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| 1. The Money Pit Director: Richard Benjamin | |
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Reviews (60)
Favorite moments: bathtub scene (with pop-up thermometer in the turkey) .....the list goes on......
Broke and cranky from sinking more and more resources into the money pit in which they live, Anna and Walter snipe at each other. The shady contractors they hire say they can get the job done in 2 weeks -- and continue saying that four months later. The house may or may not get rebuilt, but will Walter and Anna survive as a couple? Being a typical 1980s comedy which paved the way for everything starring Meg Ryan for 16 years, you already know the answer. But it is still a hilarious movie to watch, depsite its predictability.
Thanks "The money pit". Luca
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| 2. Mermaids Director: Richard Benjamin | |
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Reviews (38)
This is a great family movie, Cher's performance in this movie is so great. It tells the story of a Jewish family who is constantly moving because Mrs. Flax (Cher) is always causing some kind of gossip in the town and ends up moving all the time. Charlotte (Winonna Ryder) plays an odd teenager, who is in love with a caretaker, and can't keep her mind off of him. The synopsis is great, and filled with two hours of great comedy played out by two great actresses. This is a must see movie. The soundtrack is great. Fun pop songs ("Johnny Angel", "Mambo Italiano") are worked into the movie, making certain scenes particularly memorable. In particular, I loved the scene with the song "If You Want to Be Happy". (Yes, the song is mean-spirited and offensive, but after seeing these women "reclaim" it, it always makes me smile!)
This is one of the most warm, loving and fun American movie ever!!!
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| 3. My Favorite Year Director: Richard Benjamin | |
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Reviews (40)
Directed with gusto by Richard Benjamin, the film is both a loving tribute to Sid Caesar's 'Your Show of Show', and the remarkable talents that brought it together each week, and a sincere homage to Errol Flynn, whose antics and larger-than-life persona, in the waning years of his life, still had the kind of magic that could enthrall a shy young fan, or make a woman swoon. Three dynamic performances dominate the film. Mark Linn-Baker, as Benjy Stone, based on the young Mel Brooks, is a shy kid who hides his insecurities behind a rapid-fire wit. The dazzling young star in a staff of comedy 'pros', Stone suffers from an unrequited love from fellow staffer K. C. Downing (Jessica Harper), and has an inspiration, inviting legendary swashbuckler Alan Swann (Peter O'Toole) to appear on the show. As King Kaiser, star of the hit series, Joseph Bologna captures much of Sid Caesar's legendary physical 'presence' and irreverence to authority. When threatened by gangsters over a 'too close to home' series of parodies about crime boss Karl Rojeck (portrayed with brute menace by veteran actor Cameron Mitchell), Kaiser 'thumbs his nose' at them, mimicking the gangster mercilessly. "I'll KEEP doing it!" he taunts. "Why? Because it's FUNNY!" Then there is Peter O'Toole's 'Alan Swann'. With his own career a roller coaster ride of alcoholism, resulting in the near destruction of his health, no actor could have 'channeled' Errol Flynn better. Just as Flynn, by the 1950s, was a nearly burned-out roue, his classic good looks long gone, O'Toole's matinee-idol appearance, after years of self-abuse, had aged into a gaunt mask, making Benji Stone's film montage of 'classic' clips more poignant. What Flynn still had, in abundance, was charm and a ready wit, and O'Toole's 'Swann' is so enchanting a personality that you can't help but love him, and root for him to succeed. From the opening nostalgic strains of Nat King Cole's rendition of 'Stardust', through Benjy's futile effort to attempt to keep Swann sober (Red Skelton loved to tell how he kept Flynn sober on his program...he emptied all of the actor's bottles of vodka, replacing it with water...and Flynn couldn't tell the difference!), to a riotous Swann dinner with Benjy's family, to the near-disastrous broadcast, with Swann developing stage fright, and Kaiser brawling with mob enforcers...MY FAVORITE YEAR has one glorious scene after another, each unforgettable! One of the AFI's '100 Greatest Film Comedies', MY FAVORITE YEAR will bring a tear to your eye, even as you laugh. It was a time of legends, and heroes who would live up to boyhood dreams. Film comedy doesn't get any better than this! ... Read more | |
| 4. Milk Money Director: Richard Benjamin | |
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Description Reviews (17)
Ay, mi estomago!
No, I'm not getting up on some hypocritical high horse of holiness and accusing the movie of "immorality", what turns me off to it is that just doesn't come together. The kids are too young, the premise too lame, it just doesn't work out. Spend your milk money elsewhere!!
