Reviews (108)

A visually stunning sci-fi spectacle
I have fond memories of seeing "Logan's Run" in the theaters many years ago, and am delighted to see this film getting a fine presentation on DVD. Directed by Michael Anderson, the film takes place in a post-apocalyptic future where humans live a hedonistic life in the shelter of a domed city. There's just one catch to this pleasure-oriented utopia: nobody is permitted to live past the age of 30. The title character, played by Michael York, is a Sandman: an elite policeman assigned to kill those who flee the birthday death sentence. But a surprising assignment takes Logan on a voyage that will change him profoundly.

"Logan's Run" is an adventure tale, a love story, a crime drama, a social satire, and a sumptuous visual spectacle all in one. The whole package is superbly enhanced by Jerry Goldsmith's inventive and varied score. This is one of the most visually stylish science fiction films ever made; it's full of scenes that are truly unforgettable.

The film is really grounded by the performances by the superb cast. Michael York and Jenny Agutter make an absolutely enchanting screen couple; the evolution of their characters' relationship is one of the key pleasures of the film. Richard Jordan brings complexity and intensity to his role as a fellow Sandman. And Peter Ustinov is delightfully warm, funny, and loveable in a critical supporting role.

The DVD includes a vintage "making of" featurette, as well as a full-length audio commentary by actor York, director Anderson, and costume designer Bill Thomas. The three discuss casting, stunts, special effects, Peter Ustinov's ad-libbing, and other aspects of making the film. They reveal some fascinating and delightful bits of trivia along the way. This is one of those great commentary tracks that makes you appreciate the film even more.

Solid sf adventure less than the sum of its parts
Logan's Run started off with a pretty amazing concept--(courtesy of science fiction writers William F. Nolan and George Clayton Johnson)what if our youth obsessed society put everyone over the age of 30 (21 in the novel)to death as a means of population control? This film version of a classic cautionary tale is intermittantly successful. David Zelag Goodman's screenplay condenses and changes around several key characters. Goodman's script essentially refocuses the novel into The Fugitive in the future. In the original novel Francis (played brilliantly by the late Richard Jordan)and the Old Man character (played as befuddled by Peter Ustinov) were one and the same. You'll need to read the novel to see why this was an important altered plot point.

Additionally, Sanctuary did exist in the novel while here it's clear that it's something of an urban myth. While these plot points might not seem essential, altering them radically reshaped the film. Still, it's clear that the film's director, producer and screenwriter (respectively, Michael Anderson the late Saul David and Goodman)wanted to streamline what could have been a confusing plot if not layed out correctly.

The basic plot--In the future our society is enclosed in domes. As a means to control the population, everyone has a life clock crystal on their hand. When you reach 30 you have the option to become "renewed" in a ceremony attended by the citizens. Logan (Michael York) and Francis (Richard Jordan) are Sandmen who hunt, capture/or kill runners (people who choose to not go through renewal and try to escape).

After one incident, Logan is debriefed by the computer that runs the city. The runner wore a symbol representing life. During this debriefing he is send undercover to become a "runner" and find out 1)Who is behind the network that tries to get people out of the city and 2) If sanctuary exists. Logan's life clock is prematurely aged to 30. He contacts a girl who he had met before on the circuit (a system where people can "dial up" others for casual sex)who he had seen wearing the same symbol. Despite her better judgement, she elects to help him escape.

Francis, alarmed that his friend is running, elects to chase him and either bring him back for renewal or kill him.

The film is quite good despite some gaping plot holes. Michael York gives a impassioned performance as Logan 5. Jenny Agutter is enchanting as Jessica. Richard Jordan shines as Logan's former partner Francis who feels betrayed and hunts Logan down. Roscoe Lee Brown is exceptional in his cameo as the demented cyborg Box. Michael Anderson, Jnr. gives a nice cameo performance as the surgeon hired to alter Logan's appearence. Made for $6 million, Logan's Run looked quite good when it was released in 1976. The symbolism of having Francis and Logan fight in the House of Representatives with an American flag was quite evident given the year of release (1976).
In many respects the themes in the film are more timely than ever. The obsession with youth, looking good and plastic surgery have come to define our culture in the 21st Century. The only thing missing from the film are botox injections.

Jerry Goldsmith's brilliant score is a highlight of the film. Like his score for Planet of the Apes, Goldsmith chose to go with a mix of sythesizers and orchestra to portray the city of the future. He eschews cliches in his music and the various themes and cues are at turns suspenseful and witty. The optical effects are pretty good given the time. The matte paintings by Albert Whitlock are outstanding and fairly convincing. The miniatures are a mixed bag. They didn't look completely convincing in 1976 nor do they today. Part of the problem has to do with the fact that waters don't fare well when placed in miniatures. You can't miniaturize the bubbles and water drops. Also, the use of the miniatures in combination with live action is quite grainy due to the film stock and amount of composites. Still, if you can suspend your disbelief, you'll enjoy the film despite its limitations.

Logan's Run attempted to tell an adult cautionary tale in a world of light weight escapist movies. It's a commendable film and the film makers frequently bite off more than they can chew. I'd rather have a film that's too ambitious than not at all.

