Reviews (63)

A must for Python, Beatles fans
What's genius about the Rutles is this: Watch the Rutles, and then watch one of the Beatles documentaries (the Compleat Beatles, etc) - then note that the Rutles was made PRIOR to any of the decent Beatles documentaries, yet looks like a parody of the real deal.
This mockumentary pre-dates Spinal Tap, and takes a different approach - by chronicalling supposed "source" material - news reels, press conferences, etc. The approach works well for Eric Idle, and the music by Neil Innes is perfect - slightly silly, but more Beatles than Weird Al.
The knowledge of the Beatles - their personal history, their tv appearances, their scandals, etc - is so well known by Idle - makes this mockumentary spot-on accurate, and all the more funny.

The DVD is worth having. If you have this on VHS, you've got a pretty lousy transfer from the original 16mm film. The film was restored and retransfered for DVD, and it casts the movie in a whole new light of clarity.

The bonus material isn't much to write home (or Amazon) about, but it's nice to have the stuff added on such a low priced DVD.

terrific sendup of Beatlemania stands up well after 25 years
In 1978 it was easy to remember Beatlemania, and this sendup of the mass hysteria was spot-on and hilarious. Starting as a skit for Saturday Night Live, and popular enough to get built into a feature-length film, this Eric Idle project is layered with jokes, spoofs, terrific songs, and great cameos by George Harrison, Mick Jagger, Paul Simon and Idle's wife, and it is still very funny 25 years later.

DVD extras are quite good. Eric Idle's commentary is excellent -- informative and entertaining. There are also 4 deleted scenes that last about 18 minutes; a photo gallery with 29 pictures; a "Play Songs Only" option, where you ee only the film's songs (Goose Step Mama, Number One, Between Us, With a Girl Like You, Hold My Hand, I Must Be in Love, Living in Hope, and Ouch!).

The look and sensibility of the film are exactly right, the writing is VERY funny, and the songs are surprisingly Beatle-like and quite listenable. If you are a Beatles or Monty Python fan, or if you just love good comedy, you will probably get a real kick out of this.

Side Splitting Hilarious
The movie was made more than 20 years ago, but retains its relevance as the Beatles continue to be a cultural icon. While the Rutles was not originally intended to be a full length movie, the product is great.

The project was completed long before John Lennon's murder, so all four members could approve the project. The Beatles are spoofed by the characters in the unique personality traits possessed by each member of the fab four and their scandals. The one-liners and song parodies prove Eric Idle's value to Monty Python and strength as comedic writer. The parody on Yoko Ono being "... a Nazi who's father invented World War II" is hilarious. Look for a scene midway through the song "Ouch!" in which Idle can not even control his own laughter at the monsterous woman in a bikini. I bet it a was too hard to get through a take with a straight face. This is a must for Beatles fans and Monty Python fans.

Idle and Innes compliment each other perfectly
This little treasure is something that all Beatles fans, Python fans and early SNL fans should own. It's the one thing that Idle says he is most proud of, and for good reason. His little bits, which perfectly parody the Beatles that Idle so adored, fit seamlessly into Innes' fantastic songs. Idle comments that Innes' songs added another dimension to the Beatles songs they're based off of rather than becoming shameless parodies (are you listening Weird Al?) and he is quite right.

The film contains moments of comic genius, but mind you they're mostly subtle moments of comic genius. The people I've run into that didn't think this film is funny at all tend to like the blatant, loud, American-style humor. So be patient with the humor, enjoy the music and discover the true genius of the Rutles.

By the end of the film, I almost cared more about the fictional Rutles than I did about the actual Beatles. (And I'm a huge Beatles fanatic) It's just a fantastic, fun film for those who can appreciate the true, witty humor.

Attention All Beatle Fans: BUY THIS!
If you're a Beatle fan, and for some reason you've never heard of this film, immediatley purchase this DVD!
IT is the ultimate parody of Beatlemania. The Rutles was initially released as a made for NBC TV film in 1978. Created by the Saturday Night Live team and Eric Idle (Monty Python), it has a distinct British flavor and Pythonesque sense of humor. It is basically a "mockumentary". Here's an example: after "Nasty" (John Lennon) proclaims the Rutles are bigger than God, the public is outraged, and start burning Rutle records. Record sales soared, people were buying them just to burn them! It turns out that the journalist who interviewed Nasty was hard of hearing. Nasty said the Rutles were bigger than "Rod" (Stewart)!!
The mockumentary covers the entire Beatle phenomenon up to their break-up.
The film gained more fans on video, and is now a bonafide cult classic. The music by Neil Innes (who wrote songs for Python) is superb, and he is perfect as John Lennon. Eric Idle plays McCartney and directs. The songs parodies are also on cd. They are amazingly Beatle-like.
The film is never critical, but made as a tribute with large doses of humor. The harsh aspects of Beatlemania are lightened. For example, Brian Epstein does not die in Rutleland, he accepts a teaching post in Australia.
Even if you are not a Beatle fan, this film is still a lot of fun, although you may not get all of the references. ... Read more

Reviews (41)

"..OH, PA-PAHHH...SELLING A FAKE MASTERPIECE IS A 'CRIME'! "
This delightful comedy has all the delicate sparkle of a newly-opened bottle of French Champagne. Forget "My Fair Lady," forget "Breakfast At Tiffany's,"...1966's "HOW TO STEAL A MILLION" is Audrey Hepburn's best film from the 1960's. One of the last great romantic comedies of style to be filmed before the anti- establishment films of the late '60's prevailed, "How To Steal A Million" combines the elements of visual elegance (opulence even, look at the purple velvet bannisters and carpet on the golden staircase in Audrey Hepburn's Paris chateau) with sophisticated dry wit; a beautiful, romantic score with a "kooky" twist on the "French farce." Beautiful scenery, sublime chaos, near-Hitchcockian-intrigue, zippy car chases in quirky autos, and Audrey Hepburn's wacky fashions make for one of the best combinations the screen has seen so far. Ironically, the best twist in this story is that the "MILLION" Audrey Hepburn's and Peter O'Toole's characters are trying to "STEAL" is not what they 'actually' ARE stealing (on purpose). To figure that one out...watch AND ENJOY this MAGNIFICENT movie! "Oh, Pa-Pahhhh! ..."

Fantastic Movie :)
I love this movie. It has everything: romance, comedy, quirkiness and a kissing-in-a-closet scene! Audrey Hepburn was as adorable and entertaining as ever, and this was the first time that I'd ever seen a Peter O'Toole movie and he was fabulous! He's extremely funny and pretty darn spunky! You could just instantly fall in love with him, the second you saw those bewildered round blue eyes peering over the top of the "Van Gogh" painting. I didn't find this movie boring for an instant and I loved watching them steal back the "Cellini" sculpture, using, amongst other things, a bucket, a magnet and a boomerang! I think that this is now my favourite Audrey Hepburn movie. They make an extremely likable couple and their exploits in "How To Steal A Million" are engaging and engrossing.

I give 5 stars to everything I review...Don't I?
I love Breakfast at Tiffany's, but this has to be my absolute favorite Audrey Hepburn film!!! It will be released in December 2004 on DVD!!! Very good plot...cool cool cool....beautiful actress...yeah yeah yeah.....what more could you ask for???...It is a long wait, maybe you should order the video cassette used......!

You don't think I'd steal something that didn't belong to me
Charles Bonnet, Nicole Bonnet's incorrigible father, makes a living forging long-lost masterpieces and then selling them at auctions or to private collectors, such as American business magnate David Leland. Bonnet's quite a character and is an artist, albeit a forger, living the moment, but also being the artist. When he paints a Van Gogh, he IS Van Gogh. Nicole is exasperated, worried that he'll be caught and sent to prison. Charles' flippant response is "The trouble is, you're so honest." So when he authorizes the loan of the prize of his collection, the Cellini Venus, a copy of it sculpted by her grandfather which her grandmother posed for, Nicole thinks her father has flipped his wig. It is worth a million dollars--hence the title.

