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| 141. The Story of Qiu Ju Director: Yimou Zhang | |
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Reviews (21)
The Chinese locales, from village roads to big city avenues are presented with stunning clarity so that the color and the sense of life is vivid and compelling. Director Zhang Yimou. forces us to see. From the opening shot of the mass of people in the city walking toward us (out of which emerges Qiu Ju) to the feast celebrating the child's first month of life near the end, we feel the humanity of the great mass of the Chinese people. In a sense this is a gentle satire of the bureaucratic state that modern China has become. But Zhang Yimou emphasizes the bounty of China and not its poverty. There is a sense of abundance with the corn drying in the eaves, the sheets of dough being cut into noodles, the fat cows on the roads and the bright red chili drying in the sun. There is snow on the ground and the roads are unpaved, but there is an idyllic feeling of warmth emanating from the people. One gets the idea that fairness and tolerance will prevail. In another sense, this is a parable about the price of things and how that differs from what is really of value. So often is price mentioned in the movie that I can tell you that a yuan at the time of the movie was worth about a dollar in its buying power. (Four and a half yuan for a "pound" of chili; five yuan as a fair price for a short cab ride; twenty yuan for a legal letter.) Getting justice in the strict sense is what Qiu Ju demands. Her affable husband would settle for a lot less. He is the wiser of the two. Notice how Qiu Ju is acutely sensitive to price. She bargains well and avoids most of the rip offs of the big city. But what is the value of being a member of the community? This is a lesson she needs to learn, and, as the movie ends, she does.
The chief offers money but throws it on the ground, saying then she will be forced to bow to him as she picks it up. She refuses. She sells their chilies a little at a time for money to travel to the city, to see if justice can be got there. But she's a country woman with not much city experience or money, can she do it? I won't spoil the ending---- Good movie.
Qiu Ju's husband has been kicked ("where it counts") by the village chief. The only bit of justice Qiu Ju wants is an apology. It seems to be a simple enough request, but her search for the apology proves to be elusive as she encounters a legal system more interested in its own red tape than in the needs of ordinary people. But this is not "Erin Brockovich" where the sides of "good" and "bad" are easily defined. The people in the legal system Qiu Ju encounters are genuinely decent folks. They are also, unfortunately, a bit clueless. And Qiu Ju is not beyond reproach herself. At the conclusion of the film even she is realizing that she has pushed the matter too far. Just how far should one go to seek justice in this world? Even if you are totally in the right, does there come a time when you must let the matter rest for your own sake as well as everybody else's? There are no easy answers. This is another great performance by Gong Li in the title role. She may be one of the most beautiful women in the world, but here she is not above playing "dowdy." And as usual, Zhang Yimou is nearly flawless in his direction. He gives a wonderful tip of the hat to the late French director Francois Truffaut in the end, echoing that famous final shot of Truffaut's "The 400 Blows." But this is a film that will stick with you well past that last shot.
I lived in Hong Kong for twenty years ('66 - '86) and experienced only the farcical soap operas etc of the Hong Kong film industry. This production was an eye opener for me of the high quality that exists in Chinese films. It set me on a trail of discovery that has resulted in a substantial number of Chinese films on DVD gracing my bookshelf (some produced by Hong Kong companies - Shaw Brothers (HK)) Gong Li plays the role of the relentless, stubborn housewife superbly and is an actress who has built herself a solid reputation for excellence for her roles in many films. For a contrasting role by this brilliant star, I recommend Shanghai Triad. The film is also expertly crafted and shows how much can be done with a simple story in the hands of skilled film makers. This is also true of Shanghai Triad which I also remember for its music and photography. Some of the other Chinese films I admire are The Road Home, The King of Masks and Farewell My Concubine (which paved the way for me to the Peking opera The Peony Pavillion). I eagerly await the release of The Story of Qiu Ju for the North American market so it too can take its rightful place on the shelf among my other Chinese DVDs.
