Description

You'll die laughing!Frank Capra directs Cary Grant, Raymond Massey, Peter Lorre and stellar cast in the hit Broadway farce about a nutcase family with well-intentioned homicidal tendencies. ... Read more

Reviews (108)

Grant, 2 Old Ladies & Elderberry wine=hilarity now on DVD!!
Frank Capra delivers a great film adaptation of Joseph Kesselring's Broadway hit, "Arsenic and Old Lace". Originally filmed in 1941 just prior to WWII, but not released until 1944 because of the contract agreement to allow the play to complete its Broadway run. (The play ran for 1,444 performances.)

Cary Grant in the leading role as nephew, Mortimer Brewster is at his comedic best in this black comedy of wine, family & insanity. His 2 fabulous Aunts played by Josephine Hull & Jean Adair were encored to the screen and are perfect in their roles. Boris Karloff's obligations prevented him from doing the movie and was replaced by Raymond Massey in the movie version as Grant madcap brother. The great ensemble cast also included Peter Lorre, Edward Everett Horton, Priscilla Lane & John Alexander as a delightful zany crazy, thinking he is President "Teddy Roosevelt".

Summary: It is Halloween, Mortimers wedding day & his life is about to change forever. Visiting his 2 Aunts (Hull & Adair) with his wife (Lane - Ministers daughter!) on their way to their honeymoon to Niagara Falls discovers a body in the window seat. Thinking his crazy cousin, (Alexander) has committed the crime approaches his Aunts. They not only know about the body, but they know who he was & how he died. Their elderberry wine laced with a mixture of arsenic. Oh by the way, he is the 12th to be buried in the cellar. What is Mortimer to do & is his entire family insane? We began a very entertaining & hilarious journey to answering these & many more questions.

This DVD is an excellent Black & White Full Screen (before WideScreen) transfer. Extras include Production notes.

"Arsenic and Old Lace" film adaptation is very close to the actual Broadway play & is a great classic to have in your DVD library. Enjoy.

Arsenic & Old Lace
Plot: Mortimer, a drama critic, has just got married and is about to go on his honeymoon when he discovers insanity runs in his family. His sweet maiden aunts poison lonely old men and have a number of corpses buried in the cellar.....

A film adaptation of the popular stage play, Arsenic and Old Lace is a hilarious movie perfect for people of all ages. The story of Mortimer Brewster (Cary Grant), the youngest of three brothers who were raised by two dear, but eccentric, spinster aunts, who have a nasty little habit of "putting poor souls" out of their misery with a little arsenic-laced elderberry wine.

It is delightful to watch Mortimer go from a nice, normal, newlywed to a nervous, neurotic mess as he tries to figure a way out of the predicament his well-meaning aunts have placed them all in. Throw in one brother who thinks he's Teddy Roosevelt, another who is a psychopathic killer fashioned after Boris Karloff, and Peter Lorre as Dr. Einstein, a slightly intoxicated make-shift plastic surgeon, and you'll be laughing the entire way through.

All of the performances were wonderful, but Cary Grant's facial expressions, double takes, and hilarious body language are a joy to watch. A truly classic, funny movie.

"No, I'm not drunk, madame.......but you've given me an idea!" - Mortimer, seething in frustration as he tries to get past the operator, so that he can get his family committed into the HappyDale Sanitarium.

"Insanity runs in my family. It practically gallops!" - Mortimer, trying to explain to his new bride why it would be best for her to leave him and never look back.

A fun Halloween story
I have seen this movie dozens of times on TV. The problem is they always cut out a lot of the little nuances that make the movie fun; sometimes it is curtail to the story. Now you can see the whole story in its entirety. Lots of sight gags and relies on many expressions to convey what they are thinking. If this looks like a play, that is because it is a play. It was written by Joseph Kesserling and opened in New York City 10 JAN 41. It ran for 1,444 performances. Boris Karloff was an investor and the star attraction so he could not be released for the movie.

The story takes place all on Halloween night in Brooklyn. Mortimer Brewster (Cary Grant) a critic, that wrote a scathing book about the negatives of marriage, gets married. He soon finds out about his families past and where the bodies are buried. Soon he is to be visited by his estranged or just strange brother (Raymond Massey). Seems that his brother and his brother's friend, Dr. Einstein (Peter Lorre), has some secrets of their own. Keep your eye on the elderberry wine.

Capra's Classic Black Comedy.
"Arsenic and Old Lace", starring Cary Grant and directed by Frank Capra, is taken from the stage comedy of the same name. Although the film was released in 1944, it was actually filmed in 1941, due to the stage show was still going at the time. The film also stars Priscilla Lane, along with Josephine Hull and Jean Adair, reprising their original Broadway roles as the two aunts.

Mortimer and Elaine (Cary Grant and Priscilla Lane) play newlyweds, who are about to go on their honeymoon. Mortimer first arrives back at his aunts' house, who he had grown up living with, where he finds out that the two old ladies have been bringing lonely, elderly men into their house, and killing them by putting poison into wine, and then having them buried down in the cellar. More trouble comes when Mortimer's psychopathic murdering brother, Jonathan (Raymond Massey), and his partner, Dr. Einstein (Peter Lorre) come about to make even more trouble, when they need to get rid of their own murdered victim, having escaped from jail. Jonathan comes back looking like Boris Karloff, after his partner's attempts at trying to remodel his face, as one of his many disguises. Then there's the poor new wife, who is continually being avoided by her new husband, while trying not to let her know what's going on.

The film has one of the funniest scripts, and some of the most amusing, and odd characters one could find. Ranging from the aunts who think they are doing the right thing, to the mentally insane nephew, who believes he's Teddy Roosevelt. The lines in the movie are somewhat unforgettable, and it's a great movie for many repeated viewings. Actually, I find myself liking it the more I watch it.

As for the DVD presentation from Warner Brothers, there is a serious lack of extras. Apart from the odd trailer, which you find on most DVDs, that's basically it. What can be noted though, is the very nice looking, clean print used for this decent transfer. The mono sound is very clear also, which helps when you have a film with so many jokes to be heard, on a very regular basis. So apart from the disappointing extras, this is a recommended buy, which every fan of classic movies should add to their collection.

first cary movie i saw
This is the first cary grant movie i saw. For the first one i saw i think this is a outstanding film. One of the things i thought it would not be was funny. But that changed my views from the beginning.
I can not say much else but a outstanding film. ... Read more

Reviews (67)

The Little Guys Triumphs
I have to admit that I have never been a big fan of Frank Capra's directing or the stories he chose. But this movie scores for me. James Stewart is simply amazing as Jefferson Smith, the naive young man who discovers that Washington and politicians are not what they seem to be. Jean Arthur, an actress who seems to be forgotten these days, is excellent as the secretary who has seen it all. Claude Rains and Harry Carey do well in supporting performances as a senator and the president of the Senate. The underlying themes about political corruption and the power of the people still work today. The scenes surrounding the filibuster are unforgettable, and you'll find yourself routing for the little guy, something I thought I was too cynical to do myself.

Jimmy Stewart's Finest Performance in Capra Gem!
Mr. Smith Goes to Washington is a timeless, brilliant parable of Good Vs. Evil, played out in the U.S. Senate. Good is represented by Jimmy Stewart, in the film he SHOULD have won an Oscar for (MGM, trying to bolster 'Goodbye, Mr. Chips' at the box office, influenced it's Academy members to award Robert Donat with the statue; the following year, Stewart appeared in 'The Philadelphia Story', for MGM, and won Best Actor!). He is magnificent as Jefferson Smith, an idealistic youth leader, who is offered up as an innocent and gullible replacement for a Senate vacancy. Evil is personified by Claude Rains, as the suave and corrupt senior Senator, and Edward Arnold, brilliant as a ruthless party boss.

In many ways, 'Smith' is cut from the same cloth as Capra's earlier masterpiece, 'Mr. Deeds Goes to Town', and both films costar the radiant Jean Arthur, here cast as Smith's secretary. She is an old hand at understanding political wheelings and dealings, and at first, she considers her new boss a total idiot! But Smith's integrity wins her over, and with the help of reporter Thomas Mitchell (1939's busiest actor!), the three manage to outlast the forces of Evil, in the most rousing filabuster Hollywood has ever filmed!

