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| 1. My Bodyguard Director: Tony Bill | |
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| 2. Crazy People Director: Tony Bill | |
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"Paramount Pictures presents 'The Freak.' This movie won't just scare you, it will f' you up for life." Why only four stars? You need a group of people in the right mood to enjoy this movie properly. If you watch it alone, you might very well sit there thinking "Why am I watching this?" But with the right group of people, this movie is comedy gold.
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| 3. Untamed Heart Director: Tony Bill | |
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| 4. Monk - The Premiere Episode Director: Ron Underwood, Tony Bill, Michael Zinberg, Nick Marck, Adam Arkin, Adam Davidson, Andre Belgrader, Randall Zisk, Jerry Levine, Robert C. Thompson, Dean Parisot, Craig Zisk, Lawrence Trilling, Michael Fresco, Michael Spiller, Stephen Cragg, Tom DiCillo, Michael Nankin, Kevin Inch, Adam Shankman | |
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Reviews (17)
The idea is that Monk is now a private consultant with an uncanny ability to pick up details missed by other detectives. You can think of Monk as a really quirky Sherlock Holmes, with his full-time nurse Sharona Fleming (Bitty Schram) in the role of Watson. However, she spends more of her time serving as a buffer between Monk and the real world. The result is one of the rare delights on television from last season and the first television show to cross over from cable to networks. By the time you get to the scene where Monk knocks all of the little colored pins out of the candidate's map, you will be hooked and checking your television schedule to see when the next episode is airing. That is one of only a half-dozen scenes where Monk provides his bona fides as a detective. The most important thing is that in addition to all the quirky comedy shtick with Monk's super attention to detail, the crimes he is investigating are worthy of his attention. The dynamic between Monk and Sharona becomes the pivot on which the pilot and all other episodes have turned, even though the idea of a potential romance between the two misses the point. Just watch the scene where he blows away her date and you can see the foundation of their relationship and just more proof that this is the role of Shalhoub's career. If you are not on the "Monk" bandwagon, then check this out. If you are already a fan and do not have everything on tape, keep hope alive that all of Season 1 will be available sooner or later.
Enter Sharona Fleming (Bitty Schram), a nurse and single mom who doesn't always treat Adrian Monk with kid gloves. He relies on her yet she never allows him to become too dependent upon her. While she may supply antibacterial hand wipes along with note-taking/phone calling as Monk's hired assistant and nurse, she is a fiesty and independent woman who doesn't take much guff; yet, she also enjoys tracking down the baddies and solving the murder mysteries with her boss, Monk, whom she both admires and is aggravated by. She often threatens to quit, but Monk somehow never believes she really will. When she goes on a date, which Monk thought she was only joking about going on, he turns up at the restaurant where the couple is dining and after a few moments of sitting at their table blurts out that the guy she's with is both a phony and a liar--not even the entertainment attorney he claimed to be... All so low key it's as if he's talking about menu items' pros and cons... And he wonders why Sharona becomes very upset and says she's quitting her job with him. He seems more taken with the fact she'd been a dancer in Atlantic City (as he's sure she'll return to her job with him). The mystery in the pilot episode revolves around a seemingly small little murder of a young woman that Monk has been working on but is later able to tie to the supposed assassination attempt of a local political candidate. It's as if Monk has ESP, but it's plain common sense, a photographic memory, attention to detail, and logic which aid Monk in his deductions. Higher stakes matter here, though, as we learn Monk is also working to gain re-instatement to the police force he was discharged from when his wife was killed and his OCD flared up full-force. He's been working as a private detective and also a consultant to the police for about a year (with Sharona's assistance) for very meager pay. Monk's shrink, Dr. Kroger, initially believes Monk may be ready to re-join the force (which does get Adrian's hopes and spirits up) after Monk solves both murders (plus a third, another campaign aide's murder, which happens along the way) and saves Sharona from being murdered in the sewer! The reaction he has to his unexpected recognition for solving the case--by the candidate (with full media coverage)--the will both