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| 81. Wedding Peach:Spring Storm Vol 3 Director: Kunihiko Yuyama | |
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Reviews (2)
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| 82. Pokemon - Poke-Friends (Vol. 4) Director: Masamitsu Hidaka, Kunihiko Yuyama | |
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Amazon.com This video contains three episodes from the animated Pokémon TVseries. Our intrepid heroes Ash and his friends continue their quest, collecting Pokémon along the way. In "Bulbasaur and the Hidden Village," the heroes stumble on to a Pokémon health spa where injured Pokémon creaturescan take in a little R&R.The courageous Bulbasaur that defends the spa does not takekindly to Ash's desire to be his trainer (and keep him in his Pokéball storage container). "Charmander--The Stray Pokémon" finds the cute title character abandoned on a rock awaiting a new owner. The poor critter will die if his tail light ever goes out. What will he do in the upcoming thunderstorm? The title characters in "Here Comes the Squirtle Squad" are water-spouting beasts with Jack Nicholson sunglasses and a one-word vocabulary ("squirtle, squirtle" is heard in a dozen different variations). Of course, Team Rocket is there to foil our heroes and steal Ash's valuable Pickachu. --Doug Thomas Reviews (55)
Well, certainly a decent batch of episodes, even though it seems a bit silly that Ash catches all three starter pokemon at once. But if he didn't, I'm sure we would've gotten a bunch of ... filler between these episodes, so it's okay. But he really should get to the 3rd gym soon. In the Charmander episode it appears he's headed North of Cerulean, which means he's been walking in a circle for 3 episodes. Hm.
Bulbasaur and the Hidden Village - The three heroes find a trainer, Melanie, who spends her time in a small cabin, caring for injured Pokemon until they can go back into the wild. But when Team Rocket come to cabin, will both Ash and Melanie's Pokemon be enough to defeat them? Charmander: The Stray Pokemon - Ash, Misty and Brock find a weak Charmander on a Mountain path. When the Pokemon refuses to be caught, the team decides that it is waiting for someone. But they later discover that its trainer abandoned the Charmander. Can Ash rescue the Pokemon before its flame goes out? Here Comes the Squirtle Squad - When a group of Squirtle stops Ash from getting closer to Vermilion City, Pikachu gets hurt. Ash runs for a healing potion, but will Pikachu still be okay when he gets back? All that with the full-length Pokerap at the end! With good video/audio, the only bad thing here would be if you didn't like the show. Followed by "Thunder Shock!".
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| 83. Pokemon Advanced, Vol. 3 - A Bite to Remember Director: Kunihiko Yuyama, Michael Haigney | |
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Description Reviews (1)
A Bite to Remember: Ash and co accidentally stumble into a Pokemon preserve. There, they meet Katrina and her pack of Mightyena. They also meet Katrina's Poochyena, which hasn't evolved into Mightyena yet. Max is intrigued and is determined to help this Poochyena evolve. This is a great episode, and it's one of my favorites over the entire season so far. The Lotad Lowdown: Ash and co take a break at a lake to swim. They learn that this lake is inhabited by playful Lotad that can use Water Gun. Brock is drawn to one Lotad that can't quite do everything right. They also meet three girls who run a flower ship: Rita, Nicole, and young Natalie. Then, Natalie goes missing and Team Rocket tries to steal the Lotad! Can Brock and his new Lotad friend save the day? All that's Bright and Beautifly: Ash and co have finally arrived at Rustboro City, and they find out about a Pokemon contest being held at Rustboro Hall. They also meet trainers Chaz and Janet with their Pokemon, Chaz's Venomoth and Janet's Beautifly. May falls in love with the world of Pokemon Contests. Meanwhile, Chaz tells Ash about an attack that will come in handy at the Rustboro Gym, Iron Tail. Ash and Pikachu struggle to master the attack in time. This is another great episode, Hoenn's Pokemon contests are just as exciting as battles and are one of my favorite features from the Ruby and Sapphire video games. All in a Day's Wurmple: While walking through a forest, May is frightened by a caterpillar-like