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| 1. American Dreams - Season One (Extended Music Edition) Director: David Semel, Tucker Gates, Norberto Barba, Daniel Attias, Bryan Spicer, Lev L. Spiro, Leslie Libman, Bill D'Elia, Jessica Yu, Michael W. Watkins, Patrick R. Norris, Oz Scott, Dan Lerner, Tom Verica, Randall Zisk, Mark Piznarski, Craig Zisk | |
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Reviews (6)
This is such a great show for the entire family. It surprises me that it doesn't do better in the ratings than it does. I was born in the late 60's, so I can kind of relate to how the Pryor's family life plays out ... having only one television set (and only having 3 channels to choose from), one telephone, buying and listening to 45's (for those younger ones of you out there, these are the single records) on a tabletop record player, penny candy that actually cost a penny, Coca-Cola in glass bottles, getting into movies for 50 cents, having a sit down dinner with your family most every night (exceptions were Friday & Saturday nights) of the week ... especially Sunday and so many other things. I love this show, because it reminds me so much of being a child in the late 60's in early 70's. If you haven't ever watched "American Dreams", I suggest you buy the DVD for Season 1, catch up on Season 2 by reading episode synopsises at nbc.com and start watching Season 3 at 8 p.m. on Sunday night starting September 26th!
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| 2. Apollo 11 - Men on the Moon Director: Norberto Barba | |
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Amazon.com NASA's most monumental mission was Apollo 11, placing Neil Armstrong and Buzz Aldrin on the surface of the moon. Unfortunately, it's one of the least stunningly photographed missions, with grainy black-and-white TV footage for the two-hour moon walk. However it's so rare that hardly anyone has seen more than a few seconds of this broadcast since 1969. Watch the broadcast as it was (alas, no Walter Cronkite, but this is the NASA feed--not a network), or watch the 16mm color footage shot by a stationary camera inside the lunar module, or watch a composition of both that also displays the famous photographs at the moment they were taken (how cool is that?). The moon walk is only one of three discs and there's another eight hours of footage, including all the onboard film and TV transmissions, pre-and post flight news conferences, and 15 views of the launch. Plus there's plenty of behind-the-scenes footage--the assembly of the giant Saturn 5 spacecraft, moon-walk rehearsals, and capsule recovery.For space junkies, it's the ultimate visual treasure trove. Any kid who has primed himself watching Ron Howard's majestic Apollo 13 (which featured no real space footage) will probably be disappointed in the lack of "cool" footage (oddly, the earlier Gemini missions have more "whoa" photography), but anybody interested in the moon mission finally has a complete chronicle of what it looked like when it happened. --Doug Thomas Reviews (12)
Instead of taking the strict documentary approach and editing the raw materiel until only the subjective 'best' materiel is left, the producers show basically all the uncut, raw materiel, frequently from different perspectives or with different options. Examples here are watching the Lunar Landing film taken from the LMP window synched with numerous different soundtrack options such as the Flight Director Loop, the TELCOMM (later TELMU) loop (which is of particular interest during the 1202 and 1201 Program Alarms), the PAO loop, or the onboard recorder from Eagle. Similarly, you can select up to six different angles to watch the launch from. This set is simply amazing to watch. It includes all the TV transmissions and onboard 16 mm film. If you are interested in Apollo or space exploration, you absolutely must have this DVD set. You will love it.
Most importantly, we set out to present the complete television transmissions and onboard motion picture film for individual missions - material that just hasn't been available before. This material is purposely left in its original form, albiet with new digital transfers, color correction where necessary and possible, and digital noise reduction. To do this we realized we would have to use certain unconventional methods. For example, we wished to present multiple angles of footage from rollout, suitup, etc. To do this required us to use different angles out of context, so that from time to time certain events were shown a couple of times so that the varied angles could be presented. Unless one realizes this was done to present multiple angles one might mistake it for material out of order. Nearly all of the 16mm film from EVA training, suitup, astronauts visiting the launch pad (all of which was re-transferred from the original using modern, digital telecines) was shot silent, and since we also wished to present as much audio as possible from mission events such as countdowns, we have married this audio to that footage. The result is the maximum amount of primary source material available on the subject and results in important audio from other events used on previously silent film. Lastly, especially for launch vehicles, we wanted to present the material we had only previously seen in short clips on documentaries, such as pad cameras, in its entirety. For those interested in the creation and flight of these vehicles, this material is fascinating, and filled with insightful information. Much of the material on these sets is presented, purposefully, the way it was shot. Some of the Hollywood storytelling created on this subject is wonderful, we love that, too, but as a chronicle of the greatest explorations of mankind the material deserved to be presented without such a filter. This is the way it happened, and it is amazing. Very soon in 2004, a six-disc chronicle of Apollo 15 and a three-disc edition on the Saturn V will be released.