What Nicole dreads the most occurs when the museum announces that one Professor Bauer will be conducting tests to determine the statue's authenticity. To that end, Nicole enlists the aid of Simon Dermott, a burglar she caught in her father's house trying to steal a Van Gogh (fake, of course), to steal her father's sculpture to save him from being jailed for fraud. She doesn't tell him the real reasons, of course. Dermott thinks it's a crazy idea, given the high-tech security devices and the numerous police detail milling around the museum, but combined by Nicole's persistence and her charm, finally gives in. But just what does he hope to accomplish with a toy boomerang?

The actual heist and scenes in the museum are worth waiting for, as that's where the exciting parts are. The cramped quarters in the broom closet underlines the tension of two people scared that they'll be caught, although it furthers the budding romantic storyline. And Dermott's ingenuity is well demonstrated. As he says, "wait for normal human reaction." A particular comical touch comes in the form of a portly museum guard who has a large mustache and quite a fondness for the bottle. Oh, and that alarm is pretty annoying, so beware!

Audrey's Givenchy fashions become ridiculously funny, such as the pillbox hat and large-rimmed sunglasses in her opening scene, and even becomes a point of parody when Dermott remarks at Nicole dressed as a cleaning woman, "It Givenchy a night off." As it turned out, one night turned into thirteen years, as Givenchy was pressed back to work for Bloodline.

The last comedy Audrey acted in, How To Steal A Million, originally titled Venus Rising, was the third and last film Audrey did for William Wyler, after Roman Holiday and The Children's Hour. It was also the first time Hepburn acted with a leading man closer to her own age since Anthony Perkins in Green Mansions, Peter O'Toole being three years her junior. Her wide expressive eyes and that winning smile are put to good use here. And she does have a great line: "You don't think I'd steal something that didn't belong to me?"

Hugh Griffith is fun to watch as the rascally Charles Bonnet, with the same bulging eyes, funny hair, and goatee. O'Toole (Simon) is also an asset, suave, calm, clever, and quick with one-liners. So is Eli Wallach (Leland), an excitable and impulsive millionaire with his sights on the Venus. And Jacques Marin, who is the befuddled senior museum guard, previously appeared with Ms. Hepburn in Charade, as the chief of police.

Panned when it first came out, I'm not sure why this doesn't hold out even today. Hepburn herself acted in it because she felt indebted to Wyler, who made her what she became, but at least she had fun with O'Toole, as the two were gigglers and many takes had to be required, especially in the broom cupboard scene. It's an enjoyable and frantic caper film, a genre popularized by Topkapi six years ago.

Who Knew I'd Fal, For Someone old Enough To Be My Father?
After watching this movie I was struck by how gorgeous Peter O'Toole's blues are. He's funny and sweet and sarcastic, as well as wealthy and intelligent, in other words, any straight woman's dream. The plot is sweet and quick and very tongue in cheeck. Audrey's at her best and "gives givenchy a break" "in one of the scenes, a genuinely hilarious one that I won't describe lest I ruin the plot. And remember - boomerangs and empty whisky bottles are a lot more useful than you might think them. ... Read more

Reviews (182)

certainly memorable
Life as a house is a brilliant movie. There is never a dull moment. Although it does not have war planes crashing at every second, it still keeps your attention. The story is about a divorced man (Kevin Kline)who has drifted from his family and from his son espcially. His son visits him on certain weekends and doesn't like it too much. Then the dad finds out he is going too die soon so he wants to do the things in his life that he has put off for so long, like rebuilding his beach shack and reconnecting with his lost son, Sam (Hayden Christensen). Hayden Christensen turned in a beautiful performance and he really makes you feel what the character was feeling. Sam is somewhat of a case. Certainly not the kind of kid your parents wanted you hanging around. It will surely be a long time before I forget this film, not only because of the wonderful story line and intense drama, but for the wonderful Oscar deserving performances also. Espcially by newcomer Hayden Christensen(Anakin Skywalker in upcoming Episode 2). He really portrayed his character, Sam, perfectly. He is an outstanding actor; not just for a newcomer. He really gets your attention.
Life As A House is one of the best films I have ever seen. It was certainly a memorable film.

A good movie that might have been great
Have you ever watched a movie, totally engrossed, walked out of the theater satisfied that your hard-earned money was well spent, went to sleep, and then woke up the next morning with the sneaking suspicion that someone had pulled a fast one on you? This was my reaction to Life as a House.

Wonderful, engaging performances by Kevin Kline, Kirsten Scott-Thomas and Hayden Christensen make it an enjoyable experience despite the overcrowded, mediocre screenplay, which often resorts to cheap and unnecessary tricks and clichés to tug on our emotions. An early scene involving George (Kline's character) and a compassionate nurse is one example. Another involves an awkward subplot with an angry neighbor and a building inspector. Like many things that happen in Life as a House, it adds nothing to the story, and detracts from the characterizations and struggles of the main players. And the final scene! Well, please. Don't get me started.

Still, despite the flaws, the movie is sweet and enjoyable. After all is said and done, a good movie that might have been great with a better screenplay.

Wonderful
A person walks away from this movie thinking how lucky he or she is to just be alive! Bravo! Kevin Kline's best performance except for "Sophie's Choice."

Life is a house, not American Beauty
First of all, Life As A House is pretty much like American Beauty, only better. Hayden, from Star Wars 2, portrays the teenager in a very dysfunctional family, while Kevin Kline plays his father. Like American Beauty, it seems like the whole block is dysfunctional, and they pretty much are. Yet, when Kevin Kline is diagnosed with cancer he decides to build the house he has always dreamed of, and in doing so try to reconnect with his son. I personally feel that although this is a very typical picture of teen angst and family dysfunction it is shown in a fresh new way, and one that actually connects with the audience.

good movie
this overall was a very good movie. hayden christensen was excellent in it, as was kevin kline. i would have given it the full 5 stars, but some parts were a bit melodramatic. besides that, this movie was both funny and sad, put together with a great cast to produce a very good movie. i would probably give it 4 1/2 stars but thats not really an option. ... Read more

Amazon.com

Best known today as the series that helped launch Johnny Depp to stardom, Stephen J. Cannell's 21 Jump Street was also one of the first hit programs for the fledgling Fox network, a status that lasted for most of its five-year run (1987-91), thanks to its engaging mix of youth culture and police drama. As outlined in the pilot, Depp's baby-faced Ofc. Tom Hanson is transferred to the special Jump Street division, a unit that utilized young cops to infiltrate juvenile crime. Unlike many of Fox's youth-oriented shows of the period (i.e., Beverly Hills 90210), Jump Street took its stories seriously, and addressed numerous social issues in its episodes; though some of the fashions and slang seem dated, the program remains entertaining decades later. The Jump Street set compiles all 13 episodes of the debut season, including the two-part pilot; the solid extras feature commentary by co-star Peter DeLuise, as well as interviews with fellow Jump Street officers Dustin Nguyen, Holly Robinson Peete, and Steven Williams (whose Captain Fuller replaced Frederic Forrest's Jenko halfway through the first season), as well as the prolific Cannell. --Paul Gaita ... Read more

Reviews (12)

21 Jumpstreet Where Are You?
I watched the first 4 seasons of Jumpstreet and it was good. This was the first show on the Fox network to be a hit. This show pulled higher ratings than Married with Children before the departure of Johnny Depp and newcomer Richard Grieco. This show deserves to be on dvd!!!!

YM
I'm so glad 21 jump street is coming on dvd. i've been waiting for it for a long time. I recently discovered this series and they stopped showing it on public TV so I was bummed out, but now I can buy it! yey Depp!

Woo-Hoo!!!!!!!!!!!!!!!!!!
They have all these ridiculous shows on coming out on (i.e, ALF) DVD, finally a show with more substance (I'm fibbing, I just love Johnny Depp). I'm looking forward to buying this on October 26..........