touch and move even the hardest heart watching. The comedy is a treat: fresh, although often bizarre, upbeat (yet sometimes dark) and sure to take you by surprise and make you laugh in spite of your feeling you shouldn't (maybe) even be laughing. The role of Adrian Monk in this series' pilot garnered Tony Shalhoub a Best Actor in a Comedy Series Emmy Award Nomination. The pilot is well-paced, superbly acted by a talented cast, effectively directed, and is rich with strong production values (just having some of it filmed in San Franscisco alone is enough to set mood and tone). And even when the pilot ends, we want to see/know more. It's the relationship between Monk and Sharona which grabs our attention, our interest--and it's Tony Shalhoub as Monk who makes us care. The man's a magician--the plastic gloves and antibacterial wet wipes, like smoke and mirrors, are simply an added bonus to the genuine life he breathes into the character and the comedy/drama. Two clean hands way up for this rare gem!--Lenore Hutton
I came to the party rather late, not watching until season 2. I was quite anxious to see the pilot because I wanted to get the complete background on the character. Since I've seen almost every episode now, I did know the basics of what I needed to know, so I could just sit back and enjoy the storyline. I am a mystery fiend, and I especially love a good puzzle. Monk is wonderful for that, and this episode is no exception. I should have seen the ending coming, but, as usual, was taken completely by surprise. There are some wonderful laugh out loud moments as well. The episode does fall into the traps of a series premier. Since we need to know about our characters, story is often slowed down for exposition. While it would have been helpful the first time around, I didn't need it. Fortunately, we were treated to the back story in small doses, so it didn't slow the story down for long. Also, the actors and writers are still trying to define the characters. While not as sharp as they later in the series, they're quite acceptable here. I'm not completely sure why this DVD was put out. Maybe it was to test the waters or hold over fans until season one was released. Either way, all you get here is the two part pilot episode. No extras whatsoever. Since it's included again in the recently released complete season 1 set, if you are a fan of the series, just pass right on by. Monk is one of the most original and entertaining shows currently on TV anywhere. While not perfect, this is a great intro to the character and tone of the series. If you only want an intro, get this disc. Otherwise, save your money for all of season 1.
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| 5. Oliver Twist Director: Tony Bill | |
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Reviews (19)
Part of the reasoning of this low opinion stems from a rather rambling screenplay that almost completely changes the title character (played by Alex Trench) from a put-upon victim into an overly spunky and almost overly abrasive tyke. It's not Trench's fault in that he does a good job with this rather false characterization, but he ends up seeming more suited to playing the Artful Dodger than Oliver Twist. In contrast, Elijah Wood's performance as the Artful Dodger comes across as overly mannered and laid back. As a result, his Dodger seems ill-equipped emotionally to be a "street educated" tough. The pivotal role of Fagin, that master teacher of young pickpockets, has undergone much revision since Dickens first created him. Originally a slimy, nasty Jewish stereotype, the character has been softened to the point of sometimes being comic relief. Of course, this is due to modern sensibilities that have dictated the de-emphasis on racial stereotypes. That in itself isn't a bad thing as Ron Moody's masterful performance in OLIVER! showed, but Richard Dreyfus seems ill-prepared in the role. Wandering around in a false nose and gravelly voice, Dreyfus is inconsistent in the role and turns a star turn into something merely average. David O' Hara and Antoine Byrne are more successful in their roles of the brutal Bill Sikes and his ill-fated lover, Nancy. Unfortunately, the screenplay gives these characters rather short shift and they don't get much of a chance to make an impression. Indeed, the movie streamlines the classic story to an almost absurd degree with the elimination of classic characters and situations such as Mr. Bumble and Oliver's apprenticeship to the funeral parlor of the cruel Sowerberrys. At about 90 minutes, the movie seems to go faster than it does because of the absurd trimming. The Walt Disney Company does not do the classic story justice and leaves the viewer feeling very unsatisfied as a result. This movie may be handsome to look at, but this is not a version that I would recommend. Stick with the classic David Lean or 1968 musical version for a better and more satisfying experience.