Two supporting characters deserve special attention; Harry Carey, one of Hollywood's most beloved Western stars, plays a warm, sympathetic Vice President, in a small but very crucial role; and Beulah Bondi is terrific as Stewart's mother (she would play his mother again in the Capra/Stewart classic 'It's A Wonderful Life').

The new DVD edition offers the insights of Frank Capra, Jr., son of the legendary filmmaker, as well as trailers, vintage material, and a whole lot more!

If you've seen 'Mr. Smith Goes to Washington' before, treat yourself with this lavish new edition! If you haven't seen it, you are in for one of the most wonderful cinema experiences you'll ever have, from the best year Hollywood ever had!

Simply put, this film is a masterpiece!

An All-American Film
This movie is perfect for July 4th..in fact, I watched this movie for the first time on this day! If you want to see how a bill is passed, what the Senate consist of in the government, how people in politics are after, great monuments like the Capitol and Lincoln, and a great storyline, this is the movie for you.
Jimmy Stewart played Jeff Smith, a Boy Scout ranger who loves America, was picked as a Senator. His honesty and rookie nature made him a ruse for the experienced Senators who are out to get him and throw him out of office with their lies. Meanwhile, he did find a friend who went with him all the way...his secretary, Clarissa (who falls in love with him). You will have to find out the rest of the movie what happens when people found out that Smith was telling the truth all along, and the bad guys.
This is a great movie!! Go watch it!

THE LAST "CONSERVATIVE" MOVIE?
In 1939, Frank Capra made "Mr. Smith Goes to Washington", starring Jimmy Stewart. I have sources that tell me a film was made 10 years later that depicted the Republican as a good guy, but I could not verify it. To the best of my knowledge, "Mr. Smith Goes to Washington" is the last big screen film in which the Democrat was the bad guy, and even then it is only inferred. In Capra's classic, a Midwestern political machine based on the corrupt Democrat organization in Kansas City that Harry Truman rose to power in, is exposed by an idealistic young Senator (Stewart). Claude Rains plays the Truman character. He looked just like him, and in end gives a Senate floor mea culpa of his complicity with Democrat crimes, which is highly, precisely and to quintessential effect the same one "Give 'em hell Harry" should have given, but never did. All is not lost for the Democrats, however, because Stewart is still a Democrat, and the hope for the future. In reality, the Democrats just got more corrupt, and Hollywood would be their willing ally.

STEVEN TRAVERS
Author of "Barry Bonds: Baseball's Superman"
STWRITES@aol.com

The movie will not yield.
Frank Capra captures the heart of american patriotism without ever becoming preachy. Mr. Smith is equal parts civics lesson, romance, tense drama and at its heart: the perfect fish out of water comedy.

Jimmy Stewart is fantastic as Jefferson Smith an honorory senator who accidentally stumbles on corruption. Stellar performances were turned in by Jean Arthur, Claude Raines, Edward Arnold and Thomas Mitchell, but it is Stewart who dominates this film.

The phrase Capraesque gets bandied about with too much regularity these days when describing recent films. I would strongly reccomend Mr. Sith goes to Washington as Capra at his most Capraesque. ... Read more

Reviews (37)

Frank Capra + Moss Hart & George Kauffman = ??
A fine Frank Capra comedy featuring Jimmy Stewart at his most boyish and gangly, and Jean Arthur as the girl of his dreams. It's a comedy of mismatched lovers: Stewart plays the son of a cold-hearted business tycoon (Edward Arnold) who looks forward to the coming world war as a way to make a killing on the stock market. In the path of Dad's capitalistic machinations lies a family of carefree bohemian kooks, whose open, life-affirming attitude holds together the neighborhood where Arnold hopes to build his next munitions factory. And guess what? Surprise...!! Jean Arthur's character also just happens to be the object of his son's affections. Into this "Dharma & Greg"-like scenario, add Lionel Barrymore as her saintly, eccentric father, who was once a businessman but then dropped out and now spends his days smiling at life, following his passions, and encouraging others to do the same.

In all honesty, although the film is charming, it isn't Capra's best work -- adapted from a stage play by George Kauffman and Moss Hart, it shouts out its kookiness, and has the feel of an off-Broadway production gone awry. The scenes that are meant to show how wacky her family is often play out too broadly, with shouting and grand gestures and a flurry of chaotic action -- dancing, xylophone playing, cooking, painting, newspaper rustling, fireworks going off -- and all of it happening at once. It's too obvious and dramatically weak... Plus, Stewart really hasn't found his feet yet as a star actor. On the other hand, both Barrymore and Arnold give delightfully strong performances, and Jean Arthur is *always* easy on the eyes. Even when slightly muddled, Capra is still better than practically anything coming out comedywise from Hollywood today. A charming 'Thirties comedy.

Classic Capra Comedy!
The rich young son of an esteemed banker (Jimmy Stewart) falls in love with his secretary (Jean Arthur). His family disapproves, but graciously agree to meet with his girlfriend's family. Jean Arthur wishes to plan the meeting as an elegant dinner with her family's eccentricities somewhat constrained. When her boyfriend and his parents show up on the wrong day, all hell breaks loose. Jean Arthur's wise grandfather and patriarch of the family (Lionel Barrymore) helps sets things aright with his harmonica and a little sound advice. This hilarious classic pits an eccentric middle class family against their snobbish upper-crust potential in-laws. You'll roll on the floor laughing at Stewart's "scream" scene, the Russian ballet teacher, the jail-cell and courtroom sequence and more. One of Frank Capra's best!

Great film, Poor DVD
First of all, this film is great, and deserves to be owned by any classic movie fan. It has some of the greatest stars that have ever been on-screen, together! This is easily a favourite of mine, with Jimmy Stewart, Jean Arthur, Lionel Barrymore AND Frank Capra, you cant go wrong with watching this.

This film easily deserves the 5 stars, but I take one away because of this very disappointing release from Columbia on DVD. Many of Columbia's releases of classic movies on DVD have been poor ('Awful Truth' comes straight to mind) while others have great releases ('It Happened One Night' for an example).

I will start with the picture quality. It is full of scratching, throughout the film, and in all honesty, it does kind of look like a video. Still, saying this, it is actually watchable, but what a poor effort.

Now for the sound. Ok, this is the real problem. The sound is really quite bad. It is full of hissing, and becomes annoying. Its listenable, but oh, they could have done a lot better here.

The extras. Well, there isnt much to say really, is there? There are nothing for you on this disc.

This DVD is worth getting, but I only say this because of the film itself. What a poor release for such a wonderful film. Hopefully, Columbia will re-release this soon, with a better print, better sound, and some decent extras. If only this could have been more like their release of Capra's other classic, 'It Happened One Night'.

Dont avoid this DVD, but just dont expect much.

PLEASE NOTE: Since I am in England, I own the Region 2 release. It appears to be no different to this Region 1 release though.

very good movie
I'm playing a character in the play that this movie is based on, and so I watched this DVD to get a hint of what it could look like. First, the story is excellent! Do what you want in life; don't work your whole life doing something you hate! That is basically the Sycamore family's philosophy. But when the younger daughter in this household falls in love with the son of the wealthy Kirby family, trouble brews, landing the Kirbys and Sycamores both in jail! In the end, Kirby Sr. learns that maybe the Sycamores have something and gives the young couple his blessing, leaving everybody happy. The play is a little different from the movie, but with the addition of a simple harmonica, the movie is able to give the viewer a wonderful feeling in the end and reinforces the fact that everyone should do what makes him or her happy in life! I will say that the quality of the movie is not the greatest at times, but that's to be expected since it is an older movie. Other than that, it's great!

Warm & Wonderful
This is a gem of a movie. It's all madness & mayhem on the surface, and warm & cozy underneath. Like most of Frank Capra's movies, this is a morality play. The filmaker continues his favorite theme, downplaying the materalistic and embracing the things that really matter, love, both romantic & platonic, friends & family. This type of material might be a preachy bore in the hands of a person less skilled than Frank Capra, but he makes it work. Not only does it work, but the movie is hilarious. The cast is excellent, starring Lionel Barrymore, I would say at his best, but I never saw anything he was in where he wasn't great. Jimmy Stewart plays one of his nice guys here to the max & is terrific also. The rest of the cast is excellent as well. I especially loved the "mad Russian" played by Mischa Auer. Eddie Anderson steals every scene he's in whether he's speaking or not.
All in all, it's a fine ensemble cast, everyone is very good. Do yourself a favor, if you have an opportunity to see this, please do! ... Read more

Reviews (58)

Welcome to "Shangri-La" the Fantasy Classic. Now on DVD!
James Hiltons novel "Lost Horizon" has been beautifully transferred into a Classic 1930's Fantasy film under the Direction of Frank Capra and Columbia Pictures.