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| 142. Pokemon - Our Hero Meowth (Vol. 19) Director: Masamitsu Hidaka, Kunihiko Yuyama | |
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Description Reviews (6)
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| 143. Faust: Love of the Damned Director: Brian Yuzna | |
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Reviews (38)
In order for a movie to truly capture the essence of Faust: Love of the Damned, the movie would have to be a freaky XXX adult movie. No ifs ands or buts about it. This version was either rated R or UNRATED. I think it would have been much better if it was Japanese animation! I've read the comics and quite frankly, David Quinn, the author of the comics, couldn't put every detail into the film script: some stuff was added, some was left out, and some was a jarbled confusing mess! The movie could have been a WHOLE LOT BETTER, but if you read the comics, you'd probably figure that if Faust was made true to the comic, it would have been probably banned in 80 countries around the world (or probably even more!). The only character I felt they at least got partially right was Clare, M's "wife" (the woman with the two-toned hair). Many reviewers felt confused as to why M melted Clare. Well, in the comic, Clare insults M's authority and basically tells him that without her he's nothing. Well, M shows her who's the boss!(...) She was just melted, but M revived her after she learned "humility". That's about it. Jade, I felt so-so about. Goodness, they really messed up John!!! In the comic, he's portrayed as a sympathetic, yet dealy insane, kinda guy. His love for Jade comes through in the comic. But in both movie and comic, the costume is downright laughable! So Faust came out before Spawn but I really couldn't stop laughing at John's costume which is a crazy funny hybrid of Spawn/Wolverine and Batman!!!! Even as I type this review, I start cracking up! So remember folks,Faust: Love of the Damned is just an extremely poor adaptation of an EXTREMELY ADULT comic that depicted bestiality (Clare did a snake for Christ's sake and demons!), devil worship, blood drinking, loads of dismemberment, gratuitous sex, cannibalism, gay sex and the list just goes on and on!
When they showed the guy at the embassy with two long claws growing out of each of his hands, I thought he was a Wolverine rip-off. Things got worse when we see what he looks like fully formed...I didn't know what the hell he was. He's like a devil, but he looks more like a Batman wannabe at a comic book convention; you'd think the devil would have given him horns that didn't shake like rubber. His special powers include jumping on top of stuff and acting like he's flying, and licking cops in the ear. Reading the other reviews, it would seem this is based off a comic series. So I would like to ask those comic fans...just what WAS this movie about? This reminds me of anime films that are based off manga and begin the story in the middle of the series. There was a pact with an evil being, then suddenly a conspiracy where all the big-wigs in the town are behind evil, and some how this "Faust" guy is the one being that can stop all evil...though I don't know how he can save people when he keeps killing them! How many cops did he kill that thought they were just doing their job? And again...why did he LICK THEM? "Hellboy" is coming out tomorrow. I used to have reserved feelings about that, but after watching this any superhero movie I see will appear to be the greatest film ever.
The acting is less than interesting, the only redeeming feature I found to this move was having Jeffery Coombs in it. For anyone that's a J.C fan he once again presents a character that is subtle and shakey, and yet just horrifying in his insanity. You got to love the guy. In addition, Isabel Brook ( Jane) has great legs, and we get to see them a lot. Aside from these two points, I left the credits feeling very disappointed. I agree with a reviewer above that the comic should have been much more in the way of it's sexuality ( at least a light X ) and the drizzling insanity of Jasper should have been delved into much deeper. I wouldn't buy it. And for gosh sakes, they don't even have Jasper quoting or singing 'Papa Has a Brand New Bag'. That was Jasper's trademark in the comic. ... Read more | |
| 144. Devil Bat Director: Jean Yarbrough | |
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Reviews (18)
The film has kicked around the public domain for the last decade or so, with the result that VHS prints of it were either excellent or hardly watchable. DVD versions in general have been clear, but this version beats the others and comes close to being a definitive version of the picture, if one is possible. Released by the Lugosi estate, "The Devil Bat" is the first in a proposed series of definitve versions of Lugosi films. (The unjustly overlooked "Bowery at Midnight" is the second movie in this series.)Extras on this DVD include stills from the movie, a poster card (very well done), and a commentary track featuring Bela Junior and film historian Ted Newsom. The commentary track is a laugh in itself as the two quickly run out of things to say about the movie (in fact, one wonders if Bela Jr. even saw it before this)and switch topics to Bela Junior's memories of life with father. As he provides some unusual insight into the life of his father, the commentary track is a must for all Lugosi fans, and, combined with the price, makes for one of the biggest bargains for film fans.
