doesn't simply introduce the tales.

A few of the stories have been available before on video, but this collection starts with the debut, the Emmy-winning "Hans My Hedgehog," the title role being a young disformed man who helps a lost king in the woods. Other highlights include "The Luck Child" about a king bent on destroying a commoner boy, known as the luck child ("the seventh son born of a seventh son on a week with two Fridays"). After a wizard declares the boy will grow up to be king. The fate of the king is one of those hooks that should have the kids smiling for days. Henson himself directs "Death and the Soldier," a brilliant example of how these episodes were so wonderfully complex. A penniless solider (Bob Peck) is given a magical sack and he uses it to full effect, capturing gremlins and greater evils on his way to be king. "Sapsorrow" is a curious variation on the Cinderella legend. "A Story Short" is the storyteller's own adventure. He makes a deal with a king to tell a story every day of the year. Yet on the last day, the storyteller's mind is a blank and his fate may lead him to a boiling vat of oil. Henson's work is true family entertainment and at only 22 minutes per episode, it's the perfect companion for some fine entertainment around the TV. --Doug Thomas ... Read more

Reviews (33)

We're almost there. . .
It's been taking the Henson company a long time to get these titles pumped to DVD, and it's nice to see The Storyteller fill the gaps in the shelves. I am still waiting for Fraggle Rock, but hopefully that is on the horizon.

I remember these as part of the Jim Henson Hour (another series I would like to see again) and they were as enjoyable to watch as they are now.

I gave the DVD 3 stars, simply because it's just that. . . a DVD. No extra's no behind the scenes, nothing added to it, just the stories, one after another in a digital format. The content and movies are great, its just that, well, there wasn't anything else. Kind of disappointing, but I'm sure back then, they didn't have a lot of cameras on the set filming behind the scenes, it wasn't the fad or desire back then.

This is a dvd though, that's not for kids. Young kids that is. Some pretty spooky moments, and the creatures can be a bit scarey. It's a fairly dark, gritty form of story telling, but fun and amusing at times.

To wrap up, its great. If your a fan of Jim, it belongs in your DVD library. No extras though, just the 9 episodes and that's it. The sound is good, picture great, just as I remember them. My only desire for some of the recent releases of Henson DVD's is to actually have more of Henson on them. He was a great man, and to hear him speak about his films and what he was doing is always a rare treat. I just wish they had more film footage of him.

Fairy tales will never be the same
I'm amazed that this series has gotten so little attention. This is Jim Henson and crew at their best, making fun of the lines between fantasy and reality, costume and puppetry, and new storytelling and old stories.

All of these short pieces were unfamiliar to me, at least in part. 'Sapsorrow' turned out to contain a story I knew, or thought I did. Part of the reason these fairy tales were unfamiliar was their authenticity. These stories were originally meant for adults. They had hard, dark edges, and were not the vapid Disneyfied versions that most people know.
Lots of kids will like these stories as much as adults do, but this may be too much for younger children. This isn't Sesame Street - it's one of the dark alleys off to the side.

The narrator is one of the unexpected treats on this disk. He opens and closes each short story, talking to his dog on a fire-lit night. The narration is a treat, too. It has a wonderful rolling cadence, too musical for regular speech but too prosaic to be a chant. It may give you some idea what the old epic poems must have sounded like in their original settings.

This is for anyone who likes fantasy, who likes a rich visual experience. You just have to see it for yourself - typed words can't begin to give the experience you'll find in this collection.

Fairy-Tales Aren't Just Kid's Stuff
I remember seeing this series for the first time years ago and thinking it was one of the most beautiful things I'd ever experienced. I still believe that when I watch it now. These stories, based on old folk legends (some woven together), have a great deal of resonance - that is why they have endured. Fairy-tales are not dumb, or childish, but rather are for those who still have the ability to enjoy the extraordinary, without needing to continually question the logic and criticise the rationality. Jim Henson was himself a modern-day storyteller, and is very much missed - they are a rare breed.
The stories are wonderfully crafted, if you wnat to be picky, some of the visual effects are a little dated (hey, it's 1987), but who cares when you're listening to such great tales!?
John Hurt is fantastic as the intriguing Storyteller, and even gets a well-deserved episode all about himself.
Hans My Hedgehog was always my favourite episode, and IMHO the Grovelhog costume is incredibly impressive. It's a genuinely touching story, and for me is on a par with The Elephant Man in terms of the tissue factor. I really wish that more of these had been made, but the ones that exist are a real blessing.
Show Storyteller to your children (I know some of you are worried about age, but I say go for it, children are darker than you think) and I am sure they will thank you profusely when they get older. As some have pointed out, they aren't always happy tales, but here is the valuable lesson - life isn't always happy. But it's still beautiful, and someting to marvel at, and learn from. Just like this DVD.
Oh, and if anyone tries to tell you it's just kid's stuff, let it go. They've lost their heart.

Just as good as it was 15 years ago.
I did not have the luxury, when I was growing up, to see these stories as they were originally shown on the Jim Henson Hour which aired in America and not until much later, in Australia. I happened upon the videos (these nine episodes were set on three videos) in a local rental shop and under extreme duress, my father rented them for myself and my sister. Much like we had done with the Labyrinth and The Dark Crystal, we were transfixed by each and every episode. The thing we loved most about them was that they weren't your usual Disney-esque fluffiness. They were based on German, Russian and Celtic folklore and are in many cases, even today, still considered quite dark tales.

