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| 1. Jazz - A Film by Ken Burns | |
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Amazon.com essential video The film is also potent in arguing that the history of race in the 20th-century U.S. is at jazz's heart. But a few problems arise. First is Burns's reliance on Wynton Marsalis as his chief musical commentator. Marsalis might be charming and musically expert, but he's no historian. For the film to devote three of its episodes to the 1930s, one expects a bit more historical substance. Also, Jazz condenses the period of 1961 to the present into one episode, glossing over some of the music's giant steps. Burns has said repeatedly that he didn't know much about jazz when he began this project. So perhaps Jazz, for all its glory, would better be called Jazz: What I've Learned Since I Started Listening (And I Haven't Gotten Much Past 1961). For those who are already passionate about jazz, the film will stoke debate (and some derision, together with some reluctant praise). But for everyone else, it will amaze and entertain and kindle a flame for some of the greatest music ever dreamed. --Andrew Bartlett Reviews (118)
Jazz itself, from its outset and to this very day, asks more of you than any other music. A series about it should do no less. This series is not perfect. Jazz is also imperfect. As Thelonius Monk said, there are no wrong notes. So are there no bad jazz documentaries, as long as they are unflinching, whole, and about the forces that shaped the music. This one is. It's only real flaw is that it is too in love with its own story and the music. That is entirely forgiveable. If you have any interest in jazz, buy or rent this series and watch each one like a student, and learn in wonder at the extraordinary music brought to us by African Americans. It is one of the glories of American culture, and of the world, and we should join Ken Burns, his historians, critics and musicians in joyously celebrating the collective creation of the geniuses that graced our land in the past 100 years.
Ken Burns' "Jazz" gave me what I've been wanting for years--a clear, evocative, comprehensive way into the genre as a whole. Okay, it may not be the last word on the history of jazz. Yeah, some things really irritated me--like the slighting, mentioned by many, of Bill Evans, and the excessive excision of many white musicians to make the generally accurate point that jazz springs more from the experience of Black Americans. (Hint to Burns: You make your argument stronger by showing how apparently contrary data fit, not by leaving them out.) But over all, I found this a very helpful overview. And I enjoyed getting to know the biographies of, and the personal relations among, the players. You won't likely get such an orientation from buying a few of the original CDs *instead* of the "Jazz" series. Few of us have the ears or training to discern what's taught in this series. You'd be highly unlikely to realize that, for instance, what was new with Be-Bop is improvising on the underlying chord changes rather than the melody. You'd really have to be perceptive and paying attention to notice what distinguishes Kansas City jazz from New Orleans jazz from New York jazz from West Coast jazz. And *no* album can place *itself* in history. For instance, you cannot learn from listening to an album featuring Coleman Hawkins-or Charlie Christian or Kenny Clarke--that *before* that album people played very differently. In short, you'd have to be far better trained musically and far more observant than most of us are, and listen to dozens (if not hundreds) of albums, to learn what this series teaches. As I watched over a period of a couple of weeks, I bought several of the CDs that Burns produced to survey the music, and I found them very instructive. No, as listening experiences, they're not as good as some of the various albums on which the cuts originated. But that's not the point: They are very good ways to get an overview, to get oriented, to know where to go next. After seeing this series and studying the accompanying CDs, when I go into the music store and start perusing the jazz disks, I find that I recognize a whole lot more and can surmise a whole lot better what's what and what would interest me. For instance, tonight I saw "From Spirituals to Swing," a three CD set of Carnegie Hall jazz concerts in 1938 and 1939. A month ago, the list of personnel would have meant near-nothing to me--I probably wouldn't have even known what I was looking at, and I doubt I would have looked at the thing for more than thirty seconds. Now, though, I studied and comprehended the personnel and got all excited--"This I gotta hear." So I bought it, and it's great. Now, isn't that reason enough to recommend this series? That the overall interpretive framework of the series may need correction is not a trenchant criticism, in my opinion. To get a comprehensive understanding of anything, you have to start with *some* systematic framework, which you can then modify, maybe even refute, as you encounter further data. Logically, the first such framework you acquire has to come from someone else, unless you are a genius of extremely wide learning. No, Ken Burns' "Jazz" isn't the only guide to jazz you'll ever need--as others have noted, some of the omissions are glaring. But it's fine place to start. If you really want to get a sense of jazz, this is an excellent investment, in my opinion. Yeah, it's pricey--but cheaper than, say, an adult education course on jazz appreciation at your local community college (if you include texts and other supporting material). And if you don't want to spend the money--well, you can hint real hard to your significant other that you'd like it for your birthday or Valentine or some such thing. Postscript: I almost didn't buy this because of the characterization of Wynton Marsalis's role by several other reviewers here. I'd never much liked his music--it always seemed too cerebral, almost architectural, for my