It is funny. Some of the stock characters banter and talk real cool. A gigantic furry bat on a string shrieks like a teradactyl. Bela tells each of his victims "goodbye" before he sends them to their deaths at the maw of the devil bat. Still Lugosi is worth watching as he plays yet another mad scientist bent on revenge. This time a brilliant perfume maker who is also capable of raising and training gigantic bats. There is a high body count for a film of this era, and unlike too many Lugosi films, Bela gets plenty of camera time. The print looks good to my untrained eye--far better than my video copy. The extras aren't bad-- it's great to have any extras--most Lugosi films don't. The radio show is an interesting curio. I hope this DVD sells well so there will be more films in this series to recieve this deluxe treatment--such as The Corpse Vanishes...
Bela is Dr. Carruthers, plotting the death of his enemies by training giant mutated bats to attack those who wear the doc's new experimental shaving lotion. Bela has some great, darkly-comic dialogue. When one intended victim comments on how smooth the new lotion is, Carruthers offers, "I don't think you'll ever wear anything else." THE DEVIL BAT has, of course, been previously available on DVD and VHS, in various conditions. The best previous DVD release is certainly the one offered by Roan. This new "official" version compares favorably to the Roan disc, though acute listeners might find the sound is a touch clearer on this new disc. Bela Lugosi Jr. partners with genre critic Ted Newsom for an interesting commentary track, which unfortunately shows how little Bela Jr. actually knows about the film. There are 2 other Lugosi theatrical trailers (but not one for Devil Bat?), some archival photos and a pretty neat audio-only feature: A radio play from the 1940's starring Bela. If you're a fan of these type of "poverty row" horrors, DEVIL BAT will certainly make your day. If you're a fan of his more popular Universal features, this is a good introduction to a very different career path that poor ol' Bela got stuck on around 1940.
Lugosi is great in this movie. By 1940, he had the whole mad scientist act down to a science, and his secret scowls are enhanced by just the right touch of madness in his eyes. Best of all is the way he tells his victims "Goodbye" in a sinister voice once he has them in the soon-to-be clutches of his Devil Bat. One thing that bothers me about great old horror movies like this is the fact the moviemakers always felt compelled to provide some comic relief in the form of a goofy character-this time around, we have the newspaper photographer "One Shot" McGuire who is more interested in shooting pictures of the Heath's French maid than any silly old bat. The Devil Bat itself isn't very impressive; without the grainy, far from perfect black and white print, I am sure it would look quite ridiculous. It never even moves when Carruthers is handling it, it looks more like a hawk or eagle to me when it is flying, and its swoop attacks on unsuspecting victims make me think of the scene in Naked Gun where Frank Drebbin struggles against a towel thrown in his face. None of that matters, though, because Lugosi is just so much fun to watch. ... Read more | |
| 145. Bonanza, 2 Pack Director: Chris Christenberry, Alvin Ganzer, Don McDougall, Lee H. Katzin, John Rich, William F. Claxton, Dick Moder, Gerald Mayer, James Neilson, Arthur H. Nadel, Charles F. Haas, Joseph Pevney, Jean Yarbrough, Leo Penn, Robert L. Friend, Robert Gordon, Irving J. Moore, William Upton (II), Lewis Allen, Nicholas Colasanto | |
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Gladdly I didn't pick the 5 dvd pack made by the same studio. Don't buy this please,try something else.
