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| 1. Harry Potter and the Sorcerer's Stone (Widescreen Edition) Director: Chris Columbus | |
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Reviews (1789)
While I haven't read J.K. Rowling's books, it must have been chock full of detail I don't know of the movie:book accuracy ratio, but for director Chris Columbus to fit it in two and-a-half hours, it must have been a book spectacularis. Witches and wizards were persecuted throughout the ages, regarded as threats more than freaks as Harry's aunt did her sister, and more often than not, burned at the stake. With Harry Potter and the Sorcerer's Stone, the song remains the same, only this time, his uncle, aunt, and obnoxious cousin treat him contemptuously, as if he's an unwanted burden. Who knows how his life would have been without the flurry of invitations to Hogwarts School courtesy of one-day owl delivery? Fortunately, giant Rubeas Hagrid comes crashing to the rescue. The real adventure begins from there. Daniel Radcliffe gives a performance competentus and credibilis as the totally likeable title character. Of the troika of main characters, he's the most human. However, Emma Watson as the resourceful and well-read Hermione Granger steals the show wands aloft. Despite being snooty and knowing who she is, she proves herself to be a cut above others in classes (see her frantically waving on Professor Snape to call on her, and her proficient wand handling). She does have feelings, though, as she angrily stomps past through Weasley, who fed up with her conceit, was verbally cutting her down a peg to Harry, finishing with "No wonder she doesn't have any friends." If Hermione's character leads more children to flip pages instead of flipping bad guys on their PS2's or X-Box's, so much the better. Rupert Grint, as Ron Weasley, makes a good foil for both his counterparts, being a fellow explorer and Christmas holiday companion with Harry or someone for Hermione to impart knowledge. The other performer to whom this show belongs to is veteran actor Robbie Coltrane as the friendly giant gameskeeper Rubeas Hagrid. After Krull, Nuns On The Run, two James Bond movies, and From Hell among others, he has finally become a recognizable face on American shores. American audiences should have warmed up to this talented performer earlier, and that's something I should've said. As for other veteran actors, Richard Harris, Maggie Smith, and Zoe Wanamaker do wonders as the professors of Hogwarts, but Alan Rickman turns in a solid performance as the sinister Professor Snape, who doesn't seem to like Harry all that much. People, (or should that be muggles?) this is one movie specialus. The special effects, while spectacular, do not detract from the character development or dialogue, like certain films I'm not going to name. They merely support the magic whether it's the entrance to the square or the action scenes, such as the Quidditch match. Well, review terminatus, and see you at the theatres for the Chamber of Secrets
Richard Harris, Maggie Smith, Robbie Coltrane and Alan Rickman help to back up the principal child stars and give this film some real presence. Daniel Radcliffe is rather flat as Harry Potter and Emma Watson, as the precocious Hermione Granger, is excessively theatrical and both are shaded by Rupert Grint who is excellent in the role of their cynical friend, Ron Weazley. No doubt all the child actors will improve with time, given that they stay with the series. At the moment they are still finding their feet. There are plenty of special effects to amaze and amuse and I can't imagine how such a film could have been made without them. The cinematography by John Seale, ACS, is excellent and the whole film has a very pleasing look. The two-disc DVD set has many extras, some of which seem to require an intimate knowledge of magic to access. On the whole, I thoroughly enjoyed this film and I wait with baited breath for the sequels. It is not a five star film; I did not expect it to be, but it certainly rates considerable merit. I have yet to figure out why WB chose to release it as anything other than "Harry Potter and the Philosopher's Stone", since that is both the title of the original book and the title of the film in any other market than the US. Apart from a few little blemishes, an excellent movie. Kids will give it five stars; parents will enjoy it, too. Thoroughly recommended.
