Reviews (182)

Cameron Crowe's Masterpiece
I don't know if it's just me, but writer/director Cameron Crowe always seems to hit the mark. Whether it be his first effort at writing a Script (Fast Times at Ridgemont High), his second directorial effort (Singles), and the absolutely fabulous Jerry Maguire and this year's sure fire Best Picture, Almost Famous.

Unlike most films, which begin with a screenplay, producer, James L. Brooks asked Cameron Crowe to write the story in prose first. The result was a 90-page novella that became the outline for the film, and from which Crowe wrote the final screenplay.

This movie stars John Cusack (who must have been about 19) as Lloyd Dobler, an eternal optimist who seeks to capture the heart of Diane Court (Ione Skye). He surprises just about everyone-including himself-when she returns the sentiment. But Diane's over possessive, divorced Dad (John Mahoney) doesn't approve and it's going to take more than just the power of love to conquer all.

This is my favourite movie by Cameron Crowe. As with all his movies, the dialogue is true to life and flows. Every aspect of this film borders on unbelievable brilliance. John Cusack is terrific as Lloyd Dobler, the sweetest guy in the whole world. He's one of those guys that girls would love to have, but one of those guys that guys would love to be. The situations are true to life situations teens would absolutely be put in (I love watching Lloyd make his first phone call to Diane -- it reminded me of me) Ione Skye is also great as the object of Lloyd's affection torn between her love for her father and her love for Lloyd.

Besides being Cameron Crowe's best film, this movie also sports the greatest love scene of all time (I won't ruin it for those who haven't seen it), and can give inspiration to any guy who has ever wanted a girl as much as Lloyd. Guaranteed though, after seeing this particular scene, be prepared to fall in love with Peter Gabriel's Song "In Your Eyes".

If you haven't read through all of this (if you got bored, I don't blame you), just read this last paragraph. This is a terrific movie. One that you can watch over and over again without getting tired of it. If you haven't seen it, you are indeed missing out. Roger Ebert declared it one of the best films of the year in 1989.

- "We just don't want to see you get hurt" "I wanna get hurt"

John Cusack's 2nd Best Movie of All Time
There is no denying that "Say Anything" is quite simply one of the best films of all time!

HOWEVER...John Cusack's best role will always be that of Walter Gibson in "The Sure Thing".... which needs to be released on DVD IMMEDIATELY.

"Say Anything" is a different film than "The Sure Thing." It is in a class all by itself. It is quite simply marvelous, poignant and forever endearing. It deserves so much more than 5 starts! 10 stars for this beautiful film.

What can be said about this film that hasn't already been said? It is the perfect love story. Lloyd meets girl. Lloyd falls in love with girl. Girl's father objects to Lloyd. Lloyd loses girl. Lloyd wins her back. True love reigns.

This DVD is PACKED. Worth every cent you will pay should you wish to own a classic gem. There is commentary by director Cameron Crowe, John Cusack, & Ione Skye!! (Right there, worth the price!) There are so many behind the scenes stories and anecdotes to be listened to here. There are theatrical and television trailers, 10 deleted scenes, 13 extended scenes & 5 alternate scenes with commentary!! What more could you want?!

DO NOT miss out on owning this DVD. If you've by some chance never seen "Say Anything" do yourself a favor and do so right away! You're truly missing out.

SPOILER FOR THOSE WHO MAY NOT HAVE SEEN IT.... No matter how many times I have seen this masterpiece, I still get choked up when Lloyd tells Diane, "You've just described every success story." And then we wait for the "ding" along with them.

And then... the "ding." CUT TO BLACK. (Gets me every time.)

I love this movie. Absolutely love it.

SOMEWHAT SIMPLISTIC BUT CHARMING TEEN ROMANCE DRAMA..
Whether it is young John Cusack's skittering sense of comic timing, Yione Skye's riveting beauty (no idea why she hasn't been in other known films!), or the sweet but memorably amusing moments littered throughout this film, there is something very charming about this candypop romance from the 80s.

A dorky but confident guy falls head over heels in love with the school's super brainy girl. Things happen, ups and downs ensue, all leading to an ending that is so satisfying, so overwhelmingly right, that immediately we fall back into step.

My minor grouse with the story was how conveniently the solid parental characterization of the girl's father turns out to be such a snake. One wonders if teenagers may not pick up from this the tired and rather sad message that parents are not to be trusted, no matter how sincere.

But that doesn't detract Say Anything from being a hot recommendation from me, particularly if you have a thing for lovey-dovey light dramas. It generally maintains an intelligent and realistic contour, which is more than one can say for most romantic comedies being made today.

A Modern Romance Classic
It's so pertinent for our times. I think almost anyone can relate something similar in their lives to the scenes in this movie. That's why it's so appealing. In a world where not every guy gets the girl, this is the stuff of dreams...and for a little while, somebody out there who is watching it gets to live that dream.

Teen Charmer
A teen movie of the late 80's, I found this charmer, "Say Anything." John Cusak is the quirky misfit teen in love with the unattainable. The unattainable is the senior class brain, Ione Skye. Ione has a wonderful smile, which she uses to disarm. Her acting skills are limited however, so Cusak's antics move the story to the opposites-attract finale. John Mahoney, the dad in "Frazer" on TV, plays Ione's businessman, father in deep soup with the IRS. He wants her to go to England on a scholarship. She is wooed, charmed, and then makes it with shiftless Cusak. I must say that Mahoney is believable in a complicated character, both loving father and a secret embezzler. Ordinarily in these teen operas, parents are total dotes. There is the obligatory teen beer-bash, but this one is fairly realistic with kids that actually like each other, as opposed to bashes where kids are trying to be too cool. Nice little date flick for teens. ... Read more

Reviews (724)

"TECH SUPPORT!!!!!!"
Watching this after viewing the convoluted mess, MULHOLLAND DR., was like a breath of fresh air. Here is a convoluted film with BIG IDEAS and an actual pay-off at the end. AND IT'S FUNNY!! Some [people] claim this movie made no sense and was full of holes. Huh? The whole thing is spelled out in it's conclusion. Cameron Crowe practically leads you by the hand. ... Having seen this PSYCHOLOGICAL MASTERPIECE 3 times so far, I couldn't find a single hole in it's superbly delineated plot.

Not being a fan of Penelope Cruz or Cameron Diaz, I went into this film with low expectations. I was wrong. Cruise and Cruz have great chemistry together. Obviously because of their off- screen chemistry. And Cameron Diaz' performance is chilling. I have a newfound respect for her. Next to BORN ON THE FORTH OF JULY, this is Tom's best performance by far. He says, it's his favorite film to date. No kidding!! His performance is sad, hilarious, and profoundly touching. BRAVO!! Jason Lee is always great and he's a riot in this film. Hope to be seeing more of him, now that he's mainstream. Kurt Russell in a marvelously understated role.

... Granted what at first appears to be a psychological thriller, which it is, ultimately becomes a science fiction odyssey of the mind. [For those] who couldn't understand why Tom Cruise gets in the car with Cameron Diaz: Diaz offers Cruise sex. This is the important choice that Cruise makes which ultimately changes his whole life and the direction or conflict of the story. And he doesn't "punch her in the face" because he's trying to talk her down. ... It's about the male libido. It's about thinking with one's head and not one's.....ahem. "It's about choices" is stated several times in the film. As for the identities changing during Cruise's nightmare nothing could be more obvious: his subconscious is playing out his tortured feelings of guilt about Cameron Diaz' character. "The subconscious is a powerful thing" is stated several times in the film. Psychology 101. Pretty simple stuff when you see it unfolding. ... As for comparing this to MEMENTO: OK, a psychological thriller with an unusual timeline device. But MEMENTO had a fill-in-the-blank pay-off. What was the motivation behind it all? Why was this guy manipulating this other guy's mind? We'll never know. Doesn't really matter. These two films are pretty far apart in their intentions.

This script could have come from the mind of Phillip K. Dick- sheer paranoia, except for the ending, which is full of redemption and hope. Stunningly put together and masterfully directed by Cameron Crowe. The music is wonderful. One expects the music in a film such as this to be haunting and weird, ala David Lynch, but the choice of tunes is a reflection of the main character's taste in music. GOOD VIBRATIONS?- man, that was out of left field.