Still, I appreciate the ambitions if not the execution. It's nice to finally have this fine if flawed movie on DVD. The transfer is quite good although the print has a number of flaws. There's also quite a bit of dirt evident on the print. These probably could have been cleared up with a direct digital transfer. Additionally, the 5.1 soundtrack occasionally sounds "tinny" and when played in the stereo format can be quite difficult to hear.

The extras are limited but nice. The commentary by director Michael Anderson and Michael York is quite good and informative. A pity the terrific actor Richard Jordan isn't around any longer to give us his perspective. I would have liked to see a fresh retrospective documentary on the making of the film. It's not likely to happen, though as no one is going to champion this film at the expensive of other newer projects (particulary since producer Saul David is gone). The featurette included is the original one made to promote the film. It's actually pretty decent given the age and purpose of it. The trailer is included as well. The disc is a dual sided single layer DVD with the widescreen and pan & scan versions on the same disc.

classic!
logan's run is a real gem. love the cast and the look of the film and it's a good dvd to have when you want to see something that's out of this world!

fantastic futuristic fun
Logan's Run was one of my faves as a kid. It was different from othe Sci Fi at the time. It created a weird world that was great to watch. I also watched the TV show version and loved it too (sure it was just a TV show and not quite as grand as the the more expensive flick but it was still weird enough to keep me watching). You've just got to love a show that creates it's own strange world and takes you away from reality. Logan has it's own style that provides just the right escape from the played out worlds of other Sci Fi flicks and shows. Give this a chance if you want something that's different and you've never seen it.

A bit excentric, but absolutely worth watching.
This is an awsome movie, even by today's standards. Granted the special effects can sometimes look corny or cheesy, but for the time when this movie was produced, the effects were top notch.

The story line goes like this. It is the year 2275. Disasters have forced what remains of civilization into a self contained, domed city. No one goes outside the city becuase they all beleive it to be a barren wasteland, incapable of supporting life. This is because it WAS that way when the city was founded, but that was over a hundred years ago. Since the city was founded, there was realised a great need to maintain the population to acceptable levels. So, it is determined that at age 30 you will "terminate". If you do not want to end your life at 30, you can participate on the "Carosel" on your "Last Day" (30 years to the day of your birth). The recorded message basically says that if you have a strong enough desire to renew, you will. Renewing gives you an unstated amount of extra time. If you are ready to end, you don't have to participate on Carosel. However, there exist a few people who don't want to follow the rules. They "run" from their fate. To prevent people from running (as well as for general law enforcement) there are a group of cop like folks. Each is refered to as a SandMan. It is their responsibility to enforce law in the domed city, and to track down anyone who decides to run, and terminate them.

Now meet Logan 5. He's a sand man, and he loves his job. But one day when he is doing his job and terminates a runner, he finds an Ankh on the runner. He doesn't think much of it. So he picks it up with the rest of the runner's belongings, and heads back to HQ to be "debriefed". But the central computer DOES recognise the Ankh. It is determined to be a symbol associated with a legenday place called Sanctuary, where runners can go and hide and live out their life normally (as you and I would consider normal). The computer determines that Sanctuary must be either right on the inside of the dome, or outside the city. Logan 5 is assigned to find sanctuary, and destroy it.

And so begins his Grand adventure, during the process of which he leaves the city, Falls in love with his "partner in crime, Jessica" (which is strictly forbidden in the city), Finds a man who has more cats than I could count, and returns to the city to try and stop the madness.

A very good movie on all counts. It should have been more popular. ... Read more

Amazon.com

With each passing year, this 1980 miniseries becomes more for those who have read Ray Bradbury's landmark novel. The three-part, nearly five-hour series keeps its brainy science fiction roots; this story (and the 1940s novel) is not about laser battles and exciting action pieces. Bradbury's novel is galvanized by the cold war nightmare: at the end of the 20th century, an earth teetering on world war begins to colonize Mars without much knowledge of the new world. Hard science is left for other stories, and director Michael Anderson (Logan's Run) keeps this retrofitting: for example, astronauts arrive on a breathable Mars in leisure suits. The space travel effects are clunky, but the action on Mars--with Assheton Gorton's geometric sets and simple props--are far more effective. There are Martians there, as the unprepared first Earthlings learn. Later, as the planet is quickly colonized, the remaining Martians are near specters--bringing awe and fear to those they encounter. Master sci-fi writer Richard Matheson (I Am Legend) smartly streamlines Bradbury's episodic stories, giving a central role to Col. John Wilder (played by Rock Huston, leading a plethora of solid, yet B-list actors). For those in love with cerebral science fiction, they can enjoy this dated but curious sci-fi miniseries; for those of think sci-fi began with Star Wars, beware. --Doug Thomas ... Read more

Reviews (1)