21 JUMP STREET!
21 jump street was my favorite TV series in my childhood..and I became Johnn Depp fan since 21 jump street...*_*....With this DVD my Johnny Depp collection is complete!! ^.^....Hope all seasons will release soon!!

Doug Penhall is the man!!!
How could anyone not love this show? The cast was awesome. Johnny Depp, Holly Robinson... but my favorite was Peter Deluise. That guy was both a stud and a riot.

I also must acknowledge the honesty the show brought to the air in terms of showing how emotionally hurt the school kids who got arrested were when they were busted by people they once thought of as friends. Some of the kids understood it was truly for their (and societies) own good, and others did not.

My favorite episodes involved Doug Penhall marrying Marta (a beautiful girl from El Salvador), and the pain of his wife being deported and murdered by their government once she returned home- extremely touching (and not what one expects from a teen cop show!)

This is one of my favorite series ever- and I really encourage everyone to go back and relive the first season. It's really a fun ride!!! ... Read more

Reviews (97)

SANDRA BULLOCK CHARMS...HARRY CONNICK, JR. SIZZLES...
Forest Whitaker's directorial efforts pay off, as he presents the viewer with a solid, though predictable, romance. The ever charming and coltish Sandra Bullock gives a strong performance as Birdie Pruitt, who has just found out on national television that her husband Bill is having an affair with her erstwhile best friend, Connie. Shocked, she is left to cope with this very public betrayal.

Birdie takes their daughter, Bernice, and leaves her husband, returning to her small town roots in Smithville, Texas, where her mom, an eccentric but lovely lady, wonderfully played by Gena Rowlands, still lives. As a teenager, Birdie had been a big fish in a small pond, a popular high school cheerleader who had ended up marrying the high school star quarterback, Queen of Corn three years running, and the envy of most of the young women with whom she grew up. She now finds herself returning home with her tail between her legs, her fairy tale life having taken a decided nosedive.

While home, some of those who remember her manage to get their digs in. One person, however, a sensitive and sensual good ol' boy, Justin Matisse, played to sexy perfection by Harry Connick, Jr., remembers her with fond affection, as he has loved her since they were in high school. He is there, just waiting to pick up the pieces.

My Cup Runneth Over..............
This has to be one of my very favorite movies and the soundtrack is THE BEST COUNTRY music I have ever heard, and I don't even listen to Country Music LOL in fact I liked the music (and the movie) so much I have purchased both for friends at least twice!!! On to my review.....

Gena Rowlands is Fantastic as the Momma, Harry Connick Jr. is simply charming as the "wanna be" Beau, the actor that played "Travis" was adorable and heartwarming, Bernice (the daughter of Sandra Bullock in the movie) was casted very well she was perfect as a stubborn, hurt and confused little girl trying to deal with the divorce of her Beloved Daddy and her (now seen as the enemy) Momma. Of course I can not leave out Sandra Bullock I was impressed with her ability to portray the hurt and the recovery of a women who has sunk to depression after her husband has found another, a mother that is struggling to keep it together for her child and a daughter that comes home to a town and a Mother that remembers her in a certain light.

Forrest Whitaker did a tremendous job In my Honest Opinion with selecting this cast, creating scenes that make you feel all of what the characters are going through. From the Gena Rowlands character all the way to the children. I can not recommend this movie enough for anyone. Caution.... It's not light, there are some funny moments and there are some very sad moments. It deals with death, infidelity and parents neglecting their children.

I watched this with my 12 year old, she loved it!!! The soundtrack maybe hard to find but do yourself a favor FIND IT!! it is definately worth it. I had to finally find mine on auction sites and it can come pretty pricy brand new/sealed but still if I ever heard something worth the ticket price the soundtrack for this movie is one of them.

Also if you like this type of movie (with pretty much the same subject matter) check out "Something to Talk About" which stars Gena Rowland as the Momma as well.

Respectfully Reviewed

My cup runneth over
Mae Whitman plays the adorable, if not bratty, daughter in this, Bernice. If you happen to come across a recent photo of her, my, hasn't she grown up?

Yet again, Sandra Bullock exectutive produces, and stars in, a film that she's done a million times over. She's got herself into a rut with the kind of roles she can play, and nothing can save her now. She's teamed up with yet another hunky man, this time Harry Connick Jnr, and although they hardly spend any 'quality' time together in the movie, there is one great scene where they dance together.

I hope soon that Sandra Bullock will shock us all with a role in a movie that isn't something she normally does. She's approaching 40 now, and should be expanding her horizons, so she can stay in the movie business once her pretty looks have gone. But nope, she churns out film after film, swapping guys and trying to make out she's still as popular. I'm holding out for the Miss Congeniality sequel - still one of my all time favourite films starring her.

Don't get me wrong, I love her films. The only one that's surprised me was Murder By Numbers, and that's probably cos I still can't understand it to this day. But if you've seen one, you've seen them all. Still a good film though, with Kathy Najimy playing the role of Toni Post, the Ricki Lake style chatshow host at the very start of the film.

Mae Whitman is terrific in this, and hopefully, she'll appear in loads more movies, now she's getting a bit older, and has got rid of those horrid glasses.

Very Emotional
This is as close to real life as it gets , like the saying "when it rains it pours" Well Birdie suffered from a cheating husband, depression, jobless,"matchmaking mother" and a daughter who blamed it all on her Mom and then BAM !!! Her mother passes away and her cheating husband has the nerve to show up with divorce papers ???? That poor girl . It was like what Birdies Mother said to Bernice . ' My birdie has more strength than she has ever known . I admired "Birdie" in this movie , not only did she go on with life but it is true that "Hope Floats" and you "just have to move on with it"( Gena Rowlands)(Miss Romana) . I cryed , I smiled , I got angry and last I cryed with happy tears . My all time favorite movie . Thank you ..

inbetween
Sandra Bullock turns in a textured, nuanced performance in this bittersweet tale of loss, closure, and new beginnings. After learning in a brutal fashion that her husband and her best friend have become lovers, Bullock returns to her small hometown in Texas, son in tow. She "goes home to Mother", re-instating a relationship that is close but with its share of the usual troubles and flaws.

She finds that her high school boyfriend still retains strong feelings for her. Slowly, she learns to trust again, as the two draw close. The movie is saved from mediocrity by the strong performances of the three major characters who are able to convey feelings beyond what is spoken. That said, I have taken from this movie a marvelous set of words in the following quotation:

"Beginnings are scary, and endings are generally sad, but it's what happens in the middle that matters." ... Read more

Amazon.com essential video

Robin Williams stars as an English teacher who doesn't fit into the conservative prep school where he teaches, but whose charisma and love of poetry inspires several boys to revive a secret society with a bohemian bent. The script is well meaning but a little trite, though director Peter Weir (The Truman Show) adds layers of emotional depth in scenes of conflict between the kids and adults. (A subplot involving one father's terrible pressure on his son--played by Robert Sean Leonard--to drop his interest in theater reaches heartbreaking proportions.) Williams is given plenty of latitude to work in his brand of improvisational humor, though it is all well-woven into his character's style of instruction. --Tom Keogh ... Read more

Reviews (255)

Dead Poet Society
The title of the film is "Dead Poet Society" It mainly takes place in preparatory school,in the East Coast of the U.S.A.One of the main character is John Keating played by Robin Williams.He is an English teacher.Other main characters are Neil,Todd,Knox and Charlie. Mr Keating moved to Welton Academy. He said "Carpe Diem"(in English,Seize The Day") The boys made the club,Dead Poets Society. They read poetry in cave in the evening. Neil wanted to act in a play,but his father forced him study,so he couldn't obey the order,and at the end of the film,certain tragedy happen...Knox fell in love with Chris who had already her boyfriend.But he got a chance to watch the play with her.Charlie didn't obey shool rules,and the headmaster expelled him.

We particularly likeed the last scene because the students opposed Mr.Nolan,and stood up on their desks in the last scene.It gave us deep impression. We like Charlie.He was daredevil but he always had his will and did as he liked.

