Reviews (52)

All I can say is WOW!!!
Well, the first thing anyone that has even watched a Winston Cup race could tell how ridiculous the racing scenes can be. Although the intensity and action is there, you will NEVER see actual drivers 'rubbin' on a real racetrack. But please don't let my previous comments discourage you from watching this film. It is still one of my favorites in my video library. The story follows young open-wheel driver Cole Trickle(Tom Cruise) through his quest to become a Winston Cup legend. Owned by a local car dealer named Tim Daland(Randy Quaid) and having his pit ran by the legendary, and recently retired crew chief Harry Hogge(Robert Duvall). But after a tragic crash during the Firecracker 400 sent him to the hospital, possibly ending his career. Then it follows his journey of finding love with his doctor, Dr. Claire Lewicki(Nicole Kidman)and his painstaking return to win the Daytona 500.

Fix Review
Ok i have not seen the movie here but i just wanted to correct the review posted by amazon.com. The movie Top gun was not about the United States Air Force in any way shape or form. It was Navy all the way

tommy BOY, you're just a pretty boy.
the third in the ' i am sooooo hot and shallow gals ' tom cruise trilogy (top gun and cocktails being 1 and 2 ).
this thing made millions of course. no wonder europeans think us so stupid.

Unrealistic Yet Somewhat Entertaining
First of all, the Amazon.com reviewer must not know anything about racing, as this film has nothing to do with the Indy 500, and neither does NASCAR (except for racing at Indianapolis Motor Speedway for the annual Brickyard 400). That said, the movie, though it features lots of unrealistic driving (err, crashing) scenes and less-than-stunning acting, still isn't the worst way to spend a couple hours if you've got the racing bug. As pointed out by other reviewers, Robert Duvall gives a great performance as Tom Cruise's crew chief who comes out of retirement to bring Cole Trickle (Cruise's character) to the top of the NASCAR ranks. Cruise's own performance is sufficient, given the character, as is Randy Quaid's. Nicole Kidman seemed to be trying too hard to be emotionless in this movie. Maybe the writers/directors told her to, I don't know. The racing scenes where the drivers aren't running each other into the wall are decent enough, and the car sounds are pretty good. If you want a great racing movie, try "LeMans" or (when it comes out on DVD) "Grand Prix." I really wish we had a truly great modern racing movie, especially about Formula One or CART/Indy car racing ("Driven" doesn't count--it sucked). Maybe someday...

Yeah
Dude I have never seen this movie but what i will say is this. The Editor who said Top Gun was a US Air Force movie is an idiot. You obviously did not watch Top Gun because then you would have realized it was a Navy movie. In my book you have lost all credibility, and should lose your job. ... Read more

Reviews (495)

A cinematic masterpiece!
Meet Oskar Schindler. A German living in occupied Poland during World War II. A member in good standing of the Nazi party. A womanizer, a war profiteer...and ultimately a man of conscience. A man who became one of the great unsung heroes and humanitarians of the war.

"Schindler's List" chronicles Oskar Schindler's spiritual odyssey from war profiteer to humanitarian and hero. Winner of seven Academy Awards® in 1993, including Best Picture, this harrowing and heart-rending film is Steven Spielberg's masterpiece, and perhaps one of the finest and most important movies ever made. It depicts Schindler's ultimately successful attempt to rescue 1,100 Jews from Hitler's "Final Solution" by getting them to safety outside Poland.

Dynamic performances abound in this beautiful movie, Especially noteworthy are Liam Neeson as the suave Schindler, Ralph Fiennes as the monstrously depraved Nazi colonel, Amon Goeth, and Ben Kingsley as the dignified, principled Jewish prisoner Itzhak Stern.

"Schindler's List" is definitely not light entertainment! This beautiful movie allows viewers to feel like they're actually a part of one of the darkest, most horrific periods in history. (I'm sure this is the reason the film was shot in black-and-white, with only minor "colorized" bits included.) The story of the Holocaust needs to be told over and over again, in hopes that future generations can understand the horrors perpetrated on an entire race of people and prevent future occurrences. "Schindler's List" is perhaps one of the best and most effective vehicles for telling that story I've ever experienced.

Whoever Saves One Life Saves the World Entire!
That's the tagline of Steven Spielberg's 1993 holocaust epic, SCHINDLER'S LIST (a film that has inspired me with my own film, TRIANGLE). What is this film? A documentary? A memorial service? A biopic? The answer is all of the above. It is a realistic look at a man who began as a womanizing criminal and ended as a sympathetic savior to thousands of Jewish people.

Based on Thomas Keneally's bestselling novel, it is passionate look at the Jewish struggle during the ghetto liquidation by the Nazis and in the concentration camps.

Filmed entirely on location in Poland and in black-and-white, with some color aspects, SCHINDLER'S LIST brings to life one of the saddest chapters in history. Starring Liam Neeson as industrialist Oskar Schindler; Ralph Fiennes as Amon Goeth; Ben Kingsley as Schindler's accountant Itzhak Stern; and Caroline Goodall as Schindler's wife, Emilie.

This is a film too sad to imagine, but also very important to watch and shameful to miss. Neeson does an extraordinary job in showing us the man who saved so many lives. A man whom most would call a pirate, he has shown us a brighter light. But, honestly, the one who impressed me (and shocked me the most) was Ralph Fiennes as a Nazi superior. Fiennes was known for playing romantic heroes on the London stage before playing such a dastardly role. (In the end, you can't help but cheer when he is eventually hanged.) And to Ben Kingsley (Oscar-winner for GANDHI), always the dependable one! His Stern provided me enough time to breathe a sign of relief and smile at his nervously mousy character. From his being trapped inside the train to his trying to reason with Schindler about the one-arm man's dependability working in the factory (a rare comedic moment in the film).

This is a triumph in every way possible! To watch a man, whom we never even heard of, save thousands of lives is heart-breakingly wonderful. Good job, Steven!

Winner of 7 Academy Awards including: Best Picture - Steven Spielberg, Branko Lustig & Gerald R. Molen; Best Director - Steven Spielberg; Best Adapted Screenplay - Steven Zaillian; Best Cinematography - Janusz Kaminski; Best Art Direction/Set Decoration - Allan Starski, Ewa Braun; Best Score - John Williams; and Best Film Eediting - Michael Kahn.

Approximately: 3 HOURS and 17 MINUTES

**Schindler's List **
This film from Steven Spielberg was shot in black and white and is very effective as a film to portray what happened to the Jews in Germany/Poland etc.. from the ghettos to the concentration camps. The film is very realistic in its portrayal and the environment of that time in history of the 1930's and 1940's. This is a film that you may only want to watch once. It is an excellent film. The acting is very good, the reality of the killings is very graphic. The cinematography is excellent. The only reason I think that is a film to viewed once or twice in one's life is due to the depressing nature of the film. I think it is a film that younger generations (teenagers and some people in their 20's) should see because many are coming out of school without even knowing who Adolf Hitler was and what he had done. I think it's important that they see what occurred so a repeat of history does not happen. This is an important film, but not necessarily one you want to view over and over again.

Some other reviewers on this forum start bringing up that "other genocides occurred in history" and how come only this one is made into a film. I'm afraid folks that Spielberg didn't make an all encompassing film to include all of the past atrocities that happened in the past 1000 years. He focused just on the Holocast. Also it is just pure ignorance to deny that 5-6 million Jewish civilians were killed/murdered. Even if it was 10,000 Jews, it does not make it any better. It doesn't really matter if they were Jews or any other religion. The fact is that 6 million PEOPLE who were civilians were murdered. They were Germans, Polish, French and many other nationalities. It just happened they were of the Jewish faith that was targeted by the Nazis(Jews were used as a scapegoat to blame all of Germany's economic ills as a country on. The Nazis also killed and murdered gypsies too. The people (men, women and children) killed were white people (Jewish is not a race. It is a religion).
Actual documentation of what the Nazi's did is on film shot by British news cameras as the American and British soldiers entered these concentration camps throughout 1945. Disease was rampant in these camps due to all the mass graves and thousands of bodies that were left to rot (by the Germans) as the British bulldozers needed to bury these corpses. My father and grandfather were in the 2nd World War as part of the American and British invasion of Germany and witnessed it first hand. That's enough proof as far as I am concerned. Yes. Not all Germans were bad people, but there were enough of them to throw the world into a World War in 1939 and to allow this to go on just a few miles from their towns and villages.

This is a good film. Good coverage of a very bad time in world history.

