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| 141. Spirited Away Director: Hayao Miyazaki | |
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Reviews (598)
Imagine this: A little girl is riding in a car with her parents. They are headed to their new house. Dad makes a wrong turn, and they wind up traveling along a dirt road which ends at what appears to be a deserted train station. Dad decides that it's really the entrance to a failed amusement park. He and Mom decide to go exploring, and the little girl, filled with trepidation, has no choice but to go along. After awhile, the little family discovers a restaurant that is still operating. The parents gorge themselves until they are turned into pigs. Suddenly alone, the child finds herself in a place full of witches, ghosts, goblins and other assorted spirits. Aided only by an unearthly boy, she must now save her parents and find her way out of this surreal place. The movie was made in Japan by animation master Hayao Miyazaki and his crew. It became the highest grossing movie of all time in that country. The people at Disney bought the American rights and lovingly added an excellent English soundtrack. The company's marketing department apparently was at a loss as to how to sell such an unusual animated movie. It was seen by relatively few Americans in theaters. I suspect that this masterpiece will find its audience here via video and DVD.
From an animation standpoint, "Spirited Away" is astounding. The sheer amount of movement and energy in Hayao Miyazaki's most recent work is quite impressive. Combined with the beautiful scenery (including several awe-inspiring and detailed shots of the bathhouse that can by themselves be regarded as masterpieces), and the realistic textures of the grass blowing in the wind, the flower gardens around the bathhouse, and the interior of the bathhouse, "Spirited Away" is truly a work of art. The only flaw in the otherwise near-perfect film is the dialogue. A few lines sound a little forced, and some intended to be funny simply aren't. Fortunately, these slip-ups are few and far between. Already, "Spirited Away" has earned several prestigous distinctions, including the 2003 Oscar award for Best Animated Feature. Also, "Spirited Away" was anime released in movie theaters, which is rare in the United States. Ever rarer, it became the top-grossing film in America for several weekends in a row. Not surprisingly, it was also popular in Japan, where it became the top-grossing film in that nation's history. Most people I have talked to have been very impressed with the quality of "Spirited Away." Many of these have been adults, mislead by the films "Disney" tag. When they sat down to watch it with their kids, they simply expected another children's movie, but instead found a film they could enjoy and appreciate as well. On the face, the plot is simple enough for younger kids to understand, but the symbolism and artwork is so complicated and intricate that it can be enjoyed by adults and older kids as well. In other words, however cliché those words may be, this film really does have something for everyone, and is well worth your time and your twenty-five dollars.
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| 142. Twelve O'Clock High Director: Henry King | |
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Reviews (66)
It would be a disservice to those who have not as yet seen this film to say any more about the plot. Suffice to say that brilliant direction, great acting by everyone involved (notably by Dean Jagger who received an Academy Award for best actor in a supporting role), superb cinematography (Leon Shamroy), and haunting music (Alfred Newman) are seamlessly integrated in this analysis of effective leadership (especially decision-making) under wartime conditions. The film begins when Harry Stovall (Jagger) makes an especially significant purchase in an antique store and then proceeds to what has by then become an abandoned air base. As we begin to hear the bombers' propellers whine as the engines roar to life, we are transported back in time. Later, as the film ends, civilian Stovall climbs back on his rented bike and departs what is again an abandoned air base. Stunning images throughout both sequences. Peck included this among his favorite films, while adding that he was especially proud of his performance as Frank Savage. When first released more than 50 years ago, it did not receive the recognition (much less the appreciation) it so obviously deserves. Whenever CEOs and other senior-level executives ask me to suggest war films which offer important lessons about leadership and management, Twelve O'Clock High is first on the list, joined by (in alphabetical order) Command Decision, The Dirty Dozen, The Enemy Below, Fort Apache, The Hunt for Red October, Paths of Glory, Pork Chop Hill, The Red Badge of Courage, They Were Expendable, and Zulu.
