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| 1. C.S.I. Crime Scene Investigation - The Complete First Four Seasons Director: Tucker Gates, Matt Earl Beesley, Jefery Levy, David Grossman (III), Deran Sarafian, Charles Correll, Peter Markle, J. Miller Tobin, Oz Scott, Danny Cannon, Allison Liddi, Duane Clark, Roy H. Wagner, Thomas J. Wright, Félix Enríquez Alcalá, John Patterson (III), Richard Lewis (XVI), Nelson McCormick, Kenneth Fink, Richard J. Lewis | |
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| 2. Judge Dredd Director: Danny Cannon | |
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Amazon.com Reviews (59)
It became natural that a movie would be made. The result is this exciting and gloriously garish looking spectacle reminiscent of the overrated Batman films, but featuring a better cast and script. Sylvester Stallone is perfect at Joseph Dredd. In the world of law, he IS the law. Perps don't stand a chance in Mega-City with Dredd, let alone when he receives most potent help from Judge Hershey (Diane Lane). The film explores Dredd's super-hard persona and is quite effective is explaining why Dredd comes off as little more than a machine. The villain in the film is Rico (Armand Assante), Dredd's biological brother. Along with a renegade member of Mega-City's ruling council, Judge Griffin (a very effective Jurgen Prochnow), and a Nazi-esque scientist named Ilsa (Joan Chen with great cleavage and a horrible haircut), Rico plans to populate Mega-City with a race of obedient clones. But first they must frame Dredd, the Judge who sent Rico to prison. The battle to clear Dredd's name and stop Rico and Griffin takes up the action in the form of several very eye-catching action set-pieces, notably an aerial bike chase reminiscent of the Star Wars films, the lightcycle chase in Tron, and the famed car chases of Bullitt, The French Connection, and The Seven-Ups. The film's major flaw lies in the lame comedy of Rob Schneider. Given the film's otherwise excellent casting - Max Von Sydow and Mitchell Ryan in particular give superb performances - the presence of Schneider is especially injurious to the film. Danny Cannon's direction is good - nowhere better than in the scene when Griffin learns to his horror that Rico has doublecrossed him with the clones. The scene includes a great bit of suggestive comedy; Rico bellows to Griffin that "I'm about to become a Daddy," then cuts to a smiling Ilsa, as though Rico's boast is literal. Despite Rob Schneider, Judge Dredd is an entertaining sci-fi action yarn.
As I say, that is a real shame, because Judge Dredd was one of the best comic book adaptations to ever make the cross into film. It perfectly captures the 70's/80's British comic book about a futuristic cop who reins supreme, given the power to arrest, judge, and execute wrongdoers in a world gone rampant with crime. This was a big budget production, and the sets and special effects are magnificent. The story is extremely engaging, and it is packed with great action. The film really doesn't take a misstep throughout. What makes the film a real treat are the supporting performances. Stallone himself delivers a perfect-pitch job as the Judge, nicely capturing all the stern dedication of the comic book, and as the film progresses, his character is beautifully and even touchingly rounded out. But I find myself remembering the lesser roles, such as Armand Assante as the arch villain, Rico, a man holding extreme power in his madness. When his temper flairs, everyone jumps back. The old veteran, Max Von Sydow, displays a pro's commitment in his portrayal of the aging Chief Justice Fargo, holding on to his power simply through a towering dignity. Diane Lane, Jurgen Prochnow, and Joan Chen are on hand to lend superior support, as well as Rob Schneider, who did a great job in giving the movie the touch of comedy needed to truly capture the original comic book. This film even has the great Scott Wilson on board as Pa Angel, a leader of a criminally mutated family that dwells in the "cursed earth." Amazon reviews got it completely wrong. Their condescending review was typical of the kinder reviews given when the film was released. There is certainly no need to "lower your expectations" to enjoy this film. You will do just fine if you come to this picture expecting great things. --Mykal Banta
The entire movie, and the original comic book series, was based on the fact that the Judges were incorruptible. These are not just good lawmen; these are walking law books- THEY ARE THE LAW. They have to be, for they are not merely law enforcement officers, they are also judge, jury, and executioner. Only someone raised from birth to live the letter, essence, and spirit of the law could be trusted with this. Certainly, a mere human could not be trusted with such power. That is the fascination of a character like Dredd- he isn't human. Here is a man so completely identified with duty that there is no room for personal feelings. This is essential, for a Judge must be completely impartial and unswayed by personal opinion and feeling. A Judge judges the rich and powerful, and the poor and weak, by absolutely the same standard. That is why you can never write Dredd and the other Judges off as fascists- it is equal judgment for all in the name of the public good, of public survival, in an apocalyptic Cursed Earth. And God save the Judge that breaks his oath.... Max Von Sydow was also especially good as Dredd's mentor. I mean, if they could get an actor of his quality interested in this project then you know that he also saw something more to it. Playing off Stallone you actually see the one bit of humanity in the character. The scene where Sydow takes the last walk to bring judgment to the unjudged still chokes me up. Sure, there is plenty of action and special effects here- good ones. They also managed stay fairly close to the details and characters of the original stories. But, I've slowly come to see that there really is more to it. Not bad for a project that originated from a comic book.
