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| 1. Pretty in Pink Director: Howard Deutch | |
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Reviews (68)
Andrew McCarthy is the wimpiest "romantic hero" ever, and, like Molly, his expression never changes. "Must remain bland" was surely his mantra throughout filming. Jon Cryer plays "Ducky" (did YOU go to high school with anybody who had a nickname like that???) like a spastic goofball. James Spader is wasted in a one-note role as "The Mean Snobby Guy." There's no end to the talent wasted in this film: Annie Potts and Harry Dean Stanton are also squandered in thankless, my-character-only-exists-to-showcase-Molly-Ringwald roles. As if all that's not annoying enough, Molly's character is the richest "poor girl" ever, with her own lilac-colored Kharman Ghia, an endless supply of funky vintage dresses, petticoats, sweaters, granny boots, and hats (if you think she picked all that swag up at Salvation Army, you're crazy), and her own phone complete with answering machine (no big deal now, but it was in the '80s). The cherry on top is the fact that the dress Molly cobbles together and "triumphantly" wears to Prom is ugly. Ugly, ugly, UGLY. That's not just my opinion, either: I saw this dog in the theater, and people LAUGHED when she made her entrance. Bottom line: if you're in the mood for a bratpack movie, watch 16 Candles or Breakfast Club, instead.
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| 2. Some Kind of Wonderful Director: Howard Deutch | |
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Reviews (57)
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| 3. The Replacements Director: Howard Deutch | |
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Reviews (101)
It's stars the very excellent KEANU REEVES, as Shane 'Footsteps' Falco, a professional football player who bombed back in '96. He and his fellow team mates are given a 'second chance' to make it big as the 'replacements' when the real Washington Sentinels go on strike. This is based on true events, which I always find more endearing. Howard Deutch has made a gem of a film, which I'd gladly watch over and over again with no difficulty. His sense of what is humourous is spot on and I just love the way different scenes are interspliced to give the movie it's own unique style. The guys that directed the 'plays' on the football field did a marvellous job! You get to see the real action and it keeps you glues to your seat. The background music is well chosen to suit the situations that come up and just plain ROCKS!! This is definately a film to watch whilst wearing headphones. Watch 'The Replacements' and you will understand why I love Keanu Reeves. Mr Reeves is absolutely awesome as the quaterback with the hard task of getting his rag-tag team together. He's humble yet when it comes to the crunch can stand up there on his own. His character reminds me of Neo, due to his initial self-doubt, but with the help of a good strong woman [Annabelle, played very well by Brooke Langton], anything is possible [I'm sounding all Matrixy now LOL]. The other characters are uniquely wonderful and played marvellously. My favourites are: ORLANDO JONES as 'Clifford Franklin'. Has to be seen to be believed. This gentleman is a real talent and had me rolling with laughter. He has some great lines. RHYS IFANS as 'Nigel Gruff'. Man! he is soooooo funny and has some real classic moments. JON FAVREAU puts his all into 'Bateman' ~ not to be messed with, but truely hillarious! Go buy this movie ~ you will not regret it!
Despite the similar plot lines, The Replacements has enough surprises and character twists to stand alone. The musical score is simply incredible, and does a fantastic job of setting the mood for each scene. I've gotten more miles out of this dvd than many "critically acclaimed" films. Bottom Line: It's uplifting, hilarious fun that is worth every penny. Anyone who has had a dream will enjoy this one.
Why this movie is worth to be watched more than once : 1. Like other sport movies, you will find friendship, teamwork, sportsmanship, overcome previous failure, and doing the impossible. So .. you will enjoy the game. 2. It's always interesting to watch someone (in this case, the coach) collecting different people with different skill to build the winning team, and how the skill is applied in the story. 3. You will not bored. The story is flowing quite fast (only a few unnecessary scenes), lots of laughable moments and good songs. If you are film critics, perhaps you will find this film is 'usual' or 'light'. The plot is obvious, there is no intrigue/twist. Acting is so-so since characters are only revealed as much as this film needs. But overall, it is very entertaining. ... Read more | |
| 4. The Great Outdoors Director: Howard Deutch | |
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Reviews (38)
You can't go wrong with this classic movie, The Great Outdoors.