The main massage is Seize The Day means to be active and live fully.The themes of this film are education,friendship,freedom and relationship with parents.

The film made us courageous by Mr.Keating's words. We were moved by the last scene.We learned many things.When you become tired of your school life,teacher or friend,We recommend you to see this film.

We learned to Seize The Day.

Question life. Oppose mass-thinking. Carpe Diem
"Live life to the fullest. Leave your mark during the very short term you exist. There's so much to explore, and so much to be. Look at life from all aspects."

I'm normally not a Robin Williams fan, but after having seen this movie, I feel almost obliged to rent/buy a few other movies starring him. Williams simply excels in this movie, along with Robert Sean Leonard (Swing Kids (Which, if you never saw it is a MUST-SEE)) and Ethan Hawk (Gattaca (See this one too!)).

At a private boy's school, a new english teacher, John Keating (Williams) is introduced. His form of teaching completely opposes everything the high-class school stands for (ripping pages out of books, standing on desks, and developing one's own walk). Naturally, the school's administration is less-than-happy with it, but the students love it.

They find out Keating was once part of a secret society: The Dead Poets Society". They quickly form their own, and learn to appreciate the great masters from there. English made from something boring into something great.

Between the lines, the viewer is asked to think out of the box. Don't accept what you're being offered; question it. Why would you settle for anything less than you yourself desire?

You hold the key. Unlock the world today...

Super!! Echt ganz toll!!
Robin Williams takes his 1st stap at a dramtic role with fairly positive results. It's an suggestion to one's inteligence to see these film. More over to see Robin Williams( Mr. Keating) like a doctor in English, when he teaches his class. He doesn't teach normaly. He makes his own thing. I think it is good what he make. This is a film that really does challenge us to live, and move us to seize the moment. The story and the setting of this movie are amazing. I like the atmosphere in the school. It is dark and mysterious like Harry Potter in the castle. The Film have a lot of features. A little bit of romance, action and mystery.
Briefly said: very good film

Dead Poets Society
Dead Poets Society is about a group of boys at Welton Acadamy, a boarding school for boys. The guideline of the school is based on: tradition, honour, excellene and perfection. Everything changed when the English teacher John Keating arrived. He is against the stiffed and one-sided visibility of the school and inspirid the boys to seize the day and to make most of their lives. The resurrecting of the Dead Poets Society, a club where John Keating was in at student, brings about that the boys defy the school, their parents and their present view of life.
In my opinion the film is very dramatically and tangent. On a very impressive way it shows how difficult it is to be faithful to yourself and to stand up for one's beflief. It's marvelous how it is demonstrated that pressure doesn't help to find who you really are. Through the different but also classic characters of the movie you can realize that every individual reacts on a different way to influences. Thereby it shows that everybody needs support and enough freedom to follow his own dreams and to find his own way of living.

CARPE DIEM - SEEZE THE DAY
"Dead Poets Society" was shown in my German English lesson as a teaching device for transcendentalism.

Though I do not believe wholeheartedly in the ideas of transcendentalism, I found "Dead Poets Society" to be one of the most moving films that I have ever seen. As a student, I know what it is like to feel pressure to academically succeed, and through my classmates, I have seen the strain that pressure can put on a parent-child relationship.

"Dead Poets Society" logs the effect of one inspiring teacher on upon a group of boys that have never been given the chance to think for themselves.

One boy, Neal, realizes his dreams to be more than becoming a doctor, but also an actor. His struggle with his father brings him to drastic measures, but he is an admirable character for overcoming his ability to overcome his fear of standing up to his father. Other boys experience trouble and triumph with authority, love, and fear. Their stories are classic, but also portrayed beautifully.

Robin Williams plays Mr. John Keating, the English teacher that inspires the boys of Wellton Academy to think on their own and to seize the day. They re-initiate the Dead Poets Society, a group that Keating was in as a student at Wellton. Through their club, the boys discover the magic of poetry and the power of words. Keating uses famous quotes from Whitman, Thoreau, and other classical thinkers to motivate his students. His charisma and optimistic view of life is uplifting and leaves one inspired for days. Perhaps his outstanding performance is best portrayed in his line, "Life is a play and you may contribute one verse. What will it be?"

The film is well acted and revives memories of one's first experience in standing up for one's own beliefs. I recommend this movie to anyone who finds inspiration in literature, and to every person who wants to make the most of his life. It is teachers like Keating that breed our future philosophers and geniuses. This film is a thank you to every teacher who has unknowingly inspired his or her students to do great things. The final scene when the boys pay tribute to their teacher who is punished for influencing them is enchanting! ... Read more

Reviews (62)

An extraordinarily good film ...
At the end of a disappointing summer movie season, I've started watching some of my favorites on tape. This movie is near the top of my all-time list; here's why:

ACTORS -- Most of the actors gave career-high performances in this movie. "Witness" helped establish Harrison Ford as a serious (i.e., non-Star Wars) action hero, and he demonstrates emotional range in this movie that doesn't show up very often in more recent films. Kelly McGillis is compelling, gradually and believably transforming from a shy widow out of her element to a strong, spirited member of her Amish community. Lukas Haas, who plays her son, offers a level of child acting that has only recently been matched by Haley Joel Osment. As other reviewers have noted, his wordless scene with Ford in the police station is a brilliant piece of acting -- an enormous amount of information and emotion is conveyed in complete silence. And Alexander Godunov brings a gentle grace to his role as the Amish farmer competing with Ford for McGillis' affections. It's sad that he didn't get more opportunities to demonstrate his acting ability before his death a few years later.

CINEMATOGRAPHY/SCORE -- As with most of Peter Weir's films (cf. "Dead Poet's Society"), "Witness" is visually stunning. The shift from the gritty heart of Philadelphia to the rolling hills of Amish country is jarring, and leaves one with a palpable sense of longing. I think the barn-raising scene in the middle of the movie is one of the most beautiful scenes I've ever seen filmed, both visually and thematically. Underscored (so to speak) with music reminiscent of Copland's "Appalachian Spring," it drives home the value of community and shared endeavor. It's a marvelously uplifting segment.

ROMANCE/EROTICISM -- The relationship between Ford and McGillis is very well done. The attraction that arises between them (driven in no small part, apparently, by Ford's kindness to the young boy) is constantly and realistically tempered by the awareness that they come from fundamentally different cultures. That slows the development of a relationship between them, which provides the movie with a delightful undercurrent of romantic tension. That tension reaches a peak in a powerful scene in which Ford sees McGillis giving herself a sponge bath. There is nudity in this scene (McGillis turns and shows herself, topless, to Ford), but it seems to be precisely the kind of nudity that, as actresses like to say, "is essential to the story." Given the way in which the Amish are portrayed in this film, McGillis' character is making a very bold (and risky) offer, and the difficulty of Ford's refusal is evident in his face. There certainly is a lot of gratuitous nudity in film, but "Witness" is not in that category.

This movie is aging extremely well, in large part because of the sweep of its vision, the powerful simplicity of its story, and the skill of its execution. It is a terrific movie.

Impressive film!
"Witness" is defineately one of the greatest thriller/romance movies ever made. Directed by Peter Weir, the plot concerns a yuong Amish boy (Lukas Haas) who witnesses a murder in a Philadelphia train station bathroom while traveling to the city with his mother Rachel (Kelly McGillis in her best performance). Detective John Book (Harrison Ford) is assigned to the case, and quickly discovers that a corrupt narcotics cop (Danny Glover) is the killer. After a close shave, Book, Rachel, and her son escape to Amish country, where Book hides out as an Amish farmer--while also protecting the witness and his mother.
Of course, at the end there is one whopper of a scene when the corrupt cop & friends discover Book's safehouse.
"Witness" received several Academy Award nominations including Best Picture, and won for Screenplay, Cinematography, Sound, and Film Editing.

Ford at the top of his game
Some of the most powerful romances can spring up when both sides have to be restrained; here, the widowed Amish woman and the cop-in-hiding know that they come from different worlds, know that a relationship between them will not practically work, and so fill the screen with unresolved sexual and romantic tension.