tastes--chilly, not very visceral. (That's just my personal taste--I also find most of Ella Fitzgerald--except her duo wok with Armstrong--a bit emotionally distant, unlike Sarah Vaughan or Billie Holiday or Carmen McRae or many others.) I was skeptical about any documentary that made Marsalis the central story teller. Well, two things: (1) He just isn't the central story teller here. He does not have anything approaching the majority of commentator air time. It is certainly true that he plays a role analogous to Shelby Foote's in "The Civil War"--he is a unifying presence, especially in the early going and toward the end. This is just good film making--to establish "characters" whose presence throughout helps give unity to the piece. (2) I really liked Wynton in this documentary. He came off as much earthier, more laid back, mischievous, funnier and more fun, than I ever would have imagined. And he is really quite illuminating, especially when he explains various musical concepts--like the "Big 4." (I went back and listened to "Thick in the South," thinking maybe I'd like his music more now. Nope. Still feels too thought-out, too chilly, to me. Oh, well.)
As I found the documentary going into its umpteenth hour and we STILL weren't out of the 1930's yet, I had a bad feeling about where this was going. You would have thought that Louis Armstrong had been annointed as the Jazz Pope and he ruled over the world of jazz for 40 years. In his proper context, Armstrong is very important, but Burns seems positively fixated on him. He dwells on every facet of Armstrong's upbringing & early career. Unless he planned on making a 60-hour documentary, there was no way Burns could hope to do justice to the more recent history of the genre, and sure enough he basically hits the fast forward button once the be-bop era is coming to a close. Personally, I cannot stand fushion jazz, but nonetheless some mention needs to made of a style that was dominant in jazz for almost as long as the swing style, for crying out loud. Also, relying almost exculsively on Wynton Marsalis (doing his best impression of a crochety old man on his front porch, railing at a world that has passed him by) really was not a good idea & imbues the entire documentary with a hopelessly retrograde flavor. I watched it once, and came away disappointed. I watched it a second time, hoping that I could find more to appreciate, but only found that it continued to disappoint. I don't know if it merits any future viewings, and that is indeed a shame, because it is a subject that deserves better treatment than this.
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| 2. The Civil War - A Film by Ken Burns | |
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Description Reviews (144)
To hit on a couple of criticisms in other reviews, slavery as a cause of the Civil War is an argument bordering on the level of a holy war, itself. Recent magazine articles and essays have done a good job of discussing it. The result is that both Burns' view and the "Burns' is wrong, it was all about states rights" views are both simplistic. Burns' documentary does a good job of capturing the Southern view of slavery and abolition but he does over state the view of the north as abolitionist. While there were Southern abolitionists and Southern soldiers who didn't care one way or another, Burns shows quite well that without slavery there would have been no war. (The statement that the South only fought for "states rights" was actually championed in the 1880s. If states rights were the only reason for fighting the war, why did the Confederate Constitution prevent any Confederate state from passing a law against slavery, even if that state wanted to abolish it?) To the point of Grant being the first Lt. General since Washington, Burns is both right and wrong. Winfield Scott was made Lt. General, but it was a brevet (something a little more than honorary) rank. It was a brevet specifically so that Washington would be the only man to have officially held that rank. This changed when Grant was given the rank.
But, the DVD packaging is just horrible. The literally paper thin disk container fell apart on the second day that I had it. I have a fairly large DVD collection with many, many box set collections and this is by far the cheapest presentation I have ever encountered. Now, had this been a budget box set designed to be low cost so as to make itself available to the greatest number of people possible, I would accept this. But as you must know, this set is actually quite expensive compared to most box sets. Therefore, the ridiculously flimsy packaging is inexcusable. This series deserves better. I STRONGLY urge you to wait until a higher quality presentation is put on offer. ... Read more | |
| 3. The West | |
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Description Reviews (15)
Never have I witnessed such openness in the telling of the triumphs and tragedies of America's westward expansion ~ it took more than 75 historians on this project to make it right. Right from the git go we have Episode One(The People/Bonus DVD Features), Episodes Two & Three (Empire Upon The Trails/The Speck of the Future), Episodes Four & Five (Fight No More Forever/The Geography of Hope) and Episodes Eight & Nine (Ghost Dance/One Sky Above Us) ~ featuring some of the most beautiful photography of our country. The entire collection covers the period of 1800 to 1915, wonderfully narated by Peter Coyote (whose voice sounds very much like Henry Fonda). This is one of, if not the best documentaries on "The West", I've ever seen. Been collecting Time/Life leatherbound books on the subject for years ~ Frederic Remington and Charles M. Russell books and paintings ~ plus bronze of "The Mountain Man", "The Rattlesnake" and "Comin' Through the Rye" by Frederic Remington. Ken Burns "The West" on DVD is something I will cherish the rest of my life ~ will pass it on to my children and grandchildren, so they will know this is the way it was moving WEST!