The DVD format is artfully done and the extras are good, although the MAKING OF segment, PRELUDE TO A DREAM, could have been more extensive. DO NOT watch PRELUDE TO A DREAM before watching the film. It gives away a part of the plot ... You do get a COMMENTARY by the film maker which I haven't clicked on yet.

Not as psychologically disturbing as FIGHT CLUB, but close.

Wow, I thought the meaning of this MASTERPIECE was fairly obvious, but after reading some of the other reviews, I guess I have to say, go into this one with an OPEN MIND.

BRILLIANT!! Thanks, Cameron Crowe and Tom Cruise, for helping to restore my faith in Hollywood. This movie is one of the reason's why I love film. One of the 2 or 3 best films of 2001.

What Is Real?
Vanilla Sky is a visually and intellectually fascinating film that many viewers and critics found too confusing to enjoy. What starts out as a surreal mystery turns out to be an exploration into the nature of reality. In this way, it is similar to The Matrix, Dark City and some other recent films where the characters are never sure what is real and what is a dream (or computer-generated fantasy). Vanilla Sky also has some David Lynch-like features, as when people's identities seem to randomly morph. Unlike Lynch films such as Mulholland Drive, however, Cameron Crowe's story at least offers an explanation for the confusion. The explanation won't satisfy everyone (as some of the harsh criticism of the film shows), but to focus too much on this is to miss the point, which is to make us ponder some big questions regarding truth and reality. Helped by some very good performances by Tom Cruise, Penelope Cruz and Cameron Diaz, and some stunning visual effects (such as a truly eerie scene of a deserted New York City), Vanilla Sky is an entertaining and intellectually stimulated film. Just don't expect a straightforward, linear story.

IF YOU LIKE PLOT TWISTS YOU WILL LIKE THIS MOVIE.
"Vanilla Sky" is a remake of the Spanish film "Abre Los Ojos (Open Your Eyes)", and if you have seen the original film, you know that "Vanilla Sky" was made almost in the same way, but there a few key differences. The camera angles, the plot and most of scenes are almost the same in both movies, but "Vanilla Sky" uses a different music, this movie has a rock-oriented music score. Also, the character played by Cameron Diaz is an improvement over the original character, because Cameron adds more depth with her performance. Of course, since "Vanilla Sky" is a Hollywood movie, the visual effects and the budget are bigger this time.

"Vanilla Sky" offers a lot of plot twists, so the first screening might be mind-blowing to some viewers, if you like simple plots perhaps "Vanilla Sky" is not your movie. But if you like to be tricked with the characters and the plot, this film is for you. "Vanilla Sky" plays with the time, the movie goes back and forth between past and present, and sometimes you don't know if some events really happened or if the main character is just having a nightmare.

The cast in "Vanilla Sky" is very interesting: Tom Cruise is David, the main character, and Cruise gave one of his most inspired performances in recent years. Cameron Diaz is outstanding as Julie, she improved the character from "Open Your Eyes". Penelope Cruz plays exactly the same role, yes, the same role in both movies, one might think that she would improve her performance this time, but nop, she reprises her role step by step. Jason Lee plays Brian, the best friend of David, and he does a good job here, he adds sympathy and charm to his character. Kurt Russell plays McCabe, the psychiatrist that tries to solve the puzzle.

"Vanilla Sky" is an effective thriller, packed with plot twists and good music, if you like this movie, I strongly recommend you to see the original film "Abre Los Ojos (Open Your Eyes)", you might find that both films share similarities, but they are different movie experiences.

An amazing film that could have been stellar
I have watched Vanilla Sky three times now, and every time it has left me powerfully affected. It deals with many topics that interest me, particularly the study of dreams vs. reality, and the nature of relationships, and love. There is much that is very good about it, however it contains one major flaw that prevents it from being truly great.
The acting, is overall top notch. Jason Lee turns in yet again another stellar supporting role; he radiates charisma in this performance, and fits the role given perfectly. Cameron Diaz is a fine choice for Julianna, she brings an almost maniacal sense of urgency to her character that was both disturbing and complusively watchable; she simply looks amazing on film. Tom Cruise performs more than adaquetly as well, and perhaps the greatest kudos must be given to Penelope Cruz, who simply lights up the screen here. Her charisma is unmistakable, and she infuses this film with life and vibrancy. This is a film with many powerful images, be it the gorgeous vanilla skies that soar over New York within the dream, or the (SPOILER) unforgettable image of Cruise's David Aames waving farewell to his disfigured reflection in the mirror. It entices in the first viewing, draws you in irresistably, and apon further viewings still moves with great pacing, and many subtle clues and hints can be found that help the viewer understand the nature of David Aame's reality. My only real complaint is that Cameron Crowe for some inexplicable reason (though it certainly must have been because of confused test audiencies, those who this film is not intended for anyway) chose to come out at the end of the film and blatantly reveal all of the films secrets and twists; he talks to the viewer as if we were 5 years old and need him to hold our hand. This film could have been very similar in nature to, and even rivaled Lynch's masterpiece Mulholland Drive had Crowe not chosen to do so, and it is very disappointing that he did in fact choose to do so. But this aside, the film is very compelling and often powerful. I still love the questions it raises concerning love (if his love with Sofia wasnt "real", than does it still have meaning?), and the image of "I will find you in another life, when we are both cats" that so powerfully emphasizes the power that love can have, and the joy and awe surrounding that human emotion. For a similar image look in the closing chapters of the novel The Amber Spyglass by Philip Pullman. But i digress. This film is solid, even coming from hollywood, and with big name stars attached. I would certainly recommend it to anyone who is willing to be challenged slightly by the film they watch, and those who love to be moved.
Highly Recommended

5 STARS FOR THIS BLOATED TRASH? YOU GOTTA BE KIDDING!!
The most amazing thing about this movie is finding people who are actually giving it 5 stars. I guess this just goes to show you that if you pour enough money in any misguided enterprise with flatulent ego, there are some people who are going to think it's great. Especially amazing are those who actually compare this horrible incoherent mess favorably to the original, ABRE LOS OJOS. Very depressing indeed. As depressing as watching a really ugly and annoying woman wearing a ton of make up and expensive designer clothes and parading around in a roomful of myopic and deaf people applauding her as she screeches away fit to break windows...................... ... Read more

Reviews (477)

All That's worth watching
This sweet coming of age tale follows newcomer Patrick Fugit's cross country journey with a 70's rockband by the name of Stillwater. The film is based on director Cameran Crowe's real life experience (also the director of Say Anything, Jerry Maguire, Singles) as the youngest journalist ever to work for Rolling Stone.
He goes to a high school where the kids hate him. He has a mother whose somewhere in between June Cleaver and someone Norman Bates would be bratteling on about. He also has a personal relationship with the Roger Ebert of music critics Lester Bangs.
Lester Bangs invites young William to interview Black Sabbath for him. Instead he runs into the band Stillwater, and the alluring Penny Lane (played by Kate Hudson). When Rolling Stone offers him a chance to travel with the band, and do an interview, William jumps at it.
Ultimately what makes a Cameran Crowe movie worth seeing isn't the plot details, but the characterizations and tender moments of humanity his films provide. Crowe is able to illicit an emotion from his audience without feeling the need to beat his audience over the head with it.
Also, the wonderful performances provided by Kate Hudson, Billy Crudup, Jason Lee, Frances McDormand, Fairuza Balk, Phillip Seymour Hoffman, and Patrick Fugit provide more quality acting then three years worth of Oscar ceremonies.
Almost Famous is a funny entertaining, and moving film. It is the quality of this film that won it the Golden Globe for Best Picture and has appeared on over 250 critic's top ten lists. It's a movie with an undefinable quality, but will stick in your memory long after you've left the theatre.