The cinematography of this movie is wonderful, featuring actual combat footage of B-17s engaging German Focke-Wulf fighters in deadly combat. The sense of authenticity that this movie brings to the screen is total. One feels transposed back into England in 1942, engaged in a life-and-death struggle in the air against the Germans. The uniforms, dialogue, everything, about this movie reeks of authenticity. The storyline moves along at a breakneck pace--no dull interludes. And yet this is not just a "shoot-em-up" war flick. It is a stirring story of leadership, personality clashes, honest fear and human imperfections that reminds us what an incredible debt we all owe to the men who fought and won the air war over Nazi Germany. This is a DVD movie to keep and watch repeatedly over the years. It is not only a great movie, it is wonderfully entertaining. This is truly one of the all-time great war movies.
Gregory Peck is perfect as General Savage, fabulously handsome, with one of the greatest voices of the 20th century, one cannot imagine a better actor for the part. Dean Jagger is also splendid as Major Harvey Stovall; wise and often witty, it is through his eyes that we see the story, told in flashback as he wanders the deserted airfield in 1949. Nominated for a Best Actor and Best Picture Oscar (losing out to "All the King's Men" on both counts), "Twelve O'Clock High" spawned a much better than average TV series (1964-67) that I enjoyed watching, especially in its first season when it starred Robert Lansing.
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| 143. Remember the Titans (Widescreen Edition) Director: Boaz Yakin | |
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Amazon.com Set in Alexandria, Virginia, in 1971, the fact-based story begins with the integration of black and white students at T. C. Williams High School. This effort to improve race relations is most keenly felt on the school's football team, the Titans, and bigoted tempers flare when a black head coach (Washington) is appointed and his victorious predecessor (Will Patton) reluctantly stays on as his assistant. It's affirmative action at its most potentially volatile, complicated by the mandate that the coach will be fired if he loses a single game in the Titans' 13-game season. The players represent a hotbed of racial tension, but as the team struggles toward unity and gridiron glory, Remember the Titans builds on several subplots and character dynamics to become an inspirational drama of Rocky-like proportions. Yakin--whose debut, Fresh, was one of the best independent films of the 1990s--understands the value of connecting small scenes to form a rich climactic payoff. Likewise, Washington provides a solid dramatic foundation (his coach is obsessively harsh, but for all the right reasons) while giving his younger co-stars ample time in the spotlight. The result is a film that achieves what it celebrates: an enriching sense of unity that's unquestionably genuine. (Ages 9 and older) --Jeff Shannon Reviews (209)
Boone's determination to win is only outmatched by his drive for racial harmony within the team and coaching staff. By forcing his players to interact he creates bonds and friendships. Throughout all of this he knows he must win or his tenure as head coach will be short lived. He must not only battle the racial tension in the team, but in the town as well. Only his sheer will can guide his team to the promised land. The movie is an outstanding piece of cinema. It adresses a social issue with raw emotional power. It teaches a lesson without screaming it in your face. The acting is without a doubt full of some of the best performances of the year to not have been recognized by Oscar and the likes. While Denzel Washington and Will Patton are phenomenal the show is stolen by the members of the team. Watch this film and you will get the point. An emotional five star film worth watching again and again.
However, once it started, I was captivated by it. The movie is made even better based on the fact it is based on a true story. The jist of it is this... Herman Boone, played by Denzel Wahsinton perfectly, takes over as new head coach at a high school that has been desegregated. Naturally, the town has mixed reactions. We watch as Boone, uses tactics that neither the players, the parents, the townsfolk or even his assistant coaches like to force the players to not only become a team but also respect each other as people. We watch as friendships form, and as a team forms. Eventually we watch as the winning football team, and essentially Boone brings the town together. This movie brings something to the table for everyone. I laughed, I cried, I even cheered during the games. A must see!
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| 144. Cannibal! The Musical Director: Trey Parker | |
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Amazon.com Reviews (157)
The extra stuff on the DVD is FANTASTIC. The commentary is worth the price of the disc alone. You watch the move, then watch with the commentary. I laughed just as hard (if not harder) through the comments as I did through the movie itself. The original songs are catchy, witty, and all written by Trey and performed by the cast (for the most part). You'll end up singing/humming them for days after you watch it. I have been for months, now. I made a friend of mine sit down and watch it with me for the first time. She's not the type to like Trey and Matt's humor - she went home (Australia) and bought the sound track. "I think I know precisely what I mean, when I say, 'It's a shpadoinkle day!'"
