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When it was first broadcast in 1975, there had never been a more lavishly produced science fiction TV series than Space: 1999, a British production whose budget for the first of its two seasons ran an astounding 3.25 million pounds. What keeps us fans enthralled after all these years has only partly to due with the first-rate production values, the plausibly constructed spaceship models, and expert special effects. The tone of the show is one of scientific dispassion, setting it apart from its TV sci-fi predecessors such as Star Trek, whose mood was more convivial. Our heroes here are in dire circumstances that require cool heads as a survival trait. Those circumstances: the 311 crew members of Moonbase Alpha experience a cataclysm that causes the moon to break away from Earth's orbit and travel endlessly through space, turning our heroes into unintentional explorers. No TV series has created a more palpable feel of hard science fiction than this. Of course the show is not without its detractors; it has been soundly lambasted for its many scientific errors. No less august a figure than Isaac Asimov criticized the show for its premise in the opening episode, "Breakaway," which had nuclear explosions on the "dark side of the moon" somehow propelling it out of Earth's orbit and flying through space without regard to any physical laws. In "Earthbound" (included in this set), aliens traveling to Earth state it will take them 75 years to reach their destination, making one wonder why it didn't take the moon that long to encounter the aliens. While these are serious complaints, fans tend to remember the scientific seriousness of the series and the sense of awe created by the many strange creatures and phenomena that the crew members encounter on their journey through the galaxy. In addition to "Breakaway" and "Earthbound," this set includes "Matter of Life and Death," "Black Sun," "Ring Around the Moon," and "Another Time, Another Place." --Jim Gay ... Read more

Reviews (61)

Possibly the worst written Anderson series
The four Gerry/Sylvia Anderson series with which I am familiar ("Thunderbirds", "Captain Scarlet", "UFO", and "Space 1999") all have much in common. At their best, they have high-spirited adventure, good character situations, campy humor, and gee-wiz sets, costumes, and gadgetry. At their worst, they have jaw dropping logical flaws, stock footage overused to the point of obvious inconsistency, and excruciatingly painful sci-babble.

"Space 1999" has some of the coolest sets and gadgetry, and it's hard not to fall in love with them. Despite critics to the contrary, I feel the acting is overall quite competent. However, the episodes tend to be so unflinchingly immersed in trademark Anderson sci-babble that at times I find them almost impossible to sit through. This is a classic and unforgivable example of a show trying to be more cerebral and failing miserably because it substitutes sheer, almost random BS for science and logic. By all means rent these discs, but don't bother to buy them.

WOW!
Where has this show been all my life? I just discovered it on DVD and I'm very excited about it! Great cast, excellent scripts, and striking FX! I will can't wait to see the other episodes of this series.

black sun on DVD
Black Sun is my all time favorite episode of Space 1999 and it looks wonderful on DVD. Space 1999 was a very unique Sci-Fi program and it remains largely misunderstood. One reviewer notes that only when facing certain death do the Alphans come alive, but that's the point: These are highly trained soldiers who must focus entirely on their duties in order to survive. They are trapped inside the Alpha base, which is described as both a barracks and a prison, and are always close to death.
Only under unusual circumstances can the Alphans let down their emotional guard. Black Sun is an unusual circumstance in which they are powerless to avoid destruction. Having exhausted all options, Bergman shares his inner thoughts and feelings with Koenig, who has tears in his eyes, and they make a final toast. It's a wonderful scene which demonstrates just why fans love this show so much.
Black Sun is a great episode of a great series.

YES!
THANKS A&E FOR PUTTING SPACE 1999 ON DVD!
THE FIRST EPISODE GETS THE WHOLE SHOW STARTED WITH THE MOON BLASTING OFF INTO SPACE AND I LOVED THE ZOMBIE LIKE ASTRONAUTS IN THIS EPISODE TOO! SET 1 ALSO HAS CHRISTOPHER LEE AND EPISODES LIKE 'BLACK SUN' WHICH SIMULATE WHAT IT'S LIKE TO BE ON QUALITY LSD. THINGS DRAG AT TIMES AND I WISH THE ZOMBIE LIKE ASTRONAUTS IN THE FIRST EPISODE ACTUALLY ATE THEIR VICTIMS, BUT OTHER THAN THAT I'M REAL HAPPY WITH THIS SET. GREAT SHOW!

really 'out there'
Critics have often not been kind to Space 1999. The program is often accused of having wooden actors because the performers are portraying military and scientific types in a tense situation that they deal with seriously. There's plenty of action, but again some critics fail to be impressed and write it off as just a display of special effects. The weirdness and mysteries presented in the show have often been viewed as bad story telling, and the Alphans have no mission other than to survive and that tends to be viewed as a lack of anything significant happening. Space 1999 is entertaining and exciting if seen as a hybrid of disaster movie and 2001. The moon is hurtling through space and things look grim for the people on it as they struggle for survival and encounter confusing 'far out' alien weirdness. They try to maintain their military and scientific bearing , but their true fear and confusion are visible below the surface and can be incredibly intense. These are great perfomances, the action is exciting, and the weirdness and mystery of it all is compelling. By season two, which I also enjoy, changes were made so that the program was more of a kid oriented adventure show and the Alphans had grown more used to their life on Alpha, but both the tense/trippy atmosphere of season one and the more jovial/comic book vibe of season two can make for entertaining viewing. ... Read more

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Kevin Kline took home an Oscar for his performance as a self-absorbed lothario who prepares for lovemaking by drinking in his own "manly" musk, but it would be hard to single him out as the best thing about the film. The fact is, the entire cast of this hilarious comedy is perfect: John Cleese as the conservative barrister defending a member of sexy Jamie Lee Curtis's gang, Ms. Curtis as the conniving crook out to grab the haul for herself, and Michael Palin as the stuttering, animal-loving hit man whose attempts to murder a little old lady only decrease the size of her poodle pack. Cleese cowrote the zingy script with British comedy veteran Charles Crichton (The Lavender Hill Mob), whose smooth direction balances Monty Python farce, hysterically tasteless gags, and an unexpectedly romantic subplot with style and confidence. --Sean Axmaker ... Read more

Reviews (81)

An Classic Comedy.
When a British Man by the name of George Thomason (Tom Georgeson) came up with the Perfect Crime with his Friend (Micheal Palin), George's Girlfriend-Wanda (Jamie Lee Curtis) and her another lover passing as her Brother-Otto (Kevin Kline) to steal a Fortune in Jewels. When his girlfriend and her lover-Otto double cross-George, who came up for the Idea. But when George is being sent to Prison and Keeping a secret, when he hide the Jewels. Then Wanda is trying to seduced George's Lawyer-Archie Leech (John Clesse) to find out, if he knows about the Jewels but Archie ended up falling in love with Wanda.

Directed by Charles Chichton (The Lavender Hill Mob) made a Clever, Outragerous comedy that become a Contemporary Classic. Written by Clesse and Director:Chichton came up with a sure winner, that never seems to run out of energy from the talented cast. Kevin Kline steals the film with his flamboyant Comic Performance that win him an Oscar for Best Supporting Actor. This was a Box Office Hit in the Summer of 1988. This film might offend some people. This is one of the most funniest movie, ever made. Clesse and Palin re-team together again from thier glory comedy days from the Monty Python's group. Clesse, Curtis, Kline, Palin, Maria Aitken & Cynthia Clesse re-team together again in the Uneven but Funny-Firece Creatures:(1997). Grade:A.

