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$11.24 $6.74 list($14.98)
21. Lonesome Dove
$312.99 list($449.98)
22. Xena Warrior Princess - Complete
$77.97 list($119.95)
23. Seinfeld Limited Edition Gift
$26.98 list($29.98)
24. The Fresh Prince of Bel Air -
$11.24 $6.29 list($14.98)
25. Better Than Chocolate
$245.00 list($350.00)
26. Queer as Folk Pack (Seasons 1,
$44.99 $39.98 list($59.98)
27. Dream On - Seasons 1 & 2
$19.98 $17.87 list($24.98)
28. Wings of Desire
$13.99 $11.82 list($19.96)
29. Ben-Hur
$14.97 $9.87 list($19.96)
30. NASCAR - The IMAX Experience
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31. Please Don't Eat the Daisies
$23.99 $18.90 list($29.99)
32. Manufacturing Consent - Noam Chomsky
33. Roseanne
$18.89 list($26.98)
34. De-Lovely
$27.29 list($38.99)
35. The Brady Bunch - The Complete
$11.21 $9.17 list($14.95)
36. West Side Story (Full Screen Edition)
$14.99 $9.39 list($19.98)
37. Saturday Night Live: The Best
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38. The Haunting
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39. Sunset Boulevard (Special Collector's
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40. Roman Holiday (Special Collector's

21. Lonesome Dove
Director: Simon Wincer
list price: $14.98
our price: $11.24
(price subject to change: see help)
Asin: B00005Y6YB
Catlog: DVD
Sales Rank: 309
Average Customer Review: 4.3 out of 5 stars
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Reviews (172)

5-0 out of 5 stars Probably the Greatest Western Ever!
A few years ago I had the opportunity to speak personally with Robert Urich about his role as ill-fated Jake Spoon in the epic western Lonesome Dove. Simply put, he said that it was "the most fun I have ever had making a movie. Think of it. Riding and shooting every day with two of the greatest western stars ever: Robert Duvall and Tommy Lee Jones! I won't have that much fun ever again!" I am sure that he could have gone on for hours but, unfortunately, time would not permit. The look on his face and the light in his eyes said it all. Tragically Urich passed away a year or two thereafter.

The legend and the story live on in the Pulitzer Prize winning book by Larry McMurty and in this faithful video depiction of the classic story.

A star-studded cast, headed by Duvall, Jones and Urich, along with one of the most beautiful western soundtracks ever composed make Lonesome Dove a viewing experience that you will enjoy time and again.

5-0 out of 5 stars One of the best things ever done for television.
Although the phrase "made for television" conjures up the images of the tabloid story of the week and women-in-peril films; Larry McMurtry's epic novel "Lonesome Dove" would not have been given justice in any other format. Television allowed that magnificent work to be brought to life in some form resembling the novel. The six hour running time enabled character and storyline development that would not have been possible if the novel had been adapted for theaters.

Although it does have the jarring breaks that marked where a commericial interuption had once been and it's share of television stars (Urich, Shroeder, Corbin); "Lonesome Dove" is movie big. Big stars. Wonderful cinematography. Great locations. An authentic look. A terrific score. The producers, cast, crew, and director went the full measure to ensure that this movie did not look or feel like a "movie of the week" production.

Personally, I believe it, along with "Roots," to be the finest work ever done in the medium of television. It really does make you feel for its characters. The viewer will cheer and hope for them, and when tragedy occurs, as it does throughout the film, it will shake the viewer. Nobody is safe: comic relief characters, children, and, even, experienced Rangers. McMurtry drives home the message that death in the Old West could occur to anyone at anytime with shocking suddenness. In the end, Captain Call looks back and remembers his friends and comrades who did not return with him. As he does, tears come to the eyes of this taciturn character; and rest assured he is joined by many in the viewing audience.

5-0 out of 5 stars The Return of the Western
It's ironic that the western, a staple of TV until sci-fi eclipsed its presence, would find its home again on the small screen during a time when big budget westerns seemed to be biting the dust to space opera blockbusters. And that it would take an Australian to realize it. Director Simon Wincer's big-vista understanding of the genre is apparent throughout "Lonesome Dove," which also features some great performances by screen familiars Robert Duvall and Tommy Lee Jones, even if the latter too often looks like a scowling Kenny Rogers here. This tale of an arduous cattle drive by two retired lawmen has the sweep and grist of such classics as "True Grit," "Red River," and "Once Upon a Time in the West," with which it shares many elements (the conversational style, the brutal drive, and the buddy relationship, respectively, the most obvious). And while "Lonesome Dove" doesn't really say anything new about the old west, it is entertaining and fares better compared to many westerns past in terms of presenting the ethnic diversity that history records. Look for many bravura--and few corny--moments like Captain Call's (Jones) reaction to a cavalry scout's whipping of Call's alleged son (a likable but sometimes too aw-shucks Rick Shroeder), MacCrae's (Duvall) gutsy stand against a pack of outlaws, and the touching and remarkably in-character last goodbye between the leads. Basil Poledouris, an underrated composer, provides a solid score. Of the episodes, only one stands out as pedestrian, making this a pretty good choice for viewers who want to savor their entertainment choice.

5-0 out of 5 stars Yes, it is 360 minutes, not 240.
240 minutes refers to the much shorter Return to Lonesome Dove mini-series. There is nowhere on the the Amazon website that the original series of Lonesome Dove DVD set is only 240 minutes, it is 360 minutes.

By the way, my daughter and I loved this series when it was on TV and I purchased the multi-tape set VHS way back when. But the last tape was bad and Cabin Fever, the manufacturers/publishers, would not replace my bad tape (they never even answered my mail except to tell me how to order the set), so, now that I have the DVD version, I finally have a complete set of watchable scenes.

1-0 out of 5 stars Sorry SD, you're wrong. It's not complete. Check IMDb.
I'm sorry to have to point out to those of you who think this is the complete version, but if you go to IMDb and look up Lonesome Dove, you will find that it has a 384 minute running time. Amazon's version is listed at only 240 minutes. That's over two hours difference from the original film, and no, we're not talking about commercials.
So unless Amazon has their listed time wrong and it is actually a full 6.4 hours, you've been duped. I wouldn't pay for less than the original length film.

So, the question stands for those of you who actually bought this DVD, was it 6.4 hours long, or only 4 hours long? ... Read more

22. Xena Warrior Princess - Complete Series (Seasons 1-6)
Director: T.J. Scott, John Fawcett, Karen Dior, Robert Ginty, Ken Girotti, Bruce Seth Green, Patrick R. Norris, Janet Greek, Mark Beesley, Harley Cokeliss, Charles Siebert, Allison Liddi, Oley Sassone, Charlie Haskell, Gilbert M. Shilton, Renée O'Connor, John Cameron (II), Anson Williams, Philip Sgriccia, Robert G. Tapert
list price: $449.98
our price: $312.99
(price subject to change: see help)
Asin: B0007DA3VG
Catlog: DVD
Sales Rank: 9197
Average Customer Review: 5.0 out of 5 stars
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Reviews (4)

5-0 out of 5 stars Learning experience
About the series itself.. There is so much more to it than just some entertaining TV. It has a value for life. Everyones life..
The message it carries is huge..

Thank you for making this series!

5-0 out of 5 stars THIS Collection its a MUST HAVE
Very interesting series, maybe the first series with a lesbian subtext in the modern US television history. Mark the first steps of the begining of a new-way-thinking world that opens today.

5-0 out of 5 stars Just plain entertaining
For everything that's been written, please don't forget that the Xena series is plain good fun! A little campy, sometimes over the top, but always entertaining.

Now when will they all reunite for the feature-length movie???

5-0 out of 5 stars 10 Yrs Ago The Phenomenon Began...Six Glorious Seasons
Xena Warrior Princess first aired in 1995. It would enjoy a successful 6 seasons concluding in early 2001. The entire 6 seasons is soon to be available on a special DVD package starting March 8. Australian actress (and yes she did her own stunts) Lucy Lawless starred as the larger than life, heroic and complex character of Xena. It began when Xena met Hercules who changed her way of life. Formerly, Xena had been a brutal, ruthless terrorist seeking revenge on the men who had raided her village. Hercules enlightened her and converted her into the side of good. Xena sets off to right the wrongs of the world and to protect the weak, heroically saving the Ancient World from all forms of evil. Sidekick Gabrielle (Renee O'Connor) is a bubbly, poetic and sensitive romantic whom Xena takes on as her protege. Trainig with Xena, Gabrielle undergoes a great change from shy poetess to confident and powerful warrior. Xena herself goes through much change, increasingly becoming more and more of the noble hero/martyr. The show may be unsuitable for very young children say kids under 8. There is definate adult material- battle scenes, violence, war, physical fighting and even some nudity. I would have to say that it's rated PG-13 or even R. It's best viewed by very mature kids or by teens 13-18. It was never excessively violent and at heart, it was human drama and quite spiritual. Essentially, it was the life-changing adventures of Xena and Gabrielle, who roam the world- Egypt, China, India, ancient Sweden, in search of truth and redemption. Along the way, Xena fully embraces her feminine side and lighter side, becomes a mother, loses a son, deals with heroic and even divine figures (Greek gods Ares, a diabolical god Dahok and the Hindi god Krishna) and becomes the stuff of legend as she passes on to the world of spiritual purity.

My favorite episodes (warning..some spoilers)..are: Xena saves Joseph and Mary the parents of baby Jesus from evil King Herod, Xena safeguards the Ark of the Covenant with the help of the Prince of Thieves (played by Bruce Campbell, king of B movies), Xena becomes a mother and loses him, Gabrielle gets "impregnated" a la Rosemary's Baby with an evil demon child she calls Hope and later has to deal with destroying her despite fighting her maternal instincts, the Bitter Suite a very well written musical in which Xena and Gabrielle are fighting against each other due to the death of their two kids and later reconcile, the more lighter musical Lyre Lyre in which a song contest is held, Xena goes to China and is trained by a wise female spiritual guide, Xena and Gabrielle in India where they meet Krishna and the spiritual healer Eli, Xena and Gabrielle in ancient Norway/Sweden where they encounter figures of the Norse saga "Ring of the Nibelung", among them the Rhinemaidens and Valkyries, the "Paradise Lost" theme episode in which Xena and the archangel Michael battle demons in Hell, and the very moving finale episode which I will not give away. LOL...

The show was very successful and drew millions of fans. Xena Conventions are still held even to the day. It has been 10 yrs now since the premiere of the series. In the 90's, it was easy to point out Xena and Gabrielle as lesbians. The 90's was a time of being proud individuals and openly gay or lesbian, and it is true that many lesbians did enjoy the show, but I never felt that the show contained lesbian themes or even subtext. Xena and Gabrielle were simply very close, intimate friends, even soulmates, but it was clear that their characters were written to be heterosexual. Both Xena and Gabrielle were engaged/married to other men at one time in the show- Gabrielle to her hometown boyfriend Perticus and Xena was involved with the following men- an ex warlord, a black warrior named Marcus and even at one point the war god Ares. Was it so hard to believe that two beautiful women were really close friends ? Does anyone know what true friendship is ? Xena and Gabrielle would have given their own lives for each other. There was also the mentor/apprentice, or student/teacher relationship between them. Even at the end of the show, Xena who passes on the mantle of hero status to Gabrielle. This is a good show for both men and women who openly embrace strong female heroes. This show is especailly appropriate for the new 21st century. Xena and Gabrielle never hated all men, they hated the evil some men could do. They had allies in men and women and not all the women on the show were "good". Who can forget the nightmarishly evil and sinister Callisto (played by Hudson Leick). Other people on the show were Ted Raimi as the funny and clumsy Joxur The Mighty, Bruce Campbell as the Prince of Thieves.

... Read more

23. Seinfeld Limited Edition Gift Set (Seasons 1-3 with Original Script, Salt & Pepper Shakers, and Playing Cards)
Director: Joshua White (II), Andy Ackerman, Jason Alexander, David Owen Trainer, David Steinberg, Tom Cherones
list price: $119.95
our price: $77.97
(price subject to change: see help)
Asin: B0002UE1X0
Catlog: DVD
Sales Rank: 58
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Nothing? Seinfeld is a show about everything! It's about the appeal of the posse and coma etiquette. It's about importing and exporting. It's about sneaking a peek, and seeing the baby. It's about this, that, and the other. TV Guide ranked Seinfeld the best TV series of all time. It has become the master of its syndication domain. Its most devoted fans can quote each episode chapter and verse; their absorption of each scene's minutiae anything but a trivial pursuit. With such fervent devotion to the show, and demand for its DVD release, series creators Jerry Seinfeld and Larry David could have easily just OK'd a bare-bones set containing nothing but the episodes. Not that there would have been anything wrong with that, but instead, the creative team came together to create extensive and encyclopedic features that make this four-disc set buy-worthy. The candid and revealing audio commentaries and interviews, deleted scenes and original episode promos, and optional "Notes About Nothing" pop-ups are as irresistible as a Drake's coffee cake.