If you keep in mind that this was a very early attempt a movie-making for two hilarious individuals, you'll feel content. Don't expect much more. If they could edit 30min out of this movie it would be infinitely more entertaining. As it stands, it seems to run on for days.
P.S. Minor quibble: Alfred Packer was NOT "the only man ever convicted of cannibalism". He was convicted of manslaughter. There was (is?) no law against cannibalism.
The music is dead-on. Parker is a damned good commercial composer/musical satirist. His uncanny ability to nail any style and then accentuate certain aspects and mock that style is featured in this movie, as well as his Southpark series, and most convincingly, in "Southpark: Bigger Longer and Uncut." But let me tell you, these songs are really funny. The Trappers song always has me gasping for air. "Let's Build a Snowman," is one of the funniest moments in any movie that I can recall. Several of the scenes in this movie are of the "so funny it hurts" variety. The funniest scene in the movie is also the goriest. I have never seen gore and humor come together like this. You should know which scene I am talking about and I don't want to spoil it. This scene is Monty Python-at-its-best-funny and that my friends, is really friggin funny. ... Read more | |
| 145. The Matrix Revolutions (Widescreen Edition) Director: Larry Wachowski, Andy Wachowski | |
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Description Reviews (887)
Mind-boggling conversations between characters sieze to get old and Keanu Reaves gives his best preformance in the trilogy. It ends strangely, with Buddhist-Christian philosophies that balnket the sad ending with a happy, touching feel. My only problem with this film is that the battle scenes are to elongated, and after a while become tedious, and just blurres of flashing light and loud noises. Overall, I thought this was a great ending chapter to a science-fiction masterpiece.
Now, in the second Matrix, it was painfully obvious that the directors were thinking throughout the entire process "man, in the first movie, they liked it when we did this. So lets do it A LOT!" However, despite a weak first hour, and a lackluster ending, it still eeked out an hour of entertainment (especially the incredible car chase scene). And here, the last arrives, and it is not a good thing. They stopped trying to hide the fact that they were ripping off the first two movies. You see Neo fight Smith, start losing, get kicked into a wall, dramatic music plays, Smith looks triumphant. Neo gets up, Smith looks startled, Neo brushes himself on, and does a kung fu move to say "bring it on". That doesn't sound familiar AT ALL, does it? I was almost chuckling at the absurdity of it. It looked like they were trying to duplicate the lobby scene of the first film, only have it with programs who walk ON THE CEILING! The movie tries, and fails to be cerebral. The first film kept it more down to earth, and later on, it tried adding the mystical aspects to the approach, and it fails. And the ending is frustrating in itsself, only serving to remind those of us who didn't pick it up that Neo is supposed to be a Christ-figure. I won't get started on the acting... basically, this film loses all acting, plot, or originality that the first had, and the second had to a lesser extent. This is the lowest wrung of a series which got worse at each attempt. I'm not giving it 1 star just because there are a few action scenes and plot points that aren't COMPLETELY contrived. But not many. I can't recommend this film.
All in all, if you ignore the first and second movies and put this movie on its own, it's pretty good (though it doesn't have too much character development) and it's a very good hollywood action movie. Put with the first two movies and it doesn't quite measure up. ... Read more | |
| 146. Attila Director: Dick Lowry | |
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| 147. True Lies Director: James Cameron | |
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Reviews (163)
However, I have one major concern. In the first third of the movie, when Arnold Schwarzenegger's character thinks his wife, played by Jamie Lee Curtis, is having an affair with a car salesman who pretends to be an international spy to attract women, his response is pretty sadistic. He uses his resources, as the international spy that Arnold's character actually is, to have his wife's phone tapped, have her followed, have her captured, have her interrogated, and have her coerced into becoming a spy. He's already gone too far, but he goes even further by having her first assignment be to pose as a prostitute in order to plant a miniature microphone in the hotel room of a sleazy stranger (played by Schwarzenegger, hiding in the dark, and using someone's tape-recorded voice). I find that entire sequence very distasteful and uncomfortable to watch. My recommendation: watch the movie, but fast-forward through that entire sequence described above. It's cheap, sleazy, and distasteful.
