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While most movie buffs are likely to call Halloween the best movie from John Carpenter, others--die-hard romantics and anyone who cried while watching E.T.--might vote in favor of the director's 1984 hit Starman. It's easily Carpenter's warmest and most beguiling film, and the only one that ever earned an Oscar nomination. That honor went specifically to Best Actor nominee Jeff Bridges for his performance as an alien visitor to Earth who is knocked off course and must take an interstate road trip to rendezvous with a mothership from his home planet. To complete this journey he assumes the physical form of the dead husband of a Wisconsin widow (Karen Allen) who responds first with fear, then sympathy, and finally love. Carpenter's graceful strategy is to switch the focus of this E.T.-like film from science fiction to a gentle road-movie love story, made believable by the memorable performances of Bridges and Allen. It's a bit heavy-handed with tenacious government agents who view the Starman as an alien threat (don't they always?), but Carpenter handles the action with intelligent flair, sensitivity, and lighthearted humor. If you're not choked up during the final scene, well, you just might not be human. --Jeff Shannon ... Read more

Reviews (55)

A WONDERFUL, MOVING FILM
Starman by John Carpenter is by all accounts one of the best science fiction movies I have ever seen. OK there may not be loads of special effects to dazzle you, but this is human life seen through the eyes of an alien, which turns most sci-fi movies on their head. The development of the love story between the two characters is charming and very touching, not to mention great performances by Jeff Bridges and Karen Allen (I've always liked both of them), but Jeff Bridges really does make you think he is an alien, by the way he talks, walks and acts generally.

The music is also very good, and really comes into it's own at the end of the film. It is very haunting and the whole mood of the movie reminds me of The Dead Zone, which is another favourite of mine. I love John Carpenter's other films, eg The Fog, The Thing and Halloween, but this is very different from them.

In summary, I always judge a film by how it makes you feel, and I always feel emtionally touched after this film, even though it is sad, it is uplifting.

John Carpenter's Best Film, Hands Down!!!!!!!!!
Those of you still thinking that Halloween is director John Carpenter's greatest achievement need to look elsewhere, namely right here with Starman. A Sci-Fi/Romantic drama released back in 1985 that is so captivating, so moving and endearing, that it leaves you breathless with deep emotion and thought. Can you not be touched by the scene involving a dead deer? I've seen this film so many times and it never loses it's luster. Jack Nitzsche's music is so haunting, so alluring, so powerful with a wonderful mystical sense of longing that it draws you even further into the picture. John Carpenter has never made another film like this. It's his masterpiece because it gives us so many layers that are not found in any of his other works. You will care about these people. You will truly want them to be together. It's all there. This movie has so much heart and compassion for life. If you are not touched then please open your heart a little more. A special note to Columbia Pictures: Please release a Special Edition of this film with an audio commentary by John Carpenter, Jeff Bridges and Karen Allen (all in the same room together if possible). Mr. Carpenter has done many Special Edition DVD's for his films. Starman must not be the exception.

A Bothered Fan of The Film.
Carpenter is a director with great highs and lows in his career. Who has managed to make special editions for just about everyone one of his movies except this one. Recently I just read Christine (The killer car Movie!) is getting special edition treatment as opposed to this great family film. Long time Jeff Bridges fan I realized that he gives an oscar nominated performance here, so I wonder whats the deal. Why no Starman Special Edition or even Superbit it. this film deserves better treatment.

Starman
A moving love story wrapped in an engaging science fiction yarn. This is so good. It even had me reaching for the kleenex once or twice (don't tell anybody.)

"Yelled 'Greetings', and melted his lugwrench?"
This is a funny sci-fi romantic comedy from director John Carpenter (more famous for his thriller-type movies, which I have not seen.) The movie made me laugh out loud a few times - no easy feat.

The opening sequence shows a Voyager probe going out to space, and then a spacecraft returning toward earth. NORAD tracks the incoming object which crashes off-course in Wisconsin. SETI sends a scientist to find the crashsite. The military is also after it, of course. The alien performs a "symbiotic transformation" into a dead man's body using DNA from in a hair sample found in a photo book. The starman kidnaps the widow, and they start a cross-country journey toward "Arizona maybe" where he must meet up with the mothership, or die. Along the way, there is some social commentary regarding our treatment of foreigners, and our society in general.

"Do you seriously expect me to tell the president...that an alien has landed...assumed the identity of a dead house painter from Madison, Wisconsin...and is presently out tooling around the countryside...in a hopped-up, orange-and-black, 1977 Mustang?"

Well acted by Karen Allen as the widow, Charles Martin Smith as the SETI scientist, Richard Jaeckel as the government man, and Jeff Bridges earned an Oscar nomination for his portrayal of the starman. The direction and photography was good, and I think the special effects are fine (especially for 1984), though some people think they look cheap.

The DVD has the usual set up features and a trailer. ... Read more

Description

Divimax is a High Definition (HD) film transfer process that provides state-of-the-art picture quality--and can be viewed on any home entertainment system. ... Read more

Reviews (633)

The Night He Came Home and Changed the Face Of Horror
In 1978, the world was introduced to a movie that has become a cornerstone in the horror genre. Independent filmmakers John Carpenter and Debra Hill, largely unknown at the time, shot a movie that would become one of the top money-making horror films of all time on a budget of just over $300,000.00. They hired a cast of unknowns, drawing on talent that would become some of the top names in Hollywood. They set out to make a simple film, about a group of teenagers being stalked by a serial killer, and what was born was a movie that has challenged all other films of its genre-Halloween.

Set in the small town of Haddenfield, Illinois, it is the story of Michael Myers, a boy who murders his sister on Halloween night in 1963. Incarserated within the confines of the mental institution Smiths Grove, he is treated by Dr. Loomis (played by Donald Pleasance) until he can stand trial as an adult for the criminal activities of that fateful night.

Fifteen years pass, and Myers is now grown. Loomis is assigned the duty of transporting Myers back to Haddenfield for his criminal hearing. On the eve of halloween, and badgered by a horrendous thunderstorm, Loomis travels the final distance to the gates of the institution with the aid of a nurse who has been assigned to him. Upon their arrival, they discover that the inmates have been set free to wonder about the confines of the sanitarium. Loomis, who has long since grown to believe that Michael Myers in the embodiment of pure evil, rushes to the gaurd post at the front gate. In his absence, Myers overtakes the nurse and steals the car.

Loomis cries out "He's gone..the evil has gone..."

And so begins Halloween.

The balance of the story takes place in Haddonfield, where a group of unsuspecting teens will have a fatal encounter with Michael Myers. Leading the cast is Jamie Lee Curtis, daughter of veteran actress Janet Leigh (of "Psycho" fame), who plays Laurie Strode, a high-school student who begins seeing "The Shape", a non-descript man dressed in a blue coverall, wearing a white mask. She sees him again and again, through the classroom window at school, in her backyard, behind bushes.

For the majority of horror fans who have seen this film, I need go no further. For those of you who haven't, I should go no further, for the film is definitely more than the narrative I began above. It is a story that touches on the psychological truths that our society seems to function on. Whats more, it is a film that touches at our primal fears.

Unlike so many films in this genre, Halloween is genuinely frightening, not because of its use of graphic gore, or visually stunning effects (there really aren't any in this film) but because it plays on the things that scare us most. Whats more, Carpenter uses carefully placed light and shadow to really enhance the experience of his film. His soundtrack also underscores the film as a whole, bringing it to a level and intensity that keep viewers on the edge of their seats.

Carpenter went on to film two additional films in the franchise, the much more commercial Halloween II and Halloween III:Season of the Witch (the third installment having nothing to do with the Myer storyline). The Halloween franchise itself has given birth to a total of seven sequels, including the largely popular Halloween H20, in which Jamie Lee Curtis reprised the role of Laurie Strode. Still, it is this original film, a small budget, independent movie that was shot in the early spring (yes, leaves were brought in and scattered about to simulate the fall season) that has become a staple that is synonymous with the holiday which the movie was named after.

If you have reservations about this film, set them aside and watch it...but watch it with the lights on, because Michael Myers might be there, in the shadows, waiting. Halloween-the Night He Came Home-is worth the time and money. It is the film that really re-defined the horror/slasher genre, and it is the one film that really rises above the rest, setting a standard that no film that followed has ever matched.