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| 4. Baseball - A Film by Ken Burns | |
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Book Description The authors of the acclaimed and history-making bestseller The Civil War flow turn to another American phenomenon. Their subject is baseball. During eight months of the year, it is played professionally every day; all year round, amateurs play it, watch it, and dream about it. Baseball produces remarkable Americans: it seizes hold of ordinary people and shapes them into something we must regard with awe. Babe Ruth, Jackie Robinson, Joe DiMaggio ... truly gifted human beings acting out universal fantasies that, for whatever reason, are most perfectly expressed on a baseball field. All this and more rings through Ward and Burns's moving, crowded, fascinating history of the game -- a history that goes beyond stolen bases, triple plays, and home runs to demonstrate how baseball has been influenced by and has in turn influenced, our national life: politics, race, labor, big business, advertising, and social custom. The audio covers every milestone of the game: from the rules drawn up in 1845 by Alexander Cartwright to the founding of the Brotherhood of Professional Base Ball Players in 1885, from the 1924 Negro World Series through Jack Roosevelt Robinson's major-league debut in 1947, and Nolan Ryan's seventh and last no-hitter in 1991. Monumental, affecting, informative, and entertaining -- Baseball is an audio that speaks to all Americans. Baseball is available in hardcover from Alfred A. Knopf, Inc. Reviews (93)
He hits all aspects of the game: The development of the game itself and the leagues, the labor history, the stars and great teams and personalities, the great moments in the history of the game, and so on. He also gives us a pretty good look at the old Negro leagues and we get to hear some of the great stories from those days before MLB was integrated. The only bad thing I can say about this collection of dvds is that by the time it was over I was really sick of hearing different versions of "Take Me out to the Ballgame." The great stories in this collection more than make up for that one drawback, however. He does more than just interview and quote the players, managers, umpires, owners and sports writers. He includes stories from fans. Doris Kearns Goodwin told about how she grew up rooting for the Brooklyn Dodgers, then after they moved away, she found herself in Boston, becoming a Red Sox fan, just in time to have her heart broken again. All fans of baseball should see this collection.
In the case of "Baseball," the unrelenting focus is on New York City, Babe Ruth & Jackie Robinson, and to be fair, there is no way you could discuss the subject of baseball without devoting a great deal of time to these subjects. However, the title of the documentary is "Baseball," not "The New York City, Babe Ruth, and Jackie Robinson Story," and it is possible to watch this documentary at times and come to believe that nothing else was happening out side of New York most of the time. I recall reading a Sports Illustrated article a few years ago that discussed the Philadelphia Athletics from 1929-1931, and made the case that that team was better than the famed "Murderer's Row" Yankees of 1926-1928, and possibly the best team in baseball history. The article's author crunched the numbers, compared the stats, and made a pretty compelling case. He then asked why so little attention has been paid to the A's over the years, and posited that because most of the nation's important papers and sportswriters were based in New York City; by default the majority of the great sportswriting was devoted to the Yankees, while relatively backwater Philadelphia languished in obscurity. It seems to be the same situation with Burns. While other incredibly dominant teams such as (in the early years) the Chicago Cubs, the A's, the Pittsburgh Pirates & the Detroit Tigers are given passing mention, they are quickly shoved on the back burner in favor of the Boston Red Sox & New York Giants. Then the Yankees & the Dodgers begin to coalesce, and it is all New York, all the time. One gets no feeling for how dominant the 1929-1931 A's (or the St. Louis Cardinals of the mid-1930's) were, because Burns continually focuses on Babe Ruth & the Negro Leagues. When Burns gets to the 1950's he can be excused, because really it was a New York-dominated decade like no other. However, the other decades did in fact see a more competitive balance, and one would not get this impression from the documentary. It would have been nice if Burns hadn't crammed the last quarter century of his story into one "inning." Are you telling me that the stories since 1970 aren't as compelling as the early years of baseball. I don't believe that Burns would have had to devote that much more time to the post-1970 era to make it feel less cursory and rushed. This is a somewhat annoying tendency of his that was more griveously evident when he made "Jazz." Also, I get a little tired of the "poetry of baseball" school of thought. It isn't as though I am some knuckle-dragging troglodyte who gets all his news from sports radio; I am just as likely to go to the opera as to the ballpark. This baseball as metaphor for how the cosmos works gets on my nerves after a while (although I consider Roger Angell's comment "there's more Met than Yankee in all of us" to be priceless beyond description). It's not that baseball doesn't imbue our life with a little extra something special, it's just that some of these talking heads tend to get a little overwrought. I enjoyed watching the documentary the first time, and I have watched it probably half a dozen times since over the years. By comparison, I have watched "The Civil War" about 15 times, I would guess. I was so disappointed with "Jazz" that I managed only a second viewing. In any case, "Baseball" is very entertaining, and that is what largely accounts for my 4-star rating I would only caution those who don't know their baseball history that this documentary omits a great deal of what is a very good story.