British humor for the American palate
Charles Chrichton's hiatus from the big screen had been interspersed with The Avengers after his direction of The Lavender Hill Mob. John Cleese in fact sought out Chrichton in hopes of a collaboration for A Fish Called Wanda. Starting out with only a rudimentary idea of the story, and Chrichton's request that he wanted "...to see someone steamrolled", the final result was a film that somehow struck a humorous chord all over the world. The film just somehow "worked", and it's been a cherished classic ever sense.

Kevin Kline as the violent, idiotic, and egotistic Otto indirectly steals the film, but it is John Cleese who is the genius behind the scenes. Utilizing the dry absurd whit perfected in Monty Python with co-star Michael Palin, the duo alongside sultry Jamie Lee Curtis evoke a dysfunctional yet harmonistic world of laughs, slaptstick, and that oh so familiar English congeniality that "bloody well works" in comedy.

For those longing for the complicit, balanced, and tight-fitting humor of the older English comedies, such as Alec Guinness in Our Man In Havana, and Alec again in Lavender Hill Mob, A Fish Called Wanda is a must-see. If only Hollywood knew what it was missing too.

Quite simply the best comedy film in decades.
This movie is, in a word, hilarious. I defy anyone to watch it and not have tears streaming down their face from laughter. It's one of those classic, uproariously insane comedies in the Monty Python style, just plain crazy funny. I am an animal lover but even the part where the poodles that get annihilated was hilarious and Michael Palin's reactions to that are beyond funny. This is one movie that is guaranteed to make you scream with laughter. I have seen it about a dozen times and it still makes me laugh till I cry.

Not Monty Python, but funny
I LOVE Monty Python AND John Cleese teaches part-time here at Cornell, so when he gave a talk and mentioned the plot of AFCW, I thought I'd check it out. It was great seeing a couple of the Python troup in a non-Python role. Be warned, although the movie is very funny (7.8 out of 10) it's not at all the same type of humour as Python.

My absolute favorite part, which doesn't give anything about the movie away, is near the end when John Cleese imitates an American accent. Usually we see comedians here making fun of British, French, and other foreign accents, so it was fun to see someone try to imitate us here in the States.

I'd say this is a MUST RENT no matter what and a MUST BUY for anyone who likes British humour and/or wants to see Cleese do something different.

Stands the test of time
I still remember the first time I saw that crazy heist caper called A Fish Called Wanda. My high school drama class went to see a sneak preview double feature of Wanda and Monkey Shines (which I will only go as far as to say that it was pretty awful) and I was floored.

I knew about Monty Python and has all the episodes that my PBS affiliate would broadcast, but was relatively unfamiliar with any work the troupe's members had done outside of the series (I don't even think I had seen Monty Python and the Holy Grail yet), except for a late-night cable run-in with Michael Palin's The Missionary, a mild sex comedy about a missionary and a home for fallen women.

I had no idea what to expect. Palin had always been my favorite Python (and still is), so I was very curious to see what he would do outside the Python realm. I got more than I bargained for.

Written by John Cleese from a story by Cleese and director Charles Crichton (various Ealing comedies including The Lavender Hill Mob), A Fish Called Wanda is a comedy about four crooks (Jamie Lee Curtis: Wanda, Kevin Kline: Otto, Tom Georgeson: George, and Michael Palin: Ken) who are all trying to double-cross each other by linking with other members of the group. Wanda in particular has the cards stacked in her favor, as she is--in one way or another--attempting to seduce all three men.

The humor comes from several directions. As the old lady is the only one who can ID any of them, George asks Ken to eliminate her. Unfortunately, he keeps killing her pet dogs instead--one at a time. As an animal lover, this leaves Ken in no end of distress. Very black humor, indeed. Meanwhile, Otto is trying to get information from Ken by pretending to be gay. Ken isn't either, but Otto doesn't seem to care. He continues to come on to him. (Kline won the Best Supporting Actor Oscar that year for his performance as Otto.)

Surprisingly, A Fish Called Wanda has stood up well over time. It is still one of the films that I continue to return to for dependable belly laughs. The promotional short for the film was one of the funniest things I saw that year and Wanda deserves a full DVD treatment. Until then, though, I guess I'll have to make do. ... Read more

Description

DEAD OF NIGHT A group of strangers is mysteriously gatheredat a country estate where each reveals a chilling tale of thesupernatural. First, a racer survives a brush with death only to receiveterrifying premonitions from beyond the grave. Then a teen's innocentgame of hide-and-seek leads to an encounter with the macabre. Next, ayoung couple purchases an antique mirror that unleashes a horrific powerfrom its past. In a lighter vein, two competitive golfers play forstakes that may haunt the winner forever. Finally, a renownedventriloquist descends into an abyss of madness and murder when hisdummy develops a mind of its own. But even after these frightening talesare told, does one final nightmare await them all? Britain's venerableEaling Studios brought together four brilliant directors -CharlesCrichton (THE LAVENDER HILL MOB), Basil Dearden (THE MIND BENDERS),Alberto Cavalcanti (NICHOLAS NICKLEBY) and Robert Hamer (KIND HEARTS AND CORONETS) to create this classic chiller that remains one of the mostinfluential horror films ever made. This is the uncut and complete UKversion of DEAD OF NIGHT, now newly restored from original archivalmaterials for the first time in decades.

THE QUEEN OF SPADES "Unusual And Macabre!" ~ Leonard Maltin's Movie &Video Guide A gambling craze is sweeping 19th century St. Petersburg,yet a dashing Russian army captain (Anton Walbrook of THE RED SHOES) istoo impoverished to participate. But when he learns that an agingcountess (an award-winning performance by Dame Edith Evans of TOM JONES)may hold the ultimate key to gaming riches, the desperate young officerwill stop at nothing to steal the sinister secret for himself. Whenfortunes are won and lost with the turn of a card, will one man wagerhis very soul on a final twist of fate? Yvonne Mitchell (DEMONS OF THEMIND) co-stars in this brilliant British chiller directed by ThoroldDickinson (GASLIGHT), featuring extraordinary cinematography by OttoHeller (PEEPING TOM, THE IPCRESS FILE) and based on the celebrated shortstory by Russian poet Alexander Pushkin. Includes AN 8-page Collector's Booklet. ... Read more

Reviews (8)

ACTUALLY TRULY SCARY
One of the all-time great scare anthologies, DEAD OF NIGHT (Anchor Bay) is a classic collection of freaky supernatural stories told by strangers at a remote estate. The topper is Sir Michael Redgrave as a renowned ventriloquist who tells his tale of madness and murder when his dummy exhibits a mind of his own. The uncut, restored UK version is coupled with the wonderfully macabre QUEEN OF SPADES.

THANK YOU, ANCHOR BAY, FOR THESE MASTERPIECES!
About ten years ago, I screened THE QUEEN OF SPADES at New York's Museum of Modern Art film library. I had heard that they had, in their collection, an old 16 mm print of this almost-lost treasure. I sat with a Russian stage/film director friend, as well as actress Rosemary Harris (late of Aunt May in SPIDERMAN); the three of us were transfixed as we discovered, and Rosie re-discovered (she had seen the premiere in England), this astonishing piece of film alchemy.

