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| 181. Supercop Director: Stanley Tong | |
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Reviews (32)
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| 182. Jackie Chan's First Strike Director: Stanley Tong | |
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Amazon.com Reviews (50)
THE MOVIE: "First Strike" follows Jackie's adventures which take him from the snow covered mountains of the Ukraine to the sunny shores of Australia as he becomes entangled in a web of deceit and danger involving a ruthless mobster smuggling nuclear arms, ruthless hitmen and a killer shark!!! Notable Scenes: 1. The Hotel Fight Scene 2. The Warehouse Fight Scene 3. Hilarious - Jackie stripped down and forced into a funny suit THE DVD FEATURES: The DVD is a little sparse on special features, but it does come with a pretty detailed bio (more so than the Rumble in the Bronx DVD) and filmography of Jackie Chan, as well as the movie's director Stanley Tong. Also included is the film's theatrical trailer. THE VERDICT: Action movie/martial arts film fans will love this movie. The action, as well as the story, are solid. New fans of Chan will also love this film as its great action sequences. The DVD features, while a bit sparse compared to more recent DVD releases, are alright. Overall, whether you rent, borrow or purchase this DVD/movie is worth a watch at least. Highly Recommended.
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| 183. It Happened at the World's Fair Director: Norman Taurog | |
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Amazon.com Reviews (27)
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| 184. Saiyuki:Trouble in Paradise Director: Lee Kresel, Osamu Tezuka, Taiji Yabushita, Daisaku Shirakawa | |
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Three new characters show up. The war prince Homura (voice acted by none less than Jason Douglas, he also was the English voice of Lord Illpilatzo from Excel Saga, he always gets casted for the world conqueror bit doesn't he?), and his two minions Zenon and Shien descend to start a rebellion against the heavens. Now it looks like there is a three way race to get Scriptures now... This Disk features FOUR new adventures for the Sanzo party and their enemies. Episode 27: Basic Introduction of Homura and his minions... Homura calls the Sanzo party by their past life names, destroys literally truckloads of Demons with but a thought, and Sanzo's gun has no effect on Homura. Episode 28: Homura starts to gather demon followers, he apparently can turn demons into "gods". The Merciful Goddess refuses to do anything to stop Homura, says that watching Homura will keep her from being bored for awhile. Apparently Homura is the half human son of the Jade Emperor... the gods will do nothing to stop him as they have grown lazy and fat. Sanzo's party has to share a single room and draws cards to see who gets the bed while the others sleep on the floor. The episode ends with an attack on Houtou Castle to get the Seiten Scripture. Most notable scenes: The first meeting of Sanzo (of God Sanzo) and Son Goku. Goku and Gojyo fight over the bed and the innkeeper walks in and sees them in a rather embarrassing situation. Episode 29: Homura and gang assault Houtou Castle. Homura single handedly bests both Dokugakuji and Kougaiji. Dr. Ni (that crazy scientist with the stuffed bunny) just hands over the Seiten Scripture to Homura in hopes that he will leave Lady Koushu and the rest with their lives. Sonzo gets a rude awaking from the merciful Goddess, who reminds him of the Teachings of his Master. The "if you meet the Buddha kill the Buddha" which has been said at least 3 times in the series now... Zenon kills a demon who killed his human wife. Basically this episode was to show that these new characters are in fact a force to be reckoned with. Episode 30: Homura sends his latest Assassin to kill the Sanzo party to get the Scripture that Sanzo carries. This demon makes a village into a ghost town, his "Perfect Paradise". He calls himself the Undertaker, and puts the entire Sanzo party through all kinds of physiological torture. Basically Puts a plate of food in front of a hungry Goku to only make it disappear a second later. Deprives Gojyo of women and alcohol . Burns Hakuryu to get Hakki upset, and gently just pisses Sanzo off with the whole ordeal of things going on. They basically best him and go on their merry way. Most notable scene, Gojyo practically begs Sanzo for a smoke, and Sanzo reminds him that he said "You said my smokes tasted like Crap." Basically this DVD has the basic ADV basics, a new opening theme and animation, new closing theme and animation, but no longer gives you any previews of upcoming episodes. Like all the other volumes of Saiyuki they give a wonderful Culture references from the "Journey to the West" and other Japanese jokes you hear while listing to the Japanese audio. Also this series is best kept in context with the Japanese audio as the English seems to completely warp it at times... all in all a good DVD for Saiyuki fans. And also the fact that you can't go wrong with Zenon, how cool is a god with an AK?
