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| 1. The Rifleman (Vol. 2) Director: Ida Lupino, Richard Donner, John Rich, William F. Claxton, Arthur Hiller, Otto Lang, Don Medford, James Clavell, James Neilson, Arthur H. Nadel, Lawrence Dobkin, Don Taylor, Jerry Hopper, Paul Landres, Budd Boetticher, Paul Wendkos, William Conrad, Lewis Allen, David Swift (II), John Peyser | |
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Amazon.com Reviews (2)
The Angry Gun (5): Vic Morrow stars as an escaped outlaw, who has stolen both Lucas McCain's money, and his precious Winchester. Morrow is marvelous, exuding pure evil, and showing little feeling for either friend or foe. He is about to finish off the Rifleman with his own gun, when Lucas's just in the nick of time ingenuity saves the day. The Sheridan Story (2): This one is aimed at the heart. A disabled Confederate veteran turns up at the McCain ranch. Later, General Sheridan, the man who wounded him also arrives at the McCain's. Both men confront their past deeds, reflect on the tragedy of war, and then even begin to try to heal old wounds. This one's short on action and long on words. The Money Gun (2): Jackford is a man with a lot of enemies. One of them brings hired gun, Tom King (John Dehner) into town to kill Jackford. King and McCain are old acquaintances who don't like each other. Lucas and Micah must do what is necessary to keep the peace. Too much posturing, and not much tension in this one. The ending is weak. Not one of Peckinpah's better efforts. The Mind Reader (2): A man is shot in the back on the streets of South Fork, and a young Michael Landon is held for the crime. Lucas tries to find out who really did the deed. John Carradine is a travelling mind reader who seems to know something about who committed the crime. Though the identity of the real killer is a surprise, the episode really doesn't deliver much of a punch. Bloodlines (4): Three brothers take things a little too far in the town saloon, and one brother ends up dead when Lucas and Micah intervene. Funnyman Buddy Hackett guest stars as Daniel Malakie, the father of the boys. And Pa is in a mean and nasty mood. First it's a jailbreak and then cold-blooded murder, as the Malakie's go on a rampage of revenge. This one has plenty of action, with the scruffy Hackett even getting a much-needed bath. Volume 2 has bonus features, the most notable is a four minute long clip of outtakes that gives you a real taste of what the set was probably like. Very funny, with music track, and lots and lots of profanity. The Rifleman set was probably one big "boys club", with too many guys cooped up together, for too long. So we get Chuck Connors joking about kissing other men, and swearing up a storm. Great fun, but definitely not for the kids. I've said before, this is mainly for the guys. Once again, almost no women are featured in these episodes. Only one actress even has any lines! Get this one only if you're a hardcore fan, otherwise wait for Volumes 3 and 4.
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| 2. Behind Locked Doors Director: Budd Boetticher | |
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Reviews (3)
There's a gumshoe, Ross Stewart played by Richard Carlson, whom I recall most indelibly as Herbert A. Philbrick of TV's cold war espionage series "I Led Three Lives" from the fifties when HUAC had us all looking under our beds for commies. Lucille Bremer, near the end (which was also near the beginning) of a very modest filmland career, co-stars as Kathy Lawrence, a newspaper woman with a story idea. She needs a private eye to do the investigative dirty work. Ross Stewart has just hung out his gumshoe shingle and had the frosted glass door of his office lettered and is paying the painter when Kathy Lawrence shows up. (I love all the private eye movies which begin with the dame showing up at the PI's office needing help. So logical, so correct; so like a noir "Once upon a time.") She wants him to pretend to be insane so that she can get him committed to a private sanitarium where she believes a corrupted judge is hiding, thus the locked doors in the title. What I liked about this is the way the low-budget production meshed with the gloomy and aptly named "La Siesta Sanitarium," the scenes shot in rather dim light giving everything a kind of shady appearance. The story itself and the direction by Oscar "Budd" Boetticher defines "pedestrian," but there is a curious and authentic period piece feel to the movie that can't be faked. Postmodern directors wanting to capture late-forties, early fifties L.A. atmosphere would do well to take a look at this tidy 62-minute production. Tor Johnson, the original "hulk" (perhaps) plays a dim-witted but violent punch drunk ex-fighter who is locked in a padded cell. He comes to life when the fire extinguisher outside his door is sadistically "rung" by one of the attendants with his keys, thereby springing the hulk into shadow boxing imaginary opponents. Could it be that he will get a live one later on...? See this for Richard Carlson who made a fine living half a century ago playing the lead or supporting roles in a slew of low budget mystery, horror and sci fi pictures, most notably perhaps The Creature from the Black Lagoon (1954).