It's always fun and instructive to return to the humble beginnings of a series that became a pop culture benchmark. Here are Kramer's first not-so-grand entrance, Jerry's first contemptuous "Hello, Newman," and Elaine's first "Get Out!" shove. But what is most revelatory about the episodes from the first two seasons is what Jason Alexander, during his commentary for the episode "The Revenge," calls a "sweet quality" that somehow redeems these characters' more base instincts.The third season's--for want of a better word--the charm. The show has found its misanthropic voice (by season's end, a fed-up Elaine tells herself, "I gotta get some new friends"), the ensemble has a firmer grasp of their characters, and the writers rise to the occasion with episodes that have entered the Seinfeld pantheon, including the Seinfeld equivalent of a Very Special Episode, "The Boyfriend," with Keith Hernandez and the J.F.K. parody, "The Library," featuring Philip Baker Hall channeling Jack Webb as library bookhound Bookman, "The Pez Dispenser," and "The Keys," with an L.A.-bound Kramer winding up on Murphy Brown. Michael Richards, especially, comes into his own this season as Kramer. The first two seasons built up the mystique of this "man-child"/"parasite." So while he was absent in season 2's now-classic "The Chinese Restaurant" (in which Jerry, George, and Elaine wait in vain for a table), he is now out and about with the close-knit, albeit dysfunctional, trio. Julia Louis-Dreyfus has some of her giddiest golden moments, zonked on painkillers in "The Pen," or, as a bored party guest in "The Stranded," telling an obnoxious bride-to-be that "Maybe the dingo ate your baby." And don't get us started on Jason Alexander as George, series co-creator Larry David's neurotic and angst-ridden alter-ego. To paraphrase what Julia Roberts said of Denzel Washington, we don't want to live in a world where Alexander doesn't have an Emmy.

The "Inside Look" episode intros offer fascinating insights into this singular show that subverted sitcom convention. We learn that even the most outrageous episodes, such as "The Pez Dispenser," were inspired by real-life events. Especially telling is Alexander's observation that Jerry never really socialized with the other ensemble members. This has extended to the commentaries: Seinfeld pairs with David on some episodes, while Alexander, Richards, and Dreyfus team up on others. They are gracious to the guest stars and extras, and mostly mum on Jer.All of this, of course, is yadda yadda yadda to Seinfeld fans, whose patience for the show's DVD debut has been amply rewarded. As Elaine screams in the third-season episode, "The Subway," "It's not nothing, it's something!" --Donald Liebenson ... Read more

24. The Fresh Prince of Bel Air - The Complete First Season
Director: Maynard C. Virgil I, Malcolm-Jamal Warner, Debbie Allen, Rae Kraus, Jeffrey Melman, Shelley Jensen, Ellen Falcon, Chuck Vinson, Madeline Cripe, Werner Walian, Michael Peters, Alfonso Ribeiro, Rita Rogers, Eddie Gorodetsky
list price: $29.98
our price: $26.98
(price subject to change: see help)
Asin: B0006N2F0O
Catlog: DVD
Sales Rank: 4693
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25. Better Than Chocolate
Director: Anne Wheeler
list price: $14.98
our price: $11.24
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Asin: B00002CGGH
Catlog: DVD
Sales Rank: 1547
Average Customer Review: 4.09 out of 5 stars
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Many lesbian movies are long on charm and short on production values; Better Than Chocolate has a solid dose of both and steamy sex scenes to boot. Our heroine Maggie (Karyn Dwyer), a clerk at a lesbian bookstore, meets footloose butch Kim (Christina Cox) and, after Kim's van is towed away, they move in together. Unfortunately for their romantic bliss, Maggie's mother, Lila (Wendy Crewson), and teenage brother move in that very evening thanks to Lila's impending divorce. But what really complicates matters is that Maggie can't bring herself to come out to her mother; even when she tries, Lila steamrolls through the conversation, like she knows what's coming and doesn't want to hear it. Interwoven with this is the struggle of Judy (Peter Outerbridge), a male-to-female transsexual who's in love with the bookstore's owner, Frances (Ann-Marie MacDonald), who's freaking out because customs officers are holding a list ofbooks at the border that they claim are obscene. The overlapping plots are deftly juggled, the personal and political are compellingly interwoven, and, most satisfying of all, the characters have problems that aren't going to be easily resolved. A handful of candy-colored lip-synching musical numbers give the movie some flash and the sex scenes give the movie some heat, but it's the elements of sorrow and ambiguity that really make the joy in Better Than Chocolate something to savor.--Bret Fetzer ... Read more

Reviews (131)

5-0 out of 5 stars 8 out of 5 stars!
Better Than Chocolate describes itself in the title... a feel good, laugh a lot movie, BTC will hook you into the plot right from the first scene. With an incredible array of characters, including a transgendered(male to female) woman named Judy, the movie is funny and heartfelt. The low budget filming makes it seem that much more real and the storyline is excellent, though the acting may be slightly amateur and the dialogue a little cheesy. The main couple, Maggie and Kim are lesbians, but they represent any other couple going through real-life problems. Wendy Crewson is wonderful as the lonely, unknowing mother, and she steals at least one of the hilarious scenes. Anne-Marie MacDonald plays Frances, the boyish owner of Ten Percent books, where only ten percent of the merchandise is books. Overall, it is a warm, feel good movie, predictable at times but for some reason, I keep watching it, and I find myself crying right along with the characters every time. Definitely see this movie if it's the last thing you do...

5-0 out of 5 stars Better Than Chocolate between...
I give this movie five out of five stars. Although it moves rather quickly you can't help being hook. Twenty minutes of the movie has past and Maggie, 19, not-quite-out, college dropout, and working at Ten Percent bookstore (no it's not a discount store) meets Kim, a nomadic artist, butch but sweet and romance starts. There's a scene that will leave many people exploring the arts.

Within the first twenty minutes, Maggie meets and falls in love with vivacious Kim, helps her conservative lesbian boss fight customs who seem to be trying to put her out of business. Oh, don't forget Maggie has to find a place to live, because her newly divorce mother, Lila is moving in with her along with sibling, Paul, neither who know that Maggie's been living in a bookstore since she quite law school, and she's gay!

Couple this with her omisexual co-worker, and transgender friend, Judy, who has love and parent issues of her/his own, and you've got a great story.

I almost cracked up when Lila goes..."Kim do you have a boyfriend?" and Kim replies, "No...Funny that!" Everyone seems to be in on the joke, but Lila who replies, "What's wrong with boys?" Maggie's fighting off an uncontrollable need for laughter and the audience does too. Wendy Crewson as Lila is an added addition to this romantic comedy.

All said in done, I wonder what it's like to live in that world. Definitely never a dull experience. This is a must see regardless of your lifestyle.

5-0 out of 5 stars Wonderful and fun filled
We have watched this over and over again and it is still a wonderful movie.

5-0 out of 5 stars WOW!
This is one of the all-time best movies. The chemistry between Karyn Dwyer (Maggie) and Christina Cox (Kim) is amazing. (I was shocked when the director seemed to say in her commentary that both are staight.) Maggie's interaction with her mother reminded me so much of how hard it was for me to come out to my mother. The soundtrack is wonderful.

3-0 out of 5 stars Probably just as good as chocolate...
Better Than Chocolate is a great movie.. with one or two big flaws. The story is great - it deals with the pain and frustration of coming out (or just figuring out your sexuality), falling in love, losing the one you love, and standing up for what you believe in juxtaposed nicely with commentary on the role of family in ones' life, what constitutes a family, and how we can all become happy with our lives. Quite a lot of themes for just one film. And Better than Chocolate handles each of them fairly well, if only briefly. The actresses portraying Kim, Lila, Judy and Frances are just wonderful. Each of them brings dimension to characters that could easliy have been played in a very one-sided way. They become human rather than just symbols or stock players to fill up Maggie's world. The friendship that develops between Lila and Judy is one of the best parts of the film. Maybe this is just me, but I find that Maggie is a totally unsympathetic character. She's whiny and immature and even snotty at times. I care the least about her of all the characters in the film.. which is unfortunate because this is really a film revolving around her and the way her relationships (and those of her friends and family) work. I just wish that the role had been cast differently or spun a bit differently.. it would have brought a lot more to the film. Ultimately, I enjoy the film. The relationships and issues dealt with in the film are difficult to deal with, but the film does a reasonably good job. ... Read more

26. Queer as Folk Pack (Seasons 1, 2 & 3)
Director: Laurie Lynd, John Fawcett, John L'Ecuyer, David Wellington, Michael DeCarlo, Chris Grismer, Kari Skogland, Kevin Inch, John Greyson, Kelly Makin, Jeremy Podeswa, Bruce McDonald, Steve DiMarco, Alex Chapple, Ron Oliver, Russell Mulcahy
list price: $350.00
our price: $245.00
(price subject to change: see help)
Asin: B0001F6KLC
Catlog: DVD
Sales Rank: 4012
Average Customer Review: 5 out of 5 stars
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Reviews (5)

5-0 out of 5 stars Spot on!....A Brilliant Serious/Story Tale.
Spot On! This BRILLIANT serious indicates exactly what gay life is about and the difference amongst us all within the gay community. Well done and congratulations to the writers of Queer as Folk. I am totally hooked to this serious.

5-0 out of 5 stars EXCELLENT TV SHOW!!
I absolutely love the show!!
It's so cool that the show presents a different world to me!
I enjoy involving the relationship between those charaters! They are adroable and memorable!! Especially the affection between Brian and Justin! It would be precious to you if you decided to buy those series!! I promise!!

5-0 out of 5 stars Best Series Ever For Our Gay Community!
ITs about time that Queer life is celebrated! I own "Queer As Folk Seasons 1-3" and its the best showtime series I have ever seen! All 3 seasons so far have drama, romance, lust; and each season makes you want more! I became hooked instantly; having watched every season atleast five times!

At first, I was worried, seeing that I never watched the series before buying them. I jumped with both feet and bought all three at once. I Definitely, 100% not disappointed! The drama and the complications in the series between queer friendship, love, devotion, pride and honor is the best I have ever seen in any gay portrayed series!

Queer as folk shows all aspects of Queer life! The love between Justin and Brian, Mikey and Ben, Ted and Emmett, Lindsay and Melanie; and many other characters brings this series to a new level. Showing the honest view of gay life. I feel for every character, and care for each person and their lives, as it unfolds. Words can't express this series other than its a must see and definitely MUST OWN collection!

At times, this series will show sex and nudity, so its not for the faint at heart. But thats what makes this series even more special. The fact that nothings held back; in your face truthfulness of gay relationships! Its awesome!

If you never watched Queer as folk, I recommend to everyone they should! I cant wait to own Season four!

5-0 out of 5 stars The Entire Collection From a Great TV Show
When "Queer As Folk" debuted on Showtime in 2000, it immediately sparked controversy, raising many eyebrows. Its unique graphic visionaries of sexuality has kept many talking. Not because of the sexual theme itself; it's the sexuality between two members of the same sex. The "in-your-face" effect earns the brave cast and crew tremendous respect for doing what no other has successfully done before. Before its debut, only two sitcoms have explored sexual orientation extensively: "Ellen" and "Will And Grace". The brilliance and the success of "Queer As Folk" has since earned rave reviews by many critics and still is today. Since its debut, the show has won and been nominated for several awards, including three, and counting, consecutive GLAAD Award nominations for Outstanding TV Drama.

The variey of character personalities offers great plot variety. Brian's frequent sexual activity, Michael's homelike presence, Emmitt's flamboyance, and Ted's shyness are only some traits that offer such joy to audiences. Justin, Debbie, Mel, Lindsay, and Ben also offer their own unique presence. The acting offers more great additional entertainment value. New and interesting ideas always keep audiences awaiting for the next episode. The combination of realism, drama, and slight comedy offers issues that some viewers can relate, including the straight/ ally community. Besides GLBT issues and struggles, it explores drug use, HIV/ AIDS, hate crimes, pornography, and many others. The shock value offers a great unforgettable experience. As the seasons progress, the plot and the characters follow.

Season one, the season always to be watched first, explores the coming out process, struggles in high school, struggles in the workplace, same sex couples raising a child, and others. Those who haven't watched the show will witness Justin meeting Brian for the first time, Lindsay giving birth to Gus (Brian is the father), Justin coming out for the first time, and of course Brian being Brian. Such deep chain of events and many others lead to a surprising and shocking season finale that keeps audiences awaiting for the second season premiere episode.

Season two starts with the result of the traumatic event on last season's finale. The characters begin evolving more throughout this season. Some surprising turn of events keep audiences interested in every detail. New viewers will witness Michael and Ted beginning their dream jobs, Michael meeting Ben who is HIV-positive, the birth of "Rage", Justin beginning college, Brian admitting more of his love for Justin, and of course Brian still being Brian. Viewers will be shocked when they learn Debbie's weak spot, despite being a strong GLBT ally. Robert Gant makes a wonderful debut as Ben. The acting from everyong shows great improvement throughout this season. Everyone creates their own tactics to keep audience watching. The chain of events, and many others, lead to a great season finale, leading to season three.

