Amazon.com

No one uses color like Chinese director Zhang Yimou--movies like Raise the Red Lantern or Hero, though different in tone and subject matter, are drenched in rich, luscious shades of red, blue, yellow, and green. House of Flying Daggers is no exception; if they weren't choreographed with such vigorous imagination, the spectacular action sequences would seem little more than an excuse for vivid hues rippling across the screen. Government officers Leo and Jin (Asian superstars Andy Lau and Takeshi Kaneshiro) set out to destroy an underground rebellion called the House of Flying Daggers (named for their weapon of choice, a curved blade that swoops through the air like a boomerang). Their only chance to find the rebels is a blind women named Mei (Ziyi Zhang, Crouching Tiger, Hidden Dragon) who has some lethal kung fu moves of her own. In the guise of an aspiring rebel, Jin escorts Mei through gorgeous forests and fields that become bloody battlegrounds as soldiers try to kill them both. While arrows and spears of bamboo fly through the air, Mei, Jin, and Leo turn against each other in surprising ways, driven by passion and honor. Zhang's previous action/art film, Hero, sometimes sacrificed momentum for sheer visual beauty; House of Flying Daggers finds a more muscular balance of aesthetic splendor and dazzling swordplay. --Bret Fetzer ... Read more

Reviews (153)

DO NOT buy this crap!
OK! Who the hell gave this movie 4 stars??!! Poor story, poor dialog, poor EVERYTHING!!! This movie sucked. Get stabbed by a dagger and the girl stays alive until the unnecessary long fight between two bad actors is over??!! Come on! This movie is worse than the Hindi crap that comes out of Bollywood. Wish I could give it zero stars, but I can't. Amazon, will you please see that movies of this low quality get zero stars?

Technically breathtaking, but left this viewer a little cold
Zhang Yimou's HOUSE OF FLYING DAGGERS continues where the director's HERO left off: it is a film of immense visual beauty and amazing choreography, supporting a plot with melodramatic elements to it. But whereas HERO could conceivably, amidst the dazzling imagistic pageantry and big emotions, be interpreted as a political statement (the film ends with a ruler having to sacrifice a hero for what he considers the greater cause of unifying feudal China), HOUSE OF FLYING DAGGERS is content to be romantic melodrama, plain and simple.

Personally, I kinda prefer the extra intellectual and thematic stimulation offered by HERO. At the end of that film, you really had something to think about; at the end of HOUSE OF FLYING DAGGERS...well, the story is over (and a song sung in English by soprano Kathleen Battle plays over the closing credits). Nothing of great consequence, I felt, had really happened in this film; it is basically one ravishing image and one amazing fight sequence following another, interspersed with (admittedly well-acted) moments of intimacy or high drama. If Zhang Yimou was aiming for thematic subtlety in HERO, here he goes for operatic emotions and visual spectacle. And for all its technical brilliance, the whole thing ultimately left me a little cold---maybe a bit too melodramatic and soapy for my taste.

That is a very personal reaction, of course. The technical brilliance Zhang Yimou brings to HOUSE OF FLYING DAGGERS is not to be denied; these are some of the most breathtaking (and breathtakingly filmed) fight sequences seen since the last notable "wuxia" film, Ang Lee's CROUCHING TIGER, HIDDEN DRAGON. And the actors bring as much conviction as possible to their basically two-dimensional characters: certainly, as House of Flying Daggers member Mei, Ziyi Zhang brings convincing passion to her role, as do Takeshi Kaneshiro and Andy Lau as, respectively Jin and Leo, two police deputies who rescue Mei from prison and try to trick her into bringing them to the House of Flying Daggers to stop their rebelliousness once and for all.

Perhaps the best way to appreciate HOUSE OF FLYING DAGGERS is to look at it as a cinematic opera. Zhang Yimou is clearly not afraid to work on a big canvas, and he brings all the big emotions and spectacular sights he can to tell his melodramatic story. Those who go into this film expecting to be dazzled will most likely be satisfied; it is a genuine technical marvel. For me, though, I was expecting more substance to the film than it delivered. HOUSE OF FLYING DAGGERS may be more purely enjoyable than HERO, but the latter, to me, is a much more interesting movie than this one.

Super Cool Movie!!!
The action and special effects sequences in this movie are incredibly fun to watch.Zhang Ziyi is flawless as usual, and her perfomance and beauty justifies buying this DVD in itself.

Great cinematography, weak story
Genre: Foreign, Martial Arts, Romance

Genre Grade: B+

Final Grade: A-

This was another great film from Chinese director Yimou Zhang. Although not even close to comparing to his last film, Hero, it still was a great movie. Zhang is an artist, it is as simple as that. His locations are perfect, the colors are vibrant, and the characters are passionate. This is much more a love story than anything. It offers some good surprises concerning the characters and keeps the mystery of the "House of Flying Daggers" a secret to even the viewers. Actress Ziyi Zhang should learn to speak English because she could be a huge star in the United States.

I recommend this film to anyone who enjoyed Crouching Tiger, Hidden Dragon or Hero. It is dubbed in English so you don't have to read subtitles if you don't want to.

stunning
Yimou is a true artist of cinema. Hero and House of Flying Daggers are beautiful and spiritual adventures in Asian cinema. Both films are remarkable acheivments that are lost on the reviewer who gave this film one star. True art is often missunderstood by the masses. ... Read more

Description

Based on a remarkable true story, "Remember the Titans" follows the explosive dramatic events that took place in Alexandria, Virginia in 1971 when African-American football coach Herman Boone (Academy Award-winner Denzel Washington) was hired to guide an integrated but racially polarized high school team, the T.C. Williams Titans. Angry, stubborn and a rigid task master, Boone faces a cool reception from the team's players as well as an awkward relationship with assistant coach Bill Yoast (Will Patton), a local white coach with seniority and a tradition of winning who was bypassed for the job. As the two men learn to overcome their ignorance and bigotry and realize that they have much in common and integrity, honor and a strong work ethic. They work together to transform a group of angry unfocused players into a dynamic winning team of responsible young men. In the process, they also unite a divided community and ensure that Virginia will always "Remember the Titans." ... Read more

Reviews (209)

You will remember the titans...
No matter whether you're a fan of sports or not, Remember the Titans is an incredibly inspiring film.
Based on a true story, it is set in 1971 at TC Williams High School, a school that is about to intergrate white and balck students for the first time.
The school's football team meet pre-season, and the separate white and balck groups must learn to get along under the guidance of Coach Herman Boon (Denzel Washington).
What follows is a remarkably touching and powerful story, that mixes tragedy and success.
Great acting by all involved, especially the black members of the cast, who are funny and add something else to an already 5-star film.
For movie fans of all genres, Remember the Titans is a great movie that will inspire you and having you watch it again and again. This is the greatest sports film ever made, and it is sure to have watching intently from beginning to end.

A MOVING STORY OF HEROIC DETERMINATION
Denzel Washington is Coach Boone, a black football coach who finds himself in unfamiliar territory when he is appointed head coach of a high school team in its first year of intergration. When the fomer coach Yoast agrees to be his assistant it seems that turmoil and not determination will rule the squad.

Boone's determination to win is only outmatched by his drive for racial harmony within the team and coaching staff. By forcing his players to interact he creates bonds and friendships. Throughout all of this he knows he must win or his tenure as head coach will be short lived. He must not only battle the racial tension in the team, but in the town as well. Only his sheer will can guide his team to the promised land.

The movie is an outstanding piece of cinema. It adresses a social issue with raw emotional power. It teaches a lesson without screaming it in your face. The acting is without a doubt full of some of the best performances of the year to not have been recognized by Oscar and the likes. While Denzel Washington and Will Patton are phenomenal the show is stolen by the members of the team. Watch this film and you will get the point. An emotional five star film worth watching again and again.