Not the best Special Edition one can expect, but still...
Although this 5 time Academy Award winning film certainly gets a beautiful presentation on disc, I both do and do not understand the complaining of the DVD presentation of Schindler's List. But first, let me discuss the benefits of the disc first.

The picture here is impressive, although there are noticeable flaws. The 1.85:1 anamorphic picture showcases excellent detail and rich black levels; at times the picture looked so good I thought that the movie was remastered by Lowery Digital Services. But then minor flaws show up, such as excessive grain and minor print flaws (such as in the sequence where Schindler Jews are calling out their names, I spotted a vertical line). Flaws aside, the picture is still beautiful and Janusz Kaminski's photography is put to good use here.

The audio is presented in Dolby Digital 5.1 and DTS 5.1 Surround. All Dolby and DTS tracks give a sense of place to the film, and while the tracks aren't bass-heavy, they fit the movie's tone perfectly. It demonstrates excellent stereo separation and bass response, all the while not calling attention to itself. The two-sided disc cuts down on cost, and the menus allow one to access each part of the DVD with considerable ease. (The movie is also given French and Spanish spoken languages and subtitles, while the extras have optional subtitles in English, French, and Spanish.)

Now, the disadvantages. I know people were expecting an extras-packed version of this movie, but we only have two real extras included; the "Voices From the List" Featurette and "Behind the Shoah Visual Foundation" Featurette. Both are good extras detailing the various stories recounted by actual Schindler Jews, and while these are substantial enough, I had the feeling more could've been added. If Spielberg were to do commentaries, I would appreciate one done for this film, and the addition of the theatrical trailer would help too. Inclusion of those two extras would've added much more to the DVD.

Still, quibble about the extras aside, the disc release of this film gives newcomers a chance to be introduced to one of Spielberg's greatest cinematic achievements ever made, with great picture and sound. It may not always be easy viewing, but the impact it leaves is indelible and unforgettable. For fans of Spielberg's work and this movie, this disc is a must-have, despite the slim extras. (If you're intent on having more, the gift set is a viable option. Along with the DVD, it also includes a booklet, the movie's soundtrack CD, certificate of authenticity, a photo still book and a Plexiglas keep case.)

History repeating it's self?
Why don't we hear about other genocides, like the ones in Russia and Turkey that inspired the German one? The movie was so distorted and stereotypical it's ridicules. The nazi's weren't all-bad and the Jews weren't all good. Jews aren't as innocent as they are portrayed. This could be due to Hollywood being monopolized by them. See how much trouble Mel Gibson had when he tried make a movie that portrayed Jews as less than perfect. If they had really went through all that trauma, why would they go to Palestine and commit the same atrocities only decades before to the Arabs? Schindler's List is just one of the yearly Jewish propaganda films that are thrown at us, like the pianist for ex. And worst of all, every year schools have to show this movie to young children. And Disney show's this movie every yr on the wonderful world of Disney. Why is this gruesome movie targeted at kids I have no idea. "so we won't forget the past my A**" ... Read more

Reviews (1484)

Great Action Film
"Gladiator" is a film that should suit all tastes. It is an expertly mounted and eye-filling event; the blood and gore, delivered in split-second imagery (allowing your head to fill in the rest) should satisfy the most blood-thirsty movie goer; and the story is a superb tale of good vs. evil, power vs. honor, and "Might for Right". I was reminded of "Camelot" many times during this film, especially by the almost unrecognizable appearance of Richard Harris as the wise and noble Marcus Aurelis. Joaquin Phoenix gives a bone-chilling performance as the evil and cowardly Commodus, who inherits the title of emperor upon his father's death. But the sole weight of this overwhelming piece rests on the shoulders of the magnificent Russell Crowe. If one doesn't believe in him, then one doesn't believe in this epic costume drama. Kudos to the rest of the cast as well, and hand over heart for the late Oliver Reed. But back to Crowe--he is an actor to contend with. His work in "Gladiator" is a tour de force performance; he very nearly sprays testosterone from the screen. It's what was exactly demanded from him in this role, and he exceeds expectations in that regard.

Gladiator ROCKS!!!
I completely dug this film from beginning to end,and every aspect of it,from the breathtaking cinamatography,the expertly staged battle sequences,and exqusite set-design,to the stellar performances of a top-notch cast,rang true.The film starts with a stunning battle and doesen't let up from the time Maximus says"on my mark,unleash Hell". Do they ever.Russell Crowe is perfect in the lead role,as an expert warrior with a grieving soul and a deep sense of honor and loyalty.It's a true star-making turn,and he oozes rugged charisma from every pore.Equally impressive,but in the exact opposite way,is Juaquin Phoenix as the conniving,decadent,deeply evil Emperor.Also great support from Richard Harris and the late,great Oliver Reed.Director Ridley Scott uses his gift for composition and visual flair to great effect,giving each scene a painterly burnish and unforgettable depth,whether it's the after-life of Maximus' dreams,the bustling,grand sprawl of Rome,the rip-roaring battles of the Coluseum,or the sinister twinkle in the Emporer's eyes.At one point Maximus admonishes the bloodthirsty crowd:"Is this not what you wanted? Are you not entertained?" Indeed we are Russell,very much so.What a great film.

okay
this is a three star movie with a five star dvd. one of the biggest problems with the movie was the first battle. i was expecting braveheart quality but ended with a battle less entertaining than the one in dragonheart. the blurry camera and closeups made it impossible to tell what was happening. if you want to see a movie like this but better, see the last samurai or braveheart.

A Modern Classic of an Old Age
I seldom write reviews for anything, but for a movie like 'Gladiator' I'm willing to make an exception, and gosh if it's worth doing it!!
The movie, by far the best of the year 2000, is not only an award-winning production, but it is also one of the few that I personally enjoy watching again and again and again. Not because it is flawless (at times the storyline is quite predictable) but because it portrays life and death in the Roman Empire in such a way that it really bring those old buildings we all know since childhood (the Coliseum, the Forum, Via Appia, etc) back to life.
And yet it does so not at the expense of the story but through it, from the characters, to the script (they're so many quotables lines from Maximus and Commudus alone to make a CD)...in fact everything in the movie, from the battle in Germanica to the last fight at the Coliseum, is portrayed with realism plus an amazing score lacking in so many movies these days.
The movie of course is not to be seen as "history" in the academic sense but rather as an historical exercise, Holywood style, of one of the most facinating and complex periods of Western History. The attention to the detail is amazing, especially in the opening scene (the battle in Germanica) and the gladiatorial fights. Even most deleted scenes are great in the sense that they allow us to understand the characters a little bit more (Commudus' sword smashing of his father's marble bust is a most see), although they neither add nor take of the story. The casting is superb, with Russell Crow in the main role, Joaquin Phoenix as the Emperor Commudus, along with such legends as Oliver Reed as the freedman slaveholder and Richard Harris as the great Marcus Aurelius.
I'll recomend strongly that anyone who sees this movie shoudl do his/her homework and do a little of reading about Rome, both as a Republic and after, and the huge importance of the entertaining business in her late everyday life (an importance unreached until recent times).
Overall, a classic epic of an scope and ambition not seen since 'Ben Hur'; full of action, drama... and yes, more action.
As the Romans themselves said, Faber est quisque fortunae suae... each one is the architect of his own fortune. Feliciter!

Decent story, captivating effect
Ridley Scott's movie, "Gladiator" is one based on fiction of a General in the times of Marcus Aurelius. It tracks the life of a general who is effective in battle and is to rewarded by the emperor with the crown of Rome until it can be handed back to the senate. The movie won 5 oscars and is compared to Ben-Hur, which is ludicrous. For starters, Ben-Hur had William Wyler as the director who went to Gore Vidal to fix the screenplay. This movie will imaginative has so many historical inaccuracies, it is funny that it can be even thought to be in the same league.

Some of the actors did a decent job, these include Richard Harris as Marcus Aurelius and his daughter, Lucilla. I had problems with Russell Crowe's acting. He is unmistakably patrician, however, and physically very like Richard Burton, with Burton's battered face and gravel-voiced machismo. But Crowe's Maximus is no Mark Antony; there is no destructive love interest in the picture. Maximus is sweetly devoted to his late wife; though it turns out he once had a bit of an unbuckling thing going in his backstory for Commodus's lovely sister Lucilla (Connie Nielsen). I did not think that he deserved the best actor oscar. He has a very limited repertoire of actions and emotions. Crowe is no Tom Hanks or Geoffrey Rush in acting, he does not have depth and breadth of acting.