Pokemon called Wurmple. However, when her brother Max tells her that they evolve into Beautifly, May instantly wants it. Unfortunately, Jessie also wants a beautiful Beautifly. While May is out searching, Ash meets a young trainer named Forrest who challenges Ash to a Double Battle, in which each trainer uses two Pokemon at once. Ash, of course, accepts the challenge. Can May catch the Wurmple she desires, and can Ash master the challenge of a double battle? Gonna Rule the School: Ash, Brock, May, and Max find a lost Poliwag in Rustboro City. They return it to its owner, Roxanne, a teacher in a Pokemon school near the gym. They also find that Roxanne is the gym leader! Before Ash can have his match, she has to finish teaching her Pokemon class, so they accept. Max is excited by the class and Roxanne lets him attend it for a day. This is a great DVD, I give it 5 stars - mostly for containing episodes like "All that's Bright and Beautifly" and "A Bite to Remember." However, if you want the last two episodes, don't get the VHS version. Only the DVD has these two episodes. ... Read more | |
| 84. The Saint, Set 4 Director: Peter Yates, David Greene, John Krish, Robert Tronson, Pat Jackson, Jim O'Connolly, Anthony Bushell, Robert S. Baker, John Kruse, Roger Moore, James Hill, Michael Truman, Jeremy Summers, John Paddy Carstairs, Leslie Norman, Robert Lynn (II), John Ainsworth, David Eady, John Gilling, Ernest Morris | |
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Amazon.com Reviews (5)
For one thing, there are no subtitles. Generally, with The Saint that is not a problem - except when the music drowns out certain key dialogue, or an actor does not speak clearly (star Roger Moore is known for his lazy drawal), and of course there are often times when a character will phrase something in British slang with which American audiences may be unfamiliar. But worse than that, there are mistakes on the boxes. Take Set 4. The box says there is a photo gallery and a history of the Saint included. There is not. Perhaps it is just as well. That History of The Saint is included on Set 2. Now I can't be misinterpreting it - it says "...nearly 100 Saint novels and stories followed, half of which have never been translated into English..." Huh? Are these people crazy or just incompetent? I have all the Saint books and stories and they are all in English. I am sure they were written in English. If they think they were written in some other language, why don't they identify what it is? And they also play fast and loose with the facts in the Roger Noore biography and filmography they provide. Do yourself a favor and just watch the shows and ignore their extra "bonus features". They are no bonus. _
VOLUME 7: The Counterfeit Countess (4) Simon And Delilah (2) Island Of Chance (4) VOLUME 8: The Gadget Lovers (3) A Double In Diamonds (3) The Power Artists (2) When Spring Is Sprung (4) The Saint, Set 4 is a collection with some good stories, and others that are not so well written, but are still entertaining. While there are some fine moments, I would rate Set 3 or 2 above this one. Still it is a must have for any big time fan of the "famous Simon Templar". What about future releases? I believe there are two episodes from 1967, six from 1968, and thirteen from 1969 left to be released. These include the two part features, "The Saint and the Fiction Makers" and "Vendetta for the Saint". It will be interesting to see how they are packaged. There are also 71 black and white episodes yet to be released on DVD as well. I hope the folks at A&E will keep working hard to ensure that, The Saint will be back! ... Read more | |
| 85. Abbott & Costello Show Vol. 5 Director: Jean Yarbrough | |
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| 86. Too Hot to Handle Director: Terence Young | |
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| 87. Jack and the Beanstalk Director: Jean Yarbrough | |
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Reviews (7)
The movie itself is a pleasant children's story with music. After a "modern" prologue in monochrome, Bud and Lou adapt their usual sharpie-and-patsy roles to colorful fairytale settings, and Buddy Baer is an excellent foil as the fearsome giant. (Listen for cartoon-voice Mel Blanc playing several roles in the "I Fear Nothing" song.) Makes a nice kiddie matinee, best for small children but older A & C fans will enjoy it, too.