Hands down, one of the greatest movies I ever watched.
Believe it or not, I never even heard of this movie until recently. I'm not a big sports fan, or a sport movie fan so when my boyfriend brough this over to watch, I was less than thrilled.

However, once it started, I was captivated by it.

The movie is made even better based on the fact it is based on a true story. The jist of it is this... Herman Boone, played by Denzel Wahsinton perfectly, takes over as new head coach at a high school that has been desegregated. Naturally, the town has mixed reactions.

We watch as Boone, uses tactics that neither the players, the parents, the townsfolk or even his assistant coaches like to force the players to not only become a team but also respect each other as people. We watch as friendships form, and as a team forms.

Eventually we watch as the winning football team, and essentially Boone brings the town together.

This movie brings something to the table for everyone. I laughed, I cried, I even cheered during the games. A must see!

A CLASSIC FOOTBALL MOVIE
this movie is not only very compelling but also has good morals involving racism ,alcohol, and it rele shows how people of different backgrounds can come together when circumstances get rough. this movie is probally for ages 10 -and up because its a lil slow if you are too young to understand the concept of racism and football if you like good drama movies or football movies watch this movie its a legend itself as the titans were in the movie. a small town highschool breaks the color barrior having both whites and blacks on one team some players accept it and others dont and there black coach (denzel washington who plays an excellant part ) gets threats but still coaches his team to victory REMEMBER TO WATCH THIS MOVIE

We need more family movies.
I thought this was a great movie. It was a movie that my kids could watch with me. However, the one thing racism)they are trying to conquer in the movie, still lives on today. I would recommend this movie to anyone. It was a great movie. ... Read more

Reviews (77)

A classic
I don't want to make a bigger deal out of this movie than it deserves. It's not a world-changer and the ending is a bit predictable, but it is a wonderful and charming coming of age story and an honest look at small-town America. And cycling and Italians play central roles -- a plus for an American cyclist living in Italy, like me.

But having an affinity for things Italian or for bike racing is not necessary in order to enjoy this 25-year-old classic. What is necessary is an appreciation for small things and memories about the mysterious period between adolescence and adulthood. If that describes you, then chances are you'll enjoy this touching film.

Amid the praise I should say that the DVD package is only average: the original trailer and teaser are there, but it would have been nice to have some commentary from director Peter Yates, some of the actors, or from critics who were fans of the film. A "Making of Breaking Away" mini feature would have also been a welcome addition.

One note: Breaking Away is a very American film, and so I'm not so sure how much of it will hit home with foreign viewers.

Inspiring Coming-of-Age Quirky Heartwarming Film
This is the story of four boys who have just finished high school and who live in Bloomington, Indiana. They are trying to figure out who they are and who they could be. They run up against the animosity of the college kids who look down upon the townies or "Cutters" (Bloomington is also a rock quarrying town) as inherently inferior.

The main character is irrepressible Dave Stohler (Dennis Christopher) who decides that he wants to be an Italian international bicycle racing star, even though he has never been out of his home town and doesn't happen to be Italian. He pours himself into the role of becoming Italian and becoming a star-quality cyclist. His loving parents are bewildered and worry if their son will ever be normal. He doesn't want to be normal; he wants to be outstanding.

This movie does a wonderful job of blending comedy, character development, and action. After watching it, you feel like you were there and you knew these people. I was inspired by this film to look for other Dennis Christopher movies (e.g., "California Dreaming") but none even approached this one. "Breaking Away", with the multiple meanings to its title, is one of the most likable movies I've ever seen. A great pick-me-up if you're down in the dumps.

Remember Being 18? You Will...
Watching "Breaking Away" is like visiting an old buddy in a familiar town. The film is about four friends who have graduated high school and aren't quite sure whether to embrace adulthood and the future or to shun it and cling instead to their childhood identities and each other. There is a great deal of warmth and gentle humor throughout the film, and the performances are winning.

Mike (Dennis Quaid), the leader of the group, clings to his friends as reminders of his days as high school quarterback and fears they will prove to be his best. Moocher is eager for adulthood and is planning to marry his girlfriend. The only problem is he cannot keep a job! Cyril (Daniel Stern) is resigned to the fact he may never leave Bloomington, but remains buoyant regardless. Dave Stohler is the main character, he knows exactly what he wants to be, an Italian Cyclist. There is only one problem- he isn't Italian! Dave learns through a young woman he meets and eventually through his father that simply being Dave is more than good enough, and that he must embrace his natural talents and the future. There have been countless "coming of age" pictures, but this one is the most enjoyable!

DVD: The production values of the DVD leave something to be desired and therefore I only give the product 4 stars. The lack of 5.1 surround is a disappointment, as well as the quality of the video. A commentary track featuring the four leads would have been an interesting addition. The only extras are a couple of trailers.

Wide appeal.
This film has wide appeal. At the outset it really seems to be one of those movies that were made specifically to cater to rising trends of the times -- in this case, the bike boom of the early 70's. And yet, even though our protagonist rides a Masi, this film has few things in common with other flicks like Torque, The Fast and the Furious, Top Gun, Wildstyle, Quicksilver and others that feebly attempt to elevate their respective scenes to almost mythical underground status by building stories and jargon completely around the sport or subject itself. Initially I watched Breaking Away because I was into bicycles. But bicycles in this movie surprisingly take somewhat of a backseat in relation to its main thrust; this film could be said to be not just about coming of age in small town America but more about taking pride in your own cultural identity while finding the courage to pursue your own dreams. And however cliche it might sound, the struggle is a real one, especially concerning the 'vicious cycle' that exists in our supposedly classless American society. And this I think, has a far more timeless appeal than a kid going around thinking he's a professional italian cyclist, however charming it may seem.

A classic
A sleeper that made the grade and graduated into the realms of Classic Flicks, Breaking Away is one of those wonderfully uplifting and subtly patriotic movies that champions small-town America. Steve Tesich won the screenplay Oscar for this semi-biographical story about four 19yo kids who can't quite decide what to do with themselves after high school. They live in Bloomington, Indiana, where the guys from the university look down on the townies and make derogatory comments about their rock quarrying forebears. One of them drifts, then runs, into the world of Italian bicycling, much to his used-car-salesman father's dismay and embarrassment.
You'll feel yourself pulled into rising excitement as the marvelous finale hoves into view, and, though sorry to see the film end, you'll hit the rewind button with a big smile on your face. ... Read more

Reviews (59)

Elegant and Powerful Communist Propaganda
This movie is a visual feast. The Chinese government spared no expense in creating it; all-star director Yimou Zhang apparently had everything at his disposal: a super star (Jet Li), an excellent supporting cast, unlimited costume expenses, and the full array of Hollywood digital imagery. More than just action and elegant Chinese cultural imagery, this film is a bold statement to the world: China is once again its cultural center.

Unfortunately, money does not always buy happiness. Despite the beautiful imagery, the story is brazenly unoriginal, taking its principle technique from Kurasawa's 1950 breakout film Rashomon, and much of its wuxia energy from Ang Lee's Taiwanese sensation of 2000, Crouching Tiger Hidden Dragon. To the simple-minded, I think it fails as an action picture, and to the sophisticated, its moral push is far from certainly digestible. Neither do any of the actors succeed in endearing themselves to us. Its greatest strength is its beautiful imagery.