This film was almost lost forever due to film deterioration and studio neglect. After years of gathering every known bit of film and audio tracks we have a digitally restored "Directors Cut" 132 minute film. With all the best prints & audio available we have a wonderful film presentation to enjoy forever.

This is a collectors DVD! Hollywood film at its best!

Summary: English hero and popular Diplomat Robert Conway (Ronald Coleman)is due to return to England from China for a very important diplomatic appointment. A revolt occurs and Conway must make a hasty departure to Shanghai by airplane before being captured. Surprisingly he & his fellow passengers are high jacked & kidnapped to Tibet. The aircraft crash lands in the snow ravaged Himilayan mountains. Mysteriously they are rescued almost immediately in a blizzard. They are dressed warmly and escorted to this utopian valley of "Shangri-La". A place where time is almost frozen and the aging process is slowed drastically. Conway finds that he was intentionally brought here. Why? A very curious situation. The the story of "Shangri-La begins.

This tale is a Classic one which even today stands the test of time. Now digitally restored to the Directors Cut of 132 minutes. The extras are informative & loaded with historical information about the film.

A family film classic to enjoy for generations thanks to the dedication of film restoration teams & the American Film Institute (AFI). Enjoy.

Almost A Lost Film
LOST HORIZON is a very special and very philosophical movie based on the James Hilton novel. The movie makes a few changes from the book, but in many ways the film actually improves on the novel, not the least of which is having the great Ronald Colman flesh out the part of Robert Conway. It's not Colman's most memorable performance (see TALE OF TWO CITIES for that) but he wears the part like a comfortable suit. Supporting him are some other great players like Edward Everett Horton, Thomas Mitchell, Sam Jaffe and Isabel Jewell to name a few. What would YOUR reaction be when you discover that the commandeered airplane that took you to a mysterious, beautiful land in the middle of the wintry Himalayas was not an accident, but a plan? The lost world of Shangri-La is something different to everyone, and it's not always a land of bliss and happiness as you'll see. The film itself has gone through many difficult years, and the painstaking reconstruction (sometimes down to still frames with audio) receives a fine presentation on DVD. It's the restoration and the extras that make the disc worth viewing. A brief section shows how some frames were restored, and we get to see some rare pristine footage of the funeral procession. A good feature commentary and documentary are also included. Overall, then, it's a fine film and a fine DVD supplying fine extras. What's not fine? Well, it's only fair to comment on the extremely variable quality of the image (as I said, it's a combination of several decent prints, some 16mm prints and the occasional still-frame section). That's not the fault of Columbia, as it is most likely the best they could do. But upon comparison to my VHS tape of the restored film, I was surprised to see that the quality is only *slightly* better, not dramatically better. That's why I say in all fairness that it's really the extras that make it worthwhile, but that's coming from someone who already had a video copy of the restored film in his collection. If you've never seen the film, I recommend it unreservedly.

A sweet, enduring classic
I was surprised how much this classic touched me. Afterwards, it reminded me of John Lennon's lyrics: "Life is what happens to you when you are busy making other plans." For example, one stranded traveller, who is initially bequiled by the gold he found at Shangri-La, gradually has his heart opened wide by the children of Shangr-La, and he sees/feels the real riches around him. The old sage's only rule, "Be kind" was simple and great. I didn't balk at the fact that the two "Hollywood nymphets" (as referred to by another Amazon.com reviewer) were not Asian; because the old sage, himself, was a Belgian missionary and many of Shangri-La's inhabitants were supposed to have been lost foreign travellers who had been rescued. The idea of Shangri-La as a sanctuary for the meek who shall inherit the earth after the strong destroy the strong mysteriously forebode World War II's horrors that happened not too many years after this 1937 film was released. With today's Global Positioning Satellite technology, a hidden, physical Shangri-La could probably never be in the cards. However, it can dwell where it most should--inside us. (No, they don't make 'em like they use to.)

An early Capra directed movie

Director: Frank Capra
Format: Black & White
Studio: Columbia/Tristar Studios
Video Release Date: June 28, 1994

Cast:

Ronald Colman ... Robert Conway
Jane Wyatt ... Sondra
John Howard ... George Conway
Margo ... Maria
Thomas Mitchell ... Henry Barnard
Edward Everett Horton ... Alexander P. Lovett
Isabel Jewell ... Gloria Stone
H.B. Warner ... Chang
Sam Jaffe ... High Lama
Dennis D'Auburn ... Aviator (We Can't Take More Than Seven)
Val Durand ... Talu, Hijacking Pilot with Gun
Neil Fitzgerald ... Radio Operator
Willie Fung ... Bandit Leader at Fuel Stop-over
Lawrence Grant ... First Man
Joe Herrera ... Candle Maker
Boyd Irwin ... Assistant Foreign Secretary
Noble Johnson ... Leader of Porters (Return Journey)
Manual Kalili ... Servant
Richard Loo ... Shanghai Airport Official
Richard Master ... Servant
John Miltern ... Carstairs (Club)
Ray Mitchell
Henry Mowbray ... Englishman
Leonard Mudie ... Foreign Secretary with Prime Minister
John T. Murray ... Meeker (Club)
Wedgwood Nowell ... Englishman
Milton Owen ... Fenner, Hijacked Pilot
Max Rabinowitz ... Seiveking, Pianist with Sondra
Arthur Rankin ... Passenger
Richard Robles ... Porter
Chief John Big Tree ... Porter
Alex Shoulder ... Servant
Wyrley Birch ... Missionary
James Smith ... Porter
Norman Ainsley ... Steward (Club)
Carl Stockdale ... Missionary
John Tettener ... Montaigne (Club)
David Torrence ... Prime Minister
Eric Wilton ... Englishman
Barry Winton ... Englishman
Victor Wong ... Bandit Leader
Ernesto Zambrano ... Servant
Hugh Buckler ... Lord Gainsford (Toast at St. George Club)
Sonny Bupp ... Young Boy in Sondra's Choir
John Burton ... Wynant (Club)
Eli Casey ... Porter
George Chan ... Chinese Priest
Darby Clark ... Radio Operator
David Clyde ... Steward (Club)
Robert Cory ... Englishman
Margaret McWade ... Missionary
Ruth Robinson ... Missionary
Beatrice Blinn ... Passenger

Patricia Curtis ... Passenger
Mary Lou Dix ... Passenger

The story of Shangri-La is a fantasy tale. Robert Conway (Ronald Colman), his brother George (John Howard), Alexander Lovett (Ed Horton), Henry Barnard (Thomas Mitchell), Gloria Sone (Isabel Jewell) and their Tibetan pilot crash land in Tibet. The pilot dies. Then, their adventure begins.

They are taken to a monastery, where despite the winter weather, it is spring inside the valley. They are told that they were abducted, and that they will not leave.

The story goes on from there, with love interest and Colman's realiztioon that he has met his destiny.

This is a good story, well acted. Well directed by Capra. Although released in video in 1994, it is an old black and white. Franklin Roosevelt, when asked where Doolittle's Tokyo bombers came from, in 1942, said "Shangri-La."

Joseph (Joe) Pierre

author of Handguns and Freedom...their care and maintenance
and other books

Enduring Masterpiece & Calming Movie Escape
If you enjoy movies similar to Seven Years in Tibet or any movie featuring faraway fantasy escapes where mankind seeks peace, then this movie might interest you. Lost Horizon is not the lavish classic it once was. Strangely enough, a movie about people who lived for 200 years was not protected or preserved properly and Robert Gitt's restored version is an extraordinary accomplishment. Robert Gitt worked for over 25 years to find enough footage to restore missing scenes.

The dramatic start and the confusion of the first few scenes draw you into the movie and then a surprisingly leisurely-paced plot keeps your attention to the last second. As a plane takes off by the light of the burning hangers, a few lives have been saved while the fate of those left behind is not really discussed. Once aboard, they realize this plane is flying in the wrong direction. To make matters worse, the plane crashes in the mountains and leaves the passengers stranded in the bitter cold.