The four reel from one hair-raising adventure to another as they head for the final confrontation. Arguing, brawling and womanizing in between the heroics. As I've noted elsewhere this is an essentially masculine story, with women playing what is so far a very secondary role. This is a different spin than usual for this kind of anime, and it is surprisingly successful. In these episodes each of the demons faces their own personal demons - Hakkai's grief over the loss of his beautiful wife, Goku's need for someone he can trust, and Gojyo's surprising soft spot. Sanzo is the wise man and healer in this group of stories, although sometimes his advice is every bit as harsh as the problem it solves. Dialog is what really makes this series work. Not that there is anything to slight in the story or the artwork, but the snappy give and take of this modern gang-on-a-mission is what carries the day. In addition, the episodes refuse to become yet another tale of finding and destroying evil in the goriest fashion possible. Instead, they demonstrate instead a surprising amount of literary merit.
It seems that the god Homura's decision to rebel and gather the scriptures for himself has attracted some followers. First Souto, head of a group of crack divine shock troops gets the assignment to take Sanzo down. A little later, Homura and his own sidekicks, Zenon and Shien show up to demonstrate that Sanzo and Goku are completely outclassed in this contest. As usual, the monk pulls through, but not without serious damage. While all this is going on there are two visits from season one - first a pair of twins in the service of Gyokumen Koushu show up with utter destruction on their mind - and then the idiot impersonators show up again for a short sojourn into the more violent forms of comedy. Somehow, our heroes keep up their attitude and return to each conflict determined to survive. Production quality seems to have improved an order of magnitude since the last season. In the previous DVD I wasn't sure whether to believe it or not, but with this second one it is clear that the show has iimproved, both in art and writing. In the middle of all the action, the group finds time to develop as characters, and both animation and color have increased in intensity. This series is a bit past the point where one can pick it up mainstream. This isn't a bad thing from a watcher's point of view, but be prepared for a sudden urge to empty your wallet for the series.
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| 185. The Bride Wore Black Director: François Truffaut | |
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Reviews (12)
The most fascinating scenes involve artist Fergus (the always excellent Charles Denner) whom Julie leaves cold at first but who soon becomes enthralled by her aloofness and suppressed sexuality, and in turn she shows signs of emotional and sexual awakening with his frank but pleasant personality and under his almost lovemaking/foreplay-like touch and caressess as he poses her--not surprising since obviously no man has gotten close to or touched her since her husband's death years ago, with the strong impression that she may even be a virgin! As the audience we hope Fergus can save Julie from her personal torment so she will find the happiness she so dearly deserves, but unfortunately the tragic past, her haunted memories and steely resolve win out over this new chance at love, life and happiness. Despite the killings she commits with such calculated and efficient dispatch, Julie is a sympathetic character because she's a principled murderess--she's not willing to hurt anyone but her targets or let anybody take the fall for her actions, as the scene dealing with the politician, his son and the son's schoolteacher compellingly displays her humanity. This is a fascinating character study of a troubled and complex female obviously inspired by Hitchcock's earlier "Marnie," but in this case Truffaut goes one step further with his version of an un-savable Marnie. A comment--throughout this film (as well as some of his others) Truffaut reveals what obviously is his leg fetish, as we the audience are subjected to numerous references as well as many voyeuristic and lingering shots of Moreau's legs!
