Reviews (68)

A Blazing Saddles style parody
Steve Martin is one of the funniest actors on the planet and also one of the best comedic writers. This movie is styled somewhat after Blazing Saddles in that the characters alternate between crazy and outrageous. The plot centers around three silent film stars who are summarily canned from their studio for the audacious request of actually being paid for their work. Broke, they are sent a telegram from a small town in Mexico with what they think is a request for a personal appearance. Unfortunately, the request was not clear because the town was so poor they could not afford all the words needed in the telegram to explain they want the Amigos to rid the town of a killer bandito by the name of El Guapo. The movie is very funny, filled with bizarre characters, such as the singing bush, surreal moments, like the Amigos singing around a campfire or singing to a room full of desperados, and extremely funny conversations. Steve Martin, Chevy Chase and Martin Short all do good comedic turns. The only thing I do not understand is how this movie got rated R; besides the sometimes rough language, this should be a PG-13.

FUNNIEST COMIC TRIO SINCE "THE THREE STOOGES"
I have this very funny movie in my collection. SUPERBERBLY directed by John Landis, here is an UPROARIOUS comedy about three loveable bumblers, who are way in over their heads. But come what may, they'll always remain the "THREE AMIGOS". Steve Matin, Chevy Chase, and Martin Short travel a dusty road to adventure and laughter lin this ZANY mix of sharp one liners and clever sight gags. The "THREE AMIGOS" are a silent screen comedy act who have seen better days. So has a remote Mexican hamlet which is being TERRORIZED by a FIERCE bandit gang. FINALLY, in desperation, a naive villager sends the actors a telegram asking for help. [THREE AMIGOS HOLLYWOOD, CALIFORNIA. YOU ARE VERY GREAT. 100,000 PESOS TO COME TO SANTO POCO. PUT ON SHOW. STOP. THE INFAMOUS EL GUAPO.]. THINKING they're being offered a fortune for a personal appearance, the hapless trio arrives in Mexico. ONLY TO DISCOVER that this time they're dodging REAL bullet!!!. This is a VERY FUNNY movie and I recommend to my fellow viewers to buy it and add it to their video library collection. I PERSONALLY CAN NOT WAIT FOR A SEQUEL TO BE MADE IN THE NEAR FUTURE.

The (Un) Magnificent Trio
The movie was produced at a time when Martin and Chase were trying to revitalize their movie careers. Martin Short was just starting to make films. THE THREE AMIGOS was supposedly a live action variation of Disney's THE THREE CABALLEROS but couldn't secure the rights and its a good thing. This is pretty much an unwatchable one joke premise film. Three soon-to-be unemployed silent screen actors whose movie screen personas are "The Three Amigos" are unknowingly hired to go to a south of the border town to get rid of a bandito (El Guapo) who is wreaking havoc to all the village townsfolk. The three arrive thinking they are to perform for the people and end up fighting the villian. Not much here as all three 'Amigos' have the same lame-brain personalities. Director Landis (ANIMAL HOUSE, THE BLUES BROTHERS) can't get much from the one-joke, not-very-original script (SNL's Lorne Michaels) and not one funny performance from either leads. There is a musical sequence reminiscent of the old singing cowboy movies that is mildly amusing (and again not very original). Otherwise, this is a very forgettable movie.

Funniest movie of all time
The Three Amigos is the absolute funniest movie of all time. Each time you watch it you will find new things that will crack you up. Steve Martin, Chevy Chase, and Martin Short are gods.

three aaaaaaaaaaaaaaaaaaaaaaaaaaaaamigos!
Are you ready to laugh your socks off? If yes, get this movie and start watching it! This mix of three amazingly hilarious comedians make an outstanding team that will certainly make your stomach hurt from laughing. Chevy Chase, Martin Short, and Steve Martin play the "Three Amigos," who are out-of-work actors asked to go fight the infamous El Guapo in Mexico. Thinking that El Guapo is "more than famous" instead of horrible, they take the job. As you can probably see, this mix-up causes quite a few problems that aren't at all too serious. After seeing this movie once, you'll be wanting to see it again and again. ... Read more

Reviews (32)

gloom, despair, agony, bleak, depressing...I LOVE IT !
Jane Fonda left her fluff pieces behind her and became a REAL actress after her Oscar-nominated performance here as Gloria, the bitter and hopeless woman who joins a grueling dance marathon (a craze of the Depression '30s) with Michael Sarrazin as her partner. She leaves nothing behind and throws herself into this bleak role taking huge risks that 'STAR' actresses don't do anymore. The film also put Sydney Pollack on the map as a director to be reckoned with. Finding an audience for this film may be tough because of its unrelenting gloom, but if you watch it and don't find yourself thinking about it for weeks after you have seen it, you don't know what movies are about. The message here is that there are no winners in life....only survivors. These are the kinds of films I favor (bleak and depressing) as that is what real life is about....it's a struggle. If you're looking for a diversion from real life, don't come here. The film also contains an Oscar-winning turn by Gig Young as the dance marathon's promoter and emcee and an Oscar-nominated performance by Susannah York as a Garboesque wannabe actress looking for a break. Horses is more a disaster film than anything else. No ship hits an iceberg and no building catches fire, but everyone involved experiences disaster. Don't pass this up.

A MASTERPIECE RESTORED
I was overjoyed to receive a gift of the reissue of this video in 1995, that is until I watched it in all its "pan & scan" desecration. It is truly a joy to watch this DVD (VHS is now available in widescreen as well) in the right format with all the extras. But all that aside, this is a towering, neglected masterpiece of American cinema that virtually put director Sydney Pollack on the map and established Jane Fonda as the premier American actress of the Sixties and Seventies. Who else could have captured the tragic essence of the bitter, beaten Gloria but Fonda? Watch her especially in the final elimination round as she desperately (and literally) carries her ailing partner around the floor in a final attempt to win the big prize and (symbolically) maybe give life one more try. Fonda never sentimalizes this great character as a lesser actress would have been tempted to; no simple answers or easy forgiveness will do for Gloria--she is too important to be trivialized. Red Buttons, Susannah York, and Gig Young are also superb in supporting roles; the cinematography and music also deserve kudos. If you haven't seen it, do not miss this American classic and one of the century's greatest actresses just entering her prime. How we do miss Jane.

An Awful Movie
They Shoot Horses, Don't They? is an awful film. It is about as interesting as watching water boil. It is also unhistorical in that the 1930's are depicted as a time of prosperity even though in real life that was the decade of the Great Depression.

There is no real depth to the plot. Nor is there anything exceptional about either the direction, photography or the soundtrack. Jane Fonda is badly miscast in this role and she delivers her lines poorly. None of the performances in this movie are especially good.

In sum, this is a movie to avoid.

Possibly the worst movie of all time!
The only movies that may be worse would be Accidental Tourist or maybe Blair Witch Project. It's tough to pin down what exactly made this movie so bad. Thats probably because every facet of it STUNK SO BAD! All I know is that I wasted 2 hours of my life of this tripe, 2 hours that I'll never get back. Go ahead and rate my review as unhelpful if you must, but DON'T SPEND MONEY ON THIS FILM!

Jane Fonda's Performance was Overlooked!
Horace McCoy's depression era play, They Shoot Horses, Don't They? is tragically brought to life through the performances of an ensemble cast. Jane Fonda delivers her greatest performance, as Gloria, a loner trying to cope with an everyday painful existence.
Be prepared for a shocking ending, if that's possible. There arises a glimmer of hope that life is better.
Sydney Pollack directs a masterpiece in the exploration of the human condition under the throngs of depression. The utter despair, agony, and suffering of each character is felt, heard, seen, and endured by the viewer. It becomes so intense that you want to scream, "Enough, I can't watch any more." There's no need to scream out. Horace McCoy solves the problem for the viewer, and for Gloria. ... Read more

Amazon.com

Blake Edwards's delightful 1959 comedy stars Cary Grant as a World War II submarine captain whose preference for a by-the-book command reluctantly yields to certain realities. Chief among those is that Grant's first officer (Tony Curtis, who impersonated Grant that same year in Billy Wilder's Some Like It Hot), a shameless hustler, is better than the navy at delivering whatever supplies the ship and crew need to keep going. But when Curtis sneaks a handful of Philippine refugees and several gorgeous nurses onto the all-male sub, the skipper not only has to cool down his crew but deal with an unexpected feminine influence on ship protocol. The film is a great deal of fun, sprinkled with the director's trademark sight gags (including one of Edwards's best, involving a torpedo and jeep), and graced with his unmistakable lilt. Grant is in great form, his comic brilliance almost impossibly effortless. --Tom Keogh ... Read more