Hudson Rocks Martians on DVD
The 1980 television adaption of Ray Bradbury's book, The Martian Chronicles, spanning 293 minutes, in three parts, The Expeditions, The Settlers, and The Martians, stars film great, Rock Hudson, Darren McGavin(The Night Stalker), Bernie Casey(The Gargoyles, Revenge of the Nerds), Roddy McDowall(Planet of the Apes) and Fritz Weaver(Marathon Man, Tales from the Darkside), to name a few. The mini-series attempts to encapsulate the saga of Bradbury's jaunt to Mars and how Earth people would greet Martians upon first contact and visa versa. The British(Fries Entertainment) production lacked in impressive special effects compared to theatrical releases of the time(Star Wars, Logan's Run), but made effective use of makeup and contact lenses for the Martians, as well as an other-worldly, spiritually soothing soundtrack for the title's name-sake, although much of the music sounds dated by today's standards. MGM's 2 disc set seems to be devoid of any extras, similarly to MGM's recent and slightly disappointing DVD release of the apocalyptic tele-movie, The Day After(1983-Jason Robards;The UK version of The Day After has a running commentary track with director, Nicholas Meyers), but hopefully will maintain the color and crispness of the VHS three-tape set(Fries Classic Collection), not to be mistaken by other incarnations recorded at EP, and should actually be improved upon with the DVD format. The Martian Chronicles is slated to be released on DVD in its original mono soundtrack with English, French and Spanish subtitles. Despite any extra material, MGM, however, has thankfully authored this film to DVD for posterity, and I look forward to adding it to my collection. ... Read more

Description

ORCA: THE KILLER WHALE stars Richard Harris and Bo Derek in her screen debut in an epic struggle between a strong and determined fisherman and an equally determined whale.When the whale's pregnant mate is killed, it goes on a rampage, seeking revenge on the man by smashing boats, collapsing buildings and causing extreme destruction by fire. ... Read more

Reviews (5)

Cinematography and Score Make this Movie Beautfiul
Much like Battlestar Galactica wouldn't have been made without Star Wars, Orca would not exist if it hadn't been for Jaws. But that really doesn't matter. The movie has its merits. It has a great cast: Richard Harris, Keenan Wynn, Charlotte Rampling, Will Sampson, Robert Carradine, Bo Derek (well, she looks good!). Most importantly, it has Gorgeous cinematography and Ennio Morricone's haunting score. What a great piece of music he created for this film. There are very few creatures as amazing as the killer whale. When you see them swimming and swooping magnificently about in the ocean to Morricone's music you will see what is so great about this movie. I've loved it since I was a child and I'm glad that it's breathtaking visuals and sound will be given DVD-quality presentation. It isn't the most original script to come along, but it's a beatiful film.

More scary than you think !
The angry mate of a slaughtered pregnant killer whale becomes so enraged, that he begins a reign of terror on a fishing village and their community. Even though this movie follows on the heels of Jaws, and while it's not golden filmmaking like the great white shark classic, it is better than you think and gives more creeps than you presumed. Also gives you a true impression that orca's are more intelligent than most whales or animals/mammals. Bo Derek, and Richard Harris give the film more than average acts, while poor Robert Carradine and others get whipped by the black sea wolf's tail or eaten by him. I vote Orca as a more dangerous and smarter animal than a killer shark-he's faster, smarter, and he's gota good reason to kill. The music, by Ennio Morricone is a little eerie and provokes your nerves that more terror is to come. So, although the film isn't a milestone, don't look at the poster of this movie and brush it off as a Jaws rip off. Better than it looks.

Where is the DVD???????
This is a fun movie about revenge. About a creature driven to kill by anger and hatred. After a sea captain kills a whales wife and unborn child its mate goes on a killing spree in hopes of murdering the man who killed did. It is a scary adventure and unlike jaws which uses a horrendisaly fake anamatronic Orca uses a real whale so it has great realism. Also unlike jaws which waits to the end to show the thing Orca shows it plenty early so you don't have to wait. Orca should come to DVD so people can own this classic.

Greatest movie of all time
Orca is the greatest movie of all time. I'm sure most people say that their favorite movie is the greatest of all time, but they are all wrong. Orca is the greatest movie of all time.

Orca brings together some of the finest actors. Richard Harris, who unfortunately will be remembered for some trivial movie about a boy wizard and a throwaway musical about King Arthur, does his finest work in Orca. His portrayal of Captain Nolan, an emotionally torn fisherman coming to terms with the fact that marine animals have feelings, deserved the Oscar. Did he win? No, but that is not a strike against this fine film. Charlotte Rampling, who I'm sure is in other movies besides this one, brings texture to the marine biologist in love with a whale baby killer. The romance between the two is subtle. While most modern Hollywood movies would just throw in a gratuitous sex scene, Rampling accomplishes just as much with confused looks and having her shirt zipped down in one scene. Will Sampson, who is sadly better known for some movie about flying over a cuckoo's nest, also does a fantastic job of playing the Native American guy who says cryptic things and has ice fall on him. Robert Carradine, famous for Revenge of the Nerds, shows great range in not being around much and then being eaten by the whale. Bo Derek never equaled her success in this film elsewhere. I really believed her leg was bit off. She sold me.