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| 5. Mrs. Winterbourne Director: Richard Benjamin | |
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| 6. The Pentagon Wars Director: Richard Benjamin | |
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Reviews (30)
Here's some info from a military analyst who saw the film: "1) How accurate was the movie? Not at all.I was driven to take notes after the first few minutes and got over sixty substantive errors.The producers took Col. Burton's simplistic but compelling memoir, dumbed it down, took dramatic licence with a lot of things that didn't need it, goofed around with the chronology, and apparently had a head-on collision with an office full of libel lawyers who demanded even more blurring than there already was. The I'd say it was also a piss-poor excuse for a comedy, but I'm a military historian, not a movie critic. 2) What were the actual problems with the Bradley and how were they resolved? Most of the actual problems with the Bradley - aside from mechanical teething problems that any armored vehicle has - arose from the fact that no one really had a clear idea of what an infantry fighting vehicle was supposed to do at the time the project was started in 1964 - it wasn't even called that at the time; all that was really clear was that current armored personnel carriers and armored infantry doctrine weren't going to be well-suited to the armor-rich, artillery-rich, and likely nuclear/biological/chemical battlefield environment expected in a putative European war versus the Warsaw Pact. This uncertainty led to incredible amounts of bureaucratic muddle and intraservice chest-thumping within the Army - the movie version of _The Pentagon Wars_ at least manages to get a little of that across, in spirit, anyway - and kept the project on the back burner all through Vietnam, when the Army wasn't paying a lot of attention to mechanized infantry issues By this time (~1975) both branches were faced with block obsolescence of their existing vehicles, so they had to meld their requirements into what was essentially a single vehicle, which became the Bradley. Incorporating all the necessary capabilities into a single chassis that had originally How were these problems dealt with?A number of ways.Some of them were doctrinal: the Army looked for ways to exploit the capabilities of the vehicle and nurse its limitations.Some were technological: in particular, various survivability enhancements were added at a cost in weight and money.Some were simply bureaucratically defined out of existence.How successful these measures has been is still the subject of debate, some of it in this very newsgroup; see Deja News for For that matter 3) Did any Bradley's sustain hits from enemy fire in the Gulf war and how did they and the crew survive those hits? It's a hard question to answer meaningfully; BFVs of various marks served in the theater, and a good number were hit in combat, often by weapons and at aspects that wouldn't be survivable by main battle tanks - Bradleys took more friendly fire than any other vehicle type. In general, they stood up to what they were designed to stand up to; the debate is still whether the design requirements were appropriate." Lastly, anyone that would try and draw a correlation between the BFV and a national missile defense system would find themselves comparing apples to oranges since we had an accurate and functional ABM system for a number of years until eliminated by the ABM treaty.
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| 7. City Heat Director: Richard Benjamin | |
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Description Reviews (5)
Unfortunately, the satire rapidly wears a little thin like the same joke being repeated over and over again for an hour and a half. The ending is especially lame; as if they just got tired of making the movie and slapped something together so they could all go home. Is it worth watching? Yes, if someone is in the right mood and doesn't expect too much.
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| 8. The Goodbye Girl (2004 TV Movie) Director: Richard Benjamin | |
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Amazon.com Reviews (3)
Anyways, I remember thinking Marsha Mason was funny, Quinn Cummings was incredibly cool and Richard Dreyfuss-sigh. I was just in love. Who could forget his immortal line reading of "And-I-don't-like-the panties-drying-on the line?" Why am I mired in the past you ask? Because so is this movie. This is-I think-the only work Neil Simon wrote specifically for the screen. TNT remade it word for word and sometimes scene for scene. The apartment the two characters fight over even looks exactly the same. Jeff Daniels seems to be channeling the spirit of Richard Dreyfuss-to be fair it would be hard not to. Patricia Richardson is no Marsha Mason. Marsha was bitchier than Pat in the role but you also felt how profoundly hurt she had been. Richardson just seems annoyed and is just not as funny. And you need to be funny to deliver the bitchy bon mots Simon scripted especially for then-wife Mason or you just look...bitchy. Hallie Eisenberg fares the best as Richardson's wise beyond her years daughter (the role originally played by Quinn Cummings.) Watching this when it aired on TNT, I felt a longing to turn it off and watch the original again. Which I see Amazon carries as well. Hmmmm.....
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| 9. Made in America Director: Richard Benjamin | |
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Description Reviews (9)
P.S.
P.S.
