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| 1. Northern Exposure - The Complete First Season Director: Peter O'Fallon, Victor Lobl, David Carson, Michael Vittes, Jack Bender, Mark Horowitz, Michael Katleman, Tom Moore (II), Steven Robman, Stuart Margolin, Bill D'Elia, Oz Scott, Adam Arkin, Lorraine Senna, Dan Lerner, Frank Prinzi, Lee Shallat Chemel, Robert C. Thompson, Dean Parisot, John David Coles | |
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Amazon.com In season 1, we meet Dr. Joel Fleischman (Rob Morrow), an urban New York yuppie who consents to four years of rural servitude after Alaska pays his medical-school tuition. Joel's fish-out-of-water adventures drive the show, but it's the quirky ensemble of characters--Chris, the DJ/philosopher (John Corbett), Holling, the bartender (John Cullum), Maurice, the town patriarch (Barry Corbin), Ed, the filmmaker (Darren E. Burrows), and Maggie, the bush pilot (Janine Turner), among others-that keeps the series consistently entertaining. The town develops its own offbeat personality as well, a Mayberry-meets-Twin-Peaksblend of Native mysticism, Aurora Borealis-induced dreams, unlikely tales of long-lost family members, and rumors of a Bigfoot-like creature known simply as "Adam." Northern Exposure provides a utopian escape--a place where life is interesting but never dangerous, everyone's insightful, the mystical becomes real, and nobody's burdened with a mundane 9-to-6 desk job. Cicely is a delightful place to visit, even if it's only for an hour at a time. A mid-season replacement, season 1 consists of just eight episodes on two DVDs. Each episode includes 5-10 minutes of outtakes and deleted scenes. --Shane Burnett Reviews (167)
Deleted Scenes (and special limited edition "Parka" packaging!)
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| 2. Northern Exposure - The Complete Second Season Director: Peter O'Fallon, Victor Lobl, David Carson, Michael Vittes, Jack Bender, Mark Horowitz, Michael Katleman, Tom Moore (II), Steven Robman, Stuart Margolin, Bill D'Elia, Oz Scott, Adam Arkin, Lorraine Senna, Dan Lerner, Frank Prinzi, Lee Shallat Chemel, Robert C. Thompson, Dean Parisot, John David Coles | |
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| 3. The Sopranos - The Complete First Five Seasons | |
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Amazon.com Alternately seductive, exasperated, fearful, and murderous, James Gandolfini's Tony is utterly convincing even when executing brutal shifts between domestic comedy and dramatic violence. The first season's other life force is Livia Soprano, Tony's monstrous, meddlesome mother. As Livia, the late Nancy Marchand eclipses her long career of patrician performances to create an indelibly earthy, calculating matriarch who shakes up both families; Livia also serves as foil and rival to Tony's loyal, usually level-headed wife, Carmela (Edie Falco). Lorraine Bracco makes Tony's therapist, Dr. Melfi, a convincing confidante, by turns "professional," perceptive, and sexy; the duo's therapeutic relationship is also depicted with uncommon accuracy. Such grace notes only enrich what's not merely an aesthetic high point for commercial television, but an absorbing film masterwork that deepens with subsequent screenings. In its second season, The Sopranos repeatedly defies formula to let the narrative turn as a direct consequence of the characters' behavior, letting everyone in this rogue's gallery of Mafiosi, friends, and family evolve and deepen. That gamble is most apparent in the rupture of the relationship that formed the spine of the first season, the tangled ties between Tony and Livia, whose betrayal makes Tony's estrangement a logical response. Filling that vacuum, however, is prodigal sister Janice (Aida Turturro), whose New Age flakiness never successfully conceals her underlying calculation and opportunism. Soprano's relationship with therapist Melfi also frays during early episodes, as she struggles with escalating doubts about her mobbed-up patient. At home, Tony contends with wife Carmela's ruthless ambitions on behalf of college-bound Meadow (Jamie Lynn Sigler), as well as son Anthony Jr.'s (Robert Iler) sullen adolescent flirtation with existentialism--the sort of touch that the show handles with a smart mix of sympathy and amusement. In the brutal and controversial third season, The Sopranos justified its 11-month hiatus with some of its best, and most hotly debated, episodes. It continued to upend convention and defy audience expectations with a deliberately paced, calm-before-the-storm season opener that revolves around the FBI's attempts to bug the Soprano household, and a season finale that (for some) frustratingly leaves several plot lines unresolved. "Employee of the Month," in which Dr. Melfi is raped and considers whether to exact revenge by telling Tony of her attack, earned Emmys for its writers, and is perhaps Emmy nominee Lorraine Bracco's finest hour. Other story arcs concern the rise of the seriously unstable Ralph Cifaretto (Joe Pantoliano) and Tony's affair with "full-blown loop-de-loo" Gloria (Emmy nominee