Reviews (17)

The whole is worth less than the sum of its parts
Whilst Prêt A Porter might be taken as a sly dig at the Paris fashion industry, its appeal is probably limited to those it satirises, that is the designers, models, buyers, journalists, and other hangers-on.

Someone close to the world of these famous designers with their peculiar costumes and logos might get every one of the jokes, references, and even know that some of the real-life people the characters are based on.

The problem is that this world is an exclusive one. Whilst This Is Spinal Tap and The Blues Brothers satirised an industry and an art form known to many, the Paris fashion scene is available only a select few. For an object lesson in how to spoof the fashion business without alienating the general public, see Absolutely Fabulous.

The impressive roster of actors in the film (Sophia Loren, Lauren Bacall, Richard Grant, and Julia Roberts to name but four) and the directorial talents of Robert Altman are really wasted on a movie that is of such limited appeal.

Not Classic Altman But Far From Awful
Most critics harped on this movie's lack of "depth" when it originally came out. My question is, how would a comedy with "depth" about the fashion industry play? I'm sure it would be much more unwatchable than the witty display Altman puts on here. Yes, there's too many characters and yes, Altman glides over everything without much development but he directs with a sense a fun and keeps the whole thing smooth and amusing. He's much less judgmental about the fashion industry than a director in his seventies might be: in a movie fillled with star performers and designers, everyone is depicted and even photographed is a very democratic manner even if they're all made out to be slightly ridiculous. Only Sophia Loren is really given the "star" treatment in her appearances and even that is done mainly as parody (she begins the movie in a frumpy bathrobe and glasses-who else but Altman would have the nerve to commit such a breach? ) It's arguable that the movie is a little trite-but then so is the fashion industry. I think people were disappointed in this movie primarilybecause Altman didn't stage a fashion show, he only covers one. Altman does here what he's always done well: shown off the farcial elements of American social and political institutions. As for Leonard Maltin, I'm sure his mind is numb after a lifetime of overpraising movies much worse than this one.

A wonderful evocation of Parisian fashionistas
This is one of my favourite films.

Many of the critics of this movie missed the point. This movie is not about plot or characters. Robert Altman does what movies are for; he takes us to another place.

What Altman does is give us a vivid impression of the incestuous whirl of the fashion world. His world is populated by both real designers (as ever spotting them is half the fun). and wonderful performances such as Richard E. Grant as a male Vivienne Westwood.

The movie also effectively transports us to Paris. And yes, Paris really is covered in "Dog Poop" (they were Paris jokes, not Poop jokes).

I think that many of the jokes about Paris, may have gone over the heads of US movie critics who have not set foot outside LA and New York.

One of the reviews of this movie described the fashion shows as "pointless". They were pointless in the same way a Monet is pointless; they were in the movie because they are beautiful.

To summarise, if you love Paris and you love fashion, you will love this. The closing credits of a montage of Issey Miyake and other fashion shows set to Grace Jones' "La Vie En Rose" is worth the price of admission alone.

As Inspector Clouseau might've said, "eet ees a bheumb"
You know you're in trouble when the camera pulls in for a lingering close-up of dog poop. Then we see someone step in the poop. Hardy-har-har, Bob Altman, are we supposed to split our sides laffin' at this here real sophisticated-like "comedy"?

An earlier reviewer asked if anyone knew why Danny Aiello ends up in drag. Well, I'll tell you why. Altman needed someone to utterly humiliate, and poor Aiello (a wonderful actor savagely mistreated here) gets saddled with the, um, "honors." As do Forest Whitaker and Linda Hunt.

In fact, trashing actors known for their sensitive portrayals in other (and better) films is the closest thing that Ready to Wear has to a plot. The degrading scene between Hunt and Stephen Rea left me feeling contaminated. If the editor Hunt portrays had been a glamorpuss type, then the bit about getting on her knees and pricking her fingers on rose thorns that Rea tosses at her might have been barely amusing. But Linda Hunt is so delicate that you feel protective of her; the physical contrast between her and the strapping Mr. Rea makes this sequence play like an excerpt from a training film for joining the Nazi party. It's disgusting. In its own repellent way, it's nearly as horrific as the dreaded coke bottle in the face nightmare from Altman's The Long Goodbye.

The only performers who transcend this deeply unfunny unforgivable fiasco are Anouk Aimee and Julia Roberts. Aimee alone is treated with dignity; she brings a real poignancy to her role as a successful businesswoman who's being sold up the river. Bob does his best to desecrate Julia but she outfoxes him with her devastating smile. Although her role isn't much, she manages to keep her footing as almost everyone else gets lost in the mudslide.

Or is dog poop??

Not What I hoped for.
I really had hoped this movie would be better. There really wasn't too much of a plot. There certainly are cute elements.
As always Tim Robbins and Julia Roberts were adorable. Otherwise
I can't really say a whole lot for the movie--Sorry:( ... Read more

Amazon.com

Effectively a "lost film" soon after its original release, this dreamlike yet razor-sharp movie from the amazing early-'70s arc of Robert Altman's career was among the most mesmerizingly beautiful color films ever made.Where on this planet did Altman and cinematographer Vilmos Zsigmond find such colors, such an awesome fairy-tale landscape?(Ireland, as it happens.)Even more extraordinary was the inside/outside landscape of the heroine's consciousness: this is a movie in which madness is inseparable from imagination.Susannah York gives a brave, supernally freaky performance as a married woman who may be an adulteress, may only be fantasizing about it, may be pregnant, may merely be giving birth to a world.René Auberjonois, Hugh Millais (McCabe and Mrs. Miller's fur-clad assassin), and Marcel Bozzufi play the men in her life, some of whom may be dead, some of whom are going to be.They all exchange names at various times as Cathryn meets herself coming and going, in search of unicorns.--Richard T. Jameson ... Read more

Reviews (6)

Freaky 70s Altman
After hearing about this being one of Altman's "lost films" I was in a hurry to find it once I learned it had been released on DVD. This is Altman much closer to "3 Women" than to "Nashville." The story is fairly surreal with some great dreamlike sequences here and there. It had me guessing for most of the film and was never boring. If you like well thought out thrillers this is for you. It probably plays best when you've read as little as possible about it too. One of my favorite 70s pieces from Altman.