Woven into the more grisly details of murder and police corruption are scenes of humor and beauty. Dancing in the barn to "Don't Know Much About History". Having to wake up at 4 a.m. to milk the cows. It's funny to see how the cop, John Book, tries to fit himself into Amish life the best he can. And it's very moving to see his growing love for the Amish woman who nursed him through a bad gunshot wound and has enchanted him with her character and beauty. The movie's climax is also riveting; it's not often that one sees gunfighting at an Amish farm.

Great film, poor quality transfer
"Witness" captures director Peter Weir's first exploration of the cultural clash between America's Amish community and modern society. We witness two worlds that collide and two people that can't bridge the gap between their two worlds despite their blossoming love for each other.

The story revolves around Samuel a little boy who has witnessed the murder of an undercover police officer, his mother Rachel (McGillis)and John Book (Ford) who investigates the murder discovering corruption, deceit and a conspiracy at it the heart of his department. After he discovers that his witness isn't safe, Book whisks them back to their Amish farm where he's forced to hideout as well.

One of Weir's finest films to focus on America, this so-so transfer looks grainy and has lots of compression issues. The transfer isn't a widescreen anamorphic transfer but is presented in that format (i.e., it's presented with the black bars at the top and bottom of the screen but the transfer isn't high definition). The picture occasionally comes across as soft and the rich use of color and light that vividly brought the film to life in theaters isn't well represented here. Hopefully Paramount will update this and remaster it the way it deserves to be done.

The extras include an interview with Weir obviously done around the time the film was made or first appeared on video and the original theatrical trailer. I would have expected a commentary track but since Weir isn't all that big on them to begin with, that would be hoping for too much.

A great film just a poor translation to DVD.

Comparing Witness: 1985 and 2004
As I write my title, it is weird to think this film is nearly 20 years old! How time flies! Anyway...I first saw this film when it first came out and I remember I really really liked it. I was 23 years old and not a Christian at that time. Now, I am soon to be 42 and have been a Christian for over 18 years. For 10 years of my life, I lived as a Mennonite (like Amish in many ways, but we drove cars, had electricity, etc.) I am no longer a Mennonite, and now I watch films again. I appreciate classic cinema very much, but recently have wanted to watch Witness again, to see if I would like it as much as the first time, and to see if I thought they portrayed the Amish correctly.

So, I watched it last night. It was interesting in that I remembered so much, even some small details about it. So it really did impress me that first time when I was young. This time, I enjoyed it, but I wouldn't say it is a film I would watch over and over again, as I watch some classic films. To see it once more was enough to just satisfy my curiosity about my memories of it.

I did feel they portrayed the Amish quite well, with the clothes and such. What they did wrong about the portrayal was that in no way would it be allowed for an Amish woman to tend to a wounded man who wasn't her husband, by herself in a room alone with him. It just isn't proper, isn't done. In reality, a man would have done that, or an older woman would have done it, with another woman there. I think the movie allowed the Rachel character to have way more "access" to a man alone than would be allowed in a real Amish or Mennonite community. I doubt he would have really been allowed to stay in the house. In reality he would have been placed in a home with a family who had a bunch of boys and he would work with them and the father, and not have all that time alone with Rachel.

I don't like violence...I knew that the bad part happened in the train station in the beginning, so we were able to fast forward that part. Also, we were able to fast forward the ending "shoot out" stuff. I didn't care for the bad language. The scene with Rachel taking her sponge bath, well when I was young and not a Christian, I found that very romantic. Now, I found it rather silly. A devout Amish girl/woman would not have just calmly turned around and let a man stare at her while unclothed. And later on, when she and he finally "meet" for the romantic moment, I found that sort of offensive. Why kiss out in the yard where anyone could see you? Eli could have easily looked out the window (a real Amish father would have kept better tabs on his daughter with a strange man around the place). I felt that scene was very much just an animal passion thing...sort of vulgar. Not at all romantic, truly loving or gentle. It seems people sure knew how to kiss and show romantic love a lot better in the old movies! And right before she went out there, she took her prayer veiling off. Which again, no Amish woman would do. But then she obviously was rebelling. There was that other time too, when she and John Book were in the barn listening to his radio, and she had it off then, and I am not sure why, for no Amish or Mennonite woman will go without it in front of people or outside the house.

The ending left me wondering...would Rachel just go ahead and marry Daniel? Would she really be happy with him? She really would have to repent of her sins with John Book to be truly happy. I also noticed that the film never showed a church service. Also, none of the Amish folks never seemed to care to tell John Book how to be a Christian. But then there are many Amish who are not born- again Christians, but just are "culturally Amish"...they live the way they do because they have always done so. These must have been that type of Amish. It did seem that Grandfather knew the Bible...he quoted some good verses when talking to the boy about the gun. That was good to see, yet sad that such violence had to even be witnessed by this child.

Oh, of course any film with Amish must have a barn raising scene, and this one did. Also, so many movies with cows mus have the scene where the city person doesn't know how to milk a cow. Of course John Book must learn. He makes a joke about "teats" in this scene, and grandfather Eli laughs at it, which again, I doubt a devout Amish man would do.

Well, these are my thoughts. It was interesting to revisit this film again. In closing, I would say it is an okay film for adults but I would not recommend it for children. ... Read more

Reviews (6)

'I'm a tree...I'm a tree..... ' - BLUE BOY
I'm glad to see that this great series is finally getting its release.Jack Webb and Harry Morgan made a great on-screen team, meshing to perfection as the ultimate cop 'odd couple' in the later episodes (1969-1970 season especially).I hope this sells enough to justify the release of the other seasons.As early, trend-setting cop dramas go, Dragnet should be at the top of everyone's list.Recent incarnations of the series have failed simply because NO ONE can play Sergeant Joe Friday but Jack Webb.Also, you can spot early mannerisms of 'COLONEL SHERMAN T. POTTER' in Morgan's stoic but fun-loving (?) Officer Bill Gannon.I always loved the way Webb used many of the same actors playing different roles in various episodes. Obviously, the man was loyal to a fault.
This will definitely be a part of my DVD collection, as will future seasons.

BOOK 'EM JOE!

"I'll bet your mother had a loud bark!" , Ma'am!
"Thieves, bums, winos, girls who can't keep an address and men who don't care!" (Whoa there Friday!)

Oh man, this is THE classic Dragnet that we baby boomers grew to and know love.Jack Webb teamed this go around with Harry Morgan as Officer Bill Gannon.From Blue Boy to Officer Gidion C. Dengle, Friday, Gannon and a host of repetitive actors, many back from the 1950's run, provide a gritty and sometime humorous look from the police officers view.Sometimes very stiff with corny acting, (intentional by director Webb) this entire series provides entertainment for all with many episodes done extremely well and on point. Kudos to Universal Home Video for finally bringing the '70's' Dragnet to DVD.Please don't make us wait too long for Seasons 2, 3 & 4.

Pre-rating
because I just know I'm going to love these dvds.I've been waiting forever it seems.The good old shows don't seem to make it to dvd as fast as the current shows.Shame, too.

Joe Friday - A True 1960's Swinger!
I'm glad they're finally going to release this on DVD. I was lucky enough to have the complete series recorded on VHS tape from the early 1990's "Nick At Night" days. Can't wait for the others to follow (including Adam-12 and Emergency!). COTT!

Yes!!! Dragnet In The Age of Aquarius!!!
FORGET ABOUT THE 50'S EPISODES. JOE FRIDAY'S FINEST HOUR IS WHEN HE AND FRANK GANNON GO HEAD TO HEAD WITH THE COUNTER-CULTURE!!! BRING ON '68, '69, AND '70 WHILE YOU'RE AT IT!!! ... Read more

Description

Say hello to Darious Lovehall (Larenz Tate) and Nina Mosley (Nia Long), two confused lovebirds who discover that you can never underestimate the power of a love jones. ... Read more

Reviews (76)

Acting with style.............
This movie had reminded me of watching the old black and white movies with my dad. More true to life characters looking for love, being in love, and loosing it. Old story fresh view. Larenz Tate was so Cary Grant in style as the character may have been in a clumsey situation, but the actor kept him from looking silly and like a cardboard cut out.
Nia Long has always been a favorite of mine she is sweet even whe she is tough, almost like a Kathrine Hepburn.
This is one of his best work and showing that he is better than always playing an angry black man.