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| 5. Grumpy Old Men - The Collection Director: Howard Deutch | |
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Reviews (7)
Make it a movie night & pop some popcorn-kick back, relax & get ready for a fun night.
c ya bye
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| 6. The Whole Ten Yards (Widescreen Edition) Director: Howard Deutch | |
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Reviews (13)
What's that? You honestly haven't been on pins and needles for the past four years, dreaming of the day when Bruce Willis and Matthew Perry would once again share the screen? You're not alone: "Ten" is another pointless sequel that can be tossed in the "thanks, but no thanks" bin, alongside "Analyze That," "Scooby Doo 2: Monsters Unleashed" and the blink-and-you-missed-it "Dirty Dancing: Havana Nights." "Ten" deserves at least passing mention, however, as one of the sloppiest pieces of hackwork to be put out by a major studio recently. In fact, this flaccid comedy's only laughs come from its sheer ineptitude. Check out the scene in which a character's cigarette is lit in one shot, then is miraculously unlit seconds later and relit again a moment after that. Or how Perry drives home at sunset, arrives at his home in darkness and escapes a few minutes later into mid-morning light. Did editor Seth Flaum make mincemeat out of this movie, or did he merely splice together the scrambled footage director Howard Deutch turned in? Willis returns as hired gun Jimmy "The Tulip" Tudeski, now living a quiet life in Mexico with wife Jill (Amanda Peet), whose own career as a killer isn't working out as smoothly as she hoped. They both get a chance to exercise their trigger fingers again when Cynthia (Natasha Henstridge), the wife of dentist Oz Oseransky (Perry), is allegedly kidnaped by the henchmen of fresh-out-of-prison mobster Lazlo Gogolak (Kevin Pollak). That crime sets the stage for Oz to become his hyperactive, accident-prone self once more -- and the sight of Perry taking pratfalls lost its novelty long ago -- and for Jimmy and Jill to trade insults and threats almost continually, as if they were playing in a kind of low-rent production of "Who's Afraid of Virginia Woolf?" with revolvers in place of the overflowing glasses of booze. Ponderously paced and atrociously written, George Gallo's screenplay is so incoherent and inconsistent it might have been pasted together from the rough drafts of four completely different storylines. While Oz remains a blithering dolt from start to finish (and we're expected to believe that a go-getter like Cynthia somehow finds this incredibly sexy), everyone else's personality seems to change with whatever the scene requires. Much is made of Jimmy wearing a skirt, bunny slippers and a headscarf and behaving like Martha Stewart in the beginning of the film, but those eccentricities evaporate quickly and never re-appear. As for humor, Gallo offers such rib-ticklers as a little girl with a foul mouth, a crook who mispronounces every other word he says, and the sight of Jimmy beating a dad unconscious while his young son watches. A shaven-headed Willis grimaces and grits his teeth through the entire film, making Jimmy about as adorably wacky as Travis Bickle. And why not? After all, "The Whole Ten Yards" is almost as rib-tickling as "Taxi Driver."
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| 7. The Odd Couple II Director: Howard Deutch | |
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Amazon.com Reviews (19)
As The Odd Couple II begins, many years have passed since uncompromising slob Oscar Madison (Matthau) and fuss budget and neatnick Felix Unger (Lemmon) shared, not only an apartment, but their many trials as two divorced men. After years of going their separate ways, the two are suddenly thrown together again, en route to the wedding of Oscar's son Bruce (Jonathan Silverman) to Felix's daughter Hannah (Lisa Waltz). Getting to the wedding ceremony, proves difficult for the perspective in laws, when they are forced to take a cross country trip together. Written once again by Simon, the script has its fair share of cliches`, to be sure but the film is saved by Lemmon and Matthau. The chemistry between these two legendary comic masters is undeniable. Due to the passage of time though, Simon's follow up isn't as bitting as the original, that said, The Odd Couple II is still worth a look for those that enjoy the work of the duo. Director Howard Deutch, having worked with this team before, knows them pretty well. The original film, based on a play, never felt that way...This time out, the sequel, at times feels like an extended episode of the television incartnation. The only bonus material on the DVD is the film's theatrical trailer. Both of these great actors are sadly no longer with us, but thankfully their work will live on, in the films they left behind. Not as good as the original film--the follow up is, nonetheless recommended.