Brilliant piece of suspense
"Halloween" is by far the best horror film I have ever seen and is also my personal favorite. The story is so simple: 6 year-old Michael Myers stabs his sister to death on October 31, 1963 in Haddonfield. He is locked up but 15 years later, he escapes and returns to his hometown, where he sets his sights on Laurie Strode (Jamie Lee Curtis) and her friends, Annie (Nancy Loomis) and Lynda (P.J. Soles). His psychiatrist, Dr. Sam Loomis (Donald Pleasence), is hot on Myers' trail before he kills again. This movie is so scary and suspensful, easily the best of the bunch. For Jamie Lee Curtis' first movie, she did an excellent job of acting. Veteran actor Donald Pleasence is also terrific, he is performance is convincing, you actually KNOW that Michael Myers is pure evil when he talks about him. What adds to the suspense and horror of the film is that Michael is hardly seen, he is always in the shadows, waiting to kill. The music is also fantastic. The main piano theme is one of the most famous to ever grace the screen. All in all, this is a terrific film, watch this with the lights off and guarantee you'll be scared!

What Else Can I Say About A True Classic
Halloween was the very first horror movie I saw as a kid, at age 4.Ever since then, no Halloween or anytime of the year is complete for me without Dr.Loomis, Laurie Strode, Sheriff Brackett, and of course the man himself, Michael Myers. This movie epitomizes everything that Halloween is..the bogeyman laying in the dark shadow of the room , waiting for the perfect moment to strike..It's got everything..From the typical American small town, horror movies in the city just don't work..The great horror flicks of all time:Halloween, Friday the 13th, Nightmare on Elm Street, Texas Chainsaw Massacre, Amityville Horror, Last House on the Left, The Town That Dreaded Sundown, and Scream, they all took place in small towns or in the middles of nowhere..
Plus Halloween films for me have always somehow managed to get the intangible down:Atmosphere.They nail the Halloween , late fall atmsophere perfectly..I loved the whole bunch of them..I'm a sucker for horror though. I also love all the Friday the 13ths, Texas Chainsaws, Screams, and Nightmares.

The one that started it all!
Halloween is definitely the film that inspired the first wave of horror movies. It clearly inspired Friday The 13th and A Nightmare On Elm Street.

When Michael Myers brutally murdered his sister Judith he was sent to a children's hospital for a life sentence. But after serving 15 years he escaped and travelled to the small town of Haddonfield where he stalks 3 young women Laurie, Annie and Lynda. It also happens to be Halloween night when he comes out of the shadows and definitely gives them a scare to remember!

Everything about Halloween is 1st class entertainment! John Carpenter doesn't rely on lots of gore to make this movie a classic. He relies on suspense which works like a charm! The music score is also terrifying and the now famous Halloween tune will haunt me forever after watching this film!

It's really fun to see a young Jamie Lee Curtis running around scared because in this day and age you don't think of her being able to play the virginal heroine! Clearly it was down to her that the stereotype was even created in the first place!!!

With excellent supportive performances from Donald Pleasence, Nancy Loomis and PJ Soles this film will always live on!

Halloween
This is the best horror movie ever in my opinion because it was the first to ever really scare me. ... Read more

Description

In this unrelenting action masterpiece from director John Carpenter (Halloween, Escape from New York), a police station under siege from a vicious street gang becomes a cataclysmic battleground where only the strongest survive! Inspired by Howard Hawks' immortal western, Rio Bravo, this explosive gem from one of cinema's great frightmasters has been newly remastered with a host of high-powered extras! ... Read more

Reviews (51)

One of the Top Independent Films Ever
Being a fanatic of John Carpenter, specifically the Halloween series, hearing about this movie made me eager to check it out. I read the raving reviews here on Amazon dot com and decided to take a slight risk and purchase the DVD. Well, I sure was blown away. Movies now a days are never made like this, especially in the way that the characters act. The portrayol of the evil gang members is superb along with the portrayol of the "good guys" in the movie, one in particular being Austin Stoker who plays the main role. This movie is action packed and many parts will leave you shocked. The soundtrack is another great aspect of this film, and way ahead of it's time considering that this movie was made in the 70's. The special features include a very comical interview with Carpenter and Stoker done very recently where some lucky fans got to ask the pair questions regarding this movie along with asking about other John Carpenter classics. Assault on Precinct 13 proves that John Carpenter can make a masterpiece out of a budget no matter how high or low that it is. If you like any work that Carpenter has done then I highly reccomend this film. This is only the second movie he released, but it's deffinatley one of his best.

Lucky 13
Before he scared the heck out of us with the original Halloween, director John Carpenter tried his hand at the action genre, with Assault On Precinct 13. Like Halloween, this movie was made on a shooestring budget, but doesn't let that stop it from being darn good.

A vicious Los Angeles gang called Street Thunder takes over an all but abandoned police station. This, as a group of convicts are being transnsported, awaiting time on death row. Now, a handful of cops must join forces with these criminals, to survive the seige.

The action comes fast and furious. Carpenter makes the most of limited sets and really goes all out. The tension of the film is sustained throughout and played in favor of any real character development. Of course, the infamous, anti-establishment cynacism that Carpenter is known for is ever present. The movie is really like a modern day-in the 70's at least-western. Most of the characters are a tough hombre`s. Strong performances by Austin Stoker as Bishop, Darwin Joston as Wilson, Martin West as Lawson, Tony Burton as Wells, and Laurie Zimmer as Leigh, highlight the film. The climax rivals most gunplay scenes in any of the more recent actioners. Assault is dsated only by its wardrobe and hairstyles but holds up rather well--just the same.

The special edition DVD has a fair amount of bonus material. Most of which, will provide enjoyable insight, into how it all came together. Carpenter provides another straight forward audio commentary for the film. He is low key about it all--but quite candid. The "new" video Q&A with Carpenter and star Austin Stoker at the American Cinematheque is also well done. I wish there could have been a few more participants though. The music score, written by Carpenter is a real treat and it's cool to have it isolated. Both behind the scenes stills and lobby card galleries are here, as is the theatrical trailer, and a couple of radio spots. Not bad if you ask me...

Assault On Precinct 13 may not be my favorite Carpenter film. But it's still worth a look, especially for those keen on the action genre

Before you see the Remake make sure you see the original 1st
Yes it is being remade for release in 2005! But before you go out and see that you MUST see the original. Carpenter's 1st studio film!
Based on Howard Hawks Rio Bravo, it tells the story of a police precinct under siege, where Police and prisoners have to fight side by side in order to survive. Great acting by Austin Stoker and Darwin Joston. Excellent direction and music by John Carpenter. Not to be missed!

A cult action classic from John Carpenter!
A police station in L.A. called Precinct 13 has two police officers, two women and two convicts including a traumatized victim are being trapped by street gangs who are surrounding the place making it a living hell for them. They have to find a way to get out, defend themselves and make those devils go away.

An intense, exciting, gripping action drama classic from John Carpenter which happens to be his second movie after "Dark Star". This movie offers loads of action, brutal violence including a on screen child murder, gunfire, an interesting storyline and cool music by Carpenter.

This movie became a cult classic over the years yet still has a strong following including being one of the greatest action movies in movie history. The DVD here is a nice special edition with great transfer, and cool extras like Poster-and-still gallery, trailer, radio spots and interviews, if you love John Carpenter and action movies then add this to your collection.

There is going to be a big budget remake due out next year with Ethan Hawke, Ja Rule, Lawrence Fishburne, Brian Deheney and John Leguizomo.

Also recommended: Die Hard, Night of the Living Dead, Dawn of the Dead, From Dusk Till Dawn, The Rock, Con Air, Shaft, The Siege, The Peacemaker, Lethal Weapon, Scarface, Commmando, Passenger 57.

Killer movie, but even better, AWESOME music soundtrack
after everything's been said or written about this movie, that's the one part I felt I must highlight; the music for this movie was credited to Carpenter, and in the DVD format, it just rocks, just gives the speakers a serious workout. For a 1970s movie, or for any decade, for that matter, it's awesome. ... Read more

Reviews (121)

"Whoever has the gold, makes the rules"
So says one character in "They Live," a witty, incisive satire aimed at Reagan-era politics and delivered by an unlikely source: genre director John Carpenter, who takes the commentary and blends it seamlessly with elements of action and science fiction.