Detective Richard Carlson checks himself into an asylum in an attempt to find a crooked judge hiding from justice. But before he can nail the judge, his identity is uncovered and he becomes a prisoner of his own scheme. And the only person who can rescue him is the double crossing woman who sent him there! A hard-edged, bare-bones thriller from director Budd Boetticher ("The Killer is Loose," "Comanche Station," "Bullfighter And The Lady") who would later gain fame from a series of stark, existential westerns ("The Tall T," "Ride Lonesome," "Seven Men From Now" etc.) starring damaged, moral loner Randolph Scott adrift in an ambiguous amoral environment. Personal note: In the 70's I got to know the late Budd Boetticher as a friend. We'd go riding in Griffith Park on his Andalusians and we made several trips to Mexico where he still practiced his dangerous and beloved craft of fighting bulls from horseback. In life and in films, he seemed obsessed with playing out the role of male antagonist in constant battle with his surroundings. Boetticher preceded director Sam Peckinpah in themes that made the latter famous. Boetticher was the real thing. It's great to see this early gem available on DVD. (Full Screen, B&W, 68 minutes, Not Rated.)
The somewhat Woolrich-esque plot has to do with a carefree detective teaming up with a pretty Bette Davis looking newspaper reporter to scope out the whereabouts of a wanted criminal called The Judge. She thinks he is hiding in a nearby private sanitarium because she has seen his moll sneak in the back way late at night. But she needs a man on the inside. Hoping to score a date and half of the reward money, the detective agrees to play someone in need of therapy. He goes in, but will he be able to get out alive? Don't expect a realistic examination of mental illness like in The Snake Pit. This was meant only to shock audiences of an era when even minor disorders were still a dark unknown. The fact that its alternate title was The Human Gorilla should tell you where it's coming from. Still, dont expect tawdry thrills like in Shock Corridor, either. A couple of screams in the night, a polite pyro and a punchdrunk boxer are all you'll see. The lead actor's affected manic-depressive bent seems like little more than slight case of the grumps. And aside from a severely fat lip and two shiners, he is unchanged by his experience behind these locked doors. In tone I liken this movie to High School Confidential; that was not its intent, mind you. But more than 50 years of hindsight into the subject matter make its treatment of it not very disturbing, even vaguely comic. Yet the movie has its own unique charms. It's faster than Detour, weirder than DOA, not as mechanical as T-Men. The cast is one well-known to genre fans. Besides Tor there's Richard Carlson of Creature From the Black Lagoon and It Came From Outer Space, as well as Tom Browne Henry, who acted in The Brain From Planet Arous, Earth Vs. the Flying Saucers, The Beginning of the End, and many other treats. Director Budd Boetticher, known mostly in connection with a series of intelligent and low-key Randolph Scott westerns, directs this work solidly. He demonstrates an understanding of the chiaroscuro but seemed reluctant to go far very with it. In addition, there is some forced but peppy dialogue in the beginning, and a few instances later on which aim for Hitchcock-style suspense. That they do not attain that rarified level is, to my way of thinking, not as important as that the attempt was made. The climax is decently thrilling yet seems somehow pat, perhaps because it is predictable. Yet the movie never dull, and come on, it has Tor... See also: The Unearthly; Fear in the Night ... Read more | |
| 3. The Rifleman (Vol. 1) Director: Ida Lupino, Richard Donner, John Rich, William F. Claxton, Arthur Hiller, Otto Lang, Don Medford, James Clavell, James Neilson, Arthur H. Nadel, Lawrence Dobkin, Don Taylor, Jerry Hopper, Paul Landres, Budd Boetticher, Paul Wendkos, William Conrad, Lewis Allen, David Swift (II), John Peyser | |
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Amazon.com Reviews (5)
Too bad we get shortchanged, this DVD needs at least two more espisodes. DVD's longer service life makes it worthwhile to upgrade to have the best episodes of the best western series.
