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| 1. Sex and the City - The Complete Fifth Season Director: Martha Coolidge, Allen Coulter, John David Coles, Darren Star, Michael Spiller, Matthew Harrison, Dennis Erdman, Michael Fields, Timothy Van Patten, Wendey Stanzler, Victoria Hochberg, Michael Engler, Michael Patrick King, Nicole Holofcener, Alison Maclean, Daniel Algrant, Pam Thomas, Susan Seidelman, Alan Taylor, David Frankel | |
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Amazon.com Reviews (189)
We can be so hard on celebs. We love them yet we hate then and we are ultra critical of them. Lastly, I again want to remind you, dear reader, to consider the source and look up any info you can find on a reviewer and weigh that against whatever they write. Also take totally anonymous reviews with a big grain of salt. And again...I enjoyed the fourth season of Sex In The City even with it imperfections!
Many fans complained that Season 5 wasn't funny enough. Not enough men, not enough sex. Real single women know that Season 5 was the closest of all the seasons to what all of us experience in our daily lives - loneliness, good friends, occasional romantic connections, and a lot of "in between". Season 5 isn't "filler" or a poor season - its real life. Fans of the show who don't enjoy this season are, perhaps, happy to forget about their own lives while following those of Carrie, Charlotte, Miranda and Samantha. I prefer to think of the women of SATC as myself and my friends - and Season 5 proves that they are. ... Read more | |
| 2. Sex and the City - The Complete First Season Director: Martha Coolidge, Allen Coulter, John David Coles, Darren Star, Michael Spiller, Matthew Harrison, Dennis Erdman, Michael Fields, Timothy Van Patten, Wendey Stanzler, Victoria Hochberg, Michael Engler, Michael Patrick King, Nicole Holofcener, Alison Maclean, Daniel Algrant, Pam Thomas, Susan Seidelman, Alan Taylor, David Frankel | |
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Description (c) 2003 Home Box Office.All rights reserved.HBO(r) and Sex And The City(r) are service marks of Home Box Office, Inc. Reviews (236)
In fact, if even movies were this good, we'd be going all the time! The writing is superb, as is the acting, sets and fast-paced story line. If you've ever lived, as a single, in a large urban city and were remotely involved in the 'dating game', then you'll be able to relate to the characters. While mostly women, there are enough male characters for both sexes to connect with the 'dating game' and its ups and downs-- and the characters' ambitions, loves, fears and shared joys. Now I know why there has been so much "buzz" about this series... It's a totally sexy, hip romp! (Note: this is defintely not something that "Christian Coalition" types will admit to liking....!)
LOVE THIS SERIES! ... Read more | |
| 3. If These Walls Could Talk 2 Director: Martha Coolidge, Anne Heche, Jane Anderson (II) | |
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Amazon.com The three stories of If These Walls Could Talk 2 are uneven. Far and away the most powerful and moving story is the first, taking place in 1961, starring Vanessa Redgrave as a woman "widowed" when her partner of 50 years suddenly dies. Redgrave is phenomenal, and her piece alone makes this sequel worth watching. The 1972 portion stars Michelle Williams, who finds dealing with the sexual politics of the gay community increasingly more complex when she falls in love with a boyish woman (played by Chloë Sevigny). The most modern piece, taking place in 2000, portrays a contemporary lesbian couple (Sharon Stone and Ellen DeGeneres) determined to have a baby. The light nature of the story detracts from the more serious issues of the earlier segments. Despite the mixed fare, HBO once again proves itself on the cutting edge of moviemaking, with this rather daring film that will both provoke and entertain. --Jenny Brown Reviews (72)
The first story is set in the 1950's and shows the sorrow of having to keep a lesbian relationship secret. Vanessa Redgrave's utter destruction over the death of her partner and her being unable to show the full extent of her loss. From the hospital to the gold digging relatives, no one offers her true comfort for what she has rightfully lost and she must grieve alone. For me, the second story was the best. Set in the 1970's, it tells the story of a feminist who falls in love with a masculine dressed woman. The passion is overwhelming. There is a nude scene that really shows pure sexual passion. Michelle Williams potrayal of the feminist is a moving and wonderful thing to watch. The final story is about 2 women trying to conceive a baby. While I'm not sure about the chemistry between Ellen DeGeneres and Sharon Stone, I do think Sharon Stone gives a tender portrayal of a loving woman. I found the watching of the children in the park to be a little creepy and unnecessary. Even if you aren't a lesbian, just the acting and the emotions of relating to other women is worth the rental or purchase price.