Reviews (33)

One of the best
Operation Petticoat is one of those movies that makes you laugh no matter how many times you see it. The cast is led by none other than Cary Grant as the commander of a decrepit submarine, caught behind the Japanese advance in the Pacific, trying hard to sail her back to safety and repair at a US base. Grant makes a fine picture as a tough yet sentimental commanding officer. In counterpoint is Tony Curtis as a totally amoral rascal with a talent for getting things done, usually by breaking all rules. Despite their mutual dislike, the two have to work together to get the sub home and the result is a truly bizarre voyage. Curtis' expertise in scrounging supplies for the damaged sub extends to a group of stranded army nurses, who predictably create havoc on the submarine. And as the sub approaches safety, it improbably ends up as a maternity ward to the consternation of Grant and the delight of the crew. I would hate to spoil the surprises but let me say the manner of the sub reaching safety is simply hilarious. Of course, all ends well - this is a movie after all - and the right lessons are learned by all. A great movie to laugh over with some superb dialog lines for Grant in particular and a string of great one-liners all around. Highly recommended.

All Hands will Emergency Surface with Laughter
My favorite part of this hilarious Cary Grant and Tony Curtis romp was when Tony Curtis reports for duty to a WW II submarine in his dress whites. The rest of the crew -- greasy and grimy from trying to get their critically damaged boat into good enough condition to limp to another friendly base laugh their heads off when looking through the periscope they spot Curtis looking a little out of place on the busy pier. However, much to their surprise, Curtis proves himself invaluable as the boats "Supply" officer who does an unequalled job in "procuring" the badly needed parts for the boat in early supply shortened portion of the war in pacific. Come to find out this smoozing, angle hunting "idea man" who had been on the Admiral's staff and "Champion Rumba Dancer" (with the Admiral's wife) really was a street-wise guy from wrong side of the tracks in NY City.

And to top it off the Boat ends up with stranded Army Nurses all this makes for a great movie -- how the submarine ends up pink and how they torpedo an enemy truck I will leave to you find out. Do yourself a favor and get this movie. What a hoot!-- K.K. Dunn (Submarine Veteran), Kansas City

A must in Cary Grant Fans
This is a great comedy and a must for Grant Fans. Cary Grant as the commander of a very peculiar submarine sailing thru the Pacific with an even more peculiar crew. Great Movie

The Cast
Tony Curtis and Cary Grant are at their handsomest. You should see Cary in his admiral outfit. But, in my opinion, you may disagree, a very obvious flaw is the weak cast of women. I was casting it in my mind as I watched. Marilyn Monroe would have been hilarious-- and Thelma Ritter as the mechanic. Of course, with a stellar cast, the parts would have had to be better for them. The pink sub is hilarious and the men seem very relaxed, glad to get non-challenging roles. This is a must for the 50's comedies collector and has that great super-bright photography.

lightweight WWII comedy still worth catching
Like submarines, this flick really doesn't have that much keeping itself above the waterline. The USS Sea Tiger is almost completely destroyed when attacked by the Japanese in port in 1941. Through the pluck of its commanding officer, Matt Sherman (Cary Grant) and the scheming of his very un-military XO (Tony Curtis), the stricken sub is pulled together enough to make it out to sea, where it suffers a series of embarrassing misadventures - the crowning indignity being the coat of pink paint it must wear when their isn't enough gray. In between, the sub faces off against a squad of army nurses, a family of Filipino refugees, a goat, and a torpedoed jeep - all without killing a fly. It's not great comedy, but the flick gets by with Curtis as Holden who can always get what he wants, and never wants active-duty (when he tells Grant that he had seen action on a destroyer, Grant is dumbstruck that Curtis ever found time for it between golfing with admirals and dancing at the Royal Hawaiian Hotel). The flick actually belongs to Grant as the prim and perfect Sherman who tries to mold Curtis into a proper officer and finds himself being molded in his likeness instead. (When sailors find their port facilities stripped to provide replacement parts for Sea Tiger, a forlorn admiral concludes that they've witnessed "Sherman's march to the sea".) The leads aside, "Petticoat" is actually a great time capsule of a time in Hollywood when the military was still respected - in more modern flicks, the street smarts of Curtis's character would make him the hero and the wisest of all. But the script makes him a pathetic weasel to be whipped into shape by the proper Sherman, who of course sees right through Holden. ... Read more

Reviews (59)

It can't get any better than this
Oh boy do I love this movie. I'm so glad to hear it's going to come out on DVD (I'm pre-ordering now). I really doubt that Hollywood can make romantic comedies this good any more. Well, hopefully I'm wrong, but quite honestly, I haven't seen any better union since "Big" -- a screenplay so well written, a director so creative (as Penny Marshall), an actor so talented (as Tom Hanks), an actress so lovely (as Elizabeth Perkins), plus a perfect supporting cast (Robert Loggia, Jon Lovitz, Mercedes Ruehl...) Forgive me for being a bit cynical here, but movies like this have become so rare these days, just like happy marriages.

Superb FILM!!!
This has to be one of the greatest films all of all times,EVER!!
Tom Hanks did an exellent job playing a young boy(Joshua "Josh" Baskins) trapped in a grown mans' body. A child trying to make it in a rough world, living as an adult,but only in the flesh.
The writing was excellent! The entire casts' acting was superb! Penny Marshall has directed a true gem that has been a classic for about 14 years now, and will remain a classic for decades to come.
Living in New York as I do, It was really fun to know that the area where Josh met up with the fortune teller machine was shot on location at Rye Playland about 40 minutes driving time from where I live(pretty cool, huh?)I go in that area at times just to rekindle the movie shot(I'm pathetic,right?)
One of the funniest movie scences I can remember is when his (somewhat) love interest,Susan (played beautifully by Elizabeth perkins) tries to get romantic with Josh, but all he seems to care about is jumping on the trampling and seeing who gets to sleep on the TOP bunk.(His young mind cannot comprehend what she means when she says she wants to "SLEEP" with him). Those are classic "BIG" moments, along with him playing the gaint Step-On Keyboard at FAO Schwarz Toy Store that will never leave my memory!It was very interesting seeing Tom Hanks show his boyish side; that innocent charm that very few actors could have probably pulled off so well. I also like the moral to the story as well, JUST LIKE THEY SAY: "Be careful what you wish for,'cause you may get it". Every wish comes with a price. There's no such thing as a perfect wish.
(You'll know what I mean if you haven't seen the film yet). If you haven't seen this extraordinary movie yet, then please do yourself a favor and buy it. Or at least rent it first,then I'll guarantee you will purchase this movie to share with your family and friends for years to come.
P.S. I think Tom Hanks was perfect for the part of Josh,but do you think anybody else could have done a good job as well? What about Bill Murray or Robin Williams? What do you think? Well...now that i think about it, with Tom Hanks playing the Award winning role,and seeing how well it was played, I don't think I'd have it any other way. -- PEACE.

Purhaps THE Defining Moment in Hanks' Career
In 1980 Tom Hanks and Peter Scolari came to the small screen in the sitcom Bosom Buddies and the rest is history. For Hanks anyway. Haven't seen Scolari since Newhart and I'm not complaining. Bosom Buddies only ran for three seasons but Hanks starred in the smash hit Splash in 1984 and his star only rose from there. As he matured throughout the 80's, it became clear that Hanks wasn't going to stand pat with dumb little pratfall comedies like The Money Pit. Little by little his comedies crept away from the silliness and into the drama. Big, in retrospect, seems like a defining moment in Hanks' career. It's the first time Hanks is asked to carry a big budget sink or swim flick all his own. There's plenty of comedy here, of course, but there are underlying themes of loss and fear that had been touched on in some of his earlier smaller movies but never in a big buget blockbuster type flick and not so pervasively. This sense of the inherent sadness and uncertainty of life has come to dominate Hanks' flick. Movies like Forrest Gump, Saving Private Ryan, Castaway, and, especially, Philadelphia are quite grim in thier life is suffering seriousness. The Hanks in earlier fare like Splash and Volunteers contrasts sharply with the turn of the millenium Hanks. Big is a must watch for any Hanks fans.