In retrospect, this may not be one of their greatest films (it's not on par with Abbott and Costello Meet Frankenstein, for instance), but it's a fun retelling of the classic Jack and the Beanstalk story, casting Lou as Jack and Bud as the crooked butcher who swaps him magic beans for a cow. Transplanting the boys into the fanciful setting works, and although some of the stuntwork and sets seemed pretty threadbare at times the story and the comedy still click well. This is also one of the few films the boys ever made that could be classified as a musical. For completists who love Abbott and Costello and are still impatiently waiting for the rest of their films to come out on DVD, this is a must-have. Also recommended for folks with kids -- it's a wonderful movie for the young.
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| 88. Society Director: Brian Yuzna | |
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Reviews (8)
The movies political voice lambasted against shallow people only worrying about social status and popularity (as illustrated with Billy's ex-girlfriend in the beginning). It also shows how the rich, literally, feed off the poor. This reminds me of how back in the Roman Empire, the peasants were heavily taxed, which was one factor of the Fall of Rome, where the poor revolted. There were clever puns thrown in that some people might have missed. The rich would eat and tear a person (well just one person) in an erotic orgy zombie-like attack, "rich feeding off the poor" - get it? There lots of references about how everyone would be "contributing to society" too. Society has the oddness of "Jacob's Ladder" and "Nick of Time", the social satire of "American Psycho", and the gross effects of "Bad Taste" and "Re-Animator", only more emphasis on slimy repulsive sludge. Some people got dismembered in ways beyond my imagination. It wasn't bloody but it was gooey, I felt like some of the goop splattered on my face, as I stayed glued to the screen. This bizarre part makes up about the last 20 minutes of the film. Searching for answers made up most of the movie. Other stuff I should mention: There's a little love story on the side mixed in. Film might feel like it ended a bit prematurely. Some nudity and sex scenes. A fat lady is thrown in for comic relief. You will see someone have an actual butthead. The music is pretty good and fits the movie's tone. The box says it's unrated, not rated R. So if you want gross splattastic effects used in a film that mocks greedy shallow rich people that think they're better than us humans (the rich weren't human?!) in a cynical imaginative manner, "Society" is good choice.
The story focuses on a young man discovering a horrible secret about his family when they host a party of flesh melding, limb swapping madness for a bunch of mutants (or something like that) and then discovers his true purpose there. The story is weak, the acting is third-rate, but the effects of joined bodies and malleable flesh are not bad. I've seen worse excuses for a horror movie, but then I've also seen many better. This is a good example of a movie where the story is written to match special effects thought of in advance.
This plays out as a typical teen movie, with a gorgeous cast that the camera ogles at every opportunity. Given what is to happen later the almost constant sexual references are perhaps relevant. However, given the fact that there isn't a solid ending in sight and the sheer gratuity of much of what's here, it's hard to concentrate on any message that Yuzna may have been trying to get across. Indeed, even if its basic message of 'society will devour itself' is a fine central idea but if a movie is going to serve up incest then it should at least explore it. The acting isn't important, with a lot of bland yet beautiful faces on display. There are some truly eye-popping special effectsn though and nobody will forget the gross-out finale due to how distasteful it is. It's definitely an interesting film but purely because of its ending. Apart from that there's little of note.