Surrealist, Horror, Psychological Thriller, Art Film
I love Altman, especially from this period, but IMAGES is an aquired taste. It's what would have happened if Maya Deran had made psychological thrillers instead of art films, or if Hitchcock had followed the avant-garde (instead of leading it). It's an interesting experiement, and I enjoyed it, but I would only recommend it to hardcore fans who like the art films of the era (like Antonioni's work). The fact that Altman had a structured story makes it less "fun" than M*A*S*H or NASHVILLE, but film buffs will still find a lot of amazing concepts.

Pretentious
The only reason why I saw this was because of Susannah York. This shows she was more capable of the dix she played in "The Killing of Sister George" and was a fine actress. Otherwise this movie is blah. It's okay to make a surreal other world but you have to make it interesting. The men in this movie are so disgusting one can't blame her for getting mad anyway. For another pointless film of this caliber see Secret Ceremony.

most exciting psychological triller!
This is the most exciting psychological thriller ever made,I thought.Direcior Robert Altman's unique style on this film magnificiently presents the see into tormented woman'madness, same as Altman's other film like "that cold day in the park('69)"and "three women('77)". The music on this film(by John Williams) is still more exciting, espesially for the percussion of Stomu Yamash'ta(the famous japanese percussionist known by Red Buddah Theatre of '70s).To my regret, this film isn't released on theatre in Japan.

FORGOTTEN CHILLER
Robert Altman's freaky fairy tale IMAGES (MGM) disappeared shortly after it's 1972 release. Susannah York is a married children's author who may or may not be a schizophrenic adulteress fantasizing about being pregnant and killing her "ghosts". Cinematographer Vilmos Zsigmond perfectly captures the evanescent Irish setting. Especially haunting is Stomu Yamashta's brilliant sound design. Altman's most original -- perhaps best -- film. ... Read more

Description

ACADEMY AWARD® nominee Stewart Stern (Teresa; Rachel, Rachel), who scripted James Dean’s Rebel Without a Cause, also wrote this 1957 documentary about the young star’s tragically short life and career.Narrated by actor Martin Gabel, the film was directed, produced, and edited by fellow nominee Robert Altman (M*A*S*H, Nashville, The Player, Short Cuts) and screenwriter George W. George (Desert Sands).It follows Dean from his humble beginnings on a farm in Fairmount, Indiana, to his OSCAR®-nominated roles in East of Eden and Giant, which was nearing completion when he was killed on September 30, 1955.Included are his traffic safety film for television and East of Eden test, while Altman later explored his enduring appeal in the Broadway play and movie Come Back to the 5 and Dime, Jimmy Dean, Jimmy Dean. Black & White 79 Minutes ... Read more

Reviews (8)

Lonely Bird
The depictions here are the only accurate substantial accounts of Jimmy Dean's life. There are no bios that can even scratch the surface about him. All of them (authors) put their ideologies above the truth of who Jimmy was. It's too bad that the only truth about this man can never be fully told even by "some" who "claim" they knew him. Christy White is the only one and maybe Bill Bast who appear to be faithfull to his past. The other closest is "maybe" the movie made by TNT in 2003.

Peace..
rj

Vintage Film
This film is a must-see for anyone wanting to know more about James Dean. It was released in 1957, over a year after Dean died, and we get to see and listen to family members who are no longer living. We hear from other citizens of Fairmount, Indiana, who knew "Jimmy." We also see and hear show business friends and acquaintances. It also includes alot of great still photographs.

Please remember this film was made in the late 50s, and its dated. It sort of depressed me watching it because it really brought home the fact that "Jimmy" has been dead almost 50 years. But I would think this film would be a necessary part of anyone's collection of James Dean films.

invaluable to anyone who wants to know more about James Dean
the information from this documentary is invaluable and the insight from his family and the people who saw him on a regular basis gives a glimpse of Jimmy that not many people saw. it is one more facet of a brilliant diamond that shone for too brief a time.one word of caution to anyone with asthma,high blood pressure,heart disese,or tramatic stress disorder,the reenactment of his fatal car crash combined with pictures from the actual crash site are a little too graphic for some.watch at your own risk.

For all of us who love Jimmy
Everything the other reviewers have written is true: this documentary of Dean's life is slow-paced, dry, old-fashioned and dated. If you're one of those people who prefer the colorized versions of classic Black and White films, then this film will probably not be to your liking. But I look at it another way: where else can you view interviews with people who actually knew Jim and knew him well? Most of these were filmed shortly in the aftermath of Dean's death, and therefore, their recolections were contemporary. Time hadn't faded their recollections of this amazing young man. You also get to see a many scenes of Dean's childhood in Indiana: his home, High School, roads he traveled, places he visited. If you're a fan of James Dean, you eat this sort of stuff up; I know I do!

A weakness is that the entire production is in black and white, so the clips they show of his color movies are not in color. It's a little disconcerting to see various scenes of "East of Eden" shown in black and white, but you'll grow accustomed to it. As for the second half of the movie, the short TV drama Jimmy made in 1954, "The Bells of Cockaigne," it is excellent and showcases yet again his amazing talent and his beautiful ability to rivet an audience. The quality of this movie is poor, and it does detract from the viewing experience. The quality of the documentary portion is excellent.

If you love James Dean, this is a must have DVD for your collection. Despite its flaws, it's still riveting because of the interviews with intimates who really knew him.