A Crowe's Life
The main character in Almost Famous is a 15 year old rock journalist named William Miller. He gets the chance to write an article for Rolling Stone magazine about an up and coming rock band, Stillwater. He goes out on tour with the band and what starts out as a simple assignment, turns into a life altering experience for all involved. The character of William is director and writer Cameron Crowe's on screen alter ego. Mr. Crowe was a 15 year old who wrote for Rolling Stone and the story is based on his life. The film also involves William's overprotective and aggressive mother (played by Frances McDormand) and the battles she waged with his sister. They are based on Mr. Crowe's own family's struggles and the fact that he was willing to air his family's problems in public adds a touch of humanity and reality to the film. Stillwater is led by Jeff Bebe and Russell Hammond who bicker at one another about the band's future and possible fame. Billy Crudup plays Russell the lead guitarist and Jason Lee is Jeff the lead singer. They have a natural fear of the press and refer to William as the enemy. In fact, William struggles to get an one on one interview with Russell throughout the film. The band is followed on tour by a bunch of groupies who refer to themselves as Band-Aids. Their leader is Penny Lane played wonderfully by Kate Hudson. She is in love with Russell, but it is William whom she confides in. The tender relationship between Penny & William is one of the film's great strengths. Throughout the film, William seeks and gets advice from legendary rock critic Lester Bangs. Mr. Bangs is played amazingly by Philip Seymour Hoffman. Mr. Hoffman provides the film's conscious and his brief time on the screen is electric. All the performances in the film are first-rate including Ms. Hudson who is luminous, Mr. Crudup is brooding and dark, Mr. Lee is self-righteous and Ms. McDormand is a fierce presence. But the most startling performance is that of Patrick Fugit as William. Mr. Fugit had never appeared in a movie before and had minimal acting experience, but he is the emotional center of the film, the link between al the characters. He plays William perfectly and captures the essence of what Mr. Crowe was trying to capture. Mr. Crowe guides the film with an eye for detail as the sets and feeling are completely real and harkens the spirit of the 70's. His screenplay perfectly balances drama and comedy and has some of the sharpest dialogue in a long time. Mr. Crowe took home a Best Original Screenplay Oscar at the 2000 Academy Awards for this great script. Almost Famous is Mr. Crowe's love letter to his youth and the 70's. The film is easily his most personal, but it is the personal touch he adds that gives the film its universal appeal.

"I AM A GOLDEN GOD!" -Russel (Billy Crudup)
I loved this movie. Really, that's all that needs to be said. It is one of those films where you know there are flaws here and there, but it is so utterly engrossing and the tone is so perfect you forget that there are moments when there should have been more drama, but it was toned down for inexplicable reasons.

This is one of my shorter reviews, but really, there isn't much you can say except:

-Kate Hudson was mysteriously intoxicating. You believed every guy wanted her.
-Frances McDromand made you feel sorry for her despite some unnecessary strictness. And she was hilarious.
-If you find rock awesome (like I do), you'll appreciate this portrait of the genre, the bands and the fans, and what drives it all.
-The writing was often clever and involving, if a little on the lighter side (sometimes, not for the best).

So I recommend this film to fans of entertaining, breath-takingly sweet (but not over-the-top), unbelievably "cool" movies, and to fans of classic rock. There's nothing left to say except: have fun.

The real deal
I got this director's cut edition because I so was so intrigued by the original theatrical release. I wanted more.

What I didn't expect was how very the new material (typically extended scenes though there are a few new scenes as well) changed the tone and feel of this film. Penny Lane comes across as a tragic, lost soul. Stillwater comes across as a bunch of debauched, spoiled, poorly educated, brain challenged musicians. The "suits" - including the Rolling Stone "hippy suits" - come across as sharks. William Miller comes across as a well intentioned but naive quick learner. He seems vulnerable. Alot of the ackward mysteries of the theatrical release (How did Lester Bangs and William end up at a pizza joint after they had just said good-bye? Why did Russell deny everything after encouraging William to write what he wanted to? What held Stillwater together after those shocking confessions on the plane? There are many other examples.)

It almost like a different film! In fact, a BETTER film I would have to say.

Further, based on my experience in the music industry I found this director's cut to be more reality than fantasy -- the inverse was true of the theatrical release from my perspective. It's STILL not at a "documentary" level but, hey, this isn't suppose to be a horror flick is it?

Also, I know it's kind of whacky (maybe I'm a brain challenged musician too) but I really dig Stillwater's music. I have been listening to the Stillwater CD that comes in the package since I got it. I agree with Cameron Crowe, if these guys toured I would go see them! The movie is great but this CD (filled with songs by Nancy Wilson of Heart and Peter Frampton) really cooks.

Overall I just couldn't be happier with my Almost Famous Director's Edition set.

Almost Famous Is A Perfect Movie
Director-writer Cameron Crowe's ode to rock n roll is more than
just the coming of age tale he wanted to tell for a long time, it is the crowning achievement that not only vastly impressed critics, but it also vasly impressed audiences as well. This is
an autobiographical account of Crowe's early days, working as a
teenage reporter for Rolling Stone magazine, in which we are introduced to his alter ego, which is 15 year old William Miller
(Played by newcomer Patrick Fugit), who gets introduced by rock
music from his spiritual older sister Anita (Zooey Deschanel). Following this and the overprotective attitude of his mother (Played by the always entertaining Francis McDormand), William
Miller goes on the road to interview the band Stillwater who is
headed by the lead guitarist (Billy Crudup), from then on he starts to travel with these people and meets an upbeat and very
beautiful road groupie named Penny Lane, who is played by the
always gorgeous Kate Hudson, who not only gives a breakthrough
performance, but delivers the performance of her career. I will
stop talking here, just see this wonderful wonderful movie. Filmmaker Cameron Crowe may have been put on the map by Say Any-
thing and Jerry Maguire, but it is Almost Famous that is his
main crowning achievement and to prove it, he won a more than
well deserved oscar for best original screenplay. Francis McDor-
mand won a well deserved oscar nomination for best supporting
actress. However it is the talent and gorgeous Kate Hudson who
steals the show as rock groupie and wallflower Penny Lane. She
was so great shw should have won the best supporting actress oscar. However Marcia Gay Harden won instead for her brilliant
performance in Pollock, but I would have given Marcia Gay Harden
the oscar for her performance in Mystic River instead. This movie is a must-see film. Long Live the 21st century, I love the 21st century including it's movies, internet, DVD's, music,
and Cable TV.

Other Films Directed By Cameron Crowe
Say Anything (1989)
Singles (1992)
Jerry Maguire (1996)
Vanilla Sky (2001) ... Read more

Description

Audiences and critics alike are raving about this larger-than-life rock'n 'roll favorite that Roger Ebert calls "one of the best movies of the year!" The guys of Stillwater have the sound, they have the look and Rolling Stone Magazine wants their story. For young reporter William Miller, it's the opportunity of a lifetime as he hits the road with his favorite band and discovers the price of fame, the value of family and the limits of friendship. ... Read more

Reviews (477)

All That's worth watching
This sweet coming of age tale follows newcomer Patrick Fugit's cross country journey with a 70's rockband by the name of Stillwater. The film is based on director Cameran Crowe's real life experience (also the director of Say Anything, Jerry Maguire, Singles) as the youngest journalist ever to work for Rolling Stone.
He goes to a high school where the kids hate him. He has a mother whose somewhere in between June Cleaver and someone Norman Bates would be bratteling on about. He also has a personal relationship with the Roger Ebert of music critics Lester Bangs.
Lester Bangs invites young William to interview Black Sabbath for him. Instead he runs into the band Stillwater, and the alluring Penny Lane (played by Kate Hudson). When Rolling Stone offers him a chance to travel with the band, and do an interview, William jumps at it.
Ultimately what makes a Cameran Crowe movie worth seeing isn't the plot details, but the characterizations and tender moments of humanity his films provide. Crowe is able to illicit an emotion from his audience without feeling the need to beat his audience over the head with it.
Also, the wonderful performances provided by Kate Hudson, Billy Crudup, Jason Lee, Frances McDormand, Fairuza Balk, Phillip Seymour Hoffman, and Patrick Fugit provide more quality acting then three years worth of Oscar ceremonies.
Almost Famous is a funny entertaining, and moving film. It is the quality of this film that won it the Golden Globe for Best Picture and has appeared on over 250 critic's top ten lists. It's a movie with an undefinable quality, but will stick in your memory long after you've left the theatre.