I recently watched Alexander Nevsky, the famous Soviet propaganda film. Viewed today, its intent is obvious and clumsily applied. I watched Ying Xiong, or "Hero", well into the second hour before I realized that I was watching a modern version of that same old communist template. What are the messages here?
A) Look Out: China is bigger than life and is ready to take its rightful place as the center of the world.
B) All under Heaven: union is not bad, it is in fact noble and unselfish, supporting the common good (Cantonese Hong Kong and Mandarin Taiwan take note).
C) The National Government is working for the common good: "They call me a tyrant", the emperor says scornfully, as he laments the fact they ignore the burdens he must bear for their own good.
The film tries to appeal to the values of common decency in order to support these latter two points: killing is wrong, selfish grudges are wrong, excessive resentment is wrong, etc. It seems to accept and mildly promote individualism, although not allowing it to trump collectivism.

I admit that even as an American, I cannot quickly digest these complex moral questions and make an immediate assessment as to their worthiness. For a Chinese person, I assume this film has been even more powerful. The pride evoked from its bold nationalist statement may further push them towards accord. Hence its value as propaganda has probably been quite strong. I think that ultimately the value of this film as a classic will be decided by the prevalent answer to these moral questions, and my suspicion is that history will not look favorably on the direction in which it pushes viewers to think.

An intimate epic
"Hero" is a very ambitious film, attempting to combine quiet introspective philosophy with visually stunning action and pageantry. It is like an intimate epic. The scope is grand to say the least, with full armies on the march as well as intense and magical personal duels, all of which serves as decoration to the Buddhist philosophy being put forward.

It is very beautiful, and this is probably the first thing to be noticed. The various elements, actors, scenery and colors all combine to create a visual splendor. It is a very painterly movie, a feast for the eyes. Specifically, color is used to create moods and to differentiate the various storylines. If the visuals are painterly, then the Martial Arts are dancerly, along the same line as "Crouching Tiger, Hidden Dragon," to which inevitable comparisons must be drawn. The actors are equally beautiful as well, and "Hero, truly a feast for the eyes, could probably be enjoyed in this manner, without any dialog.

Storywise, it is a variation on the familiar "Rashomon" theme of "what is the truth?" The same story is told and re-told, each time moving closer to the purity of truth, and with truth comes enlightenment. This is an intimate tale, a quiet verbal duel between an Emperor, so fearsome and lonely than no human can approach within one hundred paces of him, and a nameless subject, who might just be a true hero. Between them, a story is told of epic engagements, artists and warriors, and what is actually worth fighting and dying for.

I won't spoil too much of the story, as part of "Hero's" strength and insight lies in discovery. That is not to say that it is full of surprises and twist endings, but rather that, like all Buddhist insight, the answer of the movies riddle lies as much in the viewer as in the actors.

rebuttal to JUSTAREADER & Other Naysayers
Western movie studios like to spoonfeed the story to the audience and have an ending that provides closure. Asian movies tend to be more ambigious & leave the conclusion more open-ended to allow the audience to walk away "thinking" about the consequences of the actions of the movie characters.

The wire kung fu is meant to be an expression of the inner turmoils that play within the character's heart and mind. Suspending your belief in reality would have to take place to accept the incredibly artistic fight scenes in this movie or just about every other action movie ever made like Spiderman or ID4. At least enjoy the beautiful camera work and use of colors in this movie instead of thinking about "too many pretentious but self-indulgent thought-to-be poetically beautified scenes".

The "peking opera styled slow talking dialogue" is used effectively in my opinion. JUSTAREADER may not be a fan of this type of dialog but everybody has their own opinion.

Zhang Yimou used the story of the Qin Emperor only as an outlet much like Passions of the Christ. Many will not agree with the portrayal of the Qin Emperor in Hero or the portrayal of Christ in Passions but it made its point.

I agree that the Qin Emperor is not as "benevolent" as Hero suggests but this is a fictional story meant to convey the conflicts of the characters - the sacrifices made for self and country and the eternal question "does the ends justify the means"?

Boring movies don't move the audience and just passes 2 hours of their lives. It's the reaction I get after attempting to watch Dreamcatcher, Road Trip, or Day After Tommorrow.

Great movies provoke a reaction from the audience. This is a great movie with great visuals and cinematography. It got a reaction out of the "love it" and "hate it" camp! It wasn't a simple "love it" or "hate it" review.

Some of the best movies and music are derivatives of others. Example: Led Zeppelin and Aerosmith just borrowed from the blues and garage rock; Hero borrows from Rashomon; the list can go on and on forever. So to call Hero an unoriginal movie is an oxymoron because every movie copies from earlier movies.

Not all westerners are "simple-minded". People who just want simple Kung Fu movie or action movie with no plot will be bored to death and will find the movie "too complicated for westerners." For those of us who want something more than movies like Garfield or Starsky & Hutch will more than likely enjoy Hero.

Must see
This is a truly beautiful film. I own the import version and this film delivers on all scores. Maggie Cheung and Tony Leung give outstanding performances as the two lovers Flying Snow and Broken Sword. Jet Li is fantastic as Nameless.
If you love Hong Kong cinema this is a must see

too poetically unfocused, too complicated for the westerners
this is a very dark but also very pretentiously directed and performed swordsmanship movie. the chinese philosophy would put off mucho western viewers, 'cause the values in the orient and what we got in the west are totally different, i.e., the ends justify the means, or the means justify the ends. to not to assassin a tyrant and allow him a great opportunity to conquer all the other small feudal warlords and unify the whole china, in a larger vision, might save more peoples' lives than letting all the warlords killing each other and their subjects year after year....so what's the choice of the way-too-deep philosophic assassin in the last second and to face a doomed consequence? the director has tried too hard to express his own montage philosophy, his own interpretation of what should be done and only by himself in such genre to surpass the crappy oscar winning crouching tiger had achieved only one thing: a somehow and somewhat boring staged show instead of an exciting movie, with too many slow motion scenes, too many wired suspension, too many pretentious but self-indulgent thought-to-be poetically beautified scenes, with a too narrow minded and one-sided chinese philosophy delivered in a peking opera styled slow talking dialogue to grandize the butchering tyrant of all time in ancient china who later became the only role model of the modern time chairman mao, conquered all the warlords and took the advantage of generalismo chiang kai-shek's enduring war against the invading japanese of the world war II, and later the pathetic and horrible cultrual revolution in china, the rude-awakening of the chinese holocaust.
this is somewhat a mediocre and even a quite lousy film made and should not be made by the legendary chang yi-mou. ... Read more

Amazon.com

With only one major star (Denzel Washington), an appealing cast of fresh unknowns, and a winning emphasis of substance over self-indulgent style, Boaz Yakin's Remember the Titans is, like Rudy before it, a football movie that will be fondly remembered by anyone who sees it.

Set in Alexandria, Virginia, in 1971, the fact-based story begins with the integration of black and white students at T. C. Williams High School. This effort to improve race relations is most keenly felt on the school's football team, the Titans, and bigoted tempers flare when a black head coach (Washington) is appointed and his victorious predecessor (Will Patton) reluctantly stays on as his assistant. It's affirmative action at its most potentially volatile, complicated by the mandate that the coach will be fired if he loses a single game in the Titans' 13-game season. The players represent a hotbed of racial tension, but as the team struggles toward unity and gridiron glory, Remember the Titans builds on several subplots and character dynamics to become an inspirational drama of Rocky-like proportions.

Yakin--whose debut, Fresh, was one of the best independent films of the 1990s--understands the value of connecting small scenes to form a rich climactic payoff. Likewise, Washington provides a solid dramatic foundation (his coach is obsessively harsh, but for all the right reasons) while giving his younger co-stars ample time in the spotlight. The result is a film that achieves what it celebrates: an enriching sense of unity that's unquestionably genuine. (Ages 9 and older) --Jeff Shannon ... Read more

Reviews (209)

You will remember the titans...
No matter whether you're a fan of sports or not, Remember the Titans is an incredibly inspiring film.
Based on a true story, it is set in 1971 at TC Williams High School, a school that is about to intergrate white and balck students for the first time.
The school's football team meet pre-season, and the separate white and balck groups must learn to get along under the guidance of Coach Herman Boon (Denzel Washington).
What follows is a remarkably touching and powerful story, that mixes tragedy and success.
Great acting by all involved, especially the black members of the cast, who are funny and add something else to an already 5-star film.
For movie fans of all genres, Remember the Titans is a great movie that will inspire you and having you watch it again and again. This is the greatest sports film ever made, and it is sure to have watching intently from beginning to end.