Anton Walbrook's talent, like Vivien Leigh's, was ineffable. His choices, as an actor, are so outlandish sometimes that you think he will never pull off the moment - then he stops right at the edge and leaves you gasping at the utter uniqueness and danger of his choice. Dame Edith Evans, in her film debut, playing a woman forty years her senior, is all remarkable, twisted, bitter, frightened restraint. (Rosie mentioned that Edith Evan's key moment of reaction, in the film, had so frightened the audience at the time that everyone screamed out loud. Not difficult to understand, even today...)

The lighting and camera direction are at once solid and ethereal; dreamy like Cocteau's LA BELLE ET LA BETE, and brutally unforgiving like Welles' CITIZEN KANE.

Much has been said about DEAD OF NIGHT and deservedly so. This genuinely is the grandfather of all psychological horror films. What seems so innocuous, almost gentle at first, develops into a disturbingly laden freight train barrelling straight towards you. There will be no way to escape. You will be knocked squarely off your tracks. Completely and utterly disorienting. Warning: do not watch this film alone at night. Don't even watch this film alone on a sunny day.

The picture and sound on each are very good and rich. The liner notes and artwork accompanying the DVD are of great interest, and are a wonderful starting-off point for the viewer.

Would that more DVD-producing companies were like Anchor Bay. Could they be poised to take over the position that Criterion, up until recently (with misleading claims of restoration and a chronicity of poor quality releases), enjoyed? One can only hope.

Must have
I won't say much about DEAD OF NIGHT, as any one who will be buying this set knows how extraordinary & ahead of it's time that film is. Needless to say, the Michael Redgrave segment is the best of a good bunch, with even the 'lighter' stories offering excellent viewing.
It's the QUEEN OF SPADES that proved the surprise to me - I had never seen this film, relagating it to 'second fiddle' after DEAD OF NIGHT, when it does in fact hold it's own remarkably well.
Slow moving, but to it's benefit, the story see's Anton Walbrook, a German engineer in the Russian army, envious of the wealth & title that are automatically bestowed upon his comrades. After learning that a Russian noblewoman posesses the secret of winning at cards, he manipulates her lady-in-waiting to gain access to this secret. things go slightly awray and although he gains the secret, the aged noblewoman dies of fright.
This part of the story takes up most of the film, with the 'haunting' of the engineer forming the final act.
Although lacking any actual 'horror', this film has a definate atmosphere of unease and of meddling with things that should be left alone. Superb performances again, with the key being the utter conviction of the cast.
A film like this could not be made today, which makes it all the more important that productions like this and DEAD OF NIGHT should be cherished by fans of what the term 'horror film' really means as opposed to what it was eventually twisted into in the '80's & '90's.

SUPERB DOUBLE BILL....
Fantastic pairing of two vintage British chillers and an immediate collector's item. Bravo Anchor Bay. 1.) 1946's "Dead Of Night" is an early anthology of supernatural tales told by a group of strangers at a country house to another stranger who has seen them all before----in a nightmare. Excellent cast, good exposition of stories that have been mimicked many times since but never this well. Best: the "Haunted Mirror" sequence and the final horror tale of Hugo the dummy with a brilliant performance by (Sir) Michael Redgrave as the tormented ventriloquist. This sequence features Elisabeth Welch, the singer later to be seen in the bizarre finale of Derek Jarman's equally bizarre "The Tempest". Good print, sometimes tinny sound but not that bad---it's really OK. Weakest sequence is the golfer's story that had been excised from previous prints. Still, it's interesting to see the adult aspects in this sequence not seen in American films of the time. And, in some of the other sequences, to hear "hell" used as a swear word so many times--- also taboo in 40's American films. 2.) 1949's "Queen of Spades"---a film I had never seen before. Based on Alexander Pushkin's famous story, it tells of a Russian military officer in the 1800's who becomes obsessed with learning the "secret" of winning at Faro, a popular card game sweeping Europe at the time. He obtains a mysterious book on the occult that tells of a famous Countess who learned the secret but sold her soul to the devil in the process. The story is true so he tracks her down to learn her "secret" and finds her an aged, embittered but wealthy recluse with a pretty ward she's devoutly protective of. He surreptitiously woos the girl to get to the Countess with tragic results. He accidently scares the old lady to death when she won't talk. But her ghost comes back...with an offer he can't refuse. The details of this film---both in story content and visuals---are mesmerizing. It's darkly Gothic and creepy. The period setting is beautifully realized on film. Anton Walbrook and (Dame) Edith Evans are wonderful as the soldier and the Countess as are the rest of the cast. Brilliantly directed by Thorold Dickinson, this is a must see. A rare and unusual film for purists. Don't miss out on this worthy double bill DVD. Both films are classics to be sure but "Queen of Spades" is really something special.

Beware THE QUEEN OF SPADES!
I first saw this film on a PBS series CINEMATIC EYE over 20 years ago and have never forgotten it nor had the chance to see it again. Until now. This marvelously macabre film is based on a short story by Alexander Pushkin which is the same one used by Tchaikovsky for his opera of the same name. It stars Anton Walbrook (THE RED SHOES) and Dame Edith Evans in what marked her film debut at the age of 61. The story of a man who is obssessed with the secret of winning at cards and the woman who posseses that secret is turned into a tour de force by producer Anatole De Grunwald and director Thorold Dickinson. The movie is full of baroque chiaroscuro lighting and bizarre camera angles and looks like a cross between the films of Val Lewton and Orson Welles with a little Fritz Lang thrown in for good measure. The acting by Walbrook, Evans, and a cast of British stalwarts ranges from flamboyant to quietly repressed and suits the material perfectly. If you appreciate the old style of moviemaking where what you don't see will thrill you and all the filmmaking elements are combined to produce a delirious whole then this is the movie for you. It's a cliche' but they just don't make movies like this anymore. Couple it with DEAD OF NIGHT which is one of the truly legendary films of psychological horror (and has plenty of reviews elsewhere) at one low price and you simply can't go wrong. Thanks to Anchor Bay for making this incredible package available. Both films have superb video transfers. The audio on DEAD OF NIGHT has never been ideal but this is the best it has ever sounded. And remember the next time you play cards, "BEWARE THE QUEEN OF SPADES"! ... Read more

Reviews (5)

Good Set. Fun for the whole Family.
There are eight episodes on this DVD, of seeming various length. They're certainly entertaining, in black & white, which is part of the charm. McGoohan himself is very appealing and fun to watch. The sets are a bit cheesy, and recycled. The hotel in one episode, is, with minor alterations, the hospital in the next and the German apartment complex in the next. The plots don't really make much sense if you think about them for more than five seconds. The third world episodes all seem to be set in Banana Republic #43. But the visuals are fun, from footage, some stock, some not, of London and Paris, and make-up and fashion styles of the sixties, complete with the occasional semi-fashionable thug. And of course, there's the obligatory set of fisticuffs almost every episode. But the atmosphere is nicely paranoid, and, somehow, John Drake, the hero, emerges as slightly less adolescent than his main screen rival. There are some "upsetting" or "ambiguous" endings, though Drake seems more invigorated than drained by the paranoia. And there's funny dialogue like when an adorable Latin American Minister of Culture, a babe in uniform, says "I have read all of your great writers, your Shakespeare, your Dickens, your Upton Sinclair." I wouldn't exactly call this show intelligent, but it is very entertaining, and, by today's standards, remarkably wholesome. And, yes, the episode 'Colony Three' is certainly a precursor to the Prisoner. But Danger Man stands on its own merits.

Danger Man Set 2: The plots need some work...
Patrick McGoohan is back as British secret agent John Drake in further episodes of Danger Man. Here are summaries and/or comments for the episodes in this set. Episode ratings are on a scale from one to five (best).

