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| 1. The Fantasia Anthology (3-Disc Collector's Edition) Director: T. Hee, Norman Ferguson, Wilfred Jackson, Ben Sharpsteen, Ford Beebe, Jim Handley, Paul Satterfield, Hamilton Luske, James Algar, Samuel Armstrong, Bill Roberts | |
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Amazon.com essential video Reviews (158)
The first disk is the original FANTASIA, which Disney describes as restored. This is not strictly true. First and foremost, the restoration of visual elements is sloppy at best, with the film plagued by streaks and blips, and at least one sequence ("Dance of the Hours") appears to be slightly cropped. That aside, portions of the Deems Taylor narration have been completely lost, and these have been rerecorded by Tim Matheson--and Matheson's voice is not a good match for Taylor and the sychronization is poorly done. Lastly, one selection ("Pastoral") has been censored: a brief image, which would be considered racist by today's standards, has been deleted from the sequence. Even so, it is still FANTASIA, and it overcomes all of these liabilities. The animation, which was created by hand and photographed through a number of laborious processes, shows Disney Studios at the height of its powers. Every one is certain to have their favorites among the selections (mine are "Dance of the Hours" and "Night on Bald Mountain"), but every selection is brilliantly conceived and executed, and although the content varies from sequence to sequence the overall style of the film hangs together in a most remarkable way. FANTASIA was, is, and will no doubt will forever remain a touchstone in animation art. Unfortunately, the same cannot be said of the second disk, FANTASIA 2000. This particular film is extremely uneven, the sequences lack the same cohesive style that held the original FANTASIA together, and the entire film is beset by a series of often obnoxious "celebrity" introductions that give the film the feel of a made-for-TV variety show. Still, some of the visual ideas are very impressive, and while they are too few to offset the portions of the film that do not work, they still make FANTASIA 2000 mildly entertaining. Both the FANTASIA and FANTASIA 2000 disks include documentaries and commentary tracks on each film. The third disk, called "The Fantasia Legacy," is a bonus packed with interviews, archieval footage, and sketches that show how each sequence in both films was developed and then filmed. Some of this material is redundant, for it is included on the documentaries on the first two disks, but most of it is unique to this disk alone. Disney originally saw FANTASIA as a film that could be re-released with a mix of old and new selections every few years, and the most interesting material on the "Legacy" disk is a restored "Clair de Lune" (made for and then cut from the original FANTASIA) and various storyboard ideas for future sequences. The only way one can obtain the "Legacy" disk is to purchase this three disk package--and therein lies the rub. The original FANTASIA is brilliant, and even in its so-so state it is worthy of a place in any DVD library. FANTASIA 2000, however, is trivial, occasionally interesting but not greatly memorable and not a piece that one would normally go out of the way to purchase. And the price for the three disk package is quite steep. If you are a Disney fan who must have every scrap of material available, I would recommend the investment this package requires. But if your primary interest is the original FANTASIA, you are much better off simply purchasing a DVD of that film alone--the other two disks are simply not worth the expense. Purchasers should alos remember that the original FANTASIA does not often appeal to very young children, and if the purchase is being made for a child you are likely to be disappointed in their response. Final thought: the original FANTASIA is brilliant, FANTASIA 2000 is so-so, and the bonus disk is for hardcore fans. This pricey package is recommended to the latter only.
1. Toccata & Fugue - Rousing music, good choice for opening. But I'm not a big fan of abstract animation. 2. Nutcraker Suite - Although most people like the Sorcorer's Apprentice best, I like this one the best. The music is so catchy! This peice's fantasy characters make me feel like a little kid again. 3. The Sorcorer's Apprentice - Ummm . . . Its O.K. Its good to own since its hisotric in Micky Mouse history. 4. Rite of Spring - This segment rocked! Why doesn't anyone like it? If featured breakthrough technology for the '40s! And the dinosaurs were so accurately drawn according to science at that time! 5. Intermission & Sound Track - Was this stuff necisary? 6. Pastoral Symphony - Great music, mythological characters. I guess it depends on your conscience for wether or not to like this one. 7. Dance of the Hours - LOL! This piece was great! I never knew Fantasia had the "Camp Granada" song! And the hippos and croc are so cool! 8. Night on Bald Mountain - Disney went overboard on this one. It's pretty demonic. It's up to you one wether to watch that one or not. I know he wanted the biggest battle of good vs. but this was too much. 9. Ava Maria - Kinda hokey and religous. It's alright. but the multi-plain camera was put to good use.