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| 146. The Bible - Solomon Director: Roger Young | |
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Reviews (16)
Genesis is the only stinker in this set. It is nothing like the other 3. The Genesis DVD has nice photography, but it does NOT act out the Bible scenes like the other three movies do! Genesis just narrates a reading of the book of Genesis, while showing contemporary desert people going about their daily lives. If you are undecided about buying the whole set, then I would suggest buying at least one of these separately. "Jeremiah" is my favorite, and it really captures the attitude of a humble prophet being persecuted by the wayward Israelites. "Esther" is probably the most accurately told of these three good movies. It is a pretty clear storytelling, where the other movies sometimes change the order of events (but still portray the overall message accurately). "Solomon" covers the biggest chunk of Scripture, retelling many scenes of the life of Solomon and what Solomon wrote in the Bible. I would rate the Genesis movie with 1 star, for being so misleading as to its content. But the other 3 films, Esther, Solomon, and Jeremiah are all 5 star movies! Even with the useless Genesis, the price of this DVD set is still a bit cheaper to buy the three good movies here, at one price, than to buy them one at a time.
Ok, glad I got that off my chest. Buy the box set, use Genesis for a frisbee!
The section devoted to the Queen of Sheba has been embelished, but Viveca A. Fox is ravishing as the queen, and it makes for great drama. Ben Cross ("Chariots of Fire") as this complex character is marvelous, and he is surrounded by a superb supporting cast. Though it's hard to take the nordic air from Max von Sydow (who in 1965 played Jesus in "The Greatest Story Ever Told"), he is nevertheless an aging giant of a man as King David, and France's great Anouk Aimee plays Solomon's mother Bathsheba with vigor, as she holds on to the reins of power with tenacity.
Esther and Jeremiah are also very accurate, but I thought that Genesis was a little slow. It is mainly narative. After the story of the Creation it could have been acted out. ... Read more | |
| 147. Hillbillys in a Haunted House Director: Jean Yarbrough | |
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Not much to say here some country singers playing honest to goodness country entertainers wind up staying the night in a house that everyone in town believes is haunted. It's not, it's run by spies or something masterminded by the hot Asian chick, who also has Lou Chaney Jr. (aka The Wolf Man) as a henchman. There is also the skinny, corpse like dude who floats around the movie like a ghastly fart. The directing is imaginative with the dream sequences. This movie also pulls in country acts by showing them on the television. Yeah right, way to break up a non-existant plot. Even if you like old time country Hee Haw music, this movie is a stretch.
There is a conspiracy involving an agency named M.O.T.H.E.R. and a villain named Dr. Fu. There is a guy in a gorilla suit (George Barrows, perhaps?) Best of all is the television broadcast that Jeepers watches to help him go to sleep in which the hilariously scowling faces of the villains haunt poor Jeepers while a bad C&W song is being performed. Needless to say, John Carradine wins the contest for chewing the scenery. His scowls and eyebrow twitches never fail to make me laugh. There are silly subplots about spies and the like, and homage is paid to Ed Wood in the 'timeless' day/night location shots (and continuity gaffes of positively Woodsian proportions.) Finally arriving in Nashville, the last fifteen or so minutes of the film are good old C&W stage acts like Merle Haggard, Sonny James, Molly Bee, and Marcella Wright. If you like Country music, particularly the vintage stuff, or you just like goofy, nonsensical movies that make you laugh, though sometimes you aren't sure why, this film is for you.