Let me count the ways I love Judge Dredd: 1)It's all Action, all the time---and it Looks so Good! And best of all, it's action done by a competent, experienced crew: Adrian Biddle ("Aliens", "1492", "Thelma & Louise") for cinematography, and set design by Peter Young, who did the look for "Batman" and "Sleepy Hollow". 2)It's got Armand Assante and Jurgen Prochnow as crazed, Machiavellian evil villains (Assante crazed, Prochnow Machiavellian)! 3) It's got veteran uber-actor Max von Sydow as Chief Justice Fargo, and boy the guy looks hip and happening in a trenchcoat with a big super-duper hand cannon! 5) It's got an angry War Robot designed to control crowds---with extreme prejudice! Oh, it likes to pull peoples' heads off, too. 6) It's got angry unfinished Clones, all of whom are imperfect copies of Assante! 7) Aspen, Colorado is a penal colony! What a great world! 8) It's got starlet action! A villainous Joan Chen in tight leather hotpants! It's got the genetically perfect Diane Lane as the unfortunately named Judge Hershey (I don't know. Don't ask.)! 9) It's got a periodically amusing Rob Schneider and gratuitous Balthazar Getty! It's got a family of inbred religious cannibals who make the family in "Texas Chainsaw Massacre" look like pikers---and the razor-toothed Number 1 Son has what appears to be a minute-timer embedded in his skull! 10) Finally, it's just all around fun: the chase on Lawmasters through the neon heights and aeries of Mega City One has to be seen to be believed, and it is far more enjoyable than anything in the Star Wars prequels. And in addition, it's a pretty fine adaptation of the Judge Dredd graphic novel series. So get past your need to see 'serious' cinema, sit back, and pop "Judge Dredd" on the hopper. Besides, He's the Law----and failure to appreciate the subtle glories of this film is a Violation, Citizen---Punishment? You don't want to know. ... Read more | |
| 3. Björk: Greatest Hits - Volumen 1993-2003 Director: Michel Gondry, Stephane Sednaoui, Chris Cunningham (II), Lynn Fox, Alexander McQueen, Danny Cannon, John Kricfalusi, Nick Knight (II), Paul White (VIII), Jean-Baptiste Mondino, Sophie Muller, Eiko Ishioka, Spike Jonze, Inez van Lamsweerde, Vinoodh Matadin | |
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Reviews (18)
My friend also showed me the Inside Bjork DVD, which is a documentary. I'm going to be picking up that one soon, too. I recommend it if you enjoyed this DVD, it gives more insight into the "characters" Bjork was in for each album.
Looking back on this retrospective, I realize how much the "cute factor" was employed early on. Cute, as in "oh, Bjork looks cute cooking an egg, or look at her eat that slice of watermelon." Not to say that Venus as a Boy or Possibly Maybe were bad videos. The one video that has weathered the worst, in my mind, is Violently Happy. Basically, it's one big euro-trash cliche, by a director that had much greater success with Madonna. I understand the whole insane-asylum concept, but cutting up a teddy bear, and shaving your heard, and clipping Raggedy Ann is too cliched for me. The first really good video is Army of Me. We must be thankful that this wasn't released post-9/11...I can only think of how the conservative right would have had a field day with this. This was a dark moment in Bjork's life (yes, she b@#^h slapped that reporter). It's interesting how she saves an Asian man... Another fantastic video is Isobel, with its sepia tones. Wonderful concept. From her third album, Joga is kind of a downer, not enough Bjork in there, but Bachelorette and Hunter are superb, especially Hunter, with Bjork unleashing her inner animal. I was blown away the first time I saw it. The main draw from this period, though is All is Full of Love. Someone I know says its disturbing, because underneath our skin we are just bones, not too different from the half-assembled robots in the video. Alarm Call, despite being a collaboration with bad boy designer Alexander McQueen, is kind of a letdown. There are wonderful green colors thoughout the video, but the concept is too straightfoward. It's in Our Hands ups the ante, with Bjork cavorting in the dark with other nocturnal animals. The dud video of the latter half is Hidden Place. After 30 seconds, that whole migration of bodily fluid becomes a boring concept, and we have to endure it for the rest of the video! Pagan Poetry and Cocoon are better, especially Cocoon, which I'm sure just baffled the hell out of the critics. Well, Bjork could never be accused of being boring. This is the best evidence, on the whole, of how music videos can be art forms.
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| 4. The Young Americans Director: Danny Cannon | |
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Reviews (3)
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| 5. I Still Know What You Did Last Summer Director: Danny Cannon | |
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Amazon.com Reviews (276)
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| 6. Phoenix Director: Danny Cannon | |
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Amazon.com Reviews (8)
A yawnfest, I only watched the whole thing because there was nothing else on TV.
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| 7. I Know What You Did Last Summer/I Still Know What You Did Last Summer Director: Danny Cannon | |
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| 8. CSI: Crime Scene Investigation Director: Tucker Gates, Matt Earl Beesley, Jefery Levy, David Grossman (III), Deran Sarafian, Charles Correll, Peter Markle, J. Miller Tobin, Oz Scott, Danny Cannon, Allison Liddi, Duane Clark, Roy H. Wagner, Thomas J. Wright, Félix Enríquez Alcalá, John Patterson (III), Richard Lewis (XVI), Nelson McCormick, Kenneth Fink, Richard J. Lewis | |
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Reviews (4)
Anyone out there know?
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| 9. The Young Americans / Bad Lieutenant Director: Danny Cannon | |
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Description BAD LIEUTENANT: He has survived on the streets for twenty years.He's a gambler... athief... a junkie... a killer and a cop.Now he's investigating themost shocking case of his life, and as he moves closer to the truth hisself-destructive past is closing in.Harvey Keitel gives a searingperformance as an out-of-control police detective on a collision coursewith disaster in director Abel Ferrara's brilliant and deeply disturbingmelodrama. | |
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