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| 2. Harry Potter and the Chamber of Secrets (Widescreen Edition) Director: Chris Columbus | |
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Description Reviews (649)
The second entry adapted from J.K Rowling's legacy has neither the epic sweep of the fourth book (The Goblet of fire) nor the mystery of the third (The Prisoner of Azkaban) but is nonetheless an engaging adventure and a riveting story. What's more with director Chris Colombus at the helm who shows more precision and familiarity after his first attempt, Harry Potter and the Chamber of secrets is a majestic adventure filled with visionary sets and fluid CGI effects that astonishingly enhance the darker fantasy tale and adventure. The soaring adventure thrills with its enshrouding perils, awesome moments of wonder and enlightening morality and friendship. It thus resembles more of an awkward adolescence stage in this saga for the three main casts. Daniel Radcliffe, Emma Watson and Rupert Grinch as Harry, Hermoine and Ron reprises their role with the loss of their innocence along with veterans Maggie Smith as Professor McGonagall, the late Richard Harris as the benevolent headmaster Dumbledore, Robbie Coltrane as giant Hagrid and Alan Rickman as Professor Snape. The new interlopers are equally scene-grabbing in their own rights: Kenneth Branagh does a rib-tickling interpretation of braggadocio Gilderoy Lockheart as well as Jason Issacs as the wicked Lucius Malfoy. With a solidly ensembled cast and sumptuous sets, the second installment is fascinatingly entertaining as it is enchanting enough to sustain its 3 long hours without any misgivings.
I'm sure the naysayers had a wonderful time bashing this sequel for its evil undertones. Students get "petrified" and the basilisk takes shots at Harry, but all in all, Harry prevails. He makes the right choices, does the good deeds and fights a good fight. How dare he promote such horrible values! Please folks, I used up a lot of space harping on how kids need to have fun in my review of the first film. The same applies to this movie as well. Don't worry about your kid becoming a warlock or praying to Satan, just let them have a little fun. If you raise them right, you won't have to worry about any of that anyway. The "Potter" books encourage kids to read and use their imagination. That's a good thing in my book. The movies encourage kids to use their imaginations as well. You've just got to love something that promotes so many good things. We need more heroes like Harry. He's a good character to let your kids read about and watch on the big screen. He's caring to others, takes his studies reasonably serious(you might want to promote Hermione's study habits to your kids, though) and he always tries to do the right thing. Overall this movie is fun and enjoyable for the whole family. Some of the scenes might scare the little ones, but this movie is worth explaining those scenes in order to get the message across. Watch this one and have a ton of fun. It's great for everybody. Highly recommended. ... Read more | |
| 3. Adventures in Babysitting Director: Chris Columbus | |
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Amazon.com Reviews (72)
Adventures in Babysitting is THE fun movie of the 80s. Well, THE fun movie that doesn't contain little monsters, goonies, or Tom Hanks. As we follow the quartet through Chicago, we are introduced to hilarious scenes and crazy antics as they get themselves in the middle of a car heist, a cheating wife and her enraged husband, and many more. I must say that one of the biggest highlights of the film is the Blues Bar scene where Elisabeth Shue and the kids absolutely have to sing before leaving the bar. It's great. The films is full of great characters. Elisabeth Shue is vibrant as Chris Parker, the babysitter gal. Her interaction with the kids was great, and she handled her leading status with ease. Maia Brewton is little Sarah who offers a lot of the laughs in the movie. She was awesome - I wonder where she is now? Keith Coogan and Anthony Rapp (Rent! Mark in Rent! I love Rent!) are Brad and Daryl, and both stay true to their roles and make them entertaining. But did anyone else want to occasionally strangle Anthony Rapp for that laugh?! We also see the likes of a young Penelope Anne Miller and Vincent D'Onofrio in cameo roles. Although Miller's role is a bit bigger, and very hilarious. Although the DVD release is bare, without even a nice trailer to suit a fan, we do get a nicely widescreen anamorphic presentation with nice picture (Although there are signs of an aged film) and good audio.