Jeanne Moreau brings out the fanatic dedication of the main character--as schoolteacher, vixen, artist's model--whatever it takes, she will find and destroy the killers. Even in prison, she manages to kill. Her impassive demeanor is a perfect representation of the Woolrich ethos--that life in its unpredictability will change you so dramatically that there is no chance in hell you will ever be the same as you were before. The killers are all regular guys who never suspect a thing--because they're not professional criminals, they have no reason to be looking over their shoulders. The various methods the Moreau character uses to dispatch the men are clever and intriguing. Truffaut's sharp eye for character detail is an exact match with Woolrich's mordant eye for plotting. The two together make for a tough, engaging film that still rings true after more than 30 years. ... Read more | |
| 186. Kung Fu - The Complete First and Second Seasons Director: Jerry Thorpe, David Carradine, Alex Beaton, Harry Harris, Robert Totten, Robert Michael Lewis, Barry Crane, Richard Lang, Robert Butler, Charles S. Dubin, Lee Philips, Walter Doniger, Gordon Hessler, John Llewellyn Moxey, Marc Daniels, Allen Reisner | |
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Reviews (8)
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| 187. Law & Order - Special Victims Unit - The Premiere Episode Director: Chad Lowe, David Hugh Jones, David Platt (III), Steve Wertimer, Joyce Chopra, Jud Taylor, Michael Zinberg, Alexander Cassini, Clark Johnson, Steve Shill, Rick Rosenthal, Peter Medak, Darnell Martin, Michael Fields, Juan José Campanella, Alan Metzger, Constantine Makris, Guy Norman Bee, Jean de Segonzac, James Quinn | |
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Amazon.com Reviews (10)
Pro - strong enough concept to survive on its own away from the original Law and Order series (material). Let's break that down for all ye non-rocket-scientists out there. It would take over 50 million bowls of your cereal...err...umm... I mean, buying only three independent episodes of SVU (which mercifully you can't, and the producers gave the consumers' brains atleast SOME credit) would have bought you the entire first season (now going for roughly $50), a net loss of, again, roughly 20 episodes (I've done some rounding for the non-rocket-scientists). A quick justification for the 3 stars - A) SVU, like the original Law And Order, has so much going on, you'll ALWAYS pick oodles up upon subsequent viewings (the rewind button can offer you everything that Munch was saying that you just sort of glossed over the first time).... thus, purchasing one episode won't REALLY give you just 45 minutes of something to watch. B) This is especially true, as they've packed those infamous "DVD extras" in - the original "Everybody's favorite Bag Man" pilot, as well as some interesting interviews and extra footage (the squad room walk-through) keep "Payback" from feeling lonely.
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| 188. Wiseguy - The Complete First Season: Part 1 and Part 2 Director: Kim Manners, Les Sheldon, Roy Campanella II, Peter D. Marshall, Aaron Lipstadt, Neill Fearnley, Larry Shaw, Colin Bucksey, Bill Corcoran, Gus Trikonis, James A. Contner, Jan Eliasberg, Ron Rapiel, William A. Fraker, Charles Correll, Mario Van Peebles, Mario Azzopardi, Tucker Gates, Matthew Meshekoff, Jorge Montesi | |
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Amazon.com Season 1, Part 1--the first of six Wiseguy DVD sets--includes the entire nine-episode arc (plus pilot) in which Vinnie infiltrates the New Jersey mob family of Sonny Steelgrave, a silk-suited kingpin played by Ray Sharkey in his finest TV role. Their brotherly relationship poses a moral dilemma for Vinnie (giving the arc its dramatic core and primary source of suspense), and Wiseguy earned its reputation as a well-written series that favored character-driven tension while providing the requisite pulp fiction (i.e. occasional murder and mayhem) that kept viewers and advertisers happy. While the DVD packaging gives bogus equal billing to Annette Bening (who appears here in one pivotal episode), her pre-stardom appearance is indicative of the show's consistently high standards in writing, casting, and stylish direction. The styles may be dated (including poodle-puff hairdos for women, including Bening), but there's not a weak episode in the bunch, including the stand-alone shows (involving domestic crises for McPike and Burroughs) that allowed character growth beyond the story-arc structure. After the intense "Sonny Steelgrave" arc of first-season episodes, the producers of Wiseguy faced the challenge of topping themselves, and they did it by casting a relatively unknown New York stage actor named Kevin Spacey, who proceeded to chew up the scenery as only a future Oscar®-winner could. But Spacey's not the only reason for the