A must have for any James Dean fan!
This documentary was made right after the rebels death and success. Which is interesting because you get to hear what people who are not alive now had to say about him and see the way the world was at the time of Jimmys death and stardome. It catures the feel of the legacy he left behind. Not only that, it also includes interviews with his family and friends who are dead now along with a recording of James Dean talking with his family and a deleted scene from "East of Eden." Though the documentary was creepy and haunting, as its first image was, it was also heart felt. ... Read more

Album Description

Asian only NTSC / ALL CODE DVD. Directed & Co-Written by Robert Altman (The Player, Ready To Wear). Starring Jennifer Jason Leigh, Miranda Richardson, Harry Belafonte & Steve Buscemi. For his 31st film, director Robert Altman revisits his birthplace, Kansas City, at the peak of its vitality in 1934. Located at the crossroads of America, Kansas City thrived under the rule of city bosses and organized crime. Gambling and prostitution were officially illegal, but freely available; and a new kind of jazz played 'round the clock in the raucous clubs around 18th and Vine. While the rest of the country was mired in the Great Depression, Kansas City not only prospered, it swung. The action in KANSAS CITY occurs over the course of two days in 1934, on the eve of municipal elections. The Democratic political machine of boss Tom Pendergast gears up to get out the votes, using violence when necessary. Virtuoso jazz musicians match musical wits in all-night 'cutting contests' at the Hey Hey Club. And scrappy Blondie O'Hara, portrayed by Jennifer Jason Leigh, simulating the tough-talking broads of her silver screen idol, Jean Harlow, kidnaps wealthy Carolyn Stilton (Miranda Richardson), the laudanum-addicted wife of an advisor to President Roosevelt. Blondie's plan is to swap Carolyn for her small-time gangster husband Johnny O'Hara (Dermot Mulroney), who has been captured by big-time gangster, killer and club-owner Seldom Seen (Harry Belafonte). Johnny has affronted Seldom by robbing one of the kingpin's wealthy gambling customers; worse, he has infuriated Seldom by committing the crime in blackface. Johnny is being held in the basement of Seldom's Hey Hey Club, where the music-loving gangster moves to the jam session going on upstairs. While Seldom considers just how to dispose of Johnny O'Hara, Blondie O'Hara carts her captive, the genteel, opiated Carolyn Stilton, all over Kansas City. Once she tracks down Henry Stilton (Michael Murphy) and gives him the terms of his wife's ransom, Blondie must keep Carolyn out of sight. Inseparable for two days, these two very different women begin to understand one another as they head towards an inevitable, transforming conclusion. KANSAS CITY contrasts the emotions provoked by the film's dual kidnappings with the exhilarating jazz of the all-night jam sessions, while being surrounded by the beauty, violence and joy of a unique time in American history. A cinematic riff on race, class, power and addiction, Altman calls KANSAS CITY 'a jazz memory.' ** Please note this DVD carries un-removable / burned-in Chinese subtitles. ... Read more

Reviews (7)

Ovelooked and underated American Film Noir Masterpiece
Robert Altman, one of the foremost filmakers of the last thirty years followed up what many consider to be his magnum, "Short Cuts", with this quietly more ambitious project. "Short Cuts" finished 'place' at the Oscars to "Shindler's List" and helped spawn the career of Juliana Moore (sort of like Sissy Spacek in Welcome To L.A.) although I personally liked virtually all the other performances better (and there are some great ones in it).
The release of "Kansas City" followed hard upon the heals of the Oscar 'second best', and met with 'mediocre' to 'ok' critical reviews. Thus, the film didn't have much of a run in the theatres, playing to sparsely filled houses, who basically came to see the novelty of Harry Belafonte playing a rip-snorting gangster in an Altman film. Nor was the DVD release much of a hit.
What kept the movie alive basically was the magnificent soundtrack - a group of the best of the new generation of jazz musicians playing Kansas City jazz - well - as well as Count Basie and that guy who invented the jazz saxophone (what was his name?) - oh yeah, Coleman Hawkins, themselves. The CD became a classic, and a few people discovered that Altman had fostered this long time love for Kansas City jazz, and now that he was a bigshot and could finally raise lots of money to make any film he wanted, he decided to act on his long time dream to recreate the Kansas City Jazz scene in the early thirties in a movie.
And what an incredible recreation it is! There is even a separate one + hour film which Altman made of simply the bands (as recreated by the contemporary musicians playing all the tracks in the film and on the CD and more, and nothing else!) This film evokes an amazing, dreamlike experience and ranks with any performance of twentieth century music currently on DVD, and I wish they would release it when they release the director's cut, which I predict they will (my 30 year track record is pretty good).
Simply put, "Kansas City" is a noir masterpiece. Jennifer Jason Leigh gives an incredibly complex, brilliant performance and which is only to be matched by her foil . One of the great "two chick" flicks of all time, one wonders why Altman seems to be the only director who sees Leigh for what she is: the best American actress of her generation. Belafonte and the rest of the cast are up to the searing standards demanded by these lead performances, and the script and the almost superhuman attention to detail evidenced in the sets, editing, and every frame, make one wonder what exactly the critics had in mind when they watched this film for the first time.
But the music . . . the bands themselves take on a certain personification and become characters participating in the action of the story.
I believe "Kansas City" is due for a re-evaluation and may go down as the greatest venture of both Leigh and Altman, and that's saying a lot.

confusing and stupid plot
I rented this movie because I like period stories, especially those that take place in the 1920s and 1930s. This movie was about as dim-witted as its main character Blondie. The story was hard to follow because it made little sense, the diaglog really dull,and the movie moved at a snail's pace. And what was with the pregnant black girl? What purpose did that serve and how did it fit into the story?

This is one to skip.

good music but slow movie
If it were not for Harry Bellefonte this one would fall apart. Harry definately held it together as the only acting bright spot.
The music was very good. So if you are a jazz fan skip the movie and get the sound track.

Great Movie, Insipid Plot
The reason I adore this movie is because of the accuracy of the recreation. Everything matches with what a jazz lover knows about Kansas City at that time: the characters named in the movie - up to Bennie Moten's (died in 1935, leader of the orchestra Count Basie took over) surgeon, Charlie Parker's mother, Lester Young, Hawkins (somewhat less); the characters seen and mentioned, such as Tom Prendergast (the ganster who got Truman a start), John Lazzia etc; and characters just seen but not mentioned, such as the lady playing piano - Geri Allen, who looks like Mary Lou Williams -, the singing bartender patterned after Big Joe Turner.

Then there is the music which is just great, a successful recreation of ancient jazz, which can be heard in "Robert Altman's Jazz '34" and purchased separately in two CD's, "Kansas City" (the original soundtrack) and "Kansas City After Dark", all three available ar Amazon and reviewed.