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| 5. Lewis & Clark - The Journey of the Corps of Discovery Director: Ken Burns | |
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I had read about Lewis and Clark in grade school...everyone has...but it's not until I'm 40 years of age watching these Ken Burns movies do I finally understand the context and the signifigance of the events. Highlights in this movie for me include: I watch one of these movies and I invigorates my enjoyment of history and I end up adding 2 or 3 related books to my reading list. If this is your first Ken Burns movie, you'll love it and this is a good one to start with. If you're already a Ken Burns fan, you will not be disappointed. Highly recommended.
It is also amazing to see how many vistas Burns and crew were able to find in such a seemingly pristine state. One of the real shocks to me was to understand how nearly deadly the Great Plains were to the Corps because of the lack of wood. Growing up in Michigan with trees everywhere, we take wood for granted. On that expedition, its lack was a real hardship. While not as dramatic as war and without and the lack of contemporary illustrations requires a different presentation style than Burns normally provides, this is still a visual feast and good solid food for the brain. Worth viewing many times for many reasons. Don't forget to read Stephen Ambrose's "Undaunted Courage" as well.
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| 6. Ken Burns' America Collection (Brooklyn Bridge/The Statue of Liberty/Empire of the Air/The Congress/Thomas Hart Benton/Huey Long/The Shakers) | |
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Description Reviews (1)
"The Brooklyn Bridge: Running Time: 60 minutes Narrated by David McCullough Although parts of "The Brooklyn Bridge" hint at the excellent work Ken Burns would produce in later films, this particular documentary falters in its last 20 minutes. The Brooklyn Bridge is many stories, but it's mainly the tale of how perseverance can make an almost impossible vision take form. The Bridge took many years and several million dollars to build. It faced political and social opposition. It weathered scandals and corruption. And when it was over, it stood as a monument to mechanical brilliance and souful aspirations. Burns only spends forty minutes on the story of the Bridge's construction. He spends the last 20 minutes focusing on what the Bridge means to various scholars, poets and New Yorkers; this is where the film lags. Admittedly, the Bridge is important as a cultural icon, not just for New York, but for America. However, if Burns was going to devote this much time to testimonials, then the film should have been at least 90 minutes or, better yet, two hours. When the film concentrates on the Bridge's construction, it shines. Burns has carefully selected photos, drawings, contemporary newspaper accounts and personal journals of key participants in the Bridge's inception to vibrantly tell this story. He just should have spent more time on his subject. The pace of this documentary is so hurried and awkward, you can tell where Burns is skipping key parts of the story in order to get to the testimonials. A good effort, but it pales before his later output. "The Statue of Liberty" Running Time: 60 minutes Narrated by David McCullough "The Statue of Liberty" by Ken Burns is a moving testament to the spirit of the American ideal. Like Burns' earlier "Brooklyn Bridge," this film also chronicles the construction of an American landmark as well as the reactions of various people to what that landmark stands for. Unlike the "Brooklyn Bridge," however, this approach works in "The Statue of Liberty." What the Statue means to one person or another is part of its importance, and Burns has captured that beautifully. Using wonderful footage, sketches, photos and personal accounts of its construction, Burns ably documents the struggle to make a vision a reality. Burns well captures the engineering brilliance required to build the Statue. He also illustrates how the Statue has become a representation of the best and worst of our American ideals. The Statue is a symbol of new hope and second chances, and this film illuminates the power of that symbol. "The Shakers: Hands to Work, Hearts to God" Running Time: 60 minutes Narrated by David McCullough In "The Shakers: Hands to Work, Hearts to God" Ken Burns truly hit his stride as a documentarian. By combining personal journals of early Shakers, historic and social commentary of scholars and contemporaries, and wonderfully insightful interviews with present day Shakers, Burns tells a simple story, but tells it beautifully. By illustrating the Shaker life and ideology, Burns presents a group of dedicated people who strove to put God into every aspect of their lives. If you know the Shakers for only their furniture and ritual dancing, then this film will illuminate