What follows are a series of madcap adventures that take these suburban kids into the heart of the city. After their car's tire goes flat, the Chris and the kids must find a way to find their way back home and go help her friend at the same time. However, when they run into a car-theft ring headquarters, their night won't be the same again. Featuring a wonderful cast including many actors unknown back then (Penelope Ann Miller as Chris' friend; Vincent D'Onofrio as the mechanic, etc.), "Adventures in Babysitting," marks the directorial debut for director Chris Columbus ("Home Alone"; "Stepmom"; the upcoming "Harry Potter" film adaption) who does an excellent job of making this film work. His ability to stretch character limits works well here, as he is able to place the kids in nearly impossible scenarios. The most memorable scene in this film that captures Columbus' imaginative directing features Sarah scrawling the windows of the towering building in downtown Chicago where her father works at night. As she scrawls the windows in fleeing from a member of a car-theft ringleader, she sees her parents at their party from the outside. Who could have thought of such a funny way of seeing your parents at the wrong place and wrong time? Similar to other amazing average-day adventure films such as "Ferris Bueller's Day Off," and the "Goonies," - "Adventures in Babysitting," is still as entertaining today as it was over a decade ago. Truly this is one of the late 1980's hidden comedic gems.
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| 4. Harry Potter and the Sorcerer's Stone (Full Screen Edition) Director: Chris Columbus | |
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Reviews (1789)
While I haven't read J.K. Rowling's books, it must have been chock full of detail I don't know of the movie:book accuracy ratio, but for director Chris Columbus to fit it in two and-a-half hours, it must have been a book spectacularis. Witches and wizards were persecuted throughout the ages, regarded as threats more than freaks as Harry's aunt did her sister, and more often than not, burned at the stake. With Harry Potter and the Sorcerer's Stone, the song remains the same, only this time, his uncle, aunt, and obnoxious cousin treat him contemptuously, as if he's an unwanted burden. Who knows how his life would have been without the flurry of invitations to Hogwarts School courtesy of one-day owl delivery? Fortunately, giant Rubeas Hagrid comes crashing to the rescue. The real adventure begins from there. Daniel Radcliffe gives a performance competentus and credibilis as the totally likeable title character. Of the troika of main characters, he's the most human. However, Emma Watson as the resourceful and well-read Hermione Granger steals the show wands aloft. Despite being snooty and knowing who she is, she proves herself to be a cut above others in classes (see her frantically waving on Professor Snape to call on her, and her proficient wand handling). She does have feelings, though, as she angrily stomps past through Weasley, who fed up with her conceit, was verbally cutting her down a peg to Harry, finishing with "No wonder she doesn't have any friends." If Hermione's character leads more children to flip pages instead of flipping bad guys on their PS2's or X-Box's, so much the better. Rupert Grint, as Ron Weasley, makes a good foil for both his counterparts, being a fellow explorer and Christmas holiday companion with Harry or someone for Hermione to impart knowledge. The other performer to whom this show belongs to is veteran actor Robbie Coltrane as the friendly giant gameskeeper Rubeas Hagrid. After Krull, Nuns On The Run, two James Bond movies, and From Hell among others, he has finally become a recognizable face on American shores. American audiences should have warmed up to this talented performer earlier, and that's something I should've said. As for other veteran actors, Richard Harris, Maggie Smith, and Zoe Wanamaker do wonders as the professors of Hogwarts, but Alan Rickman turns in a solid performance as the sinister Professor Snape, who doesn't seem to like Harry all that much. People, (or should that be muggles?) this is one movie specialus. The special effects, while spectacular, do not detract from the character development or dialogue, like certain films I'm not going to name. They merely support the magic whether it's the entrance to the square or the action scenes, such as the Quidditch match. Well, review terminatus, and see you at the theatres for the Chamber of Secrets
Richard Harris, Maggie Smith, Robbie Coltrane and Alan Rickman help to back up the principal child stars and give this film some real presence. Daniel Radcliffe is rather flat as Harry Potter and Emma Watson, as the precocious Hermione Granger, is excessively theatrical and both are shaded by Rupert Grint who is excellent in the role of their cynical friend, Ron Weazley. No doubt all the child actors will improve with time, given that they stay with the series. At the moment they are still finding their feet. There are plenty of special effects to amaze and amuse and I can't imagine how such a film could have been made without them. The cinematography by John Seale, ACS, is excellent and the whole film has a very pleasing look. The two-disc DVD set has many extras, some of which seem to require an intimate knowledge of magic to access. On the whole, I thoroughly enjoyed this film and I wait with baited breath for the sequels. It is not a five star film; I did not expect it to be, but it certainly rates considerable merit. I have yet to figure out why WB chose to release it as anything other than "Harry Potter and the Philosopher's Stone", since that is both the title of the original book and the title of the film in any other market than the US. Apart from a few little blemishes, an excellent movie. Kids will give it five stars; parents will enjoy it, too. Thoroughly recommended.