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| 148. Eyewitness Director: Peter Yates | |
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| 149. Petticoat Junction Director: Donald O'Connor, Jean Yarbrough, Peter Baldwin, Stanley Z. Cherry, Richard Whorf, Dick Moder, Charles Barton, James Sheldon, Sherman Marks, Richard L. Bare, Guy Scarpitta, Ezra Stone, Hollingsworth Morse, David Alexander, Elliott Lewis, Ralph Levy, Dick Wesson | |
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I want to see the entire series transferred with SUPERIOR quality and sound, with no rediculous over-dubbing or edits. Whoever owns the rights to the show needs to sell permission to a QUALIFIED DVD entertainment group. I think Mr. Haney had something to do with this fiasco.
Technically, this is not a good copy. It doesn't look like the film was cleaned and treated before it was transferred. There are white spots and blotches throughout. The master was not aligned well frame-to-frame the background motion makes me feel like I'm standing on the deck of a ship. It is especially noticeable in the introduction still shots of the water tower and hotel. Finally, one can see the jittery 25 fps compression. While being the nature of a DVD I think it is exaggerate by the poor alignment of the transfer. Note, this review is based on viewing on a Pioneer Elite DVL-91.
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| 150. Duel Of The Champions Director: Ferdinando Baldi, Terence Young | |
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| 151. Pokemon:Johto League Champions-Vol 7: Director: Masamitsu Hidaka, Kunihiko Yuyama | |
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Description Reviews (1)
-Turning over a new Bayleef: Ash gets mad at Bayleef, and tells her to go away, so Bayleef runs away. Then Ash misses Bayleef, but Bayleef has found a new trainer. Who will she go with? -Doin what comes Natu-rally: Ash & co. meet a boy and his Natu who predict the future. -The Big Balloon Blowup: Ash & co. enter a balloon contest. But when TR comes, it means trouble! -The screen actors guilt: Ash gets a Smoochum from a movie actor who doesnt think that a Smoochum really fits him. -Right on, Rhydon: Ash & Co. Meet a girl who is trying to catch a surfing Rhydon so she can drill a tunnel to Olivine City. -The Kecleon Caper: Ash & Co. see a blimp with 2 sick Kecleon on board. This means brock & Pineco to the rescue! -The Joy of water Pokemon: The gang meets a Nurse Joy who hates water Pokemon. -Got Miltank: The gang arrives at a miltank ranch and meet lots of Miltank. -Fight for the light: Ash arrives at Olivine Gym and finds out that the leader is healing a sick Ampharos. -Machoke, Machoke Man: Ash arrives at the next gym and fights a fighting Pokemon Leader and his machoke. Out of all these episodes, Right on, Rhydon and Machoke, Machoke Man are the best ones. Johto League Champions was a good season, but now its time to watch Master Quest! ... Read more | |
| 152. Wedding Peach - Love Wave (Vol. 1) - With Series Box Director: Kunihiko Yuyama | |
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The colors in this are bright and cheery, and the dialogue can get rather childish and goofy at some points. Not that this is a bad thing--these girls are still in junior high, so they are making the transition out of childhood. The designs for the wedding dresses and the 'armored' outfits are top notch and gorgous to look at, which is a definite plus. There are six episodes on this dvd; this is a bonus considering that many dvds only have two or three episodes for the same price. And while there are not many extras, just the usual clean opening/closing animation, I still felt I got my money's worth with this dvd. I saw these episodes a few years back on fansub, and loved them. I had always thought that there must be more to the story, since the girls had not had a chance to do anything (and I knew that another heroine was coming), but the video store only had the two tapes. Imagine my excitement when I found out that there are other volumes after this one! So I am eagerly awaiting the second dvd, not just because it has new episodes I've never seen, but in the hopes that my favorite character will (finally) arrive.... I have also read the translated manga, and I recommend that as well. All in all, I suggest you get this dvd if you are into shows like Sailor Moon, Revolutionary Girl Utena, or any other type of magical girl show. You will not be disappointed. Both the dub and sub versions of Wedding Peach are good, though I tend to watch the Japanese version cause its what I saw first and think is better. But you can make your own decision.