Other than that, Fantasia is a masterpiece. While it didn't really help Disney out much financially, the animation that accompanies the music is flawless. You really admire the artists that worked on each short. While it took hundreds to work on one piece at a time, now it'd only take a couple of guys on a computer with the latest animation software a few days. It's funny that most of this looks better than a lot of recent Disney films. The colors, smoothness of the animation, and how it blends with the music is just breath taking. The picture is as good as you're going to get for a movie this old. There's very little grain and dust on the print, and you'll hardly notice it with all the beauty on-screen. The audio is crisp and clear, so go nuts turning it up. The special features are ok. The commentary is made up of interviews and clips from Walt and others. When some people speak on it, there's a little bit of static, which doesn't matter since it's taken from an early source. It's not going to interfere with hearing anything they say, but I just thought I'd mention it. It's still a very interesting commentary track. I listen to it from time to time and always learn something new. The documentary is pretty cool too, though a lot of it I've already heard from other Disney specials and such. If you want the real goods as far as extras go, get the Fantasia Anthology edition. The third disc on that sucker is amazing. So if you're really expecting the "uncut" version, you'll be disappointed. I doubt it'll ever be released unless somehow Leonard Maltin can get that put out too. I mean, if he can get the Donald Nazi short put out in the newest wave of Disney Treasures, he's gotta have SOME chance of giving us the original Fantasia. Pick this up before it's out of print for another 10 years. It's a film to pass down the generations.
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| 2. Fantasia (60th Anniversary Special Edition) Director: T. Hee, Norman Ferguson, Wilfred Jackson, Ben Sharpsteen, Ford Beebe, Jim Handley, Paul Satterfield, Hamilton Luske, James Algar, Samuel Armstrong, Bill Roberts | |
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Amazon.com essential video Reviews (158)
The first disk is the original FANTASIA, which Disney describes as restored. This is not strictly true. First and foremost, the restoration of visual elements is sloppy at best, with the film plagued by streaks and blips, and at least one sequence ("Dance of the Hours") appears to be slightly cropped. That aside, portions of the Deems Taylor narration have been completely lost, and these have been rerecorded by Tim Matheson--and Matheson's voice is not a good match for Taylor and the sychronization is poorly done. Lastly, one selection ("Pastoral") has been censored: a brief image, which would be considered racist by today's standards, has been deleted from the sequence. Even so, it is still FANTASIA, and it overcomes all of these liabilities. The animation, which was created by hand and photographed through a number of laborious processes, shows Disney Studios at the height of its powers. Every one is certain to have their favorites among the selections (mine are "Dance of the Hours" and "Night on Bald Mountain"), but every selection is brilliantly conceived and executed, and although the content varies from sequence to sequence the overall style of the film hangs together in a most remarkable way. FANTASIA was, is, and will no doubt will forever remain a touchstone in animation art. Unfortunately, the same cannot be said of the second disk, FANTASIA 2000. This particular film is extremely uneven, the sequences lack the same cohesive style that held the original FANTASIA together, and the entire film is beset by a series of often obnoxious "celebrity" introductions that give the film the feel of a made-for-TV variety show. Still, some of the visual ideas are very impressive, and while they are too few to offset the portions of the film that do not work, they still make FANTASIA 2000 mildly entertaining. Both the FANTASIA and FANTASIA 2000 disks include documentaries and commentary tracks on each film. The third disk, called "The Fantasia Legacy," is a bonus packed with interviews, archieval footage, and sketches that show how each sequence in both films was developed and then filmed. Some of this material is redundant, for it is included on the documentaries on the first two disks, but most of it is unique to this disk alone. Disney originally saw FANTASIA as a film that could be re-released with a mix of old and new selections every few years, and the most interesting material on the "Legacy" disk is a restored "Clair de Lune" (made for and then cut from the original FANTASIA) and various storyboard ideas for future sequences. The only way one can obtain the "Legacy" disk is to purchase this three disk package--and therein lies the rub. The original FANTASIA is brilliant, and even in its so-so state it is worthy of a place in any DVD library. FANTASIA 2000, however, is trivial, occasionally interesting but not greatly memorable and not a piece that one would normally go out of the way to purchase. And the price for the three disk package is quite steep. If you are a Disney fan who must have every scrap of material available, I would recommend the investment this package requires. But if your primary interest is the original FANTASIA, you are much better off simply purchasing a DVD of that film alone--the other two disks are simply not worth the expense. Purchasers should alos remember that the original FANTASIA does not often appeal to very young children, and if the purchase is being made for a child you are likely to be disappointed in their response. Final thought: the original FANTASIA is brilliant, FANTASIA 2000 is so-so, and the bonus disk is for hardcore fans. This pricey package is recommended to the latter only.