A Crowe's Life
The main character in Almost Famous is a 15 year old rock journalist named William Miller. He gets the chance to write an article for Rolling Stone magazine about an up and coming rock band, Stillwater. He goes out on tour with the band and what starts out as a simple assignment, turns into a life altering experience for all involved. The character of William is director and writer Cameron Crowe's on screen alter ego. Mr. Crowe was a 15 year old who wrote for Rolling Stone and the story is based on his life. The film also involves William's overprotective and aggressive mother (played by Frances McDormand) and the battles she waged with his sister. They are based on Mr. Crowe's own family's struggles and the fact that he was willing to air his family's problems in public adds a touch of humanity and reality to the film. Stillwater is led by Jeff Bebe and Russell Hammond who bicker at one another about the band's future and possible fame. Billy Crudup plays Russell the lead guitarist and Jason Lee is Jeff the lead singer. They have a natural fear of the press and refer to William as the enemy. In fact, William struggles to get an one on one interview with Russell throughout the film. The band is followed on tour by a bunch of groupies who refer to themselves as Band-Aids. Their leader is Penny Lane played wonderfully by Kate Hudson. She is in love with Russell, but it is William whom she confides in. The tender relationship between Penny & William is one of the film's great strengths. Throughout the film, William seeks and gets advice from legendary rock critic Lester Bangs. Mr. Bangs is played amazingly by Philip Seymour Hoffman. Mr. Hoffman provides the film's conscious and his brief time on the screen is electric. All the performances in the film are first-rate including Ms. Hudson who is luminous, Mr. Crudup is brooding and dark, Mr. Lee is self-righteous and Ms. McDormand is a fierce presence. But the most startling performance is that of Patrick Fugit as William. Mr. Fugit had never appeared in a movie before and had minimal acting experience, but he is the emotional center of the film, the link between al the characters. He plays William perfectly and captures the essence of what Mr. Crowe was trying to capture. Mr. Crowe guides the film with an eye for detail as the sets and feeling are completely real and harkens the spirit of the 70's. His screenplay perfectly balances drama and comedy and has some of the sharpest dialogue in a long time. Mr. Crowe took home a Best Original Screenplay Oscar at the 2000 Academy Awards for this great script. Almost Famous is Mr. Crowe's love letter to his youth and the 70's. The film is easily his most personal, but it is the personal touch he adds that gives the film its universal appeal.

"I AM A GOLDEN GOD!" -Russel (Billy Crudup)
I loved this movie. Really, that's all that needs to be said. It is one of those films where you know there are flaws here and there, but it is so utterly engrossing and the tone is so perfect you forget that there are moments when there should have been more drama, but it was toned down for inexplicable reasons.

This is one of my shorter reviews, but really, there isn't much you can say except:

-Kate Hudson was mysteriously intoxicating. You believed every guy wanted her.
-Frances McDromand made you feel sorry for her despite some unnecessary strictness. And she was hilarious.
-If you find rock awesome (like I do), you'll appreciate this portrait of the genre, the bands and the fans, and what drives it all.
-The writing was often clever and involving, if a little on the lighter side (sometimes, not for the best).

So I recommend this film to fans of entertaining, breath-takingly sweet (but not over-the-top), unbelievably "cool" movies, and to fans of classic rock. There's nothing left to say except: have fun.

The real deal
I got this director's cut edition because I so was so intrigued by the original theatrical release. I wanted more.

What I didn't expect was how very the new material (typically extended scenes though there are a few new scenes as well) changed the tone and feel of this film. Penny Lane comes across as a tragic, lost soul. Stillwater comes across as a bunch of debauched, spoiled, poorly educated, brain challenged musicians. The "suits" - including the Rolling Stone "hippy suits" - come across as sharks. William Miller comes across as a well intentioned but naive quick learner. He seems vulnerable. Alot of the ackward mysteries of the theatrical release (How did Lester Bangs and William end up at a pizza joint after they had just said good-bye? Why did Russell deny everything after encouraging William to write what he wanted to? What held Stillwater together after those shocking confessions on the plane? There are many other examples.)

It almost like a different film! In fact, a BETTER film I would have to say.

Further, based on my experience in the music industry I found this director's cut to be more reality than fantasy -- the inverse was true of the theatrical release from my perspective. It's STILL not at a "documentary" level but, hey, this isn't suppose to be a horror flick is it?

Also, I know it's kind of whacky (maybe I'm a brain challenged musician too) but I really dig Stillwater's music. I have been listening to the Stillwater CD that comes in the package since I got it. I agree with Cameron Crowe, if these guys toured I would go see them! The movie is great but this CD (filled with songs by Nancy Wilson of Heart and Peter Frampton) really cooks.

Overall I just couldn't be happier with my Almost Famous Director's Edition set.

Almost Famous Is A Perfect Movie
Director-writer Cameron Crowe's ode to rock n roll is more than
just the coming of age tale he wanted to tell for a long time, it is the crowning achievement that not only vastly impressed critics, but it also vasly impressed audiences as well. This is
an autobiographical account of Crowe's early days, working as a
teenage reporter for Rolling Stone magazine, in which we are introduced to his alter ego, which is 15 year old William Miller
(Played by newcomer Patrick Fugit), who gets introduced by rock
music from his spiritual older sister Anita (Zooey Deschanel). Following this and the overprotective attitude of his mother (Played by the always entertaining Francis McDormand), William
Miller goes on the road to interview the band Stillwater who is
headed by the lead guitarist (Billy Crudup), from then on he starts to travel with these people and meets an upbeat and very
beautiful road groupie named Penny Lane, who is played by the
always gorgeous Kate Hudson, who not only gives a breakthrough
performance, but delivers the performance of her career. I will
stop talking here, just see this wonderful wonderful movie. Filmmaker Cameron Crowe may have been put on the map by Say Any-
thing and Jerry Maguire, but it is Almost Famous that is his
main crowning achievement and to prove it, he won a more than
well deserved oscar for best original screenplay. Francis McDor-
mand won a well deserved oscar nomination for best supporting
actress. However it is the talent and gorgeous Kate Hudson who
steals the show as rock groupie and wallflower Penny Lane. She
was so great shw should have won the best supporting actress oscar. However Marcia Gay Harden won instead for her brilliant
performance in Pollock, but I would have given Marcia Gay Harden
the oscar for her performance in Mystic River instead. This movie is a must-see film. Long Live the 21st century, I love the 21st century including it's movies, internet, DVD's, music,
and Cable TV.

Other Films Directed By Cameron Crowe
Say Anything (1989)
Singles (1992)
Jerry Maguire (1996)
Vanilla Sky (2001) ... Read more

Amazon.com

A romantic comedy set against the background of the Seattle grunge scene of the late '80s and early '90s, Singles contains music and/or cameo appearances by the music groups who defined the movement, including Pearl Jam, Soundgarden, Alice in Chains, Mudhoney, Screaming Trees, Mother Love Bone, and others. (For a definitive documentary treatment of the same pop-music phenomenon, see Hype!) The plot is really a series of interconnected stories about various Seattle singles--some of who are part of a couple, at least temporarily. Matt Dillon plays a longhaired rocker whose girlfriend (Bridget Fonda) is considering breast enlargement surgery. As Steve and Linda, Campbell Scott and Kyra Sedgwick are going through the awkward stages of a relationship--that point when quirky little traits that may have seemed attractive initially can evolve into major annoyances. It's a funny, sweet, enjoyable picture that captures some of the flavor of the Northwest, where writer-director Cameron Crowe relocated after marrying Seattle native Nancy Wilson of Heart. (The Wilson sisters also appear on the soundtrack as members of The Lovemongers.) Ten years before the release of Singles in 1992, Crowe was the "boy wonder" reporter for Rolling Stone magazine who went back to high school in order to research and write what became Fast Times at Ridgemont High. His other work includes Jerry Maguire (1996) and Say Anything (1989). --Jim Emerson ... Read more

Reviews (38)

A snapshot of the early 90s with a universal theme
I was in college in '92, when the grunge scene really took off, and this movie brings those days back perfectly. Somehow it doesn't seem dated either, like many 80s movies do. It's probably because of the engaging storyline and familar, "hey-that-could-be-me" characters that Cameron Crowe is known for. The Campbell Scott character, Steve (and by the way, where IS Campbell Scott these days?) is like so many of us - obsessed with work, trying to make sense of the whole dating and relationship scene, wishing for simplicity. Bridget Fonda's Janet is anyone who ever woke up from codependency and realized his/her own self-worth. And Kyra Sedgwick's Linda is everyone who ever got their heart broken and put up barriers to protect themselves, only to find that not all people are as bad as you think. Great cast, great setting, incredible soundtrack. The DVD adds some deleted scenes which I think are also on the VHS version, as well as cast bios. Check out cameos by Eddie Vedder, Stone Gossard and Jeff Ament of Pearl Jam (the musicians in Matt Dillon's band), Chris Cornell of Soundgarden, and a performance by Alice in Chains. And don't miss Jeremy Piven as the checkout guy, and the eldest son from "Malcolm in the Middle" as the young Steve.