Season three answers questions that were cliffhanged in the second season finale. This season shows a greater variey of expressed issues, some which have not been expressed before, including politics, hustling, drug abuse, and others. This shows a greater emphasis on HIV/ AIDS issues, especially when Ben and Michael help a young hustler and when Ben's ex-boyfriend/friend dies of AIDS. This season shows surprising revolutions of some characters: an unlikely town hero arises to prevent a town from being run by a homophobic mayor candidate, an unlikely person becomes a crystal meth addict, and others. The chain of events and others lead to a shocking season finale that keeps audiences awaiting for season four.

This "Queer As Folk" set is a great collecion item for fans. This is sure to keep audiences entertained for a long time. First time viewers must watch this edition in order. Otherwise, the chain of events will be confusing.

Cast: Gale Howard (Brian), Hal Sparks (Michael), Randy Harrison (Justin), Peter Paige (Emmitt), Scott Lowell (Ted), Robert Gant (Ben), Michelle Clunie (Mel), Thea Gill (Lindsay), and Sharon Gless (Debbie).

5-0 out of 5 stars Queer As Folk The Complete Seasons 1, 2, and 3 are wonderful
Queer As Folk is one of the most amazing TV Shows ever and is a landmark as the show for the new millennium. This amazing Box Set has Season 1,2, and 3. After three seasons I am still amazed at how honest this show is on dealing with gay life. Not every gay person lives a life like these guys, but that is not what this show is about. Queer As Folk ia about the life of a group of gay guys and a lesbian couple living in Pittsburgh. Queer As Folk makes no apologies and thats what is so great about this series. From the graphic sex scenes to the drama of dealing with the prejudice that still haunts America, this show is so brave and I give Showtime a big thumbs up for having the balls to take on such a big risk as Queer As Folk. This show is as close as it gets to real life. This is not a show just for gay people, but for ALL people. It deals with human emotion and thats something that we can all relate to whether we be straight, gay, bisexual, black, white, brown or in between. I encourage anyone who has a open mind and a open heart to BUY this amazing DVD collection as it will inspire you and if nothing else open your mind to a lifestyle not as uncommon as you may think. Watch more than one episode before you judge this amazing series. With season 1, 2, and 3 you will be entertained with this awesome show for more than a few days!

Queer As Folk The Complete First Season - The first Queer As Folk DVD Box Set has all 22 episodes of the first season of the most controversial and bravest series in the history of television. The total running time of all 6 DVD's is approx: 1,205 minutes which includes Bonus features such as: behind the scenes outtakes, deleted scenes, special edition episodes, a Photo Gallery, DVD rom extras, A 6 minute Season 2 Sneek Peek, and much more. Queer As Folk shows the life of a group of gay guys and a lesbian couple living in Pittsburgh and all the dramas that go on in each of their lives.

Queer As Folk The Complete Second Season - The DVD Box Set is over 900 minutes and has all 20 episodes of the second season of one of the most controversial television shows today. The BOX SET includes over 3 hours of Bonus features such as: behind the scenes outtakes, deleted scenes, special edition episodes, a Photo Gallery, DVD rom extras, and much more. Queer As Folk shows the life of a group of gay guys and a lesbian couple living in Pittsburgh. I feel the first season of QUEER AS FOLK is better, but this second season is very good as well and shows the growth of the characters. I have seen all 20 episodes of Season 2 and it is slower paced than the first season, and I sometimes find myself looking at my watch which rarely ever happened with season 1.

Queer As Folk The Complete Third Season - This New Queer As Folk Season 3 DVD Box Set is over 673 minutes and has all 14 episodes of the third season, which is still one of the most controversial and bravest series on television today. This BOX SET like the seasons before include over 3 hours of Bonus features such as: Behind-the-camera, Hot Summer Days, Wrap Party Reel, Enter Babylon LA, Meet the Folks, Animated Photo Gallery, Season Four Sneak Preview, Weblink, Music Videos, and a few other surprises. I have seen all 14 episodes of Season 3 and it is another great season with some major twists. Season 3 is also a step above season 2 which was a little drawn out when compared to season 1. I do have to say I am a little upset that this season is very short when compared to season 1 and 2, which both had about 7 or 8 more episodes, but either way it is still a good season. Can't wait till the new Season 4 starts on Showtime soon. ... Read more

27. Dream On - Seasons 1 & 2
Director: Debra Hill, Catherine O'Hara, Robert C. Thompson, John Axness, Mel Smith, Mary Kay Place, Robert Ginty, Iris Dugow, Peter Baldwin, Jonathan Kaufer, Nick Marck, Michael McKean, John Landis, Jonathan Prince, Michael Engler, Stephen Engel, Art Wolff, Paul Miller, Rina Sternfeld-Allon, Robby Benson
list price: $59.98
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Asin: B00005JN8P
Catlog: DVD
Sales Rank: 1935
Average Customer Review: 5 out of 5 stars
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One hopes that at the annual HBO characters Christmas party, Larry Sanders, Carrie Bradshaw, and Tony Soprano make a point to raise a toast to Martin Tupper, the hapless hero of Dream On.This groundbreaking 1990 sitcom from future Friends creators David Crane and Marta Kaufman ushered in a bold new era of original cable programming not bound by broadcast network content restrictions. Hence, the profanity and nudity (you didn't see that on Knott's Landing!), which distinguished the series and helped put HBO on the pop culture map. Brian Benben stars as Martin, a New York book editor still reeling from the breakup of his marriage. The show's gimmick is that baby boomer Martin, a member of the first television generation, flashes on vintage TV clips that express his innermost feelings and desires. When his wife, Judith (Wendie Malick), visits Martin in "The First Episode," he fantasizes reconciliation, but she wants him to sign the divorce papers so she can remarry. The scene is punctuated by clips (from an old Twilight Zone episode, perhaps?) in which boxer Lee Marvin is pummeled in the ring and knocked out. But the clips and the language and the sex would get old fast if we didn't like the characters. Benben has the Everyman charm of a young George Segal, and he wears his anxiety to hilarious effect. He is devoted to his young teenage son, and still loves Judith, who is marrying a paragon, never seen, but described at one point as a "Ghandi for our times." His dating relationships spectacularly crash and burn (cue clip of disabled aircraft). In one episode, he comes undone when he discovers his new lover was a porn star. At the office, he is at the mercy of his caustic secretary (Denny Dillon). Dream On is of more than prurient interest. This was one of those lightning-in-a-bottle series blessed with a fresh vision, a seamless ensemble, and smart writing. To finally have it on DVD is a Dream come true. --Donald Liebenson ... Read more

Reviews (2)

5-0 out of 5 stars Why did it take so long to release this series?!!
Just buy this - buy it now. Somewhen in the early 90s this series appeared. Completely funny & totally original, this series of pure pure entertainment was the highlight of mine and a million friends week. I have crawled the internet and have never ever found a video, download or anything... until now, I live in anticipation of seeing this great series again.

The show was genius - Martin Tupper's (Brian Benben)thoughts were shown via clips of old b/w B movies. The supporting cast is excellent and they always had cameos from big stars like David Bowie.

How or why this series was forgotten until now is a mystery. Its a masterpiece, far superior to the dross that's around today.

5-0 out of 5 stars It's About Time!!!
I'm very pleased to see that "Dream On" is finally making it to DVD! I used to love this show when I watched it first-run on HBO years ago. Brian Benben was PERFECT as the hapless Martin Tupper, divorced from his wife Judith and trying to raise his teenage son Jeremy while re-entering the dating scene in the 1990's. The show contained many clips of old black & white TV shows and movies where appropriate in the story, and they were hilarious! One of my favorite such moments was in the episode where Jeremy went to a makeout party and told both Martin and Judith he would be staying with the OTHER parent. They found out they had been duped when Judith phoned Martin and found out he had a woman with him. She chastised him for doing so because Jeremy was there, but Martin was quick to defend himself and inform Judith that Jeremy was with HER. She said, "No, he's..." and slowly a look of realization comes to both of their faces. Then, it immediately cuts to a B&W shot of two small boys saying to each other "We fell for it! Boy are we dumb!" Hilarious!

I hope that there are some special features present on this set, but even if there aren't it will still be worth owning. It's about time that this classic HBO Original Series gets the DVD treatment. Hats off to Universal! Now let's hope that another excellent but overlooked HBO Original, "Tales From the Crypt", gets the same treatment! Everyone please support this release so the rest of the seasons will be released as well! You will not be sorry! ... Read more

28. Wings of Desire
Director: Wim Wenders
list price: $24.98
our price: $19.98
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Catlog: DVD
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Average Customer Review: 4.67 out of 5 stars
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Reviews (73)

5-0 out of 5 stars An Awesome, Mind-Blowing Film!
Wim Wender's best film is a glorious cinematic experience, a film that dazzles the eye, challenges your mind and touches your heart. In other words, a rarity. No other film that I can think of (save perhaps Woody Allen's Manhattan)better captures the spirit and feel of city than this one's portrait of Berlin does. The film follows two angels who roam around Berlin listening to the thoughts of people and observing, only observing. Except for young children who can sense thier presence, the angels remain invisible to everyone and cannot intervene in earthly matters. When one of the angels (Bruno Ganz) sees a trapeze artist(Solveig Dommartain) in a small circus he becomes entranced and eventually falls in love with her. So much that he yearns to give up the eternal life and become mortal to be with her. Oh, but there's so much more to this film than this sketchy summary. This is also a film about a city, the once divided Berlin and its past. Its about loneliness and alienation, about what it means to be human and so much more. This is just a wonderful film, the best movie released in the 1980's. I've seen this countless times and I never tire of watching it. There are moments in this film that will always stay with me: Ganz's angel perched on the shoulder of a statue, the angels congregating in the Berlin Library, the angels comforting a suicide victim, the brief flashes of color as Ganz becomes more and more human, Peter Falk, Nick Cave and The Bad Seeds, and so much more. This needs to be released on DVD now. A GREAT film.

5-0 out of 5 stars Poetry In Motion Picture Fairy tale Dream a Rant
This is a beautiful film by Wunderkind directer Wim Wenders... The leading Angel in this film is nothing short of the face of Kindess. And the beautiful cinematography blended with the poetic narrations make this flowing story one of the most beautiful glimpses into film magic you will ever witness. The story almost feels like Hans Christian Anderson's the Little Mermaid only with Angels instead of Fish-Tail Folk. The American Remake of this film is an excellent movie to watch side by side so one can see the difference betwen what film should be and what Hollywood does to poetry... it makes it commerce. Witness the addition of hundreds of Angels instead of two - add flowing trenchcoats, sunglasses , and set it in Los Angeles instead of Berlin... also make your leading lady a Doctor instead of a Circus Carnie(must be politically correct) I have nothing against the strong performances of Meg Ryan and Nicholas Cage... but come on Hollywood - you aint got nothin on Wim Wenders - You'll probably read reviews of WINGS OF DESIRE that mention this Magic Phrase from the ...Critics' box 'o magnetic words... Well it's an "art" film ... and what may I ask is film but anything else? Film is an artform - but Witness City of Angels in comparison to Wings of Desire - We are HOLLYWOOD we have come to turn your German Uber Art into ...COMMERCE - yes that is the true meaning of an ART FILM a film that is true to the beatuty of the media... but alas couldn't possible be understood by the average American spoon-fed Consumer...amen to the Holy Roman Empire - take us Out if you can...and that's all I have to say aboot that.

What an absolutely haunting delight. With its introspective pacing, which some may find slower than their cinematic taste allows, the film takes its own sweet time setting things up but it is one of the most mind-boggling romantic tropes you will see in cinema.

In the end it's not just about requited loves and hopes, it also carries a heady undercurrent of other notions: displacement and the natural yearning for emotional connections that transcends humans; the unification of a divided Germany and of a divided race; and, probably above all, about the universality of cinema and its ability to allow people to live multiple lives (from multiple cultures) at the movies.

When I first saw this, I thought the film's fatal flaw was its anti-climactic conclusion. Now I realise that it may be the best part of my favourite film of all time.

One caution to buyers about the DVD. Many bits of the film are in German, but my DVD had no subtitles. All the gorgeous imagery (in noir-ish black and white) was thus somewhat frittered away.

But it surely did make me want to see what Berlin must really be like. If you like your movies laid-back and reflective, this comes highly recommended from me.

5-0 out of 5 stars The ultimate art film
One of the most touching films created by Wim Wenders, Wings of Desire follows two angels, one of whom decides that his love of a woman is worth more than his heavenly life watching over the recently reunified Berlin. Wenders takes you from the black-and-white world of the angels to the multi-colored world of the inhabitants of earth and challenges you to think about life and love and the important things in life. Touching cameo by Peter Falk. A moving film.

4-0 out of 5 stars The Sky Over Berlin.
It's ironic that so soon after Wenders shot this film in Berlin (a film about seperation and the search for unity), the wall would come tumbling down. The only entities who can transcend the wall in this movie are the angels, who are nothing but pure consciousness. The original German title for this film translates as 'The Sky Over Berlin' and I certainly think it is more apt than the English one that was chosen. For it is only the sky above their city that unites Berliners each side of the wall. The angels imprisonment in the spiritual world is undoubtedly in my mind, a metaphor for the political set-up in Berlin at that time. Whether it be West Berliners imprisoned on all sides by the communist East or the East Berliners imprsioned from the decadent freedoms of West Berlin.