1. Toccata & Fugue - Rousing music, good choice for opening. But I'm not a big fan of abstract animation. 2. Nutcraker Suite - Although most people like the Sorcorer's Apprentice best, I like this one the best. The music is so catchy! This peice's fantasy characters make me feel like a little kid again. 3. The Sorcorer's Apprentice - Ummm . . . Its O.K. Its good to own since its hisotric in Micky Mouse history. 4. Rite of Spring - This segment rocked! Why doesn't anyone like it? If featured breakthrough technology for the '40s! And the dinosaurs were so accurately drawn according to science at that time! 5. Intermission & Sound Track - Was this stuff necisary? 6. Pastoral Symphony - Great music, mythological characters. I guess it depends on your conscience for wether or not to like this one. 7. Dance of the Hours - LOL! This piece was great! I never knew Fantasia had the "Camp Granada" song! And the hippos and croc are so cool! 8. Night on Bald Mountain - Disney went overboard on this one. It's pretty demonic. It's up to you one wether to watch that one or not. I know he wanted the biggest battle of good vs. but this was too much. 9. Ava Maria - Kinda hokey and religous. It's alright. but the multi-plain camera was put to good use.
Other than that, Fantasia is a masterpiece. While it didn't really help Disney out much financially, the animation that accompanies the music is flawless. You really admire the artists that worked on each short. While it took hundreds to work on one piece at a time, now it'd only take a couple of guys on a computer with the latest animation software a few days. It's funny that most of this looks better than a lot of recent Disney films. The colors, smoothness of the animation, and how it blends with the music is just breath taking. The picture is as good as you're going to get for a movie this old. There's very little grain and dust on the print, and you'll hardly notice it with all the beauty on-screen. The audio is crisp and clear, so go nuts turning it up. The special features are ok. The commentary is made up of interviews and clips from Walt and others. When some people speak on it, there's a little bit of static, which doesn't matter since it's taken from an early source. It's not going to interfere with hearing anything they say, but I just thought I'd mention it. It's still a very interesting commentary track. I listen to it from time to time and always learn something new. The documentary is pretty cool too, though a lot of it I've already heard from other Disney specials and such. If you want the real goods as far as extras go, get the Fantasia Anthology edition. The third disc on that sucker is amazing. So if you're really expecting the "uncut" version, you'll be disappointed. I doubt it'll ever be released unless somehow Leonard Maltin can get that put out too. I mean, if he can get the Donald Nazi short put out in the newest wave of Disney Treasures, he's gotta have SOME chance of giving us the original Fantasia. Pick this up before it's out of print for another 10 years. It's a film to pass down the generations.