Now, many, many years later, I found and bought the DVD and am quite happy to say that the Jim Henson magic is still very much there. Sure, there's no special features on the DVD and I admit I would have liked to have seen some behind-the-scenes productions that are so accessible in this format of entertainment, but what was most important is that we got the series. To be honest, I couldn't complain about the quality of the DVD, it seemed pretty good to me. If the picture was blurry, it added to the atmosphere of the story rather than from detracted from it.

Some people who are not familiar the Jim Henson Creature Shop would find these productions stupid, cheesy and very out of date, but please remember, Jim Henson was a puppeteering pioneer and set many a standard for the fantasy genre. It was also well before the marvels of CGI were used on a regular basis, so please, don't complain when you see a puppet squirrel or badger flit across your screen and say that it would have been much better as a computer animation.

If you want seamless realistic graphics, go and watch the new Lord of the Rings epics, or The Matrix movies.

If you want to recapture a charming, fanciful bit of your childhood, when we didn't need thrills and spills to entertain us, watch The Storyteller series. You won't be disappointed.

"The Best Place by the Fire was kept for the Storyteller!"
Jim Henson's most famous contribution to the entertainment world is obviously "The Muppets", but if you're looking for his best work (in terms of both visual brilliancy and depth of theme and meaning) the award would have to go to "Labyrinth" and "The Storyteller." The former is of course the famous movie starring David Bowie, but the latter was a television series that was made up of a collaboration of Anthony Minghella's screenplays that drew on a range of folklore and ancient storytelling, Jim Henson's amazing puppets and John Hurt's performance as a nameless, gnome-like storyteller who sits by the fire with his (extremely talkative) dog, speaking directly to the viewer of the marvellous things he's seen and done in his lifetime.

There are nine episodes altogether, each one about twenty-five minutes long, with a separate tale in each one. Each one is both narrated by the Storyteller, but also acted out by a separate group of actors with which the Storyteller and his dog interact with - and it's not just them entering the world of the stories (such as the Storyteller performing a card trick in the court of the king)- sometimes the stories invade their fireside hearth: figures appear in the flames of the fire, shadows perform on the sides of pots and cups, the dog looks into his bowl to see faces looking up at him, and often the Storyteller produces objects that feature in the stories as proof of their reality.

Each story is very different, both from each other and from their original source material in order to create tales that are new, but also deeply familiar. Archetypes such as foundling children, wicked stepmothers, fay-like helpers, magical implements and triad motifs are prevalient, and you'll be surprised at how many familiar faces turn up! Some of the episodes are melded from several stories (such as "The Soldier and Death" which uses three Slovac tales to piece together a longer story) but others simply change a few details from their original sources ("The Three Ravens" uses ravens instead of swans as seen in the myth "The Children of Lyr" or Hans Christian Anderson's later retelling "The Seven Wild Swans") Spotting the similarities is part of the fun of watching, but a warning to parents - not all of the stories end happily, and often the content itself can be violent, scary, enigmatic or even mildly sensual.

"Hans My Hedgehog" is the winner of several television awards, and tells a darker version of "Beauty and the Beast" and "East O' the Sun and West O' the Moon", of a woman who makes a wayward wish for a baby and ends up with a hedgehog for a son.

"Fearnot" is the story of a young man that is so cheerful and simple that he has no idea what it's like to quiver and shudder in fear. Determined to know what the sensation is like he sets of - but the answer to being afraid may lie closer to home than he thinks...

"The Heartless Giant" is the bittersweet tale of a young prince named Leo who befriends a giant that has a nest of wasps in place of his heart. But can such a creature be trusted?

"Sapsorrow" is an interesting take on the "Cinderella" legend, as well as "Donkeyskin" in which a young woman seems to be forced to marry her own father if he does not hide herself within an elaborate disguise.

"The Three Ravens" is one of my favourites - three brothers are turned into ravens by their stepmother, and it is up to their sister to break the curse by never speaking a word. But when she falls in love and finds her beloved's stepmother is the witch that caused her brother's grief her danger intensifies: her children begin to disappear, and she cannot speak to defend herself.

"The True Bride" is the story of Anja, the slave of a troll who is helped by a beautiful white lion into getting her fortune. But when her financee (Sean Bean!!) is kidnapped by the troll's daughter, she leaves all her riches in order to get him back.

"The Soldier and Death" tells of a soldier who manages to a deal with devils that results in him capturing Death itself in his sack. The portrayal of Death is fascinating, and the puppetry of the devils is amazing.

"A Story Short" is the Storyteller's own story about beggars and fleas, a cruel wife, a deal with a king and a pot of boiling oil. This is another of my favourites.

Finally, "The Luck Child" concerns a young man named Lucky who is fated to be the next ruler of the land. The jealous king sends him on a dangerous quest to prove his worth, instructing him to bring back the griffin's golden feather. The puppet of the griffin is amazing, and the humour in this episode is great: "No, you're a sensitive monster!"