Volume 3: (Disc 1)

The Professionals (3): An agent in Prague has suddenly vanished. John Drake arrives in Prague, posing as a member of the embassy staff, his mission is to locate the missing man. Very quickly he is taken in, and compromised by a crafty operative, and his lovely accomplice. Drawn into their trap, Drake learns the fate of the missing man, and then takes steps to save him before it is too late.

A Date With Doris (2): Drake is in an unspecified Latin American location to extract an agent in jeopardy, and then rendezvous with the submarine "Doris". His cover is as a reporter sent to interview a prominent General. Things just do not go smoothly for Drake, and he always seems off balance. He barely concludes this messy affair, and is only successful because of luck, and some very fortuitous assistance. He is also guilty of a major error, when he foolishly allows himself to be followed to his "safe house". Count yourself lucky this time, John.

The Mirror's New (3): This one keeps you guessing. Edmund Bearce, a member of the British Embassy staff, chooses murder as a way to cancel a personal debt. Preparing to dispose of the body, he has an accident, and is knocked unconscious. Upon waking, he has a dead body on his hands, and a lost day to account for. Bearce reappears, but can't explain what happened. A suspicious Drake investigates and uncovers a secret life, and much more.

Colony Three (5): Easily the most thought provoking episode on the disc. The plot is similar to an episode of "The Prisoner" or "The Avengers", skirting the edges of credibility. Drake takes the place of a communist sympathizer, just prior to his defection to the Soviets. After arriving in Soviet territory, Drake and two other defectors take a long train ride to a secret location. They arrive at a place named "Hamden", also known as the "village" (sound familiar?). The phony English town is actually a training ground where Soviet agents learn to assimilate into British culture. Drake penetrates security, gathers as much information as he can, and then it is time to leave. This one has a bit of everything, torture, gadgets, death and a tragic end.

Volume 4: (Disc 2)

It's Up To the Lady (2): Sometimes Drake is just not on his game, and this is one of those times. A British diplomat intending to defect vanishes. A rendezvous with his wife (Sylvia Syms), will take place in Greece, near the Albanian border. Drake is on the scene, to try and get the wayward diplomat to return to Britain. Underestimating the local opposition, he is nearly drowned, loses his charges, and carelessly gets himself shot. Topping it all off, he learns once again what it is like to be a pawn in the game.

What Ever Happened to George Foster? (3): Bernard Lee ("M" from the Bond films) guest stars, as Lord Ammandford, a wealthy industrialist who seeks to destabilize the government of a fictitious South American country. In addition, the Lord is a man interested in keeping a mysterious past a secret from a probing John Drake. This is more of a straight detective story.

The Galloping Major (2): Sent to Africa, at the request of the President (Henry Marshall) of an unnamed country, Drake finds himself the pawn in a political power struggle. Makes interesting viewing in light of historical events, but not a great story.

The Colonel's Daughter (4): In India, classified information is being leaked to the enemy. Drake is looking into the activities of a butterfly collecting Colonel, and his daughter, living in a house in the country. Soon, Drake is up a tree, in the middle of the jungle, maintaining surveillance. Later, he uncharacteristically emerges victorious in a three on one brawl, on his way to uncovering those involved in the secret pipeline. Drake finds that the Colonel's daughter is definitely Daddy's girl.

Writing is critical to a good story, and some of the plots of these international exploits just do not quite pass muster. Drake is simply not at his best, making some near fatal mistakes. Perhaps being an operative largely on his own in a foreign land, puts Drake at too much of a disadvantage. He doesn't quite have the fire we have seen before. A few good episodes, but not enough for a ringing endorsement of this set. Give A&E positive marks for addressing a previous complaint, by upgrading to four episodes per disc. Fans of Danger Man, may find my other reviews of interest.

Depressing reminder of when television was intelligent
Watching these 35-year-old shows is a disturbing revelation at how television today has gotten even MORE dumbed-down than when it was referred to as the "vast wasteland". ALL of these shows have interesting characters, exotic locales (from Africa to Greece, South America to behind the Iron Curtain), and PLOT. Compared to "Man From U.N.C.L.E", this is Nobel Prize material! Each 50-minute show has more PLOT than most 2-hour movies foisted on us these days.

As noted above, probably of greatest interest to McGoohan fans will be the episode "The Colony", as the origins of "The Village" are plain for all to see. However, my favorite has to be "What Happened to George Foster", where McGoohan's Drake takes on a millionaire Lord (played by Bernard Lee, no less!) and risks his career, not to mention his life, in a private vendetta that foreshadows #6's battles with the assorted #2's of "The Prisoner".

This is certainly not light-hearted "Avengers"-style material. McGoohan gets roughed up in just about every episode, and there aren't any charming eccentrics or snappy gadgets. But it is nearly incredible that such high quality LeCarre-like material was shown on a weekly basis. Truely, it was a Golden Age.

Excellent spy show!
I have to agree with the last reveiw not as good as the Prisoner, but this is the best spy show I think I've seen. Each episode keeps you guessing on what will happen next. There is enough action in each episode to keep one satisfied. Each story is believable unlike many spy shows. John Drake does not carry a gun and flirt with women. The best episodes in set two are The Mirror's New, Colony Three, and It's up to the Lady.

Gritty British Spy Drama
Not as cerebral as "The Prisoner", nor nearly as simplistic as James Bond, Man from U.N.C.L.E., or any of the dozens of spy shows that were popular in the late sixties, "Danger Man" (Secret Agent in the U.S.) is a fine example of how British drama is often more subtle and ambiguous than anything you're likely to see on American TV.

Modern viewers may scratch their heads, wondering why this show was so wildly popular. At its worst, the pacing is glacial, the narrative larded with long chunks of exposition. At its best, this is chilling, thought provoking drama with plenty of gray areas, reminiscent of the Le Carre adaptions (Tinker, Tailor, etc.) that were produced in the 70s and 80s. These shows are surprisingly cerebral for a TV series; while some episodes are too deliberately paced to work as thrillers, McGoohan is always worth watching, the black and white DVD transfers are gorgeous, and the endings are often startling.

If you're not a McGoohan fan, you'll probably find "The Prisoner" more accessible. If you've already discovered "The Prisoner", and enjoy John Le Carre-style gritty, realistic espionage stories, give this box a try. (The episodes in Volume 2 are generally more absorbing and darker than those included in the first DVD set.) ... Read more

Amazon.com

When it was first broadcast in 1975, there had never been a more lavishly produced science fiction TV series than Space: 1999, a British production whose budget for the first of its two seasons ran an astounding 3.25 million pounds. What keeps us fans enthralled after all these years has only partly to due with the first-rate production values, the plausibly constructed spaceship models, and expert special effects. The tone of the show is one of scientific dispassion, setting it apart from its TV sci-fi predecessors such as Star Trek, whose mood was more convivial. Our heroes here are in dire circumstances that require cool heads as a survival trait. Those circumstances: the 311 crew members of Moonbase Alpha experience a cataclysm that causes the moon to break away from Earth's orbit and travel endlessly through space, turning our heroes into unintentional explorers. No TV series has created a more palpable feel of hard science fiction than this. This set includes the episodes "Missing Link," "Guardian of Piri," "Force of Life," "Alpha Child," "The Last Sunset," and "Voyager's Return." --Jim Gay ... Read more

Reviews (18)

Best of Cult TV
A child during the era of british cult tv, I was a serious addict. As an adult, most of those shows now seem simply corny. Danger Man/Secret Agent is an exception...it's as good as I remember with nicely choreographed action and fight scenes, lots of attention to detail, intelligent acting, editing and directing, artful background music, and of course McGoohan's unique charisma and wit. No one else ever brought a secret agent character to life as well as McGoohan does in this series. I'm keeping fingers crossed that A&E and Carlton will release the remaining episodes!