The angels themselves were banished to Berlin in 1945 for questioning God's intentions. As a city at the apex of 2 world wars and a cold war, there is probably no better choice in choosing it as a symbol of our century. Wenders use of documentary footage from the end of the 2nd world war is frightening in its portrayal of a city's damaged past. A past of confusion and despair that still marks the city's people through their ongoing frustrated desires.

In order to retain some sense of his original 'poetic' vision, Wenders refused to finalize a shooting script before he started filming. As a result he relied on a mostly spontaneous film shoot as well as a lot of improvising from his actors. ... Read more

29. Ben-Hur
Director: William Wyler
list price: $19.96
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Asin: B000056BP4
Catlog: DVD
Sales Rank: 1064
Average Customer Review: 4.63 out of 5 stars
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Ben-Hur scooped an unprecedented 11 Academy Awards® in 1959 and, unlike some later rivals, richly deserved every single one. This is epic filmmaking on a scale that had not been seen before and is unlikely ever to be seen again. But it's not just running time or a cast of thousands that makes an epic, it's the subject matter, and here the subject--Prince Judah Ben-Hur (Charlton Heston) and his estrangement from old Roman pal Messala (Stephen Boyd)--is rich, detailed, and sensitively handled. Director William Wyler, who had been a junior assistant on MGM's original silent version back in 1925, never sacrifices the human focus of the story in favor of spectacle, and is aided immeasurably by Miklos Rozsa's majestic musical score, arguably the greatest ever written for a Hollywood picture. At four hours it's a long haul (especially given some of the portentous dialogue), but all in all, Ben-Hur is a great movie, best seen on the biggest screen possible. --Mark Walker ... Read more

Reviews (210)

4-0 out of 5 stars A Good Presentation Of A Classic Film
Ben-Hur is a classic. It made AFI's top 100 films list. It's chariot race is one of the great moments in film, inspiring Lucas' near shot for shot remake in The Phantom Menace. Others here and elsewhere have admirably debated the merits of this film as cinema. Rather than concentrate on the film, I'd like to review this DVD presentation.

Pros :
- Excellent widescreen transfer. This disk is both dual layer and double sided. This nearly 4 hour film looks wonderful for its age.
- Excellent 5.1 mix from the original multitrack recording. The mix is relatively frequency limited and doesn't have the rumbling lows and crisp digital highs we've become accustomed to in modern films. This would have felt out of place on an almost 50 year old film.
- Excellent making of documentary. About an hour long, interesting and well produced.

- Heston's commentary is not full length. It is probably about 30-45 minutes. It is also not very interesting, consisting largely of "This was a great scene." style remembrances.
- They failed to mark which side of DVD is which! To make matters worse the onscreen menus look identical on both sides of the disk. I did eventually realize that there is a serial number printed on each side of the disk which can be used to differentiate the sides. When "65506.1.A US & Canada 212 MINS. WARNER HOME VIDEO" is face up in your DVD player that means you are about begin watching the first part of the film. Intuitive, no?

All in all a good presentation of a classic film, and a good value.

5-0 out of 5 stars Ben-Hur EPIC DVD, 11 Oscars including Best Movie 1959 !!!
Only a handful of motion pictures compare or even come close to this EPIC of EPIC's. (Voted as one of the greatest 100 movies of the last 100 years (1998) by the American Film Institute.

Ben-Hur won 11 Oscar's in 1959 including the "Big 3", Picture, Director - William Wyler and Actor - Charleton Heston.

This widescreen digitally restored picture & full sound (stereoized) DVD version is an absolute joy to watch & listen to.

The cast was meticulously casted and proved to be the right combination to provide the drama for "General Lew Wallace's" epic story.

In summary; This story parallels the "The Story of the Christ" Wallaces actual book title of this tale.

The setting is a Roman conquered and imprisoned Judah. There is unrest & possible rebellion in the air. Judah Ben-Hur (Heston) a Jewish Prince and grown childhood friend Roman Centurian Messala (Stephen Boyd) clash with different adult views. Shortly after their falling out a serious accident occurs involving the new Roman Governor & the Hur family. Due to this accident Ben-Hur is arrested & sentenced to be Galley (slave) rower & his family is imprisoned to keep this possible rebellion from occuring. Hur promises he will return and seek Messala with a vengence.

The movie is a long interesting journey (over 3 hours)of Hur and Christ. Their paths crossing at key times in each ones life. The Sea Battle and the most famous & spectacluar 11 minute chariot race highlights this greatest of tales.

The DVD extras add to this package !! In closing a movie must for your library.

5-0 out of 5 stars Really The End of an Era
One of the last great grand sweeping epics. Truly a cast of thousands. I've never been a big Heston fan but you got give the man his due. He was born to play these larger than life characters. The chariot race is really all its cracked up to be. One of the greatest cinematic moments ever. The chariot race in the silent version is even better, if you can believe that. Just amazing.

5-0 out of 5 stars AMAZING MOVIE!!!
Definitely a great epic and one of my personal favorites, Ben Hur, brings to the screen such heavyweights as Charlton Heston and Jack Hawkins in a tale set during the times of the Roman Empire. There are no words to describe this multiple (11) Oscar winning movie. The acting, the chariot races (!!!) and the costumes are all wonderful! It is simply amazing how a movie made in 1959 surpasses by far most movies that have been made in later years. Ben Hur is about honor, bravery, and heroes from a time long gone.
Together with Spartacus, The 300 Spartans, Cleopatra, and the Fall of the Roman Empire, Ben Hur makes my list of Top 5 classics of all times.
A great marvel indeed!

5-0 out of 5 stars The greatest Movie of all times
This Movie no matter how many times i see it moves me. I have the Collectors Box Set. This set will be used to be passed down to my family forever. ... Read more

30. NASCAR - The IMAX Experience
Director: Simon Wincer
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Catlog: DVD
Sales Rank: 541
Average Customer Review: 4.0 out of 5 stars
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Until you've seen NASCAR: The IMAX Experience, you haven't really seen NASCAR. Even without the advantage of a gigantic IMAX screen and 70-millimeter 3-D projection, this 48-minute IMAX film is a perfect primer for newcomers to the sport of stock-car racing. Like all IMAX films it's aimed at a mainstream audience (hardcore NASCAR fans won't learn anything new here), so it covers a broad spectrum of general history, technical information, and pure high-speed adrenaline, from NASCAR's origins in 1947 to the oval-track highlights of the 2003 season. While Lonesome Dove director Simon Wincer captures the action (including some amazing mid-pack and cockpit footage during actual races), Kiefer Sutherland narrates an informative survey of season-long activities, from car building and safety measures at Mooresville, North Carolina, to pit-crew practice, transportation logistics, constant danger and its effect on drivers' wives and families, and the aerodynamics of drafting. Interesting trivia (each tire costs $389!) is included along with driver profiles and a compilation of memorable race finishes, but it's the IMAX footage that makes this a thrill-a-minute DVD, perfect for anyone who's just beginning to enjoy the world's fastest (and fastest-growing) sport. --Jeff Shannon ... Read more

Reviews (21)

2-0 out of 5 stars Don't Buy It..
Unlike some of the other detractors of this DVD. I don't care about it not being 3-D or whatever.I was let down in a big way.I am not a big NASCAR fan, but I do live&breathe motorsport , so I thought "what the heck,this looks good". While it served as a decent documetary,with interesting facts and so on. I felt the "action" portion of the program is what let me down.Simon Wincer missed the mark as far a I'm concerned.The hodge-podge editing of multiple tracks/events as one raceday seemed contrived. Just my humble opinion.

3-0 out of 5 stars a visual knockout but it could have had more racing footage

There would be no point in denying that "NASCAR: The IMAX Experience" loses a little something in its transference to the small screen.However, it's still an eye-popping documentary for both diehard racing fans and those viewers who know little or nothing about the sport - although the hardcore aficionados might wish there had been a little less talk on the soundtrack and a little more action on the racetrack to make the experience a more compelling and complete one.

This comes as a bit of a surprise, especially considering the fact that the film was originally shot in the 3-D IMAX format.One might reasonably expect that the movie would be little more than a succession of speeding cars and hurtling objects aimed directly at the stunned eyes of the audience.Not so, for the movie actually spends far more time on the nuts-and-bolts, behind-the-scenes aspects of NASCAR than on the racing itself.The film provides a brief background on the organization's less-than-savory moonshine roots, then proceeds to fill us in on various aspects of the sport itself, including the construction, specifications and testing of the cars, the training of the pit crews, the loyalty of the fans, etc.It also takes time out to honor the memory of the late racing great Dale Earnhardt, although due to the film's rather meager 49 minute running time, the tribute, like virtually everything else in the movie, comes across as a little more halfhearted and perfunctory than, perhaps, in all good conscience, it should.

To get most of the racing shots, director Simon Wincer strapped his camera crew into vehicles of their own in order to provide audiences with an experience as close to the real thing as possible. The majority of these sequences come in the last ten minutes or so of the film.As with all IMAX productions, the clarity and beauty of the picture is, indeed, a wonder to behold, with the colors literally leaping off the screen in many-hued splendor.Even without 3-D glasses and a two-story sized screen, this is a great visual experience. Now if they could have just shown a little more racing...

5-0 out of 5 stars Vrrrroooooommm !!!!!!!!!
Wow.From Boogedy, Boogedy, Boogedy to the Star Spangled Banner (which gives me chills when i watch it) this movie ROCKS!!! I loved to get up close with the racers and feeling like you are actually along for the ride! The quality of this movie is unlike any other I have seen...I am so impressed with this DVD! NASCAR fans-- I HIGHLY recommend it!!! You wont be disappointed.

4-0 out of 5 stars Exciting and Enjoyable
As a huge NASCAR fan, we had to rush out and see this IMAX film.While I had never seen something like this before, the experience itself was fascinating.The only reason I didn't give it 5 stars is because the driving scenes had to be created using special equipment.It's not like they filmed this during an actual Daytona 500. Even if I had known this BEFORE going to see it, I still would have gone...because it was a rather cool experience.I'm not quite sure how you will get the same effect at home - unless, of course, you have a heck of surround sound system and a mammoth TV!

4-0 out of 5 stars No 3D??!!
I don't understand why they couldn't have released this in 3D.The Imax movie, Santa vs the Snowman, was and so was Spy Kids 3D.Other than that, it's as great as the four times I went to see it in the theatre. ... Read more

31. Please Don't Eat the Daisies
Director: Charles Walters
list price: $19.97
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Sales Rank: 1905
Average Customer Review: 4.0 out of 5 stars
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Reviews (20)

Doris! The perky big band singer of whom Oscar Levant once quipped "I knew Doris Day before she was a virgin." I thought back to my visit to Carmel, California, a few years ago, where I dropped by the golf course to glimpse her house ...briefly visible from hole three. (Listen real carefully and you can hear her dogs barking.) I thought back to my beloved Great Dane, she with the baby blue eyes --- was named in honor of Doris, though Dory (for short) was actually named by the breeder from whom I purchased the 186-pound beauty.
And I thought back to the first (and only time) I had chatted with Doris Day. It was the January 28, 1986 --- the day the Challenger had exploded, killing her seven crew members (including Sharon Christa McAuliffe, America's first teacher in space), 73 seconds after launch.
I called Doris at her Carmel, California, home, and was in tears.
"Can you believe what happened," she asked her voice muffled and mournful. "I am so shocked. Those poor men and women. Their families ... the children ..." The tears flowed freely for several minutes. She cried. I cried. We both cried. This, I thought between tears, is going to be some challenge.
After a few minutes, she sniffled one last time. And so we began to chat about her life and loves and long career --- Doris was starting a new talk show, and Rock Hudson --- then so deadly sick with the AIDS virus --- was the first guest), her films, her music and of course, her animals. She told me how she cooked her own dog food, steaming rice and boiling chopped beef, then skimming off the fat, before blending in freshly cooked vegetables and a hint of spice. At the end of the conversation, I was salivating and ready to drop to all fours and beg for a taste.
As luck would have it, I am not the only one thinking about Doris Day these days. Paramount Home Video has just released Teacher's Pet, the 1958 comedy in which Clark Gable stars as a hard-nosed newspaperman who's smitten with journalism teacher DD. Not a great film --- gee, did Gable really so badly? --- though the title song is super, as is Mamie van Doren, as Gable's galpal who sings "The Girl Who Invented Rock and Roll." A better flick is Day's last one: With Six You Get Eggroll, also from Paramount Home Video,the 1968 blended family comedy, with Day solidly supported by Pat Carroll, as well as Alice Ghostley, George Carlin, Barbara Hershey, Jamie Farr and the once-hot rock group, The Grass Roots.
Warner Home Video has just released the box set, Doris Day Collection, a slipcased collectible featuring six new-to-DVD titles: Young Man With a Horn (1950), Lullaby of Broadway (1951), Please Don't Eat the Daisies (1962), The Glass Bottom Boat (1966) and newly restored versions of Love Me Or Leave Me (1955) and Billy Rose's Jumbo (1962)--- both of which feature new Dolby Digital soundtracks making Doris seem as fresh as, well, a new Day; along with Calamity Jane (1953) and The Pajama Game (1957), both of which have been repackaged for this collection. All the discs are packed with bonus features, including vintage shorts (including two starring Ruth Etting, whom Day portrays in Love Me or Leave Me), featurettes, cartoons and trailers.
But the best is saved for last. On June 28, MPI Media Group unveils the long-awaited The Doris Day Show: Season 1, the heart-warming comedy series that ran on CBS from 1968-1973. This was Day's TV series debut, and she proved that her big-screen likeability transferred, quite well thank you, to the small screen ... even if some of closer-ups seem a bit too gauzy for our tastes. Day played Doris Martin, a widowed mother who leaves the city to raise her two young sons on the Mill Valley, California farm of her father Buck, played by Dukes of Hazzard icon Denver Pyle. The four-disc box set includes all 28 original episodes from the show's first season, as well as never-before-seen bonus material.The bonuses offer additional insight into Day's warm, off-screen persona: there are TV promos and messages to network affiliates, as well as her two appearances as the "mystery guest" on What's My Line --- the first spot, from 1954, marked Day's TV debut, and her attempts to disguise her voice through a series of hi-pitched squeaks is a sheer delight.