Pro-choice lesbians who are politically-active athiests! Cher and Sharon Stone survive a Sam Peckinpah-styled shootout when crazed religious fanatics open fire on them for helping poor confused young girls into the local abortion clinic. When Chloe Sevigny, their adopted daughter, dies in the attack, Cher and Sharon decide to instead turn their attention to removing all crosses and nativity scenes from America. I had the same problem with the first WALLS film that I had with this one: drama sidestepped to make a political statement. Most of the America isn't gay or lesbian, so the film could've been more interesting by seeing reactions to the characters' lesbianism in families and work and so forth. HBO has all the tools to make a daring, provocative film. Maybe someday they will.
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| 4. Real Genius Director: Martha Coolidge | |
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Reviews (110)
A lot of people think the magic of this awesome flick is in Val Kilmer...and yes, I'll admit, he hits every line perfectly and is quite a hottie...but I think we should all give serious kudos to Gabriel Jarret - the awesome co-star. Okay, so maybe he's not a stud like Val (Gabriel is teddy-bear cute in this movie. You just wanna pinch his cheek!), but he's still great. He's got the whole mama's boy thing going on as Mitch, and he really makes his character come to life. He plays a shy, quiet, geeky 15 year-old perfectly (BTW, does anyone know how old he was when he did this movie?). But anyway, one of the neatest things about "Real Genius" is its incredible, believable, totally quotable script. You'll find a new favorite quote every time you watch it (and trust me - watching it once isn't enough). Okay, I've blabbered on enough. SEE THIS MOVIE ~ you will LOVE it! ~ Peace out ~
The movie is really about Mitch finding his way in a high-pressure college situation. He endures Kent, the jerk that tortures him and who works in the same lab. Kent is not untalented, but not a genius like Chris or Mitch and resents the favoritism genius claims. Kent tries to get attention by sucking up to Prof. Hathaway (brilliantly played in all his corruption by William Atherton), but never gets what he is seeking. As just one minor example of the riches in this movie is the scene when Mitch is going to a packed math class. Soon people start bringing small tape recorders to class and not attending. Mitch is one of the few actually listening to the prof. Finally, Mitch is the only one in the class, even the prof becomes a reel-to-reel tape player with a sign attached that says encourages the students to listen carefully. While changes in technology would make that scene impossible today, it is still wonderfully effective. Mitch also meets Jordan, a girl who is so hyperactive she doesn't sleep, finds time to invent things as well as resurface the floor in her dorm room. Jordan is magnificently played by Michelle Myrink and is one of those characters you wish you knew in real life as a friend. Although, frankly, Jordan would be exhausting to know. But her intelligence, innocence and kindness would more than compensate for the energy you would have to expend keeping up with her. The movie is populated with wonderful characters of all sorts. The plot is hung on a very 80s theme, but that's OK, the final scene draws it all together in spectacular and funny way. A classic.
It is a delightful college romp with geeks aplenty, and the humor is a lot classier than Animal House, which is another good college flick. It is full of subtle and not so subtle satire on society, such as the botched saying ("like shooting ducks in a barrel") in the slick video boardroom presentation for the weapon concept, and the remark from one general after hearing about having a working weapon system by June - "Don't ask me, I haven't had a working weapon system since Korea." I can't add anything about the Cal Tech trivia, but it did seem to me that the limo used for the weapon test looked an awful lot like JFK's ill-fated Dallas limo. Veiled commentary about the Military-Industrial Complex? There is, of course, lots of geek/college humor, but nothing really gross. The sexual humor and references are pretty light, well handled, and fit in with the story. The humor covers the social commentary well, and the film makes its statements without preaching. It is a film I recommend to all students entering college. It is also one of those films that I watch regularly to boost my spirits and have a good time. It reminds one not to take onself too seriously. Highly recommended.
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| 5. Introducing Dorothy Dandridge Director: Martha Coolidge | |
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Amazon.com Reviews (26)
Although a bit soap opera-ish at times, this is a compelling and well-made film. It is full of excellent production values--great sets and costumes really help tell this tale. Musical numbers are skillfully woven into the overall story. But it's the fine performances that really make this biopic special. Berry is superb in the challenging title role. Fiery and vulnerable, Berry creates a full-bodied cinematic portrait of this compelling woman. She gets solid support from a superb supporting cast that includes the versatile Loretta Devine as Dorothy's mother. Klaus Maria Brandauer brings elegance and gravitas to his role as director Otto Preminger. I was especially impressed by Brent Spiner in the pivotal role of Earl Mills, Dorothy's manager; if you only know Spiner from his role as Mr. Data from "Star Trek: The Next Generation," you are in for a revelation in this film. There are some powerful scenes in this film, and it really holds together overall as a unified whole. "Introducing Dorothy Dandridge" is a fitting tribute to Dandridge herself, and is a compelling slice of African-American history and Hollywood history.