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| 3. Walt Disney Treasures - Behind the Scenes at the Walt Disney Studio Director: Alfred L. Werker, Hamilton Luske, Erwin L. Verity, Ford Beebe, Jasper Blystone, Jim Handley | |
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Amazon.com During the '50s, Walt used his studio as a backdrop for several episodes of theDisneyland TV series. "The Story of the Animated Drawing" traces thehistory of the medium, including re-creations of Emil Reynaud's Théâtre Optique(1892-1900) and Winsor McCay's vaudeville routine with his landmark filmGertie the Dinosaur (1914). "Tricks of Our Trade," which focuses on thecreation of Sleeping Beauty, shows staged footage of four of thecelebrated "Nine Old Men"--Marc Davis, Milt Kahl, Frank Thomas, and OllieJohnston--sketching. In the DVD bonus material, host Leonard Maltin traces thedevelopment of the studio facilities from a Los Angeles garage to its presentlocation in Burbank. Maltin also chats with Disney legend Joe Grant, who cowrotethe "Baby Weems" sequence in Reluctant Dragon. Recorded at the time ofGrant's 94th birthday, the artist displays the sly wit that continues to inspireanimators. (Unrated: Suitable for all ages: cartoon violence) --CharlesSolomon Reviews (10)
From a Disney and Animation fan's point of view, this is a near perfect DVD set. Tons of inside information, interviews and snippets with talented Disney animators and voice actors and every good thing are included in the various documentaries. I particularly enjoyed the history of animation sequence in "The Story Of The Animated Drawing" and the interview with the voice of Donald Duck. It is so strange to watch him talk in Donald's voice! Much of the information is redundant, and the same sequences show up in a few of the documentaries. The film, "The Reluctant Dragon" is fun, and has the best animated sequences of the set. However, as a theatrical release film is leaves much to be desired. As always, Leonard Maltin supplies interesting commentary and insights for the series. Definitely not for the casual fan. However, I am sure glad that Disney released this collection. Educational and fun.
Also See: Silly Symphonies
It's a shame the company has lost the magic it once had. Walt seemed like a genuine nice guy. He really did care about making people happy, and trying new things in animation. And you can't blame Roy E. Disney for leaving the company, stating "they don't put their hearts into anything anymore". Though it's sad the company is going to be forgotten once Pixar's contract with them expires. Compare every feature Disney's put out since The Hunchback of Notre Dame to some before that point. They're almost all forgettable, save the Pixar ones. And with recent efforts like Home on the Range, are they even trying any more? The animation quality of that looked like one of their many direct-to-video sequels which seem to be their new trend. Also on disc 1 are 'A Trip Through the Walt Disney Studios' and 'How Walt Disney Cartoons Are Made'. They're both essentially the same program, with the second having a new narrator, some added dialogue, and clips from the premiere of Snow White. These were used as promotional bits to let people know what to expect soon. Leonard gives us a tour of the studio and well...*does halfway hand gesture* it's ok. It's not as in-depth as it could've been, but it was nice to see a few things not shown in any of the other programs. 'Behind the Scenes on Baby Weems' is a quick interview with Joe Grand. Also included are photo galleries from The Reluctant Dragon and the Disney Studios. On disc 2 we get 3 Disneyland TV broadcasts: 'The Story of the Animated Drawing', 'The Plausible Impossible' and 'Tricks of Our Trade'. While they're all good, the best of the bunch is easily 'The Story of the Animated Drawing'. It's a thorough feature, going back over 100 years, showing us each step in the history of animation. I tell you, some of the guys in the late 1800's/early 1900's...they were geniuses. And if they could see how far animation's come since their time, it'd be overwhelming. Especially on how easy it is to make a cartoon now. From inventors using huge reels of film to project their short features on screen, to carnival sideshows using animation in their attractions. After watching this one, I almost hate all new forms of animation techniques. Using a computer to create huge CG worlds is nothing compared to what some of these guys went through just to give people something new to see. There's also a rare Australian radio interview with some of the Disney crew and Walt. It's enjoyable, if a bit fake. The woman interviewing everyone has little personality, and the whole thing seems edited just to fit her responses. Never the less, they shed good information, including a little bit on Song of the South. Just hearing them talk about that is a tease since it's likely to not be rereleased ever again. C'mon Disney, that was how animation was done back then. You put can put out dozens of cartoons showing how you portrayed Asians and Germans, but African Americans is a no-no? I hope people keep petitioning to get Song of the South released again. The big fuss Disney's making over it makes it sound like it's just the most racist piece of film ever released. I saw some of it a few years ago and it was nothing but a happy family short. But Leonard's done a good job giving us these gems, and if anyone can get SotS for us, it's him. There's also a gallery for Kem Webber's art. I couldn't find any Easter Eggs on either disc, so I doubt there are any. If you see this Treasure laying around, get it. I got mine just a few weeks ago for the same price as the new Treasures amazingly. Since it's the least popular from the second wave released 2 years ago, some are still laying around I guess. But don't get these from Amazon's Used & New- most of the sellers say they're new, but are missing the tin. How do you just go and lose the tin for these? Obviously they're bootlegs. Good luck though. I'd place this right behind On the Front Lines as far as the total package goes.