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| 89. A Price Above Rubies Director: Boaz Yakin | |
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Description Reviews (42)
A carefully and compellingly rendered drama of a contemporary woman's stirring discovery of self, "A Price Above Rubies" is set in the context of a Hasidic Jewish/American community. Beautifully photographed, this film's acting sparkles -- and renders a reasonably accurate portrait of an easily caricatured community. Renee Zellweger establishes herself as a talent of unlimited possibilities. ... The film's feminist perspective is gracefully realized without belittling all guys -- which greatly enhances the film's power! (And lowers my blood pressure!) Production design is exceptional! Those Orthodox Jewish critics who are angered by this film's portrayal of Jewish Orthodoxy might have us believe that the world of Orthodoxy is monolithically benign. It is not. ... Traditional thought and practice -- orthodoxy in many settings -- has its beauties and strengths and -- like most things human-- it has its dark, shadow side as well. "A Price Above Rubies" depicts the delicate balance gone awry. For a very different, also wonderful film which depcts both light and shadow sides of Ameriocan Jewish traditionalism, but less critically of Orthodoxy, try "The Chosen" (1982) (adapted from Chaim Potok's book), with Robby Benson (quite good in this film, to my surprise), Rod Steiger and Maximillian Schell -- available on VHS, not yet on DVD. For me "The Chosen" is a five star, among my all-time top 10 films!
A beautifully rendered drama of a contemprary woman's stirring discovery of self, "A Price Above Rubies" is set in the context of a Hasidic Jewish/American community. Beautifully photographed, this film's acting sparkles -- and renders a reasonably accurate portrait of an easily caricatured community. Renee Zellweger establishes herself as a talent of unlimited possibilities. (I wrote these words of promise when the film was 1st released, long before Renee's fame via the fluffy "The Diary of Bridget Jones" and the incredibly wonderful "Chicago"! Now I saw hor on the cover of Cosmo!) The film's feminist perspective is gracefully realized without belittling all guys -- which greatly enhances the film's power! Production design is exceptional! Those Orthodox Jewish critics who are angered by this film might have us believe that the world of Orthodoxy is monolithic. It is not. In my own family and beyond, many people experience forms of Jewish Orthodoxy which are fulfilling and wonderfully peaceful. On the other hand, abusive conduct does creep in to parts of this world, as exemplified most vividly by the 1999 Amos Gitai film, Kadosh -- a terrifying portrait of the worst side of Orthodox Jewish patriarchy, which makes "A Price Above Rubies" seem like a fairy tale. In my own community, we have learned of an attempted horrific Orthodox shunning and boycotting of a wife and doctor after she reportedly sought a divorce alleging substantial physical abuse. (Who can say whether the woman's charges were true! The vengeful letter writing and attempted boycott are fact, however.) Traditional thought and practice has its beauties and strengths and -- like most things human-- it has its dark, shadow side as well.
To me, the movie was NOT about the Hasidic way of life. I could see this film holding just about as relevant even if I replaced the community potrayed in it with any other. It is about the marital suffering of two people who are very different in their moorings. Renee Zellweger, the pivot, does a very convincing job of showing the desperation in a young woman's personal search, Sonia, who embarks on a search for not only herself but also her place in the world -- for the duration of the film Renee gave Sonia the precise dignity and emotion that the role deserved. The supporting cast were strong, Juliana Margulies certainly showing that she's doesn't always play the 'nice girl'. Christopher Eccleston was convincingly wicked and Glenn Fitzgerald puts in a credible performance as Mendel, the husband, capturing the essence of the role commendably. Bordering sometimes on being a chick-flick, the movie generally deals with feminine issues, and I would think that the emotional dominion would have it seldom appeal to a male audience. Which is quite evident in the other belittling reviews here. I recommend this film highly, although it is an intense one and perhaps not for every Joe Blogg. Make sure you're in the mood.
The movie starts off as a slow-as-molasses slice-of-life story about an orthodox Jewish family in NYC. But it ends as the heroic struggle of a Jewish woman yearning to be free -- free of paternalistic controls, free to decide on her own fate, free to pursue beauty in life, a rebellious street-smart and hard-headed woman who wants to be free enough even to judge the wisdom of God, an ultimate heresy for the social milieu she was raised up in. She goes through hell, but at the end she hangs on to her dear freedom. And that has a "price well above rubies" and diamonds. RZ is a star! She is burning with talent and heart.