Annabella Sciorra). Plus, there is Tony's estrangement from daughter Meadow, his wayward delinquent son Anthony, Jr., Carmela's crisis of conscience, bad seed Jackie Jr., and the FBI--which, as the season ends, assigns an undercover agent to befriend an unwitting figure in the Soprano family's orbit. Though for some the widely debated fourth season contained too much yakking instead of whacking, and an emphasis on domestic family over business Family, in most respects The Sopranos remains television's gold standard. The season garnered 13 Emmy nominations, and subsequent best actor and actress wins for James Gandolfini and Edie Falco as Tony and Carmela, whose estrangement provides the season with its most powerful drama, as well as a win for Joe Pantoliano's psychopath Ralph. Other narrative threads include Christopher's (Emmy nominee Michael Imperioli) descent into heroin addiction, Uncle Junior's (Dominic Chianese) trial, an unrequited and potentially fatal attraction between Carmela and Tony's driver Furio, and a rude joke about Johnny Sack's wife that has potentially fatal implications. Other indelible moments include Christopher's girlfriend Adriana's projectile reaction to discovering that her new best friend is an undercover FBI agent in the episode "No Show," Janice giving Ralph a shove out of their relationship in "Christopher," and the classic "Quasimodo/Nostradamus" exchange in the season-opener, which garnered HBO's highest ratings to date. Freed from the understandably high expectations for the fourth season, heightened by the 16-month hiatus, these episodes can be better appreciated on their own considerable merits. They are pivotal chapters in television's most novel saga. From the moment a wayward bear lumbers into the Sopranos' yard in the fifth-season opener, it is clear that The Sopranos is in anything but a "stagmire." The series benefits from an infusion of new blood, the so-called "Class of 2004," imprisoned "family" members freshly released from jail. Most notable among these is Tony's cousin, Tony Blundetto (Steve Buscemi, who directed the pivotal season 3 episode "Pine Barrens"), who initially wants to go straight, but proves himself to be something of a "free agent," setting up a climactic stand-off between Tony and New York boss Johnny Sack. These 13 mostly riveting episodes unfold with a page-turning intensity with many rich subplots. Estranged couple Tony and Carmella (the incomparable James Gandolfini and Edie Falco) work toward a reconciliation (greased by Tony's purchase of a $600,000 piece of property for Carmela to develop). The Feds lean harder on an increasingly stressed-out and distraught Adriana to "snitch" with inevitable results. This season's hot-button episode is "The Test Dream," in which Tony is visited by some of the series' dear, and not-so-dearly, departed in a harrowing nightmare. | |
| 4. Alias - The First Three Complete Seasons (Amazon.com Exclusive) Director: J.J. Abrams, Jack Bender, Ken Olin, Mikael Salomon, Nelson McCormick, Guy Norman Bee, Perry Lang, Thomas J. Wright, Max Mayer, Davis Guggenheim, Craig Zisk, Harry Winer, Marianne Brandon, Daniel Attias, Lawrence Trilling, Alex Kurtzman (II), Barnet Kellman | |
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| 5. Killing Mr. Griffin Director: Jack Bender | |
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| 6. Child's Play 3 Director: Jack Bender | |
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Description Reviews (65)
Andy Barclay (Justin Whalin this time) has been sent to military school, where everybody decides that he can get some good discipline and forget all the mayhem that the killer doll, Chucky, has done through his life. Meanwhile, the Good Guy Doll company decide to make Chucky again. They think that they should try and forget what has been said about before and make everyone like Chucky again. This leads to our deranged, homicidal doll coming back to life and trying to find Barclay. Chucky travels to the military school and finds a new boy who he could transfer his soul into. Andy finds out and tries to stop him, while everybody else thinks he's crazy. Chucky begins his rampage, while Andy desperately tries to help Chucky's target. This movie is not scary at all. I don't think any of the Chucky movies are, except for Part I. That was a bit creepy, because we didn't exactly know who Chucky was. In this one, Chucky just kills people and makes jokes about how he did it. Don't come looking for a scary movie! The acting in this movie is okay. Justin Whalin plays a believable Andy, but he didn't really act like the little Andy we used to know. That's okay though. The rest of the cast were your stereo-typical characters. There was the tough girl who likes Andy, his nerdy friend, his soldier enemy, and many more predictable characters. Overall, this movie deserves a rental. You might want to stay away from this if you hate Chucky movies, because that's what it is. It is also not for little children. Chucky cusses pervasively and kills a lot of people in gory ways. RATED R for very strong violence/gore, language, and some disturbing images.