Performance wise, Arnold Schwarzenegger, Jamie Lee Curtis, Tom Arnold, Bill Paxton, Tia Carrere and Art Malik all deserve great honors and the accolades they received for their respective parts in this film. "True Lies" was probably Arnold Schwarzenegger's best overall performance both in the action and the dramatic sense. Jamie Lee Curtis couldn't have been any better in this role and I can honestly say that I was impressed with Tom Arnold's performance in this movie whereas any other film or show I've seen him in I was not impressed. I believe the only other movie I've seen that Art Malik was in was "The Living Daylights" and in both that movie and this one his work has been exceptional. Say what you may like about director James Cameron but you would definitely have to admit that prior to the current but most likely "temporary" culmination of his career as a director with the movie "Titanic" and heading off to run the "Dark Angel" television series, few directors could come close to matching his accomplishments. "True Lies" was James Cameron's fifth highly successful hit in a row and with this movie and "Titanic" one could definitely say that during this run of box office hits, he had the pulse of the fans as he wrote screenplays and directed these extraordinary films. The Premise: Harry Tasker (Arnold Schwarzenegger) is a high speed "spook" working for a highly secretive government agency that is a watch dog/operator spook agency that identifies and handles terrorist threats to the United States. Along with his handler Albert Gibson (Tom Arnold), they uncover a major terrorist operation which is bent on using nuclear warheads against the US to accomplish its goals. As Harry, Albert and their organization are working to uncover the terrorists plot; his family becomes heavily involved in the story which is where Helen Tasker (Jamie Lee Curtis) comes in to play and some extremely hilarious scenes involving Simon (Bill Paxton). What follows from there is one of the most hilarious and exciting action/drama films to have come out of the nineties. I highly recommend this film to any and all who are interested in seeing a great, fast paced, highly intriguing and hilarious action/drama movie and aren't interested in reading too much into the plot or the characters in the plot that are used as plot devices. {ssintrepid} Special Features: -Original Theatrical Trailer
Harry has a secret life as a spy for a super secret government organization. His partner is Albert (Tom Arnold in his best role / performance anywhere) and they are closer to each other than to anyone else in their lives as they travel the world saving us all from the bad guys. The terrorism they are battling could have been ripped from today's headlines. However, I doubt such a film could be made today because of political sensitivities. I was surprised how much of it held up. But this film is about fun more than drama. The action is exciting, but preposterous and the scale of the action crescendos toward the final ridiculous aspect of Harry flying a Harrier jet while saving his daughter, fighting the big bad guy and fending off an attacking helicopter all at the same time. Another problem, a small one for this kind of action film, is the endless weapons fire focused at the heroes to no effect, while Helen can simply drop a machine pistol down the stairs and wipe out a platoon. It is a delightful seen, however. If you can suspend disbelief for this, the movie can be a lot of fun. Many have called the film misogynistic, and I suppose you can see some of that in the film. But Bill Paxton's wonderful performance as the sleazebag Simon is easily the most despised person in the film and he is a male. There are other find performances in the film. Faisal, played wonderfully by Grant Heslov (we should see more of him), is a terrific character who holds a lot of the story line together even though his role isn't that large. And Tia Carrere as the mercenary art dealer Juno is simply one of the best things in the movie. Art Malik is great as the villain Salim Abu Aziz. Mr. Malik provides the right kind of energy for such an over the top film. He provides the kind of passionate megalomania that makes all the fighting seem appropriate. With all the sub-plots weaving in and out, the humor, and the fine performances, I think this is one of Arnold Schwartzenegger's best films. And I thought his pairing with Tom Arnold was great. Too bad we never saw them together again.
This is just a plain fun movie. Bad guys, stuff blowing up, hero dad saves the day. Great for a Saturday evening to get a few laughs and relax.