On the positive side for the movie I'll mention the great interpretation by Harry Belafonte and Miranda Richardson (Mrs. Stilton), less so of Jennifer Jason Leigh.

I think the weak side is the plot: Blondie (Leigh) abducts Mrs. Stilton to get back his man, who is in custody of the black gangasters (Belafonte) for a hold-up. Then Blondie goes on talking and talking with a somewhat annoying and exaggerated pitch.

I conjecture Altman wanted to make a movie on his home town in the moment of maximum musical blossing and jazz development and he gave less importance to plot and characters, more to the music. I think we can be happy with that, but as a jazz lover I prefer the above-mentioned "Jazz '34".

just buy the CD
The shooting and action is high quality and typical altman, but you never grab onto the characters. Too much happens too fast, like a great jump blues tune, but as a film it's a bit out of control.

The music *is* great, so buy the CD. ... Read more

Reviews (24)

Excellent
For 6 years, Mike Myers remained one of "Satturday Night Live's" most versatile cast members, with his assortment of quirky characters and a few memorable impressions of British celebrites. So anyone would be hardpressed to choose 16 of Mike's best sketches to fit one dvd. Fotunatel, it was an easy task for the people at Broadwat Video, who have put together just about every "SNL" anthology. They sketches span from his first season in 1989 to the 1994 - 95 season, the season in which Myers left during the second half.

All of Mike's classic characters are here. Wayne of "Wayne's World" is represented in 2 hilarius sketches, one in which he and Garth (Dana Carvey) are jamming with Aerosmith and another, more popular one in which they enjoy a "wet dream involving Madonna. I also enjoyed some characters who only appeared once or twice or the ones who appeared many times but never became as popular, like Lothar, Simon, Philip and Middle - Aged Man. His passion for Britian pops more than one in the "Hedley And Wyche" toothpaste commercial, "RAF Hospital", "Simon", "Theatre Stories" and his hilarious impressions of Mick Jagger and Ron Wood. Linda Richman and Dieter are also here. I'm glad that his most popular characters are presented in complete sketches. Carvey and Sandler had to have their most memorable characters (Operaman and The Church Lady) butchered to mere montages on their dvds.

The bonus sketches are okay. I especially enjoyed "Wayen's World" and "Update Ito", bu the others weren't as good. Still, this is an excellent compilation of one of the greatest comedians of our time. Since leaving "SNL", he hit it big as a movie star with "Austin Powers" and "Shrek", but he hasn't forotten the show that made him famous. He hosted in 1997, appeared at the 25th anniversary special and made a cameo in last season's Alec Baldwin episode.

Very funny, but are these really the "best" sketches?
One of the difficulties of the "Best of" series is that someone else is deciding what's best. This is no easy task with a performer who was on SNL as long as Mike Myers. Distilling six years of performance to a mere 16 sketches (20 if you get the DVD version) inevitably leaves the serious fan unsatisfied. To be sure, this effort gives us Myers' principle characters, but they're not necessarily in their funniest sketches. The "Coffee Talk" on the tape is definitely not the funniest one he ever did, though it is the one with the biggest stars in guest roles. Likewise, there are funnier "Sprockets" and "Simon" sketches-but the ones included have serious star power. "Best" in this case seems more often than not to mean "the one where (insert famous person's name here) was on the show".

None of this to say that this isn't a funny compilation. It is. The Wayne's World sketches *are* probably the best efforts, and the others aren't dull by any means.

It just would be nice if Broadway Video did serious fans a favor and used the storage capacity of the DVD format to create performer anthologies. I would rather have *all* the sketches of a particular performer and be able to decide for myself which were the funniest. At the very least it would be nice to have the first of each major character's appearances. It would been even better to have some commentary by Mike Myers and maybe the writing staff on how the characters came into being. Now that the show has reached the mature age of 25, maybe Lorne Michaels will produce a more behind-the-scenes, documentarized compilation series in the future.

Until then, the "Best of" series is a good enough substitute. On balance, however, this may be one of the few video products that might be best bought on VHS instead of DVD. Other than the few additional sketches, many of which are drawn from Myers' return hosting of the show and not his stint as featured player, there are no special features on the DVD. The extra sketches ARE funny, and the Judge Ito Apology sketch marks the closest thing to an appearance of Austin Powers SNL has witnessed. But the question is whether these sketches alone warrant the extra price, or whether you can own the VHS but rent the DVD for one-time viewing.

As Wayne Campbell Would Say, "Excellent"
While not as versatile as Dana Carvey or Phil Hartman, Mike Myers had his own comedic charm that made him one of "Saturday Night Live's" most popular castmembers in the early 1990s'. Unlike Carvey and Hartman, Myers was a sort of character actor, relying on his own comic creations rather than impressions. Many of those characters have gone to become some of the best - known in "SNL" history and revived it as a sketch - comedy show.

Even if you don't consider this his absolute best, I find it pretty hard for anyone not to enjoy what's on here. Whether you like Wayne from "Wayne's World" or Dieter, host of the German television show "Sprockets", eveything here will make you laugh. Also, a wealth of unknown sketches are here. The "RAF" sketch with Rob Scneider as Adolf Hitler is funny if a little dated (literally dated - it takes place in 1943). "Philip" and "Lothar Of The Hill People" were two of the most controversial sketchs in the show's history. I didn't enjoy the latter sketch but the former is hysterical. The "Simon" sketch is also very funny. "Dieter's Dream" is an eerie sketch. It's easy to laugh at it (especially Phil Hartman's cameo and the "Electric Company" parody with the German nun), but you can't help but be a little freaked out by it. The "Coffee Talk" sketch features hilarous cameos by Madonna (who delightfully disses herself), RoseannEe Barr and Barbara Streisand. The Material Girl also pops up in "Wayne's Wolrd" in the infamous fanatsy sequence. It's quite gross but very funny to watch Wayne and Madonna tongue - kiss each other and to see Dana Carvey dressed in that balck outfit (the sequence is a parody of the controversial "Justify My Love" video). Also included are his hilarious impressions of Ron Wood and Mick Jagger.