The story revolves around a drifter (ex-wrestler Roddy Piper) who stumbles upon X-ray specs that reveal the literal ugliness under the skin of upper-class Americans. As it turns out, everyone is 'selling out' in an effort to snuff out the lower class, until Piper and fellow struggler Keith David join up with a resistance movement to tear down the system.

"They Live" shows Carpenter in top form. He takes the material in many different directions, dabbling in action, sci-fi (the black-and-white POV shots are creepy and effective), and even physical comedy (the drawn-out streetfight in the middle of the film is a riot), all while keeping the underlying satire the main focus. If this film was misunderstood upon its initial release (which Carpenter says it was), now is the time to rediscover it, seeing as how the issues it addresses (television as a form of mind control, the increasing importance of wealth if you hope to survive in the world) have only snowballed into the 1990s and will no doubt continue well into the future.

Classic Cult..
They Live is a sci-fi movie about aliens trying to take over the world and colonizing it through the media. It starts slow but when Piper's character finds a pair of special sunglasses that allows him to see the reality of society, that's when the fun starts and never lets up. The story is excellent and the script reflects well with some of the best one-liners .."I have come here to chew bubblegum and kick ass, and I'm all out of bubblegum". The ending though is abrupt and makes little sense and the cast is more or less forgettable with the exception of Roddy Piper and Keith David who give great performances. They stage one of the longest, and best fight scene in movie history. Overall, an enjoyable 80's sci-fi flick that really gets you laughing. They Live is one of Carpenter's best films definitely a must see for everyone!

Strong philosophical and religious undertones
Made as the Reagan era came to a close, this film not only has strong political undertones, but religious and philosophical connotations as well. Carpenter emphasizes the B-film aspects of his movie - outrageous violence (and a well-known wrestler to play the main character), elaborate make-up effects, aliens, etc. as much as he can, so that the film's subversiveness is sufficiently hidden. Masquerading as a routine invasion story, it portrays a society whose members blindly accept all of the implicit materialist/capitalist messages thrown their way; the only resistance is offered by those who don't fit in that money-oriented mold - a blind preacher, the poor, some dissident intellectuals. Many religious and philosophical grids can be used to read this movie - Hinduism's doctrine of maya, Plato's cave, Gnosticism: an unlikely visionary (Piper) realizes that the 'real world' is in fact full of illusions; convincing others of his discovery proves to be difficult (witness the famously extended fight scene, at once hilarious and revealing), and a battle soon begins between two secret fraternities - one determined to maintain the illusions, the other eager to dispel them. This is one of Carpenter's best films.

The paranoid are always right!
Carpenter's classic 1988 film, THEY LIVE, can be seen as an(other) inspiration to Chris Carter's "The X Files" with its conspiracy of like-minded aliens and humans manipulating the masses of Earthlings. Roddy Piper, as an out-of-work working class hero, stumbles upon sunglasses which allow him to see the reality behind the facades, the messages beneath the billboards, the subliminal under the overt, and, more eerily, the strangely Dan Quayle looking creatures under the human masks. (Appropriate for 1988--after all, Quayle was vice president at the time.) Piper's efforts to alarm the general public and infiltrate this conspiracy make up most of the middle third of the film, and it ends, appropriately, with guns ablazing and things exploding.

Fortunately, this movie doesn't take itself too seriously, otherwise it might have been disastrous. (In mood and tone, THEY LIVE is first cousin to 1989's TREMORS.) A good dose of campy humor keeps THEY LIVE from becoming a diatribe on capital versus labor, rich versus poor, etc. Instead, THEY LIVE is a classic, sci-fi B movie whose heart is in the right place.

elite, parasitic sub-society exploits American workers
Elite, parasitic subsociety exploits American working class--reflects real American society?

This movie is not so much about aliens who are hiding among us, but instead it taps into the deeply submerged suspicions of most of us that we are being manipulated and taken advantage of by the elite of American society, by our leaders, by the rich, etc. Also, we sometimes feel that we are manipulated and programmed (in a subtle way) to respect hierarchical authority ( e.g., the "OBEY" subliminal command from the movie).

Some leftist thinkers might say that human societies are in a way being parasitized by the elite of their societies, and that the elite operate as a parasitic sub-society, living off of the lower classes. America might be said to be operated more in such a fashion (i.e., parasitized by the elite) than are the countries of western Europe. Obvious examples of this parasitic behavior are the "golden handshakes" and backscratching exchanged between corporate CEO's and the Boards of Directors of their companies. But it is far more pervasive than just that.

_They_Live_ uses the invisible alien elite as a proxy for our suspicions about how we are all being exploited by the elite of our real-life society, and how these elite are subtly programming us to accept this exploitation.

So, the major theme of the movie is not, as another poster correctly pointed out, about being manipulated to be good little consumers in a crassly commercial world. No, it is far more profound than that. Instead, it is more about how the working class Americans in _They Live_ are being exploited by the elite upper crust, who, in the movie, happen to be aliens. Also, this movie is not relevant ONLY to Reagan's time, or to Reaganomics, but it is more relavant today than it was when it was released.

Unfortunately, this movie only explores this exploitation theme in a somewhat superficial way, and the movie itself has an unintentionally comic air to it sometimes. Still, the exploration of that theme is so rare in pop culture, and that theme is so profound, and reaches so far into what American society is, was, and is becoming, that this movie is a Must-See for anyone with an interest in politics and sociology. ... Read more

Reviews (192)

Revenge from the grave drives fog shrouded tale.
"It is told by the fisherman, and their fathers and grandfathers, that when the fog returns to Antonio Bay, the men at the bottom of the sea will rise up and search for the campfire that led to their dark and icy death." So ends the campfire tale told by Mr. Machen (the wonderful John Houseman) that begins John Carpenter's The Fog. But this is no ordinary ghost yarn to entertain children, it is part history and part prophecy...for as the chruch bell tolls the midnight hour, and the town of Antonio Bay turns one hundred years old, a thick, glowing fog bank forms on the horizon and drifts towards land.

The Fog is one of my personal favorite Carpenter films. It's well written for its kind (low budget horror), well acted by its cast of seasoned character actors, beautifully photographed by Dean Cundy, and director John Carpenter creates more than a few effective set pieces while contributing what may be, in my opinion, one of his finest film scores.

One can certainly grumble that the movie is guilty of replicating the cheap scares and story arc of Halloween (anonymous figures lunging through doors, a town haunted by a traumatic event in its past that, on the anniversary of said event, is forced to relive it yet again), but it's a formula that works and The Fog (like Romero's zombie sequels) presents the material in a fresh and invigorating way. The only flaw I can find in the video is that it is pan and scanned, which spoils some of Carpenter/Cundy's beautiful images (as well as hampering Carpenter's trademarked 'they are sneaking up behind you' shots) the biggest letdown is the great shot of the fog swooping in on and engulfing Stevie Wayne's house. See this film letterboxed for its full effect. I have the laserdisc release, but where is that DVD edition MGM/UA has been promising? Required viewing for horror buffs.

Classic ghost story, not for the nervous
THE FOG (USA 1979): While celebrating its centenary birthday, a small Californian coastal town is visited by a ghostly fog containing an army of murderous spirits who take revenge for a terrible injustice.

Released on a wave of expectation following the worldwide success of John Carpenter's HALLOWEEN (1978), THE FOG surprised everyone by underperforming at the US box-office. Which is a shame, because it's arguably the better of the two films. Beautifully photographed in widescreen Panavision by Carpenter stalwart Dean Cundey (who went on to Hollywood glory with the likes of BACK TO THE FUTURE, JURASSIC PARK and APOLLO 13), this unassuming 'ghost story' opens on a lonely clifftop at midnight, where a crusty old sea dog (John Houseman) tells an audience of wide-eyed children how their home town was built on the foundations of tragedy. As with HALLOWEEN, the pace is slow but steady, and Carpenter judges the shocks and scares with consummate ease, and there's a relentless accumulation of details which belies the script's modest ambitions. Jamie Lee Curtis headlines the movie opposite her real life mother Janet Leigh, though Hal Holbrook takes the acting honors as a frightened priest who realizes the town was founded on deception and murder. As the fog rolls in, the narrative reaches an apocalyptic crescendo, as most of the major players find themselves besieged by zombie-like phantoms inside an antiquated church, in scenes reminiscent of NIGHT OF THE LIVING DEAD (1968). Scary stuff, to be sure, though Carpenter was forced to add new material during post-production in an effort to 'beef up' the movie's horror quotient, including a memorable late-night encounter between a fishing boat and the occupants of a ghostly schooner which looms out of the swirling fog (similar scenes would be added to HALLOWEEN II [1981] for the same reasons, though under less agreeable circumstances). Production values are rock solid, and Carpenter cranks up the tension throughout, resulting in a small masterpiece of American Gothic. Recommended, though nervous viewers are advised that this one is genuinely frightening in places.