The best Series of the Sixties!!
While most DVD televiewers were first exposed to Patrick McGoohan's magnetic personality with the excellent TV series "The Prisoner", most fail to realize that before it, McGoohan played in this enjoyably realistic espionage series in which McGoohan excels as the dry, cynical agent John drake. The true Bond precursor, the series brought you in a totally different "spying" environment each week, with various fascinating situations in thoroughly more credible fashion than the unavoidable Ian Flemming's cinematographic derivatives. I found that "Secret Agent/Danger Man" has stood the test of time extremely well among cult TV series. Intelligent scripts and superbly cool British actors. There are many more episodes in this long-lived series, all of which I am eagerly waiting to acquire as soon as they come out! - I secretly relish the vision of this whole series on DVD on my shelf! - An absolute must for all Sixties'TV fans!

A must for Prisoner fans
Several folks below have complained about the uneven quality of the episodes--and they're right. McGoohan himself has admitted that some are better than others. But when it's good, boy does it put other shows of the same ilk to shame. And even when it's not terribly good, it's always stylish, with a charmingly retro, nostalgic feel.

And if you really, truly want to know why Number Six resigned, watch "Yesterday's Enemies," contained in Set 1.

A wish fulfilled
... I'm the proud owner of set1 of this video which keeps
me glued to the telly whenever the video is played.The theme
music is thrilling and sets the pace for a fast paced episode.
Patrick Mcgoohan aptly fits into the title role.I could only wish
that the full 48 episodes are published and the danger man fans
have a larger collection to play over and over rather than risking damage to their cherished single set.

As good as I remember
When I first heard the theme it immediately brought back memories of watching this the first time as a relatively young child. I refer to the original theme of Danger Man - I saw these in the UK - not the truly terrible "Secret Agent Man" song that is given as a "bonus".

I was concerned that they would not stand the test of time but was pleasantly surpised. A little dated in places, they still show what good plots and great acting can produce with an obviously limited budget. They do require a certain amount of attention and mental effort by the viewer but I think that's a plus not a negative. The fact that my college age kids watch them and think they are pretty good is a tribute to their quality.

These truly represent a time when British commercial televsion was producing top quality programs. Highly recommended. ... Read more

Amazon.com

Set 3 of Space: 1999 contains six more first-season episodes from Thunderbirds creators Gerry and Sylvia Anderson's 1975 British series. The castaways on Moonbase Alpha, led by Commander John Koenig (Martin Landau), continue their drift through the universe, where they encounter fantastic planets, oddball races, and cataclysmic perils. In "Collision Course," Koenig must rely on "a thing called faith" when the moon seems headed for a too-close encounter with a massive planet. Unfortunately, the faith of his crew, including Chief Medical Officer Dr. Helena Russell (Landau's Mission: Impossible costar and then wife Barbara Bain) and Professor Victor Bergman (Barry Morse, who relentlessly pursued David Janssen on The Fugitive) is lacking, and they mutiny. In "Death's Other Dominion," the Alphans arrive at an ice-encrusted "lost paradise" planet, on which survivors of "the Uranus expedition of 1986" seek the secret of eternal life, and dissidents rise up to stop them. "The Full Circle" explores the nature of man when the Alphans encounter a race of cave dwellers. In "End of Eternity," the Alphans learn not to "interfere with other people's justice" when they unwittingly free an evil and quite unstoppable alien(Peter Bowles, much more civilized as Penelope Keith's friendly nemesis in the popular Britcom To the Manor Born. The cautionary "War Games" might better be called "Mind Games," as Commander Koenig considers whether to launch an attack against alien spaceships. One of Landau's favorite episodes, "The Last Enemy," is a Middle East allegory that finds the Alphans literally caught between two perpetually warring planets. Space: 1999's then state-of-the-art special effects hold up well, less so the deliberate pacing. But these fan-favorite episodes are a must for all earthbound Alpha devotees. --DonaldLiebenson ... Read more

Amazon.com

Isaac Asimov reportedly described Space: 1999 as "scientifically preposterous." That hasn't stopped Thunderbirds creators Gerry and Sylvia Anderson's 1975 British series from gaining a devoted cult following. Still, after watching the six episodes included on this two-disc set, one has to concede that (entertaining though they are) Isaac may have been on to something. In "The Troubled Spirit" Moonbase Alpha Commander John Koenig (Martin Landau) resorts to a little "bell, book, and candle" to exorcise a crew member's destructive spirit. "Space Brain"--or, as it is known to series aficionados, the one with all the foam--finds the Alphans desperately seeking a way to communicate with a cosmic intelligence. As Professor Bergman (Barry Morse) observes, "This is either a practical joke or something very interesting." You be the judge. Leo McKern (Rumpole of the Bailey) guest-stars in "The Infernal Machine" as the aged companion to Gwent, an odd-looking plundering spacecraft. In the "can't we all just get along" episode, "Mission of the Darians," guest star Joan Collins looks good for a 900-something alien, one of 14 who survived a mammoth ship's nuclear-reactor explosion. The same can't be said for the other onboard savages whom the Darians use for transplants. "Dragon's Domain" puts new life into the ancient myth about St. George, as crewman Tony Cellini is reunited with a real-life nightmare in the form of a tentacled beast. In "Testament of Arkadia," which closed out Space: 1999's first season, crew members Luke and Anna are determined to live as a futuristic Adam and Eve and "make fertile" a barren planet. As for Moonbase Alpha, it would drift through the universe for just one more season. --Donald Liebenson ... Read more

Amazon.com

Fans of Space: 1999 (and there are many of them) are lavish in their praise for British producer Gerry Anderson's mid-'70s sci-fi series. They rhapsodize about provocative, seriously scientific story lines, expensive production values, the presence of star (and future Oscar^® winner) Martin Landau, and more. But there are others who look at the series' glacial pace, loopy costumes and makeup, cheesy sets, primitive special effects, stilted dialogue, and self-serious tone and wonder what planet those rabid fans are from.

Set 6 of the digitally remastered series, containing six episodes (numbers 31 to 36) on two discs, offers plenty of evidence to support both arguments. On the one hand, there are some intriguing ideas, weighty themes, and good writing here, as in "New Adam, New Eve" (episode 34), in which Koenig (Landau) and company confront the very existence of God himself, or "The Rules of Luton" (episode 31), in which Koenig and Maya (Catherine Schell) find themselves in deep trouble on a planet where plants are the dominant life form. But too often those virtues are hamstrung by poor execution, as in "Luton," where our heroes must battle three absurd-looking and -acting aliens. Smart sensibility, silly look and feel: this is the Space: 1999 paradox. And the truth is that nowadays, when advanced film technology is making even the early Star Wars films look dated, many of these episodes seem positively quaint.