Fascinating story. I've been reading a book on DD written by a man who had contact with her sister...much better than the movie, but nevertheless, the movie is ok for a beginner.
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| 6. Valley Girl Director: Martha Coolidge | |
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Amazon.com Reviews (68)
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| 7. Lost in Yonkers Director: Martha Coolidge | |
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Reviews (7)
This wartime story centres round two boys whose father sends them to live with their grandmother so he can repay a debt. There's an air of tragedy throughout this comic film. The debt is the hospital expenses of the boys' dead mother, and much of the film is spent dwelling on this and other deaths in the family. But Neil Simon does it so well, and the comedic moments do not in any way lessen the impact of the more melancholy scenes. The screenplay was adapted by Simon from his own play and it shows, with almost all scenes set in Grandma's house. But this does not detract from what is a very well made, enjoyable movie.
Though not as true to the play as it could have been, for a movie adaption, it was very well done.
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| 8. Out to Sea Director: Martha Coolidge | |
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| 9. The Prince and Me (Widescreen Edition) Director: Martha Coolidge | |
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Reviews (34)
Blame it on those repeat viewings of "Shrek" and "The Princess Diaries." If we'd been showing her "28 Days Later" and "Dawn of the Dead," she probably would have chosen "zombie" as her dream job. When pressed, poor Em couldn't say exactly what duties a princess performed on a regular basis. She won't have a much clearer picture if she happens to see "The Prince & Me," in which sunny Julia Stiles -- whose range and personality deserve better material than this -- plays Paige, a pre-med student who ponders forsaking medical school to try her luck as, oh, just the wife of Edvard (Luke Mably), her former chemistry lab partner who just happens to be the crown prince of Denmark traveling incognito. Wait, what's that? The king (James Fox) is in feeble health and is preparing to step down and let Eddie rule instead? Paige, baby, you're gonna be queen! Talk about a signing bonus! The primary plot strands in the screenplay were well-worn when Sigmund Romberg composed his operetta "The Student Prince" 80 years ago, but the four screenwriters who assembled this romantic romp seem to think they're in uncharted territory here. Contrasts are carefully set up between Paige's just-folks family on their organic dairy farm in Wisconsin (where, hilariously, it's still short-sleeve weather, even at Thanksgiving) and Edvard's far more refined household in their suitably palatial home. There's a predictably difficult first encounter between a tipsy Edvard and a perturbed Paige, who, like the heroine of "The Student Prince" pays her bills by working as a barmaid. Then the opposites attract, as Edvard enlightens Paige about Shakespearean speech -- you didn't think you were going to sneak by without a few "Hamlet" wisecracks, did you? -- and Paige gives Edvard lessons in the intricacies of doing your own laundry. If it weren't for Stiles' serene sassiness and a few welcome dashes of sarcasm from Ben Miller as Edvard's chaperone, the movie's first half would be a royal snooze. The action -- and the interest level -- pick up markedly once the story moves to Denmark, where Edvard and Paige must face some life-altering choices, and Paige must deal with Edvard's regal mom (the magnificent Miranda Richardson), who doesn't like the idea of her son cavorting with a commoner. As Paige tries to fill her demanding new role as a queen-in-training, the movie finally transcends its Cinderella complex and threatens to ask a few pointed questions about the place of old-style monarchies in today's world. There's even a hint of the late Princess Diana around the edges of the scenes in which Paige and Edvard attempt to escape the photo-snapping paparazzi. Still, just like Julia Roberts' Vivian in "Pretty Woman," the filmmakers want the fairy tale, and before long "The Prince & Me" returns to its regularly scheduled programming, trotting out glorious galas and allowing the camera to all but drool over the sparkling treasures in the queen's vault. It's a sequence that could qualify as jewel pornography, and just the sort of thing that makes otherwise level-headed ladies -- and even a few precocious kindergartners -- want to chuck it all and run off with the first prince who comes a-knocking at the door.