One of the best 80ies comedies!!!
I really enjoyed watching "Big." It stars two of my fav.
actors: Tom Hanks and Elizabeth Perkins. Tom Hanks is really
great as the young boy "trapped" in a mans body. Elizabeth
Perkins is soooo cute as Hanks love interest and also a great
actress. As I wrote,a great movie!!!

I Wish I Was Big . . .
Doesn't every child? Well, if you are a child, and have watched this movie, you have probably changed your mind by now! And if you're an adult, then you will identify with a lot in this movie. That is, if you're watching it with your eyes open.

The movie starts off by making everyone reminisce (well, NOW anyway) by showing the old games, which you thought were state-of-the-art at the time! Now you see them, and you see rubbish graphics, and you had to type what you wanted the characters to do - I remember those! And the film quickly goes on from there.

I'm not sure what it was about the movie, but I wasn't all that keen on it. It seems to drag in the middle, and the whole idea of the movie is forgotton. The mum isn't included as much, it would have been nice to maybe see Tom Hanks come back and see her again, instead of just phoning her. My other quibble is that it's only rated a PG - so much more could have been done with the movie, if it had been a 15, maybe NOT an 18. But I guess they were aiming at the kids, so putting it in some (funny) sex scenes would have not been allowed. Boo.

Tom Hanks is perfect as the kid in a man's body - to me, he seems all arms and legs, awkward and gangly.

An OK movie - not one I would watch again, so it's probably good I got it for free!!! ;) ... Read more

Description

In Chaplin's classic satire on Nazi Germany, dictator Adenoid Hynkel has a double -- a poor Jewish barber--who one day is mistaken for Hynkel. ... Read more

Reviews (41)

Chaplin Talks!
"The Great Dictator" is an effective, if uneven, satire that displays Charlie Chaplin's mastery of pantomime and social commentary. This was his first talking picture and features his inspired dual role as Hynkel and the Jewish Barber. However, with the exception of Hynkel's globe dance and the barber's musical shaving technique, "The Great Dictator" doesn't utilize sound and silence nearly as well as Chaplin's masterpiece, "Modern Times." The barber's final speech remains stirring (if obviously out of character), but some dramatic elements seem awkward and don't blend well with the film's satiric fabric. In terms of story structure, Chaplin's "Monsieur Verdoux" works better -- and is more assured in terms of pacing and the utilization of sound. Regardless of its occasional flaws, "The Great Dictator" remains a memorable film with Chaplin in superb form.

Stongly Agree With Favorable Reviews
After just watching this picture I feel that this would have to be 5 STARS+. This movie was ahead of it's time in humor. I can't say that I am a huge fan of Charlie (only seen 3 films and some keystone shorts at this time) but he is a great comedian and a fine actor. Chaplin plays a duel role as The Great Dictator Adenoild Hynkel aka. Adolf Hitler and, a poor Jewish tramp that is in love with a girl called Hannah. The film has to keep from saying Hitler, Nazi, Mussolini, Italy, Germany, and other words that have to do with Axis because it was made a year and a half before the U.S.A. got involved in World War II. This is a WORLD of fun. BUY THIS DVD!!!! NOW

Serio-comic masterpiece---Hitler saw this one twice!
This film is an excellent piece of anti-axis propaganda in the guise of a hilarious satire of totalitarianism. Chaplin portays two characters who's resemblance to one another is merely coincidental. One is a Adenoid Hynkel, dictator of Tomania with a jewish name, the other a Jewish barber with impeccable instincts for sussing out trouble. Overall, "The Great Dictator" attempts to demonstrate the idiocy of war. By turning the key players into buffoons, it portays the war machine as a circus. This film is much more than a lampoon of the Nazis, however. The silliest characature of all is of Benito Mussolini. Jack Oakie's portrayal of the Dictator of Bacteria, Benzino Napaloni, is the highlight of the film. He's like a stereotype of one of those "larger-than-life" tourists who bluster with absolute authority wherever he goes. It is really hard not to picture him in the loudest hawaiian shirt know to man. It is really obscenely funny. The interaction between the two dictators provides the most sustained lunacy in the film. Their attempts to one-up one another are just brilliant.

"The Great Dictator" does have an extremely serious side. There is an attempt to portray the plight of the displaced Jews with care and much pathos. It works, more or less. The Jewish Ghetto is given enough attention that the viewer develops a connection with them as they attempt to get on with their lives. Maurice Moscovitch as Mr. Jaeckel is particularly effective. Paulette Goddard plays Hannah as a rather dim, dreamy stumblebum. She's cute, but occasionally annoying. Sometimes, it feels like Chaplin has transported Hannah back to the Wizard of Oz--she speaks in that same half-whimpering, dreamy manner as Judy Garland's Dorothy.

Finally, this film certainly transcends any single political agenda. The only agenda one can associate with it is the aim to bring laughter to a world torn asunder by the vagaries of milatary posturings. It seems telling (to me, at least), that Adolf Hitler viewed this film twice. I have always been curious as to what his thoughts were on this total classic send-up of the great men of the Blood-Axis in their own time. Perhaps by the end of the first viewing, he perceived that Mussolini got the worst of it. Then he watched it again--this time with pleasure. If you can't laugh at yourself...

Relevant for Any Age
DVD is the perfect medium for many of Chaplin's films. He demanded a lot from his audience. Each film carries it's own message. Each section of a film addresses a part of that film's message. Every facet of a work has a purpose. He lightened the load through the use of humour. The viewer has to be thinking every minute though. It's possible to watch these films time and again, or to watch different segments repeatedly and keep finding something more. They really are that complex. Fortunately, the DVD medium makes doing that easy.

The Great Dictator is as relevant today as it was when it skewered Hitler and his gang of Fascist bigots back in 1940. It took aim at Hitler but its target could easily be any warmongering regime from any period of history. The parallels are all there. Chaplin addresses each of them and does it well. His character Hynkel is a bumbling and ineffective "leader". He's driven by greed. As the film unfolds it's obvious his greed is rooted in feelings of inferiority. The more his mouth moves the less he says. His economic policies are a disaster-to wage war he has to borrow money from the "enemy". He is petty beyond belief. Ultimately, without an "enemy" to point toward, he's nothing. His entire mantra-loss of liberty, racial persecution, lust for control and so on-is all for one thing: he has to cover the fact that he can't rise to the level of the most humble of those he torments. This is a fundamental truth about people who lust for conquest. Chaplin illustrates it brilliantly.

The film isn't perfect. Chaplin and his crew weren't entirely comfortable when working with sound. Many scenes have dialogue but lack background noise. It was a common fault of the time though. The players have an assortment of accents. The Tomanians (with the exception of Herring) sound British. As the Jewish barber Chaplin sounds British. Many of the Jews in the Ghetto sound Jewish but Palette Goddard as Hannah, sounds as if she came from Queens. There are at least a couple of interludes that interfere with the continuity of the film. These are small complaints though. There are many scenes that have never been bettered. One is the episode with the coins and the cakes. On its own it's pure comedic brilliance. Combined with the statement it makes about the utter ridiculousness of martyrdom for its own sake (not to mention the unwillingness of leaders to become martyrs) it's timeless. The scene with the cannon is a gem. The "ultimate" weapon is shown as the ultimate (and expensive) waste; this could easily be the Crusader Artillery System. The tenderness between Chaplin and Goddard is a thing of beauty. Jack Oakie is fabulous as a Mussolini clone. The scenes between him and Chaplin are hilarious. (Watch the scene with the hot mustard and do some thinking.) The innuendo in the film is brilliant. Who but Chaplin would conceive of Tomainia (after "Ptomaine, poisonous and putrefying organic matter), the "Sons of the Double Cross" or Hynkel's first name, "Adenoid"? The entire backdrop with its "Thinkers of Tomorrow" and other absurdities modeled on the vanity of the Dictator is amazing; it captures the madness completely. The ballet with the globe is beautiful and astonishing. The music representing the ideals for the greedy and the humble is identical. The message: people are alike. As is the norm for Chaplin he did it in a way that was subtle; it's the theme of the Grail Knight descending from Wagner's Lohengrin. Hitler loved Wagner's music. Chaplin would have known that. It's his way of saying Wagner's music wasn't to blame for Hitler's madness. There's more but this should give an idea.

What nobody seeing the film for the first time can be prepared for however, is the way it ends. I wasn't. I saw a few of Chaplin's films as a student but had missed this one. I was floored. His statement about the nature of the people who make war is valid in any age. It always will be.