Also See: Silly Symphonies Was this review helpful to you?
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| 4. Buck Rogers [Serial] Director: Saul A. Goodkind, Ford Beebe | |
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Amazon.com Reviews (8)
Second, let me say that I am astonished--to the point of feeling like my 10-year old self was had--how much of "Star Wars" Lucas lifted almost whole-cloth from this serial. Even the prologue as a steeply pitched crawl comes from Buck Rogers, not to mention countless scenes in the Millennium Falcon as the ship is chased by an evil-empire-like force of villains. So here's the advice I would have been happiest to have had a few days ago when I was trying to decide whether to buy this disc: if you love science fiction on film, or are interested in the popular culture of the late 30's and early 40's, BUY THIS DISC.
Universal did well with Buck, though the serial didn't have the appeal of the Flash Gordon serials. It's not as imaginative, but it is a good action serial. Buster Crabbe shows a little of the calmer nature of the hero, compared to Flash Gordon's impetuousness. If you don't have any of them, get especially FLASH GORDON: SPACE SOLDIERS and FLASH GORDON CONQUERS THE UNIVERSE first, but then be sure to get BUCK ROGERS.
Buck Rogers has STYLE. Not to say that Flash didn't, but the Buck Rogers serial has: The Art Deco Headquarters of Killer Kane, with it's convenient topiary shrubs for hiding behind. The swirling mirror pool monitor screens. The equally Art Deco space ships, with sparklers as exhaust and that sound, something like a microwave oven and a car missing a muffler. These ships were so advanced, all they needed was a simple door with handle. A future full of wimps. Flash and Buddy easily push away or tackle anyone who they clash with. The groovy De-Gravity belts and the transporter. The Saturnian tram system. The exotic terrain of the planet Saturn, which in no way looked like a California desert. The Saturnian MUGGS, who should have all been nominated for academy awards. Okay, I'm being a little sarcastic. But I really do have a great love for this serial, even with all its many flaws. Terrible performances by some of the supporting characters, a few cases of severely bad stunt doubling, and the effects, well......they did their best with what they had to work with. I love the little dolls in the Saturnian tunnel trams. And Buck himself--Larry "Buster" Crabbe was so handsome. That wavy hair and that killer smile were all he needed. I wonder if the producers ever realized what kind of confusion they would cause in the years that followed, by casting the same actor for both Flash and Buck. It's always interesting to see a VHS version of Buck Rogers with a picture from Flash Gordon on the cover, and vice versa. Buck Rogers is a true pleasure to watch. It's so much fun, and it's the perfect length. It's over before it has worn out its welcome. And if you want more, then watch the next chapter. The menu screens are fun too, with the ships swinging around on visible wires. If only they would have included a booklet instead of advertising. This is well worth checking out, especially if you enjoy the Flash serials. Like the cover proclaims, it's a 12 chapter Thrill-O-Rama!
So the wooden actors made local amateur dramatics look professional and the space ships looked like something made on Blue Peter, but it didn't matter because 'Buster' Crabbe WAS a Superhero. Who cares about comparisons of productions and making analysis between Buck & Flash, they weren't meant for that, they're just pure fun and were made to be watched and enjoyed. So anyone who saw these and enjoyed them, buy the DVDs, you'll be ten all over again. ... Read more | |
| 5. Flash Gordon's Trip to Mars Director: Robert F. Hill, Frederick Stephani, Ford Beebe | |
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Amazon.com This collection from Image Entertainment finds Flash battling a fiendish plotstaged by Queen Azura of Mars, stealing the Earth's nitrogen to aid in theongoing war against the Clay People. Flash soon discovers that Azura is in linewith his mortal enemy, Ming the Merciless, who secretly is plotting to overthrowher and take over Mars himself. As usual, the hapless Professor Zarkov gets inpredicaments from which Flash must rescue him, and Dale Arden is by Flash's sidethrough all of it. Loaded with fisticuffs, sputtering, wobbly rocket ships,lasers, and, of course, the remarkable Clay People (Martians turned intoanimated mud), this is fast-paced sci-fi entertainment that was state of the artfor 1938. The energy and raw enthusiasm of these serials are what make them sofun to watch, not to mention providing a downright quaint time-capsule look atwhat Depression-era audiences thought of as the future.--Jerry Renshaw | |
| 6. Shadow of the Eagle [Serial] Director: Ford Beebe, B. Reeves Eason | |
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Description Reviews (8)
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| 7. Flash Gordon Conquers the Universe Director: Ray Taylor, Ford Beebe | |
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Amazon.com Reviews (13)
Good stuff that looks even better when cut down to the central plot. The action does not let up. See the whole series in order. Larry "Buster" Crabbe is charismatic and strangely beautiful as the lead in this beguiling comic book space opera from the late 30s. For die hard fans of this series, the full length, uncut serial "FLASH GORDON CONQUERS THE UNIVERSE" is also available.