The effects were great for the time. Many forget what special effects were like in those days, myself included because I was not born yet, but the point remains. The strange fisheye lens used to represent the whales point of view was genius. And I challenge everyone to find a more realistic looking whale fetus in a movie. You can't, you just can't. The dramatic fight between Captain Nolan and the whale could have easily become silly, but it doesn't. The Arctic Circle is accurately represented as a cold place with many icebergs, some of which whales can thwack themselves upon catapulting middle-aged Irishmen forty feet in the air. Keep in mind, also, this was done without the use of computer graphics. Steven Spielberg did not even put the shark in Jaws until over halfway through the film. Why? To hide a machine so fake I can only assume one of his children made it at camp. The mechanical killer whale in Orca is almost indistinguishable from the stock footage of killer whales continually played throughout the movie.

In 1977, how many directors were brave enough to shoot a killer whale jumping from one side of the boat, eating actor Robert Carradine, and landing on the other side? Just one, Michael Anderson. His bold choices along with screenwriters Luciano Vincenzoni and Sergio Donati (who both show an above average command of the English languages for native-born Italian speakers) make the film a statement not only about whale hunting and whale forgiveness seeking, but also about humanity. Charlotte Rampling's appeal to Nolan not to go fight the whale just because the whale wants revenge is not just about social protocols of how to make it up to the father of a whale baby you accidentally killed, but also an argument against the death penalty. Will Sampson's pointless death is an indictment of the senseless slaughter of tens of millions of Native Americans. Robert Carradine's tragic death in the film is social commentary on the probability of being eaten if you stand around on a boat being followed by a crazed killer whale. And probably also something about Vietnam, I assume.

Anderson even uses the orca itself to show complex emotions we normally associate with humans and not with unexplainably intelligent marine mammals out to kill fisherman. After destroying Nolan's house (presumably having used the phone book to find it and reading up on architecture and structural supports) and biting off Bo Derek's leg, the whale jumps for joy in the harbor as fires rage in the background. There is, however, a sadness, to the whale. It's as if he knows he can never have his family back no matter how hard he fights the forces that took them from him. Like Batman. Huh?

And while most in Hollywood choose not to admit it, many have ripped off Orca. The dead baby scene in Trainspotting is suspiciously reminiscent of the dead whale fetus scene in Orca. The creepy quasi-romance between an intelligent female and a somewhat crazy violent child murderer is directly stolen by George Lucas for Star Wars: Episode II. The use of icebergs is blatantly stolen by Titanic, and I have never heard James Cameron so much as thank Michael Anderson. And don't even get me started on Free Willy.

While Orca does not now get the respect it deserves, in time people will realize its genius. Just as people did not understand gravity or continental drift, in time they will come to recognize Orca as the greatest cinematic achievement of all time.

Orca, a mad aquatic mammal on a vengeful killing spree or...
...a misunderstood genius driven by the love in his gigantic whale heart? I am sure this film was produced and filmed in response to the success of Jaws in 1975, but don't let that stop you from viewing this truly great piece of cult cinema. Outstanding cinematography and wonderful performances, this isn't just some mindless under-sea thriller. Charlotte Rampling is so engaging and sexy as the scholarly voice of reason, and Richard Harris in particular shines in his role as the salty whale hunter who gradually finds empathy for Orca and mourns the day that he harpooned the killer whale's pregnant female mate. Also, look forward to some brief but important roles by the beautiful Bo Derek, Will Sampson (One Flew Over the Cuckoo's Nest, Poltergeist 2) and let's not forget the whales themselves! However, the greatest performance of all comes from the stirring, evocative music of Ennio Morricone. This is some of his finest work and it is my opinion that this film would be completely forgotten without it. Orca has a vendetta and he won't stop until lives are lost and an entire fishing village is destroyed! The chilling ending (no pun intended) probably won't surprise the viewer, but I doubt there will be a dry eye in the house. This film should be on DVD! A must for any fan of forgotten cinema. ... Read more

Reviews (1)

Young
I saw this Movie when I was 12 when it came on to HBO I remembered it being very erotic at that age. I bought it and loved it. If you Liked Better Off Dead you would love this. Monique The French girl.. She, well lets say bears it all. ... Read more

Reviews (18)

an overlooked movie for sci-fi buffs
Millennium is one of those movies that has a great story line and even follows through with budget and special effects (for it's time not bad) yet fails to draw the crowd because it's an intricate story of time travel that can be at times hard to follow and even slow. But if you still dig movies like Logan's Run or Communion, you'll probably enjoy Millennium.

It's a unique story of people far in the future who kidnap the bodies of people that are about to die. Their favorite source is planes that are about to crash. An official investigating discovers wrist-watches running backwards in the wreckage, and works with a physicist attempting to discover the truth about these visitors.

Millennium is a thinking man's scifi flick
This movie is actually better than what others might think. But it requires your complete attention, and for a generation of people who are used to in-your-face MTV type short-attention span stuff, then skip this flick. However, I have shown this DVD on several occasions to groups of friends, and everyone enjoyed trying to figure out what was going on, and were surprised as I was, when time - travel was implicated. Cheryl Ladd was quite good as a cynical flight attendant, and Kris Kristofferson was believable as a man burned out on his job. I only with Travanti had more to do. Still, I highly recommend this flick to people who like to think when they watch a scifi flick.