A MOVING STORY OF HEROIC DETERMINATION
Denzel Washington is Coach Boone, a black football coach who finds himself in unfamiliar territory when he is appointed head coach of a high school team in its first year of intergration. When the fomer coach Yoast agrees to be his assistant it seems that turmoil and not determination will rule the squad.

Boone's determination to win is only outmatched by his drive for racial harmony within the team and coaching staff. By forcing his players to interact he creates bonds and friendships. Throughout all of this he knows he must win or his tenure as head coach will be short lived. He must not only battle the racial tension in the team, but in the town as well. Only his sheer will can guide his team to the promised land.

The movie is an outstanding piece of cinema. It adresses a social issue with raw emotional power. It teaches a lesson without screaming it in your face. The acting is without a doubt full of some of the best performances of the year to not have been recognized by Oscar and the likes. While Denzel Washington and Will Patton are phenomenal the show is stolen by the members of the team. Watch this film and you will get the point. An emotional five star film worth watching again and again.

Hands down, one of the greatest movies I ever watched.
Believe it or not, I never even heard of this movie until recently. I'm not a big sports fan, or a sport movie fan so when my boyfriend brough this over to watch, I was less than thrilled.

However, once it started, I was captivated by it.

The movie is made even better based on the fact it is based on a true story. The jist of it is this... Herman Boone, played by Denzel Wahsinton perfectly, takes over as new head coach at a high school that has been desegregated. Naturally, the town has mixed reactions.

We watch as Boone, uses tactics that neither the players, the parents, the townsfolk or even his assistant coaches like to force the players to not only become a team but also respect each other as people. We watch as friendships form, and as a team forms.

Eventually we watch as the winning football team, and essentially Boone brings the town together.

This movie brings something to the table for everyone. I laughed, I cried, I even cheered during the games. A must see!

A CLASSIC FOOTBALL MOVIE
this movie is not only very compelling but also has good morals involving racism ,alcohol, and it rele shows how people of different backgrounds can come together when circumstances get rough. this movie is probally for ages 10 -and up because its a lil slow if you are too young to understand the concept of racism and football if you like good drama movies or football movies watch this movie its a legend itself as the titans were in the movie. a small town highschool breaks the color barrior having both whites and blacks on one team some players accept it and others dont and there black coach (denzel washington who plays an excellant part ) gets threats but still coaches his team to victory REMEMBER TO WATCH THIS MOVIE

We need more family movies.
I thought this was a great movie. It was a movie that my kids could watch with me. However, the one thing racism)they are trying to conquer in the movie, still lives on today. I would recommend this movie to anyone. It was a great movie. ... Read more

Amazon.com

No one uses color like Chinese director Zhang Yimou--movies like Raise the Red Lantern or Hero, though different in tone and subject matter, are drenched in rich, luscious shades of red, blue, yellow, and green. House of Flying Daggers is no exception; if they weren't choreographed with such vigorous imagination, the spectacular action sequences would seem little more than an excuse for vivid hues rippling across the screen. Government officers Leo and Jin (Asian superstars Andy Lau and Takeshi Kaneshiro) set out to destroy an underground rebellion called the House of Flying Daggers (named for their weapon of choice, a curved blade that swoops through the air like a boomerang). Their only chance to find the rebels is a blind women named Mei (Ziyi Zhang, Crouching Tiger, Hidden Dragon) who has some lethal kung fu moves of her own. In the guise of an aspiring rebel, Jin escorts Mei through gorgeous forests and fields that become bloody battlegrounds as soldiers try to kill them both. While arrows and spears of bamboo fly through the air, Mei, Jin, and Leo turn against each other in surprising ways, driven by passion and honor. Zhang's previous action/art film, Hero, sometimes sacrificed momentum for sheer visual beauty; House of Flying Daggers finds a more muscular balance of aesthetic splendor and dazzling swordplay. --Bret Fetzer ... Read more

Reviews (153)

DO NOT buy this crap!
OK! Who the hell gave this movie 4 stars??!! Poor story, poor dialog, poor EVERYTHING!!! This movie sucked. Get stabbed by a dagger and the girl stays alive until the unnecessary long fight between two bad actors is over??!! Come on! This movie is worse than the Hindi crap that comes out of Bollywood. Wish I could give it zero stars, but I can't. Amazon, will you please see that movies of this low quality get zero stars?

Technically breathtaking, but left this viewer a little cold
Zhang Yimou's HOUSE OF FLYING DAGGERS continues where the director's HERO left off: it is a film of immense visual beauty and amazing choreography, supporting a plot with melodramatic elements to it. But whereas HERO could conceivably, amidst the dazzling imagistic pageantry and big emotions, be interpreted as a political statement (the film ends with a ruler having to sacrifice a hero for what he considers the greater cause of unifying feudal China), HOUSE OF FLYING DAGGERS is content to be romantic melodrama, plain and simple.

Personally, I kinda prefer the extra intellectual and thematic stimulation offered by HERO. At the end of that film, you really had something to think about; at the end of HOUSE OF FLYING DAGGERS...well, the story is over (and a song sung in English by soprano Kathleen Battle plays over the closing credits). Nothing of great consequence, I felt, had really happened in this film; it is basically one ravishing image and one amazing fight sequence following another, interspersed with (admittedly well-acted) moments of intimacy or high drama. If Zhang Yimou was aiming for thematic subtlety in HERO, here he goes for operatic emotions and visual spectacle. And for all its technical brilliance, the whole thing ultimately left me a little cold---maybe a bit too melodramatic and soapy for my taste.

That is a very personal reaction, of course. The technical brilliance Zhang Yimou brings to HOUSE OF FLYING DAGGERS is not to be denied; these are some of the most breathtaking (and breathtakingly filmed) fight sequences seen since the last notable "wuxia" film, Ang Lee's CROUCHING TIGER, HIDDEN DRAGON. And the actors bring as much conviction as possible to their basically two-dimensional characters: certainly, as House of Flying Daggers member Mei, Ziyi Zhang brings convincing passion to her role, as do Takeshi Kaneshiro and Andy Lau as, respectively Jin and Leo, two police deputies who rescue Mei from prison and try to trick her into bringing them to the House of Flying Daggers to stop their rebelliousness once and for all.

Perhaps the best way to appreciate HOUSE OF FLYING DAGGERS is to look at it as a cinematic opera. Zhang Yimou is clearly not afraid to work on a big canvas, and he brings all the big emotions and spectacular sights he can to tell his melodramatic story. Those who go into this film expecting to be dazzled will most likely be satisfied; it is a genuine technical marvel. For me, though, I was expecting more substance to the film than it delivered. HOUSE OF FLYING DAGGERS may be more purely enjoyable than HERO, but the latter, to me, is a much more interesting movie than this one.

Super Cool Movie!!!
The action and special effects sequences in this movie are incredibly fun to watch.Zhang Ziyi is flawless as usual, and her perfomance and beauty justifies buying this DVD in itself.

Great cinematography, weak story
Genre: Foreign, Martial Arts, Romance

Genre Grade: B+

Final Grade: A-

This was another great film from Chinese director Yimou Zhang. Although not even close to comparing to his last film, Hero, it still was a great movie. Zhang is an artist, it is as simple as that. His locations are perfect, the colors are vibrant, and the characters are passionate. This is much more a love story than anything. It offers some good surprises concerning the characters and keeps the mystery of the "House of Flying Daggers" a secret to even the viewers. Actress Ziyi Zhang should learn to speak English because she could be a huge star in the United States.