Although some of the techniques used for scenery looks a little dated by today's standards, the puppets are as ingenious as ever, and "The Storyteller Collection" is an educational and intriging display of storytelling that I highly recommend. ... Read more

Reviews (495)

A cinematic masterpiece!
Meet Oskar Schindler. A German living in occupied Poland during World War II. A member in good standing of the Nazi party. A womanizer, a war profiteer...and ultimately a man of conscience. A man who became one of the great unsung heroes and humanitarians of the war.

"Schindler's List" chronicles Oskar Schindler's spiritual odyssey from war profiteer to humanitarian and hero. Winner of seven Academy Awards® in 1993, including Best Picture, this harrowing and heart-rending film is Steven Spielberg's masterpiece, and perhaps one of the finest and most important movies ever made. It depicts Schindler's ultimately successful attempt to rescue 1,100 Jews from Hitler's "Final Solution" by getting them to safety outside Poland.

Dynamic performances abound in this beautiful movie, Especially noteworthy are Liam Neeson as the suave Schindler, Ralph Fiennes as the monstrously depraved Nazi colonel, Amon Goeth, and Ben Kingsley as the dignified, principled Jewish prisoner Itzhak Stern.

"Schindler's List" is definitely not light entertainment! This beautiful movie allows viewers to feel like they're actually a part of one of the darkest, most horrific periods in history. (I'm sure this is the reason the film was shot in black-and-white, with only minor "colorized" bits included.) The story of the Holocaust needs to be told over and over again, in hopes that future generations can understand the horrors perpetrated on an entire race of people and prevent future occurrences. "Schindler's List" is perhaps one of the best and most effective vehicles for telling that story I've ever experienced.

Whoever Saves One Life Saves the World Entire!
That's the tagline of Steven Spielberg's 1993 holocaust epic, SCHINDLER'S LIST (a film that has inspired me with my own film, TRIANGLE). What is this film? A documentary? A memorial service? A biopic? The answer is all of the above. It is a realistic look at a man who began as a womanizing criminal and ended as a sympathetic savior to thousands of Jewish people.

Based on Thomas Keneally's bestselling novel, it is passionate look at the Jewish struggle during the ghetto liquidation by the Nazis and in the concentration camps.

Filmed entirely on location in Poland and in black-and-white, with some color aspects, SCHINDLER'S LIST brings to life one of the saddest chapters in history. Starring Liam Neeson as industrialist Oskar Schindler; Ralph Fiennes as Amon Goeth; Ben Kingsley as Schindler's accountant Itzhak Stern; and Caroline Goodall as Schindler's wife, Emilie.

This is a film too sad to imagine, but also very important to watch and shameful to miss. Neeson does an extraordinary job in showing us the man who saved so many lives. A man whom most would call a pirate, he has shown us a brighter light. But, honestly, the one who impressed me (and shocked me the most) was Ralph Fiennes as a Nazi superior. Fiennes was known for playing romantic heroes on the London stage before playing such a dastardly role. (In the end, you can't help but cheer when he is eventually hanged.) And to Ben Kingsley (Oscar-winner for GANDHI), always the dependable one! His Stern provided me enough time to breathe a sign of relief and smile at his nervously mousy character. From his being trapped inside the train to his trying to reason with Schindler about the one-arm man's dependability working in the factory (a rare comedic moment in the film).

This is a triumph in every way possible! To watch a man, whom we never even heard of, save thousands of lives is heart-breakingly wonderful. Good job, Steven!

Winner of 7 Academy Awards including: Best Picture - Steven Spielberg, Branko Lustig & Gerald R. Molen; Best Director - Steven Spielberg; Best Adapted Screenplay - Steven Zaillian; Best Cinematography - Janusz Kaminski; Best Art Direction/Set Decoration - Allan Starski, Ewa Braun; Best Score - John Williams; and Best Film Eediting - Michael Kahn.

Approximately: 3 HOURS and 17 MINUTES

**Schindler's List **
This film from Steven Spielberg was shot in black and white and is very effective as a film to portray what happened to the Jews in Germany/Poland etc.. from the ghettos to the concentration camps. The film is very realistic in its portrayal and the environment of that time in history of the 1930's and 1940's. This is a film that you may only want to watch once. It is an excellent film. The acting is very good, the reality of the killings is very graphic. The cinematography is excellent. The only reason I think that is a film to viewed once or twice in one's life is due to the depressing nature of the film. I think it is a film that younger generations (teenagers and some people in their 20's) should see because many are coming out of school without even knowing who Adolf Hitler was and what he had done. I think it's important that they see what occurred so a repeat of history does not happen. This is an important film, but not necessarily one you want to view over and over again.