Watch it and then look closely at the events of the present.

The genius of Chaplin.
One look at Charlie Chaplin's filmography leaves little doubt as to his genius. I have to say that I thoroughly enjoy all his films, even the more obscure ones that weren't necessarily box office hits. But of all his films I believe "The Great Dictator" to be his masterpiece. "The Gold Rush" may have been the film in which he wanted to be remembered, and it is certainly a great film, but this film is working on so many levels as to seem superior to me. Sufficed to say, I love satire. This film is loaded with satirical referrences and subtle and not-so-subtle wit and clever word-play as well as all the brilliant physical humor that initially made Chaplin famous. There is so much intelligence in this film that it is easy for me to praise and recommend. I could relate scenes that I absolutely loved, but there are too many to name; and I certainly don't want to ruin all the comedic surprises for those who have yet to see this film. Even after ten viewings I find myself laughing at Chaplin's antics: verbal and physical humor of the highest level. In fact, I guarrantee laughter. There is so much humor here, of so many varieties, that there is no doubt in my mind that anyone viewing this film for the first time with giggle, chuckle, then laugh heartily. Oh, how I envy those first-time viewers. What a magnificent film! Hail Chaplin! ... Read more

Reviews (232)

very romantic
Shallow Hal is indeed funny as all hell, with the inimitable Jack Black playing Hal, who as a young boy is told by his dying father, a reverend on painkillers, to seek out "young hot tail --- that's what it's all about." Hal grows up to be this clubbing lizard going after supermodel types at all times.

One day he's stuck in an elevator with guru Tony Robbins, who changes his perception to only see the inner beauty (or lack thereof) in everyone he meets (excluding people he already knows.) Hal suddenly starts seeing raving beauties everywhere, including Rosemary (Gwyneth Paltrow), his boss's daughter who is actually severely overweight.

It's romantic to see Rosemary's self-image change as she realizes Hal really does think she's beautiful, after going for so long convinced that she's not. Hal, in turn, sees her as without physical flaws and so, instead of looking for any, he gets to know her as a person, something he's never done before.

This is a great date movie, and it makes you examine if you're shallow or not when it comes to people's appearances vs. their souls. It's a great concept, and ingeniously acted.

Not hypnotized...but de-hypnotized!
Everyone probably knows the plot by now: Hal (played by Jack Black) is as shallow as any typical young heterosexual male who prefers only the best-looking females, as opposed to going for females with good-natured personalities (with physically undesirable aspects.) All of this changes when a twist of fate brings him into contact with a motivational speaker (Tony Robbins.) He then gets hypnotized into seeing the inner beauty of people (which comes off as gorgeous physical appearances), as opposed to seeing their so-called "undesirable" physical attributes. He meets a gorgeous gal named Rosemary (played by Gwyneth Paltrow), and falls for her. Little does he know that she's a grossly overweight female, as opposed to the tall, thin, blonde-haired bombshell that he sees (as the result of the hypnosis he's undergone.) Meanwhile, his close friend (played by Jason Alexander) notices the change in Hal's perceptions, and tries to figure out the cause of this.

While many people note the change in approach from The Farrelly Brothers' normally immature, gross-out comedies, I have to venture to say that this change isn't as large as some note, but nevertheless, it can be spotted. Although There's Something About Mary featured many immature gags revolving around bodily fluids and such other seemingly taboo subjects, underneath it all, I found it to be a poignant (although kooky) love story with heart and a message. However, what makes this change more relevant, is that the gross-outs are toned down considerably, and the poignant aspects are not camouflaged. While the movie does have it's humorous moments (Jason Alexander's character in general was the funniest thing about the movie for me), I hesitate to call it a non-stop laugh fest, and is not in the same league as other typical comedies. Jack Black in particular didn't crack me up as much as he did in say Orange County. This isn't a bad thing, as his character is mostly the central focus in the film, and it does not represent anything as remotely silly as what was featured in the aforementioned film. Instead, he takes on a more ambiguous role - one of which exhibits a balance of subtle humor and good-hearted thoughtfulness.

I rate this 4 stars out of personal preference, but this film is quite clever with it's ingenious use of dialogue, as well as exhibiting a nice balance between subtle humor and thought-provoking attributes.

the last guy is stupid
i dunno what the last guy is talking about this movie has a good message about not judging poeple by their outside self alone but to judge their personalities as well as what we see. he must be extreamlely stupid to say that this movie didn't say that sucessfuly when it did in reality. that or he must be as shallow as the characters are in teh movie. i'm in the 7th grade and even I know what the message of shallow hal is. shallow hal is a funny movie, and despite what the last nimwit tried to say (i think he/she was trying to sound all smart when he/she is really a duma$$) the movie teaches us that beauty isn't only skin-deep! also about the spell, it only works on people hal hasnt seen before, so his nieghbor and best friend are supposed to appear as normal (and rosemarys dad as well) so that flaw people are complaining about is also not correct. i love this movie so stop reading this and go see it NOW NOW NOW!

The real moral here
What I learned after watching this movie is that if someone who is extremely shallow and only pursues hotties suddenly becomes successful with hotties, he/she will one day instantly lose his/her shallowness. Why did I learn this instead of what the Farrley brothers set out to teach us? Simple: the stupid spell that Hal (Jack Black) was put under was garbage! In the beginning, he pursues hotties who reject him (who are hotties in reality, at least according to standards of society). After the spell, guess what? Surprise surprise.......he still pursues hotties (only this time, he's the only one who sees knock-outs; everyone else sees....well....what society has deemed less than knock-outs). He is still only interested in scoring with supermodels, and what really bothered me was the conversation Hal had with Mauricio (Jason Alexander) after he removed Hal's spell, and Hal could no longer locate the hottie he once saw sitting at the restaurant, known as Rosemary (Gwyneth Paltrow). Hal goes balistic on Mauricio, because "I had a beautiful, intelligent, funny, (blah blah blah) woman, and YOU MADE HER DISAPEAR," proving without a doubt that he still is shallow after the spell! All of her good qualities dissapear, only because her looks aren't a 10, and we are supposed to believe that Hal is turning over a new leaf? What sucks more is that, for no logical reason, the first time Hal looks at Rosemary (for real as an obese woman, and knows that it is her), he can instantly not only accept her, but want her. THIS ISN'T REALISTIC, PEOPLE!!! People who are shallow their whole life and don't look past the surface of people can't, in the blink of an eye, desire someone who physically, most people would consider a reject (wouldn't that be nice!). Basically, this movie wants us to believe that there's an on/off switch in our brain that can be flipped at-will to make us attracted to people we've never been attracted to before, which is completely untrue. This is why the transformation this movie tries to show us via Hal lacks logical soundness, and why this movie fails to teach us anything. While I did not find this movie offensive (it was actually quite funny at times, thanks to our three leads), I did finish the movie questioning how deep shallow Hal had managed to become.

Good comedy; too many awkward moments
Jack Black and Jason Alexander are masters of the art of comedy. We all know Alexander from the show "Seinfeld" (I think he and Cramner are much funnier than Seinfeld himself), and Jack Black is in the band Tennacious D (sp?), and has been in such movies as High Fidelity and Orange County. In Shallow Hal, these two don't dissapoint, especially in the scenes where they are together. I was on the floor laughing during the scene where Mauricio (Alexander) and Hal (Black) are at the bar and Mauricio first notices that Hal is dancing, and ultimately desiring, people that most Americans would find physically unatractive. Also, Gwyneth Paltrow plays her role very well, and isn't a sappy romantic leading woman like most are these days (ehhhhem.....Julia Roberts). She plays Rosemary, a kind, but overweight woman who, after some therapy that only allows him to see the inner beauty in future woman, appears to Hal to look gorgeous. This should, potentially, set up some very funny situations, and it does at times. However, it doesn't always tend to.