Doris! The perky big band singer of whom Oscar Levant once quipped "I knew Doris Day before she was a virgin." I thought back to my visit to Carmel, California, a few years ago, where I dropped by the golf course to glimpse her house ...briefly visible from hole three. (Listen real carefully and you can hear her dogs barking.) I thought back to my beloved Great Dane, she with the baby blue eyes --- was named in honor of Doris, though Dory (for short) was actually named by the breeder from whom I purchased the 186-pound beauty.
And I thought back to the first (and only time) I had chatted with Doris Day. It was the January 28, 1986 --- the day the Challenger had exploded, killing her seven crew members (including Sharon Christa McAuliffe, America's first teacher in space), 73 seconds after launch.
I called Doris at her Carmel, California, home, and was in tears.
"Can you believe what happened," she asked her voice muffled and mournful. "I am so shocked. Those poor men and women. Their families ... the children ..." The tears flowed freely for several minutes. She cried. I cried. We both cried. This, I thought between tears, is going to be some challenge.
After a few minutes, she sniffled one last time. And so we began to chat about her life and loves and long career --- Doris was starting a new talk show, and Rock Hudson --- then so deadly sick with the AIDS virus --- was the first guest), her films, her music and of course, her animals. She told me how she cooked her own dog food, steaming rice and boiling chopped beef, then skimming off the fat, before blending in freshly cooked vegetables and a hint of spice. At the end of the conversation, I was salivating and ready to drop to all fours and beg for a taste.
As luck would have it, I am not the only one thinking about Doris Day these days. Paramount Home Video has just released Teacher's Pet, the 1958 comedy in which Clark Gable stars as a hard-nosed newspaperman who's smitten with journalism teacher DD. Not a great film --- gee, did Gable really so badly? --- though the title song is super, as is Mamie van Doren, as Gable's galpal who sings "The Girl Who Invented Rock and Roll." A better flick is Day's last one: With Six You Get Eggroll, also from Paramount Home Video,the 1968 blended family comedy, with Day solidly supported by Pat Carroll, as well as Alice Ghostley, George Carlin, Barbara Hershey, Jamie Farr and the once-hot rock group, The Grass Roots.
Warner Home Video has just released the box set, Doris Day Collection, a slipcased collectible featuring six new-to-DVD titles: Young Man With a Horn (1950), Lullaby of Broadway (1951), Please Don't Eat the Daisies (1962), The Glass Bottom Boat (1966) and newly restored versions of Love Me Or Leave Me (1955) and Billy Rose's Jumbo (1962)--- both of which feature new Dolby Digital soundtracks making Doris seem as fresh as, well, a new Day; along with Calamity Jane (1953) and The Pajama Game (1957), both of which have been repackaged for this collection. All the discs are packed with bonus features, including vintage shorts (including two starring Ruth Etting, whom Day portrays in Love Me or Leave Me), featurettes, cartoons and trailers.
But the best is saved for last. On June 28, MPI Media Group unveils the long-awaited The Doris Day Show: Season 1, the heart-warming comedy series that ran on CBS from 1968-1973. This was Day's TV series debut, and she proved that her big-screen likeability transferred, quite well thank you, to the small screen ... even if some of closer-ups seem a bit too gauzy for our tastes. Day played Doris Martin, a widowed mother who leaves the city to raise her two young sons on the Mill Valley, California farm of her father Buck, played by Dukes of Hazzard icon Denver Pyle. The four-disc box set includes all 28 original episodes from the show's first season, as well as never-before-seen bonus material.The bonuses offer additional insight into Day's warm, off-screen persona: there are TV promos and messages to network affiliates, as well as her two appearances as the "mystery guest" on What's My Line --- the first spot, from 1954, marked Day's TV debut, and her attempts to disguise her voice through a series of hi-pitched squeaks is a sheer delight.

3-0 out of 5 stars Cute Doris Day comedy
Daisies if another fun 60s Day flick, but not on par with her outings with Rock Hudson.

Here she is a housewife with four "monsters" to deal with and a theater critic hubby (Niven - miscast) who is just getting into being the toast of the town on Broadway.

Some funny moments and scenes - but the sophisticated single Doris films were much better.

2-0 out of 5 stars Two different movies: urban satire & rural comedy
After a fairly bright beginning(with Doris Day brightly wisecracking her way around four unruly kids--all boys--a dog, a maid, and her clucking theater-critic husband), this film version of Jean Kerr's popular book takes a left turn into the country and never recovers. Doris is much preferable playing smart, attractive working women than a bucolic housewife, and there's never any chemistry between she and David Niven. Janis Paige is fun as a theater starlet, and Doris is always worth watching, but interest wanes in these "Daisies" after about an hour.

4-0 out of 5 stars Classic Doris, But Slightly Miscast
I actually do like this movie.I love anything Doris Day has ever done and own all of her titles.The only thing contrary I can say about this particular movie is that I felt David Niven was way too old to play her husband... he was supposed to be her one-time college professor, so I guess that part of it makes sense, but these two married people want such different things out of life!He's having some sort of cranky mid-life crisis and wants to stay in the city with his newfound recognition as a famous play critic.She wants a full time father for her four young sons and a husband who's happy to live in the suburbs and volunteer at the local elementary school. How could anybody make this crazy scenario work? I dunno. But since it's a cute story line and especially well acted - plus it stars Doris - I would still recommend adding this film to your collection if you are a fan of hers. ... Read more

32. Manufacturing Consent - Noam Chomsky and the Media
Director: Mark Achbar, Peter Wintonick
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Reviews (39)

5-0 out of 5 stars Intellectual Self-Defence
With the recent media frenzy surrounding Michael Moore's documentary, Fahrenheit 911, it is interesting to observe how the controversy currently swirling around it (Disney backed it financially but won't distribute it) has been documented in the press. It makes a film like Manufacturing Consent: Noam Chomsky and the Media all the more relevant more than ten years after its release. Chomsky is a soft-spoken professor at MIT who has become quite a vocal political activist and critic of the American media. He believes that ordinary people can comprehend and act on the issues he raises, but this is not always an easy task because of the thick web of doublespeak that the government creates to blind us from what he calls the "elementary truths" that are right in front of us.

However, people are indoctrinated to be apathetic so that they don't want to make the effort that is needed to see what is really going on. And the media doesn't help either. In fact, one might say that they promote this sense of apathy by showing redundant, repetitive sitcoms and reality shows that turn us into mindless couch potatoes. Now, you might be thinking, this sounds like a lot of conspiracy theory garbage, but Chomsky does not look, act or speak like some crazed conspiracy nut. He is an intelligent man who talks to a BBC reporter the same way he would talk to an ordinary person. Chomsky is a clear and concise speaker who backs up everything he says with an ample supply of facts and unfaltering logic. He is a man dedicated to uncovering the deception and atrocities that are committed by governments all over the world and teaching others how to become aware of and act on these acts.

With funding from the National Film Board of Canada, Peter Wintonick and Mark Achbar followed Chomsky around the globe for five years. The result was a two hour and forty-five minute documentary that explored Chomsky's view of the media and his relationship with it. The film acts as a sort of "stepping stone" to Chomsky's books, which are filled with pretty heavy concepts and a lot of information to absorb. The film doesn't water down his ideas, but rather represents them on a visual level so that they are a bit easier to grasp.

In Manufacturing Consent, Chomsky reveals that all major decisions over what happens in our society are controlled by a heavily concentrated network of corporations, conglomerates and investment firms. This network also has considerable influence over positions in the government. Just looking at the big Savings and Loans scandals that plagued the U.S. a few years ago reveals this link. Corporations also own the media and therefore decide what we watch and hear for the most part. They control the resources and as a result show only what is in their best interests. This is achieved by propaganda or the "manufacturing of consent," a term borrowed from political philosopher and journalist, Walter Lippmann. Manufacturing consent is a technique of control over the masses-in other words, propaganda or the creation of necessary illusions to marginalize the general public or reduce them to apathy in some form. The news media participates in this manufacture of consent by simplifying, selecting, and dramatizing events.

Wintonick and Achbar take a look at various forms of alternative media, from the successful independent publishers, South End Press to Alternative Radio that is dedicated to reporting events that the U.S. media conveniently ignores and giving people like Noam Chomsky more exposure. The film has certainly exposed Chomsky's ideas to a wider audience creating a sort of cult following in Canada and in Europe where he is more popular than in his native United States.

The film doesn't talk down to the viewer and brilliantly conveys Chomsky's ideas on a visual level utilizing all forms of media. The directors also dedicate time to show some of Chomsky's detractors like William F. Buckley, Jr. and Tom Wolfe who come across like pretentious bullies while Chomsky appears calm and rational in response to their vicious, snide attacks. They are ironic scenes that add more credibility to Chomsky's views.

Manufacturing Consent is a fascinating look Chomsky and his ideas that are guaranteed to provoke discussion. It also makes one want to check out some of his work and sparks a desire to wake up and realize what is going on in our society. The film is a real eye-opener to the behind the scenes mechanics of our government and the media and how little we realize what they are really up to. The film does not dip into tabloid or conspiracy depths, but presents a logical and intelligent analysis with a good sense of humour that is often missing from such material. Chomsky is a man who sincerely believes that we can identify and react to the problems in our government and media, but realizes that it cannot be done by just one man, it will take a massive grass-roots organization. First, people must be educated and this is hard because it is so easy to do nothing. Realizing that there is a problem is the first step, correcting it is the next.

5-0 out of 5 stars A great tool for understanding
This film is a fantastic starting point for those interested in exploring the ideas of Noam Chomsky. It should function less as a typical biographical portrait and more as an overview of concepts--an overview which happens to include a bit of historical information about Mr. Chomsky's life. Those concepts, particularly those of the abolition of unwarranted power and authority should lead the viewer to take this film not as an authoritative documentary, but as a jumping block for a new means of analytical thinking. Taken as such and put into practice, I think this film's subject matter could help transform the narcotized western mind into a valuable, alert tool--a tool for healthy skepticism that could lead to a remarkable rethinking of power and domination in any guise, media or otherwise. It's length is not at all a disadvantage. The filmmakers manage to present a comprehensive body of ideas in as short a time as possible while maintaining an enjoyable pace. Well worth the time--insights like these are priceless.

5-0 out of 5 stars A Great Introduction To Important Alternative Views
Chomsky is a man of fact, reason, and simplicity. This documentary highlights some of the basic ideas of his important books about the domination of the media by indoctrination, the elites who own them, and how this affects the average person's access to information about the world and thus his view of his community and its relationship to outsidce societies.
This is a great film if you're becoming disaffected with our current political situation and looking for a way out of the mess we're in.

5-0 out of 5 stars Great Important Documentary on Noam Chomsky
Manufacturing Consent is the 1992 documentary directed by
Mark Achbar and Peter Wintonick about the perennial dissident lecturer Noam Chomsky. The focus is on how the media deals with both Chomsky and the issues he raises: mainly by ignoring him. Here we get clips of everything from his discussion with William F. Buckley from the 1960s to interviews in Europe to his 10 second clip on McNeil-Lehrer.

Chomsky is shown as an important force that critiques both the destructive policies of power elites as well as the media that keeps the masses ignorant by spoon feeding them non-critical propaganda. The scenes are cleverly done with some humor, showing Chomsky speaking on Times Square screens and such.

And yet this isn't a quintessential Chomsky film as it does narrow the focus to the media, and spends a lot of time on a French Holocaust denier and Chomsky defending his right to speak (though not his views). This is a bit of a side track from his true significance as an Anarchist, Human Rights, and Peace activist. But when we hear his views on Vietnam, East Timor, Central America, and Iraq we start to see the bigger picture. Namely that everything the media tells us is half-truth if not outright false.