Some other reviewers on this forum start bringing up that "other genocides occurred in history" and how come only this one is made into a film. I'm afraid folks that Spielberg didn't make an all encompassing film to include all of the past atrocities that happened in the past 1000 years. He focused just on the Holocast. Also it is just pure ignorance to deny that 5-6 million Jewish civilians were killed/murdered. Even if it was 10,000 Jews, it does not make it any better. It doesn't really matter if they were Jews or any other religion. The fact is that 6 million PEOPLE who were civilians were murdered. They were Germans, Polish, French and many other nationalities. It just happened they were of the Jewish faith that was targeted by the Nazis(Jews were used as a scapegoat to blame all of Germany's economic ills as a country on. The Nazis also killed and murdered gypsies too. The people (men, women and children) killed were white people (Jewish is not a race. It is a religion).
Actual documentation of what the Nazi's did is on film shot by British news cameras as the American and British soldiers entered these concentration camps throughout 1945. Disease was rampant in these camps due to all the mass graves and thousands of bodies that were left to rot (by the Germans) as the British bulldozers needed to bury these corpses. My father and grandfather were in the 2nd World War as part of the American and British invasion of Germany and witnessed it first hand. That's enough proof as far as I am concerned. Yes. Not all Germans were bad people, but there were enough of them to throw the world into a World War in 1939 and to allow this to go on just a few miles from their towns and villages.

This is a good film. Good coverage of a very bad time in world history.

Not the best Special Edition one can expect, but still...
Although this 5 time Academy Award winning film certainly gets a beautiful presentation on disc, I both do and do not understand the complaining of the DVD presentation of Schindler's List. But first, let me discuss the benefits of the disc first.

The picture here is impressive, although there are noticeable flaws. The 1.85:1 anamorphic picture showcases excellent detail and rich black levels; at times the picture looked so good I thought that the movie was remastered by Lowery Digital Services. But then minor flaws show up, such as excessive grain and minor print flaws (such as in the sequence where Schindler Jews are calling out their names, I spotted a vertical line). Flaws aside, the picture is still beautiful and Janusz Kaminski's photography is put to good use here.

The audio is presented in Dolby Digital 5.1 and DTS 5.1 Surround. All Dolby and DTS tracks give a sense of place to the film, and while the tracks aren't bass-heavy, they fit the movie's tone perfectly. It demonstrates excellent stereo separation and bass response, all the while not calling attention to itself. The two-sided disc cuts down on cost, and the menus allow one to access each part of the DVD with considerable ease. (The movie is also given French and Spanish spoken languages and subtitles, while the extras have optional subtitles in English, French, and Spanish.)

Now, the disadvantages. I know people were expecting an extras-packed version of this movie, but we only have two real extras included; the "Voices From the List" Featurette and "Behind the Shoah Visual Foundation" Featurette. Both are good extras detailing the various stories recounted by actual Schindler Jews, and while these are substantial enough, I had the feeling more could've been added. If Spielberg were to do commentaries, I would appreciate one done for this film, and the addition of the theatrical trailer would help too. Inclusion of those two extras would've added much more to the DVD.

Still, quibble about the extras aside, the disc release of this film gives newcomers a chance to be introduced to one of Spielberg's greatest cinematic achievements ever made, with great picture and sound. It may not always be easy viewing, but the impact it leaves is indelible and unforgettable. For fans of Spielberg's work and this movie, this disc is a must-have, despite the slim extras. (If you're intent on having more, the gift set is a viable option. Along with the DVD, it also includes a booklet, the movie's soundtrack CD, certificate of authenticity, a photo still book and a Plexiglas keep case.)

History repeating it's self?
Why don't we hear about other genocides, like the ones in Russia and Turkey that inspired the German one? The movie was so distorted and stereotypical it's ridicules. The nazi's weren't all-bad and the Jews weren't all good. Jews aren't as innocent as they are portrayed. This could be due to Hollywood being monopolized by them. See how much trouble Mel Gibson had when he tried make a movie that portrayed Jews as less than perfect. If they had really went through all that trauma, why would they go to Palestine and commit the same atrocities only decades before to the Arabs? Schindler's List is just one of the yearly Jewish propaganda films that are thrown at us, like the pianist for ex. And worst of all, every year schools have to show this movie to young children. And Disney show's this movie every yr on the wonderful world of Disney. Why is this gruesome movie targeted at kids I have no idea. "so we won't forget the past my A**" ... Read more

Reviews (32)

A decent Alice...sadly, a little known one.
This is doubtlessly the most bizarre film I have ever seen. Since it is a version of ALICE, that's okay. It holds a sort of hallucinatory shadow over the story from which it was inspired: it is a frightening look into the very desolation that comes with age. Alice herself is lost in Wonderland, perhaps an embodiment of the corruption and decay that follows the subversion of childhood. The characters of the book have been reduced to dead, mindless things here: the White Rabbit is a taxidermist's expirament; the Mad Hatter is a marionette; the March Hare is a stuffed animal. These characters, void of life and thought, seem to represent the dull world of adulthood, where the repetitive events of every day are hammered out endlessly, and seen without the color or whimsy they hold when seen through the eyes of a child. The movie is doubtlessly symbolic of many things, however they are so cryptically presented that I cannot figure any of them out for myself. The movie itself is not fun to watch, it is rather tedious, in fact: but it holds a subconscious power over the viewer, he sees with astonished eyes Alice moving through the doorways and drawerways of the decaying realm. The viewer becomes part of a different sphere of consciousness: he lingers with Alice in a perpetual dream-state, or, a nightmare from which he cannot awake, until the last scant bit of dilogue is recited, and the final credits roll. Svankmajere (or however you spell it) has a fine taste for the macabre, and by moving as far from Carroll's story as possible, he does it ironic justice. By moulding the plot to form his own tightly-knit fantasy, he does not sabotage the feel of the book, but intensifies it. For this he deserves praise. With Alice we feel every bit of menace and curiosity, a trait rarely found in films. This one touches profoundly and unexplainably with the child inside us, and for the lapse of its running time we become part of another world, one which we are anxious to escape while we linger in it, but feel obsessively drawn back to after the return to our conscious states.