McCain is a single father, trying to find a new life with his son in North Fork. His goal is to teach his son what he needs to know to survive in the old wild West. McCain's methods are basic "tough love", and may seem harsh by today's standards. But underneath the gruff exterior, is the true warm love of a father for his son. A similar treatment is applied to others undergoing life crisis, like the alcoholic Micah Torrance, and Michael Landon's outlaw character, as well as many others in future episodes in order to help them see the error of their ways. Issues of morality are typically presented as black and white, compromise is usually out of the question. Justice is often administered by McCain's tricked out Winchester lever-action rifle. Some episodes (particularly Peckinpah's), not necessarily in this collection, are particularly violent. The violence is treated as necessary, but the dead are not dwelt upon, and therefore the effect is softened, and passes as we fade to the commercial break. McCain kills only when forced to, and as a last resort. Others may not agree, but "The Rifleman" is a show about men, primarily for men. Sure, it will find an audience with some women, but this show definitely has a masculine view of the world. In the wake of the recent terrorist attacks, there may more of an audience for a program where moral issues are clear, and justice is swift. My only complaint is that there is not enough material included. Five episodes is good, but six, seven, or eight would have been better. Sorry, but I'm greedy, and don't want to buy an excessive number of DVD's to complete a series (like Star Trek or Twilight Zone). Volumes 3 and 4 already scheduled for release, so we can look forward to more Rifleman DVD's. Picture quality is excellent, and Elmer Bernstein's moving music comes in at all the right moments. Whether you are not familiar with this series or not, this is definitely the place to begin. And thanks to MPI Home Video, there will be many more adventures on DVD to look forward to. This collection is highly recommended, and the best is yet to come.
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| 4. The Rifleman, Vol. 7 Director: Ida Lupino, Richard Donner, John Rich, William F. Claxton, Arthur Hiller, Otto Lang, Don Medford, James Clavell, James Neilson, Arthur H. Nadel, Lawrence Dobkin, Don Taylor, Jerry Hopper, Paul Landres, Budd Boetticher, Paul Wendkos, William Conrad, Lewis Allen, David Swift (II), John Peyser | |
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| 5. The Rifleman, Vol. 8 Director: Ida Lupino, Richard Donner, John Rich, William F. Claxton, Arthur Hiller, Otto Lang, Don Medford, James Clavell, James Neilson, Arthur H. Nadel, Lawrence Dobkin, Don Taylor, Jerry Hopper, Paul Landres, Budd Boetticher, Paul Wendkos, William Conrad, Lewis Allen, David Swift (II), John Peyser | |
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| 6. Rifleman:TV Classic | |
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| 7. Rifleman Director: Ida Lupino, Richard Donner, John Rich, William F. Claxton, Arthur Hiller, Otto Lang, Don Medford, James Clavell, James Neilson, Arthur H. Nadel, Lawrence Dobkin, Don Taylor, Jerry Hopper, Paul Landres, Budd Boetticher, Paul Wendkos, William Conrad, Lewis Allen, David Swift (II), John Peyser | |
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| 8. The Rifleman (Vol. 3) Director: Ida Lupino, Richard Donner, John Rich, William F. Claxton, Arthur Hiller, Otto Lang, Don Medford, James Clavell, James Neilson, Arthur H. Nadel, Lawrence Dobkin, Don Taylor, Jerry Hopper, Paul Landres, Budd Boetticher, Paul Wendkos, William Conrad, Lewis Allen, David Swift (II), John Peyser | |
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| 9. The Rifleman (Vol. 5) Director: Ida Lupino, Richard Donner, John Rich, William F. Claxton, Arthur Hiller, Otto Lang, Don Medford, James Clavell, James Neilson, Arthur H. Nadel, Lawrence Dobkin, Don Taylor, Jerry Hopper, Paul Landres, Budd Boetticher, Paul Wendkos, William Conrad, Lewis Allen, David Swift (II), John Peyser | |