I recommend this film to anyone who enjoyed Crouching Tiger, Hidden Dragon or Hero. It is dubbed in English so you don't have to read subtitles if you don't want to.

stunning
Yimou is a true artist of cinema. Hero and House of Flying Daggers are beautiful and spiritual adventures in Asian cinema. Both films are remarkable acheivments that are lost on the reviewer who gave this film one star. True art is often missunderstood by the masses. ... Read more

Amazon.com

Director Zhang Yimou brings the sumptuous visual style of his previous films (Raise the Red Lantern, Shanghai Triad) to the high-kicking kung fu genre. A nameless warrior (Jet Li, Romeo Must Die, Once Upon a Time in China) arrives at an emperor's palace with three weapons, each belonging to a famous assassin who had sworn to kill the emperor. As the nameless man spins out his story--and the emperor presents his own interpretation of what might really have happened--each episode is drenched in red, blue, white or another dominant color. Hero combines sweeping cinematography and superb performances from the cream of the Hong Kong cinema (Maggie Cheung, Irma Vep, Comrades: Almost a Love Story; Tony Leung Chiu-Wai, In the Mood for Love, Hard Boiled; and Zhang Ziyi, Crouching Tiger, Hidden Dragon). The result is stunning, a dazzling action movie with an emotional richness that deepens with every step. --Bret Fetzer ... Read more

Reviews (310)

Thrilling Hero
With "Hero" and "House of Flying Daggers" director Zhang Yimou has jettisoned to the forefront of filmmakers working today.There is no denying that Yimou has a distinctively strong visual style.That said, if it's all style and no substance, so what?"Hero" is blessed with a good narrative.Essentially, the theme of the film is what defines a hero.The answers that Yimou offers are both surprising and enlightening.Strong cast that includes Jet Li and Ziyi Zhang.Essential viewing.

Beautiful Film, but where was Jet Li?
Okay, Zhang Yimou is one of the all-time great film directors and i love his movies, though this one came across as a Disney cartoon done in real-life. My main complaint is that he didn't give Jet much to do. The part of the so-called Hero was a wooden, 2-dimensional character who wasn't on screen much. Instead, the story is really a visual tapestry of how China became united, without much dialog. Whatever. Great for kids, I guess.

Pure Visual Poetry: Story, Myth, Heart, Emotion, & Beauty
Okay, people...let's get a hold of ourselves.Many have knocked the martial arts sequences in HERO as being horribly unrealistic and that this fact has ruined the movie.Nothing could be further from the truth.True, the martial arts in this film are not the "realistic" acrobatics of Jackie Chan.Instead, it is pure visual poetry.These martial arts sequences are absolutely beautiful to watch.Anyone that can watch them without coming away with a sense of awe is just plain blind in my book.

In fact, that goes for the entire movie.HERO is one of the most gorgeous films I have seen in a long time.Not only are the sequences superb, but the scenic locations are also breathtaking.Moreover, the extensive use of color is astounding.While watching it, I felt completely transported into a different world and found myself lost in the film's sheer beauty.Furthermore, the mythical story is extremely complex, interweaving several themes & variations of the central plot.The audience gradually discovers the truth of this film and it continued to surprise me throughout its length.

I am not sure why so many people did not like this film.I can only guess that they were expecting a pure-action film with Jet Li taking on a country, "Rambo" style.I, for one, am happy that we were treated to something more.HERO has plot, heart, emotion, and style.And let us not forget the outstanding action it does provide: the action sequences in this film are some of the best ever captured on film.Highly recommended.

Not sure what multiple narratives is for
Basically, I think the graphic, plot, and theme all work fine and those who enjoy plays should be able to enjoy this movie as well (at least, I do). A major part of the movie, i think, is devoted to delineating and discovering of perspectives (narratives, you might say) related to the proper fate of China proper. In the end, a supposedly supported perspectives is revealed and the death of some characters might represent the painful but necessary abdication/self-annihilation for a better future. Even if there can be a better future, it necessarily involves an excruciating self-negating process. Something passionate, tender, free or even righteous must be given up. I'm not sure if every character and plot fits into this major theme very well because some do seem a little bit distracting, but still entertaining (nothing really needs to make sense as long as you like it).
Some might think the implied theme of reunification is a serious problem. I wouldn't totally agree with it for the reason the emperor wants to unify China and three characters give up assasinating him is for the longer peace of China. "If you want peace, prepare for war." This is from Punisher, but it explains the logic well. However, I seriously doubt that the director made this movie to condemn Chinese nationalism, though I don't know if any trace of anti-cosmopolitanism is obvious in it.
Anyway, graphic is cool, plot acceptable, theme...a little bit cliche, and, because the theme cliche, the use of multiple narrative might seem childlish and rather less challenging. But for those who really have no idea about Chinese history during the end of Chou dynasty and the present situation between the strait, it might be interesting. That is why I gave it three stars. If I have know zero about China, I might give it four and a half.

I didn't see the point of the movie
This movie basically tells one story in a few different ways.A warrior and friends are attempting to kill the emperor.That is about it for plot.There are several martial arts scences in this movie, but most of them are just too unbelievable.In one scene, the main character single handedly stops hundreds of arrows without even getting hit once.This is impossible, and that is coming from someone who used to watch DragonBall Z.

There are also to many inane comparison of fighting to various things.Fighting is compared to music and to caligraphy, which both have nothing to do with fighting.The is even a long, drawn out story plot in the movie involving caligraphy, which I found really boring and did not really feel that it served a purpose in the movie.

The ending of this movie is also very disappointing.I'm not going to ruin it, but I will say that it made the movie seem rather pointless.I really don't know why the main character was considered a hero, and frankly think that the movie was too limited on plot and did not even have a good story to begin with. ... Read more

Amazon.com

Conspiracies abound in Children of Dune, Sci-Fi Channel's praiseworthy miniseries sequel to Frank Herbert's Dune, loyally adapted from the Herbert novels Dune Messiah and Children of Dune by John Harrison, who passed directorial duties (due to a scheduling conflict) to Greg Yaitanes, a 31-year-old TV director and Dune neophyte tackling his biggest assignment to date. Uninitiated viewers face a disadvantage; it's best to read Herbert's books and/or see the first miniseries before plunging into this remarkably coherent tangle of political intrigue, unfolding 12 years after the events of Dune.

To his horror, Maud'Dib--Arrakis emperor Paul Atreides (Alec Newman, reprising his Dune role)--has become the unintended figurehead of a violent dictatorship, and his enemies are multiplying. Vanishing into the desert, he waits as destiny shapes his twin heirs Leto II (James McAvoy) and Ghanima (Jessica Brooks), who must contend with their scheming aunt Alia (Daniela Amavia) while Princess Wensicia (Susan Sarandon), of the enemy House Corrino, plots her own attack on Maud'Dib's familial empire. Exiled Atreides matriarch Lady Jessica (Alice Krige, giving the film's finest performance) returns to Arrakis, where the enormous, desert-dwelling sandworms face an uncertain future. As always, the spice must flow, and the universe's most coveted commodity remains at the center of this richly detailed and physically impressive production. Special effects range from awesome (fly-over shots of the capital city, Arakeen) to awful (the saber-tooth tigers look like Jumanji rejects), and Dune devotees will endlessly debate the miniseries' strengths and weaknesses. Some may desire more action to punctuate the film's inherent verbosity, but consensus will surely conclude that this is Dune done right, with monumental effort and obvious devotion from everyone involved. --Jeff Shannon ... Read more

Reviews (122)

Fine adaptation of an SF classic
This sequel to the mini-series "Dune" combines action from Frank Herbert's novels "Dune Messiah" and "Children of Dune." Paul Muad'Dib (Alec Newman) has taken control of Arrakis, but all does not go as planned. He has become the figurehead for a violent revolution that is spreading across star systems, various conspirators are gathering against him, and the greening of Dune is playing havoc with the traditional Fremen way of life. His children, Leto (James McAvoy) and Ghanima (Jessica Brooks), are destined to play pivotal roles in the complicated machinations for control of Dune and its spice.