Tom Arnold was also perfect for his role as the patient buddy spy who is the perfect cover. Tia Carrere was also perfect as the evil villaness with a flair for the upscale. Whoever did the casting deserves a medal. Dialogue, action, plot - I loved it all! ... Read more | |
| 148. Due South Season 1 (3pc) | |
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Reviews (10)
It's great to follow the evolution of the characters from the beginning, though it would have been ideal to have the pilot included. Even so, the show is thoroughly enjoyable. The sly satire of a Canadian-produced show presenting Americans' view of Canadians is really very funny. And it's a showcase of all those fine actors (and musicians) you didn't realize are Canadian. For anyone who has never seen Due South, know that it's really a "buddy" show, a mismatch of 2 personalities who are more complete together than apart. One is innocent and naive, the other worldly and jaded. Definitely makes for some funny stuff! Alliance Atlantis didn't seem to take a lot of care with this release. In spite of the box being labeled the "complete first season," it excludes the pilot. Very odd. Also, some extras, i.e. commentary (from somebody - ANYbody), would have been appreciated. The packaging of the discs is lame, allowing them to come loose and rattle around the box during shipping. In short, the show is GOOD. The packaging and extras are cheap.
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| 149. License to Drive (Special Edition) Director: Greg Beeman | |
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Amazon.com Reviews (37)
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| 150. Braveheart Director: Mel Gibson | |
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Reviews (709)
The DVD has two main extras on it. The commentary by Mr. Gibson is pretty good. However, my only gripe may be that the length of the film means some gaps of silence and a few moments where he repeats himself. The production feature is nicely produced by HBO but nothing more The only other extra on the disc is the inclusion of 2 theatrical trailers. I would have expected some more extras on the DVD, since its a multiple award winner...Even with my minor complaints, BRAVEHEART, still gets 5 stars from me, and comes highly recommended
The acting is superb, especially by the young William Wallace at the opening of the film. Infact all the actors are excellent in this film. What really takes my breath away in this film is the stunning (pre-computer generated)scenery, music, costumes, the sets and the magnificent battle scenes which really makes Bravehart a complete cinematic experience. The DVD comes with an entertaining documentary on the making of the film with an excellent full length commentary by director/actor Mel Gibson. A must in any DVD collection. Highly recommended.
Catherine McCormack takes off her clothes in this film which is why I give it 1 star and not 0. Unfortunately Sophie Marceau doesn't take off her clothes and even more unfortunate is that Mel does. I found the mooning scene in this movie to be quite childish This movie is intended for the less intelligent American market rather than for us Scots. All of Mel Gibsons recent films are marketed towards less intelligent people such as George W Bush or the Pope or Mel himself I suppose. Mel Gibson hasn't made a decent film since "Mad Max 2" yet he continues to make millions of dollars making these awful films. I guess...
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| 151. Alice in Wonderland (Masterpiece Edition) Director: Wilfred Jackson, Clyde Geronimi, Hamilton Luske | |
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Reviews (148)
Firstly, I don't know why loads of people think this film is cheesy. I know Alice isn't for everyone, but when you look at the other films made based on Children's classics by Disney (eg- Jungle Book, Hunchback of Notre Dame), you'll see it's more faithful than those films to the original. However if you have read the books and haven't seen this film, some characters are missing (eg- Duchess, Mock Turtle, Knave of Hearts, White Knight). This may just think that Disney has ruined this classic forever. They haven't. It's the best adaption I've ever seen. Although I actually have the PAL version, I suppose the movie is just the same over in North America. The best bits are the Walrus and the Carpenter, the garden of singing flowers and flamingo croquet. And the Mad Tea Party is still the funniest part of a Disney classic. So buy this movie. Wether it's a video tape or DVD. (I also live near Carroll's birth place!)
This new Masterpiece Edition DVD set brings Alice in Wonderland to a more deserved release than that previous Gold Collection, which brought very little bonus features. The masterpiece edition does bring many more bonuses, and one of my favorites is that "Virtual Wonderland Party", in which children can enjoy a little while in a fantastic tea pary. Really great! This DVD also has the greatest cover art, I love it. 5 stars!