Interesting to a Point -- a Twilight Zone story w/o the feel
You've read the "official" review and to be honest, I don't wholly agree or disagree. First, I like both Kristopherson's and Ladd's performances. They fit the characters nicely. The replay of the same sequence from another angle answers all of the questions about what is going on, and is the only thing that turns a rather short, straightforward featurette into a full-length feature.

Conceivably, more time could have been spent investigating the wreckage (and similar wreckages) before revealing the time travelers from the future. Also, why don't they fix these ripples, instead of trying to escape them?

So there are some questions. If I could, I'd give this one 2-1/2 stars, not three, but I won't drop it all the way to two, mostly because no one else has done this exact story, unless it was Rod Serling in the original Twilight Zone series, but I don't think so... there are similar stories, to be sure, and time travel stories, but not in this combination.

Which puts this film into the "Twilight Zone" category for me. There are so many places where they could have made this one better, I have to wonder why no one has done a remake...

Still, it is part of my collection and if you are SF buff, then don't leave this off your list of films to consider without at least watching it.

MST3K would have had a field day with this!
This movie is *bad*. The "plot" makes no sense, and the ending even less. It is stupid, slow, insipid, and utterny nonsensical. I wish that MST3K had gotten ahold of this film; only they could have mocked it the way it so desperately deserves to be mocked. This movie is *that bad*.

And it's *boring*, too. Kristoferson and Ladd have absolutely ZERO chemistry. No, in fact, they have NEGATIVE chemistry. Kristoferson couldn't act is way out of this script, and Ladd ... well, jeez, what could one expect from an ex-Charlie's Angel?

It's also *ugly*. The costumes, set designs, and special effects would have been bad in 1989, and haven't aged well. Post-apocolyptic futures can look cool (ROAD WARRIOR) or even funky (12 MONKEYS), but here, it's just lame. And the first "effect" in the film--where two planes collide--is a sad effort of blue-screening that my high-school film club could have outdone.

Avoid at all costs. Waste no money. If your boyfriend or girlfriend owns it, break up with them; it will be less painful.

I have to go sanitize my home theatre now.

Not a famous film for good reason
How many movies do you know that replay the same scenes and can still hold the interest of the viewer? Not many, if any. However, the creators of Millennium decided that about one third of the movie should be the same scenes. Total failure. This is a case where the makers of the film underestimated the intelligence of the viewers, thinking that going through the movie twice was the only way viewers could keep track of the incredibly difficult concept of time travel.

Then again, if this was truly a good movie than we shouldn't be disappointed in seeing the scenes twice, since we could then enjoy good acting etc. Not so in Millennium. Kris Kristofferson looks grizzly with a heavy beard and has the skin tone of beef jerky. Cheryl Ladd plays opposite of Kristofferson as the time traveling tough women from the future who happens to know nothing about time traveling, she needs a personal robot to explain "the obvious" to her on many occasions. Maybe she forgot to read the script.

In this movie, the future is a place of rust, the present is a place of ignorance, and the viewer is left insulted. ... Read more

Amazon.com

Time-hoppers from the future, led by Cheryl Ladd, are abducting airline passengers about to crash, and transporting them a millennium hence in order to reseed a future blighted by environmental disaster. This is a dangerous business, plagued by the specter of accidentally creating time paradoxes, which could throw the future out of whack. Unfortunately, they've lost a couple of the stunners they use to subdue troublesome passengers, and these fall into the hands of a curious physicist (Daniel J. Travanti) and an investigator for the National Transportation Safety Board (Kris Kristofferson). Cheryl Ladd must retrieve these devices before a time paradox wipes out her world, but manages to complicate things by developing a romance withKristofferson. All of which is very intriguing, having come from the short story, "Air Raid," by science fiction luminary John Varley, who also is credited with the screenplay. The part about airline abductions to save the disastrous future is straight from the original story, and the rest is expanded (you wouldn't say extrapolated) from it. The results are not very happy. About a third of the film is maddeningly wasted by repeating action from a different point of view. Seems natural when there are disparate timelines to deal with, but here nothing is added by the conceit. Only Travanti turns in a creditable performance as the physicist, bent on proving his theories about the future. He seems hungry for discovery, which is one of the things you want from a science fiction story, that sense of awe. But here it's just, "Aw, shucks!" --Jim Gay ... Read more

Reviews (18)

an overlooked movie for sci-fi buffs
Millennium is one of those movies that has a great story line and even follows through with budget and special effects (for it's time not bad) yet fails to draw the crowd because it's an intricate story of time travel that can be at times hard to follow and even slow. But if you still dig movies like Logan's Run or Communion, you'll probably enjoy Millennium.

It's a unique story of people far in the future who kidnap the bodies of people that are about to die. Their favorite source is planes that are about to crash. An official investigating discovers wrist-watches running backwards in the wreckage, and works with a physicist attempting to discover the truth about these visitors.