MGM's region 1 DVD - which runs 89m 30s, minus the MGM logos at beginning and end which weren't part of the original film - letterboxes the Panavision frame at 2.35:1 (anamorphically enhanced). A full-screen version is also included on the disc, which utterly destroys the movie's beautiful compositions and should be avoided at all costs. Picture quality is grainy in places but OK overall, and there's a choice of soundtracks: The original 2.0 mono version (very good) or a revamped Dolby 5.1 version, which adds a little bass to the proceedings but nothing truly significant. English captions and subtitles are provided. Extras include the usual trailers and production notes, along with a couple of documentaries (one from 1980, the other recorded specifically for this DVD) and an audio commentary by Carpenter and co-writer/producer Debra Hill. There's also a series of outtakes, during which illustrious thesps Holbrook and Houseman can be heard swearing like troopers!

The Fog is a Good Film (Looks a bit dated)
This film is in the era of the late seventies/early eighties new wave style horror films:Halloween/Carrie/Creepshow etc.
At the time not one of the greatest but it seems to grow on you the more you watch it!!
The opening sequence with the Edgar Allen Poe quote,the electronic type of music typical of the era and the atmospheric camp fire with the children.It has a ghostly seafaring feel,which draws you in.

The actors typical John Carpenter (Jamie Leigh Curtis,Hal Halbrook etc.)Also Tom Atkins character who starts off very go lucky but ends up very sullen and serious!!

The end scenes are truly scary and very atmospheric.Worth a second glance.

The Fog..!! -Another; -Halloween..!! -A great ride..!!
This is even better then; -John Carpenter's. -Biggie.
Halloween. -This is a really frightening tale focusing
this time on a community resort town. -Which is haunted
by vengenfull spirit's of it's past..

This film was directed by; -John Carpenter. -Ho made
what this film inteded two be today.. -It is tilterd
and; -edgy style; -like; -Halloween.. -But in a different
style. -Different location.. -Their is no town of
Haddonfield.. -But in the way of a ghostly small
community.. -Much like an; -Amityville movie.. -Way..?

Their are a lot of elements that are in this low budget
that throw back too John's; -Halloween. -Flick..! -Which is
my all time favorite.. -A lot of critics hate this jargen.
Becuase it was not like; -"Halloween.." -Or; -The Assault on
Precint 13th.. -Which is not in my favor as a horror movie..?
The Fog is a fun ride.. -Yes; -the film is a little lame at
times.. -But also offers us some novelty of the town's past.
and ho the characters are in this town..

This is; -John Carpenter's; -real; -Halloween. -But any
way.. -Not in the spirit.. -Or in that style.. -This is
written by; -John Carpenter.. -Ho doe's a really good
job in directing a lowbudget kind of horror flick..

The Movie stars; -Jamie Lee Curtis.. -Once agian; -being
scared at a monster ho isn't afraid of stabbing..? -Ho
gets in his way..! -It all begins at the beginning when
children are at a campfire; -they sit around it..? -The
old fisher man. -Played by; -John Housemen.. -Bring's us a
local tale of the Elizabeth Dane.. -And her sailors that
died in the bottom of the ocean..?

Tomarrow is the 20th anniversary of those murder's..! -One
by one; -people across this land will be murdered..! -But
ho will stop the killers in time for the big celebration..?
Adrieanne Barbuel.. -Creepshow.. -1982.. -Swamp Thing..
Learns by that as a light house disk jockey..? -Ho is so
dumb in not paying attention two the slasher formula..

What I mean is; -"She shooed be running out the front
door.." -Not the back door.." -It is insulting.." -A
line from; -"Scream.." -1996.. -Neve Campbell.. -I
loved that line..! -It made me laugh.. -But I don't
admire it.. -But Jamie Lee Curtis.. -Is in love with
her friend. -Nick Castle.. -Played by; -Atkins.. -From
Halloween III: -Season of the Witch.. -1982..

Ho both act kind dumb threw out the movie..? -Those two
shooed of stay in characters..! -Instead they are soley

seperated.. -But they save some townie's at the end..?

Their are some moments in this film..! -I love the part
from the beginning when some sleepless drunks on some
bird watching ship.. -Get two stupid and drunk..! -The
dead sailors come and kill them..?

I even enjoyed the Lighthouse sequence where the actress
here's the voice of the dead sailors ho want's his stone back..?
which really creep me out..? -Threw the middle of the
movie.. -And the body in the morgue..! -Which is an old

trick too scare people..! -But that don't scare me any
more..

The Fog.. -1980.. -Fail's in many way's..! -It did not
tell what the real audience wants..? -As why the sailor's
vowl two plot revenge.. -Why they had two die becuase of
them.. -This is an; -o.k. -Halloween. -Type; -film..!

The cast looks good..! -The DVD Edition is top notch..!
and the flick even is not out dated..!

Very good try..!

A good old fashioned ghost story with an edge
Ok, for the hyped up Gen-Y and other young 'uns, "The Fog" might seem a little slow, with little gore and a bunch of no-name actors (except for Jamie Leigh Curtis, the original Scream Queen!). However, people who dismiss this horror movie really don't know what they are missing. John Carpentar was at his best setting up creepy, uncomfortable moods in his audience (see Halloween, The Thing) and he does a great job of creating a spooky ghost story. His use of John Houseman (who was in another movie aptly titled "Ghost Story") to introduce the background story of the movie was brilliant, as was the casting of mother and daughter Janet Leigh & Jamie Leigh Curtis (a first for these two actresses). Adrienne Barbeau is arguably the lead in this movie; she does a credible job of playing a mom who is terrified for her son and will fight anything that tries to hurt him even though she is alone in a lighthouse!!! My biggest complain about this movie is the music; John Carpentar likes to write his own movie scores and while he did create one of the most chilling, recognizable horror song in "Halloween", his tin-sounding, Casio-keyboard synthesized music for "The Fog" was annoying and at times overpowering. For the ultimate scare, this movie is best watched late at night, alone, on a foggy October evening. ... Read more

Amazon.com

The Dark Star's crew is on a 20-year mission to destroy unstable planets and make way for future colonization.The smart bombs they use to effect this zoom off cheerfully to do their duty.But unlike Star Trek, in which order prevails, the nerves of this crew are becoming increasingly frayed to the point of psychosis. Their captain has been killed by a radiation leak that also destroyed their toilet paper."Don't give me any of that 'Intelligent Life' stuff," says Commander Doolittle when presented with the possibility of alien life. "Find me something I can blow up."When an asteroid storm causes a malfunction, Bomb Number 20 (the most cheerful character in the film) has to be repeatedly talked out of exploding prematurely, each time becoming more and more peevish, until they have to teach him phenomenology to make him doubt his existence.And the film's apocalyptic ending, lifted almost wholly from Ray Bradbury's story "Kaleidoscope," has the remaining crew drifting away from each other in space, each to a suitably absurd end.Absurd, surreal, and very funny. John Carpenter once described Dark Star as "Waiting for Godot in space." Made at a cost of practically nothing, the film's effects arenevertheless impressive and, along with the number of ideas crammed into its 83 minutes, ought to shame makers of science fiction films costing hundreds of times more. The DVD contains both the original 68-minute release and the director's full version. --Jim Gay ... Read more

Reviews (68)

Early Brilliance
Much like George Lucas' THX-1138, Dark Star had its beginnings as a film school project which was later expanded into a full-length movie with the help of later investors. However, while Lucas became far less serious when he started working with big budgets, the opposite phenonmenon occured with Dark Star's creators Dan O'Bannon (later scripter of such hits as Alien and The Abyss) and John Carpenter (later director of such hits as The Thing and Halloween). In fact, Dark Star often seems to make fun of elements found in Carpenter and O'Bannon's later works, as if they knew what directions they would later be taking and decided to parody themselves before anyone else got the chance. For example, there's an alien that looks like a blown-up beachball bouncing around the ship and causing trouble, providing a very silly alternative to the insect in Alien. Of course, other classics are billiantly parodied in this movie as well, especially 2001 with its out of control, intelligent computer and in the scene of astronauts floating off into space.