Good Movie
Cameron Crowe's "Singles" portrays the lives of single men and women living in Seattle, Washington in the 1990s. Like previous generations, the youth are seeking independence and identity. The movie centers around a couple Steve and Linda, played by Kyra Segwick and Campbell Scott. They first meet at a concert and she, Linda, rejects him on the spot. Then they meet again the second time and she accepts him. They both start off awkwardly and then they grow on one another. But things take a turn which makes one question the other where the relationship is going.
The supporting actors Briget Fonda and Matt Dillon make the movie are just as good as the center characters. Fonda, who plays a waitress, tries to get Dillon's attention. He is more focused on his music career while working as a delivery truck guy for a florist shop. She attempts to get a boob job to get his attention.
Then there is a neighbor who is an advertising exec that is searching for her "prince". She goes through a dating service hoping to get her man. Despite her schemes, she is optimistic.
This movie is a good watch as the couples are going through some odds and ends in the relationships and creating lifetime of friendships.

I Can Totally Relate
Even though I wasn't a part of the early 90s grunge scene, I can really relate to the theme in this movie, a theme that explores the ups and downs of the single life. As a matter of fact, I believe that anyone who has ever been single can relate to what's shown in the movie. For example, how many of us have gotten involved with someone we think is "The One", only to find out that he/she is a jerk? How many of us have pined away for a boyfriend or girlfriend who doesn't seem to notice that we exist? How many of us have gone to great lengths to find Mr. or Ms. Right? And how many of us have been hesitant to get into another relationship because we've been burned by previous ones? Answer: most of us. The above-mentioned scenarios are ones that we see not only in the movie, but also in our real lives. And as a previous reviewer mentioned, the movie takes place in the Northwest, but it could happen anywhere.

crowe does dating
some part of me wants to agree with general opinion that this is a bit of a 'period-piece'. oh, go on then, this IS a bit of a period-piece, but none the worse for that. the irony is that crowe took a peculiar cultural phenomenon in grunge, went to the heart of it all and made the film in Seattle (with some nice coffee shop moments thrown in for good measure) and then made a film about life that could have been set anywhere. i mean, instead of matt dillon's character having long hair, wearing jams and being into rock, give him a mohican, baggy trousers and have him into punk and you have a skateboard movie (not sure why you would, but still...).

the film is about love, life, relationships, the difficulties of being a twentysomething in modern society and making difficult decisions but not really knowing who you are, where you are going or why you happen to be where you are right now. it is that disaffection with life that, i suppose, endeared us all to troubled musicians with long hair and scruffy t-shirts in the first place..?

the idea that our central characters live in a duplex apartment block is key to the film. these are people with temporary lives, temporary relationships, dreams of something better and something bigger and no one to help them get there (to paraphrase michael chabon's wonder boys).

the film isn't out-and-out funny, or romantic or anything particularly mainstream, its downright quirky and unconventional and makes a bold observation on life and living it. campbell scott has only just recovered from the critical slamming he took because of this film, by all accounts, and bridget fonda and matt dillon have remained relatively low key (but probably not unsuccessful) and kyra sedgwick has had a reasonable career (and a marriage to the man of many degrees, kevin bacon). the only person that really flourished here is crowe, who can probably look at almost famous as his most acconmplished piece to date. this has similar charms and perhaps when we are further away from the early 90's this film can be appreciated by a new audience.

im inclined to agree that my so called life did do a better job with representing the grunge era, but then, this is aiming at higher fruits and, i think, comes across as a prelude to better things from its director (but maybe thats just hindsight speaking....?).

Seattle Blues
I loved this movie and have watched it over and over again. I am what you'd call an old-age rocker, but so what it! The movie makes me laugh and feel good about the characters and of myself at age 51! All the characters were so real and down to earth. After renting it for the 10th time I finally decided to purchase it today and add it to my library of most beloved movies. This movie will never collect dust. Why haven't these wonderful characters played in other movies?

MISS CALLADINE ... Read more

Amazon.com

One of the best romantic comedies of the 1990s, this box-office hit cemented writer-director Cameron Crowe's reputation as "the voice of a generation." Crowe could probably do without that label, but he's definitely in sync with the times with this savvy story about a sports agent (Tom Cruise) whose fall from grace motivates his quest for professional recovery, and the slow-dawning realization that he needs the love and respect of the single mom (Renée Zellweger in her breakthrough role) who has supported him through the worst of times. This is one of Cruise's best, most underrated performances, and in an Oscar-winning role, Cuba Gooding Jr. plays the football star who remains Jerry Maguire's only loyal client on a hard road to redemption and personal growth. If that sounds touchy-feely, it is only because Crowe has combined sharp entertainment with a depth of character that is rarely found in mainstream comedy. --Jeff Shannon ... Read more

Reviews (135)

Great
"Jerry Maguire" is a romance about the two main characters (Tom Cruise and Renee Zellweger), but it's also a very funny comedy about a sports agent trying to survive alone away from a large corporation.

Jerry is fired after writing a "memo" which displeases his boss. He is fired in a crowded place, followed by a scene where Jerry and his boss try to contact as many of their clients as possible to convince them to stay with one agent and not the other. Jerry leaves with a select few clients, some fish, and a brave secretary (Zellweger). They eventually begin dating after Jerry breaks up with his fiance.

"Jerry Maguire" is an intelligent romantic comedy, not really in the same sense that "Sleepless in Seatle" was a romantic comedy. They are completely different films, and "Jerry Maguire" is better and more intelligent for it. It deals not only with the fun of relationships, but with the hard times. There are a few twists to the plot that come unexpectedly and an ending that many probably will know without having seen this movie ("You complete me"). Cuba Gooding Jr. also delivers one of his best performances (both in the film and accepting the Best Supporting Actor award at the Oscars for this film - "Show me the money!") that has not been surpassed to date ("Instinct" and "Chill Factor" don't even come close).

This widescreen version presents the film in the original theatrical format the way it was meant to be seen. Yes, there are the black bars at the top and bottom of the screen, but you actually see more of the movie (the stuff that would be edited out for the standard format).

This is a great film worth watching many times.

Everybody loves Jerry !
Every once in a while, a movie comes along that lifts the spirits, gives you a smile, and makes going to the movies a great experience all over again.
Cameron Crowe, of "Say Anything" fame, succeeds in bringing to life an everyday man struggling with everyday problems of the everyday common man. This particular common man is a sports agent, a very successful and, of course, rich agent who has a stunningly attractive fiance, athletes who depend on him to make fortunes, and friends who admirably and openly tell him "I love you, Jerry!". Jerry Maguire is his name. And he is played brilliantly by the ever-so-loved Tom Cruise. Despite all the love around him, however, Jerry does one mistake. It comes in the form of a mission statement where he challenges the business and dares to open up and speak out. The friends at the firm give him an expiration date, "about two weeks!", and it's up to his one time protegee Jay Mohr to tell him that he's fired in one of the most classic moments in movie history, sitting in a restaurant surrounded by a crowd of people (the scene where Tom Cruise stares down at his glass of water after Mohr blurts out 'I'm here to let you go' is as real as reality goes). Jerry is left struggling and failing to keep his clients except for one, the obnoxious Football player Rod Tidwell (played even more brilliantly by Cuba Gooding Jnr) His fiance leaves him labeling him a 'loser' and he finds himself battling to survive with the loudmouthed client and a single mother secretary, who quits the firm for him, who is the only left admirer of his 'memo'!