Walter Matthau and Jack Lemmon are both top-notch actors just on their own, and together they are an unstoppable duo. However, in the sunset years of their lives, they made four movies that I remember: "Grumpy Old Men", "Grumpier Old Men", "Grumpiest (just kidding)", "Out To Sea", and "The Odd Couple II". All funny movies, all excellently played by our guys, but all basically the same movie with slightly different situations. I blame the writers, though, not Walter and Jack. If you're a fan of Matthau-Lemmon movies, then you'll enjoy this one. Just don't expect anything new. ... Read more | |
| 8. Article 99 Director: Howard Deutch | |
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Reviews (6)
Here's an interesting concept. Take a director whose career is rapidly fading, give him a star whose career is rapidly fading, and stock his film with rising stars. Think you can come up with a saleable product? You can if you're Howard Deutch (Pretty in Pink) and Kiefer Sutherland (The Lost Boys). Article 99 was the last good film Sutherland made before the dry spell that ended with Dark City; Deutch is still looking for a comeback film. Sutherland is surrounded by then-rising stars who have since become household names, including Ray Liotta (fresh off the success of Goodfellas), Kathy Baker (a year before Picket Fences), Keith David (still best known for playing Childs in Carpenter's 1982 remake of The Thing), and Lynne Thigpen (who, come to think of it, still hasn't gotten the recognition she deserves). Put the lot of them in a VA hospital, as (all except David, who plays a sociopathic-but-likable Vietnam vet) they try to cut through all the red tape and just do their jobs, while the hospital's administrator (John Mahoney, now known as Frasier's dad) tries to hamstring them at every turn. It doesn't sound like a recipe for the kind of comedy Deutch is used to directing, but somehow it all works, with the doctors and the administration battling it out until things go just one step too far, as they usually do in movies. And it still could have fallen flat on its face if not for the very last scene, as the end credits begin rolling. It's a feel-good movie that doesn't allow you to feel good. Now THAT'S an accomplishment. *** 1/2
Most who have lived through those eras or who are frustrated with the lost promise- similar to a retroactive pay cut have a more precise understanding of the film. Vets of these wars & particularly those who have attempted to access the quality medical care promised them see may be able to view this film as highly accurate. The humor is ingrained in attempting to receive this retroactive benefit promise. The film's very accurate depiction & humor makes it almost sad by illustrating in view of the degradation that the Vet must encounter when trying to access their medical care, when needed. It also illustrates the low status given to the Vet in attempting to access health care. I suppose if one really wants an accurate feel for this film, they should sit in a VA Hospital clinic reception area for 6-12 hours so as to see a doctor who will refer them to another to see in 2 months, or schedule a test 4 weeks off, with instructions to return to this dr thereafter. The unknowing viewer can walk though the clinic to discover that the Vet who saw the referral doctor and had the test 2 months earlier, will in many cases meet with "lost records" & the need for a rescheduled appointment. By the time of returning to see the origianl Dr., he/ she is usually no longer on rotation at this government hospital. So the Vet must start over from scratch with a brand new dr who knows nothing of him, and can't locate the test results. Of course, by the time these records are located, any negative results have probably caused medical deterioration. Add to this the fact that the Vet's follow up appointment may very often be rescheduled up to 3 months down the road. This IS the reality, which sprouts humor to the "insider". For the young eager Dr/ resident, he too starts out highly frustrated & often must pull strings to accellerate the Vet's needed care. It's unlikely that one's VA doctor will be around throughout the Vet's entire diagnosis & treatment. So no one really works to assist the patient. This movie may be compared to "The Doctor" in view of a chronically or seriously ill patient who gets frustrated and often gives up attempting to receive the care that is not readily available. It also can be compared to the legislature's recent desire to control medical care of private patients in order to assure that those not paying are treated. I perceived the film as highly accurate in it's depiction of treating the Vet as though they were non- paying welfare recipients. In most cases, the doctors are too young to fully understand that these earlier Vets paid for their medical care in the same manner as one pays his medical insurance premium & co-pay's. The difference is that these Vets paid for their medical care by forsaking the pay they were due, and are thus, far from the Welfare spectrum. But permitting welfare recipinets to use these facilities now is another way of cheating the Vet, who now must apply for private insurance & is expected to pay the balances of bills out of pocket... someone must pay for those who expect FREE- NO PAY insurance & open- ended medical care, so the vet is financially penalized. It's not just the taxpayer now; it's the Vet... and he/ she is being cheated. Perhaps it's a film which is difficult for anyone under 40 to fully understand since many equate the Vet with the welfare patient, and view both as living off the system. The unknowing viewer may also not fully comprehend