your understanding of early America's most powerful Utopian movement. "Thomas Hart Benton" Running Time: 60 minutes Narrated by Jason Robards "Thomas Hart Benton" is a revealing and immensely watchable biography of an artist who probably reached more Americans than any other. As Ken Burns ably proves, Benton's work captured the spirit and history of the average American man and woman. Combining samples of Benton's work, interviews with art critics, family, friends and enemies as well as footage of Benton himself, Burns presents a perfectly balanced approach to an artist's life and his statement of America as a struggling, vibrant land. You don't have to like Benton's art to like this film. In fact, several of the critics Burns interviewed for this one-hour documentary dismiss Benton as a serious artist. However, what they say about Benton is as revealing as the praise of critics who revere him. Perfectly balanced and entertaining. "Empire of the Air" Running Time: 120 minutes Narrated by Jason Robards Although Marconi may have invented the technology for radio, three men made it a force for change. "Empire of the Air" examines the lives of those men, Lee de Forest, Edwin Armstrong and David Sarnoff. All three would contribute some necessary component to radio's development, but could never agree or acknowledge the work of the other. Today we take radio's constant presence and role for granted, but this documentary proves what a struggle it was to bring it into being. Burns uses personal interviews with the key players in radio's development and their contemporaries, as well as archival footage and historical commentary to illustrate how radio has impacted us as a society. The story of radio's three primary "fathers" plays like a radio drama full of struggle, triumph and tragedy. This is an outstanding documentary. "Huey Long" Running Time: 90 minutes Narrated by David McCullough Although forgotten or largely discounted today, Huey Long came closer to becoming a total dictator than any other American. This film by Ken Burns brings the power and presence of Long into its proper context of a poor and desperate state in the throes of a crippling depression. Burns illustrates this documentary with excellent interviews with Long's contemporaries, constituents, friends and opponents. There is also revealing footage of Long himself that reflects his intended image of a "countrified buffoon," which caused his enemies to underestimate him. This doucmentary brings Long back to life as a veritable dictator who might have won the presidency if not for his assassination. The film's main strength lies in its balanced approach to this controversial figure. Although Burns interviewed many of Long's enemies, he also sought the opinion of the average Louisiana citizen who benefited from Long's provision of free school books and hospital care. These people were Long's source of strength of power who still regard him as a great man and never cared how Long managed to give them these things. Again, Burns balances the man who provided relief to a struggling people, and the dictator who compromised decomcracy in order to provide that relief. This is an excellent documentary. "The Congress" Running Time: 90 minutes Narrated by David McCullough Ken Burns' "The Congress" is a wonderful history of an essential but underrated American institution. In only ninety minutes, Burns captures the strengths and weaknesses of our legislative branch like few documentarians could. Congress, often accused of gridlock and pork barrelling, actually exemplifies the American ideal of self-rule. This film touches on key successes and failures of this body throughout its entire history. Burns examines the contributions of such pivotal congressmen as Joe Cannon, Henry Clay, Daniel Webster, George Norris and a host of others. Burns alters our current perspective of Congress to show us an organization of great power that has, at times, ruled the country in counterbalance to weak presidents. Burns uses contemporary newspaper accounts, archival footage, personal interviews, and journals to transform Congress's history in a fascinating parade of men and women who represented the best and worst of America. A great film. ... Read more | |
| 7. Unforgivable Blackness - The Rise and Fall of Jack Johnson Director: Ken Burns | |
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| 8. Mark Twain - A Film Directed by Ken Burns Director: Ken Burns | |
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| 9. Boston Red Sox: 100 Years of Baseball History Director: Jamie Tedeschi | |
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The special features include some unique looks at plays from different angles with various announcers. one replay in particular - Carlton Fisk from the LF camera- has a nice easter egg in it. Go frame by frame and look in the dugout as Fisk rounds first and the camera flash goes off...very spooky!