Crowe, who writes and directs this movie, takes care of the characters' progress throughout the entirety of the movie. Jerry and the secretary (played by the sweet Renee Zellweger) slowly and passionately start to fall in love, and the relationship between Jerry and her only son grows from a goofy friendship into a father-son type of relation. But best of all is Jerry's one on one dialogue with Rod. Jerry can't stand the fact that he's stuck with Rod but faces the fact that he's his only hope left, and Rod still believes in Jerry and more or less becomes his right shoulder and gains him confidence. Like any other everyday man, Jerry still has people around telling him how great he is, even though he thinks very lowly of himself. This is the same theme throughout most of Crowes' films, especially "Say Anything" where John Cusack's character finds confidence through Lili Taylor.
The movie is funny. With serious drama flowing thoughout. And there are catch phrases that people everywhere quote, most commonly "show me the money!"

The DVD features two discs with loads of special features, deleted scenes, rehearsals, and the music video of Bruce Springsteen's 'Secret Garden'.

Highly recommended!

I Love My Wife
I never get tired of Jerry Maquire. This film and Risky Business are my favorite Tom Cruise films. I prefer when Cruise doesn't know it all, has human fallibilities, but we all know that's impossible, not Mission Impossible. The truth is, Tom is one of the biggest movie stars ever and he's beautiful to look at for a short guy. How could anything go wrong in Mr. Perfect's world? That's why Jerry Maguire is so appealing. Even the handsome, fast talking charmer needs the help of his friends, his gal, and a Dale Carnegie enhancement course. Cuba Gooding Jr. has something Tom doesn't, a love for his wife that is nothing less than inspiring. On the other hand, Gooding has no love for his football fans. Tom can help him on the PR front, but then Renee Zellweger and her cute little son show loyalty. The grand finale, Jerry Maguire loves his wife. We all should love our wives. Amen brother.

GET PAST THE (NOW CLICHED) CATCH LINES...
And you find a film full of soul. JERRY MAGUIRE shows Tom Cruise as an actor, not a box office attraction. He works the central character into a likeable, tortured 30+ professional, looking not for redemption, but purpose more in the vein of (Maguire's) father ("My dad worked 38 years for the United Way," he laments. "When he retired, he said: 'I wish they would have given me a more comfortable chair'.") Cruise has his star turn polished by outstanding support (Rene Zellwegger, Bonnie Hunt and Jay Mohr, in a role you wouldn't wish on your worst enemy), the hyperness of Cuba Gooding, Jr. (who sings "What's Going On?" instead of one of his fathers classics) and Cameron Crowe's great script and direction. No sequel, please. Greatness can stand on its own.

A Feel Great Movie,
This picture was the best and really the last time that Cruise was at the top of his game as an actor. The material was great. Story of the fall and slow rise of a man who makes new friends, finds new love, and helps a sports athelete find both personal and professional success on the playing field. The casting was solid and it was a break out role for several actors who have gone on to do even bigger films. ... Read more

Reviews (135)

Great
"Jerry Maguire" is a romance about the two main characters (Tom Cruise and Renee Zellweger), but it's also a very funny comedy about a sports agent trying to survive alone away from a large corporation.

Jerry is fired after writing a "memo" which displeases his boss. He is fired in a crowded place, followed by a scene where Jerry and his boss try to contact as many of their clients as possible to convince them to stay with one agent and not the other. Jerry leaves with a select few clients, some fish, and a brave secretary (Zellweger). They eventually begin dating after Jerry breaks up with his fiance.

"Jerry Maguire" is an intelligent romantic comedy, not really in the same sense that "Sleepless in Seatle" was a romantic comedy. They are completely different films, and "Jerry Maguire" is better and more intelligent for it. It deals not only with the fun of relationships, but with the hard times. There are a few twists to the plot that come unexpectedly and an ending that many probably will know without having seen this movie ("You complete me"). Cuba Gooding Jr. also delivers one of his best performances (both in the film and accepting the Best Supporting Actor award at the Oscars for this film - "Show me the money!") that has not been surpassed to date ("Instinct" and "Chill Factor" don't even come close).

This widescreen version presents the film in the original theatrical format the way it was meant to be seen. Yes, there are the black bars at the top and bottom of the screen, but you actually see more of the movie (the stuff that would be edited out for the standard format).

This is a great film worth watching many times.

Everybody loves Jerry !
Every once in a while, a movie comes along that lifts the spirits, gives you a smile, and makes going to the movies a great experience all over again.
Cameron Crowe, of "Say Anything" fame, succeeds in bringing to life an everyday man struggling with everyday problems of the everyday common man. This particular common man is a sports agent, a very successful and, of course, rich agent who has a stunningly attractive fiance, athletes who depend on him to make fortunes, and friends who admirably and openly tell him "I love you, Jerry!". Jerry Maguire is his name. And he is played brilliantly by the ever-so-loved Tom Cruise. Despite all the love around him, however, Jerry does one mistake. It comes in the form of a mission statement where he challenges the business and dares to open up and speak out. The friends at the firm give him an expiration date, "about two weeks!", and it's up to his one time protegee Jay Mohr to tell him that he's fired in one of the most classic moments in movie history, sitting in a restaurant surrounded by a crowd of people (the scene where Tom Cruise stares down at his glass of water after Mohr blurts out 'I'm here to let you go' is as real as reality goes). Jerry is left struggling and failing to keep his clients except for one, the obnoxious Football player Rod Tidwell (played even more brilliantly by Cuba Gooding Jnr) His fiance leaves him labeling him a 'loser' and he finds himself battling to survive with the loudmouthed client and a single mother secretary, who quits the firm for him, who is the only left admirer of his 'memo'!

Crowe, who writes and directs this movie, takes care of the characters' progress throughout the entirety of the movie. Jerry and the secretary (played by the sweet Renee Zellweger) slowly and passionately start to fall in love, and the relationship between Jerry and her only son grows from a goofy friendship into a father-son type of relation. But best of all is Jerry's one on one dialogue with Rod. Jerry can't stand the fact that he's stuck with Rod but faces the fact that he's his only hope left, and Rod still believes in Jerry and more or less becomes his right shoulder and gains him confidence. Like any other everyday man, Jerry still has people around telling him how great he is, even though he thinks very lowly of himself. This is the same theme throughout most of Crowes' films, especially "Say Anything" where John Cusack's character finds confidence through Lili Taylor.
The movie is funny. With serious drama flowing thoughout. And there are catch phrases that people everywhere quote, most commonly "show me the money!"

The DVD features two discs with loads of special features, deleted scenes, rehearsals, and the music video of Bruce Springsteen's 'Secret Garden'.

Highly recommended!

I Love My Wife
I never get tired of Jerry Maquire. This film and Risky Business are my favorite Tom Cruise films. I prefer when Cruise doesn't know it all, has human fallibilities, but we all know that's impossible, not Mission Impossible. The truth is, Tom is one of the biggest movie stars ever and he's beautiful to look at for a short guy. How could anything go wrong in Mr. Perfect's world? That's why Jerry Maguire is so appealing. Even the handsome, fast talking charmer needs the help of his friends, his gal, and a Dale Carnegie enhancement course. Cuba Gooding Jr. has something Tom doesn't, a love for his wife that is nothing less than inspiring. On the other hand, Gooding has no love for his football fans. Tom can help him on the PR front, but then Renee Zellweger and her cute little son show loyalty. The grand finale, Jerry Maguire loves his wife. We all should love our wives. Amen brother.