Robert Conway (Ronald Colman) is almost unnaturally calm in the face of certain death and throughout the movie he displays the qualities of a hero who is faced with difficult choices. At first he is a captive of Shangri-La's choices and then later he puts his life at risk to follow his destiny. I did love when Conway said: "Not knowing where you are going is exciting..." Conway wastes no time anguishing over the unpredictability of life and is a great example of how we can stay calm in the adventure of life itself. I saw this movie as a metaphor for everyone who is seeking an escape from the conflicts of our planetary existence. In a way, the message in Lost Horizon reminded me of the messages in the movie Camelot.

The ideas of how we are killing ourselves with "indirect suicide" are still very relevant for today. Walking for 30 minutes and then practicing yoga for 70 minutes is sure to dissolve mountains of stress. If you do that before watching this movie, it can only help to dissolve even more stress. Yoga (a meditation of the body and not a religion) definitely makes you feel and look younger than your age.

The romance in this movie is quite mild and I actually preferred the alternate and more dramatic ending. There are a few flaws in the Shangri-La philosophy of life. How could anyone be happy giving away the woman they loved? While the heart may want peace, the heart may prefer conflict in such cases. It does seem that at times we humans thrive on inner conflicts and external controversy. We are born for the struggle, but Shangri-La definitely sounds like an interesting vacation escape, just don't make me live there without computers. ;) There are ways to find inner peace and I assume that if everyone did yoga, no one would have any time to start wars because they would be floating in some blissful state that is difficult to explain, but very real.

More peaceful escapes: Sarah Swersey's Nightingale CD.

~TheRebeccaReview.com ... Read more

Reviews (61)

CLARK + CLAUDETTE = FUN~~~~~~~~~~~~~~~~~~*
What a great film ! The chemistry and dialogue that exists between Claudette Colbert and Clark Gable is amazingly BRILLIANT and FUNNY! This is the type of black and white film that can be watched forever and ever and never seem "dated" and out of touch w/recent times: after all, its been almost 7O years since this movie was made and it still ranks up there w/ some of the best comedies of today! I wasn't even born when the movie was made but I enjoyed it so much, I wanted to watch it again and again! If that doesn't convince you, this video won 5 Oscars: Best Actor (GABLE), Best Actress (COLBERT), Best Picture, Best Director, and Best Screenplay!!

Here's a little summary for those who don't know what its about. Claudette Colbert plays Ellie Andrews, a rich, spoiled heiress running away from her family. During the trip, on a bus, she meets street-smart reporter Peter Warne, played by the handsome Clark Gable. Ellie is definitely NOT street-smart, and she's having a few problems, so Peter agrees to help her out and travel w/ her in exchange for an exclusive story. They go through many adventures together, despising each other along the way, until they find that they are reluctantly falling in love and afraid to admit it to each other...besides its a little bit more complicated since she's a married woman. AN EXCELLENT FILM, WITH A PERFECT ENDING-ONE OF GABLE'S BEST!! I GIVE IT A PERFECT 5 STARS!! AAA+++++

Simply The Best
I don't claim be a movie expert, but this is the best film I have ever seen. I already owned a VHS copy, but on buying a DVD player I paid good money to have this disc shipped to me in England - and boy was it worth it! The picture quality is as good as you will find anywhere and the sound is superb too. The DVD is also jam-packed with extra features. The film's commentary is provided by Frank Capra Jr. He has a wonderfully relaxed style and doesn't just sound as if he's reading from a prepared script. Along with Ron Howard's commentary for Apollo 13, this is the best DVD commentary I have heard to date. A special feature unique amongst DVDs must be the radio version of 'It Happened One Night', first broadcast in 1939, again starring Claudette Colbert and Clark Gable. Whoever had the idea of including this on the DVD deserves a salary rise. The disc also includes trailers, cast lists, some beautifully illustrated posters and also a Frank Capra Jr introduction. This really is an extremely impressive package of Frank Capra's masterpiece.

"Excuse me lady, but that upon which you sit is mine."
Peter Warne: Why didn't you take off all your clothes? You could have stopped forty cars.
Ellie Andrews: Well, ooo, I'll remember that when we need forty cars.

On-screen chemistry has the ability to turn a good film into something special. Look no further than Frank Capra's "It Happened One Night" for proof of this. Whoever came up with the idea of pairing Clark Gable and Claudette Colbert together in this production certainly earned his or her paycheck.

Rich girl Ellie Andrews (Colbert) runs away from her father so that she can be with her one true love, King Westley (Jameson Thomas). Ellie has little knowledge of how the outside world works so she hooks up with reporter Peter Warne (Gable) who offers to help her reach New York in return for the exclusive rights to her story. The pair finds each other intolerable at the outset but as they spend more time together, their opinions of each other start to change. By the time they arrive in New York, Ellie and Peter must decide if they should act upon the newfound affection they have developed towards one another.

"It Happened One Night" is effectively funny and romantic at the same time. The out-of-the-way situations Ellie and Peter find themselves involved in is screwball comedy at its finest and the love that develops between them is Hollywood magic at its most charming. Colbert and Gable show why they were two of the biggest stars of their era and the chemistry they display on screen still is magnetic to this very day. "It Happened One Night" is also a fascinating cultural text due to its suggestive sexual overtones and its vivid depiction of a woman who is determined to take matters into her own hands when the situation calls for it. Both of these aspects are especially noteworthy when one considers the period in which the film was made. Yet, if "It Happened One Night" is to be remembered for anything, it should be remembered for the classic that it is. After all, when you speak of pure cinematic bliss, you speak of scenes like the one where Ellie flashes her thigh to stop an approaching car - truly one of the greatest moments ever caught on film.

It doesn't get any better than this ...
70 years later, this movie still holds up beautifully. It's funny, smart, and, man! those sexy, charming leads! I'd ride a bus with Clark Gable and Claudette Colbert anywhere ...

This ones recommended for everyone -- old people, young people ... It hasn't aged, and it'll always be a good time.

A classic that deserves to endure
A spoiled socialite (Claudette Colbert) flees her wealthy father (Walter Connolly) and heads for New York to marry a rich playboy (Jameson Thomas) against her father's will. The whereabouts of Ellie Andrews and the reward for her return become the stuff of national headlines, so when recently fired reporter Peter Warne (Clark Gable) recognizes her, he decides to stick close so he can write the story. Naturally, romance follows, but it's a bumpy and hugely entertaining road to get there.

This is an absolutely wonderful film. It's such a shame that so many people are not interested in watching an old black-and-white movie. Good work is timeless. Gable and Colbert have wonderful chemistry and are both hilarious and touching. The rest of the cast is excellent as well. Even though the story is set during the Great Depression, it doesn't seem dated at all. The wisecracking between characters is sharp and well-written (by screenwriter Robert Riskin); there are lots of laugh-out-loud moments during this film. It's also pretty racy and suggestive for its time, with a genuinely affecting climax. Another level of interest is added by the careful attention that director Frank Capra pays to the depression-era milieu; Colbert's character really doesn't understand the plight of the common man, but Gable's hard-bitten reporter is all too aware of the hard times that people are going through. This adds a fascinating sociological dimension. ... Read more

Amazon.com

Mr. Deeds Goes to Town is Frank Capra's classic screwball comedyabout a village innocent who inherits $20 million, only to discover it's more trouble than it's worth. The screwball in question is Longfellow Deeds (Gary Cooper), a small-town greeting-card poet and tuba player transplanted to the big city to administer his newly inherited wealth, where fast-pattering, wised-up cynics, sneering society denizens, and corrupt lawyers lord it over the ingenuous and straightforward. Deeds's idiosyncrasies are amply magnified in the tabloids by journalist "Babe" Bennett (Jean Arthur), dating Deeds as a cover, only to discover she's the sap when she falls irresistibly for him. But the damage has been done, when Babe's column is used by a pack of corrupt lawyers, Cedar, Cedar, Cedar & Budington, to prove Deeds mentally unfit. The miracle of this unforgettable comedy is how it embraces dark material, calling into question some common assumptions about capitalism while maintaining an approachable atmosphere of light comedy, and deceptively so. You'll be so pixilated by its charm, you won't rest until you've doodled your way to a rhyme for "Budington." --Jim Gay ... Read more

Reviews (27)

Mr. Capra Goes Overboard
Director Frank Capra's work doesn't hold up as well today as some of his contemporaries' because of his habit of over-inflating his scripts. "Deeds" starts out wonderfully well when the tuba-playing small-town yeoman Gary Cooper inherits a fortune and heads for the big city to look into it. But Capra can't leave well enough alone and transforms the funny contrasts into a ridiculously overblown sanity hearing. Capra repeated the same missteps in "Mr. Smith Goes to Washington" and "Meet John Doe", straining for social commentary and ending up with pomposity. Still, I would recommend Deeds and those other two pictures for all the scenes Capra got right. Cooper serenading the townspeople by playing "Auld Lang Syne" on his tuba from the back of a departing train is a real classic.