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| 8. The Phantom Creeps Director: Saul A. Goodkind, Ford Beebe | |
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Description One of the most memorable serials of the 1930's was The Phantom Creeps (1939).Bela Lugosi stars as Dr. Alex Zorka, a mad scientist, who conducts bizarre experiments in a secret laboratory with his assistant, Monk, an ex-convict.Dr. Zorka's inventions are sought after by the U.S. Government as well as hostile spies.The source of his inventions' power is a meteorite fragment he discovered in Africa, containing a source of limitless energy.Hokey, entertaining, and funny by today's standards, The Phantom Creeps is a classic example of the bygone era of Saturday matinees at the local movie house.All 12 episodes are presented here in their original unedited version. Reviews (5)
The 12 episodes are: 1) The menacing Power I purchased this DVD because Bela Lugosi was in it. I was not disappointed - I have really enjoyed it. The quality is not bad. There are options to play each episode or play all 12 continuously.
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| 9. Flash Gordon - The Deadly Ray from Mars Director: Robert F. Hill, Frederick Stephani, Ford Beebe | |
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| 10. Flash Gordon Conquers the Universe Director: Ray Taylor, Ford Beebe | |
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Description In "Flash Gordon Conquers the Universe", a mysterious plague known as the "Purple Death" ravages the earth. Dr. Zarkov, investigating in his spaceship, finds a ship from planet Mongo seeding the atmosphere with dust. Sure enough, Ming the Merciless is up to his old tricks. So, it's back to Mongo for Flash, Dale, and Zarkov. Reviews (13)
Good stuff that looks even better when cut down to the central plot. The action does not let up. See the whole series in order. Larry "Buster" Crabbe is charismatic and strangely beautiful as the lead in this beguiling comic book space opera from the late 30s. For die hard fans of this series, the full length, uncut serial "FLASH GORDON CONQUERS THE UNIVERSE" is also available.
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| 11. Flash Gordon -The Peril from Planet Mongo Director: Ray Taylor, Ford Beebe | |
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Description Reviews (13)
Good stuff that looks even better when cut down to the central plot. The action does not let up. See the whole series in order. Larry "Buster" Crabbe is charismatic and strangely beautiful as the lead in this beguiling comic book space opera from the late 30s. For die hard fans of this series, the full length, uncut serial "FLASH GORDON CONQUERS THE UNIVERSE" is also available.
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| 12. Sea Raiders - Vol. 1: Chapters 1-6 (S Director: John Rawlins, Ford Beebe | |
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| 13. Ace Drummond - Vol. 2 Director: Clifford Smith, Ford Beebe | |
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Reviews (1)
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| 14. Ace Drummond - Volume 1 Director: Clifford Smith, Ford Beebe | |
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Reviews (1)
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| 15. Conquers the Universe Director: Ray Taylor, Ford Beebe | |
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Description Reviews (13)
Good stuff that looks even better when cut down to the central plot. The action does not let up. See the whole series in order. Larry "Buster" Crabbe is charismatic and strangely beautiful as the lead in this beguiling comic book space opera from the late 30s. For die hard fans of this series, the full length, uncut serial "FLASH GORDON CONQUERS THE UNIVERSE" is also available.
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