Great movie an great performance bye all.....BUY THIS MOVIE!!!

When Harry Met Sally: Urban Style
Love Jones is a film worth upholding. It is a beautiful love story full of realistic characters. It is one of the few black films in the last twenty years that deplicts blacks like we truly are: intelligent, cultural and just as obsessed with being in love as anyone else.

Larenz Tate plays Darius. Being an author myself I could relate fully to his character. While struggling with his upcoming book he meets Nina played by Nia Long. Nina is a photographer who's struggling just as much as he is, but her feet appear to be on the ground more firmly than Darius'. Darius and Nina begin a passionate love affair that is cut short when Darius' friends and Nina's ex get too involved. This is the perfect example of how a relationship can suffer due to too many " outside " opinions. Darius and Nina realize they cannot focus on their careers because their hearts and minds are on each other. Nina returns to the spot they first met: the sultry poetry and blues club where Darius first spied her. Nina delivers a touching poem in Darius' honor unaware that he is around. The two pick up where they left off and declare their love for one another.

This film is touching without being as mushy as some romance movies. Larenz and Nia have wonderful chemistry despite the fact that Long is five years older than Tate. The supporting characters include the wonderful Isiah Washington and MTV's Bill Bellemy. If you keep your eyes open you'll see Khalil Kain playing another delightful supporting role as Nina's ex.
I am a big Larenz Tate fan and I've liked Nia Long since her days on " Guiding Light ". The two have both grown tremendously as actors and they prove it in this film. I wish there could be a sequel. I'll keep my fingers crossed. If you haven't seen this movie you've been cheated out of one hell of a love story. It's a modern " starcrossed lovers " romance suited for all ages and professions.

O.K.
I watched this movie about four times before I could begin to like it. It's still not one of my favorites but it does showcase admirable performances by both Larenz Tate and Nia Long.

Not Bad At All
It was great to see Chicago look so beautiful in this well told love story. I hope we get more movies like Love Jones. The DVD is a wonderful edition to my collection.

great love story
i felt as fof that it has happen to me as the characters played on throughout the story. I felt i was well written and the ending was great. ... Read more

Amazon.com essential video

Masterful Hong Kong action director John Woo (The Killer, Face/Off) turns in this exciting and pyrotechnic tale of warring gangsters and shifting loyalties. Chow Yun-fat (The Replacement Killers) plays a take-no-prisoners cop on the trail of the triad, the Hong Kong Mafia, when his partner is killed during a gun battle. His guilt propels him into an all-out war against the gang, including an up-and-coming soldier in the mob (Tony Leung) who turns out to be an undercover cop. The two men must come to terms with their allegiance to the force and their loyalty to each other as they try to take down the gangsters. A stunning feast of hyperbolic action sequences (including a climactic sequence in an entire hospital taken hostage), Hard-Boiled is a rare treat for fans of the action genre, with sequences as thrilling and intense as any ever committed to film. --Robert Lane ... Read more

Reviews (125)

Superior action sequences; inferior structure.
Though one of director John Woo's cult favourites, Hard Boiled actually ranks on my list as his worst post-1986 Hong Kong film, even after the farcical Once a Thief.

Overlength is Hard Boiled's chief weakness. After spending over an hour in that hospital with flames all around and innumberable men in suits getting shot, it starts to get tiring. Chow Yun-fat is impeccable in the lead and Tony Leung Chiu-wai is excellent, though versatile actress Teresa Mo is wasted in a skin-deep supporting role.

The biggest thing to commend on this video release, however, is the dubbing. I speak both Cantonese and English, personally, and I can tell American viewers that the dubbed script is even better than the original, which sounded stilted (Philip Chan Yan-kin's lines were especially forced in the original). The dubbed voices were acting, not just translating (as in dubbed Jackie Chan movies such as the U.S. release Operation Condor, for example). This was one marvelous dubbing job, and a rare instance in which I would almost prefer the dubbed version to the subtitled. Kudos to Orion for doing the movie justice.

Woo's "other" classic
While not quite as tightly plotted or emotionally compelling as John Woo and Chow Yun-Fat's magnum opus "The Killer," "Hard Boiled" is still sure to please fans of that movie. Much of what made "The Killer" such a great film is to be found here: flawed heroes, murky allegiances, and ambiguous morals are once again the order of the day in this tale of cops and criminals living on the edge. At the same time, "Hard Boiled" manages to ratchet up the violence even further from its "sister" film, resulting in the most prolonged and intense action scenes I've ever witnessed, all filmed in Woo's signature frenetic style. A tea house, a warehouse, and ultimately a hospital all become battlegrounds in all-out war as the cops face an enemy that makes the Mafia look like a group of middle-school bullies.

Once again, Chow takes the lead in the protagonist's role, this time portraying relentless Hong Kong inspector "Tequila" Yuen. In true Woo-hero fashion, Tequila can shelter a baby with one arm while shooting up a small army of bad guys with the other. Joining him in his fight against the triads is Tony (Tony Leung) an undercover cop who's spent so much time working among gangsters that the line between the right side of the law and the wrong one is becoming blurred. However, Tony looks like a choirboy compared to the cartoonishly villanous Johnny Wong, an up-and-coming Triad boss who would probably kill his own mother if she got in his way. Johnny also has himself an extremely menacing sidekick in the form of a glowering, nameless enforcer who spends much of the film with a patch on one eye and still manages to give Tequila and Tony a few runs for their money.

It all comes to a head in the climactic showdown in the hospital-turned-arsenal, with the scene gradually evolving from tense standoff to full-scale shootout as the lives of hundreds of hostages hang in the balance. As most of Hong Kong's police force provides support, the two detectives lead the way against Johnny, his cycloptic colleague, and dozens of other gun-wielding menaces. And did I mention they have to make sure no harm comes to the adorable newborn babies in the nearby maternity ward? Yeah, Tony and Tequila sure have their work cut out for them as they fly through the air and unleash zillions of bullets, but it makes for some scintillating watching.

On the whole, "Hard Boiled" is definitely an engaging experience that's more than worth the money I shelled out for it. Much like "The Killer," this movie manages to pack much more psychological depth than the typical Hollywood shoot-'em-up with its portrayals of compromised heroes in harrowing circumstances. And of course, it goes without saying that Woo is nearly unparelelled when it comes to putting together action set pieces. Woo has made some moderately entertaining movies here in the States, but he hasn't managed to reach the level of his twin Hong Kong masterpieces. So check them out, if you dare.

FOX LORBER EDITION IS TERRIBLE!
You are looking at an edition by Fox Lorber Films. I love this movie but this particular transfer onto DVD is TERRIBLE. The picture looks horrible and the audio is the WORST I've EVER seen on a DVD. Will SOMEBODY please issue a decent edition of Hard-Boiled or The Killer on DVD (yes I know about the criterion collection but I don't have $250.00 to spend on it now that they are out of print!).

great film, horrible transfer
This is simply a great action-packed, incredibly violent film. Woo is a master of the shoot-out scene and there are plenty of them in this flick. The camera work is amazing. It's smooth, it's poetic. Its influence on The Matrix is very clear. However, this DVD is one of the worst film transfers I have ever seen. The quality image is almost unwatchable, at least for my taste. Dirt, scratches, burn marks are everywhere. The film looks like it was dragged across the floor, stepped on, dumped on, then left to sit a few days for the rats, cockroaches, racoons, and other wildlife to trample all over it before it was transfered onto the DVD. Do not buy this DVD. Rent it, or if you can afford it (and find it), buy the Criterion Collection edition instead.