The whole cast is American and have the most laughably awful English accents - to the point where it is distracting. Richard Dreyfuss and Elijah Woods accent slip every other word. Oliver is supposed to be a fragile, deeply saddened little boy (the book will make you cry for me) but the 'actor' who plays him comes across as a happy-go-lucky kid who is always seen smiling. He has no facial expression and can't project a single emotion. Fagan, who is played by Dreyfuss,is supposed to be a heartless, shady, and crafy character but instead comes across like Santa Clauss. I keep expecting him to burst into song. The only way you can tell the character is angry is when you get the Jaws-type disonnant music - without it, you wouldn't even know. Not only is the acting bad, but the story is changed dramatically - some characters that are pertinent to the story are cut out completely. If you have or have not read Dickens (you really ought to read it) it is a sad, disturbing and heart renching tale of a little boys horrendous life. This grittiness is NOT at all evident in this interpretation. If you want a smaltsy movie, go rent a Disney flick like Lion King or something, coz Oliver Twist is NOT suposed to be like that. ... Read more | |
| 6. Faerie Tale Theatre - The Three Little Pigs Director: Gilbert Cates, James Frawley, Tony Bill, Roger Vadim, Peter Medak, Tim Burton, Emile Ardolino, Ivan Passer, Howard Storm, Graeme Clifford, Nicholas Meyer, Francis Ford Coppola, Jeremy Paul Kagan, Eric Idle, Mark Cullingham, Robert Iscove | |
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Description Reviews (6)
One of the more light-hearted entries in the series, its a delightfully comic piece, played out by master comedians Crystal and Roberts, with the beautiful Perrine cutting a mean figure as a porker indeed. The series was a huge success, boasting a huge multi award-winning cast (Tonys, Oscars, Emmys, Grammys, Golden Globes, etc), and creator/producer Shelly Duvall has earned laurels for one of the finest family series in years.
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| 7. Faerie Tale Theatre - The Tale Of The Frog Prince Director: Gilbert Cates, James Frawley, Tony Bill, Roger Vadim, Peter Medak, Tim Burton, Emile Ardolino, Ivan Passer, Howard Storm, Graeme Clifford, Nicholas Meyer, Francis Ford Coppola, Jeremy Paul Kagan, Eric Idle, Mark Cullingham, Robert Iscove | |
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Description Reviews (4)
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| 8. A Home of Our Own Director: Tony Bill | |
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Reviews (15)
It is basically about a family whom is living in LA and the father ups and leaves them. So the Mother must support her children. Her oldest keeps getting in trouble so she decides to take what little they own, and find a new home to restart their life. Mind you they are very poor and they vehicle they own is on it's last leg. They end up in Ohio living in a farmers half built home. It lets you see through the oldest son's memories of everything that happened along the way. You end up loving the family and hoping for the best. I hope you watch it!
Save your money for a real movie like Anaconda with the great Jon Voight or Prison Heat with Lori Jo Hendrix. Also, no matter what the DVD package claims, the old man from the Karate Kid movies is NOT in this movie. YOU HAVE BEEN WARNED!!!!!
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| 9. Faerie Tale Theatre - The Boy Who Left Home To Find Out About The Shivers Director: Gilbert Cates, James Frawley, Tony Bill, Roger Vadim, Peter Medak, Tim Burton, Emile Ardolino, Ivan Passer, Howard Storm, Graeme Clifford, Nicholas Meyer, Francis Ford Coppola, Jeremy Paul Kagan, Eric Idle, Mark Cullingham, Robert Iscove | |
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Description Reviews (4)
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| 10. Faerie Tale Theatre - Thumbelina Director: Gilbert Cates, James Frawley, Tony Bill, Roger Vadim, Peter Medak, Tim Burton, Emile Ardolino, Ivan Passer, Howard Storm, Graeme Clifford, Nicholas Meyer, Francis Ford Coppola, Jeremy Paul Kagan, Eric Idle, Mark Cullingham, Robert Iscove | |
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Description Reviews (2)
Produced in 1983 (and released the following year), as part of Shelley Duvall's charming live-action "Faerie Tale Theatre", the narrative is told with good humour, imagination, and a great sense of fun. The magnificent cast adds much colour and warmth to the proceedings. In particular, Carrie Fisher, in the title role, delivers a captivating performance. She makes an extremely attractive heroine, not to mention one who's "more than just another pretty face". She's an absolute delight, adding her unique qualities to the role. Not only is she pint-sized in real life (although not quite as tiny as a thumb!), she has a lovely, deep voice that is quite at odds with her diminutive stature. When she sings, it is a beautiful and rewarding experience. Indeed, she sings with "an angel's voice". (This is also a highlight for any