Svankmajer's hugely influential chef d'oeuvre
The influence of Jan Svankmajer's 1988 ALICE on the art and film and deisgn of the 1990s and beyond is enormous: you can see it almost evidently in the films of the Brothers Quay and David Fincher as well as in every beautifully designed magazine you open today. Svankmajer took the Lewis Carroll story and transposed it to a world which seems totalitarian in nature, and beautifully shabby and eroded in look, where everything is chappied and falling to pieces. The white rabbit is a terrifying taxidermic model, with huge teeth and glass eyes; it pulls itself from its mounting pins and bleeds sawdust when opened. The fall down the rabbit hole is a dark descent by elevator down through what seems to be a beautifully decrepit storage warehouse: the small animals Alice encounters are skull-headed toys.

All this is beautiful, and creates a stunningly original aesthetic. It's also sometimes a bit creepy, and (worse) at times exceptionally tedious. (You think if you get one more extreme close-up of Alice's lips telling the tale you'll scream.) It's something to pore over shot by shot or sequence by sequence, but it's not particularly entertaining by any means. But it is something that still deserves to be seen again and again.

"Said the Queen of Hearts"
There are only two negatives to this film that I felt were mostly unnecessary elements. One was the frequent edit to a close-up of Alice's, excuse me "Alenka's," tiny mouth and stained yellow teeth saying things like "Said the White Rabbit" or "Said the Queen of Hearts." By the time this monotony reached the double-digits I was getting annoyed. I knew which character said what, and I didn't need a constant reminder. The other negative, and this is up for debate, is that I don't like foreign films that are dubbed in English. Call me crazy, but I prefer subtitles. There is always something lost in the translation. Well, enough of my negativity. There is plenty here worth seeing, and if you are a genuine nut-case for stop-motion filmmaking than you should thoroughly enjoy this movie. This is not a children's film! There are way too many unnerving and nightmarish sequences. In fact, this film feels like a surreal nightmare! There's a slab of meat that squirms into a pot, there are little rat skulls breaking out of egg shells, and my favorite moment of the film comes when Alice is being chased by the White Rabbit and his grotesque friends. Alice slams the door and bars the smaller door at the base. Suddenly, an axe-head bursts through the tiny door repeatedly until it is completely splintered. The axe withdraws and the head of the White Rabbit(a stuffed rabbit with sawdust for entrails) pokes through and he seems to stare at Alice with an evil glare from his glassy white eyes. I expected him to say "Heeeere's Thumper!" That was the creepiest moment for me, but there are others. There are also some wrenching sound effects that add some excellent flavor to the nightmarish proceedings. If it wasn't for the extremely annoying and frequent cutaways to Alice's slimy mouth I may have given this film a higher rating. That, and she has a gross habit of puting everything she finds into her mouth. One thing she tries is a key she finds inside a sardine tin filled with oil. Instead of wiping the key clean on her dress she gives it one good, long slurp. Yuck! Even she grimaced, much to my delight. "Overall, this is a good movie with plenty of jarring scenes and dream-like sequences that are haunting me to this day," said the Amazon.com reviewer. There is also a short stop-motion film on this DVD that is "definitely" not for children, but it does have some humorous moments. Take it easy.

very drugged
While I have never been on acid, I believe that watching this movie is a lot like taking some sort of hallucinogen. It's tweak.

Probably Svankmajer's best movie
If you are unfamiliar with Svankmajer, it may be best to start with Alice. It is his most stylish and least morbid and grotesque long feature.

Sounds appealing? Actually it is a masterpiece. Like his other movies it is not for everyone, but it promises a unique movie experience. ... Read more

Reviews (93)

Farmers vs. Ranchers
Shane is the title of the movie and the main character of this well-made Western. Alan Ladd plays the stranger who arrives in a Western community where a range war between farmers and ranchers is about to play out. The farmers' leader is Joe Starrett, played by tough, reliable Van Heflin. He wants the farmers to stay, to stand up to rancher Rufe Riker and his hired hands.

Riker tries to buy Starrett out, but Starrett won't go. Then Riker hires a gunman - Wilson - played by Jack Palance. He's as mean as they come and he verbally goads one of the farmers into trying to "draw" on him. Wilson(Palance) kills the farmer without blinking.

The farmers are about ready to give up. But when Riker sets fire to a farmer's home as the community gathers to bury its dead, the farmers vow to "play one more hand." Riker sends men to Starrett's ranch to tell him that Riker wants to see him. But Shane stops Starrett by physically knocking him out. He knows that he must go into town to "talk" to Riker.

Civilization is fast approaching on the Western range. And Shane is going to hasten that change by going into battle against Riker.