Moving Capresque flick
MY RATING- 7.8

This is quite a moving tale a la american by the master of socio drama, Frank Capra in which he uses one of his fave actors Gary Cooper as the country man who inherits a fortune from a rich uncle and is double crossed in the city. I never enjoyed the first roles of Cooper in MOROCCO, yet it looks like he's been improving his acting over the years and his eyes seem to be brighter and emotional with Capra efforts. Jean Arthur is very good too with her sexy voice and tender love. The cast also includes H. B. Warner as the judge and Lionel Stander as Deeds gardian angel with that frog voice.
Maybe a bit overlong, however it's moving (not as much as It's a Wonderful Life"), , love triumphs at the end, with the Capraesque final act at the court.

better than the sandler version
This is a great movie. The Adam Sandler version might be funnier in a silly, mindless way, but this movie makes a point that too many people forget. People who criticize this movie as naive or propaganda have bought into too much capitalist propaganda. The only people who wouldn't like the message this movie makes are slaveholders and feudal barons. Beautiful movie making a point that we should all remember in our daily life. When Deeds' assistant comments on the difficulty of feeding all of the farmers ("there's 2000 of them"), Deeds replies "that doesn't make them any less hungry." This movie isn't naive. It should simply remind us of how to be human. Its a shame that the message even needs to be said or that the Sandler version would suck the beauty out of it for a cheap lines from a hispanic butler.

I'm sure this was GREAT sixty some-odd years ago.
...But today I found it as bland as a glass of water, however not pure or refreshing. In fact reading a dull, damp B&W newspaper is just as entertaining and very similar. Classic or not I just found the remake with Adam Sandler & Winona Ryder very funny and fresh. So I wanted to see where it came from. My great grandma loved the original when she was my age.. I'm guessing. But being that the only B&W film I liked was "Psycho", I'm glad that they remade this film just for me.

just to naive to be true
This kind of social comedy, with its naive eulogy of the simple man, the inocent farmers and the small american town, just gives me the creeps. Look out for the way it is satyrized in Preston Sturges' "Sullivan Travels". ... Read more

Reviews (223)

Black & White Isn't "Too" Bland, Non?....
In fact, the black & white setting suits "It's A Wonderful Life" as perfectly as technocolor would have for this Frank Sinatra-esque cult classic. James Stewart has this "Rocky & Bugsy"-era voice and a vigourous demeanor & Donna Reed is just brung in to play the hard-to-get young girl and the reserved wife. My focus refused to stay entact while watching this movie, but the ideas I did withdraw from this movie is that George Bailey (James Stewart) is caught in the tangled web of a financial scandal... and on the brink of suicide. That is... until a cliched assigned guardian angel appears out of the sky and falls in the waters of Bedford Falls... to save George (ironically). Before this happens, George is on a bridge contemplating (supposedly) suicide (due partially to a busted-lip from a brute in Martini's bar whose wife George insulted on the phone, heh heh), and when he sees Clarence (the "quote on quote"... angel), he jumps in after him and retrieves him. Henceforth, George rebuffs the idea of an angel and wishes he was never born, and granted... he was never born. And boy, does he take the in-your-face gruff reality of having no identity for a sham, but to his shagrin... it's as serious as a heart attack. George is a non-existent would-have-been making a futile attempt to spark some remembrance in his lost friends & family. Predictably, George repents and returns to existance... with a little (or lot of) monetary help from the whole town for his business trouble (whose lives apparently were impacted greatly by him somehow). Upon the saccharine conclusion (where George, his wife, & kid are basking in the solace of christmas communion), my eyes almost started to well-spring... I haven't the faintest idea why (I'm only 17). A nice retrospective on the golden age of Christmas classics. Somebody please make "It's A Wonderful Life 2000."

It's a Wonderful Message!
Your life doesn't seem so wonderful? Suffering from depression? Then here's a pill to swallow: watch Frank Capra's "It's a Wonderful Life". It's guaranteed to do you some good.

The screenplay of It's a Wonderful Life originated with a Christmas card short story called "The Greatest Gift" by Philip Van Doren Stern. It revolves around the life of George Bailey, an ordinary man who falls in love, gets married, has a family, and unselfishly works hard to support his family and local community. Deep down George has the itch to escape the chains of the small town atmosphere of Bedford Falls and the family business. He longs to travel the world in search of adventure, and has visions of constructing grand buildings. His dreams however are anchored by reality: He feels morally bound to honor his commitments to his family and the family business "Bailey Building and Loan". The first three quarters of the movie slowly builds up atmosphere, as we come to understand George Bailey's character and outlook on life.

It is only towards the very end that the moment of crisis comes: On the eve of Christmas, precisely as a bank inspector is on the scene, a huge sum of money is lost by the bank, and George's entire business is threatened. At this point the lengthy build-up bears rich fruits: as viewers we are now in a position to understand the incredible and painful frustration George feels. We share the hurt and disillusionment of this broken man as he snaps at his family and loved ones, and tears well up as his uncomprehending children pray desperately for their father. It is the slow build up that enables us to share his and their emotions of grief, sorrow, pain and frustration.

When George is at the end of his road, he selfishly considers suicide. At this point heaven answers the prayers of his family by sending a guardian angel second class (AS2) named Clarence to help George renew his perspective on life. When George in his depressed state is convinced that the world would have been better off without him, the angel offers him "a chance to see what the world would be like without you." His magical heavenly touch transforms the world to the place it would have been without George Bailey's touch, so that George can discover that "each man's life touches so many other lives."

The religious aspect is not convincing: Bailey receives divine aid even though he professes himself not to be a religious man, whereas the Bible portrays heavenly help as a gift for believers. The notion of a guardian angel as presented in the movie is especially weak, particularly because of the way it often functions for comic relief in a rather trite and disrespectful manner. Spiritual matters hardly receive the serious treatment they deserve. In the end, religion (represented by the guardian angel) functions more as a backdrop and literary device to examine a serious perspective on life. It's a flimsy and unconvincing backdrop, but the matters that the guardian angel as a literary device serves to reflect on are serious indeed. By being given the opportunity to imagine he had not existed, George Bailey is confronted with the value of life, even a hard and difficult life, and learns that every person can make a difference. As George reflects on all his blessings, and the impact he has been able to have on people's lives, he comes to the conviction "I want to live again." Clarence reinforces George's desire to live: "You see, George, you really had a wonderful life. Don't you think it's a mistake to throw it away?" Life is valuable particularly when it is used in selflessness (represented by Bailey) and not in selfishness (represented by Potter). When serving others instead of mammon, life is tremendously valuable, even though it may be hard.

Though religion is outwardly present in the form of the guardian angel, this affirmation of the value of human life has been stripped of any religious notions. And yet this self-reflection is itself a very religious one. It is too bad that the movie succumbs to the need to have a feel-good ending where George overcomes his troubles, because it results in a overly sentimental feel-good Christmas without the Christ-child. In that sense the movie falls short by not being sufficiently religious. The reality is that the lives of most viewers do not receive the magical solution that George receives, and that their troubles are ongoing - and only the gospel gives life a wonderful significance in the midst of ongoing troubles. By providing an overly sweet ending, the theme of "do good to others" is unchained from the gospel, and an opportunity was lost to convey a message even more profound.