GET PAST THE (NOW CLICHED) CATCH LINES...
And you find a film full of soul. JERRY MAGUIRE shows Tom Cruise as an actor, not a box office attraction. He works the central character into a likeable, tortured 30+ professional, looking not for redemption, but purpose more in the vein of (Maguire's) father ("My dad worked 38 years for the United Way," he laments. "When he retired, he said: 'I wish they would have given me a more comfortable chair'.") Cruise has his star turn polished by outstanding support (Rene Zellwegger, Bonnie Hunt and Jay Mohr, in a role you wouldn't wish on your worst enemy), the hyperness of Cuba Gooding, Jr. (who sings "What's Going On?" instead of one of his fathers classics) and Cameron Crowe's great script and direction. No sequel, please. Greatness can stand on its own.

A Feel Great Movie,
This picture was the best and really the last time that Cruise was at the top of his game as an actor. The material was great. Story of the fall and slow rise of a man who makes new friends, finds new love, and helps a sports athelete find both personal and professional success on the playing field. The casting was solid and it was a break out role for several actors who have gone on to do even bigger films. ... Read more

Reviews (182)

Cameron Crowe's Masterpiece
I don't know if it's just me, but writer/director Cameron Crowe always seems to hit the mark. Whether it be his first effort at writing a Script (Fast Times at Ridgemont High), his second directorial effort (Singles), and the absolutely fabulous Jerry Maguire and this year's sure fire Best Picture, Almost Famous.

Unlike most films, which begin with a screenplay, producer, James L. Brooks asked Cameron Crowe to write the story in prose first. The result was a 90-page novella that became the outline for the film, and from which Crowe wrote the final screenplay.

This movie stars John Cusack (who must have been about 19) as Lloyd Dobler, an eternal optimist who seeks to capture the heart of Diane Court (Ione Skye). He surprises just about everyone-including himself-when she returns the sentiment. But Diane's over possessive, divorced Dad (John Mahoney) doesn't approve and it's going to take more than just the power of love to conquer all.

This is my favourite movie by Cameron Crowe. As with all his movies, the dialogue is true to life and flows. Every aspect of this film borders on unbelievable brilliance. John Cusack is terrific as Lloyd Dobler, the sweetest guy in the whole world. He's one of those guys that girls would love to have, but one of those guys that guys would love to be. The situations are true to life situations teens would absolutely be put in (I love watching Lloyd make his first phone call to Diane -- it reminded me of me) Ione Skye is also great as the object of Lloyd's affection torn between her love for her father and her love for Lloyd.

Besides being Cameron Crowe's best film, this movie also sports the greatest love scene of all time (I won't ruin it for those who haven't seen it), and can give inspiration to any guy who has ever wanted a girl as much as Lloyd. Guaranteed though, after seeing this particular scene, be prepared to fall in love with Peter Gabriel's Song "In Your Eyes".

If you haven't read through all of this (if you got bored, I don't blame you), just read this last paragraph. This is a terrific movie. One that you can watch over and over again without getting tired of it. If you haven't seen it, you are indeed missing out. Roger Ebert declared it one of the best films of the year in 1989.

- "We just don't want to see you get hurt" "I wanna get hurt"

John Cusack's 2nd Best Movie of All Time
There is no denying that "Say Anything" is quite simply one of the best films of all time!

HOWEVER...John Cusack's best role will always be that of Walter Gibson in "The Sure Thing".... which needs to be released on DVD IMMEDIATELY.

"Say Anything" is a different film than "The Sure Thing." It is in a class all by itself. It is quite simply marvelous, poignant and forever endearing. It deserves so much more than 5 starts! 10 stars for this beautiful film.

What can be said about this film that hasn't already been said? It is the perfect love story. Lloyd meets girl. Lloyd falls in love with girl. Girl's father objects to Lloyd. Lloyd loses girl. Lloyd wins her back. True love reigns.

This DVD is PACKED. Worth every cent you will pay should you wish to own a classic gem. There is commentary by director Cameron Crowe, John Cusack, & Ione Skye!! (Right there, worth the price!) There are so many behind the scenes stories and anecdotes to be listened to here. There are theatrical and television trailers, 10 deleted scenes, 13 extended scenes & 5 alternate scenes with commentary!! What more could you want?!

DO NOT miss out on owning this DVD. If you've by some chance never seen "Say Anything" do yourself a favor and do so right away! You're truly missing out.

SPOILER FOR THOSE WHO MAY NOT HAVE SEEN IT.... No matter how many times I have seen this masterpiece, I still get choked up when Lloyd tells Diane, "You've just described every success story." And then we wait for the "ding" along with them.

And then... the "ding." CUT TO BLACK. (Gets me every time.)

I love this movie. Absolutely love it.

SOMEWHAT SIMPLISTIC BUT CHARMING TEEN ROMANCE DRAMA..
Whether it is young John Cusack's skittering sense of comic timing, Yione Skye's riveting beauty (no idea why she hasn't been in other known films!), or the sweet but memorably amusing moments littered throughout this film, there is something very charming about this candypop romance from the 80s.

A dorky but confident guy falls head over heels in love with the school's super brainy girl. Things happen, ups and downs ensue, all leading to an ending that is so satisfying, so overwhelmingly right, that immediately we fall back into step.

My minor grouse with the story was how conveniently the solid parental characterization of the girl's father turns out to be such a snake. One wonders if teenagers may not pick up from this the tired and rather sad message that parents are not to be trusted, no matter how sincere.

But that doesn't detract Say Anything from being a hot recommendation from me, particularly if you have a thing for lovey-dovey light dramas. It generally maintains an intelligent and realistic contour, which is more than one can say for most romantic comedies being made today.

A Modern Romance Classic
It's so pertinent for our times. I think almost anyone can relate something similar in their lives to the scenes in this movie. That's why it's so appealing. In a world where not every guy gets the girl, this is the stuff of dreams...and for a little while, somebody out there who is watching it gets to live that dream.

Teen Charmer
A teen movie of the late 80's, I found this charmer, "Say Anything." John Cusak is the quirky misfit teen in love with the unattainable. The unattainable is the senior class brain, Ione Skye. Ione has a wonderful smile, which she uses to disarm. Her acting skills are limited however, so Cusak's antics move the story to the opposites-attract finale. John Mahoney, the dad in "Frazer" on TV, plays Ione's businessman, father in deep soup with the IRS. He wants her to go to England on a scholarship. She is wooed, charmed, and then makes it with shiftless Cusak. I must say that Mahoney is believable in a complicated character, both loving father and a secret embezzler. Ordinarily in these teen operas, parents are total dotes. There is the obligatory teen beer-bash, but this one is fairly realistic with kids that actually like each other, as opposed to bashes where kids are trying to be too cool. Nice little date flick for teens. ... Read more

Amazon.com

Almost Famous
Almost Famous is the movie Cameron Crowe has been waiting a lifetime to tell. The fictionalization of Crowe's days as a teenage reporter for Creem and Rolling Stone has all the well-written characters and wonderful "movie moments" that we expect from Crowe (Jerry Maguire), but the film has an intangible something extra--an insider's touch that will turn the film into the ode to '70s rock & roll for years to come. We are introduced to Crowe's alter ego, William Miller (Patrick Fugit), at home, where his progressive mom (Frances McDormand, just superb) has outlawed rock music and sister Anita (Zooey Deschanel) has slipped him LPs that will "set his mind free." Following the wisdom of Creem's disheveled editor, Lester Bangs (Philip Seymour Hoffman in an instant-classic performance), Miller gets on the inside with the up-and-coming band Stillwater (a fictionalized mixture of the Allman Brothers, Led Zeppelin, and others). A simple visit with the band turns into a three-week, life-altering odyssey into the heyday of American rock. Of the characters he meets on the road, the two most important are groupie extraordinaire Penny Lane (Kate Hudson in a star-making performance) and Stillwater's enigmatic lead guitarist (Billy Crudup), who keeps stringing Miller along for an interview. From the handwritten credits (done by Crowe) to the bittersweet finale, Crowe's comedic valentine is an indelible, heartbreaking romance of music, women, and the privilege of youth. --Doug Thomas