His message is important and it comes through in this film. Is he always right? I would say no, but he always sticks to his guns, never wavers, to the point where his views get predictable. But without him the peace movement would be much worse off intellectually (we'd be stuck with the likes of Michael Parenti wining at us). Chomsky is always low key, not in your face, and this film paints a sympathetic portrait while giving him some exposure the U.S. media usually denies him.

3-0 out of 5 stars More Depth, Please!
Avram Noam Chomsky was born in 1928, the son of Jewish parents who worked as Hebrew language teachers. Young Noam showed promise in the brains department, devouring huge stacks of books and learning languages at an extremely young age. He went to the University of Pennsylvania after high school, where he eventually earned a doctoral degree in 1955 in the field of linguistics. Quickly snapped up by the Massachusetts Institute of Technology, Chomsky went on to develop a larger theory of language that soon won him worldwide acclaim, leading some people to refer to him as the "Einstein of Linguistics." Still residing at MIT to this day, Chomsky is perhaps better known as one of the preeminent social critics of American foreign policy and the American corporate media systems. The author of literally dozens of books on linguistics and contemporary social problems, Chomsky continues to make his rounds on the lecture circuit in an effort to awaken citizens to the dangers present in the power structures of the United States.

"Manufacturing Consent: Noam Chomsky and the Media" represents the efforts of three documentary filmmakers to condense Chomsky's ideas about the media and the structures of American power into a nearly three hour visual presentation. The title of the film, according to Chomsky, comes from a phrase coined by Walter Lippmann, an early twentieth century public intellectual who feared the American public to such an extent that he argued for the implementation of specific methods to control and shape public opinion. This, says Chomsky, leads us to our present predicament, a situation where elites in American society acquire control of media through corporate institutions in order to manage the flow of information to the public. In other words, propaganda supporting elite activities is the name of the game at the New York Times, ABC, NBC, CNN, CBS, The Washington Post, and other primary forces in the news business. Secondary or tertiary news outlets simply take their cues from these trendsetters, often running stories only after the national elite media decide that they are stories.

Moreover, the media systems filter out dissident opinions through various techniques. One of these methods is "concision," or giving limited airtime or column space to a specific story in order to control the parameters of that story. Chomsky claims concision keeps people like him out of the news because only allowing a person to make comments within a two-minute period does not let new ideas get through. If a person should get on the air and claim that the government bears primary responsibility for the rise of the Khmer Rouge in Cambodia, for example, the audience would want to know a lot of facts about such an alien idea. According to Chomsky, this rarely happens. Instead, the short time allotted to guests on a news show serve only to reinforce already accepted propagandistic platitudes that ultimately support elite positions. "Concision" keeps new ideas out and stymies debate regarding accepted ideas. There are several more points to Chomsky's theory in the film, along with a test case concerning the Indonesian invasion of East Timor in the 1970s presented in an effort to prove the propaganda model. I am leaving a ton of stuff out here, but since I also believe that the media promotes elite interests, the whole thing ultimately boils down to what type of news system we should have.

The good professor supports alternative/small press media as a balance to the huge corporate news systems, and I agree with this conclusion too. For far too long, big East Coast interests have controlled what the majority of the population eats, thinks, wears, and discusses. There is simply no geographical balance. The recent blackout in New York City had absolutely no bearing on my life out here in the wilds of the Midwest, but there it was on every news channel on television and prominently displayed in my local newspaper. Chomsky argues that alternative media will lead to a greater, freer dialogue about important issues. The professor claims the alternative press might even lead to a complete overthrow of capitalism and its replacement with anarcho-syndicalism, a belief system that posits self-management, direct democracy, and working class solidarity. This political system sounds like communism, doesn't it? Well, I really don't think Chomsky is a communist, but I simply don't trust anarcho-syndicalism. At one point in the documentary, the professor avers that there are no perfect solutions to our problems and that we should all at least try his theory. One presumes that if we don't like it, all we need to do is say so, right? Wrong. Revolutions don't work that way. Replacing one political system with another tends to be quite messy, and telling the new masters that you just don't think you can go along with them always seems to lead to the behavior we saw in Stalinist Russia. Chomsky's promise that his new order will be open to different ideas doesn't satisfy this cynic. I am not ready for a cure that might be worse than the disease.

Overall, "Manufacturing Consent" left me unsatisfied. In an attempt to cover as much ground as possible, the filmmakers never provided as much depth to Chomsky's theories as I would have liked. Obviously, I could buy the book and see for myself exactly what the professor's arguments are, but you would think a nearly three hour documentary could provide a better presentation of this man's beliefs. As for the DVD, the picture and sound are good and there are several lengthy extras consisting of debates Chomsky had with Michel Foucault and William Buckley. Noam Chomsky comes across as an accessible, likeable guy who really cares about social problems, and I agree with most of what he is saying. I just disagree with his vision of a post-capitalist world. ... Read more

33. Roseanne
Director: John Sgueglia, Andrew D. Weyman, Jeff Margolis, Gail Mancuso, John Pasquin, Philip Charles MacKenzie, Mark K. Samuels, Roseanne, John Whitesell, Ellen Falcon

Asin: B00005JNF7
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34. De-Lovely
Director: Irwin Winkler
list price: $26.98
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Average Customer Review: 4.27 out of 5 stars
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Reviews (11)

3-0 out of 5 stars A Wonderful Story Riddled with Too Many Unanswered Questions
De-Lovely has all of the makings of a great movie. It has a wonderful and engaging cast, especially Kevin Kline as the American composer and songwriter Cole Porter. Ashley Judd is ethereal as the long-suffering wife of Cole Porter, Linda Lee Porter. Cole Porter?s music?performed mostly by today?s musical contemporaries like Robbie Williams and Sheryl Crow?is still beautiful, catchy and witty. The period suits and dresses are aesthetically pleasing. With all those pluses, De-Lovely should have been an excellent and entertaining movie but it isn?t. It left with me with an empty and confused feeling.

Cole Porter (1891-1964) married Linda Lee Porter (1883-1954) in 1919. Linda was a wealthy divorcée, and several years older than Porter was when they wed. Porter was gay. Linda and Cole shared a mainly platonic marriage, which included separate bedrooms in their lush houses. The biopic De-Lovely inspires to be a celebration of their relationship, a love affair that is higher (and perhaps purer) than sex and sexual orientation. However, it doesn?t succeed.

The movie never truly explains why Linda accepted this type of arrangement even though she knew from the start that Cole would rather sleep with men. Did she do it because she was lonely? Did she do it because they were great friends? Or did she do it because she needed a cover for her own sexual orientation? One never knows. In De-Lovely, Linda Lee knowingly marries a gay man yet balks (a lot!) when Cole has trysts with men. She encourages him to move to different parts of the world to work on his music in hopes that it will distract him from his extramarital affairs, and then becomes upset when it doesn?t. She even leaves him, only to come back when he is injured in a horseback riding accident. It only appears in this movie that Linda stayed with Cole to be able to apply for martyrdom.

One is motivated to watch the movie from beginning to end to see if the secrets of their relationship are ever revealed. They are not, and, in the end it, makes De-Lovely a very dissatisfying movie despite its wonderful characteristics.

As earlier mentioned, Kevin Kline?s performance is sublime. The music, although performed with a certain amount of campiness, remains timeless. (Skip the De-Lovely soundtrack and check out the Ella Fitzgerald Sings Cole Porter or the Frank Sinatra Sings Cole Porter CDs.)

4-0 out of 5 stars Even educated fleas do it.
My main problem with "De-Lovely" has nothing to do with the acting, the music or the way that director Irwin Winkler has chosen to present the material.

Kevin Kline is excellent in this movie, and Ashley Judd gives her best performance in years, which isn't really saying much. The music is excellent, though it's occasionally obtrusive in the movie.

The "It's a Wonderful Life" story device used to tell the story is a bit odd, to be honest. In it, the aged Cole Porter is commanded by some sort of visiting angel or "director," played eerily by Jonathan Pryce, to tell the story of his life. So, occasionally, the entire natural story stops, allowing for aged Cole to interfere or intervene in the way his life is going.

My main problem, I fear, has to do with the arrangement behind the marriage of Cole and Linda Lee Porter, which is not the movie's fault at all.

I'm bugged by the fact that Linda Lee marries Cole knowing full well that he's gay - yet much of the movie is devoted to how it's difficult for her to live with this choice. When she sees him devoted to another man, she moves them to another country, even though she knew he was gay to begin with. It's like she's a hanger-on, even though he didn't love her the way she needed to be loved. There's was a marriage-of-convenience, not of romantic love.

There are too many shots of Linda looking disappointed that her husband is cavorting with men, even though she knew before they married what he did.

Linda herself admits to not much liking men. Her first husband, according to the movie, abused her, so her marriage to Cole, one of "respect," is without passion.

The entire movie is about their compromise, and it's difficult to watch or determine what exactly we as an audience are supposed to feel about it.

Either Cole is horrible for cheating on his wife with her permission. Or Linda is silly for intentionally entering into a loveless marriage to someone who is actually a very dear friend who cares for her intimately.

See it for the music. See it for the acting. And, if you're gay, be very happy that you live now and, more than likely, no longer have to undertake a sham marriage and hide who you really are.

5-0 out of 5 stars Absolutely Fantastic
I had to drive nearly 60 miles just to see this movie and it was worth the gas money to do so. This film is brilliant, and without a doubt, I would drive the 60 miles just to see it again.

Kevin Kline stars as songwriter Cole Porter, who lives his life to the fullest and doesn't deny himself any happiness, whether it's happiness with his wife (played by the fantastic Ashley Judd) or with a man. It's life shown even at it's weakest moments-- his wife losing a baby and Cole being thrown from a horse and having serious problems with his legs afterwards, making it hard to use the piano pedals.

This film is so poignant and lovely in every aspect. We get plenty of musical numbers of marvelous Cole Porter tunes, sung by wonderful guest stars, including Robbie Williams, Sheryl Crow, Elvis Costello, and Alanis Morissette. The performances by Kevin Kline and Ashley Judd have OSCAR written all over them.

I highly recommend this film! Even if it's out of your way, as it was for me, try and make the trip anyway. If you're one of the lucky few who lives close to a theater playing this wonderful film, do not miss out on the amazing opportunity to see this one!

4-0 out of 5 stars This Is Your Life, Cole Porter!
Irwin Winkler, the director of this film about Cole Porter, has chosen the device of the movie within the movie or play within the movie to present his story. Cole Porter (Kevin Klein) is an old man (wondrously made up incidentally) sitting in an empty auditorium watching his life unfold before him. There are many good reasons to see this movie, not the least of which is the score (words and music by Cole Porter). Both Klein and Ashley Judd do respectable jobs with their singing, which runs of course in the Judd family along with good looks. Some of the singing done by various artists is uneven; but seeing the movie made me want to buy a Cole Porter CD sung by someone with the talent of Ella Fitzgerald, for instance. Although the critics seem to be agog over Klein's acting-- and he is fine here-- certainly his performance is balanced by that of Ms. Judd, who does a beautifully nuanced portrait of Linda, Porter's (for the most part) understanding wife.

Although Mr. Porter wrote wonderful music which is still bringing joy to a great many people, his marriage, particularly in his later life, if the movie is accurate, was not always happy. There is never any question, however, that the love between the Porters was true and enduring, in spite of Porter's other gay "night" life. The film is quite moving; the stranger sitting next to me wept several times in the movie and I heard sniffles behind me.

The movie is beautifully filmed. The Coles obviously were high rollers-- lots of alcohol, cigarettes, roses, parties, fine cars and furniture; and the two stars must have worn every costume from the Armani catalogue.

A glossy, sometimes brittle and ultimately sad movie.

5-0 out of 5 stars Truly being in love and what it calls of us.
This is a magical story of success in love and in the world and what toll each of these takes on the other. Keven Kline and Ashley Judd play the Porters in young and old makeup and you are taken along for the ride without question. Both give oscar nomination performances. After the showing the audience erupted in applause. This is a love story first and foremost. It will captivate your finer feelings, at times likely to insult them but all in all will stretch concepts, perameters and capacities of love. I walked away loving life and feeling hopeful. ... Read more

35. The Brady Bunch - The Complete First Season
Director: Leslie H. Martinson, Allen Baron, Jerry London, George Tyne, John Rich, Jack Arnold, George Cahan, Peter Baldwin, Irving J. Moore, Jack Donohue, Bruce Bilson (II), Richard Michaels, Oscar Rudolph, Herb Wallerstein, Hal Cooper, Robert Reed, Lloyd J. Schwartz, Russ Mayberry, Roger Duchowny, Norman Abbott (II)
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36. West Side Story (Full Screen Edition)
Director: Robert Wise, Jerome Robbins
list price: $14.95
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Asin: B0000AM6IY
Catlog: DVD
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Average Customer Review: 4.52 out of 5 stars
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Reviews (195)

5-0 out of 5 stars Here Come THE JETS!
WEST SIDE STORY remains the point of status among most accomplished classics in cinema history. Legendary director Robert Wise[whose eclectic mastery of film ranges from "lost" mythology epic, HELEN OF TROY to sci-fi milestones-THE DAY THE EARTH STOOD STILL and STAR TREK:The Movie]perfectly renders a film of passion;tragedy;humor and ultimate celebration of youthful humanity. Leonard Bernstein's score is peerless Americana: classic ART and popular entertainment.Jerome Robbins'choreography is electrifying;Steven Sondheim's "libretto lyrics" are ensconded in popular music immortality.