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| 5. Home Alone Director: Chris Columbus | |
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Reviews (111)
The movie starts out in Chicago, IL at the McCillister house. Here we meet Kevin's family that is running all over the house preparing for their Christmas trip to Paris. Also in the house scoping out the place is Harry (Joe Pesci), a crook posed a cop that is planning on robbing the house after they leave. Now here is where the problems start. When the whole family is eating pizza for dinner, Kevin (Culkin) is looking around for his plain cheese pizza because that's all he eats. So his older brother Buzz (Devin Ratray) eats it on purpose. Then Kevin attacks him and the place becomes a mess and soda is spilled and the passports are soaked, etc. Kevin's mother Kate (Caterine O'Hara) sends him to his room. In Kevin's state of anger he says to his mother that he doesn't want to see his family again. Now while in bed Kevin says, "I wish they would all dissapear." During the night the power goes out and the alarm clocks goes out. The next moring they are rushing left and right to get to the airport. Here's the problem: THEY FORGOT KEVIN! Now kevin wakes up an sees nobody is home. He actually thinks that his wish came true. Now at first Kevin loves this. He jumps on the bed, shoots his brother Buzz's BB gun, takes his brother's life savings, and eats all the junk food in the world and watches "R" rated films. While the family is on the plane, Kevin's mother gets the feeling they forgot something. Kevin's father Peter (John Heard) asks her, "What could we have forgotten?" Then Kate screams: KEVIN! Now while Kevin still is having fun back at home, the family is in Paris trying to get a flight back home. and calling the police, etc. One day, Kevin goes out shopping and spots a misterious van in the neighbor's driveway. It's the crooks. Marv (Daniel Stern) and Harry (Pesci), The Wet Bandits. Now after Kevin actually goes out shopping to get food and milk, he notices the guys in the van. Now he realizes they are after his house. Sorry Christmas Eve night he plans his battle against the crooks. The gadgets and the tricks he pulls on the crooks are undoubtably hilarious. First, when the crooks starts talking to Kevin through the back door pretending to be Santa Claus and an Elf, Kevin takes his borther's BB gun and sticks it through the cathole and shoots Harry is the lower region. Then Marv sticks his heasd through the cathole and he gets shot in the head. Now there is ice on all the stairways, the front door knob is burning hot and when Hary touches the knob, the knob's inprinted "M" is impronted into Harry's hand. Lol! Then in the basement there is tar paper on the stairs and eventually there is a nail sticking up which Marv steps on with his bare foot. See what other tricks Kevin has got up his sleeve. This movie, "Home Alone" is the perfect holiday movie that the entire family can enjoy. It's another Christmas classic. One thing this movie does for me is it gets me into the holiday spirit. In the beginning when Kevin said he didn't want to see his family again, throughout the movie, you realize how important family is, especially around the holidays. Buy this movie for you and your kids and you will love it as much as I do. Merry Christmas! Ho, Ho, Ho!