Carrie Fisher fan, as she began her career as a singer, and yet she only sings briefly in "Hannah and Her Sisters", 1986, and in the Walt Disney live-action comedy, "Sunday Drive", also released in 1986.) Carrie Fisher is supported by equally delightful character actors. The late Burgess Meredith is in top form as Mr Mole, the second would-be husband of Thumbelina. Likewise, William Katt makes a very positive impression as the Prince of the Flower Angels. This wonderful fairy tale is further enhanced by excellent production values, including great music, atmospheric sets, and good costumes and creatures like Mother Toad, her hapless son, Herman, the Fieldmouse, and the Swallow. The script faithfully follows the original story, although the gender of the Fieldmouse has been changed, making for a more convincing friendship with Mr Mole to exist, as well as creating a heartfelt guardianship of Thumbelina along strictly platonic lines. This well-written and perceptive tale ("I'm always the bride, but never the bridesmaid") makes for enchanting family entertainment. "Thumbelina" delivers a great message, too, but above all, it's storytelling at it's most memorable. I applaud executive producer Shelley Duvall, and all involved, for giving such a wonderful gift. It's up there with Jim Henson's equally engaging "Storyteller" anthology series, produced in the late 1980s, and the "The Doll", an Emmy Award winning episode of "Amazing Stories" (of the same era). For me, it's an extra special treat because Carrie Fisher became much more than just Princess Leia with this performance. Besides, she continues to melt me every time she smiles as the Ultimate Flower Angel! Let's hope that this "Faerie Tale Theatre" production, along with my other favourites like "Beauty and the Beast", are re-released soon. Preservation on DVD for future generations is highly recommended. ... Read more | |
| 11. Five Corners Director: Tony Bill | |
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Reviews (6)
This movie has moved in top place of 5 worse movies I have seen.
Don't miss it if you haven't seen it, and see it again if you have.
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| 12. Faerie Tale Theatre - The Princess Who Had Never Laughed Director: Gilbert Cates, James Frawley, Tony Bill, Roger Vadim, Peter Medak, Tim Burton, Emile Ardolino, Ivan Passer, Howard Storm, Graeme Clifford, Nicholas Meyer, Francis Ford Coppola, Jeremy Paul Kagan, Eric Idle, Mark Cullingham, Robert Iscove | |
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Description Reviews (3)
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| 13. One Christmas Director: Tony Bill | |
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| 14. Harlan County War Director: Tony Bill | |
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| 15. One Christmas Director: Tony Bill | |
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Reviews (6)
The story is not typical Christmas fare, but it is more real than many of the idylic Christmas movies. It is a tribute to the truth that many people struggle 365 days a year--their imperfections not taking a holiday. Anyone who enjoys the talents of Winkler/Hepburn will enjoy this film; it is not stellar, not is not neccesarily their best performance, but it is a nice piece of "reality Christmas", if you will.
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| 16. Faerie Tale Theatre - Puss 'n Boots Director: Gilbert Cates, James Frawley, Tony Bill, Roger Vadim, Peter Medak, Tim Burton, Emile Ardolino, Ivan Passer, Howard Storm, Graeme Clifford, Nicholas Meyer, Francis Ford Coppola, Jeremy Paul Kagan, Eric Idle, Mark Cullingham, Robert Iscove | |
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| 17. Faerie Tale Theatre - The Pied Piper Of Hamelin Director: Gilbert Cates, James Frawley, Tony Bill, Roger Vadim, Peter Medak, Tim Burton, Emile Ardolino, Ivan Passer, Howard Storm, Graeme Clifford, Nicholas Meyer, Francis Ford Coppola, Jeremy Paul Kagan, Eric Idle, Mark Cullingham, Robert Iscove | |
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Description Reviews (2)
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| 18. Five Corners Director: Tony Bill | |
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Reviews (6)
This movie has moved in top place of 5 worse movies I have seen.
Don't miss it if you haven't seen it, and see it again if you have.
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| 19. Chicago Hope Director: Kenny Ortega, Arvin Brown, Mel Damski, Tony Bill, James Frawley, Michael Dinner, Martin Davidson, Bill D'Elia, Dennis Dugan, Patrick R. Norris, Peter Berg, Michael W. Watkins, Oz Scott, Adam Arkin, Thomas Schlamme, Christine Lahti, Martha Mitchell, Kristoffer Tabori, Randall Zisk, Rodman Flender | |
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| 20. Five Corners Director: Tony Bill | |
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Reviews (6)
This movie has moved in top place of 5 worse movies I have seen.
Don't miss it if you haven't seen it, and see it again if you have.
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