But even so, the message conveyed is still profound and enduring: Life is wonderful, particularly when it is lived in selflessness for others. We might not all touch as many lives as George does, but we can all have a tremendous impact in the lives of others. Unlike so many contemporary movies, It's a Wonderful Life does not promote materialism, greed or immorality, but shows the joys and rewards of a simple and self-less life with family and friends. The concept is brilliant, and we are left to reflect for ourselves what the lives of our family and friends would be like without our touch. Not only does this movie provide enduring and powerful themes affirming the value of marriage, family and self-less human life, but it does so with warm humor and touching romance. Most importantly there is powerful emotion and lasting quality that has the capacity to renew your perspective on your own life. What more could you ask for? Few movies are worth watching more than once, but this is certainly one of them! You only live once, but watching this movie once or more might just improve that life you only have the opportunity to live once.

WAKE UP! This is a lousy movie!
This movie never won any awards. It was so bad that the studio could hardly give it away when they first puit it on tape, then they let it be colorized just so they could sell SOME copies of it, and suddenly the big war cry from the Hollywood liberals was -- "OOH! Save a classic black and white film!" Baloney! No one liked this movie when it was made. No one liked it the 1950s. No one liked it in the 1960s. No one liked it in the 1970s. No one liked it in the 1980s, then SUDDENLY! -- it's an American classic. NOT! It's Communist propaganda about the "evils" of American free enterprise from a guy who made a lot of pinko films but never thought HE should have to live like this "common man" he kept making pictures about.

Contemplating worth in Bedford falls...
"It's A Wonderful Life" is not just a Christmas classic, it's a bonafide American masterpiece of good-old-fashioned storytelling. Yeah, it's always a treat to sit around with your family and catch it on the tube the night Santa comes to town, but it's also a great movie to watch when you're feeling a little down on yourself. When George hits rock bottom, it's a pretty depressing sight to behold (thanks largely to a brilliantly subtle, yet intense, performance by Jimmy Stewart). But by the end of the film, when he finally feels like he's on top of the world, you'll understand why this film is the ultimate cinematic tear-jerker; evidence can be found in those salty drips emitting from YOUR eyes.

Indeed, a classic film. And a masterpiece. I wish real life was like Bedford Falls. HIGHLY recommended.

The Greatest Film of All Time?
How do you describe Frank Capra's style? I once called it like Orson Welles, only happy. Visually, these two film-makers were both fond of high-contrast photography and capturing emotions in the characters of their movies. But whereas Welles seemed to focus on all the terrible things that human beings can become, Capra focused on life lessons and the good that lies inside of all people.

While Capra created many masterpieces, this is probably his greatest. It's easy to see why. Rather than focusing on just one aspect of life, this film (like Citizen Kane) captures a person's whole life, with all it's ups and downs. Basically the story is a simple tale of David and Goliath relationship between the small businessman and the evil monopoly, and the internal struggle in a man between what he wants to do, and what he feels that he has to do.

Perhaps there is a bit of George Bailey in all of us. He's a perfectly normal person with perfectly normal dreams. He wants to see the world, build things, become important. But over and over again, in order to help (and in some cases save) others he is forced repeatedly to give up his dreams in order to do what he knows is right. Along the way he builds relationships with all sorts of people in the town where he is forced to spend his entire life. But was what he gave up really an unfair trade? Or did he actually attain a treasure far greater than he could ever imagine?

The emotional climax of the film at it's end (where everything comes full circle and we finally understand how George Bailey got to the point he was at in the film's beginning) has got to be one of the greatest performances in any film ever, and Jimmy Stewart's moment of moments (perhaps only rivaled by his breakdown at the end of Mr. Smith Goes to Washington). I recall the first time I saw this movie, and the huge emotional reaction I had at seeing a man who has done nothing but sacrifice all his life kicked when he's down (if you remember what happens immediately after he prays for help you'll know what I mean).

Ultimately, this movie changed my life. It taught me about the importance of friends, self-sacrifice, and living your life doing what you know it right. But even more than that, this movie is an absolute tour-de-force, and stands out in my mind as one of the greatest films ever made. ... Read more

Reviews (223)

Black & White Isn't "Too" Bland, Non?....
In fact, the black & white setting suits "It's A Wonderful Life" as perfectly as technocolor would have for this Frank Sinatra-esque cult classic. James Stewart has this "Rocky & Bugsy"-era voice and a vigourous demeanor & Donna Reed is just brung in to play the hard-to-get young girl and the reserved wife. My focus refused to stay entact while watching this movie, but the ideas I did withdraw from this movie is that George Bailey (James Stewart) is caught in the tangled web of a financial scandal... and on the brink of suicide. That is... until a cliched assigned guardian angel appears out of the sky and falls in the waters of Bedford Falls... to save George (ironically). Before this happens, George is on a bridge contemplating (supposedly) suicide (due partially to a busted-lip from a brute in Martini's bar whose wife George insulted on the phone, heh heh), and when he sees Clarence (the "quote on quote"... angel), he jumps in after him and retrieves him. Henceforth, George rebuffs the idea of an angel and wishes he was never born, and granted... he was never born. And boy, does he take the in-your-face gruff reality of having no identity for a sham, but to his shagrin... it's as serious as a heart attack. George is a non-existent would-have-been making a futile attempt to spark some remembrance in his lost friends & family. Predictably, George repents and returns to existance... with a little (or lot of) monetary help from the whole town for his business trouble (whose lives apparently were impacted greatly by him somehow). Upon the saccharine conclusion (where George, his wife, & kid are basking in the solace of christmas communion), my eyes almost started to well-spring... I haven't the faintest idea why (I'm only 17). A nice retrospective on the golden age of Christmas classics. Somebody please make "It's A Wonderful Life 2000."

It's a Wonderful Message!
Your life doesn't seem so wonderful? Suffering from depression? Then here's a pill to swallow: watch Frank Capra's "It's a Wonderful Life". It's guaranteed to do you some good.

The screenplay of It's a Wonderful Life originated with a Christmas card short story called "The Greatest Gift" by Philip Van Doren Stern. It revolves around the life of George Bailey, an ordinary man who falls in love, gets married, has a family, and unselfishly works hard to support his family and local community. Deep down George has the itch to escape the chains of the small town atmosphere of Bedford Falls and the family business. He longs to travel the world in search of adventure, and has visions of constructing grand buildings. His dreams however are anchored by reality: He feels morally bound to honor his commitments to his family and the family business "Bailey Building and Loan". The first three quarters of the movie slowly builds up atmosphere, as we come to understand George Bailey's character and outlook on life.

It is only towards the very end that the moment of crisis comes: On the eve of Christmas, precisely as a bank inspector is on the scene, a huge sum of money is lost by the bank, and George's entire business is threatened. At this point the lengthy build-up bears rich fruits: as viewers we are now in a position to understand the incredible and painful frustration George feels. We share the hurt and disillusionment of this broken man as he snaps at his family and loved ones, and tears well up as his uncomprehending children pray desperately for their father. It is the slow build up that enables us to share his and their emotions of grief, sorrow, pain and frustration.

When George is at the end of his road, he selfishly considers suicide. At this point heaven answers the prayers of his family by sending a guardian angel second class (AS2) named Clarence to help George renew his perspective on life. When George in his depressed state is convinced that the world would have been better off without him, the angel offers him "a chance to see what the world would be like without you." His magical heavenly touch transforms the world to the place it would have been without George Bailey's touch, so that George can discover that "each man's life touches so many other lives."

The religious aspect is not convincing: Bailey receives divine aid even though he professes himself not to be a religious man, whereas the Bible portrays heavenly help as a gift for believers. The notion of a guardian angel as presented in the movie is especially weak, particularly because of the way it often functions for comic relief in a rather trite and disrespectful manner. Spiritual matters hardly receive the serious treatment they deserve. In the end, religion (represented by the guardian angel) functions more as a backdrop and literary device to examine a serious perspective on life. It's a flimsy and unconvincing backdrop, but the matters that the guardian angel as a literary device serves to reflect on are serious indeed. By being given the opportunity to imagine he had not existed, George Bailey is confronted with the value of life, even a hard and difficult life, and learns that every person can make a difference. As George reflects on all his blessings, and the impact he has been able to have on people's lives, he comes to the conviction "I want to live again." Clarence reinforces George's desire to live: "You see, George, you really had a wonderful life. Don't you think it's a mistake to throw it away?" Life is valuable particularly when it is used in selflessness (represented by Bailey) and not in selfishness (represented by Potter). When serving others instead of mammon, life is tremendously valuable, even though it may be hard.