The movie is about a boy named Kevin McCallister[Macaulay Culkin] who accidently gets left behind in his home in Chicago when his family goes off on a trip to France. While Kevin is at home, two burglars are trying to break in. The burglars are played by Joe Pesci and Daniel Stern. One of the burglars was at the house at the beginning, pretending to be a policeman, to check out the house. After Kevin finds out, he sets up a set of booby traps on the night they arrive. Meanwhile, Kevin's mom[Catherine O'Hara] wan'ts to get home as quickly as she can when she finds out that Kevin was left behind. So, instead of going on a plane she travels back to Chicago on a truck with a group of musicians and their polka king of the midwest[John Candy] when they offer to take her home. After the burglars get arrested with one of Kevin's plans, Kevin's mom arrives home with the rest of the family including his dad[John Heard] and they all feel so grateful to see him. This is a movie your whole family will enjoy!!!
This is a sweet movie. The DVD may not be the best, but it's still a great buy! Enjoy! sethn172 ... Read more | |
| 6. Bicentennial Man Director: Chris Columbus | |
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Amazon.com Williams plays Andrew, a robot programmed for domestic chores and sold to anupper-middle-class family, the Martins, in the year 2005. The familypatriarch (Sam Neill) recognizes and encourages Andrew's uncommoncharacteristics, particularly his artistic streak, sensitivity to beauty,humor, and independence of spirit. In so doing, he sets Williams's tin man ona two-century journey to become more human than most human beings. As adapted by screenwriter Nicholas Kazan, the movie's scale isnovelistic, though Columbus isn't the man to embrace with Spielbergianconfidence its sweeping possibilities. Instead, the Home Alonedirector shakes off his familiar tendencies topander and matures, finally, as a captivating storyteller. But what reallymakes this film matter is its undercurrent of deep yearning, the passion of Andrew as a convert to the human race and his willingness to sacrifice all togive and take love. Williams rises to an atypical challenge here as afuturistic Everyman, relying, perhaps for the first time, on his considerableiconic value to make the point that becoming human means becoming more like Robin Williams. Nothing wrong with that. --Tom Keogh Reviews (109)
Bicentennial Man is based on the award-winning short story of the same name by science fiction pioneer Issac Asimov. The story deals with one robot's search for freedom, rights, and recognition as a man over the course of his 200 year life. Sadly, everything that made the story great: the conflict, the thought-provoking issues, and the sense of wonder has been lost or watered-down in this film. Williams plays a newly purchased NDR-114 robot, quickly renamed "Andrew" by Little Miss (Hallie Kate Eisenberg) the youngest member of the family. As a robot, Andrew is expected to follow orders and do chores, but it soon becomes apparent that he is capable of much more. He begins exhibiting signs of creativity, which leads Sir (Sam Neill, The Horse Whisperer) to teach Andrew everything there is about being human. Although Williams does an excellent job conveying emotion despite the robotic facade he wears, his true talent is shown when he still appears robotic after obtaining the face of a man. Yet, the characters in Bicentennial Man are cardboard caricatures. Truth be told, Asimov writes them that way. His sole concern is Andrew, and as a result the other characters in the story lack appeal. But in the film, all of the characters suffer from one-dimensionality and it reduces the story to the worst type of science fiction. What ultimately fails, however, is the inability to recreate the world that Asimov so richly designed in his Robot series. While the movie does pay tribute to his work and his Three Laws of Robotics, they ultimately throw out those laws at the very end of the film. The movie becomes little more than a modern retelling of Pinocchio, centering on Williams' comedic abilities. The heart and soul of the story, the chilling conflict of what makes us human, is lost amid sight gags and a prolonged sappy romance with Portia (Embeth Davidtz, Fallen), the grand-daughter of Little Miss. Finally, haven't we all seen this before? For seven years, Brent Spiner played out this storyline for us as Lt. Cmdr. Data on television's "Star Trek: The Next Generation." And while there were certainly moments where humor was used to highlight Data's unique condition, his search for humanity was ultimately a very serious and believable one. I'll take those old episodes like "Measure of a Man" over Bicentennial Man any day.