Millennium is a thinking man's scifi flick
This movie is actually better than what others might think. But it requires your complete attention, and for a generation of people who are used to in-your-face MTV type short-attention span stuff, then skip this flick. However, I have shown this DVD on several occasions to groups of friends, and everyone enjoyed trying to figure out what was going on, and were surprised as I was, when time - travel was implicated. Cheryl Ladd was quite good as a cynical flight attendant, and Kris Kristofferson was believable as a man burned out on his job. I only with Travanti had more to do. Still, I highly recommend this flick to people who like to think when they watch a scifi flick.

Interesting to a Point -- a Twilight Zone story w/o the feel
You've read the "official" review and to be honest, I don't wholly agree or disagree. First, I like both Kristopherson's and Ladd's performances. They fit the characters nicely. The replay of the same sequence from another angle answers all of the questions about what is going on, and is the only thing that turns a rather short, straightforward featurette into a full-length feature.

Conceivably, more time could have been spent investigating the wreckage (and similar wreckages) before revealing the time travelers from the future. Also, why don't they fix these ripples, instead of trying to escape them?

So there are some questions. If I could, I'd give this one 2-1/2 stars, not three, but I won't drop it all the way to two, mostly because no one else has done this exact story, unless it was Rod Serling in the original Twilight Zone series, but I don't think so... there are similar stories, to be sure, and time travel stories, but not in this combination.

Which puts this film into the "Twilight Zone" category for me. There are so many places where they could have made this one better, I have to wonder why no one has done a remake...

Still, it is part of my collection and if you are SF buff, then don't leave this off your list of films to consider without at least watching it.

MST3K would have had a field day with this!
This movie is *bad*. The "plot" makes no sense, and the ending even less. It is stupid, slow, insipid, and utterny nonsensical. I wish that MST3K had gotten ahold of this film; only they could have mocked it the way it so desperately deserves to be mocked. This movie is *that bad*.

And it's *boring*, too. Kristoferson and Ladd have absolutely ZERO chemistry. No, in fact, they have NEGATIVE chemistry. Kristoferson couldn't act is way out of this script, and Ladd ... well, jeez, what could one expect from an ex-Charlie's Angel?

It's also *ugly*. The costumes, set designs, and special effects would have been bad in 1989, and haven't aged well. Post-apocolyptic futures can look cool (ROAD WARRIOR) or even funky (12 MONKEYS), but here, it's just lame. And the first "effect" in the film--where two planes collide--is a sad effort of blue-screening that my high-school film club could have outdone.

Avoid at all costs. Waste no money. If your boyfriend or girlfriend owns it, break up with them; it will be less painful.

I have to go sanitize my home theatre now.

Not a famous film for good reason
How many movies do you know that replay the same scenes and can still hold the interest of the viewer? Not many, if any. However, the creators of Millennium decided that about one third of the movie should be the same scenes. Total failure. This is a case where the makers of the film underestimated the intelligence of the viewers, thinking that going through the movie twice was the only way viewers could keep track of the incredibly difficult concept of time travel.

Then again, if this was truly a good movie than we shouldn't be disappointed in seeing the scenes twice, since we could then enjoy good acting etc. Not so in Millennium. Kris Kristofferson looks grizzly with a heavy beard and has the skin tone of beef jerky. Cheryl Ladd plays opposite of Kristofferson as the time traveling tough women from the future who happens to know nothing about time traveling, she needs a personal robot to explain "the obvious" to her on many occasions. Maybe she forgot to read the script.

In this movie, the future is a place of rust, the present is a place of ignorance, and the viewer is left insulted. ... Read more

Amazon.com

If you can stifle the urge to laugh at its pastel unisex costumes and futuristic shopping-mall décor, this extravagant science fiction film from 1976 is still visually fascinating and provocatively entertaining. Set in the year 2274, when ecological disaster has driven civilization to the protection of domed cities, the story revolves around a society that holds a ceremonial death ritual for all citizens who reach the age of 30. In a diseaseless city where free sex is encouraged and old age is virtually unknown, Logan (Michael York) is a "sandman," one who enforces this radical method of population control (but he's about to turn 30 and he doesn't want to die). Escaping from the domed city via a network of underground passages, Logan is joined by another "runner" named Jessica (Jenny Agutter), while his former sandman partner (Richard Jordan) is determined to terminate Logan's rebellion. Using a variety of splendid matte paintings and miniatures, Logan's Run earned a special Oscar for visual effects (images of a long-abandoned Washington, D.C., are particularly impressive), and in addition to fine performances by Jordan and Peter Ustinov, the film features '70s poster babe Farrah Fawcett in a cheesy supporting role. Jerry Goldsmith's semi-electronic score is still one of the prolific composer's best, and Logan's Run remains an interesting example of '70s sci-fi that preceded Star Wars by less than a year. --Jeff Shannon ... Read more

Reviews (108)

A visually stunning sci-fi spectacle
I have fond memories of seeing "Logan's Run" in the theaters many years ago, and am delighted to see this film getting a fine presentation on DVD. Directed by Michael Anderson, the film takes place in a post-apocalyptic future where humans live a hedonistic life in the shelter of a domed city. There's just one catch to this pleasure-oriented utopia: nobody is permitted to live past the age of 30. The title character, played by Michael York, is a Sandman: an elite policeman assigned to kill those who flee the birthday death sentence. But a surprising assignment takes Logan on a voyage that will change him profoundly.