DVD bonus features include a three-minute "making of" featurette (on the first disc), a gallery of production stills (on both discs), and interactive menus. Some material that was not seen in the original U.S. broadcasts has been restored. --Sam Graham ... Read more

Reviews (2)

"Six feet two and a half inches at your service, Madam..."
Patrick McGoohan is back as John Drake, the stylish no-nonsense good guy. Sets 4 and 5 of this clever spy show contain some of the best Danger Man episodes of all. Drake himself is a shade more cynical than in the earlier sets, and he is more reluctant than ever to blindly obey his upper-class superiors. Sometimes he seems tired of his job which forces him to live without wife and family and one can feel he is on the brink of resigning. As he is shown to be a chivalrous man, he is genuinely upset when his missions force him to inflict emotional distress on a lady.

The quotation above is from the delightful comedy "Have A Glass Of Wine" from set 3, but there are few as lighthearted episodes in sets 4 and 5. Most of the stories here are serious dramas, with lots of memorable scenes and sometimes tragic endings.

In "To Our Best Friend" Drake has to investigate one of his oldest friends who is suspected of being a double agent. Drake has to find the real traitor and at the same time save his friend from being executed by his own department.
In "The Man On The Beach" Drake's own loyalty is being questioned. The arrogance and cynicism he displays in this episode do not help him in that difficult situation. The episode has two spectacular and brutal fight sequences and memorable scenes with Patrick McGoohan and three leading ladies. Watch out for Drake's powerful scenes with Lady Kilrush and the dramatic ending.
The atmosphere of "The Man Who Wouldn't Talk" is particularly oppressive. Much of the story is set in a hotel room in Sofia - with the Bulgarian secret police closing in on Drake and a colleague of his who has to be rescued from imprisonment and torture.
In "Sting In The Tail" Derren Nesbitt almost steals the acting honours as psychopathic assassin Nourredine. In a chilling, film-noir like scene, two of Nourredine's thugs prepare to beat Drake up with the murderer cynically commenting on the procedure and a record playing Chopin's Nocturnes in the background.
"Someone Is Liable To Get Hurt" shows Drake in a very "Number-Sixish" mood. Part of the episode is set in a spacious villa where Drake is being held captive by a beautiful femme fatale. The situation makes him furious and we can watch him pacing up and down like a caged panther, constantly snapping his fingers and barely able to contain his rage. Patrick McGoohan is always great in scenes like these.

One of my all-time favourite episodes is "Are You Going To Be More Permanent?" which is a companion piece to "You Are Not In Any Trouble, Aren't You?" In both stories Drake obviously breaks his no-romance rule and both have the lovely Susan Hampshire as leading lady. She and Mr. McGoohan have several terrific scenes together and there are moments of intense sensuality between them. In the final scenes, which include some of the finest acting moments in the whole series, Drake's loneliness and disappointment are almost tangible.

"Danger Man" is a unique show. It has clever plots, beautiful filming, haunting music and a charismatic leading man. What further adds to its attraction is the way it captures the political climate of the Sixties which was so different from ours today. Britain still had parts of her empire, some of the episodes show the problems of newly independent countries and the British people left behind in their former colonies and in the Middle Eastern episodes the spirit of the Great Game of the 19th century can still be felt. This spirit of adventure makes the show still highly enjoyable and interesting to watch.

Danger Man Is a REAL Man
I am struck watching these shows at how different they are from James Bond. I am a Bond fan, but DANGER MAN almost makes Bond movies (especially the recent ones) look silly. In one episode contained in set 5, Drake passes out from blood loss. In another episode he is trying to escape detention and is out on the roof attempting to get a better grip on a rain gutter when it gives way and he falls and breaks his ankle. Drake then spends the balance of the episode forced to use a cane. Can you imagine Bond ever breaking his ankle like that or, for that matter, even breaking a sweat? McGoohan turned down offers to play Bond (twice) and let's all be thankful he did. Danger Man, John Drake, is a real man. And what a great series this is. Let's just hope A&E releases the rest of the episodes (about 8 or 9 more I think). Danger Man Tip: One thing I like to do is have a good supply of beverages on hand (I like rum and Coke) when watching DANGER MAN because people offer Drake an average of 5 drinks per episode, and it makes me pretty darn thirsty! ... Read more

Amazon.com

Much like the U.S. series The Man From U.N.C.L.E., this cool, clever cold war spy show is built on elaborate espionage shell games and diplomatic chicanery, and Patrick McGoohan's John Drake is the ingenious con man behind the bluffs and feints. The eight episodes on set 3 feature the usual array of plots pulled off with tongue-in-cheek charm--the nationalistic fervor of "Have a Glass of Wine" turns espionage into a veritable sporting event between spies, and in "You're Not in Any Trouble, Are You?" Drake gets to the bottom of a murder for hire ring by taking out a hit on himself. But the humor is interspersed with more ambivalent episodes. "That's Two of Us Sorry" offers up a casualty of the cold war mentality, and the assassins school of "Such Men Are Dangerous" rings with an undercurrent of fascism. For sheer invention, "The Ubiquitous Mr. Lovegrove" delivers a mind game worthy of The Prisoner's Number 2. The set also features "A Man to Be Trusted," "The Affair at Castelevara," and "Don't Nail Him Yet."

The episodes feature the complete British cuts, with the Danger Man title and bouncy spinet theme song, but if you miss the Johnny Rivers theme song from the American version of the show, just click to the supplements and you can enjoy the U.S. credits as well as a still gallery and a biography and filmography of star Patrick McGoohan. --Sean Axmaker ... Read more

Reviews (5)

Top Notch
Much has already been said. This is one of the best TV series of all time!

Secret Agent/Danger Man and Combat were the two best series from the 60s.

At last!
I remember watching two or three half-hour episodes of "Danger Man"as a very small child. I am cursed with a photographic memory, so Patrick McGoohan's face and style were imprinted on my mind.The first season of "Danger Man" was a huge success in the German speaking countries and I have always found it strange that the hour-long episodes were never shown here.I got the ITC tapes 10 years ago but I had given up hope to see more of this elegant series. So imagine my joy when I learned about the A&E releases.

The quality of the show is amazing. It is a feast for the eyes with its beautiful black and white filming and the fashion of the Kennedy era. Furthermore I have always loved John Le Carre's books and many of the plots here come as close in complexity as scripts in a TV series can get.Even a comedy like "Have a glass of wine" is basically a clever espionage story.

But of course the most important asset is Mr. McGoohan's portrayal of John Drake as a moral man trying to stick to his values despite doing an often immoral job. It is surprising how much of the drama originates in this conflict between duty and personal honour.I certainly had not expected this depth of characterisation in a cold war spy series.

There are many splendid episodes in these three sets.My favourite in set one is "No marks for servility"-no other actor can convey smouldering aggressiveness like Patrick McGoohan."Whatever happened to George Foster" in set two is surprisingly modern in this era of globalisation and "Colony Three" is a nightmare with many memorable images.It is almost too sinister for my taste.Set three, the best so far, has "A man to be trusted" with lots of clever dialogue and a very sudden violent ending set in a dark rainforest with the hero in severe distress; the delightful "Have a glass of wine", poking fun at the French and featuring among other things a bicycle chase; and "You're not in any trouble" with its hint of romance.

In my opinion this series is highly recommendable and I do hope that A&E release the rest of it .For me this is not a nostalgic memory but exciting and new.

Danger Man Set 3: A mixed bag...
Patrick McGoohan is back as British secret agent John Drake in the third boxed set of episodes of Danger Man. Adventures in espionage without the pyrotechnics. Here are summaries and/or comments for the episodes in this set. Episode ratings are on a scale from one to five (best).