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| 10. The Rifleman (Vol. 4) Director: Ida Lupino, Richard Donner, John Rich, William F. Claxton, Arthur Hiller, Otto Lang, Don Medford, James Clavell, James Neilson, Arthur H. Nadel, Lawrence Dobkin, Don Taylor, Jerry Hopper, Paul Landres, Budd Boetticher, Paul Wendkos, William Conrad, Lewis Allen, David Swift (II), John Peyser | |
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Reviews (2)
Man From Salinas (4): Lucas is acting marshal, when a bank robber drifts into town. McCain wounds the man when he attempts to escape, after robbing the town bank. The news that the man is badly hurt and expected to die, is telegraphed to Salinas, the town the man just came from. There, an unscrupulous fellow (Robert Culp), aware that there is a large reward on the dying man, schemes to come and claim the body. A suspenseful episode, featuring the acting of the charming, smooth-talking Culp. Two Ounces of Tin (4): Sammy Davis Jr. guest stars as "Corey" a trick shooting gunfighter. Out to avenge the death of his father, he has a huge grudge against the lawmen of North Fork. Corey threatens to kill whoever wears the Marshal's (tin) badge. Unaware of this, Mark does the stranger a good turn, and in return he receives a jaw-dropping exhibition of lightning fast gunhandling and trick shooting. Lucas however is not impressed. As acting marshal, he is Corey's next target. Davis's fine performance as a lonely man with too much pride is both emotional and tragic. Waste (4): This two-part adventure finds Lucas, Mark and Micah traveling near the Mexican border where they run into a gang of banditos in an abandoned town. Veteran character actor Vito Scotti, who specializes in portraying ethnic characters, is truly loathsome as the leader of the banditos (lovely dental work). They capture Lucas and Mark, and lead them to Micah who is buried up to his neck in the ground. Soon McCain is digging a hole preparing to join him in the dirt. Only Lucas's quick action saves them from the ruthless band of outlaws. McCain has all he can handle trying to save their lives, and is also called on to do an unexpected service, receiving feminine gratitude for his trouble. Mark is a real pain, not following his father's instructions and constantly asking questions. Micah is too injured to be of any help whatsoever. Of interest, is the fact that this tale was written by actor Robert Culp. The Deadly Image (3): It seems almost every TV program from the 60's used this gimmick sooner or later, as Chuck Conners plays a dual role. "Earl Bantry" is a lookalike for Lucas McCain. When Bantry commits murder, a witness believes that McCain is guilty. The lookalike and his partner reach North Fork, causing a ruckus. Marshal Torrance gets careless, and winds up unconscious on the floor. Then the men head for the McCain ranch for more "fun". "Bantry" is particularly dislikable, and it is probably a safe guess that Conners enjoyed being the "bad guy" for a change. The Rifleman Volume 4 is the best of the collections in this series so far. The stories are well written, and action packed. The guest stars are excellent, with depth to their characters. Justice is swift and McCain exceeds his average of one kill per episode. As usual, women are almost nonexistent. The transfer to DVD is excellent, the only complaint about this series is that there could easily be more than five episodes per disc. At this rate, it will take 34 DVD's to present all of The Rifleman episodes. Do you have the shelf space? ... Read more | |
| 11. The Rifleman (Vol. 6) Director: Ida Lupino, Richard Donner, John Rich, William F. Claxton, Arthur Hiller, Otto Lang, Don Medford, James Clavell, James Neilson, Arthur H. Nadel, Lawrence Dobkin, Don Taylor, Jerry Hopper, Paul Landres, Budd Boetticher, Paul Wendkos, William Conrad, Lewis Allen, David Swift (II), John Peyser | |
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| 12. Rifleman Director: Ida Lupino, Richard Donner, John Rich, William F. Claxton, Arthur Hiller, Otto Lang, Don Medford, James Clavell, James Neilson, Arthur H. Nadel, Lawrence Dobkin, Don Taylor, Jerry Hopper, Paul Landres, Budd Boetticher, Paul Wendkos, William Conrad, Lewis Allen, David Swift (II), John Peyser | |
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