Andy is shipped off to a Military school and Chucky follows him there but ends up in the hands of a little boy who befriends him. CHucky tries to act good around the little boy while at the same time tries to kill andy. I love this movie. The death scenes are very good and eyecatching and chucky is ruthless in his attempt to kill everyone. A lot of the deaths are awesome! My favorite is where he replaces paint balls with bullets.. This is the last of the series that is any good and worth seeing...
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| 7. Boomtown - Season One Director: Jon Avnet, Tucker Gates, Michael W. Watkins, Bobby Roth, Frederick King Keller, Rodrigo García, Peter Werner (III), Jack Bender, Alex Zakrzewski, Jeremy Paul Kagan | |
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It would be a shame if this isn't released to the US on DVD. Season one of Boomtown truely was a masterpeice. A wiseman once said, "The fire you kindle for your enemy often burns yourself more than him." I don't know what this means, but i do know one thing...Boomtown was pure gold. We need to support Boomtown, if we all enter our e-mail addresses at the top of the page and vote, boomtown will rise from the ashes and become imortalized in the form of DVD. Thank you for your time, and don't forget to watch 24 tuesdays at 9pm.
The actors they got for the roles were perfectly cast. From Neal McDonough and his excellent vocal prowes to Donnie Wahlberg's compassionate but Joel Stevens and his tandem Mykelti Williamson with the perfect nickname "Fearless" every actor brought their own edge to the roles. Thank you for putting the show on DVD for myself and others to enjoy and hopefully show other people why it was such a travesty that this show was cut!
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| 8. The Midnight Hour Director: Jack Bender | |
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Reviews (24)
E-mail me: jackmonsoon@hotmail.com
The story is pretty cliche. A bunch of teenagers find a scroll in a museum that will raise the dead when read aloud in a cemetary on Halloween night. They do and hilarity ensues. I hung out with a pretty diverse bunch in high school but I never knew anyone who's idea of fun was getting together to read musty old incantations. Anyway, what follows next is B-movie actors getting zombified for the duration of the movie until the curse can be broken. What I love most about this movie, though, is its encompassing of age old tradition and classic seasonal imagery. This is partly why it has become inextricably linked with my memories of Halloween. If you're looking for an enjoyable movie with a fun, if a bit formula plot, for your Halloween party then it doesn't get much better than "Midnight Hour". Thank Anchor Bay for bringing this rare Halloween gem back to prominence.
The Midnight Hour - Wilson Pickett Mama Told Me (Not To Come) - Three Dog Night If anyone wants to add to this, please feel free. This is an excellent blend of spooky tunes from the 50's through 80's. If you are an insane fan like myself, you'll go ahead and collect these songs to make your own soundtrack. I just thought I'd help the crazy ones along a little bit. ... Read more | |
| 9. It Came From the Sky Director: Jack Bender | |
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Reviews (5)
attitude to traumatic events will conquer all.
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| 10. Letting Go Director: Jack Bender | |
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| 11. Killing Mr. Griffin Director: Jack Bender | |
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| 12. Gambler V:Playing for Keeps Director: Jack Bender | |
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| 13. My Little Assassin Director: Jack Bender | |
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Reviews (3)
Marita's journey begins as a naïve 19-year-old idealistic dreamer. When she meets Fidel Castro, she has never thought through the concepts of rule of law, peaceful transitions of government, economic justice as opposed to systematized revenge, or true reform versus manipulative takeover in pursuit of totalitarian self-interest. She _wants to_ believe his promises of loosening the grip of terror "when Cuba is fixed..." but becomes gradually disillusioned with the capricious arrests and brutal removals of residents from their Havana homes on no grounds other than rumored suspicion of anti-Castro sentiments. Her inner struggle between her attraction to him, her hopeful wish that in time conditions might indeed improve on the island she has come to love, her own initially immature understanding of freedom and allegiance to one's country, and her painful growth toward coming to understand the components of true liberty are skilfully interwoven and portrayed with sensitivity. Her inner journey is paced slowly enough to take the viewer into the mind of a young, hopeful, romantic idealist who gradually comes to see through the hypocrisy of endless promises -- her journey also provides a symbolic walk through the gradual disillusionment throughout the island with those same promises that never come to fruition. Filmed in part in beautiful Old Havana and interspersed with hauntingly lyrical Cuban music -- even someone unfamiliar with Cuba would be touched by the beauty of the place and perhaps gain a sense of why (despite the tragic results of the revolution) Marita had such a lasting affection for the island, her Cuba Linda...