Volume 5: (Disc 1)

That's Two Of Us Sorry (5): A well-written episode, featuring a "red herring" and a sad ironic finish. At the Loch Broom power plant in Scotland, some top secret papers are missing. Fingerprints on a briefcase point to a "Jock Lawson" as the culprit. Strangely, Lawson, a suspected traitor, disappeared 20 years previously and is presumed dead. Drake's investigations take him to the island of "Herta", in search of the mysterious owner of the prints. The presence of Russian sailors raises Drake's suspicions, but the tightly knit island community does not yield its secrets easily. The persistent Drake, while still a bit off track, does eventually find a secret or two, raising local tempers and yielding some bittersweet results. Francesca Annis, guest stars as a fetching Scottish lassie, her second appearance in the series.

Such Men Are Dangerous (2): Drake takes the place of a convict who has been recruited along with several other criminals into a shadowy group called "The Order". A country estate serves as a training ground for murder and mayhem. The story starts out with some promise, but crashes pretty badly at the end. A "lowlight" is the comical car chase across some muddy terrain, sped up to appear more "exciting".

A Man To Be Trusted (3): This complicated tale finds John Drake in the Caribbean, looking into the deaths of two British agents, both killed after being brutally tortured. He has the assistance of a local law officer, but he is still not sure whom he can trust. Greed, lust and voodoo all play a part in this tale that gets a bit too close to Drake's heart.

The Affair at Castelevara (3): A roll of movie film that records an atrocity that took place at Castelevara, holds the key to freeing a man condemned to death. A local subversive group works with both Drake and the Americans, to try and free the prisoner, who could be more valuable dead than alive.

Volume 6: (Disc 2)

Don't Nail Him Yet (2): Denis Rawson is a bureaucrat living above his means, and is suspected of passing classified information. After a "chance" meeting with Drake brings the two together, the poor young man can't seem to get him out of his life. The game is to uncover the spy ring without letting critical information slip through. A bit slow and tedious, but finishes with an uncharacteristic bang.

The Ubiquitous Mr. Lovegrove (2): Taking a break from the usual tense drama, this tale rooted in an alternate reality, plays with the audience. After a traffic accident, Drake finds himself in an unfamiliar world, not sure what is real, struggling to put the pieces together. There are clues, so if you can see the ending coming from a long way off, you won't be surprised at all. Nice to see the late Desmond Llewelyn, "Q" from the Bond films here.

Have a Glass of Wine (4): Another story involving following a courier to the source. This time it is to the wine country of France, and the results are not pleasant. First Drake is out pedaled on a bicycle, then outsmarted, and left to face a murder charge. Drake must escape from the law, identify the real killer, and then uncover the secret spy network. This is no easy task. With his back against the wall, John gets pretty violent here, taking on the police as well as dealing with the opposition.

You're Not In Any Trouble, Are You? (3): When an agent mysteriously drops out from his hotel window, John Drake is sent to Rome to investigate. He finds a troubled young woman, and clues that lead him to a "killing syndicate", a group that kills for money. Drake puts a contract out on himself, and then waits for the killer to arrive. This episode approaches the edge, and the finale pushes it over.

Danger Man Set 3 is a mixed bag. A couple of outstanding episodes, but also a few clunkers. Drake is on familiar ground, but the writing is not consistently top notch. Once again, not enough positives to justify a ringing endorsement of this set. Give A&E credit for addressing a previous complaint, by upgrading to four episodes per disc. Fans of Danger Man, may find my other reviews of interest.

Heroic, realistic
Wonderful plots. John Drake is a genuine hero in a not-always-clear and not-always-fair world. He does his best to be true to his values. I especially like "A Man to Be Trusted" -- the plot about a third-world election is very ingenious and would apply today.

Fun to watch on DVD where you can back up and slow-mo the stunts. Look at the scene where Drake turns over the dinner table in "Have a Glass of Wine" -- the actor playing the villain subtlely helps McGoohan flip the table!

Many of the actors became stars and are familiar to us in British drama and comedy. But wonderful acting in even the smallest roles. I especially remember Drake's expatriot widowed landlady in "A Man to Be Trusted"

Heroic and realistic, too

Superb Spy Show
A wonderful show for anyone interested in vintage spy series. The B&W filming lends an interesting quality to the episodes and seems to give the viewer a better feel for the Cold War. Some plots are straight forward, but others are as convoluted as an episode of Mission: Impossible, which came some years later.

I haven't seen these episodes in years and was delighted to find them on DVD. In this set, each DVD contains 4 episodes. They're well worth the price. ... Read more

Amazon.com

Fans of Space: 1999 (and there are many of them) are lavish in their praise for British producer Gerry Anderson's mid-'70s sci-fi series. They rhapsodize about provocative, seriously scientific story lines, expensive production values, the presence of star (and future Oscar® winner) Martin Landau, and more. But there are others who look at the series' glacial pace, loopy costumes and makeup, cheesy sets, primitive special effects, stilted dialogue, and self-serious tone and wonder what planet those rabid fans are from.

This two-disc set includes the first six episodes of the show's second season.Episode 25, "Metamorph," introduces Maya (Catherine Schell), a shape-changer and scientific wiz who, after witnessing her nutty dad's dastardly deeds, defects to join our Moonbase Alpha heroes. "Journey to Where" (Episode 29) finds Koenig (Landau) and Helena (costar Barbara Bain) returning to Earth--specifically, and bizarrely, 14th-century Scotland--while "One Moment of Humanity" (Episode 27) sees the evil Zamara (Billie Whitelaw) and her android cronies trying to learn the violent ways of humans. Intriguing ideas, occasionally rather lame execution. In other words, there's plenty here to justify the points of view of the show's adherents and its detractors.

DVD bonus features include production stills, TV promotional spots, and interactive menus. All episodes have been digitally remastered, and some material that was not seen in the original U.S. broadcasts has been restored. --Sam Graham ... Read more

Reviews (20)

YEAR 2-BETTER THAN YEAR 1!!!!!!!
Season two of Space 1999 has finaly arrived and it looks better than ever! I have never seen a year two episode that wasnt worn out and scratchy, the pristine quality makes you think your seeing these episodes for the first time. There are more bonuses than the previouse disks but still no "making of" documentary. A and E has again done a great job, making the wait worth it ...
Lets hope A and E puts out more bonuses and the special "MESSAGE" episode!
Season two begins with the addition of Maya, in the episode The Metamorph. After escaping her evil father she goes to live on Moonbase Alpha. Maya has the power of molecular transformation-she can change into any lifeform in the blink of an eye. Space 1999 was one of the first-maybe THE FIRST-television series to have a morphing character, and this was way before computer animation! Her changes were feats of camera work, who can forget her eye! The Exiles is about an alien Bonny and Clyde who hold Alpha hostage. Maya does a really cool midair transformation into a panther. One moment of humanity is about robots who want to learn to kill so they can eliminate their human masters. This episode sizzles with sex! Tony and Helena are pitted against each other and end up almost killing each other. Journey to Where is about time travel going amok. This episode has much in common with many first season episodes and even ends on a grim philosophical note. The minatures of Earths' future cities are very well done and realistic. The Taybor is about a trader who will stop at nothing to get Maya- and who can blame him!
If you want the best of weird and cool sci-fi Space 1999 season two is it.

good escapist TV
I've always thought that the start of both seasons of Space 1999 weren't as much fun as the episodes that came after them. Set 5 has some good episodes and some good moments, but sets 6,7, and 8 are much more fun. As the start of season two, this set has both it's share of draw-backs and it's fun moments.