One of the greatest action movies ever?
I think so. It's violent, over the top and you'll feel satisfied. John Woo won me over with this one. The gun fights are crazy and Chow-Yun Fat proves to be a badass. Not a no-budget movie, but by no means is it a big-production film. It's gritty and fast paced and well... violent. ... Read more

Reviews (22)

GREAT FILM WITH A HOLLYWOOD ENDING
I call this a "Hollywood ending" not in the sense that it is a happy ening, but one which seems to be contrived to follow the production code of the day which stated that all wrongdoers must be brought to justice. Bette Davis, in one of her great performances, is killed off by Gale Sondergaard who herself is arrested by the police at the end. I really don't know if this ending is in the novel but it does not ring right with me. After all, Leslie Crosby was cleared of the crime and could have gone on living even with the torture memory of the lover she murdered in cold blood although I doubt if she would have remained faithful to wimpy Herbart Marshall for long. Gail Sondergaard, the dragon lady wife of the knocked off husband, just seems to be unable to get enough revenge. The 10 grand she got for selling the incriminating letter to Bette apparently was not enough to satisfy her. I especially liked the scene where Leslie tells her husband how much she still loves her vengefully slain adulterer.

Getting Away with Murder
Who else could get away with murder and still get the approval of the audience but Bette Davis? Based on Somerset Maugham's story, THE LETTER relates the murder of a rubber-plantation owner (Herbert Marshall) in Malaya by his wife (Bette Davis). It is interesting how Davis approaches this part. She gives a brilliant study of a cold yet proper woman who intoxicates her society friends and authorities through a pretense of female sexual virtue. She deliriously illustrates the passion of a woman who would kill a man for attempting to leave her and in doing so entices the audience on her behalf. Davis is so brilliant at conveying such a cold woman who my in effect really need the warmth and passion of a desperate soul, that even she may not realize her actions are a desperate attempt to realize her own desires. Is her behavior a pretense or not? This was very erotic stuff for its time. This film was nominated for 8 Academy Awards. Carl Jules Weyl's Art Designs combined with Tony Gaudio's Cinematography made a very provocative setting for the images. However the only fault I found with this film was Max Steiner's score. Max Steiner is one of my favorite film composers but I found his score too full of that heavy-handed Warner Bros. sound and not sensitive to the nature of the main character or the film.

seven well-deserved Oscar nominations
"The Letter" is a superb adapation of the Somerset Maugham tale set in Malaysia. Bette Davis is at the top of her form in her role as a deceitful, anguished wife caught up in an illicit love affair. Her pleasant, steady, unexciting husband, a rubber plantation manager, is played exceptionally well by Herbert Marshall. James Stephenson, in the role of her defense attorney, turns in an admirably understated yet vital performance.

William Wyler's masterful direction, employing exotic settings and mysterious minor characters, make this spellbinding tale of passion and murder a can't-miss for all Davis fans.

"The Letter" deserves the highest recommendation!

Exciting exotic thriller from the colonial age
Pistol shots bang through the starlit night in the malayan jungle and rubber planter Robert Crosbie (Herbert Marshall) is stupefied to learn that his own wife, Leslie Crosbie (Bette Davis) has bumped off his best friend, Jeff Hammond. "He tried to rape me, so I shot him" she tells her husband - and we know from the start that she is lying. Hammond's body is riddled with bullets, her magazine empty. Some shots were fired when he was already lying on the ground.

While her credulous husband coddles her, she gives her lawyer, Howard Joyce (James Stephenson) her version of the story - only interrupted by crocodile tears and a simulated fainting-fit. Joyce is really considerate: he even commends her on her courage. So good is her mood when she regales the police with a dinner that she is surprised to learn that she could face a murder charge. Robert, haggard from lack of sleep tries to convince himself that everything is O.K: "She shot the man like a rabid dog". But Hammond was so dashing, charming, a real ladies man - hard to believe that he was capable of such a thing...

Robert has every reason to be worried: Joyce is informed by his asian counsellor that a certain letter exists: written by Leslie on the last day of Hammond's life, inviting him to come and see her...This letter is in the hands of his eurasian widow (Gale Sondergaard) who runs a gambling house. Leslie's smiling self-confidence dissolves under Joyce's interrogation. She denies everything, she rages, but her lawyer is not dumb: "I dont't want to hear more from you than is necessary to save your head". He feels nothing but contempt for the woman who implores him to get her the letter, but he feels compassion for her husband. The price for the letter is 10.000 Pounds - the exact amount of Robert's bank deposit - and Mrs. Hammond made it a condition that she should bring the money personally. Leslie tries to hide behind a veil, but it doesn't help her: after letting her wait for nearly one hour in an opium-den, the widow demands to see her face - and throws the letter before her feet with disdain. A male jury acquits the virtuous lady of her indictment, but there is more trouble brewing: Her husband wants to leave for Sumatra, become independent and buy his own plantation. He does not realize that his money is gone...

This exciting thriller contains one of Bette Davis' most famous performances. Herbert Marshall is equally brilliant in the role of her gullible husband, especially in the final scenes. He must have been the most often cuckolded husband on screen: Greta Garbo deceived him in THE PAINTED VEIL, and Marlene Dietrich in BLONDE VENUS and the delightful, underrated ANGEL. Perhaps he was beyond help, because he did not learn from his faults: His next film was THE LITTLE FOXES where he played Bette's victim again.

Sondergaard looks spectacular, but is psychologically wrong: Men usually fall in love with little Miss Butterfly - not with the empress of China. Bette Davis was universally praised. A very intelligent actress, she was on the right track: She wears glasses, she concentrates on her embroidery with great patience - needle-work and sex-appeal don't exclude each other, but there must have been a reason why her lover became tired of her...I think that she lacked the boldness to steep herself completely in Leslie Crosbie's true character. This type of woman ("One is getting so lazy here, the boys do everything" she says) has survived until recently in South Africa: she has no goal, no funcion, and my guess is that she was growing fat...Leslie Crosbie was porridge - and Bette plays her like caviar! W. Somerset Maugham, like Agatha Christie, is very good to read to this day: They were not dishonest authors, just one-sided: they nurture a nostalgia for the "glorious" age of colonialism, which existed only for a small part of mankind.

A great deal
It is a real crime story. Only at the end of this story you experience what happened in this special night. It is hard to feel how this nice beautiful woman can be a murderer.I was surprised that a lawyer does such a great deal (with that letter) to save the life of his client who is guilty. At the end you are in doubt if it is a fair end or not. The book is interesting to read. ... Read more

Reviews (403)

Masterful and Commanding
Master and Commander: The Far Side of the World is the latest attempt by the Hollywood establishment to revive the nautical adventure genre that enjoyed great popularity during Hollywood's "golden age." Based on Patrick O'Brian's phenomenally successful novels about British heroism during the Napoleonic Wars, the film traces the efforts of Captain Jack Aubrey (Russell Crowe) and his loyal crew to intercept and destroy an errant French warship in the Pacific waters near the Galapagos Islands. Although this movie will disappoint any audience member who is expecting a great deal of background information about the historical intricacies and personalities of the Napoleonic Age, it will thrill and entertain all filmgoers who love the kinetic energy and old-fashioned showmanship of a well directed swashbuckler.
Veteran director Peter Weir is entitled to an Oscar nomination simply for staging some of the most dazzling and exhilarating naval battle sequences of all-time. The violent encounters between Aubrey's HMS Surprise and its French counterpart the Acheron were so gripping and realistic that several audience members at the showing I attended were literally gasping for breath as they left the theater (the sound of cannon fire and rushing water no doubt reverberating in their ears). However, Weir deserves the most credit for his detailed and provocative portrayal of every aspect of life aboard a British warship, circa 1805. Audiences get to see the chief lieutenants create strategies and chart courses, the midshipman cope with the responsibilities holding authority over much of the crew while still conforming to the expectations of their superiors, and the common sailors, mates and boatswain confront unbearable weather and inedible food as they prepare to risk their lives for the country they love. Several characters leave an indelible mark on the hearts and minds of viewers, particularly Max Pirkis as a prepubescent crew member who faces the amputation of an arm with unwavering courage and Lee Ingleby as an indecisive midshipman who becomes convinced that his presence is cursing the ship. The battle scenes owe much of their punch and power to Weir's realization that it is far more engaging to watch complex, multifaceted figures battle it out for God and country than it is to watch caricatured personalities scramble through combat without purpose or motivation.
At the center of the fray is Russell Crowe, who thoroughly captures Captain Aubrey's intensity and charisma. It isn't easy to play a character that orders the vicious beating of an unruly sailor in one scene and makes charming toasts to wives and sweethearts ("may they never meet!") in another, but Crowe succeeds brilliantly by imagining Aubrey as an impulsive individualist who stands by his instincts and emotions in any context. When the Captain engages in heated philosophical discussions about loyalty and leadership with his friend Dr. Steven Maturin (Paul Bettany), it is riveting to watch the star's fascinating portrait of a man obsessed with his own righteousness. Crowe will almost certainly reap some significant awards from this impressive performance, and at the very least he has found a profitable new franchise to sail through the rest of the decade with.