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| 10. Rambling Rose Director: Martha Coolidge | |
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| 11. The Prince and Me (Full Screen Edition) Director: Martha Coolidge | |
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Reviews (34)
Blame it on those repeat viewings of "Shrek" and "The Princess Diaries." If we'd been showing her "28 Days Later" and "Dawn of the Dead," she probably would have chosen "zombie" as her dream job. When pressed, poor Em couldn't say exactly what duties a princess performed on a regular basis. She won't have a much clearer picture if she happens to see "The Prince & Me," in which sunny Julia Stiles -- whose range and personality deserve better material than this -- plays Paige, a pre-med student who ponders forsaking medical school to try her luck as, oh, just the wife of Edvard (Luke Mably), her former chemistry lab partner who just happens to be the crown prince of Denmark traveling incognito. Wait, what's that? The king (James Fox) is in feeble health and is preparing to step down and let Eddie rule instead? Paige, baby, you're gonna be queen! Talk about a signing bonus! The primary plot strands in the screenplay were well-worn when Sigmund Romberg composed his operetta "The Student Prince" 80 years ago, but the four screenwriters who assembled this romantic romp seem to think they're in uncharted territory here. Contrasts are carefully set up between Paige's just-folks family on their organic dairy farm in Wisconsin (where, hilariously, it's still short-sleeve weather, even at Thanksgiving) and Edvard's far more refined household in their suitably palatial home. There's a predictably difficult first encounter between a tipsy Edvard and a perturbed Paige, who, like the heroine of "The Student Prince" pays her bills by working as a barmaid. Then the opposites attract, as Edvard enlightens Paige about Shakespearean speech -- you didn't think you were going to sneak by without a few "Hamlet" wisecracks, did you? -- and Paige gives Edvard lessons in the intricacies of doing your own laundry. If it weren't for Stiles' serene sassiness and a few welcome dashes of sarcasm from Ben Miller as Edvard's chaperone, the movie's first half would be a royal snooze. The action -- and the interest level -- pick up markedly once the story moves to Denmark, where Edvard and Paige must face some life-altering choices, and Paige must deal with Edvard's regal mom (the magnificent Miranda Richardson), who doesn't like the idea of her son cavorting with a commoner. As Paige tries to fill her demanding new role as a queen-in-training, the movie finally transcends its Cinderella complex and threatens to ask a few pointed questions about the place of old-style monarchies in today's world. There's even a hint of the late Princess Diana around the edges of the scenes in which Paige and Edvard attempt to escape the photo-snapping paparazzi. Still, just like Julia Roberts' Vivian in "Pretty Woman," the filmmakers want the fairy tale, and before long "The Prince & Me" returns to its regularly scheduled programming, trotting out glorious galas and allowing the camera to all but drool over the sparkling treasures in the queen's vault. It's a sequence that could qualify as jewel pornography, and just the sort of thing that makes otherwise level-headed ladies -- and even a few precocious kindergartners -- want to chuck it all and run off with the first prince who comes a-knocking at the door.
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| 12. Angie Director: Martha Coolidge | |
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| 13. Three Wishes Director: Martha Coolidge | |
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| 14. Rambling Rose Director: Martha Coolidge | |
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Amazon.com Reviews (10)
RAMBLING ROSE takes a compassionate look at the phenomenon of social turbulence caused by an "unattached" woman. Rose, flamboyantly played by Laura Dern, is the blithe, single, 19-year old girl invited to live with a very proper Southern family in the mid-1930s. The family, offering Rose help at this difficult time in her life, includes Daddy (Robert Duvall), Mother (Diane Ladd, Dern's real-life mother), and 13-year old Buddy (Lukas Haas). Rose, already possessing a checkered history acquired with unspecified men, is a sexual "free spirit", who proceeds to cause hormonal havoc in the town's male population. Even Daddy is bewitched. To Buddy, Rose is, unsurprisingly, the godsend of a new awareness. Of the adults, only Mother, recognizing Rose as essentially guileless, staunchly defends her as the repercussions of the Siren's residence start to add up. A better film on much the same theme is Y2K's MALENA - a superb Italian production. Nonetheless, RAMBLING ROSE is delightful. Dern is positively captivating. Duvall is at his best, which is pretty darn good by any measure. Ladd portrays Mother as a slightly eccentric individual whose generosity towards and understanding of Rose is a clear counterpoint to the hardening attitudes of the other adults. The Buddy character should remind all males in the viewing audience of that time when they were 13 and discovering girls as beings with something more to offer than simply opportunities for boorish teasing. I like this film immensely.
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| 15. The Prince & Me/Save the Last Dance (Widescreen Editions) Director: Martha Coolidge | |
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| 16. Huff Director: Tucker Gates, Martha Coolidge, Sarah Pia Anderson, Scott Winant, Dan Lerner, Ellen S. Pressman, Paris Barclay, Matt Shakman, Daniel Attias | |
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Reviews (3)
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