Much like Monty Python, the humour works on many levels. In addition to slapstick, you get rather intelligent and philosophical humour. Not all of it works, but there are enough hits to make up for all the misses.

Given the original budget of the film, don't expect a visual spectacular. Comparing Dark Star to the creators' later works is like comparing Lord of the Rings to Peter Jackson's first film, Bad Taste. This first film has a sort of roughness and lack of polish to it which really emphasizes its moments of brilliance. Too bad the film isn't longer.

Cult classic, off the wall, Carpenter's finest
So, I thought I would show this movie to my fiancee and a friend of hers, both of whom I would definitely say are picky and typically like the empty flashy movies that draw in money, but have no substance. She was laughing very loudly by the end (and so was her friend, by the way).

John Carpenter may be known for his other really big hits (Halloween, In the Mouth of Madness [his best, in my opinion], or Vampires), but before fame arrived, he was a student. This was his film. Along with co-conspirator Dan O'Bannon, the two made this student film with zero budget (the chest plate on the star suit is a muffin pan), until it was viewed by a producer. $60,000 and a few extra scenes later, it was released and immediately picked up a cult following. I first saw it on PBS, back in the days when they showed such classic films.

Funny, irreverent, and strikingly enough, deep and meaningful. Don't look for famous actors here, go rent a Bond flick for that. Look for insight into the human spirit, the plight of the isolated, and one of the most humorous sci-fi movies ever made! I highly recommend it for fans of a good comedy or science fiction flick. You won't be disappointed!

Boredom Has never been so funny!!!
Made with their own money! John Carpenter and Dan O'Bannon made this quite bizarre tale of boredom in space. The crews mission is to blow up planets but other than that they have no life, they have been doing this for so many years they can't even remember their first names. Their captain is dead, well frozen!, They have a beach ball for a pet, and their ship is falling apart. One of the most interesting bits in the film is when they have to philosophise with a talking bomb to stop it from blowing up the ship. The score is excellent and the special effects....well they were made on the cheap. :)

Jack Harris wanted the original college film to be extended to 90 minutes, so that he could release it. So, John Carpenter and Dan O'Bannon completed the film but unfortunately their friendship did not survive the involvement of Jack Harris.

A gem in the rough is still a gem
What's also amazing is the sensitivity to characters and personalities in this movie. Each crew member is different, and has his own unique coping mechanisms (or none at all) for the sheer boredom of space.

The ongoing diary of Bill Froop is a hilarious peek into one character's personal journey and transformation. You'll find a much more intriguing storyline here than in any of the last few Star Trek movies combined - unless you're a baby boomer reminiscing about your Half Moon Bay hippy commune days, that is.

Make a big batch of popcorn and settle in for a lot of fun!

Only for John Carpenter fans
If you're a John Carpenter fan (Starman, Alien, etc.), you might be interested in seeing his early work, but if not, skip this DOG of a film. The one laugh I did get from the film was from the use of the muffin baking pan as part of the spacesuit design. It was so tacky that it was funny. ... Read more

Amazon.com

The mind-bending worlds of author H.P. Lovecraft have long interested horror directors, but the films have rarely successfully captured his nightmarish mix of madness and mythology. John Carpenter's In the Mouth of Madness is not directly based on Lovecraft's work, but screenwriter Michael De Luca draws his inspiration from Lovecraft's Cthulu mythology and then adds his own ingenious twists. John Trent (Sam Neill), an insurance investigator recently fitted for a straightjacket, tells his story to a psychiatrist. Hired to track down the missing pop-horror phenomena Sutter Cane, a Stephen King-like author whose fans are literally made for his books, Trent finds the supposedly fictional Hobb's End.He watches the town collapse into madness, murder, and monstrous transformations: the fantastic horrors of Cane's novels played out in front of his eyes. "Reality isn't what it used to be," deadpans one zombielike townsperson. In fact, it is how Cane writes it--but is he Devil, dark oracle, or simply a preacher in the service of an evil that grows stronger with every soul his books convert? The script never quite gets a grip on the blurry relationship between fact and fiction, but those details fade in the face of Carpenter's demented imagery, shiver-inducing twists, and dark wit. It's more eerie mind game than straight-out horror, a portrait of a world gone mad, and Carpenter relishes every hallucinatory moment.

The DVD features both widescreen and pan-and-scan editions of the film--like all of Carpenter's films, this is shot in CinemeScope, so widescreen is a must--and commentary by Carpenter and cinematographer Guy Kibee that fills every second of the audio track with observations, technical information, and production stories. --Sean Axmaker ... Read more

Reviews (102)

Among the top Horror Films of our Times
I've seen a lot of horror and sci-fi movies, and this is among the best. For anyone who likes to read, this movie is a must. It blurs the boundary between what's fact and what's fiction. Neill goes in search of the elusive horror writer Sutter Cane, and finds that perhaps he is more than a good horror writer. The movie is scary without all of the expensive special effects that other movies rely upon to scare the audience. The ending is classic. This movie may make you want to think twice about settling down with a good book...

Best horror film of the '90s
John Carpenter has been to hell and back and now he wants us to know what it is like! No other movie this decade can compare with the disturbing imagery of Madness. Sutter Cane is the top selling horror novelist in the world, but it appears that Cane's writings are having no shortage of ill effects on his readers. Cane is writing to bring about the end of the world and it looks like he just might succeed! Carpenter spares no expense in the dementia department and pulls no punches with the gore. Along with Event Horizon & Lord of Illusions this is a 90's classic!

This movie is so horrifying,it'll put you in an institution!
This movie is so scary you will have nightmares for years! Sam Neill is absolutely fantastic for the part! This is quite possibly his best movie!

Leaves something to be desired
If I was an avid fan of John Carpenter, perhaps I would have found the movie more appealing. After viewing it two times, I still find it lacking. First, Julie Carmen STINKS! She lends no support to Sam Neill... (can someone please tell me what he's doing in this movie?! He's so much better than this!) She's stiff and I found this distracting. The plot, although potentially good, failed to deliver. I saw the movie twice just to find any redeeming qualities. While there are some good parts to it, my overall review is that there are better movies to spend your time watching.

This is one great movie!!
This is the best movie John Carpenter did since Halloween. His creepy style of music and plot makes this a bone chilling movie. It is well thought out and definetly should not be a disappointment to anyone. If you like creepy movies and music, then this is a must have.

Movies that I would also recommend is:

(1) Event Horizon
(2) Scream 1 and 2
(3) From Dusk till Dawn
(4) Maximum Overdrive
... Read more

Reviews (326)

Who (or what) Goes There?
When John Carpenter decided to remake the 1951 classic Howard Hawks' The Thing from Another World, he went back to the original John W. Campbell Jr. short story Who Goes There instead of the first movie for inspiration. Hawks' version was a very fine depiction of an alien creature loose among an arctic group of scientists and military men, who must fight for their lives against the unknown horror from outer space. Despite their peril, they have only one "thing" to deal with, easily recognizable, and whose movements are easily tracked with a Geiger counter. Still, the battle is a desperate one, with several casualties.

Campbell's story was essentially asking the question: what is human, and how do you know? What is a test for humanity? His "thing" could assume a perfect human shape and move among others without detection. How could such a powerful being be discovered and destroyed? Carpenter's film asks the same questions, and how they are answered makes for a gripping suspense thriller, with state-of-the-art visual effects, an eerie music score, and a great ensemble cast.

The special effects were so shocking that most mainstream critics were put off by them and their reviews showed it. One in particular, Gary Franklin, said in his TV review that he was "disgusted and outraged" by the movie! Another TV critic, David Sheehan, was more moderate and even-handed, giving it a lukewarm acknowledgment for its suspense. Because of the poor reviews and the fact that it was competing with E.T., The Thing was a box-office failure.