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| 90. Pokemon - The Johto Journeys - Ursaring Rampage (Vol. 51) Director: Masamitsu Hidaka, Kunihiko Yuyama | |
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Description Reviews (5)
Episode 3-48: Love, Totodile Style: Ash and friends take a break at a lake. After Ash and Misty let out all their water Pokémon, Ash's Totodile notices and falls in love with this Azumarill. However, Azumarill doesn't feel the same way about Totodile. At the same time, Ash, Misty, and Brock are about to have some of Brock's beef stew when they notice a Golduck in the bushes. Misty gets ready to try to capture it, but then it's trainer, a woman with red hair, green eyes, a blue half-shirt, tan pants, a green braclet, red shoes, and a blue bow in her hair, appears. As usual when this happens, a smitten Brock runs up to the concerned girl and introduces himself to her (just like Totodile was with her Azumarill). The woman tells him that her name is Trixie. After Misty pulls Brock back by the ear, Ash asks the Trixie what she and her Golduck were looking for. The 23-year old explains that she was looking for her Azumarill, which then runs up to her, followed by Totodile. Later, we find out that Trixie manages this Pokémon circus and that Azumarill is the star of the show. After the show, Brock decides to give Totodile a few love lessons. However, Team Rocket appears and snatches Azumarill, then wait for Ash to have Pikachu try to stop them, only for Pikachu to be snatched as well. After telling Trixie what happened, she'll help our friends find Team Rocket and get their Pokémon back. Episode 3-49: Fowl Play: Ash and friends are in a dark forest and find a middle-aged professor who is looking for a Noctowl with an unusual color. They'll all find out that this particular Noctowl will be very difficult to catch. Episode 3-50: Forest Grumps: After Team Rocket try to snatch all of Ash, Misty, and Brock's Pokémon. What happens then is these Ursaring appear and start chasing all of them. The result, Jessie ends up with Ash and Brock and Misty ends up with James and Mewoth. Both sides will have to avoid the Ursaring who keep appearing. Why I like these episodes: Love, Totodile Style: I like seeing Azumarill as well as Totodile falling in love with it. I'm okay amitting this, I also think Trixie is a pretty woman that's in her early twenties and I really like her.(You'll agree when you see her.) Fowl Play: This episode's okay, but not one of my favorites. Forest Grumps: This episode's okay, but not one of my favorites. This DVD is a highly recommended purchase for anyone that likes Pokémon.
"Love Totodile Style". In this romantic-action-comedy episode, Totodile wants to find a Pokémon to fall in love with, but the Pokémon he found was Azumarill. Suddenly, Azumarill runs away. How unfair! But that's not all. Team Rocket not only steals Azumarill, but they also capture Pikachu and Totodile at the same time to send them to the boss. How will these 3 Pokémon escape?! It's up to Ash and the gang to come to the rescue! By the way, I knew this episode all along, that when Azumarill was rescued, she falls in love with Totodile, but huh? Totodile was completely heartbroken! Wah! "Fowl Play!". In this action-packed episode, the only thing I know about this episode is that Ash Ketchum captured Noctowl before Pokémon 3: The Movie began, right? But I just can't tell what else happened in the episode! And finally, "Forest Grumps". In this action-horror episode, a trap falls from the sky and swoops down to capture all those Pokémon in the forest. This is where Ursaring is lurking by to destroy the trap immediately! Now, thank you all once again on your cooperation on what to rank. However, in "Love Totodile Style", don't feel heartbroken if Totodile can't find anybody to fall in love with, like Azumarill for example. In "Fowl Play", watch out for owls that will swoop down and attack you throughout the forest. And in "Forest Grumps", try your best to avoid tripping the traps. Just remember that if the episode "Love Totodile Style" in Chapter 13 is making you feel heartbroken, the other 2 episodes will make you feel a lot better, so don't worry about it. Have fun, and good luck! ... Read more | |
| 91. Pokemon - Friends and Rivals (Vol. 26) Director: Masamitsu Hidaka, Kunihiko Yuyama | |
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Description Reviews (1)