Western Classic
Shane might well be the greatest western ever made and a true American classic. Recently in a New York Times article, Woody Allen of all people considered it the best American film of all time. The movie is about a mysterious stranger who unexpectently comes into a homestead family's life and helps in their battle against a greedy landowner who is threatening them to move off their land. Alan Ladd stars in the title role and he exudes an air of calm control and dark mystery. Shane is an expert gunman and a skilled fighter, but he doesn't want any trouble. He tries hard to avoid a fight in the local saloon, but no matter how hard he tries, trouble finds him. The homestead family is played by Van Heflin, Jean Arthur and the young Brandon De Wilde. Mr. De Wilde is excellent as a wild-eyed youngster who grows to idolize Shane. Mr. Heflin plays the strong, defiant landowner, but also loving husband to his devoted wife, played tenderly by Ms. Arthur, and his son. He stands by his new friend Shane, when the other homesteaders want him to leave when they feel he's stirring up trouble. A young Jack Palance is menacing as an icy hired gun hired to drive the homesteaders off their land. The showdown between him and Shane is a tense and taut showdown. Director George Stevens captures the breathtaking beauty of the American Old West. Shane was nominated for several Academy Awards, but failed to win any. Despite that fact, it remains a brilliant film worth repeated viewings.

Revisionist History as Entertainment
A lone rider approaches a family ranch. He observes a gang riding up to order the owner off his land. There is an economic conflict between a big land owner and small ranchers who are bringing in Jersey cows and working the land for agriculture. The big land owner wants to eliminate competition from small businesses; his government contract shows his political connections. The film shows the use of barbed wire, the invention that put an end to the open range. The settlers go into town for supplies. A barroom brawl occurs when Shane is attacked; Joe Starrett joins in to help his hired hand. Tavern owner Riker sends to Cheyenne for a hired gun, Jack Wilson, for a final solution to the homesteader problem.

The settlers gather for a July 4th celebration. They hear of Riker's hired gunfighter. That evening Riker show up to make a final offer to Starrett: join him for a good price, and abandon the other small ranchers. This offer is refused. The next day the gunfighter insults Torrey to force a duel, and kills him. Joe Starrett announces he will go into town next, without waiting for the other settlers. The question is: shall the people be oppressed and swindled by a rich powerful landowner? (Most of the large ranches were owned by corporations from back East.) Some of the small ranchers decide to abandon their claims. Yet they have the right to settle and farm the land. "This country wasn't made for just one man." The burning of one home makes the settlers decide to hang on for a while.

Riker makes an offer to draw Starret to his place (for an ambush). Calloway turns up to warn Shane of this trick. Starrett's wife argues for giving up and moving out now. (Credible?). Shane tries to stop Starrett, and they fight in the dark (to hide their body doubles?). Shane wins and leaves to keep the appointment, and force a final showdown. Shane successfully resolves the problem of Jack Wilson, then Riker, and moves on to new territory. [This avoids any retribution by Riker's allies.) {This film uses the dime-novel fantasy of a "fast-draw", which did not occur in historical records.]

This story is loosely based on the Powder River war. In reality, the settler's militia drove off the armed gang hired by the large landowners. The large ranchers tried to get rid of small ranchers by passing a law that gave them sole rights to all cattle in the state! Read the chapter in William Weir's "Written With Lead" for more details. "Unhappy are the people who want a hero."

Two stars. One for each time it put me to sleep.
Don't get me wrong, folks ,I am A HUGE fan of classic Westerns! This one, it just doesn't make it for me. Don't even get me started about Alan Ladd's "tough but gentle" potrayal of Shane. Ladd is unconvincing to this reviewer not only in the tough guy category, but his dramatic side is very, very "Ward Cleaver." AND THAT KID!!! That blasted kid. Joey, played by Brandon De Wilde. Good gawd, if he wasn't the most annoying little snot that came out of Hollywood. (before the debut of Pauly Shore) "Shane, are you gonna shoot that man? "Shane, are you gonna let me look through your Playboys?" I spent half the film (before I fell asleep) hoping Shane would say, "Come here, Joey, and help me change the wheel on this stagecoach" and have a little "accident." Joey's absence from the second half of this movie MAY have kept me awake. (but I doubt it.)

miscast but still legendary
SHANE is among the most renowned westerns in motion picture history, inspite of the miscasting of Alan Ladd in the title role. many other more accomplished actors come to mind of whom could have assumed the role, and many of these were offered the role. however it was Alan Ladd who was awarded the role.

Ladd was a formidable actor and delivered a fine performance inspite of the other more accomplished actors who may have given better performances.

regardless of Ladd in the role of SHANE, the movie was legendary and considered a true classic to this day. the other actors, which include: Van Heflin, Jean Arthur, Brandon De Wilde, Emile Meyer and Jack Palance all gave stellar performances. however it was George Stevens, a director whose name is synonymous with great filmmaking who was solely responsible for the renowned success of this truly legendary western classic. a true masterpiece. ... Read more

Reviews (71)