This movie cannot stand the test of time, it does not have great screenplay and historical integrity. It will gradually ebb away from the minds of the people. To stand out from the other movies, it has to have a new paradigm, either in acting or story or screenplay, none of which are depicted. Another one of those movies that do not deserve the best picture oscars. It is OK to watch this once. If you compare this director with Ang Lee, who did "Crouching Tiger, Hidden Dragon", "Eat, Drink, Man, Woman", and "Sense and Sensibility" you can see the difference in directing talent. See them and judge for yourself. ... Read more

Description

Episodes: "Time Enough at Last" (Ep. 8, November 20, 1959) - A bookworm (Burgess Meredith) yearns for more time to read--then a nuclear holocaust leaves him alone in the world with lots of time, plenty to read, and one ironic twist! "The Monsters are Due on Maple Street" (Ep. 22, March 4, 1960) - Inexplicable events cause the residents of quiet Maple Street to erupt into rioting. The residents suspect an alien invasion has occurred. If so, where are the alien monsters? "Nightmare at 20,000 Feet" (Ep. 123, October 11, 1963) - A salesman (William Shatner) recovering from a nervous breakdown spots a gremlin on the wing of his plane. When he attempts to alert the others, his nightmare truly begins! "The Odyssey of Flight 33" (Ep. 54, February 24, 1961) - Flight 33 picks up a peculiar tailwind and is blown off course. After apparently correcting the problem, the flight arrives at its destination--a billion years ahead of schedule! ... Read more

Reviews (17)

This is definitely the BEST volume in the DVD collection
No matter how many DVDs they put out with episodes of "The Twilight Zone," they cannot put out one with better episodes that Volume 2. "Time Enougth at Last" is THE quintessential Zone episode, adapted by Rod Serling from Lynn Venable's short story. Burgess Meredith, in what was surely his most recognizable role, plays Henry Bemis, a mild-mannered, myopic bank teller who only wants to read, but can never get away from this shrewish wife and demanding boss. But then Henry has the fortune of being in the bank vault reading a book when the world is destroyed by a nuclear war. Directed by John Brahm, no "Twilight Zone" episode ever backed a more unforgettable ending. "The Monsters are Due on Maple Street" finds neighbors turning on each other as unexplained events fuel their fear that human-looking aliens have infiltrated Maple Street (filed on MGM's "Andy Hardy" street). Claude Atkins and Jack Weston head a strong cast in this classic written by Rod Serling and directed by Ron Winston. "Nightmare at 20,000 Feet" stars William Shatner as poor Bob Wilson, who has left a sanatorium only to take a plane flight where a gremlin keeps trying to sabotage the engine. Written by Richard Matheson, who wrote the original short story, "Nightmare" was directed by Richard Donner, who went on to be a film director of some note. "The Odyssey of Flight 33" is the only sub-classic episode on this disc. The story by Serling, directed by Justus Addiss, is of a plane that picks up a freak tail wind that sends it back in time. John Anderson as Captain Farver leads the excellent cast that makes this rather far-fetched idea utterly believable.

There's a man on the wing!
This is a superb compilation of some of the best Twilight Zone episodes ever made.

This DVD includes the following episodes: "Time Enough at Last", "The Monsters are Due on Maple Street", "Nightmare at 20,000 Feet", and "The Odyssey of Flight 33".

"Nightmare at 20,000 Feet" is my favorite episode. William Shatner is a passenger on an airplane who sees an alien on the plane's wing every time he looks out the window. However, he's the only one who sees the alien - every time he yells to the stewardess or other people, the alien disappears. Everytime he sees the alien, he yells "there's a man on the wing! " It is such a great episode - it made William Shatner the star he is today!

Also, be sure to look for Burgess Meredith in "Time Enough At Last" before he was known as "Mickey" from the Rocky movies.

My only complaint is that there are not more episodes on this disk. I don't understand why CBS didn't release the episodes on a season-by-season basis.

One of the Best Twilight Zone DVDs
This second volume of Collection One might be the best of the entire Collection. "Time Enough at Last" and "Oddyssey of Flight 33" features two excellent stories with amazing and unforgettable endings. Another classic is "Nightmare at 20,000 Feet," featuring William Shatner, who plays a man recovering from a nervous break down. His flight with his wife proves to be horrific. "The Monsters are Due on Maple Street" is a classic exploration into social psychology and mob mentality when a gang of residents on a quiet street are convinced that an alien invasion has occurred.

This second volume is well written with wonderful acting by Burgess Meredith and William Shatner. Highly recommended!

another great DVD
Vol 2 had even better episodes that Vol 1.

Time Enough At Last- Loved it! One of my favorite episodes actually. I felt very sorry for the guy. (*****)

Monsters are Due on Maple Street- Another great episode. Very surprising on who the monsters were. (****)

Terror at 20,000 feet- Uh, didn't care too much for this one. I got a little bored watching it actually. A lot of people seem to like this one though. (**)

The Odessy of Flight 33- another great and entertaining one. (***)

Your Next Stop is¿
Besides the TV Plays that you will buy this for, there are some DVD goodies (extras.):
Special "Inside the Twilight Zone" Section Written by Marc Scott Zicree
Biographical info on Rod Sterling
History of the Twilight Zone
Cast information
A season-by Season commentary
They claim to be digitally re-mastered yet there are still a few glitches and snow.
Episode 8 "Time Enough at Last" November 20, 1960

Henry Bemis (Burgess Meredith) has a healthy interest in reading; he is surrounded by people that underestimate its worth. He is conspired against by the bank president and even his wife. He works in a bank and spends his afternoons in the vault catching up on his reading. I will say no more as you and Mr. Bemis are about to enter the Twilight Zone.

Burgess Meredith will be found in several of the Twilight Zone episodes and again as the narrator of the 1983 Twilight Zone movie.

Episode 22 "The Monsters are Due on Maple Street" March 4, 1960

The typical neighbors, like Claude Atkins and Jack Weston, are out doing neighbor things like mowing their lawn. They stop to hear a weird sound and see a strange light. It is assumed to be a weird meteor. All of a sudden the power goes out and nothing works no phones, no cars, nothing. This is the last moment before the real monsters came out.

Episode 123 "Nightmare at 20,000 Feet" October 11, 1963

Mr. Wilson (William Shatner) is a salesman that is recovering from a nervous breakdown he had in an airplane. He is on his way down in a propeller commuter plane. You know something is amiss with him as he realizes he is next to the emergency window, over the wing. Of course his psychiatrist, Dr. Martin, would not let him fly home unless he was well. In the middle of an electrical storm, he looks out the window and I will say no more as you are about to enter the darkest part of the Twilight Zone.

This episode will be included in the 1983 movie with John Lithgow playing Mr. Wilson.

Episode 54 "The Odyssey of Flight 33" February 24, 1961

An international Jet flight, Global 33, is heading for Idawiled airport. On the way they get a sensation of great speed and go through some unknown barrier. Captain Farver (John Anderson) looses all external electronic guidance. He goes down for a closer look. I will not say anything more as you have now entered the Twilight Zone.

I wonder if we have a current remake, would Global 33 lose global positioning. ... Read more

Amazon.com essential video

This is one of John Frankenheimer's breathless gems--all marvelousaction that never lets up. Burt Lancaster plays a French train engineer during the waning days of the German occupation who tries to prevent Nazi colonel Paul Scofield from transporting a precious art collection back to Germany. Utilizing sabotage and cunning deception, Lancaster and his Resistance colleagues stall for time with the Allies on their way. It's a brilliantly made film, showing off Lancaster's acrobatic skills (he performed all of his own stunts) and Frankenheimer's sense of pacing and brilliant use of space. It's choreographed with the utmost precision (those are real explosions during the pivotal strafing sequence) and extremely authentic in its details. Lancaster is in rare minimalist form, and Scofield manages to extract intelligence and sympathy. A firecracker action film shot in crisp black and white, with yet another telling audio commentary by the always instructive director. --Bill Desowitz ... Read more

Reviews (41)

One of the Best
An engrossing WELL-WRITTEN story (Hollywood, PLEASE take note), excellent cast, superb acting on the part of all the actors (not just the leads), painstaking staging and Frankenheimer's direction blending all these essential elements into a thoroughly enjoyable movie. What can you say about a rousing action movie that also makes you think? You can say it's rarely found in today's films. The primary quandry here is just what is the value of art in terms of the human lives that must be expended to preserve it? Is it truly a country's heritage or just oils on canvas for which the people who will have to die for it have little or no real appreciation? Is it worth saving because of its beauty or its value? And when does the cost of saving it become too high? The movie works on all levels, but the characters (and the actors portraying them) are exceptional. The stand-outs: Burt Lancaster, the yardmaster/resistance leader who really doesn't want to do this one last (and seemingly unimportant) job so close to the end of the war; Paul Scofield, the intense German colonel who loves (obsesses over) the art and is taking Lancaster's attempts to thwart his plans for it very personally; Wolfgang Preiss, the "good German officer" who does not agree with his superior but does his duty until he can do it no more; Jean Moreau, the pragmatic French hotel proprietress who has had to comfort one too many fellow widows and Michel Simon, the old engineer who fondly remembers dating a girl who posed for Renoir and decides to make this fight his own. No one who loves a good movie should miss this film. It's not just for action/war movie fans.