Though religion is outwardly present in the form of the guardian angel, this affirmation of the value of human life has been stripped of any religious notions. And yet this self-reflection is itself a very religious one. It is too bad that the movie succumbs to the need to have a feel-good ending where George overcomes his troubles, because it results in a overly sentimental feel-good Christmas without the Christ-child. In that sense the movie falls short by not being sufficiently religious. The reality is that the lives of most viewers do not receive the magical solution that George receives, and that their troubles are ongoing - and only the gospel gives life a wonderful significance in the midst of ongoing troubles. By providing an overly sweet ending, the theme of "do good to others" is unchained from the gospel, and an opportunity was lost to convey a message even more profound.

But even so, the message conveyed is still profound and enduring: Life is wonderful, particularly when it is lived in selflessness for others. We might not all touch as many lives as George does, but we can all have a tremendous impact in the lives of others. Unlike so many contemporary movies, It's a Wonderful Life does not promote materialism, greed or immorality, but shows the joys and rewards of a simple and self-less life with family and friends. The concept is brilliant, and we are left to reflect for ourselves what the lives of our family and friends would be like without our touch. Not only does this movie provide enduring and powerful themes affirming the value of marriage, family and self-less human life, but it does so with warm humor and touching romance. Most importantly there is powerful emotion and lasting quality that has the capacity to renew your perspective on your own life. What more could you ask for? Few movies are worth watching more than once, but this is certainly one of them! You only live once, but watching this movie once or more might just improve that life you only have the opportunity to live once.

WAKE UP! This is a lousy movie!
This movie never won any awards. It was so bad that the studio could hardly give it away when they first puit it on tape, then they let it be colorized just so they could sell SOME copies of it, and suddenly the big war cry from the Hollywood liberals was -- "OOH! Save a classic black and white film!" Baloney! No one liked this movie when it was made. No one liked it the 1950s. No one liked it in the 1960s. No one liked it in the 1970s. No one liked it in the 1980s, then SUDDENLY! -- it's an American classic. NOT! It's Communist propaganda about the "evils" of American free enterprise from a guy who made a lot of pinko films but never thought HE should have to live like this "common man" he kept making pictures about.

Contemplating worth in Bedford falls...
"It's A Wonderful Life" is not just a Christmas classic, it's a bonafide American masterpiece of good-old-fashioned storytelling. Yeah, it's always a treat to sit around with your family and catch it on the tube the night Santa comes to town, but it's also a great movie to watch when you're feeling a little down on yourself. When George hits rock bottom, it's a pretty depressing sight to behold (thanks largely to a brilliantly subtle, yet intense, performance by Jimmy Stewart). But by the end of the film, when he finally feels like he's on top of the world, you'll understand why this film is the ultimate cinematic tear-jerker; evidence can be found in those salty drips emitting from YOUR eyes.

Indeed, a classic film. And a masterpiece. I wish real life was like Bedford Falls. HIGHLY recommended.

The Greatest Film of All Time?
How do you describe Frank Capra's style? I once called it like Orson Welles, only happy. Visually, these two film-makers were both fond of high-contrast photography and capturing emotions in the characters of their movies. But whereas Welles seemed to focus on all the terrible things that human beings can become, Capra focused on life lessons and the good that lies inside of all people.

While Capra created many masterpieces, this is probably his greatest. It's easy to see why. Rather than focusing on just one aspect of life, this film (like Citizen Kane) captures a person's whole life, with all it's ups and downs. Basically the story is a simple tale of David and Goliath relationship between the small businessman and the evil monopoly, and the internal struggle in a man between what he wants to do, and what he feels that he has to do.

Perhaps there is a bit of George Bailey in all of us. He's a perfectly normal person with perfectly normal dreams. He wants to see the world, build things, become important. But over and over again, in order to help (and in some cases save) others he is forced repeatedly to give up his dreams in order to do what he knows is right. Along the way he builds relationships with all sorts of people in the town where he is forced to spend his entire life. But was what he gave up really an unfair trade? Or did he actually attain a treasure far greater than he could ever imagine?

The emotional climax of the film at it's end (where everything comes full circle and we finally understand how George Bailey got to the point he was at in the film's beginning) has got to be one of the greatest performances in any film ever, and Jimmy Stewart's moment of moments (perhaps only rivaled by his breakdown at the end of Mr. Smith Goes to Washington). I recall the first time I saw this movie, and the huge emotional reaction I had at seeing a man who has done nothing but sacrifice all his life kicked when he's down (if you remember what happens immediately after he prays for help you'll know what I mean).

Ultimately, this movie changed my life. It taught me about the importance of friends, self-sacrifice, and living your life doing what you know it right. But even more than that, this movie is an absolute tour-de-force, and stands out in my mind as one of the greatest films ever made. ... Read more

Reviews (4)

What A Combination
This is one of my favorite Sinatra films. It has quite a cast of charater Sinatra,Robinson and Capra. This group have all made some very good movie's and they all have a distinct style with there film's. Put this combination toghter and they all play off each other well. Sinatra play's a dreamer and on the verge of losing everything except that he has a son that will stick by him no matter what. Robinson is the older brother who is very set in his ways. He visit his younger brother and there take on life are about as different as brother can be. I wish ther were some extra's; I feel this film has alway's been a little overlook when people talk about Sinatra film's. But for the price it is a nice feel good movie to add to the collection.

The Great Irony Of Hole In The Head
The irony that seems to be lost on everyone in this movie is Sinatra's grand get-rich-quick scheme. He's got this crazy idea about building a Disney Land in Florida. You remember the great scene at the dog track with Keenan Winn where he lays out the plan..."Sure, we pick up the land for a song and we're in business". Keep in mind this is 1959 and even Walt himself probably hadn't thought about picking up all that property dirt cheap and developing the world's largest theme park...Then again maybe Walt saw Hole In The Head.

AKA Frankie Screws Up Again........
Sinatra is such a dufus in this movie. He gives up the beautiful, kooky goddess Shirl (Carolyn Jones) just so he can play house with a red-head chick. Besides that disappointment, this is a wonderful film. Not to mention you get a fabulous performance of the song about the ant & the rubber tree that just sticks in your head.....years later. A definate must see for any Carolyn Jones fan. My favorite part is when she's out surfing and comes from the water all salty. Two thumbs up

A Hole in The Head (Frank Sinatra)
Send me an email if you need this movie. I have a couple ... Read more

Reviews (3)

Hemo, the Magnificent changed my life!
I became a science teacher because, at least in part, I saw Hemo, the Magnificent several times as a kid. The theme of the Bell Telephone Series, of which Hemo is my favorite, is "education through entertainment." I'd like to think that that has been one of my themes over the past 29 years of teaching junior high school students.

In fact, my students are finishing viewing Hemo today -- a testment to the relevance I still find in the movie, though I always offer the disclaimer that much has changed since 1958.

I love Hemo, the Magnificent, and you will too -- so will your whole family. Our Mr. Sun is also excellent -- you can't go wrong here.

Eighth-grade memories
I first saw Hemo the Magnificent in my eighth-grade science class. I have never been particularly interested in science, but this film made an indelible impression on me. I remember it vividly.

I wonder if my very favorite film of this type, The Restless Sea, is available in any format today. If my memory serves me correctly, Dr. Frank Baxter was also involved in this. What an engaging personality he was!

Incredible educational offerings from a different era...
This is a great disc. Here we have two of Frank Capra's Bell Science films, "Hemo the Magnificent" (1957) and "The Unchained Goddess" (1958).

"Hemo" is a fascinating look at the respiratory system, and "Goddess" is the story of weather. "Hemo" takes us inside the circulatory system, with some incredible photography of the capillaries in action. "Goddess" contains some of the best tornado footage ever, as well as explaining how scientists and meteorologists study weather.

Animation is courtesy of Shamus Culhane, who was the only animator to work on all of the first four animated feature-length Disney cartoons. He worked for various animation studios, and these two films were produced by his own.

The two humans in the cast are Dr. Frank Baxter (Mr. Scientist), and Richard Carlson (Mr. Fiction Writer). Carlson starred in "Creature From the Black Lagoon", "Valley of Gwangi", and "It Came From Outer Space". He was sort of a strange cross between William Holden and Hugh Marlowe, all three actors being similar in appearance and voice. He actually directed "Goddess" under the watchful eye of Capra.