West Side Story's ensemble cast is likewise peerless.
Natalie Wood is superb as American JULIET, Maria. Richard Beymer's Tony/Romeo charcterization wonderfuly combines heroic "tough guy" with star-crossed lover. George Chakris(Bernardo)and Russ Tamblyn (Riff)jive; fight and dance their rival gangs into legend. My favorite is Rita Moreno.Her performance as earth mother/eternal woman figure, ANITA is remarkable. Her ferocious sexual brio;lioness-Queen humor("if you can fight in/for AMERICA!");home girl insouciance, and passionate GRACE are archetypal.WEST SIDE STORY thematically equals--if not surpasses--its SHAKESPEAREAN progenitor.It is America's SOUND OF MUSIC.The ten Academy Awards could be justly re-awarded.

[When I learned "my" homies back in Massachusetts'Pelham Regional High of so-called 5-college professoriate and University of Mass'PC satrapy centered in Amherst...BANNED WEST SIDE STORY as Racist(this year the school is featuring VAGINA MONOLOGUES)I wondered: "WHERE ARE THE JETS when you need them?"]...

Certainly WSS was never conceived--as Mel Gibsons's THE PASSION OF CHRIST--to stir Culture War and rally believers. WEST SIDE STORY is,"unsimply",American film making at its finest and cinema art of world class caliber. It is movie ICON,which,as The JETS challenge, remains at-the-ready: "to beat every last f.....'gang on the whole f.....'street!"(10 Stars)

5-0 out of 5 stars powerful,realistic , the finest musical drama I have seen
This ia a very intense, fast moving story in which many of the scenes easily could have happened in real life in New York at that time.

The quality of the music and lyrics blends beautifully with the action, and the choreographed dances are breathtaking.The actors fit their parts to such perfection that I could not imagine anyone else than Natalie Wood playing Maria, or George Chakiris as Bernardo, and on and on for the rest of the Jets and Sharks. My favorite musicals are those from 1950-1970 and of all the great ones like Oklahoma, South Pacific, and the Sound of Music, West Side Story impresses me as the most exciting dramatic musical of all time. It is hard to find a boring moment in this movie. When I think about this movie, the ballet numbers, choreography, and excitement stand out the most in my mind. For a fast moving drama this is a classic against which to compare other musical drama. Who would have thought that a mere conflict between two gangs could have been portrayed into such a dynamic movie. The producers certainly succeeded in bringing up to date the Romeo and Juliet saga. The romance and tragedy of Tony and Maria will always be indelibly impressed in my mind.

5-0 out of 5 stars Magnificent adaptation of Romeo & Juliet!
Robert Wise made his masterpiece with this film mixing the essential spirit of the shakesperian mood , recreating it in the modern times as a racial conflict.
Wise mixed the drama with a credible plot . The coreography is towering and the music ( Oh what kind of inspiration was in the mind of Leonard Bernstein , acquire buy also the soundtrack; Maria became a classic ), Rita Moreno won a deserved Academy Award and this became a personal triumph for Natalie Wood one of the most beautiful faces ever seen in the cinema story .
The sequence fights between the bunchs is perfect articulated , there is a fine balance between drama and music.
Enjoyable film and of course for all a generation of teenagers in that age , who actaully are grandparents , still remember with nosthalgie that unforgettable jewel picture .

5-0 out of 5 stars The Best Musical
West Side Story is one of my favorite musicals. The music and the choreography is incredible. Natalie Wood and Richard Beymer make a perfect Maria and Tony. Now that it is on the 2 Disc Special Limited Edition, it is even better. You can have the original intermission music if you wish and there is a great documentary called West Side Memories which shows how this amazing musical was made. Along with the special edition you get a book that contains the original screenplay, a timeline of the show from when the idea was first thought of and to when it came to the screen, a pamphlet you could of bought in the theaters when it first opened in 1961, and newspaper clippings of what critics thought of the show. Even if you didn't get the special edition this show is still worth owning. The songs are incredible. My favorites are "Maria", "America", and "I Feel So Pretty" which a ninety minute instrumental version is used for the intermission.

5-0 out of 5 stars Best movie Ever
This movie is a must anyone who loves musicals, it's a total classic. If you thought you knew a lot about the movie, think again, because with all the extra fetures will provide you with more knowledge that you than think about.

The movie has definatley got some of the best dance seguences ever made for a musical. ... Read more

37. Saturday Night Live: The Best of Chris Farley
Director: Gary Weis, Bill D'Elia, Dave Wilson, Walter Williams (IV), James Signorelli, Tim Robbins, Beth McCarthy-Miller, Christopher Guest, Mike Judge, Robert Altman, Adam McKay, Eric Idle, Andy Warhol, Robert Marianetti, Claude Kerven, David Wachtenheim, Paul Miller, Albert Brooks, Paul Thomas Anderson, Robert Smigel
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Asin: B0000C2IQW
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Sales Rank: 765
Average Customer Review: 5 out of 5 stars
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Reviews (2)

5-0 out of 5 stars this is the best fukin SNL movie ever
this is one hilarious gut busting comedy with all of chris farleys greatest SNL moments. GET THIS DVD

5-0 out of 5 stars Mostly great for boring times
I saw this at a friends house. It's pretty funny, but some is not. ... Read more

38. The Haunting
Director: Robert Wise
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Average Customer Review: 4.59 out of 5 stars
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A group is introduced to the supernatural through a 90-year old New England haunted house. Be prepared for hair-raising results in this classic horror film! ... Read more

Reviews (274)

3-0 out of 5 stars I've eaten casseroles scarier than this
Refreshing as it is to see a horror film rely more on the power of suggestion than on buckets of blood, "The Haunting," Robert Wise's 1963 adaptation of Shirley Jackson's novel, never really becomes as frightening as it clearly wants to be. Occasionally tense and mildly spooky but more often talky, overly melodramatic, and just downright silly, this is one of those films that would benefit a great deal if its characters would just shut up once in a while.

Or at least stop thinking, so we wouldn't be forced to listen to their irritating voice-overs. Granted, there's only one character erring in that direction, but unfortunately, it's Eleanor Lance (Julie Harris), a whiny, disturbed, introverted old maid who's got some serious bats in the belfry--she's feeling (what else?) guilt over the recent "natural" death of the sick old mother she's nursed for the past eight years. Eleanor, of course, proves to be the most susceptible to the eerie but invisible apparitions of Hill House, an abandoned old estate where she and three other guests (well-played by Richard Johnson, Claire Bloom, and Russ Tamblyn) are embarking on a search for the supernatural.

Harris does the best she can, but watching her wander about like Alice in Wonderland on crack, murmuring awful dialogue like "The house wants me, the house is alive," is more likely to evoke laughs than chills. There's also a protracted early scene in which Harris is driving toward her unfortunate destination, plagued by anxiety, fear, and that ever-present voice-over, that is a complete rip-off of the same scene Janet Leigh did in "Psycho" (and I apologize for even mentioning the name of that superior film in this review).

The idea behind all this prolonged psychobabble, of course, is that "The Haunting" can be considered as either a genuine ghost story or simply a story of a woman's deteriorating psyche, and that the ambiguities of the human mind are ultimately far more frightening than the sight of actual spooks. It's an excellent idea, but there's also such a thing as being too vague; in fact, the scariest moment in the entire film occurs when it finally decides to actually SHOW us something scary, rather than anesthetize us with obtrusive close-ups and creaky music. (Humphrey Searle's score blares so incessantly it could turn you off to soundtracks altogether.) Certainly, an excess of gore isn't the recipe for a successful horror movie, but if there's one thing that "The Haunting" demonstrates, it's that an excess of anything else is hardly an improvement.

5-0 out of 5 stars The Wise choice for the Occult!
Call it horror or a supernatural thriller, "The Haunting" (1963) ruled out the pitfalls that made others of the genre seem pretentious. On first sight you are treated to a mansion set in an evil aura with baroque décor and looming statues. Doctor Markway (Richard Johnson) presides over the investigation, supplying us with an excellent catalog of phenomena to fuel our apprehension. Eleanor Lance (Julie Harris) is the hysterical spinster whose emotional fears become bound with ours. Then there is the wild soundtrack. Humphrey Searle composed a creepy score with a strong arrangement of brass and strings, creating an abstract and crazy effect to attack the senses. A perfect plot, script, narrative and good casting builds the horror through the viewer's own imagination. The best example of a movie to triumph over gore, intense violence and CGI. More evidence that "black and white" is not an obsolete format but an underused film technique. Robert Wise is a versatile director who showed a genuine skill in fright. You will not find "The Haunting" in any shallow top ten list with other famous horror films. You will find it taking refuge in your personal list of what you fear. A movie with a formula to survive repeated viewing and perpetual quality on DVD.

5-0 out of 5 stars One of the scarest 60's films in the world.
Most people see the remake and won't bother with this one, but this film is really truely pure horror unlike the remake, one of the scarest films ever made, it also tells a classic story of a repressed women and a house that makes her lose her mind, the film is so much more than all of that though, it has all the events timed perfectly as it keeps bulding more and more untill the frightning conclution, If you're a true horror fan give this one a shot, you'll love it.

5-0 out of 5 stars A chilling movie about an evil house
HIll House has been standing empty for almost 90 years. Whipsers of strange phenomena have kept would-be ocupants away for a long time; not even the owners will live their. That is, until Dr. John Markway assembles a small team to invesitgate the supposed supernatural events of the house. He invites Theodora, a psychic who lives a very different lifestyle; Eleanor, a sheltered young woman who recently lost her canterkaerous mother and has had experienece with poltergeist phenomena; and Luke Sanderson, soon to inherit Hill House and acting as the family's representative. Together, they begin to study the house, it's history and architecture. Or, has the house chosen one of the team for its own purposes?

Horror film director Robert Wise does a magnificent job with this adaptation of the Shirley Jackson novel. Very few visual effects are used, instead relying on lighting (the one scene with the wallpaper in Eleanor's room is eerie), atmosphere, sound and the viewers own fear to create a creepingly chilling film. They make the viewer feel like actors in the movie instead of bystanders. All the actors give fine performances: Clair Bloom as Theo, Russ Tamblyn as Luke, and Richard Johnson as Dr. Markway. But, Julie Harris' performance of Eleanor makes the film. Her almost childlike confusion, fear and determination to stay the course keep you enrapt in the film.

It's very refreshing to see a horror film that doesn't rely so much on expensive special effects to get the chills across, instead using acting, lighting and story to convey terror and fright. This is a classic horror film that still delivers to this day.

3-0 out of 5 stars Good, but lacks the depth of the novel
I probably would have liked this movie a lot better if I hadn't read Shirley Jackson's brilliant book first. The Haunting is a decent haunted house film, not terrible by any means, but it is an inadequate adaptation. Maybe a more faithful adaptation of the book would have been impossible, since the novel depends so much on psychological suggestion and an unreliable (and possibly deranged) protagonist. That sort of subtlety is more difficult to express on film: there is the truth of what the camera is seeing, that is all. Ambiguity of perception cannot be easily communicated on film.

The most crucial change (to me, anyway), and one that makes me wonder if the screenwriters really read Jackson's book at all, is that Theo is made into a stereotypical "predatory lesbian" character. Eleanor's relationship with Theodora is more layered and complex in the novel, and her conflicts with Theo have a lot to do with her increasingly fragile mental state. In the book, /Eleanor/ pursues Theo. Theodora's rejection of Eleanor (directly or indirectly) leads to the outcome of the story. The "manifestations" in the house are more about Eleanor's essential loneliness and need for belonging than ghosts. The filmmakers of The Haunting definitely grasp this (unlike the filmmakers of the completely awful remake), but removed from its context, Eleanor's sense of rejection in the film is hard to understand. I suppose the filmmakers transferred Eleanor's romantic interest to the doctor rather than Theodora due to the controversial nature of homosexuality, but by doing this, the context of Eleanor's breakdown is removed, and movie Eleanor is a lot harder to relate to.