giddy success of the "Mel Profitt" arc, which finds OCB agent Vinnie Terranova (Ken Wahl) teaming up with sociopathic assassin Roger Lococco (William Russ) in an effort to infiltrate the global drugs-and-guns empire of the Proffitt siblings Mel (Spacey), a "manic-depressive genius with acute paranoia," and his codependent sister Susan (Joan Severance), who keeps her incestuously devoted brother happy by injecting home-brewed narcotics between his toes (hence giving Spacey his trademark line, "Only the toes knows!"). TV audiences in 1988 had never seen such a twisted sibling relationship, and there's plenty of eccentric chemistry between Spacey and then-newcomer Severance, who later developed a loyal male following as a B-movie sexpot. Completing their triangle of terror is Russ, playing Lococco as a tormented Vietnam vet with a massive chip on his shoulder, luring Vinnie into a life of luxury and lethal behavior, thus complicating matters considerably for Vinnie's covert handlers McPike (Jonathan Banks) and Lifeguard (Jim Byrnes), who grow increasingly worried as Vinnie gains Mel Profitt's hard-won trust. The quality of these 12 episodes remains consistently high as the Profitts reach "psychotic critical mass," leading to Mafia connections and a new direction for Vinnie's loving mother (well-played by Elsa Raven). Through it all, Wahl (who proves himself a man of few words in a sparse one-episode commentary) maintains his strong presence as a leading man, generously allowing Spacey's rising star to shine. Wiseguy still had some highlights in its future, but the "Mel Profitt" arc represents the series at its best. --Jeff Shannon Reviews (1)
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| 189. Harvard Man Director: James Toback | |
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Reviews (22)
"Harvard Man", on the other hand, has a modicum of style, plot, and intelligence behind it. It doesn't really work in the final analysis - not because of any failings of the acting, which is mostly excellent (although I just can't overcome my aversion to Joey Lauren Adams' squeaky voice), but because the movie doesn't quite hit the pitch of danger that I felt it needed to sustain the drama. Toback, however, does compelling things with sequencing, flash forwards and back, and with camerawork, split-screen and so on, and the dialogue is mostly fine. The lighting has a nice grainy amber texture to it and the soundtrack is a fun mix of hip-hop and classical. Grenier in the lead does well, Stolz and Gayheart are great, and Sarah Michelle - and yes, I do have a slight bias - proves again that she has excellent range. As well as being a cutie-patootie. "Scooby Doo" and all is fine, but please, SMG, pick a project that will demonstrate your dramatic chops to the non-believers out there! I'd love to see her do work on the big screen as fine as that in "The Body" or "Innocence" in BtVS...
Back in Kansas, a tornado destroys the home of Alan's parents, and he is determined to get the one hundred thousand dollars needed for them to rebuild. In steps Cindy with a plan to make a killing off a sports bet; all Alan has to do is throw the big game against Dartmouth. Soon, the FBI is nosing around, everybody sort of panics, hope rises in the viewer that at least one of these dreadful characters will die, and then a pretty impossible if not ludicrous ending is thrown together at the end. You don't really even care how bad the conclusion is because you are just glad the film is finally over. I don't think I've ever seen a movie go to such lengths to annoy its audience. Almost every scene features what I would call stop gaps; every few seconds, the film seems to jump a few frames for no reason whatsoever; this is a short-term technique that should be used sparingly, but the director of Harvard Man shot the entire movie this way, and it made me want to scream. Then there is the music; it's just awful, and even worse it is constant and far too loud most of the time. I guess a lot of it is supposed to sound Italian or something, even though the Mafia bit is not that important to the film. The inclusion of Ray Allen, an actual basketball player, in the movie also makes no sense. When Allen's character talks to Grenier, both of them seem to be in a race to see who can say his lines the fastest, and Allen tries so hard not to look like a professional basketball player that he ends up looking just as bad as everyone around him on the court. Just when you think things can't possibly get any worse, we are taken along for an extended LSD trip in which all the voices the character hears building up inside his head assault our own ears as well in a rising crescendo. This, in conjunction with all the other problems, qualifies this film as pure and utter torture. I have no idea why Sarah Michelle Gellar chose to participate in Harvard Man, but it almost has to be a decision she now regrets.