"Logan's Run" is an adventure tale, a love story, a crime drama, a social satire, and a sumptuous visual spectacle all in one. The whole package is superbly enhanced by Jerry Goldsmith's inventive and varied score. This is one of the most visually stylish science fiction films ever made; it's full of scenes that are truly unforgettable.

The film is really grounded by the performances by the superb cast. Michael York and Jenny Agutter make an absolutely enchanting screen couple; the evolution of their characters' relationship is one of the key pleasures of the film. Richard Jordan brings complexity and intensity to his role as a fellow Sandman. And Peter Ustinov is delightfully warm, funny, and loveable in a critical supporting role.

The DVD includes a vintage "making of" featurette, as well as a full-length audio commentary by actor York, director Anderson, and costume designer Bill Thomas. The three discuss casting, stunts, special effects, Peter Ustinov's ad-libbing, and other aspects of making the film. They reveal some fascinating and delightful bits of trivia along the way. This is one of those great commentary tracks that makes you appreciate the film even more.

Solid sf adventure less than the sum of its parts
Logan's Run started off with a pretty amazing concept--(courtesy of science fiction writers William F. Nolan and George Clayton Johnson)what if our youth obsessed society put everyone over the age of 30 (21 in the novel)to death as a means of population control? This film version of a classic cautionary tale is intermittantly successful. David Zelag Goodman's screenplay condenses and changes around several key characters. Goodman's script essentially refocuses the novel into The Fugitive in the future. In the original novel Francis (played brilliantly by the late Richard Jordan)and the Old Man character (played as befuddled by Peter Ustinov) were one and the same. You'll need to read the novel to see why this was an important altered plot point.

Additionally, Sanctuary did exist in the novel while here it's clear that it's something of an urban myth. While these plot points might not seem essential, altering them radically reshaped the film. Still, it's clear that the film's director, producer and screenwriter (respectively, Michael Anderson the late Saul David and Goodman)wanted to streamline what could have been a confusing plot if not layed out correctly.

The basic plot--In the future our society is enclosed in domes. As a means to control the population, everyone has a life clock crystal on their hand. When you reach 30 you have the option to become "renewed" in a ceremony attended by the citizens. Logan (Michael York) and Francis (Richard Jordan) are Sandmen who hunt, capture/or kill runners (people who choose to not go through renewal and try to escape).

After one incident, Logan is debriefed by the computer that runs the city. The runner wore a symbol representing life. During this debriefing he is send undercover to become a "runner" and find out 1)Who is behind the network that tries to get people out of the city and 2) If sanctuary exists. Logan's life clock is prematurely aged to 30. He contacts a girl who he had met before on the circuit (a system where people can "dial up" others for casual sex)who he had seen wearing the same symbol. Despite her better judgement, she elects to help him escape.

Francis, alarmed that his friend is running, elects to chase him and either bring him back for renewal or kill him.

The film is quite good despite some gaping plot holes. Michael York gives a impassioned performance as Logan 5. Jenny Agutter is enchanting as Jessica. Richard Jordan shines as Logan's former partner Francis who feels betrayed and hunts Logan down. Roscoe Lee Brown is exceptional in his cameo as the demented cyborg Box. Michael Anderson, Jnr. gives a nice cameo performance as the surgeon hired to alter Logan's appearence. Made for $6 million, Logan's Run looked quite good when it was released in 1976. The symbolism of having Francis and Logan fight in the House of Representatives with an American flag was quite evident given the year of release (1976).
In many respects the themes in the film are more timely than ever. The obsession with youth, looking good and plastic surgery have come to define our culture in the 21st Century. The only thing missing from the film are botox injections.

Jerry Goldsmith's brilliant score is a highlight of the film. Like his score for Planet of the Apes, Goldsmith chose to go with a mix of sythesizers and orchestra to portray the city of the future. He eschews cliches in his music and the various themes and cues are at turns suspenseful and witty. The optical effects are pretty good given the time. The matte paintings by Albert Whitlock are outstanding and fairly convincing. The miniatures are a mixed bag. They didn't look completely convincing in 1976 nor do they today. Part of the problem has to do with the fact that waters don't fare well when placed in miniatures. You can't miniaturize the bubbles and water drops. Also, the use of the miniatures in combination with live action is quite grainy due to the film stock and amount of composites. Still, if you can suspend your disbelief, you'll enjoy the film despite its limitations.

Logan's Run attempted to tell an adult cautionary tale in a world of light weight escapist movies. It's a commendable film and the film makers frequently bite off more than they can chew. I'd rather have a film that's too ambitious than not at all.

Still, I appreciate the ambitions if not the execution. It's nice to finally have this fine if flawed movie on DVD. The transfer is quite good although the print has a number of flaws. There's also quite a bit of dirt evident on the print. These probably could have been cleared up with a direct digital transfer. Additionally, the 5.1 soundtrack occasionally sounds "tinny" and when played in the stereo format can be quite difficult to hear.