But it's not a failure as a sci-fi/horror movie, despite some flaws in the story and the editing, and the unsatisfactory, unresolved ending. Why, for instance, is a scientific research group in Antarctica so well-armed? The Americans have revolvers, shotguns, switchblade knives, dynamite, and flame-throwers! The Norwegians have AK-47s, thermite bombs, and hand-grenades! All this hardware in a place where the predominant lifeform is penguins! What's the rationale for so much weaponry? (In the first movie the Air Force guys had side-arms, thermite, and a carbine, but they were military men.)

This DVD edition features a commentary by Carpenter and Kurt Russell, which sounds just like two good buddies sitting around with a six-pack of beer and discussing old times. It's very interesting and amusing. The disk is packed with plenty of interesting stuff and worth its price. I recommend it to all fans of the sci-fi/horror genre and all John Carpenter fans in particular. A class act--don't miss it!

An amazing DVD title
I still remember seeing John Carpenter's "The Thing" on the widescreen during it's theatrical run, and the memory of the audience's reaction to this film still makes me grin. People were shrieking and jumping; it was WONDERFUL. This film did not receive the recognition it deserves during its run, and I am one happy camper that Universal decided to give it the Collector's Edition treatment. If not THE best, it is certainly ONE of the best films by John Carpenter. The setting, mood, music and acting are great. Although the horrific elements are there in full force thanks to Bottin's excellent F/X work, it is the sense of psychological horror that makes this one work; that feeling of dread, isolation, being trapped in a situation from which there is no escape. HOO BOY. I still consider this one of my all time favorites. This DVD is beautiful. The picture and sound are top-notch and the DVD extras are a sterling example of what others should strive for. It will take you quite a while to dig through all the treasure contained on this disc, and it is well worth the effort. I cannot recommend this one highly enough, and if I could give it 10 stars, I wouldn't hesitate.

Classic horror from John Carpenter
The Thing is one of the great horror movies of the 1980's. Set in Antarctica in 1982, it circles around a group of researchers who uncover an alien buried under the ice that then proceeds to wreak havoc on the crew. Awsome effects by Rob Bottin (The Howling) and a terrific story make "The Thing" a rare horror treat. If you are still interested in learning more about it, read the book "Who Goes There?", which is the novella which they based the movie.

THE THING
Rated R: Strong violence and gore, and brief language.

Not Anything New
Same DVD As The Last One. Only A New "Welcomed" Transfer. So Hopefully It'll Look Nice And Crisp. But Still A Great Movie. Number One On My List Of Horror Movies.

perfection
My all time,number one favorite film,"The thing" is a hell of a ride. From the classic opening credits to the suprising ending "the thing" burns into the mind with its chilling mood @ atmosphere.It also has the best movie monster ever seen,no weak cgi,old fashioned blood @ tears created this horrific beast.It takes the the viewer from one tense situation to another,giving you the feeling it wont be a happy ending for the 12 men trapped in the middle of nowhere.If you couldnt tell I highly recommened "The thing". ... Read more

Reviews (203)

This movie rules!! Long live Jack Burton!!
John Carpenter once again teams up with Kurt Russell to direct this awesome action/kung-fu/comedy. This is not your typical John Carpenter (Halloween, The Thing, The Fog, etc.) flick, but I can't get enough, I've literally seen this over 100 times. Don't take this movie seriously, just sit back and enjoy the fun. Kurt Russell stars as Jack Burton a trucker who stops in Chinatown for a little wholesome gambling. After winning everything but the kitchen sink from his buddy Wang Chi, Jack Burton goes for a ride with Wang expecting to collect his winnings. They stop at the airport to pick up Wang's girlfriend with green eyes, Miao Yin. Miao Yin gets kidnapped by a group of kung-fu thugs, and Jack Burton is forced to go along with Wang Chi to try and save her. They end up in the middle of a gang war in Chinatown, meet the main villain "undead" Lo Pang and his three spirit warriors: Rain, Thunder, and Lightning. (they inspired Rayden, the Mortal Kombat video game character) After running over Lo Pan, leaving Jack's truck and escaping Lo Pan and his cronies, Jack teams up with Wang, green eyed reporter Gracie Law, (Kim Cattrell) and friends Eddy and Egg to save Miao Yin and Jack's truck. (the Porkchop express) Many wacky and supernatural things happen along the way, and the plot just gets crazier and funnier. Kurt Russell is the standout in this movie, he has some incredibly funny lines, but the other characters especially Lo Pan are funny as well. Highly recommended to any Kurt Russell, 80's comedy, or kung-fu fan with a sense of humor. Just remember have fun!

What more can I say but, DAMN!
Listen. Stop right now and definitely don't even think about buying this if cheesy acting, even cheesier visual effects and music as well as gaping plot holes greatly affect your movie-viewing experience.

Kurt Russell, with his loud mouth antics and John Wayne swagger plays Jack Burton, a California truck driver who, as it turns out, really doesn't know when to keep his mouth shut. It gets him into a whole mess of trouble (hence the title) in San Francisco when his little Chinese buddy Wang loses his girl to a bunch of thugs.

Wouldn't you know these thugs happen to be the minions of an ancient evil spirit, and when Wang and Jack, with a little help from some friends, try to take down this evil sorcerer with a little magic of their own, all hell breaks loose and the results are electrifying and hilarious.

Definitely for fans of the Troma genre, Big Trouble in Little China demonstrates that all you need is some kick-ass fight scenes, Kurt Russell with a knife, and Kim Cattrall in a wet shirt and you have what I am proud to say is my favorite movie to watch on "a dark and stormy night."

The Ox (the_ox@hungover.com)

Greatest movie ever made
This is the single greatest movie ever made. Kurt Russell is a demi-god. All of his movies kick ass and when he teams up with John Carpenter, it's twice the action. David Lo-Pan is the greatest villain of all time. See this movie now

Double-disc edition is the only way to go for "Little China"
This is one of those movies that just holds such a special place in my heart that I couldn't even try to play this review from an impartial standpoint. When I found out that they were putting out a double-disc special edition of it, I raced out and bought a DVD player. John Carpenter's modern-day Western with Russell as a big-mouthed hog trucker who gets caught up in San Fransico's Chinatown is just a tour de force of martial arts fantasy that never tries to take itself too seriously. Russell's Jack Burton is the hero who doesn't quite have what it takes to be a hero (ala Bruce Cambell's "Ash" from the Evil Dead movies) and he plays it perfectly. When his buddy's fiancee is kidnapped by Chinese mobsters and sacrificed to Little China's overlord, the evil David Lo Pan (a tremendously over-the-top James Hong), it's Jack to the rescue. If nothing else, "Little China" is a movie that knows how to have fun. It is an absolute blast from start to finish.

A Carpenter-Russell collaberation.
John Carpenter's "Big Trouble In Little China" is an odd ball film in the Carpenter collection. It is a comedy first of all. Kurt Russell plays Jack Burton, a truck driver who's ego far exceed his skills. He is always in way over his head as the very anti-Ramboish hero. The film involoves Burton and his Chinnese-American friend going into San Francisco's Chinatown underworld looking for two kidnapped women. Burton, as I said, is the bumbling hero, and Kurt Russell is great at it. The movie is funny from beginning to end. It is also very ahead of it's time as far as kung-fu and Eastern Mystisism in American culture (way before "Crouching Tiger, Hidden Dragon"). Kim Catrall also dose a pretty good job as the romantic interest with a suprise at the end. The commentary is very funny to litsen to as John Carpenter and Kurt Russell talk about everything from the movie in question, to the TV mini-series they did together in 1980, "Elvis", and some slightly less relevent trivia. Their converstaion is very easy to listen to. They are friends and you can tell they really like each other, and that explins why their frequent collaberations are pretty good, if not always successful. But this is one of Carpenter's more underrated movies, and that isn't fair. They did not set out to make a serious movie, just a goofy, fantasy kung-fu adventure, and they pulled it off well. ... Read more

Reviews (3)

ASSAULT AND BATTERY
John Carpenter's cult classic is a fine example of this director's genius, that has been evidenced only strongly in two later movies:HALLOWEEN and his remake of THE THING.In this tense and brutal film, a soon to be shutdown police station is attacked by a bunch of ruthless gang members.Carpenter takes his time (using his hypnotic musical score) to set up the confrontation, with teasing bits of impending doom, the most noteable being the scene with the little girl and the ice cream man.That scene alone will blow your socks off.The movie's "stars" were unknowns at the time, and this lack of familiarity helps make them more convincing.Austin Stoker as the besieged lieutenant and Darwin Joston as convicted killer Napoleon Wilson have a credible chemistry, and Carpenter regulars Nancy Loomis and Charles Cyphers round out the cast.The movie is like Halloween in its shadowy depiction of the gang members and the violence is almost Western-like in its relentless brutality.I haven't seen the recent remake, but they'd be hard pressed to capture the stark ruthlessness of this well done thriller.