This is a handsome production with mostly impressive special effects. The acting tends to be rather wooden, as a great deal of dialogue is given over to exposition about the various complex maneuverings that are ongoing throughout the story. However, if you enjoy complicated stories full of scheming and strategizing among the powerful, as well as an impressive, fully realized alien milieu, you should find something to enjoy here.

The Saga of Dune is far from over.....I hope
"History is written on the sands of Arakkis..."

So begins the tale of one of the most epic mini-series ever produced;and rarely have truer words ever been spoken.Based on Frank Herbert's second and third books in his Dune saga,Children of Dune is a breathtaking look into the mind of a genius.The science-fiction equivalent of Tolkien,Herbert has brought to life a universe unlike any other,that,without fail,sucks you into it in a maelstrom of love,lineage,and legacy.And much to the surprise and awe of a Dune junkie like myself,director Greg Yaitanes not only manages to do Herbert justice with this small screen outing,but manages to do him proud as well.

With awesome special effects(check out the worms!!),perfect casting,mindblowing cinematography,and the greatest soundtrack I have ever had the privilege of hearing,the Children of Dune mini-series is the ultimate science-fiction saga of our time.Arakkis is as real,raw,and powerful as any Shire,Hogwarts,or galaxy far,far away.

Step inside a world of political intrigue,action, and drama.Bear witness to the triumphs of men as well as his tragedies.Behold the Fremen at his best,and also at his worst.And watch as life is born,ended,and given meaning in a beautiful epic that is,in the best and only way to describe it,undying.

Step inside the majesty of Children of Dune.

Dune Messiah and Children done RIGHT!
When I rented and watched the first Dune miniseries, I was shocked at how poor a job had been done. True, the story was kept pretty much intact, but the costumes were horrible, the acting wasn't credible, and the sets were even less credible. Most of the time, you could easily tell that the backdrop was a wall painted to look like dunes and mountains. This time, however, the makers got it right. First, everybody who returns for this second mini-series must have gotten acting lesson in between the two. I was shocked at how good some of the performances were (Paul and Irulan for example). Second, some of the special effects are truly impressive. Throughout most of the miniseries, I could believe that this was a very respectable theatrical release- I love Alia's "fight" scene. Also, the music this time around is unbelievable. I don't think it would be an exaggeration at all to say that this is the score that should have won best soundtrack at the most recent Academy awards.

Many people display disappointment over how some plot points were changed or ommitted. However, in my eyes, the miniseries accomplished the highest note that I think it possibly could have reached: it REALLY made me want to read the books again.

I also think that the miniseries accomplished something that the books did not. I think it added more emotion to the characters and made it easier for viewers to empathize with them. I can return to the books, perhaps, with a better idea of what the characters are going through.

Overall, a very commendable effort- not to be missed by any Dune fans (unlike the miserable first mini-series)

The saga of Dune is far from over.....well, let's hope so- on to God Emperor!

Read the book
I bought this DVD recently, after a 20-year lapse since I last read the Dune books. With only a vague memory of what was supposed to be going on, the movie was pretty much incomprehensible.

What was the reason for Leto II transforming himself into a sandworm? I don't remember, and the movie didn't explain. Somehow, this was supposed to be the next evolutionary step, or some such thing, but why? And why did Leto seem so confident and at peace with his decision, when later we find out that he sobbed in his sister's lap and asked her to help him die?

A lot of the acting is truly dreadful, and seems more appropriate to a stage play than a movie. Many of the costumes look like they came from old the original Star Trek series. And many of the sets were obviously just that ... sets with painted backgrounds.

As with the other adaptations of Dune books, too much had to be left out in the interest of time, and if you aren't very familiar with the story, you can easily be left scratching your head.

Considering it's a TV production, a great effort.
John Harrison wrote the script for this , as he did for the first Dune series. I think some are being too hard on this installment(double). It's the best sci-fi TV to come about in a very long time. The acting for the most part was a great surprise. There's some real talent here. Daniela Amavia's Alia puts most disturbed bombshell ladies in horror films to shame. It's true it's more of a petty political soap opera but that's how the sequel novels also seemed. Like another reviewer said, a knockout scene was where Duncan Idaho had to face the moment of truth and a lot of principle characters get killed off, a la Godfather. The scene captured the moment in story in just about the best way possible. The "wierding" effects like the first Dune are a rush, but the directors wisely use it sparingly and go for build up to dramatic highpoints just as Herbert's books do. Considering the recent sci-fi in the movies, this new director hopefully will get to the big screen sometime. ... Read more

Amazon.com

One of the best films of 1994, To Live is a bold, energetic masterpiece from Zhang Yimou, the foremost director from China's influential "fifth generation" of filmmakers. Continuing his brilliant collaboration with China's best-known actress Gong Li (their previous films include Ju Dou and Raise the Red Lantern), Zhang weaves an ambitious tapestry of personal and political events, following the struggles of an impoverished husband and wife (Ge You, Gong Li) from their heyday in the 1940s to the hardships that accompanied the Cultural Revolution in the 1960s. They raise two children amidst a Communist regime, surviving numerous setbacks and yet managing, somehow, to live. Both intimate and epic, Zhang's film encompasses the simplest and most profound realities of Chinese life during this controversial period, and for their honesty, Zhang and Gong Li faced a two-year ban on future collaborations. To Live is a testament to their art, transcending politics to celebrate the tenacity of ordinary people in the wake of turbulent history. --Jeff Shannon ... Read more

Reviews (68)

A Stirring, Emotional Portrayl of Bitter Times in China
"To Live" was the first Asian film I saw and awed me tremendously. The film is truly a piece of cinematic art. Its acting is supurb - of all the Zhang Yimou films I have seen (four or five) this is the best acted. Gong Li and You Ge give fabulous performances, with excellent body language and characterization.

The story, like Chen Kaige's "Farewell My Concubine" (also a portrayl of Chinese history, with more emphasis on the people than the history), follows people through the Communist Revolution, the Great Leap Forward, and the Cultural Revolution, all highly influential events in Modern Chinese history. (If you are unfamiliar with these events, the first is when the Communists took over China; the GLF is when the country tried to increase production through very extreme measures and failed horribly; the Cultural Revolution was an entire social reorganization aimed to stir up the passions of the people and to weed out Capitalists.)

Anyhoo, the people are Jiazhen (Gong Li) and Fugui (You Ge), husband and wife. In the beginning, Fugui bets away his entire family fortune, which eventually saves them from being labelled Capitalists by the Communists. More events transpire - including two tragic deaths that could have destroyed Jiazhen and Fugui's family for good - until finally thirty years of revolution and tragedy bring them to the 1970's.

In addition to the beauty of the film, the soundtrack by Zhao Jiping is incredible, and almost makes me cry from its sheer power.

This film is truly a winner!

An illustration of a will to live/survive
To Live takes place mid century in China just after the second world war. The story line follows the Xu family and the hardships that befalls them.

It illustrates to what lengths people had to adapt and convert to in order to survive under Communist rule (especially during the cultural revolution). Old friends and even family had to form divisive lines between themselves in order to save themselves from possible prosecution.