Underrated war actioner--art for whose sake?
_The Train_ has held up well since its release in 1965. Dismissed as an improbable shoot-em-up then, it tells a much richer story than the special-effects vehicles in the genre nowadays. Burt Lancaster isn't especially gallic as the Frenchman Labiche, but his acting talent and intensity soon steamroller any resistance the viewer may have. Paul Scofield is perfectly cast as a cultured monster, the Nazi colonel who is bent on spiriting the paintings away into Germany. One can easily picture him murdering hostages between sips of cognac.

Shot in black and white, the film is dark and greasy-looking. The screen is filled with churning railroad machinery much of the time, which dwarfs the people around it. The wheezing, snorting engines are also stars in this movie. Even the sky looks dirty in the daylight scenes. Oh yes, there's a sensational train wreck, too. Definitely less mindless than your average Rambo flick, but no less exciting.

The Train
Is a work of art worth a human life?
We are near the end of World War II. It's August 2, 1944, the "1511th day of German occupation" of Paris. German Colonel von Waldheim (Paul Scofield) enters a dark museum and turns a spotlight on a painting. He stares at it with the eyes of a lover beholding his best beloved. He turns another spotlight on another painting. The Hun is humanized, and we sympathize with his quiet passion.
It comes as a bit of a shock when he announces that he is taking the paintings, hundreds of Miros and Picassos and Matisses and others, with him when the Germans evacuate Paris. A resistance group, led by railroad worker Paul Labiche (Burt Lancaster), is enlisted to stop them. Labiche initially refuses. It's one thing to blow up a train, dangerous enough - it's another to stop a train without damaging what's inside it. National heritage or not, men will die. There are more important targets than a train filled with art. Things change, though, and eventually Labiche and the remnants of his resistance group find themselves trying the impossible.
I've always been a little leery of Burt Lancaster. Maybe I was traumatized by viewing THE RAINMAKER or ELMER GANTRY at a young and impressionable age. He sometimes seems all horse teeth and braying charm and dis-tinct e-nunc-ee-a-shun. Not so here. In THE TRAIN he's restrained and natural and completely convincing. Scofield is equally strong as his brutal nemesis.
Sometimes the extras on a dvd aren't worth the bother, but I loved the director's commentary by the late John Frankenheimer. It was like taking a course in the art of film making.
Frankenheimer tells us he was trying to give the movie a realistic feel, which I understood before listening to the commentary track but didn't really understand how he went about it. One trick he used was to open the f-stop on the camera and keep everything in focus, something that would have been impossible if THE TRAIN wasn't shot in black and white. Everything is kept in focus and he keeps the background action busy and interesting.
Frankenheimer is an unabashed fan of Burt Lancaster, with whom he made five movies. Not only does Lancaster do all his own stunts in this one, including a dangerous backwards fall off of a moving train, he even fills in as a stunt double for another actor. The original stuntman made a fall off a roof look like an "olympic jump," and 'realism' was the keyword in this one. Lancaster did take a nice tumble off the tiles, but you've got to wonder about the wisdom of it all. Lancaster was injured during the filming of THE TRAIN; on his first day off in weeks he played a round of golf and twisted his knee when he stepped into a hole. His right knee swelled up 'like a basketball.' Frankenheimer shot Labiche in the leg halfway through the movie to explain the limp.
The only phony movie aspect to this movie is the dubbed voices of some of the French actors. You can't hide dubbing very well, and Frankenheimer doesn't have much to say about it. I wouldn't knock a star or even a half-star off because of it. This is a tremendously entertaining film.

Great movie.
There are an amazing amount of action films these days. Each one of them attempts to beat the last one's visual effects. And in this competition, hollywood has lost track of what makes a truly great action film... Skill. Most of the action films these days are entirely uncreative, and many of them are very, very boring. Who really want's to see a dozen tiles fall to the ground and break in slow motion, as films such as "the Matrix" use this technique constantly. But this film is different. It carries raw emotional power, and it's star, at age 50, did all of his own stunts, and even drove the locamotives that his character drives. This movie is awesome, and I highly recommend you buy this DvD. And by the way, this music track is a lot of fun to listen to when you're sick.

Perfect film on less- than- great DVD
The audio on the MGM DVD was lacking the full spectrum of audio, in my opinion. If you don't care so much about audio, it would be a 5 star DVD, but for those feeling that audio is an important factor, a star must be deducted. Bass and treble just weren't tweaked in DVD production which made the audio seem really flat, and I know that MGM could have produced a better job. It seems that a good number of the MGM DVDs lack the care and attention of producing consistently superior products.

The DVD gives the viewer options to listen to music only and has an option for director's comments during the film. I was at first dismayed because at the beginning of the movie, director John Frankenheimer just wouldn't open up. But he started sharing some interesting things as the movie progressed. There is also an 8- page booklet that gives some interesting production notes and history.

The video quality from, I think, an original film print is pristine. Frankenheimer's locations and times of filming were very effective in evoking a very dismal feeling as the European conflict was drawing to a conclusion. I love Frankenheimer's use of deep focus -- which is using wide angle lenses to have both near and far- away characters and scenes in focus -- to give a vision that many other filmmakers fail to incorporate effectively.

I'm glad that there was explanation in the film about why people were more concerned with paintings than people in a story that was loosely based on an actual event. Many westerners like Paul Labiche (Burt Lancaster) would not care about the value of crates of artwork in a time of war, but schooling by caretaker Miss Villard (Suzanne Flon) expressed the passion and pride that the French feel for such paintings. This helped explain why some would scarifice their lives to save the crates. (Ms. Flon, born in 1918 is apparently still alive and acting, too.)

It's quite a story of saving "priceless" paintings at the expense of one's life. It seems like a WWII action film (which has its share of blowing stuff up), but its story actually weighs the value of art against the value of life. Labiche from the very beginning of his introduction battles Col. von Waldheim (Paul Scolfield), who wants him to deliver the art to Germany AND The Resistance, who want the art protected from the Nazis. Labiche is actually alone in his own beliefs as an American, being tugged by both sides while ultimately struggling with making sense of the conflict over the art.

The movie is well- developed from Lancaster asking Frankenheimer to direct "The Train" after original director Arthur Penn abandoned the project a week after production. I only say that because everything that was directed by Frankenheimer was terrific. The choice of the players, scenery, editing, camera placement and post production yielded a perfect war film that wasn't simply about war. It was about the value of life and what people value in their lives.

Watch for the one scene of a runaway train's derailment -- one of a dozen cameras mounted to film the scene -- came within inches of being wiped out by the locomotive's wheels and the scene has become a classic in filmmaking history. ... Read more

Amazon.com

Based on Thomas Harris's novel, Jonathan Demme's terrifying Silence of the Lambs really contains only a couple of genuinely shocking moments (one involving an autopsy, the other a prison break). The rest of the film is a splatter-free visual and psychological descent into the hell of madness, redeemed astonishingly by an unlikely connection between a monster and a haunted young woman. Anthony Hopkins is extraordinary as the cannibalistic psychiatrist Dr. Hannibal Lecter, virtually entombed in a subterranean prison for the criminally insane. At the behest of the FBI, agent-in-training Clarice Starling (Jodie Foster) approaches Lecter, requesting his insights into the identity and methods of a serial killer named Buffalo Bill. In exchange, Lecter demands the right to penetrate Starling's most painful memories, creating a bizarre but palpable intimacy that liberates them both under separate but equally horrific circumstances. The Silence of the Lambs won 1992 Oscars^® for best picture, actor, actress, director, and adapted screenplay.