I wont waste space reviewing every episode, but I will say that The Metamorph is one of my faves! Catherine Schell is introduced as Maya in this one. New theme music, cast members, costumes, and sets are introduced as well. Dr Bergman is gone, and the main control center has now been moved underground. Maya helps to fill the void left by Bergman, and after episodes like War Games the new location of the control center makes good sense. Smart move Koenig.

Space 1999 sets 2,3,4,6,7,8 are my favorites, but 1 and 5 are important to the show and to finish your collection. There are some good epsodes in both so check them out. While you are at it, try the Space 1999 novel The Forsaken by John Muir. It sheds more light on just what happened between the program's two seasons and is an excellent read.

Some fun episodes, but poor sound too
Some of the episodes in this set have inferior sound. It's not unlistenable, but it is sub par. Fortunatley, I don't find it too distracting, but it's too bad they didn't make the sound as wonderful as the picture quality. Apart from the sound problems, I enjoyed this set.
This set contains shows from the second season of Space 1999 which was a more ridiculous season, but there are many guilty pleasure episodes here. My favorites include:
"The Metamorph" which is the first episode of the second season and introduces the new theme music and show opening. I like it. We also get a new command center, some new costumes, and the introduction of Tony and Maya. Tony brings some great humor to the show and he keeps trying to make beer. You have to admire a guy who tries to make beer and maintains a sense of humor while the moon is hurling through space. Catherine Schell is lovely as Maya the Psychlon and Maya can turn into all kinds of living creatures which is fun. She's also the sexiest woman with side-burns ever! Brian Blessed plays Mayas dad Mentor.
"The Exiles" has some very suspenseful moments as 50 missiles suddenly begin to orbit the moon and the intercepting of one of them for further study is pretty tense. There's a great sense of mystery for the first half of this episode, but then it turns silly, but I like silly. "Journey to Where" is a bit of Time Tunnel like adventure with a good performance by Freddie Jones, and "The Taybor" is extremely goofy and features some scantly clad female Alphans, and Maya turning into Mr Hyde. I wont comment on the disco dancing horny android epsiode, or the episode with the living rocks. These aren't the most realistic or brainy TV episodes ever, and Set 5 is the low point of the Space 1999 DVD sets, but there are plenty of fun moments in this one and let us never forget that Catherine Schell is the sexiest woman with side-burns ever.

loved season 2
Season two of Space 1999 is a great deal of fun if you understand exactly what to expect. Expect CHEESE with your Space 1999 and plenty of it. I think season one was great, but no matter how many times you watch a train roll down a track there's just something more compelling about a train wreck. Season 2 is a weird combination of quality elements and wacky cheesy elements that makes for entertaining viewing.

very fun stuff
It would be easy to rip this show to pieces and there are plenty of reviews here that do just that, but I have a blast watching these episodes with friends. It's a wonderful mix of cool stuff, decent acting and writing, dubious acting and writing, and just plain silly stuff that both amuses and brings back the fun of being a kid and watching this sort of monster/space adventure show. My friends and I never saw the show when it was on tv, but it's the kind of thing that the kid in us adore and it's very funny when it isn't fantastic stuff. These episodes are all over the map, but they never fail to entertain. ... Read more

Reviews (2)

Danger Man Set 4: Gadgets and Gizmos
Patrick McGoohan returns as British secret agent John Drake in the fourth boxed set of one hour long episodes of Danger Man. Presented in black and white, are adventures in espionage around the world. Here are summaries and/or comments for the episodes in this set. Episode ratings are on a scale from one to five (best).

Volume 7: (Disc 1)

Sting in the Tail (3): This episode features Derren Nesbitt, as "Rachid Noureddine", a hit man headquartered in Beirut. Drake's plan is to lure him to where he can be captured, by using his girlfriend, a nightclub singer. Drake's cover is as an artist, interested in painting the woman's picture. Nesbitt is an actor who usually has a riveting screen presence, and this is the case here. There are sparks, when he and Drake, clash swords over the woman. The plot is simple and direct, though accepting McGoohan as a romantic figure is always a challenge. This episode's title is drawn from a gadget weapon similar to those provided by Q Branch in the Bond films.

The Black Book (4): Sir Noel Blanchard has been indiscreet, and is feeling a blackmailer's bite. John Drake is enlisted to look into the situation, and is sent to Paris to investigate. Tracking the payoff money, Drake encounters a mysterious young woman, and a connection to a Russian spy network. An above average episode, that has a gritty edge. More gadgetry, this time it is a typewriter that tracks and transmits radio signals.

English Lady Takes Lodgers (4): After George Stanway, a well known local smuggler disappears, Drake is sent to Lisbon to investigate. Stanway's wife Emma, takes in boarders, and is on unusually good terms with her lodgers. Drake too becomes a guest, and is soon swept up into the mysterious affairs of the villa's occupants.

Loyalty Always Pays (4): There's trouble in an unnamed African country, where the Minister of Defense has signed a secret treaty with China. Drake is sent in to get proof the treaty's existence. Making use of the local intelligence network to get the information he needs, Drake runs a con game, forcing a security official to help him to get access to the Ministry. This is a well-written episode full of intrigue, and featuring more gadgets.

Volume 8: (Disc 2)

Are You Going To Be More Permanent? (3): The last two comptrollers in Geneva have disappeared. The three local agents are under suspicion. Prepared for a trap, Drake is sent in to ferret out a double agent. A solid, no-frills tale of espionage.

Parallel Lines Sometimes Meet (4): A couple employed at an English atomic research lab, mysteriously disappears. Seeking to discover their fate, John Drake turns up in Haiti, of all places. There he encounters a mysterious English couple, a Russian agent, an overly intrusive police official, and the owner of a mining operation with much to conceal. Forming an alliance with the Russian; Drake explores the secrets of the mine, leading to an explosive finish.

A Very Dangerous Game (4): Drake assumes the identity of a teacher on his way to take a position in Singapore. Upon arrival, Drake is contacted by Chinese spies, and instructed to help trap a British agent. Soon Drake has located the ring's base of operations, and is playing a dangerous game of deception, where the price of failure is death. A fast paced adventure with an interesting but somewhat curious resolution.

The Mercenaries (3): Once again in an unnamed African nation, John Drake's initial undercover role is as a mercenary. Uncovering a connection between the leader of the mercenaries and an unscrupulous surgeon, Drake then must prevent the death of the country's Prime Minister, and avert a forced takeover. This episode is not with some humor, featuring a native witch doctor, and a most impressive pole vault.

In Danger Man Set 4, gadgets and gizmos seem to be more prominent than in previous episodes, particularly in Volume 7. The inclusion of such devices does not detract too much, as they remain tools used within context of the stories. In summary, another solid collection that should satisfy fans of the series, and cold war espionage.

The editors at A&E might pay a bit more attention to detail, and get the location correct in the episode synopsis. Spain is substituted for Portugal, Vienna for Geneva, and Hong Kong for Singapore. Fans of Danger Man, may find my other reviews of the series of interest. Be seeing you.

More realistic than James Bond
The people involved in producing and writing this program were previously involved in early post war journalism specializing in espionage. This is what makes the program so realistic. Some liberties are taken from reality by the use of gadgets. Watching this series will give members of the X generation a feel for what the world was like a few decades before they were born. ... Read more