Lon Chaney stars in the first great American horror film
It is a shame that in the popular imagination the classic 1925 silent version of "The Phantom of the Opera" has been reduced to the scene where Christine (Mary Philbin) unmasks the Phantom and reveals Lon Chaney's stunning make-up job. Because there is much more to this film than that sequence and the camera being out of focus as the Phantom moves towards Christine really bugs me. The visuals in this film are stunning, from the cavernous world below the Paris Opera house to the Phantom's entrance as the Red Death during the Masqurade Ball (filmed in Technicolor). For me the most memorable moment and Chaney's best scene comes at the end, when the Phantom is able to hold the mob that has hunted him down at bay because of the threat of what he holds in his hand. Then he starts to laugh at the fools, finally opening his hand to show it is empty and giving himself over to the violence of the mob. The scene is not in Gaston Leroux's 1910 novel, which relates how the bones of Erik were found years after the events told in this story, but it is a worthy addition to the tale. In regards to the famous unmasking scene, I do want to add that Rupert Julian's staging of the scene is really as impressive as the make-up, because the audience gets to see the face of the Phantom before Christine is presented with that horrible visage. I have always thought that Chaney's performance was so indelible that it was the reason that the Claude Reins and Herbert Lom remakes concocted an entirely new story, although it does make sense that when you add sound to the Phantom that you would take full advantage of the opera setting. Final note: When I got to see Michael Crawford perform as the Phantom in the Lloyd-Webber musical, I was not surprised that his outfit as the Red Death was clearly modeled on what Chaney wore in this film.

Very Good Restoration
The IMAGE entertainment restoration of the 1929 "Phantom of the Opera" starring Lon Chaney is a bit hit. The two-disk set is definately the definitive choice to own by all serious collectors. The clarity is better than any version I've seen to date, and for the first time, the correct running speed has been instituted here. The tradeoff however, is that the motion is somewhat choppy from too few frames. The characters move in proper real-time, and for the first time, you can see naturalistic movement in such scenes as the opening ballet sequence.

True fans need look no further than this two-disk Masterpiece Collection set from IMAGE. This is definately the one to own! The film is tinted and comes in a selection of three seperate sound tracks to choose from: a terrific new orchestrated score, the original sound score from the 30s, and a voice-over commentary track, which is insightful.

The second disk contains the original 1925 film, which few people have ever seen today. The quality is poor, but there are many scenes that are different from the version that we're all familiar with. It's worth watching.

But you cannot beat the restoration of the 1929 version on disk one of this set. It isn't quite the job that KINO put into Fritz Lang's "Metropolis" last year, but is terrific nonetheless. Thank you IMAGE. Great DVD!

One of the best
This is a beautiful (an absolutely beautiful) movie, one of the best I've ever seen. Lon Chaney, Sr. does a wonderfully dramatic performance as the tortured Phantom, who kidnapps an opera singer because he loves her. Unfortunately, she doesn't return the love, which drives him to madness.
The only thing that I disliked in the film was that Christine acts a little weird most of the time.
The dialogue is superb, and the Masked Ball scene is only one of the most memorable scenes in this movie

1925 Better than 1929
I am greatly disappointed with the 1929 version of the film. I thought it was going to be better than the silent one because it had sound, but I was wrong. The 1925 version is better than the restored one. Even though the restored version has sound, it takes the orginal and rearranges everything. They took the beginning of the 1925 and put it after Christine sings in the 1929 version. The person who plays Carlotta in the 1925 version is now Carlotta's mother and the Carlotta is different. The four stars is given to the silent 1925, the restored one is given 1 star.

Milestone version is the best!
Over the years, I have just about bought every version of the silent PHANTOM OF THE OPERA. In my opinion, the Milestone version is THE BEST. The elements have been cleaned up and the image is crisp, clear with good contrast for 90% of the film. This two disc set has both the 1929 and hybrid 1925 original. Actually the film is cleaner and better looking in this version than a lot of the official Universal thirties classic that have come out.
It has an excellent commentary by Scott MacQueen and a real treat is hearing the music originally composed for the sound version accompanying the action from original sound elements.
The Technicolor sequences are the nicest I have seen and through proper use of the colorization process, other scenes originally in color, are presented and match the actual color stuff very well.
This version has been made from the initial Photoplay restoration which also includes Carl Davis' original stereo score for those that must have modern stereo for their films, however, I prefer the mood and music of the original '30 soundtrack. There are a plethora of extras, and I don't think it is false hype to say this is the ULTIMATE EDITION of this classic film.
That's my two cents..... ... Read more

Description

Downtrodden writer Henry (Mickey Rourke) and distressed goddess Wanda (Faye Dunaway) aren't exactly husband and wife: they're wedded to their bar stools. But they like each other's company - and 'Barfly' captures their giddy, din-soaked attempts to make a go of life on the skids. ... Read more

Reviews (49)

A fascinating Dramatic Comedy.
When a real druken alcool (Mickey Rourke) has a real hidden talent for writing. While a drunken woman likes him (Faye Dunaway) lives with him in his apartment. A rich attractive woman (Alice Krige) bought the rights of his short stories. She tries to give him an new look for him and a change but he has to choose, what right for him or stay being one person rotten sodden sleazy misadventure after another.

Directed by Barbet Schroeder (Single White Female) made a hip, flip and often gruesomely funny Semiautobiographical film written by Charles Bukowski. Superb Performances by Rourke, Dunaway and Krige. As well as a Dynamite Jazz and R&B Score. Mickey Rourke was Nominated for Best Actor in the Independent Spirit Awards also for Best Cinematography. This Film is Not for all tastes. Rourke is a Standout in this. DVD has an sharp anamorphic Widescreen (1.78:1) transfer and an good Dolby Digital 2.0 Mono Sound. DVD has Interviews with the writer:Bukowski, Behind the Scenes featurette and Trailer. This is a cult classic. Exective Produced by Francis Ford Coppola (Apocalyspe Now). Grade:A+.