If you go into this movie expecting to see a lot of Sarah Michelle Geller (henceforth called SMG), you will be grossly dissapointed. She doesn't have that big of a role in this film. I went into the movie with an open mind, and tried to ignore the really annoying scenes in the beginning with slow frame rates and jerky camera movements, plus hearing 2 songs at once, overtop of commentary. But even though the beginning is very annoying, the rest of the movie is very good. I don't need to give a rundown of the plot, but I will say it takes a bit of understanding and intelligence to be able to take in all that is happening and not be overly confused. I personally really enjoyed the movie, and can't understand how all of these negative reviewers didn't like it at all. In my opinion, it is a must buy. ... Read more | |
| 190. Tetsuo II: Body Hammer Director: Shinya Tsukamoto | |
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With current society relying on plastic surgery and physical augmentation this is a wake up to the broadcasted cable zombies of today! TV is watching you, more than you watch it! divowr@excite.com
Basically this is like a live action Magna cartoon and can be watched as a stand alone without seeing the original Tetsuo. Where the film scores in aces is with the editing and camerawork. Shinya Tsukamoto is held in great esteem by directors like Quetin Tarantino, who once asked if Tsukamoto would work on an American film with him. Tsukamoto responded by saying Yes - If he was allowed to nuke Hollywood. The plot is crazy and revolves around a Tokyo businessman, Taniguchi, whose son is kidnapped by a cult of demented nazi-type body builders led by a villain who has the special power of being able to turn his body parts into mechanical firearms. Taniguchi discovers that he too has similar special powers and proceeds to try and wipeout the gang in a Superhero sort of way. There is lots of arty nightmare sequences and action, although the film does loose its pace in parts. At its heart, Tetsuo II is a movie about a superhero with a grotesque gift. It is violent at times but the plot is actually coherent and the story is a lot of fun. Considering the budget limitations the filmmakers have done well and Tetsuo has quite a cult following and it is easy to see why directors like Tarantino recommend it. So if you have a taste for low budget weirdness, then this movie is a must. ... Read more | |
| 191. Red Green - Duct Tape Forever Director: Eric Till | |
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Amazon.com "Whenever a man does a dumb thing," says Red, "it's better if he doesn't have an audience." Well, a lot of eyes are on Red, his geeky nephew Harold (Patrick McKenna), and the other boys after a rich man (Richard Fitzpatrick) drives his car into a Possum Lodge sinkhole and sues for damages. The solution: Build a giant, duct tape goose and enter it in a Minnesota contest for cash prizes. Of course. Co-creator Smith re-tools the show's self-deprecating essence and run-on joke about male incompetence into a winning movie. --Tom Keogh Reviews (14)
This 91-minute movie, released in 2001, is based on the hit Canadian comedy show The New Red Green Show. Changing the format from the show, this movie puts Red and Harold on the road, facing numerous adventures in the real world. (If you can call that the real world!) This is a fun adventure, stretching the already wonderful characters - a must-have for any Red Green fan!
However, in this instance Possum Lodge members make the leap onto the "silver screen" with an extended rendition of the wit and wisdom of Possum Lodge intact. (All 80 blank pages). Well, Ok. maybe it needed a little duct tape to hold the plot together, but didn't we all wish for a road adventure that would show how lodge members stick together to solve a problem? I mean if we can't all come together for third place, what do we aspire to? To appreciate this movie it helps to have grown up in Northern Michigan with my Dad and his friend assembling a log splitter in their garages with various spare parts instead of taking the short cuts and buying some fancified-whimpy-under-powered piece of junk from some store. Red and Harold bring to life a place I grew up in, including all of the things that keep life entertaining. May Red and his group keep their stick on the ice and only change if they have to. They may not be handsome, but they are entertaining! I thoroughly enjoyed the extended, plot-infested adventure that took our lakeside looneys from the short sketches into extended investigation of the tape-bonding travels. Rate it five rolls!
MY WIFE HAD NOT SEEN THIS MOVIE BEFORE. ALMOST PEED HER PANTS, SHE LAUGHED SO HARD. ONE EXPRESSION CAME OUT SEVERAL TIMES. "THAT'S KENT". YES, WE KNOW A GUY JUST LIKE THAT. ACCTUALLY SEVERAL. FOR SOME GOOD CLEAN HUMOR, IT IS WORTH WATCHING. THE WAY IT SHOULD BE. THE SIMPLE LIFE AT "POSSUM LODGE" I DO NOT KNOW ANYONE I WOULD NOT RECOMMEND THIS MOVIE TO.
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| 192. The Last Supper Director: Stacy Title | |
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Amazon.com Reviews (27)
I don't recommend this movie for younger viewers; just because I don't think they would understand it - you have to be familiar w/ Liberals vs. Conservatives, right wing vs. left wing, etc. to understand the movie. I loved each and every one of the characters esp. Courtney B. Vance and Cameron Diaz! (this was one of Miss Diaz's first movies) It has some awesome cameos too! (Jason Alexander from "Seinfeld" plays one of the victims) On top of all that the soundtrack is GREAT too (a lot KC & The Sunshine Band, and dance music) I recommend you pick this movie up...it's a wickedly amusing dark comedy that will have you laughing all night!