More often than not, this sets up too many awkward situations where realistically, Rosemary would have said something like "I never wanna see you again, you a$$hole!" Such moments include the scene where Rosemary and Hal are at lunch after they just meet, and the two argue about her beauty. Hal tells her that she must be "what.....110, 112 pounds?" I don't know in what world the directors must have been in to honestly let that one slide, but most overweight women would have slapped Hal, and been out the door. And that's just one of many scenes like it. They make the some parts of the movie uncomfortable to watch, at best. Fortunately, Black and Alexander manage to keep you laughing after scenes like the aforementioned. The second flaw in this movie is the spell that Hal is under. If the spell was supposed to make Hal see the inner beauty in people, then their looks should not have changed. In other words, this spell that Tony Robbins (Anthony Robbins) puts Hal under doesn't allow Hal to beomce less shallow; he STILL only goes after women who look like models to him. So, all of a sudden, at the end of the movie, he is instantly able to look past Rosemary's weight, and falls for her THE FIRST TIME HE SEES THE REAL HER! Bogus!!! I don't buy it one bit!! However, the amount of genuine laughs this movie contains still merit it 3 stars. ... Read more

Description

This compilation features 10 of Michael Jackson's greatest video hits, including "Billie Jean," "The Way You Make Me Feel," "Black or White," "Rock With You" and others. 90 minutes. ... Read more

Reviews (50)

An essential collection!
This is a review of the VHS video "Michael Jackson: Video Greatest Hits HIStory" Vol. 1. Whether or not you are a fan of Michael Jackson, this is an essential video because it shows how good music videos can be. BILLIE JEAN is a striking video that broke down color barriers on MTV; THE WAY YOU MAKE ME FEEL has a loose improvisational feeling to it which makes it fun to watch; BLACK OR WHITE is modern masterpiece complete with morphing and the controversial "panther dance" sequence. In the original version of this video, Michael smashes in a car windshield that has racist grafitti on it... he is fighting back against the racism. However, in the version included on this tape, the grafitti is edited out, so we just see Michael smashing a window for no apparent reason. Even so, the video is still an amazing experience! ROCK WITH YOU takes us back to 1980 before Michael's plastic surgery; BAD and BEAT IT include some of the best choreography even seen in music videos, although the version of BAD on this tape is the short version, not the full version with Wesley Snipes. This tape also includes the videos for Thriller, Remember The Time, Don't Stop Till You Get Enough and Heal The World in their entirety. This video is a powerful mix of music, dance, and film. Even if you don't think Michael is the King of Pop, this collection proves he is the King of VIDEO!

Michael Jackson - Video Greatest Hits - HIStory on Film
This spectacular compilation of Michael Jackson's music videos is a must-see for all MJ fans, and anyone else who enjoys good music and dancing. This tape includes the videos:

-Billie Jean -The Way You Make Me Feel -Black or White* -Rock with You -Bad (shortened version without Wesley Snipes) -Thriller (entire video with credits) -Beat It -Remember the Time -Don't Stop 'Til You Get Enough -Heal The World

This is a great video that shows not only the evolution of Michael Jackson's music, but also that of his appearance. Co-stars include Eddie Murphy, Iman, Magic Johnson, McAuley Culkin, Bart and Homer Simpson, and others. An exceptional video!!! *In the video Black or White, Michael appears to be furiously smashing the windows of a car for no reason. In the original, racist graffiti is painted on the windows. This was edited out in this version. Relax, Michael is not crazy. Or at least not that crazy.

Video HIStory
Don't just listen to the album,watch the videos! However there are fewer songs in this package than the audio counterpart. We see videos for hits from OFF THE WALL,THRILLER,BAD,DANGEROUS and of course,the audio counterpart of HISTORY. No fan of the King Of Pop should be without this unless he/she chooses not to.

Big fan here but this is a disappointment....
Honestly, I love Michael Jackson's music and have purchased History 2 on VHS (the gold box) and Dangerous: The Short Films before I got this. I was excited because I thought I would see some things different on this DVD, but it's all the same! You're better off purchasing Dangerous: The Short Films or History 2 because most of the same material on this video is on the others, and the others have some new added footage.

Thllermans/bestviedosondvd
Foryears michaeljackson hasrockedour world from abc to rock withyou jackson has made pop hirstoy and the viedos that made himfameuos are now on dvd frautes the viedos for billejean theway youmake me feel black orwhtie rock with you bad thllerbeatit rember thetime dont stop tillyou getehuogh andthe90shealthe wolrd. my fartivoe viedo is the thller video itsa shrot film with amazing muisc staring mihchael jackson theres also bad the 18minute nverbefore seenshrotfilm . this dvdis a collbte any mihchaeljacksonfan will love this dvd. ... Read more

Reviews (50)

Highly Entertaining--Great Acting
Okay, so Tom Cruise gets a job at a Memphis law firm, right? We've all read the book or seen the movie, so how does one recommend this to one uninitiated?

Cruise puts in a solid performance, again playing his guy-who-doesn't-catch-on-for-a-while character he does so well. Sydney Pollack is a great mainstream director, and he pushes all the buttons, as well as giving us a great cast including Gene Hackman, Holly Hunter, Ed Harris, Jeanne Tripplehorn, David Straithairn, Gary Busey, Hal Holbrook, and Wilford Brimley.

Top-notch acting all around, with especially good turns by Brimley and Hunter, playing against type. Hackman is always good to watch and he does a terrific job of making Avery Tolar a likeable guy in spite of his faults. I suppose the most amazing job was done by David Straithairn, who, with less than ten minutes of screen time, paints an indelible portrait of Ray McDeere, Cruise's convict brother. He is the most likeable character in the film.

The plot is the standard rising-above-conflict stuff. Watch this movie (again) for the performances, or for the fine score from Dave Grusin and try to ignore the changes from the book (which I think were justified in making the ending more cinematic and Hollywood).

Con-Firm Your Plans
The Firm, was the first John Grisham novel, adapted for the big screen. While I must confess, I never have read the book, I think the film is a solid "bubble gum" pot boiler that works very well.

Mitch McDeere, (Tom Cruise) is a young and hungry Harvard Law student, who turns down offers at the top law firms to take a position at a small but wealthy Memphis firm. Mitch grew up on the wrong side of the tracks. He is so taken with his mentor Avery Tolar, (Gene Hackman) his own ambition, and greed, he ignores his wife Abby's (Jeanne Tripplehorn) initial misgivings about the suspicious practices of his new employers. It's only when two of his fellow lawyers die in a mysterious accident that Mitch begins to share her apprehensions. He then launches an investigation into the true nature of the firm and discovers that it is a front for a complex and sinister web of organized crime, that goes to very top of the firm and even includes head Oliver Lambert (Hal Holbrook).

Directed by Sydney Pollack, the film benefits moreso from its all star cast, than it may have otherwise. Cruise proves that he can hold his own with Hackman for sure. Despite the fact that Cruise and Tripplehorn seem sparkless as a married couple, she too, is great in her scenes with Hackman. Pollack knows what works and keeps things at a brisk pace. His skills are evident as he juggles many different subplots that come together in the end nicely. One final comment on the film: Composer Dave Crusin's atypical music score adds just the right touch in setting the scene and giving the movie some flavor.

I don't know what it is about most of the John Grisham legal thrillers, but like most of them, the DVD of The Firm lacks any substantial extras. All you get here are two theatrical trailers--nothing more. A commentary track or a few deleted scenes would have put this product over the top.

The Firm doesn't have as much of a soapbox element as other Grisham stories do..that's ok. It's all for fun. No extras aside--Recommended

NOTHING IS WHAT IT SEEMS
With superb acting fome the always good Tom Cruise,Ed Harris,
Gene Hackman,Holly Hunter,e.t.c.I really liked this movie it was
really entertaining and even funny,well when Gary Busey is on
screen as a sleazy P.I with a magnum under his desk shootin at
2 assasin like guys.The movie is all around good and worth a
watch.Don't want to give to much away so rent it,buy it,what ever
just watch it.

Excellent
I first saw 'The Firm' just because it sounded interesting. What I didn't know, though, was that I was in for quite a treat! I enjoyed every minute of this intense thriller, from the beginning until the surprise ending (though I'm tempted to tell what happens, I'll let you find out for yourself!). I tell a bit of the story here, so it is possible they may be regarded as **SPOILERS**, so if you don't want to know anything about the movie, STOP READING.

Tom Cruise shows off one of his best performances as Mitch McDeere, the formally poor boy who goes off to Harvard Law School and graduates cume laude. He goes to many prestigious firms, all of whom want him real bad. One firm, though, Bendini, Lambert, and Locke, strikes his interest. In return for joining, he gets $100,000 per year, and a shiny new Mercedes. He accepts, and he and his wife, Abby (Jeanne Tripplehorn), fly to Memphis, where they get a nice house, with most of it payed for by the firm. The story unfolds, and through the course of events, Mitch learns the dark truth about his firm. . .