To All My Friends!!! - Hail to the Great Charles Bukowski
This movie is profoundly entertaining. Pick up and read some of the great Bukowski novels (Ham On Rye, Post Office, Factotum, and more), short stories (Tales of Ordinary Madness, South of No North), and books of poetry (Love Is A Dog From Hell, Play The Piano Drunk Like A Percussion Instrument Until The Fingers Begin To Bleed A Bit) and you will get a glimpse into the darkest depths of the supremely talented and tormented Charles Bukowski. This film is filled with so many quotable lines and is the only film of its kind. Mickey Rourke plays a wonderful Henry Chinaski and Faye Dunaway is brilliant. Pay attention to when Henry spots Wanda from across the bar. In that scene, when they pan across the bar, the old man tilting back a bottle of Budweiser is none other than the actual Charles Bukowski himself. For fans of Bukowski, this is a must see. For those of you who don't know him, read his stuff before and after you see this film and you will potentially find yourself turned on to one of the greatest poets and writers of the 20th century.

Love it or hate it
You will either love or hate this film and either way it will be for a good reason. If you like dark and subtle comedy, enjoy a movie that takes some time to develop the characters, like irony, like acting that is good but doesn't call attention to itself, and if you have seen drunks before and are not shocked by them, then you will probably love this film. If you don't get the comedy, if you are disgusted by drunks, if you like fast moving pictures, if you looking for redeaming social value and if feel a film must have an obvious and direct point, then you will not like this film.

Personally, I started out disliking it for all the reasons that others have said it is not worth seeing. Then about 1/4 of the way through, I got what the writer, actors and director were doing. I saw the irony, the undercurrents of social and personal satire, and the downright humor in it. I started laughing and enjoying myself, and I didn't stop laughing for the rest of the film.

The degree of subtilty is greater than we are accustomed to in a Hollywood film, so alot of people not only don't get it but don't know there is anything to get because they are not expecting anything this subtle. The Director, Barbet Schroeder, cut his teeth working with director Eric Rohmer, who is as slow and subtle as they come. The now common phrase, "Watching paint dry," was unfairly coined by an unappreciative viewer to discribe his films. Schroeder is no where near as slow as Rohmer, but he seems to have learned how to build up elements of plot and character that open new dimensions in the film and suprise the attentive viewer in very pleasing ways.

This is certainly true of Barfly. Aside from being funny it is also deep. If are looking for an action flic or light comedy, this is not for you. If you are looking for something to glance at while you are cooking dinner then this is the wrong movie. If you have the time and inclination to pay attention or you will be disappointed with it. It is not for everyone. Some people view film as only good for recreation and that is fine. But if you want to take the time to understand the subtly and humor of the film, you will probably enjoy it - a lot.

please kill me
this was one of the worst movies i have ever seen. it was a total waste of my time. please someone kill me for i have seen pure evil and i am now tainted from this stupid movie

One of My Favorite Movies
I first caught Barfly on Late Night Television about 12 years ago and instantly fell in love with it. I had been looking for a cheap used Uncut VHS copy of this for awhile and just couldn't come across one. So I just purchased The DVD version. I am glad I did. Nothing like watching an older Film without the VHS wear lines and squiggles. Back to Barfly, it stars Mickey Rourke in a powerhouse role as Henry Chinaski a mostly drunk modern day poet disenfranchised by life. Faye Dunaway does an awesome job as Crazy Wanda Wilcox, Henry's love interest and self styled drunk herself . Barfly contains an excellent cast, even Frank Stallone shows up in a great role as Eddie the Bartender. Barfly contains many lines that once you hear them they will be burned into your conciousness forever. ("To All My Friends"). Barfly Blows away Leaving Las Vegas and puts Nicholas Cage to shame. I can't believe no Oscar Nominations were handed out for this Film. Barbet Scroeder directed a true masterpiece. Writen by Charles Bukowski and Loosely based on his life, and I say loosely. The DVD version has some extras which include a piece on the making of Barfly. You can't go wrong with owning this picture perfect un-cut version of Barfly. ... Read more

Description

Chasing Amy is the third installment in the "New Jersey Trilogy" from award-winning writer-director Kevin Smith (Clerks, Mallrats, Dogma). Cult comic-book artist Holden (Ben Affleck) falls in love with fellow artist Alyssa (Joey Lauren Adams), only to be thwarted by her sexuality, the disdain of his best friend Banky (Jason Lee), and his own misgivings about himself. Filled with Smith's unique ear for dialogue and insight into relationships, Chasing Amy offers a thoughtful, funny look at how perceptions alter lives, and how obsession and self-doubt skew reality. ... Read more

Reviews (355)

Simply Fabulous!
"Chasing Amy" by director Kevin Smith is such an triumph. This movie about love, friendship and taking chances hits with so many punches. It's well rounded, it doesn't take the easy way out, NOR does it go for the safe laugh. The story surrounding comic book writer Holden (Ben Affl