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| 92. Ju Dou Director: Yimou Zhang, Fengliang Yang | |
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In some ways this visually stunning, psychologically brutal film about paternity and the old social order of China was Director Zhang Yimou's "practice" for the making two years later of his masterpiece, the afore mentioned, Raise the Red Lantern, one the greatest films ever made. The theme of patriarchal privilege is similar, and in both films Gong Li portrays a young concubine required to bear a son and heir to a cruel and ageing man of means. Even though the setting in both films is China in the twenties before the rise of Communism, both films very much annoyed the ageing leadership of Communist China and were censured (Ju Dou was actually banned), ostensibly for moral reasons, but more obviously because of the way they depicted elderly men in positions of power. Ju Dou is the lesser film only in the sense that Sirius might outshine the sun were the two stars placed side by side. Both films are masterpieces, but for me Ju Dou was difficult to watch because of the overt cruelty of the master, whereas in Raise the Red Lantern, Yimou chose to keep the more brutal aspects of the story off camera. In a sense, then, Raise the Red Lantern is the more subtle film. It is also a film of greater scope involving more characters, infused with an underlining sense of something close to black humor. (The very lighting of the lanterns was slyly amusing as it ironically pointed to the subjugation.) In Ju Dou there is virtually no humor and the emphasis is on the physical brutality of life under the patriarchal social order. Ju Dou is beaten and tortured while we learn that Jin-shan tortured his previous wives to death because of their failure to bear him an heir. The terrible irony is that it is Jin-shan who is sterile. He feels shamed in the eyes of his ancestors because the Wang line will die out with him. But a child is finally born through Ju Dou's illicit affair with Tianqing. (Note that this conjoining in effect saves Ju Dou's life.) Jin-shan thinks the infant is his son and briefly all is serenity. However, while two may live happily ever after, three will not. Notice too that now that Jin-shan has an heir, nephew Tianqing will inherit nothing. Will they kill Jin-shan? Will fortuitous events put him out of the picture? Will they find happiness? Will the boy learn the truth about his paternity? Yimou's artistry does not allow superficial resolution, you can be sure. Note the two significant turns the film takes early on. One comes after Ju Dou discovers that Tianqing has been spying on her through a peep hole as she goes about her bath. At first she is mortified, and then sees this as a chance to show him the scars from the torture she endures daily, and then she shows him her body to allure him. The other turn comes as the child pronounces his first words by calling the old man "Daddy." Instantly Jin-shan, now confined to a wooden bucket that serves as a wheelchair, divines a deep psychological plan to realize his revenge. He embraces the child as his own, hoping to turn the boy against the illicit couple. The strength of the film is in the fine acting, the beautiful sets, the gorgeous camera work, and in the unsentimental story that does not compromise or cater to saccharin or simplistic expectations. Yimou is a visual master who turns the wood gear- and donkey-driven dye mill of the 1920s into a tapestry of brilliant color and texture. Notable is the fine work that he does with the two boys who play the son at different ages. He has them remain virtually mute throughout and almost autistically cold. Indeed part of the power of this film comes from the depiction of the character of the son who grows up to hate who he is and acts out his hatred in murderous violence toward those around him. Zhang Yimou is one of the few directors who can bring simultaneously to the silver screen the power of an epic and the subtlety of a character study. His films are more beautiful than the most lavish Hollywood productions and as artistically satisfying as the best in world cinema. The only weakness in the film is perhaps the ending which is played like a Greek tragedy for cathartic effect. One senses that Yimou and co-director Yang Fengliang in choosing the terminus were not entirely sure how this tale should end and took what might be seen as an easy way out.