The extras are limited but nice. The commentary by director Michael Anderson and Michael York is quite good and informative. A pity the terrific actor Richard Jordan isn't around any longer to give us his perspective. I would have liked to see a fresh retrospective documentary on the making of the film. It's not likely to happen, though as no one is going to champion this film at the expensive of other newer projects (particulary since producer Saul David is gone). The featurette included is the original one made to promote the film. It's actually pretty decent given the age and purpose of it. The trailer is included as well. The disc is a dual sided single layer DVD with the widescreen and pan & scan versions on the same disc.

classic!
logan's run is a real gem. love the cast and the look of the film and it's a good dvd to have when you want to see something that's out of this world!

fantastic futuristic fun
Logan's Run was one of my faves as a kid. It was different from othe Sci Fi at the time. It created a weird world that was great to watch. I also watched the TV show version and loved it too (sure it was just a TV show and not quite as grand as the the more expensive flick but it was still weird enough to keep me watching). You've just got to love a show that creates it's own strange world and takes you away from reality. Logan has it's own style that provides just the right escape from the played out worlds of other Sci Fi flicks and shows. Give this a chance if you want something that's different and you've never seen it.

A bit excentric, but absolutely worth watching.
This is an awsome movie, even by today's standards. Granted the special effects can sometimes look corny or cheesy, but for the time when this movie was produced, the effects were top notch.

The story line goes like this. It is the year 2275. Disasters have forced what remains of civilization into a self contained, domed city. No one goes outside the city becuase they all beleive it to be a barren wasteland, incapable of supporting life. This is because it WAS that way when the city was founded, but that was over a hundred years ago. Since the city was founded, there was realised a great need to maintain the population to acceptable levels. So, it is determined that at age 30 you will "terminate". If you do not want to end your life at 30, you can participate on the "Carosel" on your "Last Day" (30 years to the day of your birth). The recorded message basically says that if you have a strong enough desire to renew, you will. Renewing gives you an unstated amount of extra time. If you are ready to end, you don't have to participate on Carosel. However, there exist a few people who don't want to follow the rules. They "run" from their fate. To prevent people from running (as well as for general law enforcement) there are a group of cop like folks. Each is refered to as a SandMan. It is their responsibility to enforce law in the domed city, and to track down anyone who decides to run, and terminate them.

Now meet Logan 5. He's a sand man, and he loves his job. But one day when he is doing his job and terminates a runner, he finds an Ankh on the runner. He doesn't think much of it. So he picks it up with the rest of the runner's belongings, and heads back to HQ to be "debriefed". But the central computer DOES recognise the Ankh. It is determined to be a symbol associated with a legenday place called Sanctuary, where runners can go and hide and live out their life normally (as you and I would consider normal). The computer determines that Sanctuary must be either right on the inside of the dome, or outside the city. Logan 5 is assigned to find sanctuary, and destroy it.

And so begins his Grand adventure, during the process of which he leaves the city, Falls in love with his "partner in crime, Jessica" (which is strictly forbidden in the city), Finds a man who has more cats than I could count, and returns to the city to try and stop the madness.

A very good movie on all counts. It should have been more popular. ... Read more

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The New Adventures of Pinocchio is the charming sequel to the1996 live-action movie. Though the cast is largely new, Martin Landau returns asGeppetto; his role is pared down, however, by a neat twist in the tale. Udo Kieralso returns, this time in the new bad guy/girl role of Madame Flambeau, whosecarnival sets itself up in Pinocchio's town and offers everyone a miracle elixirto change their lives. Pinocchio (now played as a real boy by Gabriel Thomson)hopes the elixir will make his papa recover from a nasty cold, but it turns outthat Flambeau has tricked him with puppet-making juice. So now it's Geppettowho's the wooden star of the show! Lots of surprises keep the story happilymoving along, with secret identities waiting to spring from the likes of WarwickDavis as the ringleader Dwarf. The Jim Henson Studio puppets are first-class asalways, with some flawless computer graphics coming to the rescue every sooften. There's a beautiful backdrop of the Luxembourg countryside for thispantomime, and everyone looks as if they're having great fun putting the filmtogether. --Paul Tonks ... Read more

Reviews (3)

Pinocchio is great
I loved it on show time on demand, whoever plays pinnochio is brilliant, its a spetaculare, I loved every part, exspecitaly the blue faerie, with a perfect ending. You'll love it too.

The New Adventures of Pinocchio
I had to watch this on HBO with my 5 year old brother. I thought it was gonna be just for little kids but it wasn't. It's kind of wierd and even scary sometimes and the bad guy is totally spooky. My dad even liked it and he never likes kid movies.

Gabriel Thomson is perfect!
I being the first one to ever to review this tape am honored to do such. I first saw this on HBO Family I thought hey I'll stay here for a little while and the more I watched the more I more I wanted to stay right where I was. Gabriel Thomson is so cute he was made for his role! I want to tell you all something else but my sister is here so I can't look forward to my second review about the big secret, the storyline, the cast and so forth. ... Read more