Positives: As others have noted, there is seldom-seen footage and it is really good to see. The use of NASA audio and the definite lack of overdramatization (that smothers some other notable multi-disk videos) is also welcome. Seeing the entire lunar EVA is good to see (finally). The minimalistic narratives at times help focus the viewer on what was really going on. There are some uses of multiple-angle views that are novel, but the astonauts' post-flight audio commentary (covering some key mission events)are more interesting. These are significant positives that the Apollo fan will appreciate. Negatives: While there is some great footage and audio bits, one should remember that that was the result of NASA's prodigious work -- and considerable public money. The producers' job was to assemble and present them as a coherent narrative. They do their best when they simply let the NASA video play (for example, in the case of the entire EVA). But what they themselves have done is quite modest and at times thoughtless. First, they provide absolutely no overall narrative, although several methods -- a second audio track, accompanying booklet, use of subtitles, an occasional diagram -- could have been used. Those not familiar with the mission's major milestones (preparation, science goals, staging, critcal manuevers, etc.) will not gain insight and will be confused by some of the offerings. Take, for example, the footage labeled "probe and drogue" (disk 3), presented after the landing footage. With knowledge of the mission, one can figure out that it was taken shortly after LM-CSM docking, before the landing. But if you don't have this knowledge, or even what the probe and drogue assemblies are, you're left in the dark and perhaps puzzled as to its place in the mission. The lack of context confuses and fails to educate. Repeatedly, the disks choose not to illuminate the viewer when they easily could have (again, through optional subtitles or 2nd audio track). On disk 1, one sees ~15 minutes of video from a top-mounted camera looking down at the vehicle, poised for launch. It is accompanied by very sparse commentary from an Apollo public-affairs official who largely marks time until launch. One sits through at least five segments of no audio, each lasting 1.5 to 3 minutes! Even one predisposed to like this kind of DVD gets restless at staring at this uninformative shot for that long. Finally, the editing at times is thoughtless. During the section on vehicle roll-out, there are many nice shots of the vehicle, launch tower, and mobile service structure. However, they are inanely and repeatedly shown out of order, one minute ready to launch, the next with the service gantry surrounding it (i.e., events that are days apart). And while presenting NASA audio of the countdown 2 hrs prior to launch, they show the 3 astronauts on top of the launch tower...in shirt sleeves! Later, they show them getting suited up, again with the audio mismatched to the time when they're already in the command module! These large mismatches were simply not necessary. In summary, I think a die-hard Apollo fan (such as myself) will welcome the additional footage and the lack of over-the-top dramatization. The moon EVA footage is a real highlight. However, the $45 cost, the nice packaging and dramatic menus belie the lack of useful editing and supportive narrative. This set is will interest Apollo admirers, but doesn't do the less-informed viewer any favors. Finally, I have no financial interest in this product. ... Read more | |
| 3. Terror in the Mall Director: Norberto Barba | |
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Reviews (1)
IMDB summarizes the movie as: "A disparate group of people is trapped in a shopping plaza during a flood. To make matters worse, one of the folks is an escaped killer, and deadly methane gas is seeping up through the flood waters." There are a number of chilling parallels: a flood, seeping methane gas, and an "escaped killer" (so to speak). Now, the title is inconsistent (the movie is listed either as "Disaster at the Mall" or "Terror in the Mall")--but either one certainly works. It's an entertaining thrill-ride you'll enjoy over and over again, for years! ... Read more | |
| 4. Blue Tiger Director: Norberto Barba | |
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Description Reviews (5)
Gena Hayes, a single mother of a five year old son, watches in shock and grief as her young son's life is destroyed by a yakuza in a drugstore wearing a silver mask. She sees a blue tiger tatoo on the yakuza's chest and does some research, ultimately finding a tatoo artist who knows its signficance. When she has him ink a red tiger on her bare skin, following the legend of the meeting of the two tigers, it's purely for revenge. So the revenge motif, long a staple of the thriller--American and otherwise--pins the story's plot to its characters. But here the writing and directing are both fresh and lean, so there is a minimum of unnecessary grunting, emoting, slipshod hammy dialogue, and pointless commanding and commandeering (i.e., You do this; Steal that truck...etc.) Instead what we have is a sharper, crisper entry in the East meets West thriller department (the setting is Los Angeles' Little Tokyo) whose momentum is strong and confident enough to pull you to the finale which is a meting out of just desserts. More important than the inner working of the yakuza is Gena's own thinking on how to find the one who killed her child. (For a more in-depth, gritty, and intense portrayal of the yakuza, see a few films by Fukasaku like Battles Without Honor or Humanity, or Yakuza Graveyard--or by Beat Takeshi, like Sonatine). Harry Dean Stanton here plays a reclusive tatoo artist and acquits himself well. Only one logical flaw comes to mind here. Is there only ONE man with a blue tiger tatoo? You decide.
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| 5. Solo Director: Norberto Barba | |
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Reviews (7)
THIS MOVIE IS NOT THE BEST IN THE WORLD, BUT IS DEFINITELY WORTH SEEING. ... Read more | |
| 6. C.S.I.: NY Director: Greg Yaitanes, Deran Sarafian | |
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