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| 1. The Incredible Hulk - Original Television Premiere Director: Dick Harwood, Harvey S. Laidman, Ray Danton, Joseph Pevney, Mark A. Burley, Nick Havinga, James D. Parriott, Michael Vejar, Barry Crane, Michael Preece, Richard Milton, Patrick Boyriven, Kenneth Johnson, L.Q. Jones, John McPherson, Bernard McEveety (II), Bill Bixby, Kenneth Gilbert, Jack Colvin, John Liberti | |
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Amazon.com Reviews (34)
More intelligent than most TV movies, the pilot also has a memorable sequene paying homage to the drowning scene in James Whale's FRANKENSTEIN, where the Hulk tries to save a little girl from drowning but her screams alert her father who tries to shoot the hulk. Naturally the bullets just bounce off. Special mention must be made of the wig Lou Ferrigno wears- he looks like he should have a golf tee tacked into the top of his head. Also of note: Banner watches himself changing back through the reflection in the water. Strange considering in the 1990 TVM, DEATH OF THE INCREDIBLE HULK Banner comments he's never before seen the creature after watching a tape of his transformation!
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| 2. The Deathmaster Director: Ray Danton | |
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Reviews (3)
The film, directed by actor, later turned director, Ray Danton, seems to attempt to capitalize on the success of the Yorga films, along with the notoriety stemming from the Manson family crimes of a few years earlier. As the film's credits begin, displaying the title 'eathmaste' (obviously the film was originally released in wide screen format, but is presented in full screen format here), we see an odd looking fellow (we later learn his name is Barbado) in the dunes on a beach, as he begins playing a flute (I think the movie is supposed to take place in California). After a few moments of this, a coffin floats towards the beach, and is found by a surfer walking along the beach (leave it be, dude). He pulls it further on shore, opens it (good idea), and gets attacked by Barbado, who snuck up behind him, which I thought was a pretty good trick as the guy's wearing a lot of jingly jangly jewelry around his neck, which tends to make a lot of noise. Barbado dispatches the surfer, hoists the coffin, and lugs it back to his pick-up truck. Cut to what appears to be some sort of hippie festival in its' final days. Here we meet Pico (Bill Ewing), Rona (Brenda Dickson), and Pop, played by popular character actor John Fielder, who, among other roles, does the voice for Piglet on the Winnie the Pooh cartoons). They have a run-in with a just arrived biker, Monk (William Jordan) and his old lady, Esslin (Betty Ann Rees). Pico uses kung fu on Monk (which is the only time he uses it...I was looking forward to a kung fu fight with a vampire), but as the heat show up (a policeman), all four book it for a funky mansion in the hills where a whole group of hippies seem to have taken up residence. It's peace, love, and a whole lot of smokin' of things probably not legal. Around this time Khorda (Quarry) makes his appearance, and proceeds to blow these young bloods' minds, spewing a bunch of metaphysical mumbo-jumbo, but coming from Quarry, in his rich, aristocratic tones, it's pretty sweet to the ears, and he quickly enthralls the doped up hippies. He soon departs, despite the young hippies pleas (always leave 'em wanting more), but he'll be back, as we get a sense that he was just priming them for the big show. And he does come back, encouraging them to clean the mansion, and clean their souls (whatever that means). Monk, not buying into any of what he calls a 'freak show', decides to go off to town for 'whiskey and a steak', leaving his old lady Esslin in Khorda's clutches, which he soon reveals his true nature, attacking and turning her into a creature of the night. The weirdness continues, and Pico decides it's time to split. He tells Rona to get her stuff, but they get sidetracked and Pico gets chained up in some caves underneath the house, and Barbado captures Rona after she find the shackled Pico. Pico manages to slip out of his bondage, as the chains were never really fastened or anything (good job Barbado) and finds Khorda's coffin in a cave within the catacombs, along with a bowl of leeches (!?). Pico then manages to escape out to the beach, and makes his way back to Pop to relate his terror-filled tale. Pop doesn't believe Pico's story, but then Pop's dog gets bitten by a vampire and dies (oh bruther) and now, as the Monkees put it, 'I'm a believer'. They do some research, infiltrate the mansion, and witness a black ceremony. This sets up the final confrontation and the rather downbeat, yet oddly satisfying, ending more common with movies throughout the 70's. Okay, the only real reason to watch this film is for Robert Quarry. Despite the complete schlockiness of the production, Quarry puts on a great show, creating a suave, charismatic veneer that conceals a terrifying monster. His dialogue comes across smoothly, entrancing the hippies like some kind of Svengali, as they willingly accept his 'gift'. The story is very loose, creating gigantic plot holes, and character development is virtually non-existent. The dialog is pretty lame, and most of the other acting beside Quarry is bargain basement stuff, along with the extremely dated wardrobe (I swear the fabric that made up Quarry's robe was from my grandma's old couch). The pacing throughout did slow noticeably at times, making me think the director was padding the film a bit, filling out the 88 minute run time. Quarry's vampire makeup was actually better than I expected, presenting a pretty scary visage when in vampire mode. Retromedia Entertainment presents a better than average quality of full screen print here, and a load of extras including a commentary track (pretty rare for a Retromedia release) by Fred Olin Ray and Robert Quarry, still galleries, trailers for this and some other Robert Quarry films, and television commercials and radio spots featuring Quarry. The special features seem to present more of a homage to Quarry rather than focusing on the film, but given that Quarry more or less made the movie watchable, that's not a bad thing. Fans of Quarry won't be disappointed. I guess if I learned anything from this movie, it's that vampires like to keep a bowl of water full of leeches next to their coffin. Why? Kindred spirits, I guess... Cookieman108