Ten years later in Hannibal, Dr. Lecter (Hopkins) is living the good life in Italy, studying art and sipping espresso. FBI agent Clarice Starling (Julianne Moore, replacing Foster), on the other hand, is now a quiet, moody loner. A botched drug raid results in her demotion--and a request from Lecter's only living victim, Mason Verger (Gary Oldman, uncredited), for a little Q&A. Little does Starling realize that the hideously deformed Verger is using her as bait to lure Dr. Lecter out of hiding. Taking the basic plot contraptions from Harris's baroque novel, Hannibal is so stylistically different from its predecessor that it forces you to take it on its own terms. Director Ridley Scott adeptly sets up an atmosphere of foreboding, but it's all buildup for anticlimax, as Verger's plot for abducting Dr. Lecter doesn't really deliver the requisite visceral thrills, and the much-ballyhooed climatic dinner sequence wobbles between parody and horror. Hopkins and Moore are both first-rate, but the film contrives to keep them as far apart as possible, when what made Silence so amazing was their interaction. When they do connect it's quite thrilling, but it's unfortunately too little too late. ... Read more

Reviews (7)

Solid thriller combo.
The Silence of the Lambs-Probably the most genuinely disturbing psychological thriller ever made, Silence of the Lambs is a must see, but its dramatic power, dark insight into the human psyche, and ugly violence (most of which is implied) ensures it's unlikely you'll watch this film more than once. But on a first viewing, almost nothing matches this thriller's heart-pounding suspense, from Hannibal Lecter's attempted escape to the literally dark climax. Howard Shore's foreboding score adds nicely to the intense atmosphere.
**** 1/2 out of *****

Hannibal-This underrated sequel looks and feels quite different from its predecessor. It has no intention of excelling as a pyschological thriller, but neither is this a straight through-and-through gorefest. Certainly entertaining but hardly mind-blowing, Hannibal is at least visually stylish and unpredictable, if not also somewhat silly.
*** 1/2 out of *****

Two GREAT, GREAT movies on wonderful special edition DVDs!
While it is a bit sad that all four Hannibal the Cannibal classics will most likely never be released in a box set, I can understand it because of the different companies who have made the movies. This box set, however, is quite excellent. I myself feel that The Silence of the Lambs and Hannibal are both equally brilliant and deserve a place in any person who calls himself a movie buff's collection.

The Silence of the Lambs was director Jonathan Demme's academy award winning 1991 classic. The success of the film, however, should not only be attributed to the director, because it was the work of the cinematographer, editor, writer, set director and, most of all, brilliant actors. Jodie Foster -IS- FBI agent Clarice Starling, brilliant, young, attractive (well, not really) and tough. Foster perfectly displays the emotions that go through her character and her growth throughout the picture. Some of my favorite scenes were where she discovers Buffalo Bill (the way she yells "freeze" is great!) and when she stands up to a crowd of men and orders them out of the room where an autopsy is taking place. Anthony Hopkins completely deserved his academy award as Hannibal. His portrayal of Hannibal and his personality was quite interesting. The way I see it, Hannibal is quite a nice gentlemen, but has a very large problem, that being his love for the taste of human flesh. I think you can tell from his scenes with Clarice Starling what a polite person he is. He might ask some personal questions, but the way he talks is courteous and friendly, if a bit intense. The cinematography of the film is fabulous, too. Clarice's descent into Lecter's holding cell is expertly handled, and the near final sequence with Clarice and Buffalo Bill is almost unbearably intense, thanks also to some wonderful music by Howard Shore. All in all, The Silence of the Lambs is a classic thriller which will live forever and deserves a place in everyone's collection.

The controversial sequel, 2001's Hannibal, is really quite an underappreciated piece of brilliant cinema. Ridley Scott is in top form as director here. The movie is overloaded with style of every type. Slow motion, overhead views, stylish flashbacks, sped up film, intense action and a brilliant use of classical music all add up to create an extremely memorable viewing experience. As for actors, they are all perfect. I was surprised to not think once about how well Julianne Moore was doing in comparison to Jodie Foster, and that was because she was equal to Foster. Rather than copying Foster's performance in The Silence of the Lambs, Moore makes the character her own. The Clarice of this film is meaner, more cynical and has a much smarter mouth than Foster's Clarice. This is because Hannibal takes place ten years after The Silence of the Lambs, so naturally, she wouldn't be such a goody goody, follow-the-rules woman. Anthony Hopkins steals the show as Hannibal. He is just as great as in the previous movies. In this film, Hannibal is free and loose, and from Hopkin's great acting, you can tell how much he treasures his freedom. Just look at how he sips his brandy and his cappachino. I loved that Lecter was free to do what he wanted in this film. Critics like Roger Ebert didn't seem to, and felt it took away from his mystery and creepiness. As much as I love Ebert, I must disagree. Having Hannibal out of the mental home was a work of genius and added a ton of creepiness to the flick. I have read Thomas Harris' novels The Silence of the Lambs and Hannibal and feel that both movies do the books extreme justice, and, unbelievably, outdo them. In the case of The Silence of the Lambs, the movie version very accurately portrays the book version. Hannibal, however, was changed quite a bit. One part of the book I really liked that is nowhere in the film was Mason Verger's lesbian, body building sister, Margot. Also, Mason's love of terrorizing kids wasn't shown much in the film. The ending was suprmemely changed, but believe it or not, I liked the movie ending better. Hopkin's and Moore's performances in the finale are pitch perfect. Nothing removed from the book lowered my love for the film.

This set comes with two fantastic special editions. On The Silence of the Lambs, we find two documentaries, one old and one new, with the latter being quite fabulous. There are twenty minutes worth of deleted material. Some stuff was worthless and some stuff was very good, like one where Clarice is suspended by the FBI (Krendler's hate of her is set up for the sequel). There's also a rather funny phone message Anthony Hopkins left on his answering machine. Finally, posters, TV spots and a trailer are presented. The movie is in excellent 1:85:1 anamorphic ratio and has great 5.1 surround sound. The sequel is a fully laden two disc extravagenza which includes commentary by Ridley Scott, a very long documentary, 38 minutes of deleted and extended scenes, trailers and an "anatomy of a shootout" feature. Also presented in 1:85:1 anamorphic widescreen and with really good 5.1 surround sound. If there is any problem with these DVDs, it is the fact that the The Silence of the Lambs disc has almost none of the features found on the Criterion DVD, which included what I hear was an excellent audio commentary. It sounds like Criterion has a real problem with passing over any special features to a different company, so I can't blame MGM.

Overall, both of these films are masterpieces and the set is great. Also pick up Manhunter and Red Dragon on DVD from Anchor Bay and Universal.

If you found my review helpful, please vote for me. Thank you.

Now, if you'll excuse me, I'm having an old friend for dinner. Ta ta.

A Thrilling DVD Collection
1992: "Silence Of The Lambs" struck a chord with audiences, causing them to visit their therapists more often, it was said, and people became fans of Anthony Hopkins' portrayal as the elegant, intellectual, charming but psychotic cannibal ex-therapist Hannibal Lecter. Based on the novel by Thomas Harris, the movie won a host of awards, including best picture. Jodie Foster portrayed the novice FBI agent Clarice Starling, whose chemistry with Hopkins was what carried the weight of the film and made it an Oscar winner.

On DVD, the experience is very thrilling and state-of-the art. Silence Of The Lambs still sends chills down our spines, and engages us in a disturbing world of madness, tinged with cynical humor and engrossing conversations between Hopkins and Foster. Anthony Hopkins is Hannibal Lecter, the former therapist turned cannibal and criminal. It's undoubtedly Anthony Hopkins' trademark role and one that he will be remembered by. We are unnerved when Hannibal Lecter first meets Clarice Starling in the dungeon of the prison, where he confesses that he once "ate a man's liver with some fava beans and a nice chianti". To extract information revolving the transvestite skin-collector Buffalo Bill, Clarice must reveal deeply personal and traumatizing events from her childhood. She recalls running away from an abusive home only to witness the slaughter of innocent lambs in a farm house. The memory continues to haunt her and is reawakened by the hypnotic power of Dr. Lecter. The movie ends with the capture of Buffalo Bill and Clarice Starling's promotion. But Dr. Lecter manages to escape his cell and vanishes into Italy. Which brings us to the next film in the collection, the sequel, also based on the book by Thomas Harris. The follow-up "Hannibal".