I am not sure I am willing to call "Ju Dou" director Yimou Zhang's best film (co-directed by Yang Fengliang), but like all of his films it is fascinating to watch. It does make the best use of the Technicolor equipment China bought from the U.S., especially as they work on dying all that fabric. The bright colors are truly spectacular. Although "Ju Dou" was the first Chinese film to be nominated for the Best Foreign Film Oscar, it was banned in China by the government. The assumption is because since the film is about an impotent old man ruining the lives of those under him the people would see it as a metaphor for a nation ruled by a bunch of old men. This is one of those take it or leave it levels of symbolism since the film is obviously not didactic.
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| 93. Pokemon - Thunder Shock (Vol. 5) Director: Masamitsu Hidaka, Kunihiko Yuyama | |
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Amazon.com Reviews (32)
And of course, for you Pikachu fans, he and Raichu mix it up in "Electric Shock Showdown", the best episode on this DVD. Lt. Surge isn't letting our little yellow guy win easily, but as usual Pika's brains (not Ash's) save the day. (In this one, James and Jesse get weird again with their "Pika cheer". Disturbing yet funny. Maybe these two just didn't get enough love when they were children.) The third episode, "Mystery At the Lighthouse", is eery and delightfully chilling. This DVD belongs in every Poke fan's collection! ... Read more | |
| 94. Pokémon 4Ever Director: Jim Malone, Kunihiko Yuyama | |
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Reviews (36)
Even Mom gives this movie two thumbs up!
If thats what you're thinking, you're wrong. Its a great movie for |children & POKEMON ADDICTS or Pokemaniacs & REAL anime lovers| only. Lets talk about literature you learned in grade school, OK? First of all, the title is of course, Pokemon 4Ever, the 4 cleverly replacing the 'for' in the title and also representing the 4th movie made about Pokemon (notice: i didnt say 'by' because obviously Pokemon didnt make the movie). This movie is just about Celebi, a legendary Pokemon, who travels forward in time about 40 years. Sammy, a person who you know really well in the first episode (no im not giving who the person is away, you'll have to get it and see), travels along with Celebi and meets Ash. They do the usual "Hi! How are you?" and blah, blah, blah. SKIP BORING PART OF MOVIE ---> There was plenty of irony in the story, especially with Professor Oak. If you dont want me to ruin the story for you stop! Else Read on. Professor Oak is Sammy. And I know...WOW! what a transformation. But then the scientific aspect comes into view. What about that thing that said that you can't be in two places at once? Huh? There are lots of holes in the story if you're scientifically smart. But who gives...this is a definently good movie despite the holes. Although the denuement could be better, its an overall good movie to watch at MAX 3-4 times. It grows boring after the first time...trust me.
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| 95. Divine Trash Director: Steve Yeager | |
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Reviews (13)
From there I will go on to say what an impressive piece of work this is. Having long been a fan of the movie Hairspray, which raised my curiosity about Divine in the first place, a natural progression enabled my curiosity about John Waters. This is primarily his story, the story of his work, with plenty of interview time with him. What an intriguing individual! What a creative time and place he lived in! How fortunate for all freedom loving Americans that such explorations were possible in that time and place. I doubt they could ever happen today. True, the films do seem to be in questionable taste, with little, if any, socially redeeming value. But look closer, and you may find your own reflection. What is the value of shock value? What are its drawbacks? What have we gained? What have we lost? John Waters was not shallow, nor was he untintelligent. He was creatively inspired, and no matter how we react to his work, react we do. Such is the nature of art. I feel like I got to know the man just a little, which is exactly what I wanted to do. I understood a little more about his work, and its success. Do I approve? I still don't know, but I do know that whether I approve or not doesn't matter. I do approve of freedom. I believe that no one was hurt, and that violence was not empowered through the message, which makes many of today's movies filthy in comparison. John Waters is an interesting individual. It would have been intruging to have been in his entourage. One could not have escaped coming out a changed individual. He created a cocoon, a chrysalis, where larvae were nurtured and outrageous butterflies emerged. They loved what they were doing, and they were successful. If nothing else, it is a deep meditation on the nature of success in a country that considers it a superior export. ...geminiwalker
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