The acting is superb in this film. Tom Cruise's performance reminds me of his in 'A Few Good Men'; strong and realistic. Jeanne Tripplehorn is a pleasure to watch as his wife Abby. Gene Hackman plays a surprisingly sympathetic role as a partner in the firm. Holly Hunter (who received an Oscar-nomination for her role) is almost humorous as a southern-twanged secretary-turned victim-turned accomplice. Ed Harris brings his usual fine acting style as an FBI agent, and veteran actor Hal Holbrook plays a grandfatherly lawyer more evil than his attitude would imply. Sydney Pollack's directing is radiant, and the single piano score by Dave Grusin can be both calm and content, then become fast and furious.

In conclusion, 'The Firm' is a fun, fresh thriller, and it should be enjoyed for years to come.

A Firmly Gripping Thriller !
In this screen adaption of one of John Grisham's most thrilling legal novels, Tom Cruise plays a graduating Harvard law student that is recruited by many of the nation's top law firms. He ends up choosing a firm based in Memphis, where he takes his school-teacher wife and shaggy dog to a seemingly perfect life ahead of them both. The trouble begins when Cruise gets suspicious about a murder that has occurred to one of the firm's lawyers. The action then begins there where Crusie enters a world of glitz, money, and not to mention murder in this thrilling film. With the firm hot on his heels in pursuit to silence him, Cruise exposes the truth about the firm's dirty secrets that are sure to be a shocker. ... Read more

Reviews (95)

One of the Most Edgy Courtroom Drama's of All Time!
To say A Few Good Men is superb is an understatement. This film has it all: a great story, great acting, great suspense, and great drama. The film should really be part of the 5-Star Collection. The film has a great cast Tom Cruise, Demi Moore, Jack Nicholson, Kevin Bacon, and Kevin Pollak.

This film is about two members of the Navy, who are being tried for the murder of their partner for being a witness to one of them shooting illegally into Cuba. This sparks for a great drama in which a smart mouthed, cocky lawyer (Cruise), his brash female love interest (Demi Moore), his "helper" so to speak (Kevin Pollak), a angry Col. (Nicholson), and the prosecutor (Kevin Bacon).

This film is great, and I would recommend it to anyone who loves good acting and an even better story.

DVD Special Features Include:

• Region 1 encoding (US and Canada only)
• Color, Closed-captioned, Widescreen, Dolby
• Production notes
• Audio Commentary by Director Rob Reiner
• Exclusive Documentary: Code of Conduct
• Featurette: From Stage to Screen with Aaron Sorkin and Rob Reiner
• Full-screen and widescreen anamorphic (2:35:1) formats

A Great Courtroom Drama
I have always been fond of courtroom dramas. I have always enjoyed watching lawyers and prosecutors giving their opening speeches, doing their job the best way they can, and closing statements. I love everything regarding those things. "A Few Good Men" is perhaps the best courtroom drama so far.
Lt. Daniel Kaffe (Tom Cruise in an excellent performance) has to defend two U.S. Marines accused of accidentally murdering one of their colleagues because they were ordered to carry out a disciplinary punishment called 'Code Red'. The characters fulfill their performances well: Jack Nicholson -in a scene-stealing performance -as the commander of the accused soldiers, the late J.T. Walsh as his executive officer, J.A. Preston as the judge on this court martial, and Kevin Bacon as the prosecuting Marine. The only person I feel uncomfortable with is Demi Moore as the Navy officer who pushes Kaffe to the limit in his duty as a defending lawyer; she seems to me like a rag doll, just a cast-filler.
But who cares? The fact is that director Rob Reiner made an excellent courtroom movie from a fantastic material written by Aaron Sorkin. Marc Shaiman's music score does a fine addition to these precedings, and the photography by Robert Richardson adds a touch of class to this film. This is a great movie all the same.

Best movie EVER!
I really like this movie. It has alot of suspense and it keeps you wondering what the outcome will be. This movie is my favorite movie and I keep wanting to watch it over and over again. I strongly recommend this movie to anyone who likes suspense mixed in with a little humor!

Unit - Corps - God - Country.
How much critical thought can the military allow its rank and file? Certainly most orders must be followed unquestioningly; otherwise ultimately the entire Armed Services would collapse. But where do you draw the line? Does it matter how well soldiers know not only their military but also their civic duties? Does it matter whether trials against members of the military are handled by way of court-martials, or before a country's ordinary courts?

I first saw "A Few Good Men" as an in-flight movie, and after the first couple of scenes I thought that for once they'd really picked the right kind of flick: A bit cliched (yet another idle, unengaged lawyer being dragged into vigorously pursuing a case against his will), but good actors, a good director and a promising storyline.

Then the movie cut from the introductory scenes in Washington, D.C. to Guantanamo Bay, Cuba, and Jack Nicholson (Colonel Nathan Jessup) inquired: "Who the f**k is PFC William T. Santiago?"

And suddenly I was all eyes and ears.

Director Rob Reiner and Nicholson's costars describe on the movie's DVD how from the first time Nicholson spoke this (his very first) line in rehearsal he had everybody's attention; and the overall bar for a good performance immediately rose to new heights. Based on my own reaction, I believe them sight unseen. Or actually, not really "unseen," as the result of Nicholson's influence is there for everybody to watch: Never mind that he doesn't actually have all that much screen time, his intensity as an actor and the personality of his character, Colonel Jessup, dominate this movie more than anything else; far beyond the now-famous final showdown with Tom Cruise's Lieutenant Kaffee. Nobody could have brought more power to the role of Jessup than Nicholson, no other actor made him a more complex figure, and nobody delivered his final monologue so as to force you to think about the issues he (and this film) addresses; and that despite all the movie's cliches: The reluctant lawyer turning out a courtroom genius (as lead counsel in a murder trial, barely a year out of law school and without *any* prior trial experience, no less), the son fighting to rid himself of a deceased superstar-father's overbearing shadow, and the "redneck" background of the victim's superior officer Lieutenant Kendrick (Kiefer Sutherland, who nevertheless milks the role for all it's worth).

Screenwriter Aaron Sorkin, who adapted his own play, reportedly based the story's premise - the attempted cover-up of a death resulting from an illegal pseudo-disciplinary action - on a real-life case that his sister, a lawyer, had come across in the JAG Corps. (Although even if I take his assertion at face value that assigning the matter to a junior lawyer without trial experience was part of the cover-up, I still don't believe the real case continued the way it does here. But be that as it may.) Worse, the victim is a marine serving at "Gitmo," the U.S. Naval Base at Guantanamo Bay, where *any* kind of tension assumes an entirely different dimension than in virtually any other location. In come Lt. Daniel Kaffee (Tom Cruise) and co-counsels Lt. Sam Weinberg (Kevin Pollack) and Lt.Cmdr. JoAnne Galloway (Demi Moore), assigned to defend the two marines held responsible for Santiago's death; L.Cpl. Harold Dawson (Wolfgang Bodison) and PFC Louden Downey (James Marshall), who claim to have acted on Kendrick's orders to subject Santiago to a "code red," an act of humiliating peer-punishment, after Santiago had gone outside the chain of command to rat on a fellow marine (none other than Dawson), attempting to obtain a transfer out of "Gitmo." But while Kendrick sternly denies having given any such order and prosecuting attorney Captain Ross (Kevin Bacon) is ready to have the defendants' entire company swear that Kendrick actually ordered them to leave Santiago alone, Kaffee and Co. believe their clients' story - which ultimately leads them to Jessup himself, as it is unthinkable that the event should have occurred without his knowledge or even specific direction.

By the time of this movie's production, Tom Cruise had made the part of the shallow youngster suddenly propelled into manhood one of his trademark characters (see, e.g., "The Color of Money," "Top Gun" and "Rain Man"); nevertheless, his considerable skill (mostly) elevates Kaffee's part above cardboard level. Demi Moore gives one of her strongest-ever performances as Commander Galloway, who would love to be lead counsel herself in accordance with her rank's entitlements, but overcomes her disappointment to push Kaffee to a top-notch performance instead. Kevin Pollack's, Kevin Bacon's and J.T. Walsh's (Jessup's deputy Lt.Col. Markinson's) performances are straight-laced enough to easily be overlooked, but they're fine throughout and absolutely crucial foils for Kaffee, Galloway and Jessup; and so, vis-a-vis Dawson, is James Marshall's shy, scared Downey, who is clearly in way over his head. The movie's greatest surprise, however, is Wolfgang Bodison, who, although otherwise involved with the production, had never acted before being drafted by Rob Reiner solely on the basis of his physical appearance, which matched Dawson's better than any established actor's; and who gives a stunning performance as the young Lance Corporal who will rather be convicted of murder than take an unhonorable plea bargain, yet comes to understand his actions' full complexity upon hearing the jury's verdict.