2002: Ten years after the release of "Silence Of The Lambs", and ten years after the plotline of that particular film, we find Clarice Starling in a precarious situation. She has been demoted during a violent incident and is still haunted by memories of Dr. Lecter. A lonesome woman, she receives letters from Dr. Lecter, who (like old times) wishes to help Clarice get her career going again and capture another notorious psychotic killer. Dr. Lecter has been living a comfortable and reclusive life in Florence, Italy, a city which had always enchanted him. In Florence, Lecter attends operas, plays Bach's "Goldberg Variations", sips champagne and yes, still hungers for human flesh. Clarice and another agent (played by Ray Liotta) attempt to foil Dr. Lecter's machinations, but are captured and imprisoned in the dining room of Starling's home. In a disturbing sequence, Dr. Lecter, Starling and the FBI agent eat a dinner with the main course being the agent's own brain. Dr. Lecter manages to escape once again.

Most recently, the pre-quel to the events in "Silence Of The Lambs" was released, based also upon the successful Thomas Harris novel "Red Dragon". Red Dragon is still to be released on DVD. These films are the perfect "thriller" collection, each with its own striking features, plus interviews with the actors and director. For fans of the Thomas Harris novels and fans of the films, this is a genuinely superb gift.

Good Movie, Good guy Lecter
I honestly think this is a good movie, but their are a few things that bother me. For one, besides when he hung the one guy, Hannibal Lecter is more of one of the good guys in this movie. Lecter has some sort of skill to make people do what he wants, He even made Mason's helper throw Mason into a lair of boars and Clarice helps him escape.

Brilliant Anthology
Although Hannibal may not have been nearly as good as the first I still thought Ridley Scott did a great job of directing it and The Silence of the Lambs was also very very good and had great acting all around. Be sure to check out Red Dragon it's as good as The Silence of the Lambs! ... Read more

Amazon.com essential video

Inspired by the 1960s TV series that starred James Garner in the title role, this lightweight Western from 1994 proved to be a surprising box-office hit. Well, maybe not such a big surprise, since it's from the star and director of the Lethal Weapon movies, and operates with a similar combination of mainstream plotting and easygoing humor. Mel Gibson stars as card-playing gunslinger Brett Maverick, who meets up with wily gambler Annabelle Bransford (Jodie Foster) and a marshal named Zane Cooper (James Garner, trading his old role to Gibson) on his way to the World Series of poker in St. Louis. Maverick's trying to raise the $5,000 needed to join the high-stakes contest, but that's easier said than done due to a lot of unscrupulous competition and a twisting plot of tricks and deceptions. It's all played for laughs and action, so the movie never wears out its welcome, despite a running time that could've used a good trimming. It's also fun to see the rapport between Gibson and Garner, as if the present and former Mavericks were a kind of surrogate son and father, bonded by their mutual skill in charming and conning their way through tight spots. Director Richard Donner also pays tribute to old Westerns by casting veterans of the genre in cameo roles (including Bert Remsen, Dub Taylor, and Denver Pyle), and Gibson's Lethal Weapon costar Danny Glover pops in for a surprise appearance. None of this really adds up to much since the movie makes no pretense about taking itself seriously, but that's precisely why audiences found it so entertaining. --Jeff Shannon ... Read more

Reviews (39)

Almost A Delight
Like so many other movies based on popular TV shows, this one seems to fall a little short, somehow. The cast is fine, although Mel Gibson is a little more intense as Bret Maverick than James Garner was. Garner had a laid-back quality that suited the role well. Putting Garner in this movie was a nice touch, by the way, and he and Jodie Foster are delightful. Gibson is fine, too, just .. different. Of course, the slightly different feel doesn't matter much unless you remember the show, which isn't the case for many contemporary viewers. More to the point, perhaps, the TV Maverick was a western spoof. It was done tongue-in-cheek and relied on humor. The movie attempts the same feel, but the gags are rather ordinary and the plot, while it has some interesting twists in it, is slow to develop. Taken as a whole, "Maverick" comes across as a fun movie, but there isn't much in it to lift above the ordinary. It's too bad they haven't tried making another, though. After all, the first "Star Trek" movie wasn't great, either. I rate "Maverick" 3+ stars. There are funnier western comedies out there and, unless you're a fan, you might want to see this before buying it.

How The West Was Fun!!!
'Maverick' is by far the best western movie ever! Fast paced, action packed, suspenseful, and funny (very funny), Maverick keeps you on your toes and leaves you screaming for more!

Mel Gibson kicks butt (literally) as Bret Maverick, a handsome, slick and roguish card player trying to win enough money to enter the biggest card game of the year. While trying to win some dough, he meets the scheming thief, Annabelle Bransworth (played by Jodie Foster). I love Jodie Foster in this movie, I never knew she was such a comedian!

'Maverick' is a witty, charming, and hilarous western comedy. A must-see.

ALL ROUND ENTERTAINMENT
Mel Gibson's Maverick is somewhat goofy but charming, sly, and fairly humorous.

A number of excellent cameos provide some comic relief, especially Danny Glover near the beginning of the movie. The biggest surprise for me was Jodie Foster, who, in an impressively rare comedic role, thankfully discards her repetoire of facial tics for a much more natural performance here.

The plot is kept pretty simple until near the end -- and the end has a great twist, which I won't divulge. Suffice it to say that your time will be well spent.

Recommended rental for sure, but also consider buying this excellent DVD because this comedy does well with repeat viewing.

Another widescreen review
PICTURE QUALITY = 4-SOUND QUALITY = 5+The overall picture quality is pleasant and satisfying. Color is nice but pxilazation is very present in the begining of movie. Improves as movie goes on. This being a very senic movie I was not completly happy but still satisfied. Could've been a bit sharper and remastered from high definition but wasnt.The sound quality in Dolby was awesome. Not in Dolby Digital but on a system with Pro Logic II it souded great if not better than most non-digital dolby surround. All surround sounds are present and really stood out. The soundtrack is placed perfectly and surrounds the room. Very happpy with this DVD sound quality.THE MOVIE - *note spolier. The movie was excellent in all entertainment areas if your looking for a FUN Western movie. Comedy, action, stunts, scenery, and many great actors. Everything you would want in a "fun" western film in the old fashioned tradition. Light on violence and good enough for the whole family.*Spoiler - The best (and my favorite) thing about this movie is the fact that James Garner still plays as Maverick even though the audience doesn't know it. Watching it over and knowing that Mel Gibson is playing his role as "the son of Maverick" and James Garner is still the orginal character he played in the past makes this a great movie to watch over and over.My overall review is that it is worth buying and I'd give it 5 stars if the picture was just a touch better. Don't be fooled though, I have a large projection widescreen tv with a progressive component DVD player so I see almost any grain there is if any is present. Overall this DVD was satisfying enough to make me happy I bought it. On any other tv it will display a perfect picture. Sound quality is great on a home theatre sound system.This is a movie that should be made on a Superbit DVD.

Good film. Good Fun.
You don't need to know a thing about the old TV show to enjoy this comedic gem. There are several plot twists that will keep you interested from start to finish. Couple that with a great script and an excellent cast and you've got the winning formula from which this movie was built upon.