Beautifully adapted and animated from Lewis Carroll's highly imaginative, high-trippin' classic, the imagery and illustrated puns amaze and amuse, especially the little things like the rocking-horse fly, the bread-and-butter flies, the vultures, the pencil and hammer birds, the momeraths, and the bird in the tree (Queenie Leonard) yelling "Ser-pennnnnt !" The animators drew each frame based on the portrayals by the actors voicing the parts, and the stand-outs are Kathryn Beaumont as Alice, Ed Wynn as the Mad Hatter, Verna Felton as the Queen of Hearts, Bill Thompson as the White Rabbit, and the very flexible and versatile J. Pat O'Malley as Tweedle Dum, Tweedle Dee, the Walrus AND the Carpenter, in one of the best scenes in the movie. With fourteen songs, this is the most musical Disney around, but unfortunately, the songs are not very easy to sing along to, making me sound like William Hung every time I try to impress people with my thorough knowledge of the lyrics. There are lots of interesting tidbits in the extras, such as the discarded Cheshire Cat song, and the fact that one of the songs was later re-worded for Peter Pan. There are other links between Alice in Wonderland and Peter Pan, but you'll have to watch the extras to find out just what, cause I'm not telling. For those who don't want to watch the previews at the beginning of the DVD, just press "Menu" and get plugged directly into Wonderland. Amanda Richards, July 18, 2004
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| 152. Wall Street Director: Oliver Stone | |
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Reviews (110)
after watching this film on a crappy pan and scam VHS tape, it is so gratifying to finally see this film given a proper DVD treatment. the transfer is crisp and clear with good sound but the real selling points are the fascinating documentary -- which features Douglas and Charlie Sheen and their views and thoughts of the film after all this time -- and Stone's informative and candid audio commentary. for someone like myself who has seen this film a zillion times, listening to Stone's observations on his movie was a real treat. great stuff. along with GLENGARRY GLEN ROSS, this is one of THE best films about money, greed and the people who ruthlessly pursue it.
Michael Douglas who plays 'Gordon Gekko' (not 'Gecko' as the Amazon review suggests, the name can be seen in the scene where Charlie Sheen turns on his computer in the morning and finds out it's "Gekko's Birthday") puts on such a mindblowing performance he really can be dubbed 'Gekko the Great'. The character is right up there with Don Vito Corleone, Tony Montana, Popeye Doyle and some other members of that elite group of high-octane male movie-characters that will long outlive the actors that created them. Gordon Gekko is a high profile corporate raider that was probably modeled after Ivan Boesky (the biggest corporate raider of the 80's who eventually went behind bars for insider-trading), Michael Milken (creator and unchallenged 80's king of the high yield or junk-bond) and John Guttfreund (CEO of Salomon Brothers in the 80's who'se extravert and bizarre behaviour is documented in the classic books "Liar's Poker" (Michael Lewis) and "Barbarians at the Gate" (John Helyar). Michael Douglas seems to have been born to play this part and from the moment he is introduced ("Lunch? whaddaya kiddin' me, lunch is for wimps!") to the moment we viewers have to part from his hypnotic character ("I gave you Darian, I gave you everything!") he reduces any leaps of faith that his character may present us with to tiny hops due to his powerhouse presence. In fact, whenever I see Michael Douglas in another movie I have the strange feeling that Gordon Gekko is trapped inside and might burst out at any time to hose us down with sardonic one-liners. ("Love is just an old lie created to keep people from jumping out of windows.") Gekko is truly the "mother of all high-rollers", and his performance alone more than warrants the purchase of this film. Charles Sheen plays a believable 'Bud Fox' but one wonders what a late 80's Tom Cruise or Kiefer Sutherland might have done with the part. Charlie never really creates the electricity that Douglas shocks the audience with. I won't get into the details of the story here but will post some comments on the general themes in the movie. There's the theme that Stone had already explored in 'Platoon' of two fathers fighting for the soul of their son. In Platoon it was Tom Berenger and Willem Dafoe battling for custody of Charlie Sheen's spirit. In Wallstreet it's Douglas and Martin Sheen representing the 'exciting but evil' and 'wholesome but tedious' ways to go for Charlie Sheen's character. This theme