A Carpenter classic, but buyer beware
Two years before John Carpenter made a name for himself with the original Halloween, he put together this low budget classic in which desperate cops and prisoners must band together to withstand a siege.The original Assault on Precinct 13 mixed elements of Rio Bravo and Night of the Living Dead as a rather large gang wages a street war on a soon to be closed police station.Weaving an engaging character study with some incredibly intense action sequences, Assault on Precinct 13 still manages to pull out all the shocks today that it did in 1976, including the infamous ice cream truck scene which helps set the stage for police station siege.Forget about the recent watered down Hollywood remake; the original Assault on Precinct 13 remains one of the best low budget action films ever made, and one of the best films to come from the mind of visionary John Carpenter.Buyer beware, do not mistake this version for the Special Edition version which happens to have the same cover artwork.This cheaply priced edition has no extras whatsoever, and can be found in bargain bins.

Low cost version of the original
If you want to refresh your memory before seing the new release, this is better than a rental.You can find this version in the bargain bin for about $5.

Originally filmed in 1976, this movie follows a fairly common theme of that era.Criminals on a rampage.

They mayhem starts with the assasination of a group of gang members by police.This is followed by the sensless killing of a young girl and her father's attempt to strike back at the gremlins.He stumbles into an abandoned police station that is occupied by a handfull of cops and some convicts on their way to Death Row.Everyone must join forces and defend themselves against the assault that follows.

Since 99% of the movie takes place after dark, it is very difficult to pick out details in the scenes.A noticeable error was the weapon used by one of the prisoners against the gang members.He is given a silenced handgun that he uses during the assault.Note to the technical staff...a suppressor (silencer) doesn't work on a revolver. ... Read more

Reviews (111)

"John Carpenter's Escape from New York"
Escape from New York (R) *****/5
Kurt Russell, Ernest Borgnine, Isaac Hayes, Harry Dean Stanton, Adrienne Barbeau.
Directed by: John Carpenter.
Synopsis: A former war hero turned criminal must save the president, and recover his briefcase to save his own life when he is dropped in the criminal penitentiary of N.Y. City.
Special Features: Trailer
Review: One of the greatest films ever made, and the greatest vision of the future ever. John Carpenter's widely acclaimed success of a film. It follows Kurt Russell as Snake Plissken who has two bombs planted in him. He is given a chance for his freedom if he can rescue the president and his briefcase from the clutches of The Duke in the prison city of N.Y. Plissken the former war hero turned criminal goes in, and he must survive the terror town, complete his mission, and get back before the bombs go off. Kurt Russell forever shed his Disney image for this film. He is on the ball, with the performance of a lifetime, and he creates one of the greatest characters in cinema history. Borgnine is lovable as the cabbie, Hayes is a fantastic bad guy, Stanton is cool as usual, and the supporting cast gives it their best effort. Carpenter shines with his tiny budget. He introduces us to a world where anything can happen, and he unveils his world to us in spectacular form. He even filmed it in Saint Louis and made me think it was New York. As for the DVD? ...

Snake Plissken Escapes from DVD Hell...
A few years ago, MGM released a bare-bones DVD of EFNY and were rightly criticized for not including anything in the way of supplemental material. A glaring omission for such a beloved movie. The studio has more than redeemed itself with this new two DVD Special Edition that should please the fans.

There are two audio commentaries on the first DVD. The first one is with producer Debra Hill and production designer Joe Alves and focuses on production anecdotes and how the special effects of the film were achieved.

The second audio track is with John Carpenter and Kurt Russell, and is the one fans will enjoy the most. The two men joke and banter with each other like old friends and it is this relaxed, conversational tone that really makes this track such an enjoyable listen.

There is an excellent documentary entitled, "Return to Escape From New York" located on the second DVD. A treat for fans is all the new cast and crew interviews conducted especially for this documentary: the always radiant Adrienne Barbeau, the normally publicity shy Harry Dean Stanton and even the Duke himself, Isaac Hayes! They all speak fondly of their experiences on the film.

There is also a so-so a photo montage of how an issue of the comic book is put together, from rough sketches to its arrival in stores. In a nice touch, the issue that is shown is also included with the DVD.

"Snake Bites" is a collection of clips from the film scored to some atmospheric electronic music. This really isn't all that interesting and seems like unnecessary padding to fill out the DVD.

The other extra that has been eagerly anticipated by fans is the famous original opening of the film. Snake and his partner rob a bank and are caught with Snake being arrested and his partner being gunned down. This scene sets up Snake's arrival at the New York prison but Carpenter cut it because test audiences were confused by it. This footage was thought to be lost long ago. It is finally being presented in its entirety on this DVD. The footage is quite grainy but watchable and features an optional audio commentary by Carpenter and Russell (who had never seen the footage before).

Rounding out the disc are a nice collection of TV spots, a theatrical trailer, and a photo gallery with lobby cards, behind-the-scenes and production stills.

Escape From New York is a fast-paced action film that contains a dark, satirical edge that never falters, even right up to the film's conclusion. The DVD, with its wonderfully themed menus (done in the same style as the film), stunning transfer and top notch extras, ranks right up there with the excellent Big Trouble in Little China (1986) special edition set that came out a few years ago. This new special edition was obviously made with the fans in mind and this only enhances its value.

"You mean I can't count on you?...Good!"
What can I say.

Strangely enough, despite the fact that I am a child of the 80s (I was 12 when this movie first came out), I never saw Escape from New York until 6 weeks ago.

Then I was hooked.

Most people know the story. In the "future," (1988, haha) the US crime rate rises 400%. To combat this crime wave, drastic measures are taken. The United States becomes a fascist-like police state, and in 1992 New York City becomes the country's one maximum-security prison to house the worst society has to offer. Sealed off from the outside world by a 50-foot containment wall on all sides, Manhattan Island becomes a modern (or postmodern) Botany Bay. All bridges, tunnels and waterways surrounding the island are mined, and the US Police Force constantly patrols by helicopter, to ensure that no prisoners escape. Criminals unlucky enough to receive a maximum-security sentence are given a choice: be executed or be airdropped into the New York for life to fend for themselves. As the chilling opening narration observes, "There are no guards, only prisoners and the worlds they have made. The rules are simple. Once you go in, you don't come out."

Into this black pit of despair comes one S.V. "Snake" Plissken, played by Kurt Russell. A war hero (he won 2 purple hearts, one in Leningrad and one in Siberia - remember, the Soviet Union still existed when this film was made), Snake for unspecified reasons has turned to a life of crime. And at the film's beginning, the Law has finally caught up with Snake, and he is being transported to New York to serve a life sentence for bank robbery when Fate steps in.

On the same evening that Snake is brought to Manhattan Island to begin serving his sentence, the President of the United States (played by Donald Pleasance) is on his way to a peace summit when his plane (Airforce One) is hijacked by a terrorist posing as a pilot, and is crashed into the prison. (In today's post-9/11 environment, the hijacking scene, at least to me, is particularly chilling and I have a hard time watching it).

Miraculously, the President exits the plane via his special "escape pod" and he survives the plane crash...only to be taken captive by the "Duke of New York," played with beautiful understated menace by Isaac Hayes.

Police Commissioner Bob Hauk (played by Lee Van Cleef), has an idea: send Snake Plissken, trained combat veteran and specialist at "getting in quiet," into the prison to find the President and rescue him. If he succeeds, Snake will be pardoned for every crime he's ever committed in the United States. And just to make sure that Snake fulfills his end of the bargain, Hauk has the prison's chief doctor implant 2 explosives in Snake's neck. If Snake does not return with the President in 22 hours, the explosives will go off, and, as Hauk wryly notes, "No more Snake Plissken."