American Beauty
From its first gliding aerial shot of a generic suburban street, American Beauty moves with a mesmerizing confidence and acuity epitomized by Kevin Spacey's calm narration. Spacey is Lester Burnham, a harried Everyman whose midlife awakening is the spine of the story, and his very first lines hook us with their teasing fatalism.It's an audacious start for a film that justifies that audacity. Weaving social satire, domestic tragedy, and whodunit into a single package, Alan Ball's first theatrical script dares to blur generic lines and keep us off balance, winking seamlessly from dark, scabrous comedy to deeply moving drama. The Burnham family joins the cinematic short list of great dysfunctional American families, as Lester is pitted against his manic, materialistic realtor wife, Carolyn (Annette Bening, making the most of a mostly unsympathetic role) and his sullen, contemptuous teenaged daughter, Jane (Thora Birch, utterly convincing in her edgy balance of self-absorption and wistful longing). Into their lives come two catalytic outsiders. A young cheerleader (Mena Suvari) jolts Lester into a sexual epiphany that blooms into a second adolescence. And an eerily calm young neighbor (Wes Bentley) transforms both Lester and Jane with his canny influence.Credit another big-screen newcomer, English theatrical director Sam Mendes, with expertly juggling these potentially disjunctive elements into a superb ensemble piece that achieves a stylized pace without lapsing into transparent self-indulgence. Mendes has shrewdly insured his success with a solid crew of stage veterans, yet he's also made an inspired discovery in Bentley, whose Ricky Fitts becomes a fulcrum for both plot and theme. Cinematographer Conrad Hall's sumptuous visual design further elevates the film, infusing the beige interiors of the Burnhams' lives with vivid bursts of deep crimson, the color of roses--and of blood. --Sam Sutherland ... Read more

Reviews (1)

ALMOST FAMOUS,ABSOLUTELY FABULOUS
CAMERON CROWE TAKES HIS BIGGEST STEP FROM GOOD MOTION PICTURE DIRETOR TO SUBLIME CINEMATIC ARTIST IN THIS TRULY ENTERTAINING FILM.
EVERY CHARACTER,BE IT THE MEMBERS OF THE BAND STILLWATER,THE ROCK&ROLL GROUPIES KNOWN AS THE BANDAIDS,OR CROWES OWN ALTER EGO
WILLIAM MILLER,ARE ALL SUPERBLY WRITTEN AND PERFORMED BY ALL INVOLVED.
ALMOST FAMOUS BLENDS A SPECTRUM OF EMOTIONS,FROM COMEDY,TO BITTERSWEET LONGING ,AND A SUPERIOR CLASSIC ROCK SOUNDTRACK
EFFORTLESSLY. ... Read more

Reviews (135)

Great
"Jerry Maguire" is a romance about the two main characters (Tom Cruise and Renee Zellweger), but it's also a very funny comedy about a sports agent trying to survive alone away from a large corporation.

Jerry is fired after writing a "memo" which displeases his boss. He is fired in a crowded place, followed by a scene where Jerry and his boss try to contact as many of their clients as possible to convince them to stay with one agent and not the other. Jerry leaves with a select few clients, some fish, and a brave secretary (Zellweger). They eventually begin dating after Jerry breaks up with his fiance.

"Jerry Maguire" is an intelligent romantic comedy, not really in the same sense that "Sleepless in Seatle" was a romantic comedy. They are completely different films, and "Jerry Maguire" is better and more intelligent for it. It deals not only with the fun of relationships, but with the hard times. There are a few twists to the plot that come unexpectedly and an ending that many probably will know without having seen this movie ("You complete me"). Cuba Gooding Jr. also delivers one of his best performances (both in the film and accepting the Best Supporting Actor award at the Oscars for this film - "Show me the money!") that has not been surpassed to date ("Instinct" and "Chill Factor" don't even come close).

This widescreen version presents the film in the original theatrical format the way it was meant to be seen. Yes, there are the black bars at the top and bottom of the screen, but you actually see more of the movie (the stuff that would be edited out for the standard format).

This is a great film worth watching many times.

Everybody loves Jerry !
Every once in a while, a movie comes along that lifts the spirits, gives you a smile, and makes going to the movies a great experience all over again.
Cameron Crowe, of "Say Anything" fame, succeeds in bringing to life an everyday man struggling with everyday problems of the everyday common man. This particular common man is a sports agent, a very successful and, of course, rich agent who has a stunningly attractive fiance, athletes who depend on him to make fortunes, and friends who admirably and openly tell him "I love you, Jerry!". Jerry Maguire is his name. And he is played brilliantly by the ever-so-loved Tom Cruise. Despite all the love around him, however, Jerry does one mistake. It comes in the form of a mission statement where he challenges the business and dares to open up and speak out. The friends at the firm give him an expiration date, "about two weeks!", and it's up to his one time protegee Jay Mohr to tell him that he's fired in one of the most classic moments in movie history, sitting in a restaurant surrounded by a crowd of people (the scene where Tom Cruise stares down at his glass of water after Mohr blurts out 'I'm here to let you go' is as real as reality goes). Jerry is left struggling and failing to keep his clients except for one, the obnoxious Football player Rod Tidwell (played even more brilliantly by Cuba Gooding Jnr) His fiance leaves him labeling him a 'loser' and he finds himself battling to survive with the loudmouthed client and a single mother secretary, who quits the firm for him, who is the only left admirer of his 'memo'!

Crowe, who writes and directs this movie, takes care of the characters' progress throughout the entirety of the movie. Jerry and the secretary (played by the sweet Renee Zellweger) slowly and passionately start to fall in love, and the relationship between Jerry and her only son grows from a goofy friendship into a father-son type of relation. But best of all is Jerry's one on one dialogue with Rod. Jerry can't stand the fact that he's stuck with Rod but faces the fact that he's his only hope left, and Rod still believes in Jerry and more or less becomes his right shoulder and gains him confidence. Like any other everyday man, Jerry still has people around telling him how great he is, even though he thinks very lowly of himself. This is the same theme throughout most of Crowes' films, especially "Say Anything" where John Cusack's character finds confidence through Lili Taylor.
The movie is funny. With serious drama flowing thoughout. And there are catch phrases that people everywhere quote, most commonly "show me the money!"

The DVD features two discs with loads of special features, deleted scenes, rehearsals, and the music video of Bruce Springsteen's 'Secret Garden'.

Highly recommended!

I Love My Wife
I never get tired of Jerry Maquire. This film and Risky Business are my favorite Tom Cruise films. I prefer when Cruise doesn't know it all, has human fallibilities, but we all know that's impossible, not Mission Impossible. The truth is, Tom is one of the biggest movie stars ever and he's beautiful to look at for a short guy. How could anything go wrong in Mr. Perfect's world? That's why Jerry Maguire is so appealing. Even the handsome, fast talking charmer needs the help of his friends, his gal, and a Dale Carnegie enhancement course. Cuba Gooding Jr. has something Tom doesn't, a love for his wife that is nothing less than inspiring. On the other hand, Gooding has no love for his football fans. Tom can help him on the PR front, but then Renee Zellweger and her cute little son show loyalty. The grand finale, Jerry Maguire loves his wife. We all should love our wives. Amen brother.

GET PAST THE (NOW CLICHED) CATCH LINES...
And you find a film full of soul. JERRY MAGUIRE shows Tom Cruise as an actor, not a box office attraction. He works the central character into a likeable, tortured 30+ professional, looking not for redemption, but purpose more in the vein of (Maguire's) father ("My dad worked 38 years for the United Way," he laments. "When he retired, he said: 'I wish they would have given me a more comfortable chair'.") Cruise has his star turn polished by outstanding support (Rene Zellwegger, Bonnie Hunt and Jay Mohr, in a role you wouldn't wish on your worst enemy), the hyperness of Cuba Gooding, Jr. (who sings "What's Going On?" instead of one of his fathers classics) and Cameron Crowe's great script and direction. No sequel, please. Greatness can stand on its own.

A Feel Great Movie,
This picture was the best and really the last time that Cruise was at the top of his game as an actor. The material was great. Story of the fall and slow rise of a man who makes new friends, finds new love, and helps a sports athelete find both personal and professional success on the playing field. The casting was solid and it was a break out role for several actors who have gone on to do even bigger films. ... Read more