The War on the Waters
I came to 'Master and Commander: The Far Side of the World' with little expectations beyond reasonable entertainment. I was thus surprised that this was a powerful little human drama about a vicious chase in the high seas.

What makes 'Master and Commander' successful is not the plot, which is a straightforward cat and mouse story. Rather, it succeeds because of its gritty sense of realism and the ability to capture the feel of time and place.

While most historical movies feature ordinary, contemporary people in period dress (see 'Gangs of New York'), Master and Commander does feel like it takes place in the early 19th century. It is little things, like Captain Jack Aubrey (Russell Crowe) motivating his troops by demanding "Do you want your children to sing 'La Marseillaise'?", or the real excitement the characters display in discussing Nelson.

Also powerful is the film's feel for the hardships of warfare on the Sea. Early in the film, a child loses his arm, and throughout the movie real characters suffer casual death. At one point Jack Aubrey must choose between saving one man and saving his crew, and he allows the man to drown. This form of realism is so rare in Hollywood films, in makes 'Master and Commander' truly unique.

The great weakness of the film is its episodic nature. There is scarcely a plot - the hunt for the French frigate "Acheron" is merely a framework for the individual happenings, which include a storm, a suicide, and most infamously, a rather overlong subplot about Crowe's sidekick's (Paul Bettany) Darwin-like expedition to Galapagos Islands.

Indeed, the emergence of this subplot makes the second half of the film slow and much less interesting then the first half. Although the scenery is breathtaking, the story just fails to move, until Bettany's accidental discovery of the Acheron, which sets the stage for the climatic battle.

Director Peter Weir and his crew should be commanded for a great adaptation of Patrick O'Brien's seafaring adventure. If there will be a sequel, I will go with high expectations.

EVERYTHING --& more!!
1. this is THE cute guy movie. from 8 to 80, small, tall, thin or round, this movie will have someone for you. i can only imagine my sister, who once had a list of 254 men she Truly Cared About that included people like the guy 3d from the left in the second scene of Star Trek 2, drooling like a pet of pavlov w/in the first 3 minutes.

2. & speaking of star trek-----

russell crow _IS_ Captain James T. Kirk.

this is the most postmodern movie i have ever seen!!

here is an actor playing a captain playing an actor playing a captain!!

i think captainhood has been forever embedded in the mind of anyone young or old & privileged enough to see the _real_ & _only_ Star Trek as meaning one thing: William Shatner. watch the timing!! watch the _gestures_!! watch the way he looks at the camera. the likeness is uncanny!!

my partner watched this movie a couple of days before i did & when i said to him, "you know who that is--" he said he had thought the same thing.

amazing!!

dont worry, i LOVE Captain James T. Kirk. when i was a very little kid, even younger than any of the little kids in this movie, my parents & i saw him (the actor, not the captain) screaming at his girlfriend at a folk dance festival. that image is embedded in my brain as well!!

anyway.

Captain Kirk, in order to be Captain Kirk, MUST have his Spock. & here, of course, he does. but oddly his Spock is only the entrée into........

3. the Monty Python element. think John Cleese, younger (much much younger), w/ a lot of freckles & a slightly skinnier jawline. think his uppercrust gestures & the way he often looks up at you (thru the camera) w/ those eyes..... right here. Mr. Spock as a naturalist-warrior-sailor-doctor who also, on the side, runs the Ministry of Silly Walks.

but thats not all!!

you also get, in this movie that was modeled on "Star Trek transports itself into Monty Python & the Holy Grail on the High Seas" --the old guy. you remember the Old Guy. he is embedded in yr brain too. i know he is. & it will be very very hard for you to watch a scene wherein he appears w/o thinking of eric idle, hanging on a dungeon wall & singing. every single time.

but nobody is singing "la marseillaise" b/c when you finally do meet those french types, they are too busy yelling things like:

"oh you english pig-dogs!!" --you get that too!! i almost expected a bunch of fruit & a cow to come flying over the side of the boat.

& theres more-- so much more-- it makes ones brain itch trying to remember it all.....

4. &, speaking of an itchy brain, in addition to heroic self-surgery, one also gets: trepanning. woohoo!! personally, i recommend amanda fielding's video (worth looking up) as she is doing real-life, real-time self-trepanning, but this one works as a little preview. & besides, she doesnt stick a quarter into her skull.

5. &, wait, there is so much more!! poop on the poopdeck (rewind or you will miss it. my partner, who worked on lots of boats made us rewind so i wouldnt miss it)-- & LOTS & LOTS of animals. i LOVE this movie!!

but probably not in the way that peter weir intended. which is why i gave it 4 stars. it is the most postmodern movie i have ever seen. the whole thing seems plotted, directed & acted as if it were a bunch of archetypal television programs strung together or laid on top of one another (lets not forget marlon brando (rip) in "mutiny on the bounty," although that might just have been inspiration for the costumes) (& do remember "the poseiden adventure" & undoubtedly "titanic" (i havent seen it)) w/ unbelievably fabulous images of oceans, islands, ground & ships-- just gorgeous stuff from the director of "the last wave."

& yes, it is a roiling barrel of entertainment.

Cat and Mouse on the high seas
Set in the Napoleonic Wars of the early nineteeth century, Master and Commander is based on the Patrick O'Brian's historical novels. The essence of the story is a chase starting off the coast of Brazil and ending up off the Galapogos islands, between a French ship with its clever commander and the HMS Surprise- the ship at the center of the story.

The movie itself is richly laid out in genuine props of the era, which succeeds in giving it an air of realism. Russell Crowe does a fine job as Captain 'Lucky Jack' Aubrey, a man with a history of experience and well respected by his sometimes grumbling men. The supporting cast is excellent with a list of characters that adds to the richness of life on a seafaring ship of that era.

Crowe doesn't grandstand and take over the movie allowing the story, other characters and action to speak for themselves. A lot of credit should of course go to Peter Weir for his direction and his adaption of O'Brian's novel.

Master and Commander is very reminiscent of old Hollywood epics and a quite enjoyable movie. I honestly didn't expect much and came away very satisfied and entertained.

Highly entertaining and recommended.

Well acted action-adventure film
A definite surprise - I enjoyed this movie much more than I thought I would. Very well acted, especially Paul Bettany as Dr. Stephen Maturin and Max Pirkis as the very young midshipman who loses his arm in the opening battle scene. While the special effects of the movie are amazing, they didn't overshadow the depth of the characters protrayed. Unless you are a reader of the O'Brian novels (which I recommend even more highly than the movie), you wouldn't notice one major change. The Acheron was really the USS Norfolk - an AMERICAN ship - not French. I guess the producers figured we wouldn't put down our dollars to see a movie where we were the losers. ... Read more