In the end, can't resist the temptation to know further, whether her son is really alive and became a doctor.
Here is a brief synopsis of this movie. The movie takes place in post revolution Cuba, at a time when Americans are allowed to enter Havana, the Casinos are fully operational, and the Cuban army is infiltrated with a few CIA agents. Anwar is the 19 years old daughter of a divorced couple,lives with her father who is the captain of a Cruise ship. Her mother is a CIA agent. The cruise ship comes to Cuba, and Castro wants to visit the ship because he's never seen anyhting so big. The daughter of the captain allows them to visit the ship once Castro(Mantegna) and his entourage disarm themselves. Within a few hours they fall in love and kiss on the deck. Anwar returns back to the US, and one day when she is home alone Castro's advisor stops by and tells her that there is a private jet waiting for her. She takes off and flies to Cuba to be with Castro, eventually she gets pregnant, and during the last few days of her pregnancy she faints and wakes up in the US and "unpregnant" accompanied by her mother and FBI agents. FBI an CIA agents convice her that Castro had the pregnancy terminated, and killed the unborn baby. With vengeance in her heart, she joins a boot camp to receive training as a killer. She flies to Cuba with intentions of posioning Castro. However, the poison pills melts in her make-up bag, Castro understands what she is trying to do, and gives her his side arm, and calls her "My Little Assasin". But she is unable to kill him and returns back to the US, where she gets a slap on her face for not being able to complete the mission. Eventually she finds out that her son is alive and is a medical student in Cuba. She buys a Levis Jean and goes to Cuba to see Castro and her son. The movie portrays US government as the evil empire and Castro as the good guy. I guess you have to watch it on your own to find out which parts of this story are based on truth. Good Luck, your sentence will be about 90 minutes. ... Read more | |
| 14. Lone Justice 2 Director: Jack Bender | |
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| 15. The Sopranos - The Complete First and Second Seasons Director: James Hayman, John Patterson (III), Alan Taylor, Peter Bogdanovich, Steve Buscemi, Rodrigo García, Andy Wolk, Timothy Van Patten, Matthew Penn (II), Tom Patterson (III), Allen Coulter, Lee Tamahori, Nick Gomez, Jack Bender, Lorraine Senna, Martin Bruestle, Daniel Attias, Mike Figgis, Henry Bronchtein, David Chase (II) | |
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Amazon.com Alternately seductive, exasperated, fearful, and murderous, James Gandolfini's Tony is utterly convincing even when executing brutal shifts between domestic comedy and dramatic violence. The first season's other life force is Livia Soprano, Tony's monstrous, meddlesome mother. As Livia, the late Nancy Marchand eclipses her long career of patrician performances to create an indelibly earthy, calculating matriarch who shakes up both families; Livia also serves as foil and rival to Tony's loyal, usually level-headed wife, Carmela (Edie Falco). Lorraine Bracco makes Tony's therapist, Dr. Melfi, a convincing confidante, by turns "professional," perceptive, and sexy; the duo's therapeutic relationship is also depicted with uncommon accuracy. Such grace notes only enrich what's not merely an aesthetic high point for commercial television, but an absorbing film masterwork that deepens with subsequent screenings. In its second season, The Sopranos repeatedly defies formula to let the narrative turn as a direct consequence of the characters' behavior, letting everyone in this rogue's gallery of Mafiosi, friends, and family evolve and deepen. That gamble is most apparent in the rupture of the relationship that formed the spine of the first season, the tangled ties between Tony and Livia, whose betrayal makes Tony's estrangement a logical response. Filling that vacuum, however, is prodigal sister Janice (Aida Turturro), whose New Age flakiness never successfully conceals her underlying calculation and opportunism. Soprano's relationship with therapist Melfi also frays during early episodes, as she struggles with escalating doubts about her mobbed-up patient. At home, Tony contends with wife Carmela's ruthless ambitions on behalf of college-bound Meadow (Jamie Lynn Sigler), as well as son Anthony Jr.'s (Robert Iler) sullen adolescent flirtation with existentialism--the sort of touch that the show handles with a smart mix of sympathy and amusement. --Sam Sutherland Reviews (3)