Carlson plays a writer who has somehow created a special "Imagination Screen" (this is not explained in the two films), on which the cartoon characters appear and interact with the humans. The idea is that Mr. Scientist and Mr. Fiction Writer are rehearsing for a broadcast of some sort, and are sidetracked by the cartoons and their claims of superiority. As they disprove the boasts of the cartoons, the humans teach the audience about science.

Baxter (an English professor), brilliantly explains the mysteries of science in an accessible and friendly manner, while Carlson supplements Baxter's excited dissertations as a knowledgeable "everyman".

As for the balance of the cast, they go more or less uncredited. Sterling Holloway appears in "Hemo" as Jim, the film operator. Jim is mentioned again in "Goddess", but never actually appears in that installment.

Mel Blanc (Bugs Bunny, et al) goes uncredited in both films, with the bulk of his voice work in "Hemo". Also uncredited is June Foray, who voices a deer (Foray is forever famous as Rocky Squirrel). One of the actors who voiced Goofy is also apparently present as a turtle, but of that I cannot be certain (it is an extremely Goofy-like voice, right down to the "Gawshk!").

Marvin Miller is the voice of "Hemo", and should be familiar as a voice artist from that era. He also played Arjenian in "Red Planet Mars", among other things.

If you think the films are outdated simply because they were put together in the 1950's, think again. Here's a quote from "The Unchained Goddess":

"Even now, man may be unwittingly changing the world's climate through the waste products of his civilization. Due to our release through factories and automobiles every year of more than six billion tons of carbon dioxide (which helps air absorb heat from the sun), our atmosphere seems to be getting warmer!"

Remember, this was 1958. On the other hand, here's another quote from the same film, from Meteora the Goddess:

"Mr. Scientist, would you... (a woman could never ask this, but certainly a goddess can!)... would you marry me?"

The films, being from the 1950's, reflect the morals and beliefs of the era, so religion pops in from time to time. Remember, this was being broadcast to a national audience of the day, so it was calculated not to offend. Most present in "Hemo" (which should be no surprise considering the subject matter is life itself), there are a smattering of vaguely religious comments/images. However, when religion does appear, it's in a strange and even complimentary way to the science being presented. Mostly, religion takes the shape of Mr. Scientist saying that a given mystery is "a secret known only to the Almighty," or quotes from a few religious figures such as Saint Paul. The religious comments are never intrusive, and are so sparse as to be acceptable even to the hardest of present-day hearts.

"Hemo" is very informative, although the film of internal organs and the living heart should not be viewed while eating. Some of the mysteries that Baxter lists towards the end (things we "still do not understand" about Hemo), have actually been explained by science in the years following 1957. "Goddess" is perhaps the better of the two, with much of the information still being surprisingly relevant, although a lot of the work depicted is now done by computers and satellites.

No extras on the disc other than the shows themselves, which is a bit annoying when you consider just how little we know today about the cast and the motivation behind the series. Some production notes and biographies would not have gone amiss here

The series is brilliant, and even the outdated elements are entertaining. The films create a snapshot of state-of-the-art science, as it was in 1957-58. The disc (and it's companion, which contains "Our Mr. Sun" and "Mystery of the Cosmic Rays"), would be a most excellent gift for a friend who loves science, animation, 50's documentaries, etc.

Also a great gift for yourself. ... Read more

Reviews (11)

Light Comedy, One of My Favorites
Bette Davis plays Apple Annie, a bag lady who has, by correspondence, convinced her daughter that she is a wealthy socialite. Her daughter (Anne Margaret), who has grown up in Europe, is now on her way, with her fiancee (the son of a Spanish noble) and his family, for a visit, putting poor Apple Annie into crisis.

In steps Dave the Dude (Glen Ford), a small-time gangster wannabe with a big heart and a strong belief that Apple Annie's apples are his lucky charm and his ticket to the Big Time. Dave the Dude, his girlfriend (Hope Lange), and his henchmen (played by a cast of character actors half a mile long and featuring a young Peter Falk), step in to save the day, by transforming Apple Annie into Lady Manville. Unfortunately for Dave, the crux of Annie's transformation coincides with his making the Big Deal that will boost him into being a Big Time Gangster. He has to choose.

This is a somewhat over-acted but thoroughly charming movie that is loads of fun. I've never seen "Lady for a Day", which is this movie's predecessor and, according to many of my fellow reviewers, a superior movie. "Pocketful of Miracles" is such a favorite of mine that I'm not sure I want to risk seeing this supposedly better version of the story. Either way, "Pocketful of Miracles" will never be a disappointment to me and, I think, to many.

Charming, tender, funny, and very touching!
"Pocketful of Miracles" was Frank Capra's last motion picture he directed. For a last picture for him, I think it is quite a masterpiece. This is a remake of the 1933 movie "Lady For A Day" which Capra directed then. Bette Davis is wonderful as Apple Annie, a boozy street peddlar whose best customer is gangster leader Dave the Dude (Glenn Ford) who thinks her apples bring him luck. His flashy girlfriend Queenie Martin (Hope Lange) thinks otherwise, and the Dude can't keep her out of his hair. Peter Falk plays on his sidekicks named Joy Boy, and Mickey Shaugnessey (Elvis' costar in "Jailhouse Rock") plays the Dude's other sidekick and chauffeur Junior. They all help Apple Annie a.k.a. Mrs. E. Worthington Manville prepare for her daughter (Ann-Margret) to come from Spain to visit with a Spanish count (Arthur O'Connell) and his son (Peter Mann). They announce that she will marry the count's son, and will give a reception. The Dude, Queenie, Joy Boy, Junior, and Apple Annie's temporary "husband" Judge Blake painstakingly round up the gang members of the dude and Queenie's chorus girls to try to impersonate officials and attend the reception. Meanwhile, the police, the comissioner, the governor, and mayor are hot on the job to track down missing reporters kinapped by the Dude. (We all know even though their tied up, Dude's still kind-hearted underneath). They're in a jam, when Queenie's nightclub is surrounded by cops. Dude makes a deal with the comissioner. What ends up happening is, the governor and mayor get word and the people at the coincidental party for the mayor show up miraculously for Annie's reception. At the end, it shows, Louise (Ann-Margret), the count and son Carlos leaving to go back to Spain where the two will get married. This is a real fanciful scene there. It's a real great classic everyone will enjoy.

Enjoyable Film!
A fine film full of great performances and superb storytelling. Great for the collection! Grade: A+

GLOSSY BUT ENJOYABLE.
In 1961, Frank Capra decided to remake his 1933 film LADY FOR A DAY (based on Damon Runyon's MADAME LA GIMP); although it's enjoyable enough, it unfortunately pales when compared to the classic original version. Bette Davis was lured out of semi-retirement to play the gin-soaked apple peddlar, Annie, a destitute street person who learns that her Spanish convent-educated/raised daughter Louise (Ann-Margret) is planning to visit her. Annie's friends, Mobster Dave the Dude (Glenn Ford) and his blonde, brassy moll Queenie (Hope Lange) come to her rescue and transform the old girl into one Mrs. E. Worthington Manville, an elegant, wealthy dowager....Capra and Davis did NOT see eye to eye during the filming this rather dated (even in '61) and overblown fairy tale; it was Capra's swan song for the movies. Many critics felt that Davis's transformation from Apple Annie to the elegant Mrs. Manville wasn't convincing because it was done too quickly - I agree...Hope Lange does well as Queenie; her performance is sharp, honest and convincing as the moll with a heart of gold.

Dreams do come true.
A wonderful little Cinderella story. The cast works well together. Betty Davis is believeable as a Mother down on her luck. Frank Capra delivers another heartwarming tale. ... Read more

Reviews (3)

Hemo, the Magnificent changed my life!
I became a science teacher because, at least in part, I saw Hemo, the Magnificent several times as a kid. The theme of the Bell Telephone Series, of which Hemo is my favorite, is "education through entertainment." I'd like to think that that has been one of my themes over the past 29 years of teaching junior high school students.

In fact, my students are finishing viewing Hemo today -- a testment to the relevance I still find in the movie, though I always offer the disclaimer that much has changed since 1958.

I love Hemo, the Magnificent, and you will too -- so will your whole family. Our Mr. Sun is also excellent -- you can't go wrong here.

Eighth-grade memories
I first saw Hemo the Magnificent in m