This is a very funny dvd. The extras aren't that great. I enjoyed "Wayne's World" immensely and "Judge Ito" was good to, but the rest didn't do much for me. Buy this for the hilarious regular sketches. Also get Dana Carvey and the other "best - off" collections.

EXCELLENT LAUGHS FOR VALUE
Mike Meyers is one of the brightest stars to come from SNL and this brief but nice overview of some of his more famous characters is a delight. From the Japanese gameshow skit with Chris Farley, the bad British teeth faux ad, and many others faetured, this will give you something to laugh at!

Good stuff, but where are the extras?!
The sketches on this disc are great, and anyone who is a Mike Myers fan knows there are far more where these came from. But like Amazon reviewer Benjamin LeBaron said, the extras listed on the box are non-existent! I was glad to read that post, because I searched all over the internet to find out if they were hidden features or something. The only extras are some extra sketches, which are good, but the outtakes and dress rehearsals promised on these new SNL discs are NOT included on this Mike Myers one. So if you already have the 1999 release, you might as well keep it because judging by the slow static menu, it's still the same disc.
I stil give it 4 stars based on the Mike Myers sketches. As far as the physicality of the DVD itself, I'd probably give it 1 or 2. ... Read more

Amazon.com

Robert Altman was often ahead of his time--once at the cost of being behind himself. Buffalo Bill and the Indians, a snorting exposé of the U.S. predilection for buying into heroic myths, opened on July 4, 1976. Clearly the film was positioned as the ultimate bicentennial event, Altman-style. But Altman had already delivered that a year earlier: the splendiferous, deeply disenchanted yet exhilarating Nashville. Both Nashville and Buffalo Bill are films about America-as-show business, hucksterism, and the rare miracle of performance. But everything Altman got so thrillingly right in Nashville, which teems with life and mystery and widescreen dynamism, came out flatfooted and obvious in Buffalo Bill, a cramped, smirky inside joke that ends up being on the joker.

The setting is the base camp for Buffalo Bill Cody's Wild West Show, where the blustering Indian fighter of legend is gearing up for his latest national tour. Apart from sharpshooter Annie Oakley (Geraldine Chaplin) and her great friend, the Sioux chieftain Sitting Bull (Frank Kaquitts), the show is populated by phonies and opportunists. Biggest phony of all is Cody (Paul Newman), whose fame has been based more on the penny-dreadful scribblings of Ned Buntline (Burt Lancaster) than on any real accomplishments; even his long blond tresses are fake. Altman and cowriter Alan Rudolph (working from a play by Arthur Kopit) thump their insights about the Establishment's feet of clay as if they were breaking-news bulletins instead of countercultural clichés. Only the occasional ineffably mysterious Altman zoom shot offers relief. --Richard T. Jameson ... Read more

Reviews (10)

Misunderstood
Robert Altman's "Buffalo Bill and the Indians (or Sitting Bull's History Lession)" has largely been forgotten while his other films from this period have been rediscovered as classics. While maybe its time for this one too.

The "Why" of why this film such a critical bomb is not hard to decipher, Altman is continuing his critique of the West that started with "McCabe and Mrs. Miller". Yet this film is even more scathing. Bufflo Bill is an illiterate buffoon and President Cleveland works as a reminder that there were politicians back then. What I think really worked against Altman here, wasn't his treatment of this historical period but the changing of his own. In 1976, audiences were getting tired of these self-conscious films that were popular just five years eariler. "Buffalo Bill" stuck between "Jaws" (in '75) and then "Star Wars" (in '77) was a hard sell as the country was getting more conservative.

Beside this, "Buffalo Bill" like a lot Altman films is a great film. He continues his pioneering use of overlapping dialogue and widescreen cinematography. And oh, did I mention it was funny, a second viewing really helps catch all of Altman's wry wit. Newman fooling around with ballet dancers is hilarious. And you can't tell me that the extra "Or Sitting Bull's History Lession" isn't a homage to Kubrick.

Be Careful What You Believe
"Buffalo Bill and the Indians" was a riveting movie. Bored? Hardly. Joel Gray came close to stealing this picture, as he has many times, as Bill's business partner. While the historical Cody wasn't anywhere near the charlatan Paul Newman and Altman have made him, his portrayal reminds us all not to believe our own press.

Cody and many of the other men of that era -- James Butler "Wild Bill" Hickok springs to mind -- had lived eventful lives, lives that fascinated Easterners, reading the Dime Novels and Penny Dreadfuls or seeing one of the Wild West Shows or plays about the west. Cody and Hickok were prone to give the people what they wanted, playing their characters pretty near to the hilt. They had a sense that their time was passing and the things which had made them famous, the exploits that had made their lives seem adventutous, were coming to an end. You get this sense of approaching, inevitable obsolescence in Newman's portrayal, especially as the film nears it's end.

I have waited for this film to be available in a decent version and I wasn't dsiappointed.

See the film. Make your own decisions. There are several fine performances and Newman and Altman don't quite let Joel Gray steal the picture. They allow fine performances from many actors, especially Geraldine Chaplin as Annie Oakley, to shine through.

Jamie Fraser-Paige

Robert Altman Rides AGain
This is a quirky take on white/native relations in the late 19th/early 20th century, a mad mix of historical fact and whimsical fiction. Newman is masterful as the addled demagogue into which Buffalo Bill has morphed. I recommend this film for students enrolled in our college's AMERICAN WEST class; it is provocative fodder for good discussion, good writing on alternative views of history.

Robert Altman fans will recognize stock characters from his other films, but will be entertained (perhaps delighted) throughout.

what an awful transfer
First of all, this is a very ugly disc. So ugly that you have to watch it on an older tube TV. There are awful distortions during big movements and some scenes look very low rez. It's not the quality of the source print that I'm talking about (which is okay), it's a really bad transfer to DVD. It's not anamorphic widescreen at all, it's letterbox. It says anamorphic here in the Amazon descriptions, but I don't think it makes this claim on the box. The too-short documentary about the making of Buffalo Bill actually looks FAR BETTER than the movie itself as far as crisp detail and the absence of compression artifacts.