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| 7. Mrs. Doubtfire (Full Screen Edition) Director: Chris Columbus | |
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Reviews (2)
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| 8. Harry Potter and the Chamber of Secrets (Full Screen Edition) Director: Chris Columbus | |
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Description Reviews (649)
The second entry adapted from J.K Rowling's legacy has neither the epic sweep of the fourth book (The Goblet of fire) nor the mystery of the third (The Prisoner of Azkaban) but is nonetheless an engaging adventure and a riveting story. What's more with director Chris Colombus at the helm who shows more precision and familiarity after his first attempt, Harry Potter and the Chamber of secrets is a majestic adventure filled with visionary sets and fluid CGI effects that astonishingly enhance the darker fantasy tale and adventure. The soaring adventure thrills with its enshrouding perils, awesome moments of wonder and enlightening morality and friendship. It thus resembles more of an awkward adolescence stage in this saga for the three main casts. Daniel Radcliffe, Emma Watson and Rupert Grinch as Harry, Hermoine and Ron reprises their role with the loss of their innocence along with veterans Maggie Smith as Professor McGonagall, the late Richard Harris as the benevolent headmaster Dumbledore, Robbie Coltrane as giant Hagrid and Alan Rickman as Professor Snape. The new interlopers are equally scene-grabbing in their own rights: Kenneth Branagh does a rib-tickling interpretation of braggadocio Gilderoy Lockheart as well as Jason Issacs as the wicked Lucius Malfoy. With a solidly ensembled cast and sumptuous sets, the second installment is fascinatingly entertaining as it is enchanting enough to sustain its 3 long hours without any misgivings.
I'm sure the naysayers had a wonderful time bashing this sequel for its evil undertones. Students get "petrified" and the basilisk takes shots at Harry, but all in all, Harry prevails. He makes the right choices, does the good deeds and fights a good fight. How dare he promote such horrible values! Please folks, I used up a lot of space harping on how kids need to have fun in my review of the first film. The same applies to this movie as well. Don't worry about your kid becoming a warlock or praying to Satan, just let them have a little fun. If you raise them right, you won't have to worry about any of that anyway. The "Potter" books encourage kids to read and use their imagination. That's a good thing in my book. The movies encourage kids to use their imaginations as well. You've just got to love something that promotes so many good things. We need more heroes like Harry. He's a good character to let your kids read about and watch on the big screen. He's caring to others, takes his studies reasonably serious(you might want to promote Hermione's study habits to your kids, though) and he always tries to do the right thing. Overall this movie is fun and enjoyable for the whole family. Some of the scenes might scare the little ones, but this movie is worth explaining those scenes in order to get the message across. Watch this one and have a ton of fun. It's great for everybody. Highly recommended. ... Read more | |
| 9. Home Alone 2 - Lost in New York Director: Chris Columbus | |
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Reviews (60)
So yeah, if you like Home Alone, you'll love Home Alone 2. It rocks!