P.S: Watch closely for a hilarious Danny Glover cameo! ... Read more

Reviews (128)

Stunning, effective and heart-felt...
I saw this within the first week of its release, and I was profoundly shaken by its power. Spielberg, after "E.T." proved himself as a director to be reckoned with. Too bad the Academy didn't think so. There's little to be known about the plight of rural Black landowners during the depression, so we're relying on Alice Walker's novel as the basis of the riveting narrative of Celie's journey through a remarkable life. I remember protests against the film because of Danny Glover's wonderfully centered mean guy (even though he's the ultimate, sad hero). I've seen nastier people in White-centered films, and Danny's nastiness doesn't even come close. Still, he was deserving of a nomination, showing many layers of a complicated character. I really think this is a women-driven film, since the best characters (and acting) came from the many fine women's roles. Whoopi was certainly wonderful, though she didn't show up until a half hour into the film. Celie's young character, played with wonderful strength and pathos by Desreta Jackson was appealing. Akosua Busia was confident, as was Dana Ivey, in a bit of inspired casting, as the rich white woman, a grand display of idiocy and ignorance. Rae Dawn Chong's character should've been developed more, since she figured significantly in the final outcome. Oprah, of course, was the most memorable character, since she had the showiest role...or did she? I wanna know what happened to Margaret Avery (Shug). To me, she gave the best performance in the film. Trashy, sweet, soft, sensitive...she had to do it all. Her final scene with her father brought tears, her strength of character made Celie the strong character that she became. Her career should've taken off after this film. The women are the driving force in this film, and there's not a weak one in the bunch. Larry Fishburne (Swain) had one of his first roles, and Willard Pugh was delightful as Harpo...and whatever happened to him? I loved Avery the most, but Glover, after a great role the previous year in "Places in the Heart", showed great versatility. Overall, this is a film of passion, warmth and emotion. It's always been one of my favorites. The DVD version is lacking in too many ways; I'm sure an anniversary version will be coming out soon. Commentaries would be nice, since most of those involved are still around. I was a bit annoyed that I had to turn the disc over during Celie's most life-affirming scene. There was also protest that this film was nominated for 11 Oscars and won nothing, suggesting anti-Black behavior from the Academy. 8 years earlier, "The Turning Point" was also nominated for 11 Oscars and won nothing. As one critic said, "Does this mean the Academy is anti-tutu?" The whole argument is silly, and no one can explain why Spielberg won the Directors Guild award though no Oscar nomination...this is a great argument for people to ignore awards and critics. This film is a delight...sad, humorous, insightful...and very powerful. You should see this, and have tissues handy. When Shug hugs her father at the end, the power of the music and the moment can't help but take you away. Then, of course, there's the final moment when Celie sees her kids... Then there's Oprah, snapping out of her funk and announcing that she's home again. See it. Love it. It's worth it.

"Miss Celie, I Feels Like Singin'!"
I just bought this disc and watched it last night. I bawled my eyes out. I haven't seen it in many years and had forgotten what an incredible film it is. I gave it only 4 stars because of what many other reviewers have said about the DVD -- it's not double-layered and requires a "flip" right after Celie and Shug kiss.

I was particularly moved by Oprah Winfrey's performance. We all know her as OPRAH now. I'd forgotten how amazing she was in COLOR PURPLE.

I think if Spielberg made this movie today he might not shy away from some of the heavier themes like he did in 1985. But his filmmaking technique was incredible for this film. It plays like an old-fashioned Hollywood movie. The colors are gorgeous. (How did they get all those perfectly purple flowers in that field ? ) The camera work is exciting.

Everyone has their "crying" moments in COLOR PURPLE. These are mine: 1. The breakup of the sisters ("Ain't no mountain, ain't no sea..."). 2. Celie gets the letter ("I got two children..."). 3. God's Tryin To Tell You Something ("See daddy, even singers got soul") and, of course, 4. The end.

It's about life. It's about love. It's about us. Thank you Alice Walker, Steven Spielberg, and Whoopi.

"It's about time we had some stability around here."
This film received 11 Oscar Nominations back in 1985, won none of them(Shame on you, Academy voters!), and really should have won Best Picture over "Out of Africa." Whoopi Goldberg never got another role like this one, showing her incredible and untapped acting talent by way of Steven Spielberg's inspired and altogether ambitious direction. Mr. Spielberg was not even nominated for Best Director(Shame on you, Academy voters!). It was great to hear that he did win the Director's Guild Award(handed out by his peers), but this horrible oversight still needles me to this day. Back to the acting. Oprah Winfrey was given an Oscar nomination, as was Margaret Avery, but there are so many stunning performances here from the entire cast that pointing out any standout performances is nearly impossible. There is also some clever film editing(certainly the most under-rated facet of filmmaking), that keeps the film constantly fresh and the story moving forward with some fantastic cinematography. The only thing that breaks the continuity is that the character "Celie" is played by two different actresses, while her sister "Nettie" is played by a single actress both at a young age and when she is older. It is really a small discrepancy given that both actresses that play "Celie" are excellent(in particular, Whoopi Goldberg). For those who know only Whoopi's fairly lame films like "Burglar," I guarantee you will be pleasantly surprised by her amazing work here. There are many moments in the film that are so genuinely touching and heartfelt that by the end of the final scene I suddenly realized that it never felt so good to cry. This is easily one of my favorite "Spielberg" films. Everything about this movie is gorgeous! Thank you.

Definitely A Classic
A black movie nominated for 11 Oscars should hint every citizen that this movie is definitely beyond a classic. It, in every way epitomizes the plight of being black in the United States. Every person should have this DVD in their collection and reflect on the better things of life & respect evry human being. Whoopi Goldberg, Margaret Avery, Danny Glover, Oprah Winfrey, Congratulations to you all. Fabolous performances. I hope that the Academy of Film can give the African American society a chance to bloom their talent. Its really not fair. I mean talent is out there and it is not being regarded in anyway. Once the black man is allowed to make movies then he should be recognized on the same grounds with the white man.

A Very Inspiring Movie.
Usually when people hear the names Whoopi Goldberg and Oprah Winfrey, we usually think of Day Time Talk Shows and comedic film roles. Both women as well as the other cast of the film deliver awesome performances as African Americans fighting to survive in a predominately white town. The movie will make you have a new take on life no matter what race you are. It teaches you respect and loyalty, as well as passion for the people you love. If you are a fan of Forrest Gump and other movies that whisk you away to different eras, you will love this. One of Spieldberg's best. ... Read more

Amazon.com essential video

Robert De Niro stars as an American intelligence operative adrift in irrelevance since the end of the Cold War--much like a masterless samurai, a.k.a. "ronin." With his services for sale, he joins a renegade, international team of fellow covert warriors with nothing but time on their hands. Their mission, as defined by the woman who hires them (Natascha McElhone), is to get hold of a particular suitcase that is equally coveted by the Russian mafia and Irish terrorists. As the scheme gets underway, De Niro's lone wolf strikes up a rare friendship with his French counterpart (Jean Reno), gets into a more-or-less romantic frame of mind with McElhone, and asserts his experience on the planning and execution of the job--going so far as to publicly humiliate one team member (Sean Bean) who is clearly out of his league. The story is largely unremarkable--there's an obligatory twist midway through that changes the nature of the team's business--but legendary filmmaker John Frankenheimer (Seconds, The Manchurian Candidate) leaps at the material, bringing to it an honest tension and seasoned, breathtaking skill with precision-action direction. The centerpiece of the movie is an honest-to-God car chase that is the real thing: not thehow-can-we-top-the-last-stunt cartoon nonsense of Richard Donner (LethalWeapon), but a pulse-quickening, kinetic dance of superb montage and timing. In a sense, Ronin is almost Frankenheimer's self-quoting version of a John Frankenheimer film. There isn't anything here he hasn't done before, but it's sure great to see it all again. --Tom Keogh ... Read more

Reviews (283)

Rowan Atkinson
Odd film. Twenty years ago it would have been unremarkable, but nowadays it's almost unique - a straight-faced, serious, 'thick-ear' cold-war thriller, played like a cross between John Le Carre and Alistair McClean, but not quite as good as either. Everything looks grim and gritty, and despite the post-cold war setting there isn't any post-modern irony here, it's square jaws all the way.

A top-notch cast make it what it is, although it's not really a film about people - it's a film about action and intrigue, but mostly action. Despite the odd way in which the main characters can commit mayhem in public without anybody seeming to notice, the gun-fights seem realistic - brutal, confused affairs - and the two car chases (featuring an array of exotic European saloons, even a Citroen XM), and in particular the second, are stunning, draining, and exciting.

(Not many films have Robert DeNiro and Jean Reno pootling about Europe in a stolen Volkswagen Golf, come to think of it.)

Ultimately though, it goes on too long. The film doesn't seem to care much for the plot, and in the end it all seems strangely forgettable - it goes in one ear, and comes out the other easily enough, but you probably won't remember it much in a month or so.

Watch out for some of the ugliest 'heavies' ever committed to film, too.

Great action, great dialogue
I'm still not quite sure why David Mamet used a pseudonym in the credits, but the movie absolutely drips with his rhythms of speech. It complements the action well, otherwise the movie would be a bore outside of the car chases. The unique element is the band of mercenaries who cannot trust each other long enough to complete their mission. The cast is great: De Niro and Jonathan Pryce are Mamet veterans. Jean Reno is quite at home playing the Jean Reno character. Natasha McElhone is painfully beautiful, and one of the most capable actresses working today. She more than holds her own with the boys. But the movie's greatest strength isn't the actors or Mamet's hypnotic chit-chat, but Frankenheimer's car chases, which are "au natural". Nobody working with digital effects has generated the same level of excitement and realism, no matter what genre. The European locations are great, the cars are great, and the characters are well-rounded. Oh, and we've got a suitcase filled with who-knows-what, a la "Pulp Fiction."

meh
this was kind of dissapointing, but i had pretty high expectations. it didn't really do anything wrong, but dispite a lot of action, it wasn't the most interesting movie.