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| 10. Mark Twain - A Film Directed by Ken Burns | |
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| 11. Thomas Jefferson Director: Ken Burns | |
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| 12. Frank Lloyd Wright - A film by Ken Burns and Lynn Novick Director: Ken Burns, Lynn Novick | |
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You will learn much more about this subject with the A&E tape called "The Homes of Frank Lloyd Wright".
Scandals tainted his "first life" and probably contributed to his lack of major commissions. But his career took flight when, at sixty-two, he married a woman who, for once, was his intellectual equal. She was totally devoted to him and had him write an autobiography and begin a school of architecture. The exposure led to new clientele - and to his most significant creative achievement - the Guggenheim Museum in New York, which took thirteen years to build, and was completed six months after he died. Frank Lloyd Wright thought very highly of himself, of his own abilities, and of his contribution to the advancement of mankind's existence. His self-confidence drove him to push the edges of the envelope - for his entire life. His vision was infectious. Clients would recall fondly that working with Mr. Wright, while he was designing and building their homes or offices, would be the highpoint of their lives. Mr. Wright's accomplishments are a testament that life - and living - are not bounded by age; and that divine ability can sometimes lead to greatness. This is easily one of Ken Burns' best works, and I couldn't stop watching it!
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| 13. Not for Ourselves Alone - The Story of Elizabeth Cady Stanton & Susan B. Anthony Director: Ken Burns | |
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For the first time, I understand what a woman's life was like back 150 years ago. I understand how much progress has been made, and how everything that I take for granted every day -- being able to choose my career, have a life separate from my husband, vote, own property -- was gotten only through the incredible struggle of women like Susan B. Anthony, Elizabeth Cady Stanton, and Lucretia Mott. They faced mockery, disdain, insults, dismissal and a millenium of tradition at every step, but never stopped fighting. They fought not just for themselves, but for me and every generation of women that came after them. The fact that I graduated from high school and college without knowing the story of these two great women is almost unforgivable.
I always thought of myself as somewhat well-informed on the topic of American History, but I knew virtually nothing about these two incredible women. Their friendship, the beautiful blending of their unique gifts to create one stupendous and powerful whole of a suffrage movement, their dedication and devotion - all these elements combined to make this story perfectly wonderful. I borrowed the video from our local library, but I think I need to buy it. I've watched it twice and wept tears of joy and gratitude at these womens' sacrifice and unselfish labors for all womankind. It is a delight to watch. I just had no idea women had to fight so hard and so long to be granted a basic human right like voting. And Elizabeth's "best" lecture, "The Solitude of Self" was one of the most powerful essays I've ever heard. Very stirring and inspiring. Even the [background] music was superior. This video will not leave you where it found you. Should be required viewing for everyone. Period.
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| 14. Lewis & Clark - The Journey of the Corps of Discovery Director: Ken Burns | |
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Description Reviews (39)
I had read about Lewis and Clark in grade school...everyone has...but it's not until I'm 40 years of age watching these Ken Burns movies do I finally understand the context and the signifigance of the events. Highlights in this movie for me include: I watch one of these movies and I invigorates my enjoyment of history and I end up adding 2 or 3 related books to my reading list. If this is your first Ken Burns movie, you'll love it and this is a good one to start with. If you're already a Ken Burns fan, you will not be disappointed. Highly recommended.
It is also amazing to see how many vistas Burns and crew were able to find in such a seemingly pristine state. One of the real shocks to me was to understand how nearly deadly the Great Plains were to the Corps because of the lack of wood. Growing up in Michigan with trees everywhere, we take wood for granted. On that expedition, its lack was a real hardship. While not as dramatic as war and without and the lack of contemporary illustrations requires a different presentation style than Burns normally provides, this is still a visual feast and good solid food for the brain. Worth viewing many times for many reasons. Don't forget to read Stephen Ambrose's "Undaunted Courage" as well.
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| 15. Thomas Jefferson Director: Ken Burns | |
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Description Reviews (17)
Gore Vidal and George Will, at the opposite ends of the political spectrum, are among the historians and commentators that appear, reflect and illuminate on the life and ideas of the most contradictory of America's founders. Like most, if not all, of Ken Burns' productions, &qu | |