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| 10. Mrs. Doubtfire (Widescreen Edition) Director: Chris Columbus | |
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Reviews (64)
That's why I feel that when someone like me praises a movie of his, it should mean a lot more. Watching Mrs. Doubtfire, I was forced to admire his sheer guts in tackling this Tootsie role (sans roll) despite the huge success Dustin Hoffman already had with it. Most of Robin's film parts amount to a large junkpile of bad remakes, half-written plots and other "at least it's a fat paycheck" duds. It is also mind boggling how he got an Oscar for his minor foul-mouthed cameo in Good Will Hunting. However, every once in a long while he incredibly rises far above his journeyman talents and rightfully dons the mantle of a true master of the art. (Not that co-star Sally Field was just using up air here, either - she was a great anchor of reality for the film. Which is not an easy task to perform for someone as cute and bubbly as she normally is.) Robin's actually done five other proper acting jobs, which round out an even half dozen when added to Doubtfire. And these few other fine movies are, not surprisingly, parts where he really doesn't play himself: Good Morning Vietnam, Hook, Jumangi, Dead Poets Society and Cadillac Man. Well, most actors when their careers are over should consider themselves lucky to even end up with a trilogy of film classics in the can, after doing the usual 25 to 50 major works. But right now Robin's got those six gems, and he still has time to complete a crown of an even dozen. Of course he'd already have had time to do that by now, if only he had just said no when his agent called to ask him if he wanted to do flop-bound flicks like Shlubber, Jerk or Bicentennial Bum.
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| 11. Stepmom Director: Chris Columbus | |
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Amazon.com essential video Director Chris Columbus, who is adept at showing familialchaos (he directed Mrs. Doubtfire and Home Alone) with a sanitizedminimum of lingering emotional damage, actually manages to dig atrifle deeper than usual in exploring the jealousy and hurt that occur when the baton is passed between a birth mom and the younger wife who steps into her shoes. Stepmom fortunately manages to touch on that chord--showing howan ambitious woman might feel hampered by the responsibility of children justbecause she's fallen in love with their dad--as well as the haunting griefthat it causes their birth mom. It's an issue that haunts millions of secondwives everywhere, and while Roberts conveys the confusion of beingtaken for granted in the melee that follows, it's Sarandon who walks off withthe film. She's relentless in her fury, and everyone else in the film--thegenerally excellent Harris included--is sideswiped. It's just a shame thatHollywood once again wimps out in the end, solving the problem by givingSarandon a terminal illness. Instead of allowing Jackie and Isabel'srelationship to unfold on something less than a high note, the movie has to quell its best thing with a false payoff because it doesn't know what to do with real life. --Paula Nechak Reviews (157)
It's something much more powerful. Julia Roberts, Susan Sarandon, and Ed Harris make this movie believable and there's so many scenes where the feelings are so strong, either happy or sad, that you can't help but shed a tear. The reality of being "the evil step-mom", of children rejecting new loves, of the hateful/hurtful games that angry parents can play... This movie portrays the best and worst that love can bring out... The movie finishes up by bringing it all home, with a powerful message that loving is better than hating, that there is so much hate, sometimes you have to stop being selfish, and you have to take a while and learn to love one another. You can't get much better than this one. Get it. Watch it with your significant other, your mother, whoever... be prepared to feel deep down in your soul... it will happen.
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| 12. Nine Months Director: Chris Columbus | |
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Reviews (34)
For a guy who dumps his girlfriend, and then decides he wants her BACK, Samuel (Hugh Grant) doesn't seem to try to hard! But then again, neither does Rebecca. But then, I'd let Samuel do all the chasing personally! Jeff Goldblum plays his 'best friend', and manages to throw in any of his old nonsense (that makes sense to him, but to no one else) and it works in the script. I don't think so. He didn't have much to do in the movie, one minute he's telling Samuel to be with Rebecca, embrace fatherhood, and then he's telling him that he dumped his girlfriend because she wanted his "essence". Uh-huh. (Not necessarily in that order, but you know what I mean) Tom Arnold plays a very over-the-top role, alongside his baby-making machine, played by Joan Cusack. Oh, I'm sorry, you mean that's his wife?! Could've fooled me! As Samuel so rightly says, you need a licence to drive a car, but anyone can become a parent, and sometimes a very lousy one. I'm not saying that Tom & Joan's character are lousy parents (there's not much interaction between them and the kids), it's just - she must have spent half her married life being pregnant! Why was Hugh Grant given the main billing for this movie? To me, this will always be a Robin Williams. He's so funny, especially when he gets his words muddled, or says the completely wrong thing, and still manages a big cheesy grin. And the Russian accent never falters! There's nothing in the way of extras, except a trailer. For once, I watched the trailer AFTER the movie (nyah nyah) - I've seen this movie so often, the trailer didn't particularly appeal to me. But then I noticed scenes that were obviously cut from the movie, IN the trailer! If you're gonna cut scenes from the movie people, take them OUT of the trailer too! It just ruins it. You see what could have been a potentially funny scene, but it's no longer there. This is a terrific movie, although as one reviewer said, it's enough to put any guy over to the other side! But no film will put women off giving birth, because it's not real! Although it's hilariously funny!