introduces some good tension in the storytelling. The other theme that Stone put into this narrative is the bleeding heart "Capitalism is bad and unfair" jingle. "I don't produce anything...I own..." Gekko confesses at one point. "How many boats to waterski behind do you need? When is it enough?!" cries a shocked Bud Fox. The moral comments on succesful capitalists come accros somewhat naive and in my opinion don't really work. I won't go into the details but most people I've met who've seen the movie don't even remember what it was about Gordon Gekko that was so wrong. All they remember is the classic "Greed is Good" speech and ironically most of them agree with Gekko on the issue. The fact that Oliver Stone lets Gekko initiate industrial espionage is the reason I gave the movie only four stars instead of five. I personnaly think this was a real blooper. A man in Gekko's position doesn't need the aggravation of blatantly breakin the law. There's a good plot-line concerning a fictive company 'Bluestar Airlines' that Gekko has his own plans with to make himself rich and get scores of hard working people fired that adds enough suspense to the tale. It seems as though Stone was so set on painting a negative picture of egoistical an a-moral Wallstreeters that he went one bridge too far. Fact is that, if anything, this movie is like a recruiting video for Investment Banking. What "Top Gun" did for Naval Aviation "Wall Street" has done for Investment Banking. Big corporate banks have never had to complain about the amount of interested well educated young hopefulls but nowadays there's probably not one person sitting in any dealing room anywhere in the world who has not seen Wall Street. I am currently a trader in Amsterdam and I am convinced that if it wasn't for the scenes that have the camera following runners and stressed out yuppies yelling "How about those september 40's!" I wouldn't have been in this racket. The dealing room-scenes are some of the most exhilirating scenes in the history of cinematography. Spielberg sucked in audiences with his scenes of Normandy's beaches in '44. Stone creates the same spellbinding grip on the audience without getting anybody shot or brutally maimed. That alone is a great achievement for any director in Hollywood. More so for the man who made a career in gory cinematic violence with 'Scarface', 'Platoon' and 'Natural Born Killers'. Al Hail Gekko the Great! See this movie again and again. It's full of catchy one-liners that will make you not only the toast of any party but might provide you with more of an energy boost than any Tony Robbins video ever will. "Life all comes down to a few moments...this is one of them."
Throughout the film, Bud serves as a sounding board for the rival values of Gekko and his father. The speech most cited by critics and fans is the immortal "Greed is Good" monologue. While this speech, standing alone, is a vigorous defense of capitalism and selfishness, it is important to note that Gekko is using it at a shareholders' meeting against a lousy, entrenched, and greedy management! Inevitably, Bud is forced to decide whether to follow his father's philosophy or Gekko's, and to pay the price for his misdeeds. A slight complaint with the ending- the fate of Gekko is hinted at rather than displayed. Gordon Gekko has become something of a hero for young, wanna-be big shots, who are attracted to the glamour of his lifestyle and his "up your's, I got mine!" attitude much as Bud was. Perhaps seeing Gekko get his comeuppance could have made an impression. Overall, Wall Street is a tight, well done character drama populated with iconic characters delivering iconic dialogue that acts as an indictment of a decade. The movie and its message will stay with you long after viewing it. As for the DVD, the sound, although in 5.1, is relegated almost exclusively to the center channel. One does not hear the sounds of Manhattan from all directions as Bud navigates the concrete jungle. The video quality appears grainy in some areas. This is a great movie worthy of better treatment on DVD.
Revenge was another big part in this movie. I liked how Charlie From this movie came my favourite quote of all: I'm not sure that my way is the way that Oliver Stone intended his movie to be interpereted. Oh well, I don't necessarilly care. Greed is Good! ... Read more | |
| 153. The Enemy Below Director: Dick Powell | |
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Reviews (44)
It's a well directed movie, with excellent moments of suspense, good acting in some key supporting roles - Lt Ware (David Hedison). The only let down is with some very obvious models in some of the battle scenes.
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