It is a marvelously creative series with a stellar cast. For those of you who have been visiting relatives in Antarctica for the past several years, the story revolves around the mob in New Jersey. It centers on one family specifically, the Sopranos, headed by Anthony Soprano (James Gandolfini), who is married to his loyal childhood sweetheart, Carmela (Edie DeFalco). Together they have two children, Meadow and Anthony, Jr. Tony's dangerously manipulative mother, Livia (Nancy Marchand), is bound for a retirement home, if Tony has any say. Tony, however, has another family, comprised of a bunch of murderous henchmen, who occasionally march to the tune of a different drummer. He also has a Russian mistress. Trying to balance all this has given Tony panic attacks, so he goes to a psychiatrist, Dr. Melfi (Lorraine Bracco), whose relationship with her client alternates between fear and fascination. The writing for this series is splendid and the interweaving of comedic and familial moments with the darker, more violent ones provides the viewer with an intelligently woven plot. James Gandolfini is outstanding as Tony Soprano, a powerful mob boss, who can also be a teddy bear of a guy and a good friend, unless you are perceived to have been disloyal. Then, you may kiss your buns goodbye. Tony is mercurial, sexy, fearful, cautious, and, given the right circumstances, deadly. He is a fascinating and beguiling character. Edie DeFalco is warm, funny, loyal, and the glue that binds their immediate family together. Yet, she too has her own sting, and she knows the power that her husband has. She is not above using it herself, if necessary. The late Nancy Marchand was terrific as Livia, the manipulative, scheming mother. While the first season was sensational, all I can tell you is that the second season is as good, if not better, than the first. There are some major plot developments. Livia and Tony's uncle hatch a plan that can have murderous consequences for Tony. Carmela is doing all in her power, and I mean all, to help Meadow get into a good college. In her own sweet way, Carmela can be just as scary as Tony. Janice (Aida Turturro), Tony's sister, comes back home, wreaks havoc, marries the former mob boss's jailbird brother, and then leaves town with a bang. One of Tony's best friends becomes a snitch for the Feds. No wonder Tony continues to have anxiety attacks and still needs to see his psychiatrist, Dr. Melfi. The writing continues to be intelligent, and the story lines are as well thought out and engrossing as ever. I absolutely love this series! The first and second seasons DVD sets each come nicely packaged with four discs. The nice thing about the DVDs is that before an episode begins, if one likes. one may read a plot summary of that episode. The visuals and audio are crisp and clear. There are also some bonus features. There is a terrific interview with David Chase, the creator of the Sopranos, and some behind the scenes featurettes. All in all, this is a great show, and these are two great DVD sets to add to one's personal collection. I have already seen the first, second, and third seasons. I now can't wait for the fourth season to come out on DVD.
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| 16. It Came From the Sky Director: Jack Bender | |
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attitude to traumatic events will conquer all.
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| 17. Eight Is Enough Director: Leslie H. Martinson, Harry Harris, Carl Kugel, William F. Claxton, Philip Leacock, Gerald Mayer, Bernard McEveety (II), Harvey S. Laidman, Vincent McEveety, Ray Marsh, William Wiard, Barry Crane, David Moessinger, E.W. Swackhamer, Reza Badiyi, Ralph Senensky, Jack Bender, David Swift (II), Stan Lathan, John Patterson (III) | |
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| 18. Alias - The Complete Fourth Season Director: Greg Yaitanes, Jack Bender, Ken Olin, Brad Turner, Mikael Salomon, Davis Guggenheim, Nelson McCormick (II), Guy Norman Bee, Perry Lang, Thomas J. Wright, Fred Toye, Max Mayer, Daniel Attias, Craig Zisk, Harry Winer, Jeffrey Bell, Kevin Hooks, Maryann Brandon, Alex Kurtzman (II), Lawrence Trilling | |
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| 19. It Came From the Sky Director: Jack Bender | |
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