An aging bachelor (Hugh Grant) is trying to make up his mind whether or not to commit to his girlfriend (Moore) for life. Then, she spills the beans that, oops, she's pregnant! Poor Hugh doesn't know what to do, and therefore starts a roller coaster of hilarious one-liners and silly gags. The movie works because Moore and Hugh have definite sexual chemistry with a lot of snap, crackle, and pop. Plus add Robin Williams as an Russian obstretrician, Tom Arnold as Grant's doltish friend, and Joan Cusack as Moore's pregnant friend (one of her best roles since "Addams Family Values"). Add a frantic Columbus directing, and you have a charming, hilarious comedy that'll leave you breathless with laughter! Rated PG-13 for frank sexual discussion, innueudo and for language.
The birth scene at the end irritates the heck out of me just because it's so silly and so unrealistic. The race to the hospital scene is just as ridiculous, but it does offer some laughs. Overall this is definitely a must see.
The Answer: I am a fan of Grant, Williams and Goldbloom, but in "Nine Months" I saw the same personalities they have in many movies. Grant was the same cute, surprised, humble and step-behind Brit. It is a great personality, and appropriate for the movie, but he was given so little good material to work with that I could barely muster a smile. His struggle with leaving youth behind to take on the responsibilities of fatherhood asks important questions, but the screenwriters used formulas rather than insight to create the conundrum's complexities. It felt as if no real fathers were involved in scripting. Unlike Danny Kaye, Robin Williams is unable to replay the naive foreign speaker with freshness every time we see him. His doctor sounded like a mix of Dr. Nick Riviera on the Simpsons and Williams as the Russian in "Moscow Over the Hudson." His lines were largely mispronunciations of female anatomy. The writers overdid the gag, and it grew tiresome by the movie's end. Goldbloom was the diehard bachelor who loves his independence. He is philosophical about in that Goldbloom way. It gives depth to the movie as he serves as a vehicle for Grant's conscience. Goldbloom is living and promoting the lifestyle Grant must leave to be a good father. Again, Goldbloom presents in a way that will remind viewers of him in "Jurassic Park" and "The Fly." Moore is shown as a stereotypical mom-to-be. The emotional mood swings are followed by lines heard in every movie involving childbirth. As a stronger part of her character, when considering abortion, she knows that she cannot after experiencing the life inside her. The writers didn't let it become a political or even moral dilemma, but let the story tell itself here. I liked the movie for its easiness. Despite the routine performances by otherwise incredible actors, and the flaccid writing and directing, it turns out to be a nice, pleasing movie. I would not buy "Nine Months," but I would rent it. I watched it while working on a puzzle and found it to be an amusing distraction. Anthony Trendl ... Read more | |
| 13. Heartbreak Hotel Director: Chris Columbus | |
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our price: $9.99 (price subject to change: see help) Asin: B000068MBY Catlog: DVD Sales Rank: 18618 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Description Reviews (8)
I have been an Elvis fan for a VERY VERY VERY long time. Kieth doesnt look anything like Elvis... however, as one reviewer stated, he DOES capture that essence superbly. He does a great job in this movie all things considered. This movie can be enjoyed by Elvis fans and non Elvis fans alike. ITs a good, humorous story with a feel good ending. It does Elvis justice and leaves you wishing that this had happened.
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