Spoilers follow - Buffalo Bill has a great first half-hour and then wobbles all over the place. The movie looks like it's going to be a typical Altman Audio/Visual stew of show business, fire arms, and history. The Wild Bill show looks wonderful, the cinematography is great, the dialogue seems pretty good and the casting inspires some optimism. Then the Indians show up. Sitting Bull and William Halsey are portrayed as noble, mysterious and aloof. The movie spirals into a series of events where they confound the smarmy Bill Cody over and over. The last hour of the movie requires Newman to act more and more flustered by Sitting Bull until he has a really cringeworthy breakdown in front of the ghostly Chief.

Anyway, there's stuff for hardcore Altman fans (I'm one) to watch for. Newman is initially impressive in his role and then sputters. The pageants and attention to details that Altman excels at are well done. Ultimately the themes of showbiz and history wilt before the rambling blah of the noble savage.

One of Altman's most entertaining films!
I loved this movie! But I wasn't surprised. Only Altman could bring so much humor, so much introspection and so much humanity to the western genre. Feauturing all-around brilliant performances by Newman, Lancaster, Sampson, Chaplin, Grey and of course Frank Kaquitts as Sitting Bull! Technically, the film excells, especially Paul Lohmann's wonderful cinematography. If you are a fan of Altman's or if your looking for something a little smarter than your run-of-the mill western drama, Buffalo Bill And The Indians Or Sitting Bull's History Lesson is a must!!! ... Read more

Amazon.com

Shortly after James Dean died in a car crash, Robert Altman andGeorge W. George (son of Rube Goldberg) set out to document the young star's brief life.The results are mixed.The narration (written by Stewart Stern, who wrote Rebel Without a Cause and befriended Dean) tries to get beyond the public image of Dean as the cool rebel to show the lonely young man underneath.It's a bit overwrought, but that's understandable, given the strong emotions Dean elicited from those who knew and loved him.But Martin Gabel is all wrong as narrator; his stentorian delivery turns the hot-blooded musings of youth into ponderous, pompous pronouncements totally lacking in humor.The most interesting element is the people of Fairmont, Indiana, where Dean grew up--straightforward, direct, and proud of Dean not for the fame he attracted but for who he was.

The Bells of Cockaigne is an early appearance from Dean's days in television in New York.He plays the father of a sick child who gambles his week's pay to try to earn enough to take his son "somewhere warm and dry." Gene Lockhart is the stubborn old Irishman who ultimately gives up his own dreams to help Dean.This half-hour program (complete with ads) was live TV; the kinescope is of questionable quality, but already Dean shows some of the talent and charisma of his later work.--Geof Miller ... Read more

Reviews (8)

Lonely Bird
The depictions here are the only accurate substantial accounts of Jimmy Dean's life. There are no bios that can even scratch the surface about him. All of them (authors) put their ideologies above the truth of who Jimmy was. It's too bad that the only truth about this man can never be fully told even by "some" who "claim" they knew him. Christy White is the only one and maybe Bill Bast who appear to be faithfull to his past. The other closest is "maybe" the movie made by TNT in 2003.

Peace..
rj

Vintage Film
This film is a must-see for anyone wanting to know more about James Dean. It was released in 1957, over a year after Dean died, and we get to see and listen to family members who are no longer living. We hear from other citizens of Fairmount, Indiana, who knew "Jimmy." We also see and hear show business friends and acquaintances. It also includes alot of great still photographs.

Please remember this film was made in the late 50s, and its dated. It sort of depressed me watching it because it really brought home the fact that "Jimmy" has been dead almost 50 years. But I would think this film would be a necessary part of anyone's collection of James Dean films.

invaluable to anyone who wants to know more about James Dean
the information from this documentary is invaluable and the insight from his family and the people who saw him on a regular basis gives a glimpse of Jimmy that not many people saw. it is one more facet of a brilliant diamond that shone for too brief a time.one word of caution to anyone with asthma,high blood pressure,heart disese,or tramatic stress disorder,the reenactment of his fatal car crash combined with pictures from the actual crash site are a little too graphic for some.watch at your own risk.

For all of us who love Jimmy
Everything the other reviewers have written is true: this documentary of Dean's life is slow-paced, dry, old-fashioned and dated. If you're one of those people who prefer the colorized versions of classic Black and White films, then this film will probably not be to your liking. But I look at it another way: where else can you view interviews with people who actually knew Jim and knew him well? Most of these were filmed shortly in the aftermath of Dean's death, and therefore, their recolections were contemporary. Time hadn't faded their recollections of this amazing young man. You also get to see a many scenes of Dean's childhood in Indiana: his home, High School, roads he traveled, places he visited. If you're a fan of James Dean, you eat this sort of stuff up; I know I do!

A weakness is that the entire production is in black and white, so the clips they show of his color movies are not in color. It's a little disconcerting to see various scenes of "East of Eden" shown in black and white, but you'll grow accustomed to it. As for the second half of the movie, the short TV drama Jimmy made in 1954, "The Bells of Cockaigne," it is excellent and showcases yet again his amazing talent and his beautiful ability to rivet an audience. The quality of this movie is poor, and it does detract from the viewing experience. The quality of the documentary portion is excellent.

If you love James Dean, this is a must have DVD for your collection. Despite its flaws, it's still riveting because of the interviews with intimates who really knew him.

A must have for any James Dean fan!
This documentary was made right after the rebels death and success. Which is interesting because you get to hear what people who are not alive now had to say about him and see the way the world was at the time of Jimmys death and stardome. It catures the feel of the legacy he left behind. Not only that, it also includes interviews with his family and friends who are dead now along with a recording of James Dean talking with his family and a deleted scene from "East of Eden." Though the documentary was creepy and haunting, as its first image was, it was also heart felt. ... Read more