So the die is cast. Snake goes in...but will he find the President alive? Even if he finds the President alive, will he get out in time to have the charges in his neck neutralized? Watch it and see.

This film is entertaining on many levels. It's an excellently crafted story, complete with social commentary and irony. It's a dystopic vision of what can happen when we trade too much of our liberty in exchange for what we think is security - definitely another resonant theme in our post-9/11 reality. We clamp down on individual rights/freedoms, supposedly in the name of protecting the collective - and leave society's undesirables to prey on each other in an asphalt jungle hell. But then what are we? According to this film, we're only slightly less inhuman than the criminals.

And the DVD contains various extras and bonuses which are sure to round out one's Escape from New York knowledge. This includes the documentary film "Return to Escape from New York," which details the making of the film. There are also commentary tracks by John Carpenter and Kurt Russell, as well as by producer Debra Hill.

Another real treat is the deleted bank robbery scene (the original first 10 minutes of the movie). This scene was cut from the final film because, in Carpenter's words on the commentary track, premiere audiences thought it diminished Snake's character by "humanizing" him too much. I actually found that humanization to be a good thing, and thought that the Bank Robbery sequence helped to set context for the story.

Along the lines of the deleted bank robbery sequence, another potential flaw of this movie, at least in my opinion, is that we never really know much about the characters or why they are the way they are. In other words, there's not much in the way of character development or backstory. For example, we know that Snake is sullen, embittered and in general concerned for nothing but his own self-preservation (though occasionally flashes of humanity do show and when it comes down to it, he does the right thing). But why?

I've read that Mike McQuay's novelization of the movie sketches out some history for Snake's character (and for the characters of Hauk, Brain, Maggie, Cabbie and the President as well). It would have been nice to see some of that in the film, with subplots, flashbacks, etc. It would've made the story richer.

But, regardless, what is there is great stuff. The cynicism and one-liners will bring a wry smile to your face, especially when they come from good old snarling Snake. Check it out.

Snake Plissken; Add Him To Your List of Movie Heroes
There's always something bizarre, in a very cool way, about watching a futuristic movie set in a year we've already passed. It's very eerie. Released in 1981, "Escape From New York" opens to explain that in 1988, Manhattan Island was transformed into a Maximum Security Prison, surrounded by a massive wall from every angle; guarded by police, with landmines at every exit route. The film is set in 1997, when terrorists bring down Air Force One, president and all, right into the heart of the forbidden island. Luckily, the president has survived thanks to his escape pod, and a rescue team is immediately dispatched in an effort to retrieve him and his special cargo. The president carries with him a cassette tape (very futuristic, eh?) of recorded information that could bring peace to the currently warring nations, but the time left with which to use it in is short. The rescue team finds the escape pod empty, and is soon approached by a loony prisoner with a grim message. The president has been taken captive by the A-Number One inmate of Manhattan Island, The Duke of New York. This is a job for... SNAKE PLISSKEN!

Yes, Snake Plissken: war hero; the youngest man ever to be decorated by the president; and recently, bank robber. Before being condemned to join the other inmates of Manhattan Island, Snake is made an offer. Go in, come back with the president and the tape before the clock runs out, and get a full pardon. But to sweeten the deal, another card is played. Snake is injected with two tiny capsules into his bloodstream. If he doesn't make it back in time to have the capsules neutralized, they will explode and rupture his arteries, killing him immediately. The only thing Snake really cares about anymore is himself, so now he has no choice. He must fly a glider into the heart of the city, locate the president and his tape, and together, they must escape from New York!

John Carpenter creates another masterpiece with "Escape From New York." The city is turned into a truly intimidating, downright frightening environment, with every kind of crazy one could think of. Kurt Russel as Snake Plissken, creates one more of those wonderful iconic anti-heroes the likes of Bruce Campbell's Ash and Rowdy Roddy Piper's Nada; self-serving, gruff, and full of great one-liners, but always doing the right thing when it comes down to it. The always fun Ernest Borgnine is great as Cabbie, Harry Dean Stanton is perfect as Brain, and Donald Pleasance and Isaac Hayes are also well cast, as was the entire film. Carpenter's usually haunting music runs throughout, and the adventure and action is non-stop. A must have for all fans of the sci-fi anti-hero genre and apocalyptic future films. Sorry I can't comment on the Special Edition DVD, but I currently only have the bare bones edition. It sounds great though, and I definitely want to get it. Mine does include the theatrical trailer though, and it's very cool. Love those creepy theatrical trailers for sci-fi films of the late 70s and early 80s. "Escape From New York" was followed by a sequel in 1996, "Escape From L.A." Some (maybe most) may find the sequel overly campy, with too many special effects and too much comedy. I have to confess that I slightly prefer L.A., probably for those very reasons. I'm not huge on camp, but it seemed to work well with the material. The plot was fairly similar though, and both movies have GREAT twist endings.

One of the most important films in my life
Carpenter's 2nd best. The fact that I'm a loser who does nothing but sit in a room all day and watch movies all day and has no friends and dreams of making movies of his own some day. This is the 2nd most inspiring movie in my life No.1 is Halloween. No 3. is Ghostbusters No 4. is The Thing. and No. 5 is Big Trouble In Little China. I'm not really sure what to say because words can't explain how much I love this movie but I wiil say this Incredible movie very ahead of it's time amazing story, amazing cast including western legends Lee Van Cleef and Ernest Borgnine and my favorite actor of all time Donald Pleasence, Amazing photography by Dean Cundey who I think is the best of all time, the best character of all time (besides Michael Myers) Snake Plissken, best Director of all time and I really really mean that, very funny ending just amazing and believe me I really really mean that too. I will Never forget it. Well I'm gonna go watch some more movies I'm thinking about watching Prince Of Darkness or maybe Halloween 4 The Return of Michael Myers well so long. ... Read more

Reviews (203)

This movie rules!! Long live Jack Burton!!
John Carpenter once again teams up with Kurt Russell to direct this awesome action/kung-fu/comedy. This is not your typical John Carpenter (Halloween, The Thing, The Fog, etc.) flick, but I can't get enough, I've literally seen this over 100 times. Don't take this movie seriously, just sit back and enjoy the fun. Kurt Russell stars as Jack Burton a trucker who stops in Chinatown for a little wholesome gambling. After winning everything but the kitchen sink from his buddy Wang Chi, Jack Burton goes for a ride with Wang expecting to collect his winnings. They stop at the airport to pick up Wang's girlfriend with green eyes, Miao Yin. Miao Yin gets kidnapped by a group of kung-fu thugs, and Jack Burton is forced to go along with Wang Chi to try and save her. They end up in the middle of a gang war in Chinatown, meet the main villain "undead" Lo Pang and his three spirit warriors: Rain, Thunder, and Lightning. (they inspired Rayden, the Mortal Kombat video game character) After running over Lo Pan, leaving Jack's truck and escaping Lo Pan and his cronies, Jack teams up with Wang, green eyed reporter Gracie Law, (Kim Cattrell) and friends Eddy and Egg to save Miao Yin and Jack's truck. (the Porkchop express) Many wacky and supernatural things happen along the way, and the plot just gets crazier and funnier. Kurt Russell is the standout in this movie, he has some incredibly funny lines, but the other characters especially Lo Pan are funny as well. Highly recommended to any Kurt Russell, 80's comedy, or kung-fu fan with a sense of humor. Just remember have fun!

What more can I say but, DAMN!
Listen. Stop right now and definitely don't even think about buying this if cheesy acting, even cheesier visual effects and music as well as gaping plot holes greatly affect your movie-viewing experience.

Kurt Russell, with his loud mouth antics and John Wayne swagger plays Jack Burton, a California truck driver who, as it turns out, really doesn't know when to keep his mouth shut. It gets him into a whole mess of trouble (hence the title) in San Francisco when his little Chinese buddy Wang loses his girl to a bunch of thugs.

Wouldn't you know these thugs happen to be the minions of an ancient evil spirit, and when Wang and Jack, with a little help from some friends, tr