Gorilla of a Thrilla'
Spy flick, GREAT CAR CHASE... I think Car and Driver rated the chase scene as an all time best.

On solitude, camaraderie, and good moviemaking.
A mystery man summons a group of mercenaries, mostly has-beens of the grand spy game. What follows? Naturally: lead is flying, the tires are burned by former Formula 1 drivers, and the cast proves to be an ensemble that could light up more than one firmament. A recipe for cashing-in -- one could say -- but rarely a recipe for an instant classic. Ronin, however, just clicks. Clicks as Rubik's cube would and pulls us into a ninety-degree spin and onward to enchantment and an immense adrenaline rush. Why? Because it treads on irresistible subjects of solitude, camaraderie, love and betrayal -- here all served on the palette of the post-cold-war games -- and does so with a seductive flair. From the first group scene in a decrepit Montmartre bar, we are reminded that people often need to be distrustful in order to survive and that the sinister in life might be only an inch away. John Frenkenheimer (The Manchurian Candidate) captures that exceptionally well and leaves little to chance: the careful selection of actors, locations and camera movements solidifies this movie. The story never falters, even though the main price and the stated opposition are both rather enigmatic. The dialogues between Sam (Robert De Niro) and Vincent (Jean Reno) are lean and unforgettable: "whenever there is doubt, there is no doubt...that's the first thing they teach you." A propos teaching, watching the movie with the director's commentary is an eye-opener and it should be a treat for those who make or aspire to make motion pictures. The slick soundtrack, the use of blue lens and the novel fonts used in the credits frame it well. Ronin is a delight. This film will leave begging for more even after several screenings, no doubt. ... Read more

Reviews (52)

One of the most underrated movies in the world
A group of teenage boys learn discipline, courage, and what it's like to stick together as a unit as they aboard the Albatross and ride it out into the great wide open in the Caribbean. Whether they're there because their parents want them to grow up and learn responsibility, or whether they're there because they want to be, they will all learn the comraderie, the hardships, and everything else that goes along with traveling to sea. All of the good and the bad must come together when the Albatross runs into a white squall, a MAJOR storm at sea.

How could anybody not love "White Squall"? There are a lot of great movies about going out to sea, and "White Squall" is up there with the best of them. It's not like "Crimson Tide", "U-571", and those; it's a spectacular coming of age film that has nothing to do with war. Scott Wolf, Ryan Phillippe, and the rest of the crew do a good job of acting, and Jeff Bridges does the best of all in portraying the sternness, yet warm-hearted character that is the Skipper.

If you're a fan of coming of age movies like "Stand By Me", and if you like very entertaining movies that explore the hardships of life to a tee, get "White Squall" right NOW! It's one of the best movies you've never heard of. Example line from the movie: "I don't want it to end. I don't want to go back to what I was before I came here: anonymous".

One of the best films ever! Action packed!
I think that White Squall is one of the best movies ever. Ryan Phillipe and Scott Wolf were the perfect picks to play the main roles. It tells the story of a group of boys who go on an adventure on an older ship for the summer. They travel the world. The great thing I think about this movie is it is a true example of what friendship really is. These boys come on the ship as total strangers, and end up as friends that would risk there lives for eachother. Belive me if there was ore than a five star rating, White Squall would surley get it! I think anyone who could direct such a wonderful film is a maraculus person with a heart of gold. Thank you, Ridley Scott, for showing the world what a real movie should be!

1 of the most stupid films ever
First of all, the characters all look alike and the names aint mentioned often so u dunno which guy is which. Since i gotta do a report on dis movie it aint much help. Its unrealistic in sum parts- like y aint any1 wearin life jackets when da ship is sinking??!?!?! Also. it aint very original

Squall scores
Bridges is a captain of a ship and he is on the highseas with his shipmates. other actors include Caroline Goodall, John Savage, Scott Wolf, Ryan Phillippe, Jason Marsden and Jeremy Sisto. an exceptional cast makes this one special and Bridges cares for his mates. a powerful movie

So Cool- It'll Blow you away!!
This movie was excellent- i couldn't think of anything better to say. We watched tha movie at school and we thought it would be really crappy but it turned out to be excellent. I still think that they could have designed the ending with the tornado a bit better i mean Life Jackets woud have been great even though none of the survivors drowned. I felt really sympathetic towards Alice because she was locked in an airtight room and she sunk to the bottom of the ocean with the ship, she didn't drown she would have died a grueosome death from starvation and dehydration. But overall i thought it was great, you could feel everything they did. ... Read more

Reviews (173)

A great movie.
A young man by the name of Clerence (Christian Slater) gets to meet a bright wide-eyed Prostitute named Alabama (Patricia Arquette) falls in love at first sight and then they get married. But the Couple takes a wrong turn, when Clerence told the wrong suitcase from a Pimp (Gary Oldman), which Clerence did kill him. Then Clerence & Alabama finds out that the suitcase is full of cocaine and than they decide go to L.A. to sell it and cash it in, while the Mafioso (Lead by Oscar-Winner:Christopher Walken) are searching for the Drugs and the Couple.

Directed by Tony Scott (The Hunger, Top Gun, Enemy of the Gates) made an excellent, clever thriller with romance. Excellent Performances from the Cast, including:Dennis Hopper, Val Kilmer, Micheal Rapaport, Bronson Pinchot, Brad Pitt, Saul Rubinek, Chris Penn, Tom Sizemore, Samuel L. Jackson, James Gandolfini & Conchata Ferrell. This wasn't a huge success at the Box Office but it did recieve great reviews by Critics and it become a Cult Classic. DVD's has an terrific anamorphic Widescreen (2.35:1) transfer and an digitally remastered-Dolby Digital 5.1 Surround Sound (Also on DTS). DVD's has three separate feature-length Audio Commentaries by Stars:Slater & Arquette, Director:Scott & Writer:Quentin Tarantino. DVD has nearly 30 mintues of Deleted Scenes (also an Alternate Ending) with/without commentary by the director & writer. This DVD has great extras. Tarantino wrote a terrific written script, which he's best known for Reservoir Dogs, Pulp Fiction & Jackie Brown. This DVD is a great 2-Disc Set. Do not miss this great film. Panavision. Grade:A.

Stay True To Yourself
Directed with a slick style by Tony Scott (Top Gun, Spy Game), True Romance, boasts an all star cast, a cool soudtrack, and a great script from Quentin Tarantino. He would of course, go on to write and direct Resevior Dogs, and Pulp Fiction. I happen to think though, however, that the script for this film is Tarantino's best work in anything he's ever done. Period I know I'm probably in the minority with that opinion, but most of the the other films he's written/directed himself, have a samenees to them.

Clarence Worley (Christian Slater) likes comic books, Kung Fu Films, and Elvis. He leads a fairly normal life, that is, until he meets call girl Alabama (Patricia Arquette). After a spending a passionate night together, they declare their love for each other, and they decide to get hitched. Clarence is visited by the ghost of Elvis (Val Kilmer) who tells him that he should kill Alabama's pimp Drexel (Gary Oldman)... Dennis Hopper Michael Rappaport Christopher Walken and Brad Pitt also star in this quirky, sometimes dark, love story.

The 2 disc DVD director's cut is a must for fans of the film, over the movie only disc version, that still available.

Disc One has the unrated director's cut of the film. There are 3 audio commentary tracks. Each one offers a unique perspective on the same film and it's kind of fun to have these different takes on the same film. All of the tracks are decent and never lag (especialy Tarantino's who barely misses a beat) The director's storyboard track allows for a side by side comparison between the final film and how Scott laid everything out beforehand. DVD-ROM stuff includes the original script, production notes, and a web site archive with a few links

Disc Two has interviews with both cast and crew, some interesting on the set footage. Cast members offer audio reactions to specific scenes that they appear in as they watch them--this is really cool. Comments are from Hopper Kilmer Pitt and others There are a number of deleted scenes that can be viewed optional commentary from Scott. The best extra is the alternate ending. Rounding out the extras are the ususal trailers and photo galleries and such.

This 2 disc set comes highly recommended

excellent
I loved this mov