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| 153. Klansman Director: Terence Young | |
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Burton, as usual, dreadfully overacts and his attempts at a Southern accent are pitiful, to say the least. Marvin's acting is much better, but when he has to speak inane lines from a miserable script, he can't fare much better. The highlights has to be the scene in the bus station when Burton karate chops poor Cameron Mitchell nearly to death. The movie was so cheaply edited that you can clearly hear director Terrence Young yelling, "Cut, Cam! Get up! Cut!" They don't even bother to edit out the director's instructions. You will be laughing yourself into a choking fit during this lengthy bus station melee, This is a great movie to watch with a couple of beers. If you appreciate a terrible script, crude sets and two major stars who were drunk out of their minds while filming, you'll love this one.
The film included a castration, an attempted rape and two rapes, plus a whole lot of racial comments and some god-awful acting. You would have thought that Richard Burton would have done well with his acting, but he was one of the worse. He was drunk and chasing an under-age girl for most of the shooting schedule and could not seem to handle the southern accent. (This may have been the incident that destroyed his and Liz Taylor's marriage.) Lee Marvin, Cameron Mitchell, Lola Falana and a few others did well in their acting but the script shot them down. It was full of racial stereotypes that probably set back racial relations for the next 100 years. (This was OJ Simpson's first film.) I was there in 1974 and saw a lot of the shooting of the movie. It's only redeeming value to me is the fact that it showed a lot of areas of Table Mountain, Cherokee, Oroville and Sugarloaf Mountain (75 miles north of Sacramento in Northern California). There are many scenes that are unintentially funny because of the bad acting plus a hilarious scene where Richard Burton "slaps" Cameron Mitchell into a blood pulp. A Classic! All in all a minor film but worth seeing if you want a laugh or two. Warning, the rape scene with Lola Falana is not for the faint of heart! Plus the castration scene makes ME grit my teeth!
Burton, as usual, dreadfully overacts and his attempts at a Southern accent are pitiful, to say the least. Marvin's acting is much better, but when he has to speak inane lines from a miserable script, he can't fare much better. This is a great movie to watch with a couple of beers. If you appreciate a terrible script, crude sets and two major stars who were drunk out of their minds while filming, you'll love this one. ... Read more | |
| 154. My Favorite Martian Director: Alan Rafkin, Byron Paul, James Komack, James V. Kern, Wes Kenney, David Alexander, Oscar Rudolph, Sheldon Leonard, Sidney Miller, Leslie Goodwins, Jean Yarbrough, John Erman, Mel Ferber | |
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| 155. Bonanza Director: Chris Christenberry, Alvin Ganzer, Don McDougall, Lee H. Katzin, John Rich, William F. Claxton, Dick Moder, Gerald Mayer, James Neilson, Arthur H. Nadel, Charles F. Haas, Joseph Pevney, Jean Yarbrough, Leo Penn, Robert L. Friend, Robert Gordon, Irving J. Moore, William Upton (II), Lewis Allen, Nicholas Colasanto | |
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| 156. King of the Zombies/Revolt of Zombies Director: Jean Yarbrough | |
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| 157. The Over-the-Hill Gang Director: Jean Yarbrough | |
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From the Aaron Spelling stable of TV movies comes this tale with Ricky Nelson (and his wife Kris Nelson) as an idealistic couple. Ricky is running for Mayor of a small western town against Edward Andrews who plays a corrupt town boss. Jack Elam is his Sheriff and Andy Devine is his Judge, both firmly entrenched in his back pocket. Pat O'Brien comes to town as Ricky Nelson's father-in-law, a retired Texas Ranger who rounds up his old partners (Walter Brennan, Edgar Buchanan and Chill Wills)!!! Throw in Gypsy Rose Lee as the owner of the local saloon and you got yourself a pretty good (for TV) rip-snorting western. You know how it's going to play out, but watching | |