"Unit - corps - God - country" is the code of honor according to which, Dawson tells Kaffee, the marines at "Gitmo" live their lives; and Colonel Jessup declares that under his command orders are followed "or people die," and words like "honor," "code" and "loyalty" to him are the backbone of a life spent defending freedom. Proud words for sure: But for the "code red," but for the trespass over that invisible line between a legal and an immoral, illegal order they might well be justified. That line, however, exists, and is drawn even in a non-public court-martial. I'd like to believe that insofar at least, this movie gets it completely right.

Another Good Jack Nicholson Film
A good adaptation of Aaron Sorkin's play, A Few Good Men. Rob Reiner does a great job creating a suspenseful, entertaining tale of a fence line shooting at a Guantanimo Bay marine base. Sorkins dialogue sparkles as it always does. The sound is particularly strong technical high point. Jack Nicholson does a great job as Col. Nathan Jessup, the base commander. This role earned him a well-deserved Best Supporting Actor Oscar nomination. Tom Cruise, Keifer Sutherland, and Kevin Bacon all have respectable performances. The only true weak spot in the film is yet another wooden, one-dimensional performance by Demi Moore. ... Read more

Reviews (187)

"I haven't been home in years"
In my opinion this is John Candy's best movie. They should dedicate it to him. Steve Martin does a great job playing the cynic. It will have you crying from hysterical laughter or from tugging at your heartstrings. It starts out with "Neal" played by Steve Martin getting out of a marketing meeting late in New York during rush hour he runs to catch a cab for the airport so he can spend Thanksgiving with his family. With two days to get there you figure he should be plenty early. You aren't counting obstacles like "Del" played by John Candy. While Neal is giving money to a lawyer to buy him out of taking a cab in front of him, Del loads his trunk in it and takes off. The meetings and journey these two have after that is one for the record books. Del does everything he can to get Neal home to his family. They must take a Plane, Pickup Truck, Train, Bus, Rental Car, Semi, and the El to make it to Neal's Chicago Home with a detour to Kansas City. Neal may miss his daughters Thanksgiving Play but he will get a life lesson from Del that is priceless. This is a great one to own on DVD.

Any transportation will do!
Steve Martin and the late John Candy team up for this hilarious comedy PLANES,TRAINS and AUTOMOBILES. There's a cameo by Kevin Bacon who grabs a cab in the heavy New York City traffic. Bacon starred in SHE'S HAVING A BABY filmed around the same time as this film. Neal Page(Martin) is a marketing executive who plans to return home to Chicago for Thanksgiving. Neal grabs a cab,throwing out Del Griffith(Candy) who was about to enter the cab. Salesman Griffith and Page meet in an airport about to fly to Chicago. Massive storms forced the Chicago flight to be canceled so the two end up in Wichita,Kansas. Page and Griffith check in at the Braidwood Inn. They both take out their credit cards to pay,thus their respective cards accidentally end up in the other's wallet! Page and Griffith share a room since it was the only available room left. They sleep together,thus Page becomes annoyed by Griffith's loud snoring. Page became so angry that he impulsively got up and prepared to get dressed and leave. The pair end up in a heated argument over Griffith's behavior and imcompetence. Page's anger subsides so he undresses again and goes back to bed. Come daylight,Griffith is dreaming that he's embracing his late wife. He gently kisses Page's ear and Page is holding Griffith's hand. So Neal and Del make their plans on how to get home safely and quickly. One point in the film shows an angry Neal upset with an agent at a rent-a-car company("YOU CAN GET ME A F---ING DATSUN,A F---ING TOYOTA,A F---ING BUICK,A F---ING MUSTANG! FOUR F---ING WHEELS AND A SEAT!") What happens next? Del shows up in a car he's renting. Incompetent Del finishes smoking a cigarette that when he was about to toss the still-burning butt out the window,it accidentally ended up in the back seat of the car. The car becomes ablaze and even worse,Neal's wallet was in the glove compartment with his credit card back in it. All the glove compartment contents burned in the fire. Now Neal is really furious with Del. Neither had $42.50 to check in for the night at a nearby motel so Neal comes up with $17 cash and a wrist watch. The on-duty manager accepts Neal's alternate payment. When Del comes up with $2 cash and a nicer-looking watch,the manager refuses and "says goodnight". Del is freezing to death outside in his charred rent-a-car until Neal invites him to share his room. Come Thanksgiving Day,despite all the aggravation and struggling,Neal arrives home in Chicago safe and sound. Del is with him. Del confessed that he is homeless and lost his wife. That was why Del said in one scene,"I haven't been home in years." His business of selling shower curtain rings is what is keeping him financially stable and clean. The end theme is "Everytime You Go Away" written by Daryl Hall of the rock/pop duo Hall and Oates and was a minor hit for them and later a bigger hit for Paul Young. This film was directed by John Hughes who also directed SHE'S HAVING A BABY and would later direct CURLY SUE. Listen for an audio excerpt from SHE'S HAVING A BABY. It's an argument between Bacon and Elizabeth McGovern. I dedicate this film to the memory of John Candy who died in 1994 at age 43 of a heart attack.

TOPS!!
Call me silly, but I am 44 and have been watching movies most of my life. This is my #1 favorite movie of all time. It cant compare with the great movies throughout history, but they are not my #1 favorite....this one is. How is that for a review?

That's it?
Just the film? No give-me's? No side dishes? Movie a la carte? No interviews, outtakes... nothing?

Fortunately the movie itself is a decent comedy. PLANES, TRAINS AND AUTOMOBILES is a fine film in a long tradition of road films, where the final destination is seemingly impossible to reach (like CLOCKWISE, AROUND THE WORLD IN 80 DAYS, e.g.) Steve Martin and John Candy make a surprisingly good team, and John Hughes lets them cut loose, fortunately. Unfortunately, the ending lurches into the treacly, sentimentality that Hughes just can't seem to avoid. Scratch that last comment, the ending I suppose is okay for this comedy. Give this film a view.

Great John Candy & Steve Martin Movie, but no extras
Let me start by saying that this is one of my favorite comedies of all time. I've loved this movie for years and I can watch it over and over again. I personally don't see how anyone could not like this movie, but you can't please everybody.
During the movie, Steve Martin is trying to get home to Chicago for Thanksgiving, but his plane lands in Kansas where he's stuck with Del Griffith (John Candy). They do everything they can to get home, but something always goes wrong. And you will laugh through almost the entire movie.
You've probably noticed that I gave this DVD 4 stars, and not 5. My reason for this: There are no special features. It seems like Paramound is just lazy when they put out DVD's. Almost every DVD I have that has no special features are by Paramount. There had to be interviews with Steve Martin and John Candy when the movie was made, or do some new interviews with Steve Martin and John Hughes. I would like to correct one reviewer about them cutting scenes from the DVD. I assume you are talking about the funny scene on the plane when they are being served their food. This is a scene that was not included in the movie at all, it's just added sometimes to the TV version. But I still think that scene should have been included on the DVD. Not as a deleted scene that you could view by itself, but actually included in the movie. ... Read more

Amazon.com

Penny Marshall's popular 1992 comedy sheds light on a little-known chapter of American sports history with its story of a struggling team in the All-American Girls Professional Baseball League. The league was formed when the recruiting of soldiers during World War II resulted in a shortage of men's baseball teams. The AAGPBL continued after the war (until 1954), and Marshall's movie depicts the league in full swing, beginning when a savvy baseball scout (Jon Lovitz) finds a pair of promising new players in small-town Oregonian sisters (Geena Davis, Lori Petty). The sisters are signed to play for the Rockford Peaches near Chicago, whose new manager (Tom Hanks) is a former home-run king who wrecked his career with alcoholism. They're all a bunch of underdogs, and Marshall (with a witty script by Lowell Ganz and Babaloo Mandel) does a fine job of establishing a colorful team of supporting players including Madonna and (in her movie debut) Rosie O'Donnell. It's a conventional Hollywood sports story (Marshall's never been one to take dramatic risks), but the stellar cast is delightful, and the movie's filled with memorable moments, witty dialogue, and agreeable sentiment. And just remember: there's no crying in baseball! --Jeff Shannon ... Read more

Reviews (114)

A League Of Their Own (1992)
What an amazing movie! This has to be my favorite Madonna movie, other than Body Of Evidence. It features an all star cast: Tom Hanks, Geena Davis, Madonna, Lori Petty, Rosie O'Donnell, Jon Lovitz, Garry Marshall, and Bill Pullman.