The acting and the interactions of the three main protagonists Li Gong, You Ge and Deng Fei are masterful and stirring. To Live is as good a film representing that time period as any other. Definitely on the same plateau as Farewell My Concubine

Stunning; poignant
I have shown this film to my English students after having read Dai Sijie's book, BALZAC AND THE LITTLE CHINESE SEAMSTRESS, because of the portrayal of communism and the effects of the Chinese "cultural revolution". While it at first appears to be loaded with communist propoganda, it becomes apparent by the end of the film that it is an outspoken criticism of Mao and this harsh period of recent Chinese history.

Aside from the political overtones, this is also a masterful study of overcoming loss and adversity that transcends cultural or political boundaries. While my students almost invariably complain about the subtitles at the beginning of the showing, by the end, they have been completely drawn in, and are laughing and crying on cue. If this isn't the true test of a great flick, I don't know what is.

A masterpiece, and one that everyone should see.

Disappointment
This film completely butchers, rearranges, and rewerites an incredibly moving novel. I suggest that you read the book first.

6 Stars +
To Live is a masterful project and deserves the best praises for foreign cinema. It touches every emotion possible in its depiction of one family's faults and successes; life as it might have been in the midst of political chaos. To Live maps the losses and gains of Fugui and Jiazhen--an average young couple moving through China. It's difficult to discuss the turns and movement without spoiling the movie. However, I will say the couple we encounter in the 1940s and end with in the 1960s is triumphant and tells a story never to be forgotten. Highly Recommended!!!!!! ... Read more

Amazon.com

No one uses color like Chinese director Zhang Yimou--movies like Raise the Red Lantern or Hero, though different in tone and subject matter, are drenched in rich, luscious shades of red, blue, yellow, and green. House of Flying Daggers is no exception; if they weren't choreographed with such vigorous imagination, the spectacular action sequences would seem little more than an excuse for vivid hues rippling across the screen. Government officers Leo and Jin (Asian superstars Andy Lau and Takeshi Kaneshiro) set out to destroy an underground rebellion called the House of Flying Daggers (named for their weapon of choice, a curved blade that swoops through the air like a boomerang). Their only chance to find the rebels is a blind women named Mei (Ziyi Zhang, Crouching Tiger, Hidden Dragon) who has some lethal kung fu moves of her own. In the guise of an aspiring rebel, Jin escorts Mei through gorgeous forests and fields that become bloody battlegrounds as soldiers try to kill them both. While arrows and spears of bamboo fly through the air, Mei, Jin, and Leo turn against each other in surprising ways, driven by passion and honor. Zhang's previous action/art film, Hero, sometimes sacrificed momentum for sheer visual beauty; House of Flying Daggers finds a more muscular balance of aesthetic splendor and dazzling swordplay. --Bret Fetzer ... Read more

Reviews (153)

DO NOT buy this crap!
OK! Who the hell gave this movie 4 stars??!! Poor story, poor dialog, poor EVERYTHING!!! This movie sucked. Get stabbed by a dagger and the girl stays alive until the unnecessary long fight between two bad actors is over??!! Come on! This movie is worse than the Hindi crap that comes out of Bollywood. Wish I could give it zero stars, but I can't. Amazon, will you please see that movies of this low quality get zero stars?

Technically breathtaking, but left this viewer a little cold
Zhang Yimou's HOUSE OF FLYING DAGGERS continues where the director's HERO left off: it is a film of immense visual beauty and amazing choreography, supporting a plot with melodramatic elements to it. But whereas HERO could conceivably, amidst the dazzling imagistic pageantry and big emotions, be interpreted as a political statement (the film ends with a ruler having to sacrifice a hero for what he considers the greater cause of unifying feudal China), HOUSE OF FLYING DAGGERS is content to be romantic melodrama, plain and simple.

Personally, I kinda prefer the extra intellectual and thematic stimulation offered by HERO. At the end of that film, you really had something to think about; at the end of HOUSE OF FLYING DAGGERS...well, the story is over (and a song sung in English by soprano Kathleen Battle plays over the closing credits). Nothing of great consequence, I felt, had really happened in this film; it is basically one ravishing image and one amazing fight sequence following another, interspersed with (admittedly well-acted) moments of intimacy or high drama. If Zhang Yimou was aiming for thematic subtlety in HERO, here he goes for operatic emotions and visual spectacle. And for all its technical brilliance, the whole thing ultimately left me a little cold---maybe a bit too melodramatic and soapy for my taste.

That is a very personal reaction, of course. The technical brilliance Zhang Yimou brings to HOUSE OF FLYING DAGGERS is not to be denied; these are some of the most breathtaking (and breathtakingly filmed) fight sequences seen since the last notable "wuxia" film, Ang Lee's CROUCHING TIGER, HIDDEN DRAGON. And the actors bring as much conviction as possible to their basically two-dimensional characters: certainly, as House of Flying Daggers member Mei, Ziyi Zhang brings convincing passion to her role, as do Takeshi Kaneshiro and Andy Lau as, respectively Jin and Leo, two police deputies who rescue Mei from prison and try to trick her into bringing them to the House of Flying Daggers to stop their rebelliousness once and for all.

Perhaps the best way to appreciate HOUSE OF FLYING DAGGERS is to look at it as a cinematic opera. Zhang Yimou is clearly not afraid to work on a big canvas, and he brings all the big emotions and spectacular sights he can to tell his melodramatic story. Those who go into this film expecting to be dazzled will most likely be satisfied; it is a genuine technical marvel. For me, though, I was expecting more substance to the film than it delivered. HOUSE OF FLYING DAGGERS may be more purely enjoyable than HERO, but the latter, to me, is a much more interesting movie than this one.

Super Cool Movie!!!
The action and special effects sequences in this movie are incredibly fun to watch.Zhang Ziyi is flawless as usual, and her perfomance and beauty justifies buying this DVD in itself.

Great cinematography, weak story
Genre: Foreign, Martial Arts, Romance

Genre Grade: B+

Final Grade: A-

This was another great film from Chinese director Yimou Zhang. Although not even close to comparing to his last film, Hero, it still was a great movie. Zhang is an artist, it is as simple as that. His locations are perfect, the colors are vibrant, and the characters are passionate. This is much more a love story than anything. It offers some good surprises concerning the characters and keeps the mystery of the "House of Flying Daggers" a secret to even the viewers. Actress Ziyi Zhang should learn to speak English because she could be a huge star in the United States.

I recommend this film to anyone who enjoyed Crouching Tiger, Hidden Dragon or Hero. It is dubbed in English so you don't have to read subtitles if you don't want to.

stunning
Yimou is a true artist of cinema. Hero and House of Flying Daggers are beautiful and spiritual adventures in Asian cinema. Both films are remarkable acheivments that are lost on the reviewer who gave this film one star. True art is often missunderstood by the masses. ... Read more

Amazon.com

San Francisco has been the setting of a lot of exciting movie car chases over the years, but this 1968 police thriller is still the one to beat when it comes to high-octane action on the steep hills of the city by the Bay. The outstanding car chase earned an Oscar for best editing, but the rest of the movie is pretty good, too. Bullitt is a perfect star vehicle for cool guy Steve McQueen, who stars as a tenacious detective (is there any other kind?) determined to track down the killers of the star witness in an important trial. Director Peter Yates (Breaking Away) approached the story with an emphasis on absolute authenticity, using a variety of San Francisco locations. Jacqueline Bisset and Robert Duvall appear in early roles, and Robert Vaughn plays the criminal kingpin who pulls the deadly strings of the tightly wound plot. --Jeff Shannon ... Read more

Reviews (104)

Bullitt Hits The Mark
1968's Bullitt is best known for its classic car chase scene that is still considered by many to the best of all time. The movie is worth watching for that scene alone as Steve McQueen's fastback Mustang chases down a Dodge Charger for a tense ten minutes through the streets of San Francisco. Even without that memorable scene, Bullitt is a classic 60's film. Mr. McQueen's performance as steely police detective Frank Bullitt is one of his best and the forerunner of the anti-heroes that would dominate films of the 70's. The plot revolves around a seemingly routine job for Bullitt and his men to protect a mob informant (Pat Renella) who is set to testify before a Senate subcommittee. When two hitmen break into the safe house and fatally wound the informant and injury another detective, Bullitt begins to have questions and takes up investigating the case on his own with the help of fellow detective Delgetti (Don Gordon). Fighting them at every turn is ruthless and ambitious senator Chalmers played with unctuous smarm by Robert Vaughan. Jacqueline Bissett co-stars in one of her first roles as Bullitt's girlfriend and Robert Duvall has a bit part as a cabbie. Director Peter Yates crafts a gritty look to the film and editor Frank Keller won the Academy Award for his superb work.