Amazon.com

When released in 1997, The Gingerbread Man was the only John Grisham movie that did not use one of the popular novelist's bestsellers as its inspiration. Rather, it's based on an original screenplay by Grisham that displays the author's familiar flair for Southern characters and settings within a labyrinthine plot propelled by his trademark narrative twists and turns. Sporting a spot-on Georgian accent, Kenneth Branagh plays a Savannah attorney who comes to the assistance of a troubled woman (Embeth Davidtz) and finds himself enmeshed in a scenario involving the woman's father (Robert Duvall) that grows increasingly complex and dangerous, where nothing, of course, is really as it seems. It's a totally absorbing movie made in the modern film-noir tradition; what's most interesting here (and most underrated by critics at the time) is the combination of Grisham's mainstream mystery and the offbeat style of maverick director Robert Altman. Despite a battle with executives that nearly caused Altman to disown the film, The Gingerbread Man demonstrates the director's skill in bringing a fresh, characteristically offbeat approach to conventional material, especially in the use of a threatening hurricane to hold the plot in a state of dangerous urgency. Unfortunately overlooked during its theatrical release, this intelligent thriller provides a fine double bill with Francis Coppola's film of Grisham's The Rainmaker. --Jeff Shannon ... Read more

Reviews (8)

Lonely Bird
The depictions here are the only accurate substantial accounts of Jimmy Dean's life. There are no bios that can even scratch the surface about him. All of them (authors) put their ideologies above the truth of who Jimmy was. It's too bad that the only truth about this man can never be fully told even by "some" who "claim" they knew him. Christy White is the only one and maybe Bill Bast who appear to be faithfull to his past. The other closest is "maybe" the movie made by TNT in 2003.

Peace..
rj

Vintage Film
This film is a must-see for anyone wanting to know more about James Dean. It was released in 1957, over a year after Dean died, and we get to see and listen to family members who are no longer living. We hear from other citizens of Fairmount, Indiana, who knew "Jimmy." We also see and hear show business friends and acquaintances. It also includes alot of great still photographs.

Please remember this film was made in the late 50s, and its dated. It sort of depressed me watching it because it really brought home the fact that "Jimmy" has been dead almost 50 years. But I would think this film would be a necessary part of anyone's collection of James Dean films.

invaluable to anyone who wants to know more about James Dean
the information from this documentary is invaluable and the insight from his family and the people who saw him on a regular basis gives a glimpse of Jimmy that not many people saw. it is one more facet of a brilliant diamond that shone for too brief a time.one word of caution to anyone with asthma,high blood pressure,heart disese,or tramatic stress disorder,the reenactment of his fatal car crash combined with pictures from the actual crash site are a little too graphic for some.watch at your own risk.

For all of us who love Jimmy
Everything the other reviewers have written is true: this documentary of Dean's life is slow-paced, dry, old-fashioned and dated. If you're one of those people who prefer the colorized versions of classic Black and White films, then this film will probably not be to your liking. But I look at it another way: where else can you view interviews with people who actually knew Jim and knew him well? Most of these were filmed shortly in the aftermath of Dean's death, and therefore, their recolections were contemporary. Time hadn't faded their recollections of this amazing young man. You also get to see a many scenes of Dean's childhood in Indiana: his home, High School, roads he traveled, places he visited. If you're a fan of James Dean, you eat this sort of stuff up; I know I do!

A weakness is that the entire production is in black and white, so the clips they show of his color movies are not in color. It's a little disconcerting to see various scenes of "East of Eden" shown in black and white, but you'll grow accustomed to it. As for the second half of the movie, the short TV drama Jimmy made in 1954, "The Bells of Cockaigne," it is excellent and showcases yet again his amazing talent and his beautiful ability to rivet an audience. The quality of this movie is poor, and it does detract from the viewing experience. The quality of the documentary portion is excellent.

If you love James Dean, this is a must have DVD for your collection. Despite its flaws, it's still riveting because of the interviews with intimates who really knew him.

A must have for any James Dean fan!
This documentary was made right after the rebels death and success. Which is interesting because you get to hear what people who are not alive now had to say about him and see the way the world was at the time of Jimmys death and stardome. It catures the feel of the legacy he left behind. Not only that, it also includes interviews with his family and friends who are dead now along with a recording of James Dean talking with his family and a deleted scene from "East of Eden." Though the documentary was creepy and haunting, as its first image was, it was also heart felt. ... Read more

Amazon.com essential video

This 1975 film sits near the top of any list of the best films of the 1970s, perhaps in the top five and, in some people's minds, at the pinnacle itself. Robert Altman, at his most Altmanesque, spins together plot strands involving two dozen people over the course of one particularly busy weekend in Music City, USA. Though several of the story lines deal with country-western stars--played by Henry Gibson, Ronee Blakley and Karen Black--the plot also deals with the country scene's wannabes, the business people who pull the strings and the operative for a mysterious presidential candidate who is trying to get the de facto endorsement of some of the country stars by having them appear at a rally for him. (The unknown but rocketing presidential aspirant was eerily echoed the next year, when Jimmy Carter came out of nowhere to win the presidency.) Blakley is heartbreakingly fragile as a Loretta Lynn-like singer on the verge of total mental meltdown, while Lily Tomlin is outstanding as a housewife-gospel singer who has a dalliance with a randy folk-rock cad, perfectly played by Keith Carradine (who won an Oscar for his song "I'm Easy"). The cast also includes Jeff Goldblum, Scott Glenn, Keenan Wynn, Shelley Duvall, Geraldine Chaplin (hilarious as a fatuous British TV journalist), Barbara Harris, Michael Murphy, and Ned Beatty, with cameos by Elliott Gould and Julie Christie as themselves. Next to Mean Streets, perhaps the most influential film of the decade. --Marshall Fine ... Read more

Reviews (8)

Lonely Bird
The depictions here are the only accurate substantial accounts of Jimmy Dean's life. There are no bios that can even scratch the surface about him. All of them (authors) put their ideologies above the truth of who Jimmy was. It's too bad that the only truth about this man can never be fully told even by "some" who "claim" they knew him. Christy White is the only one and maybe Bill Bast who appear to be faithfull to his past. The other closest is "maybe" the movie made by TNT in 2003.

Peace..
rj

Vintage Film
This film is a must-see for anyone wanting to know more about James Dean. It was released in 1957, over a year after Dean died, and we get to see and listen to family members who are no longer living. We hear from other citizens of Fairmount, Indiana, who knew "Jimmy." We also see and hear show business friends and acquaintances. It also includes alot of great still photographs.