I'd suggest that you read the book *and* watch the movie, to give yourself some basis for comparison. Ordinarily I don't think it matters if movies are not faithful to the books they were adapted from, but in this case I think it significantly alters the essential meaning of the story (and The Haunting of Hill House is more than simple genre horror, no matter what anyone might say.) ... Read more

39. Sunset Boulevard (Special Collector's Edition)
Director: Billy Wilder
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Asin: B00003CXCW
Catlog: DVD
Sales Rank: 1960
Average Customer Review: 4.75 out of 5 stars
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Reviews (151)

5-0 out of 5 stars Grand Guinol scathing satire of Hollywood and its oddities
Sadly, the mastermind behind Sunset Boulevard, Billy Wilder has passed on recently, but his genius lives on in this dark comedic indictment of Hollywood and its star system. The film shot William Holden to stardom and he became a major player in the '50s and it also afforded Gloria Swanson her last piece of public honor and she made a dramatic comeback as faded screen star Norma Desmond. Both she and Holden earned Oscar nominations here as did supporting players Erich von Stroheim (Max the butler) and Nancy Olson (as a script reader and love interest of Holden's screenwriter Joe Gillis). The film was nominated for Best Picture and Best Director (Wilder), but unfortunately it lost on all counts.....possibly because Hollywood felt bullied and intimidated by Wilder's not-so-rosy depiction of their little town. Wilder even received death threats during and after filming. Classic dialogue and forever memorable scenes abound (the chimpanzee burial scene is a keeper). This black comedy may seem too morbid and ghoulishly funny for some tastes, but it is one of my absolute favorites........

5-0 out of 5 stars Dark and Addictive--Melodrama at its best!
Simply put, this is the greatest movie ever. And Gloria Swanson gave the greatest film performance in thie movie. You forget your Bette Davises, your "All About Eve"s, your "Titanic"s, your Katharine Hepburns, your Jack Nicholsons, and your "Citizen Kane"s. This--Hollywood will never produce anything better.

A striking film, visually, emotionally, and in every sense, this is a dark, bitter, darkly comical study of what happens when a faded star (who was a bit out of touch with reality to begin with) clings a little too tightly to her gone days of fame. Gloria Swanson gives a phenomenally powerful, over-the-top performance as Norma Desmond, histrionic ex-silent film star. Bill Holden is fine as the down-and-out screenwriter from Dayton, Ohio, that accidentally gets mixed up with her. Max von Stroheim is magnificently creepy as Norma's devoted butler, and Nancy Olson is heartbreaking as the one innocent with no idea of the trouble that surrounds her.

Every frame is perfectly filmed, every image marverlously conveyed, every line wonderfully spouted. Nothing is wrong or out of place. And practically every line is a classic. Most remember the last line of the film's insane conclusion: Norma, finally completely descended into madness, sweeping dramatically down the grand staircase as cops, reporters, and even Hedda Hopper look on; the music swells to a deafening height, and Norma--with that deranged look in her eyes--breathes, "I'm ready for my closeup..." But the best line of all, and the line that symbolizes everything that stands for the golden days of Hollywood, is spoken when Joe recognizes Norma and makes the mistake of saying, "You used to be big." She eyes him bitterly, raises her chin, looks down her nose at him and cries, "I AM big! It's the PICTURES that got smaller!"

If you have to choose a movie to see one day, and can only choose one, don't let the opportunity go by. See this.

Swanson deserved the Academy Award for this picture. The ending shot alone shows this.

A superb film all the way around except for the casting of Nancy Olson. Inexplicably, Olson won a supporting actress nomination from the academy that year, but I fail to see why. Her character gets on my nerves, especially making goo eyes at William Holden. But this is just a little quirk I have.

The film succeeds brilliantly mainly because of Swanson. It has an effecting score, great cinematography and great acting from the principle characters (Olson notwithstanding).

You will not be disappointed with this one!

5-0 out of 5 stars FULL AND WIDE
While widescreen films date back as early as 1930 (The Bat Whispers), Sunset Boulvard is not a widescreen DVD because Sunset Boulevard is not a widescreen film.

5-0 out of 5 stars A supreme film: a ltrue andmark in the american cinema.
This movie belongs to the legend from its release. Never before Wilder got down to the deepest regions of the soul, like in this one.
A voice in off (William Holden) will be as introductory device to involve us in this gripping story about the loneliness of an old fashioned actress who lives only in her lost picture images.
In this sense it's worthy to name the only five films which have had a succesful exit about this no mercy theme.
These are: Cries and whispers, The silence and Persona (Ingmar Bergman), The anxiety of Veronica Voss (Rainer Werner Fassbinder) and American Beauty(from Sam Mendes).
The sense of loneliness grows progressively in this old lady, who decided to stop the physical time and create her own reality between the dark clouds of her ancient memories.
An eternal treasure of the american cinema and in my point of view the masterpiece of that film maker giant called Billy Wilder. ... Read more

40. Roman Holiday (Special Collector's Edition)
Director: William Wyler
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Asin: B00003CXCD
Catlog: DVD
Sales Rank: 574
Average Customer Review: 4.83 out of 5 stars
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Reviews (104)

5-0 out of 5 stars Classic Audrey Hepburn... with an Interesting "Backstory"
This is by far one of my favorite Audrey Hepburn movies. In "Roman Holiday," Audrey plays a reluctant princess who escapes from her repressive royal life to have a one-day adventure in Rome... with Gregory Peck. This is a classic 1950s fairy tale romantic comedy.

It's hard to believe that "Roman Holiday" was Audrey's first major film, because she's fabulous in it! She has a certain grace and charm that is unequaled. The Academy clearly agreed... Audrey won the Best Actress Oscar for her role as Princess Ann.

What most people don't know is that the script was an original creation by the famous screenwriter, Dalton Trumbo. Trumbo had already been blacklisted for refusing to answer HUAC's questions regarding his possible Communist affiliations. Trumbo was sentenced to a year in prison, and he spent his last few months of freedom working diligently on the "Roman Holiday" script. He was able to sell the script (for much lower than his usual price) by putting a friend's name on it. The money he earned from "Roman Holiday" took care of his family's needs while he was in jail.

"Roman Holiday" is a fun, family-friendly romantic comedy. I highly recommend it!

5-0 out of 5 stars Simply wonderful
What a wonderful movie! What a great romantic fantasy!
It is one of my all-time favorites, one of the films I could watch several times, without getting bored.

I don't think that the plot is important here, but the way the actors performed and the place where the story is set.
In Rome, a European princess manages to escape the rigid and boring life and have and unforgettable experience, living for one day as a normal person. She does all the things that she was not allowed to do before, such as cutting her hair, eating ice-cream, strolling down the streets and why not, falling in love with an ordinary man.

This is the role that brought Audrey Hepburn an Oscar and made her a well-known star.
It is the natural and ingenuous performance that makes her such a charming and unforgettable character, a graceful presence on the screen.

Her companion is Gregory Peck who has also a great performance and makes the film even more delightful. He plays the part of a young and charming journalist, looking for news that might increase sales of his newspaper and bring some money in his pocket.

The DVD includes also a section with a kind of "making of": interviews of the people who participated at the shooting, memories, etc. This is even more interesting, as you will have the chance to listen to the people who were involved in this project, and the stories behind the scene. You will also see that time did not alter too many of Audrey Hepburn's features and even at an older age she still looks refined and elegant.

I have one complain about this movie: 118 minutes seemed to be not enough for such a romantic story. I believe that everyone of us would like to dream about what is like to be lost in the "eternal city" for one day and enjoy the simple things of life.

5-0 out of 5 stars Light, feel-good romance in Rome
Since my family is going to Italy this summer, my father had us watch Roman holiday because of the setting and all of the landmarks shown in the movie. It was my first Audrey Hepburn film, and it definately will not be my last. In this ligh hearted tale, a princess of a European country becomes fed up with her duties and sneaks out to enjoy a day in Rome, where she soon meets, and falls in love with, an american reporter. This movie is incredibly charming and very romantic, with one of the saddest endings that doesn't seem all that sad. I would recommend it to everyone, regardless of age or movie preference.

4-0 out of 5 stars It's always open season on princesses
ROMAN HOLIDAY should appeal to everyone who loves a good romance, and this one is a great one. The rest us of will be well content with the splendor of Rome and the chance to see the remarkable Audrey Hepburn in her debut movie. In other words, ROMAN HOLIDAY has something for every palate.
The plot? Princess Ann (we're never quite sure which country she's princess of) is enduring a grueling tour of European nations. Weary to death of the royal treatment, one night Ann escapes into the Roman night. Unfortunately for her she had a while earlier been given an injection to help her sleep. The drug takes effect while she's out and about, and reporter Joe Bradley (Gregory Peck) discovers her asleep on a street bench. Believing she's inebriated, and being a gentleman, he tries to deliver her safely to her home. That plan fails and, being a gentleman, Bradley arranges for the young stranger (he doesn't learn she's the missing princess until the next scene) to sleep on the sofa in his small, one-room apartment.
Cary Grant was originally offered the part of Joe Bradley and he turned it down. One of the dvd's specials tells us he refused the role because he didn't want to play second fiddle to an ingenue. Maybe so. It's tempting to decide, on the basis of this scene, that Peck was woefully miscast. Ann, nearly asleep on her feet, asks Bradley "Will you help me undress?" A natural enough request coming from royalty, I guess. Bradley fumbles around with her neck scarf, unties it, hands it to her and says "You can handle the rest."
Peck plays the scene for a smile. Grant would have made it one of the highlights of the movie. After savoring the opportunity for the audience's delight he would have removed the tie and given the camera a quick peek, as if to say "Listen here, I know this is a cliched, silly situation. But doesn't this look like fun. Don't we make a handsome couple?" Grant was a supple pagan god who drank more than once from the well of hedonism, and he was always careful to bring the audience along for the good times. Peck was an Old Testament prophet, a little too stern and stiff to give himself over to pleasure.
What Peck brings to the role is authority and a handsome arm for Hepburn to rest on. Grant would have distracted us, and ROMAN HOLIDAY is best when our attention is focused squarely on Audrey Hepburn. She delivers a tour de force performance, and you can understand the excitement she generated even after a half century.
The specials include the documentary "Remembering ROMAN HOLIDAY", which surprised me with all the people who were involved and dropped out of the production of the movie. "Edith Head: The Paramount Years" is a short biography of the famous and talented fashion designer. "Restoring ROMAN HOLIDAY" shows us a number of before and after shots - this is a VERY clean print. There is also a trio of theatrical trailers and a stills photo gallery.

5-0 out of 5 stars Perhaps the most romantic movie ever made
This was Audrey Hepburn's debut in a starring role. She was 24-years-old and had appeared in two or three other movies but just in bit parts. Here she plays a reigning European princess visiting Rome who would like an escape from her daily regime of official duties, thus the title and theme of the movie, a Roman holiday.

Gregory Peck plays an American newspaper reporter living in the Eternal City. We first see him playing poker with his cronies, and losing. His relative "poverty" and Princess Ann's fabulous wealth and station present a formidable barrier to their ever finding true love and marital happiness. Part of the fun of the script is in seeing how this will play out and how their differences are resolved in the end. I will give you a small hint: very carefully!

The script comes from a story by Dalton Trumbo who is perhaps best known as the author of the anti-war novel, Johnny Got His Gun. Trumbo was one of the "Hollywood Ten" who were blacklisted from working in the industry during the excesses of the McCarthy era. He went to Mexico and continued working on film scripts but under assumed names or had his scripts presented by "fronts." In this case Ian McLellan Hunter fronted for Trumbo and won an Academy Award for the story. Later the Academy awarded Trumbo a posthumous Oscar for his work.

Long time Hollywood studio director William Wyler directed the film entirely on location in Rome. He has a formidable list of credits going well back into the silent film era including such outstanding films as Wuthering Heights (1939), The Letter (1940), The Little Foxes (1941), etc. His clear directorial style and his attention to detail work well here. The sets in Rome are charming, especially Peck's bachelor apartment. The bit players, especially Peck's landlord are excellent and the events are dreamy in just the way a romantic meeting in Rome ought to be. Wyler is especially effective in presenting Audrey Hepburn in the most flattering light and getting the audience to identify with her.

Gregory Peck's character should be a bit of an adventurous rake who finds that love is more important than money or fame, but it is impossible for Peck to play a morally compromised character, and so even as he appears to be using Princess Ann for his own ends, his behavior is always correct. I was somewhat amused to notice that at all times Peck appears wearing a tie! Eddie Albert plays Peck's friend, a photographer/artist. It is interesting to note how Hollywood's perception of the paparazzi has changed over the years. Here blood-sucking, intrusive greed does not exist. Instead we have noble self-sacrifice!

I have seen most of Miss Hepburn's movies and I can say that she was never more enchanting than she is here. She is gorgeous and cute at the same time, charming and impish, sweet, regal and very winning. In a sense she started at the top with this film, garnering her only Oscar as Best Actress in 1953; but as her fans know she never came down off that pedestal. Even playing poor Eliza Doolittle in My Fair Lady (1964), there was never any doubt about the quality of her style and character.

This is the most romantic film I have ever seen, perhaps partly because Miss Hepburn is so wonderful, but also because the script in a sense turns the usual woman's romantic fantasy upside down. Instead of the woman finding that the man she is in love with has fabulous wealth and position, it is the other way around!

The ending manages to be realistic yet romantic. There is a hint of something almost spiritual beyond what happens. So convincing are Hepburn and Peck that one can almost believe the story is true; and indeed I am sure that Trumbo lifted the essentials of the plot from some ancient tale.

I have a weakness for movies about unrequited love, or love that goes on forever, or love that is caught at some perfect moment and lives eternally in that moment. Roman Holiday is one of those near perfect movies that plays beautifully upon one of these themes. ... Read more

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