Geena Davis stars as Dottie Hinson and Lori Petty stars as Kit Keller, two adult sisters who play baseball on a minor team in Oregon of 1943. Dottie is a married woman, whose husband, Bob Hinson (played by Bill Pullman) is overseas fighting in the war that was going on at the time. Dottie is an excellent ball player. Kit is a bitter person who is always being treated like crap. After a game, the two are in their barn milking cows, where a scout by the name of Ernie Capadino (played by Jon Lovitz) walks in and offers them a to try out for the All American Girls Professional Baseball League (A.A.G.P.B.L.). Dottie wants nothing to do with it, but Kit knows that this could be big chance for the both of them, so Kit talks Dottie into going. While on the way to Chicago for the try outs, they pick up Marla Hooch, who is an excellent batter. The three finally make it to Chicago. While getting ready to try out, they meet gal pals Doris Murphy (played by Rosie O'Donnell) and Mae Mordabito (played by Madonna). They all are chose to a team: The Rockford Peaches.

Tom Hanks is in the role of Jimmy Dugan, who is a washed up ball player, who is called by Walter Harvey (played by Garry Marshall) to coach the Rockford Peaches.

The Peaches become a smash, winning every game there ever is, all because of their most popular play, Dottie. Kit is angered at this and is traded to another team: The Racine Belles.

The Peaches finally make to the last game of the season. Their opponents: The Racine Belles. Dottie and Kit are up against each other for one final time. Who will win the championship? The Peaches? Or The Belles? Watch this amazing movie, based on the actual events of the A.A.G.P.B.L. This is a movie that is guaranteed to make you watch it over and over again.

My Absolute Favorite
This has alway been my all time favorite movie! I remember my mom and I were in Blockbuster Video store when I was nine, and she and I couldn't find anything. Then, she saw "A League of Their Own," she told me that I would love this movie. And boy was she right. I have seen this movie over 50 times, I know the entire dialogue, the songs, every moment, I can rehash line for line right now if I wanted to. I think this movie had the most well-rounded cast in over a decade. Geena Davis was amazing as Dottie Henson; a person who loved the game very much, although she tried to pull off that she didn't. Lorri Petty's best role to date, as Kit Keller, Dottie's younger sister, whom is always stuck in Dottie's shadow. The chemistry between Petty and Davis is amazing, they work so well together, they were extremely believable. Tom Hanks was fantastic as the alcoholic, ex-baseball star Jimmy Dugan, which of course, his classic urinating seen is a total laugh. Madonna and Rosie had made the laughs of the film, they were wise cracking and hilarious.

I can go on and on about this film, and the problem is, I can't quite articulate how much I love this film, and why I love it so much. I've cried many times, especially the scene with Betty "Spighetti" and at the end of the World Series. I love this film, Penny Marshall is a Goddess. She chose the perfect actors, and the perfect score, especially Madonna's "Playground" which still makes me cry at the ending sequences. This movie observes a part of history that is ignored. Many to this day, have no idea about the professional baseball league, grant it, this movie "idealized" what really happened, but it made you proud. I think this is still a must-see of a movie, it is still my all-time favorite movie, and it has been for 11 years.

Brilliant film!!
This is one of my favourite films, it made me want to watch it again and again. With an all star cast including Geena Davis, Lotti perri and Tom Hanks, who give brilliant and funny performances. This film is funny,tear jerking and an all round good film. The storyline is brilliant and what more can i say....its definately worth buying!

Good movie but......
Who in the world in Tom Hanks supposed to be. I know he wasnt a real baseball player b/c he said he hit 487 homeruns for Mr Harvys ball team, i have never heard of the guy. Was his name chaged or something? Oh yeah and Harvy Field????? Can u say Wrigley Field. But besides the little things that only people who love baseball would find it is over all a good movie.

I think this is a great movie!
Well I'm biased because my cusin is in this movie. He dances with madonna in the bar sceen.. But I still think that it's a good movie. ... Read more

Reviews (67)

The Little Guys Triumphs
I have to admit that I have never been a big fan of Frank Capra's directing or the stories he chose. But this movie scores for me. James Stewart is simply amazing as Jefferson Smith, the naive young man who discovers that Washington and politicians are not what they seem to be. Jean Arthur, an actress who seems to be forgotten these days, is excellent as the secretary who has seen it all. Claude Rains and Harry Carey do well in supporting performances as a senator and the president of the Senate. The underlying themes about political corruption and the power of the people still work today. The scenes surrounding the filibuster are unforgettable, and you'll find yourself routing for the little guy, something I thought I was too cynical to do myself.

Jimmy Stewart's Finest Performance in Capra Gem!
Mr. Smith Goes to Washington is a timeless, brilliant parable of Good Vs. Evil, played out in the U.S. Senate. Good is represented by Jimmy Stewart, in the film he SHOULD have won an Oscar for (MGM, trying to bolster 'Goodbye, Mr. Chips' at the box office, influenced it's Academy members to award Robert Donat with the statue; the following year, Stewart appeared in 'The Philadelphia Story', for MGM, and won Best Actor!). He is magnificent as Jefferson Smith, an idealistic youth leader, who is offered up as an innocent and gullible replacement for a Senate vacancy. Evil is personified by Claude Rains, as the suave and corrupt senior Senator, and Edward Arnold, brilliant as a ruthless party boss.

In many ways, 'Smith' is cut from the same cloth as Capra's earlier masterpiece, 'Mr. Deeds Goes to Town', and both films costar the radiant Jean Arthur, here cast as Smith's secretary. She is an old hand at understanding political wheelings and dealings, and at first, she considers her new boss a total idiot! But Smith's integrity wins her over, and with the help of reporter Thomas Mitchell (1939's busiest actor!), the three manage to outlast the forces of Evil, in the most rousing filabuster Hollywood has ever filmed!

Two supporting characters deserve special attention; Harry Carey, one of Hollywood's most beloved Western stars, plays a warm, sympathetic Vice President, in a small but very crucial role; and Beulah Bondi is terrific as Stewart's mother (she would play his mother again in the Capra/Stewart classic 'It's A Wonderful Life').

The new DVD edition offers the insights of Frank Capra, Jr., son of the legendary filmmaker, as well as trailers, vintage material, and a whole lot more!

If you've seen 'Mr. Smith Goes to Washington' before, treat yourself with this lavish new edition! If you haven't seen it, you are in for one of the most wonderful cinema experiences you'll ever have, from the best year Hollywood ever had!

Simply put, this film is a masterpiece!

An All-American Film
This movie is perfect for July 4th..in fact, I watched this movie for the first time on this day! If you want to see how a bill is passed, what the Senate consist of in the government, how people in politics are after, great monuments like the Capitol and Lincoln, and a great storyline, this is the movie for you.
Jimmy Stewart played Jeff Smith, a Boy Scout ranger who loves America, was picked as a Senator. His honesty and rookie nature made him a ruse for the experienced Senators who are out to get him and throw him out of office with their lies. Meanwhile, he did find a friend who went with him all the way...his secretary, Clarissa (who falls in love with him). You will have to find out the rest of the movie what happens when people found out that Smith was telling the truth all along, and the bad guys.
This is a great movie!! Go watch it!

THE LAST "CONSERVATIVE" MOVIE?
In 1939, Frank Capra made "Mr. Smith Goes to Washington", starring Jimmy Stewart. I have sources that tell me a film was made 10 years later that depicted the Republican as a good guy, but I could not verify it. To the best of my knowledge, "Mr. Smith Goes to Washington" is the last big screen film in which the Democrat was the bad guy, and even then it is only inferred. In Capra's classic, a Midwestern political machine based on the corrupt Democrat organization in Kansas City that Harry Truman rose to power in, is exposed by an idealistic young Senator (Stewart). Claude Rains plays the Truman character. He looked just like him, and in end gives a Senate floor mea culpa of his complicity with Democrat crimes, which is highly, precisely and to quintessential effect the same one "Give 'em hell Harry" should have given, but never did. All is not lost for the Democrats, however, because Stewart is still a Democrat, and the hope for the future. In reality, the Democrats just got m