Please remember this film was made in the late 50s, and its dated. It sort of depressed me watching it because it really brought home the fact that "Jimmy" has been dead almost 50 years. But I would think this film would be a necessary part of anyone's collection of James Dean films.

invaluable to anyone who wants to know more about James Dean
the information from this documentary is invaluable and the insight from his family and the people who saw him on a regular basis gives a glimpse of Jimmy that not many people saw. it is one more facet of a brilliant diamond that shone for too brief a time.one word of caution to anyone with asthma,high blood pressure,heart disese,or tramatic stress disorder,the reenactment of his fatal car crash combined with pictures from the actual crash site are a little too graphic for some.watch at your own risk.

For all of us who love Jimmy
Everything the other reviewers have written is true: this documentary of Dean's life is slow-paced, dry, old-fashioned and dated. If you're one of those people who prefer the colorized versions of classic Black and White films, then this film will probably not be to your liking. But I look at it another way: where else can you view interviews with people who actually knew Jim and knew him well? Most of these were filmed shortly in the aftermath of Dean's death, and therefore, their recolections were contemporary. Time hadn't faded their recollections of this amazing young man. You also get to see a many scenes of Dean's childhood in Indiana: his home, High School, roads he traveled, places he visited. If you're a fan of James Dean, you eat this sort of stuff up; I know I do!

A weakness is that the entire production is in black and white, so the clips they show of his color movies are not in color. It's a little disconcerting to see various scenes of "East of Eden" shown in black and white, but you'll grow accustomed to it. As for the second half of the movie, the short TV drama Jimmy made in 1954, "The Bells of Cockaigne," it is excellent and showcases yet again his amazing talent and his beautiful ability to rivet an audience. The quality of this movie is poor, and it does detract from the viewing experience. The quality of the documentary portion is excellent.

If you love James Dean, this is a must have DVD for your collection. Despite its flaws, it's still riveting because of the interviews with intimates who really knew him.

A must have for any James Dean fan!
This documentary was made right after the rebels death and success. Which is interesting because you get to hear what people who are not alive now had to say about him and see the way the world was at the time of Jimmys death and stardome. It catures the feel of the legacy he left behind. Not only that, it also includes interviews with his family and friends who are dead now along with a recording of James Dean talking with his family and a deleted scene from "East of Eden." Though the documentary was creepy and haunting, as its first image was, it was also heart felt. ... Read more

Reviews (8)

Lonely Bird
The depictions here are the only accurate substantial accounts of Jimmy Dean's life. There are no bios that can even scratch the surface about him. All of them (authors) put their ideologies above the truth of who Jimmy was. It's too bad that the only truth about this man can never be fully told even by "some" who "claim" they knew him. Christy White is the only one and maybe Bill Bast who appear to be faithfull to his past. The other closest is "maybe" the movie made by TNT in 2003.

Peace..
rj

Vintage Film
This film is a must-see for anyone wanting to know more about James Dean. It was released in 1957, over a year after Dean died, and we get to see and listen to family members who are no longer living. We hear from other citizens of Fairmount, Indiana, who knew "Jimmy." We also see and hear show business friends and acquaintances. It also includes alot of great still photographs.

Please remember this film was made in the late 50s, and its dated. It sort of depressed me watching it because it really brought home the fact that "Jimmy" has been dead almost 50 years. But I would think this film would be a necessary part of anyone's collection of James Dean films.

invaluable to anyone who wants to know more about James Dean
the information from this documentary is invaluable and the insight from his family and the people who saw him on a regular basis gives a glimpse of Jimmy that not many people saw. it is one more facet of a brilliant diamond that shone for too brief a time.one word of caution to anyone with asthma,high blood pressure,heart disese,or tramatic stress disorder,the reenactment of his fatal car crash combined with pictures from the actual crash site are a little too graphic for some.watch at your own risk.

For all of us who love Jimmy
Everything the other reviewers have written is true: this documentary of Dean's life is slow-paced, dry, old-fashioned and dated. If you're one of those people who prefer the colorized versions of classic Black and White films, then this film will probably not be to your liking. But I look at it another way: where else can you view interviews with people who actually knew Jim and knew him well? Most of these were filmed shortly in the aftermath of Dean's death, and therefore, their recolections were contemporary. Time hadn't faded their recollections of this amazing young man. You also get to see a many scenes of Dean's childhood in Indiana: his home, High School, roads he traveled, places he visited. If you're a fan of James Dean, you eat this sort of stuff up; I know I do!

A weakness is that the entire production is in black and white, so the clips they show of his color movies are not in color. It's a little disconcerting to see various scenes of "East of Eden" shown in black and white, but you'll grow accustomed to it. As for the second half of the movie, the short TV drama Jimmy made in 1954, "The Bells of Cockaigne," it is excellent and showcases yet again his amazing talent and his beautiful ability to rivet an audience. The quality of this movie is poor, and it does detract from the viewing experience. The quality of the documentary portion is excellent.

If you love James Dean, this is a must have DVD for your collection. Despite its flaws, it's still riveting because of the interviews with intimates who really knew him.

A must have for any James Dean fan!
This documentary was made right after the rebels death and success. Which is interesting because you get to hear what people who are not alive now had to say about him and see the way the world was at the time of Jimmys death and stardome. It catures the feel of the legacy he left behind. Not only that, it also includes interviews with his family and friends who are dead now along with a recording of James Dean talking with his family and a deleted scene from "East of Eden." Though the documentary was creepy and haunting, as its first image was, it was also heart felt. ... Read more

Description

Ten great directors, one unforgettable film. Imagine that ten of the world's most well-known, highly regarded filmmakers were given a free hand to make real any vision. "Aria" is that history-making film. Sexy, violent, thought-provoking and funny, here is the movie critics raved about, audiences flocked to see, and no one could stop talking about. Includes Bridget Fonda's electrifyingly erotic film debut and a revealing, breathtaking performance by supermodel Elizabeth Hurley. Segments directed by Robert Altman, Bruce Beresford, Bill Bryden, Jean-Luc Godard, Derek Jarman, Franc Roddam, Nicolas Roeg, Ken Russell, Charles Sturridge, Julien Temple. ... Read more