In my opinion, with the possible exceptions of Frank Langella (Dracula -1979), and Richard Lynch (Vampire - 1979), Robert Quarry brought the dapper, aristocratic, unrepentant vampire to the screen like none other. And while I would credit Christopher Lee with the definitive screen portrayal of Dracula himself, Lee was more a character of mysterious menace rather than the more personable yet just-as-menacing vampires brought to life by Langella, Lynch, and Quarry. After the enormous success of Quarry's "Count Yorga, Vampire" at the box-office, he signed up for something of a departure from the proper, Bulgarian count that he had previously portrayed. The storyline that was eventually decided upon by Quarry and others, called for him to portray an ancient, evil vampire who interposes himself into the troubled world of a group of youthful hippies, earns their trust with various philosophical manipulations and sheer force of personality, and eventually attempts to turn them all into a coven of the undead. Faced with lawsuits over similarities to "Count Yorga, Vampire," the producers of "Deathmaster" were forced to sell their work to American International Pictures, which released it to a minimum of screens in order to recoup costs, and then promptly buried it. Deathmaster made appearances on television throughout the 70's and 80's, and then seemed to vanish from the airwaves. I myself caught it in the 80's on Count Gore DeVol's "Creature Feature" program on Channel 20 in the Washington DC area, and always wondered what became of it. For those of you who have posted here, as well as others who may have wondered what happened to this bit of 70's horror cheese, fear not! It was resurrected on DVD in September, 2002, and is now available for purchase for the first time in the U.S. This DVD is packed, too. It features a theatrical trailer, radio spots, film commentary with Robert Quarry (and, I believe, the director...), scene selection, etc. Beware of one thing in regard to this DVD though: my copy says "widescreen" on the DVD snap-case, but the film is actually presented in full screen format, which would be fine except for that fact that it cuts the title credits off a bit. DEATHMASTER becomes EATHMASTE. Otherwise the DVD transfer is excellent. Others I know actually do have widescreen versions. My copy must have been an error of some type. For the uninitiated, this film is indeed a prime sampling of 70's horror cheese, but Robert Quarry gives his usual stand-out performance as Khourda, the millennia-old vampire who has come to corrupt and prey upon our modern, wayward youths. This film features a big, lovin' spoonful of hippie-dom, hippie-music, etc., and is quite amusing at the very least. But Quarry's performance is very well done indeed, and is worth the price alone. Feel free to give the rest a healthy dose of the MST-3000 treatment though. Contents: Minimal blood, minimal language, moderate violence, no sexual scenes, one brief glimpse of partial nudity (girl, from the back). Rating: 3 out of 4. Quarry's performance is excellent, the movie is just plain fun, and the DVD quality/extras are excellent.
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| 3. Young Hannah - Queen of the Vampires Director: Julio Salvador, Ray Danton | |
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Reviews (4)
Anyway, this explorer/scientist is looking around on the island when he happens upon the tomb of Hannah, the bride of King Louis the VII, a king during the time of the Crusades. According to local legend, Louis VII fell in love with Hannah. Not realising that his beloved fiance was a vampire, he (Louis) arranged for a ship to carry her and several of his knights to the Holy Land for the wedding. Ok, fast forward probably about a month. The dead guy's son comes to the island to say good bye to his father. He meets this guy Peter and his sister Mary.
The last 10 minutes were okay, but that is only relative to everything up to that point. If this is a movie you saw/liked as a kid, it might be worth a view (thus, 2 stars). Otherwise, best to avoid this as it is boring and doesn't have even any b-movie draw. ... Read more | |
| 4. Crypt of the Living Dead Director: Julio Salvador, Ray Danton | |
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Reviews (4)
Anyway, this explorer/scientist is looking around on the island when he happens upon the tomb of Hannah, the bride of King Louis the VII, a king during the time of the Crusades. According to local legend, Louis VII fell in love with Hannah. Not realising that his beloved fiance was a vampire, he (Louis) arranged for a ship to carry her and several of his knights to the Holy Land for the wedding. Ok, fast forward probably about a month. The dead guy's son comes to the island to say good bye to his father. He meets this guy Peter and his sister Mary.
The last 10 minutes were okay, but that is only relative to everything up to that point. If this is a movie you saw/liked as a kid, it might be worth a view (thus, 2 stars). Otherwise, best to avoid this as it is boring and doesn't have even any b-movie draw. ... Read more | |
| 5. Psychic Killer Director: Ray Danton | |
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| 6. Cagney & Lacey Director: James Frawley, Georg Stanford Brown, Bill Duke, Helaine Head, Al Waxman, Karen Arthur, Jan Eliasberg, Allen Baron, Leo Penn, Jackie Cooper, Sharron Miller, Janet Davidson, Ray Danton, Stephen Macht, Ralph S. Singleton, Reza Badiyi, Alexander Singer | |
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| 7. Psychic Killer Director: Ray Danton | |
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