Whoopi has given the impression to her daughter that her late husband was her child's father, but when she finds her father's death certificate, she knows that is impossible. Whoopi confesses that in the lonely period after her husband's death, she resorted to sperm donation. With the help of her boyfriend (hilariously played by Will Smith), she breaks into the sperm bank's computer records to find the identity of her father and lo and behold - it's Ted Danson. She's a little shocked and when she reveals her findings to her mother, her mother is horrified. When Ted Danson's character is confronted with the news, his life takes a 180. He now has responsibilities as a father, even though he was told that his sperm would only be used for research when he donated several years earlier. He now has something to live for and finds that he can actually like himself and he finds himself loving the child he never knew. He stops bed-hopping and drinking and finds himself focusing on catching up on his daughter's life. There are some ridiculous scenes in this movie and some very cheesy, over-acted parts, but as a whole, it is an entertaining and enjoyable experience. There are a few scenes that will put a lump in your throat and others that will have you doubled-over with laughter... and in the end, you feel you're a part of this mixed-heritage family.
This film begins with a promising premise. What if a black girl found out her father, a sperm donor, was actually white? But instead of creating a fascinating mix of social commentary on race and brilliant comedy, it gives us slapstick. And unfunny slapstick at that. I laughed... once. This film's one saving grace is Whoopie. She adds some energy to most of her scenes. But even she seems unexcited to be in this movie. It's one of her least funny roles. Made in America also gives a young Will Smith a role, and it's clear from the start that it wasn't until after this film that he matured as an actor. This movie is only for really, really big Whoopie fans. ... Read more | |
| 10. Racing With the Moon Director: Richard Benjamin | |
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Description Reviews (11)
The movie's most telling scene is after Callie (Elizabeth McGovern) is angred by Henry & Nicky (Nicolas Cage) when they make fun of their school's emergency preparedness drill. Callie takes Henry to a veteran's hospital, where she delivers library books to soldiers recovering from amputations (and likely worse). Henry is visibly scared at the sight of these guys, not much older than he is, who will now go through life with a new, horrific perspective. After the visit, Henry becomes angry with Callie. He shows her - and the audience - that bravado DOES have a place in dealing with impending terror, and that there are many ways to look at the complexities of war. At the end of the film, when both boys jump on the train that may take them to their deaths, the resilience of the human spirit goes with them, and they impart some of their courage to those left standing at the station. A classic film, with a timely message.
The cinematography and actors make you long for young love and being caught in the rain and in more serious moments you feel the pain and peril of a illegal abortion and how cold and hard it is to dig a grave in Spring. Elizabeth McGovern is hauntingly beautiful. Penn and Cage show the promise of talent we now consider legendary. On a telling note, Sean Penn's child shares the nickname of his character. In contrast to another reviewer, I too see this film differently now then I did when I was younger. However, the "skin" and other adult themes added dimensions that expanded for me as I get older. If you don't buy it at least rent it while you still can!
What I thought of it was...this is a nothing movie. Okay, maybe that's harsh, but I kept thinking, "what exactly was it that I had liked about the movie back in 1986?" for I found it boring, disturbing and sad. I did not like the bad language in it. Or the fact of the Nicholas Cage character drinking all the time. Or his inability to be kind to the girl he impregnated... The portrayal of nudity bothered me. Even bare chests on men I find inappropriate. The love scenes I just skipped over on fast forward. I got to thinking, when will this movie end?... none of this movie really moved me, except to feel sad... I think the story had much potential to be a good story. One can tell a story very effectively and not shove all the sin in your face. After viewing this... for some reason it made me feel sad, and it was also upsetting to witness the nudity etc. From now on I will stick to the old classics, and leave the modern movies I thought I liked, just memories in my past. ... Read more | |
| 11. My Stepmother Is an Alien Director: Richard Benjamin | |
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| 12. The Sports Pages Director: Richard Benjamin | |
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Description | |
| 13. Little Nikita Director: Richard Benjamin | |
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Reviews (6)
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| 14. Marci X Director: Richard Benjamin | |
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Reviews (10)
The movie as a whole was kind of stupid (in a good way). And if you watch this movie with lowered expectations you will enjoy this fairly diverting comedy.
I don't know about Damon Wayans but I do love Lisa Kudrow. If you want a great, funny performance by Kudrow, check out the movie "Romy and Michelle's High School Reunion", it's way better than this movie.
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| 15. Downtown | |
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| 16. The Shrink Is In Director: Richard Benjamin | |
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Description Reviews (2)
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| 17. My Stepmother Is an Alien Director: Richard Benjamin | |
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