Steve McQueen scorches the streets of San Francisco
Arguably the best crime film of 1968, and certainly one of the most influential films of the genre...."Bullitt" established new directions in the mood and style of crime thrillers, and firmly established McQueen as one of the key anti-hero stars of the 60's. Based on the gritty novel "Mute Witness" by Robert L. Pike, this was the first, and only, time McQueen portrayed a police officer (albeit a maverick one) in his movie career. In 1968 Steve was then riding high on the success of his previous crime film, "The Thomas Crown Affair", and "Bullitt" just propelled his star even higher into the heavens !

The plot is tight, economical and well crafted....taciturn, moody Detective Frank Bullitt (McQueen) is charged with the protection of a key witness vital to an upcoming trial involving Mafia connections. Whilst hidden away in a supposed secure location, the witness and his police guard are brutally gunned down by unknown assailants. The heat is turned up on Bullitt by his tough Captain (Simon Oakland) and the manipulative, opportunistic politician Walter Chalmers (Robert Vaughn) to come up with the right answers fast ! Between the draining investigation, Bullitt struggles to maintain his relationship with his cultured, sensitive girlfriend, Cathy (Jacqueline Bisset)

Primarily coming from a TV series background, Englishman Peter Yates (directing his fourth movie) did a commendable job as director on "Bullitt"...producing a complex, intense crime thriller with a unique style that would ultimately influence many other films. Yates would later to go onto direct Robert Mitchum in the excellent "sleeper" crime film "The Friends of Eddie Coyle" !

And of course "Bullitt" is reknowned for it's now legendary car chase between Frank Bullitt's 390 GT Mustang and the two hitmen in their black, Dodge Charger 440 Magnum barrelling through the city streets and highways of San Francisco....just don't pay too much attention to how many times they pass that slow-moving, green VW Beetle !!

The DVD transfer is excellent in both sound and picture quality, and the Limited Edition Set with the extra goodies (Single sheet poster, shooting draft, lobby cards etc.) is a real bonus for keen film fans !!

One of my favourite cop thrillers....McQueen sizzles on screen !!

Put on a Sweater
This detective drama aimed to be the essence of cool, and succeeded, in fact it's a little too cool, can somebody turn up the thermostat? Barely anybody in the picture is allowed to show any genuine emotion, although one of the hoods looks a little upset before he's shotgunned. Director Peter Yates apparently planned to tell the whole story with action and came up with a near-classic. In fact his spectacular staging of McQueen's car pursuit of two Mob assassins is usually blamed for the countless imitation car chases that have blighted American movies ever since. It's certainly one of McQueen's signature roles, but why give him a hokey name like Bullitt?

McQUEEN COOL!
Ignore the paisley pajamas, Steve McQueen was an icon of cool and BULLITT is the proof. Peter Yates has a smart thinking man's cop drama, bolstered by (yes) the best chase scene on film. Great locations in San Francisco. Superior acting by McQueen, Robert Vaughn as a sinister U.S. Senator and Don Gordon, as McQueen's partner. Why didn't Don Gordon become a bigger star?

The good, the bad, and the pretty
"Bullitt" is highly regarded by many for either "the chase", or the drama.

The good and the bad: True, there is a high-speed car chase in part through the hilly streets of San Francisco. Is it "the best ever" chase? Depends on how you look at it. Plus - It was very high speed. Plus - It had a cool-looking Mustang fastback vs a big GTO. Negative - They pass the same VW 4 times, and another car 2 times (why? if not intentional, then very poor continuity) Negative - double-shifting or not, there are about 97 too many gear changes, and some of those are at top speed on the flat stretch near the end. Neg - the bad guys lose too many hubcaps. Still, it's fairly exciting. However, though not car vs car, I think the chase in "The French Connection" is as good if not better.

As for the drama, some of it seemed a bit drawn out. Lt. Frank Bullitt is supposed to protect the state's witness "Ross" against the Chicago "Organization". Ross and one cop are shot, and Ross is later killed in the hospital, where Bullitt is hanging out. Bullitt does not want the prosecutor who gave him the assignment (Robert Vaughan) to know Ross died, so he will have time to find the killers. Turns out Ross may not be who the cops think he is, and this leads to a good foot-chase across the airport runways and the airport itself.

Some of the police procedure as portrayed in the movie is rather shoddy - such as handling a lot of evidence, then asking for it to be fingerprinted, etc.

The pretty: Bullitt has a girlfriend played by Jaqueline Bisset, who gives him grief for his callous attitude. This sets up the final scene of the movie where Bullitt ambiguously questions his existence. Otherwise, her appearance in the movie is useless.

Good acting by McQueen and Vaughan. Look for Robert Duval, Georg Sanford Brown, Norman fell, Simon Oakland and a few other names.

The jazzy score by Lalo Schifrin sounds like a bad TV movie. Wide-screen movie has decent picture and sound quality. DVD extras include a short behind the scenes documentary, text-based cast/crew/location info, list of awards, and a trailer.

In short - Not the best cop movie, not the best McQueen movie, and not the best chase. Watchable but not a stand out. ... Read more

Description

It's the battle everyone's been DYING to see! Teenagers find themselves caught in the middle of a battle between two legendary boogeymen: Jason Voorhees and Freddy Krueger. Who will win in the bloodiest and goriest showdown in history? ... Read more

Reviews (540)

"Welcome to my Nightmare"
Freddy Vs. Jason started out on a fairly ok note. It brought back that old 80s horror movie feeling. The setup of Jason and Freddy fighting each other is very clever and an imaginitive idea. The acting is well-delivered from some of the actors, but there are lots of flaws in this movie: 1. It is not horror! It is simply not suspenseful, only includes a few genuinely scary moments, and focuses WAY too much on blood and gore instead of thrills and chills. 2. It is a self-parody, instead of a truly original piece of work. The movie is obviously supposed to spoof Freddy and Jason's routes, but couldn't they have thought of more original ways to do it? 3. Typical characters, with not a whole lot of psychological depth. When I watch a movie, any kind of movie, I like to be intrigued with the characters because of their psychological depth and their problems in life, their ups and downs. But, from what I recall, these characters are basically derived from the old 80s slasher movies. 4. The reslotion could've been a little bit more shocking and mysterious. 5. Unbelievable. A movie is only scary when it's believable, and this is just way too over-the top.
All in all, this movie is somewhat entertaining, and it is what I expected: A silly self-parody action film, instead of what it should be: A true horror classic. If you want horror, I suggest you see the original "Nightmare on Elm Street" (still ubelievable, and too gory, but much scarier) or "Friday the Thirteenth" (Which is somewhat scary), or even "Scream" (A clever self-parody that mixes comedy and genuinely scary moments) or "The Silence of the Lambs" (Terrifying and haunting). The list of smart horror movies goes on, and this movi