Five liberal grad students' favorite activity is dinner with a stranger-they enjoy the copmany of a guest they disagree with, over one of Cori's homecooked meals. We begin the movie with the night that dinner went wrong. After a guest too conservative for the conservatives (it was later revealed that he was more evil that they imagined)is killed, they decide to save the world by eliminating hosts of ultra-conservative, prejudiced and/or ignorant people. Naturally, everything unravels...after one ignorant guest finds their liberal opinions convincing, they get nervous and quickly convince him not to change his mind, hence another body in the back yard. The meals get simpler (the fancy meals shrivel up into unembellished white bread sandwiches), the garden becomes a jungle (each grave is covered with tomato plants, a cover-up), and the blood (and tomatoes!) is everywhere! Yes, I am biased to recommend this. I love all the point-of-view shots and humor that makes fun of everyone from every view point. Yes it's funny-if not QUITE sick!
The movie starts with you introduction to the primary characters consisting of a group of liberal graduate students at Iowa State University. This group is played by Ron Eldard, Annabeth Gish, Jonathan Penner, a still relatively unknown Cameron Diaz, and the great character actor Courtney B. Vance. The story starts out on a stormy night while all but one of the students is watching T.V. and discussing the nonsense gloating of well known conservative Norman Arbuthnot (Ron Perlman). Then there is a knock on the door and upon answering it they find out that their other roommate's car had broken down and he had been brought home by a truckdriver named Zack (Bill Paxton). They decide to be polite and invite Zack in for dinner. Through the course of events they find out that Zack is an extreme right-winger and desert storm veteran (and argument waiting to happen). To make a long story short they get into a scuff wherein Zack breaks Pete's (Ron Eldard) arm and Marc (Jonathan Penner) in the heat of the moment stabs Zack in the back with a kitchen knife. In the aftermath of this incident, they (as calmly as they could) decide that it is best to not mention this to anyone as the courts would probably side with Zack. So they bury Zack in the backyard and dump his pickup in the river. Well in the days after the incident, after much deep conversation about what happened (which we liberals tend to do), they start to think about whether what happened was actually a bad thing or not. (What if someone with enought motivation were to get rid of some of these dangerous right wing a** ho*es and in the process make the world a "better place") So they basically form a plan to invite a different person for dinner and discussion every weekend that has extreme conservative views and try to change their minds about things through debate. And if the person cannot be persuaded, they kill them by giving them wine poisoned with arsenic. Thereby getting rid of a potentially dangerous person (A potential Hitler they call it) and making the world a better place. So this is how the story gets started and how the suspense is wound up through the course of their plan. The people that they invite over are played by many well-known actors including Charles Durning, Mark Harmon, Jason Alexander(Seinfeld), and finally Ron Perlman's character himself. The story is suspensefull and gripping and also includes a lot of insitefull symbolizm. A definite must see for anyone liberal or conservative. It holds a special significance for me because I am an Iowa State grad student myself (note: I am not really sure that it was actually filmed in Ames, Iowa I really don't recognize any of the scenery shown in the movie). Let it be known that the extremedy of the political and social viewpoints presented by the characters in this film are not my viewpoints or beliefs. It is just a wonderful movie for all adults. See it, absorb it, love it!
I rented this movie and was pleasantly surprised how much I enjoyed it. The story was demented and there were a few laughs, mostly as the groups victims argued their opposing positions, not knowing they were literaly debating for their lives. "A toast..." *thud* The cast was excellent - Courtney B. Vance and Nora Dunn both get big thumbs up, while Ron Eldard's whining got on my nerves towards the (surprise) end. All in all, a pretty good movie. ... Read more | |
| 193. Die Another Day (Full Screen Special Edition) Director: Lee Tamahori | |
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Reviews (473)
In this film Bond must save the world from a mad North Korean colonial who has perfected what is essentially a death ray. The colonial wants to use his death beam in order to move into South Korea and then into the west. All the usual Bond special features are here. We have car chase on ice, exotic locales, beautiful women but something feels like its missing. Halle Berry tries hard in this movie as NSA agent Jinx but she remains little more than eye candy. If there is a Bond girl to watch in this outing it is Rosamund Pike who plays double agent Miranda Pike. The real treat here is the two DVD set by Universal which offers two commentaries, a trivia track, a great documentary, photo galleries and Madonna's video of the title song. All in all not one of the best Bond movies but certainly worth its two hour running time.
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| 194. Carmen - A Hip Hopera Director: Robert Townsend | |
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