the delivery of services, which were VERY ACCURATELY deopicted in the film. To understand, they need to accompany the Vet to an appointment at a VA hospital. First of all, it takes anywhere from 1-3 months to get in. Then after a 6- 13 hour delay, sitting in reception areas and losing pay at their jobs, the vet is seen by a young new Dr. He/ she may order tests, a follow- up referral with another department Dr & then a return visit. Given the average 2-3 letters acknowledging a changed appointment due to overbooking, et al... the Vet often returns to find that the Dr. he saw is no longer at the hospital; the tests done- with no results providrd for 3-4 months are probably in his missing medical file, and the new dept dr. is unaware of the the Vet's medical history, problem or follow-up, so the dr then redoes an initial work up... Very often the Vet is disgruntled with losing 2 full days of pay and being nowhere further then when first coming in months earlier. On the positive side, the young dr if viewing this film and others of a similar nature may gain some perspective into the the film's true-to-life merits. He may also learn for the first time of these Vets having paid for their medical during their active tour while in service. I'm not a big Southerland fan, but do likr Leotta; yet the 2 did a good job in their roles here. I'd recommend the film to 40 y/o plus adults & younger people who are unaware of the promises made to the older vets. These viewers may be able to view this scenario in the same light as accessing medical care which is dictated by a corporate medical group. Perhaps those who have dealt with the frustrations of attempting to access medical care via a HMO/ PPO may have some understanding here; if they have chronic or serious medical problems/ disabilities, their insight may be greater. Yes, the film has some political overtones; but the VA Healthcare system is controlled by the government & thus politics are at the center focal point. This political influence is moving into private healthcare now, so a better under- standing may exist. In addition, anyone with a serious/ chronic medical condition has probably lived through these similar frustrations. In sum, I found the film accurate, and unfortunatley predictable for this scenario. Although it's not new, those with some level of understanding of political influences in healthcare may in fact empathize with the vets who have no other options & may then find this film a good one. ... Read more | |
| 9. Grumpier Old Men Director: Howard Deutch | |
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Amazon.com Reviews (22)
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| 10. Getting Even With Dad Director: Howard Deutch | |
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Reviews (6)
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| 11. The Whole Ten Yards (Full Screen Edition) Director: Howard Deutch | |
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Reviews (13)
What's that? You honestly haven't been on pins and needles for the past four years, dreaming of the day when Bruce Willis and Matthew Perry would once again share the screen? You're not alone: "Ten" is another pointless sequel that can be tossed in the "thanks, but no thanks" bin, alongside "Analyze That," "Scooby Doo 2: Monsters Unleashed" and the blink-and-you-missed-it "Dirty Dancing: Havana Nights." "Ten" deserves at least passing mention, however, as one of the sloppiest pieces of hackwork to be put out by a major studio recently. In fact, this flaccid comedy's only laughs come from its sheer ineptitude. Check out the scene in which a character's cigarette is lit in one shot, then is miraculously unlit seconds later and relit again a moment after that. Or how Perry drives home at sunset, arrives at his home in darkness and escapes a few minutes later into mid-morning light. Did editor Seth Flaum make mincemeat out of this movie, or did he merely splice together the scrambled footage director Howard Deutch turned in? Willis returns as hired gun Jimmy "The Tulip" Tudeski, now living a quiet life in Mexico with wife Jill (Amanda Peet), whose own career as a killer isn't working out as smoothly as she hoped. They both get a chance to exercise their trigger fingers again when Cynthia (Natasha Henstridge), the wife of dentist Oz Oseransky (Perry), is allegedly kidnaped by the henchmen of fresh-out-of-prison mobster Lazlo Gogolak (Kevin Pollak). That crime sets the stage for Oz to become his hyperactive, accident-prone self once more -- and the sight of Perry taking pratfalls lost its novelty long ago -- and for Jimmy and Jill to trade insults and threats almost continually, as if they were playing in a kind of low-rent production of "Who's Afraid of Virginia Woolf?" with revolvers in place of the overflowing glasses of booze. Ponderously paced and atrociously written, George Gallo's screenplay is so incoherent and inconsistent it might have been pasted together from the rough drafts of four completely different storylines. While Oz remains a blithering dolt from start to finish (and we're expected to believe that a go-getter like Cynthia somehow finds this incredibly sexy), everyone else's personality seems to change with whatever the scene requires. Much is made of Jimmy wearing a skirt, bunny slippers and a headscarf and behaving like Martha Stewart in the beginning of the film, but those eccentricities evaporate quickly and never re-appear. As for humor, Gallo offers such rib-ticklers as a little girl with a foul mouth, a crook who mispronounces every other word he says, and the sight of Jimmy beating a dad unconscious while his young son watches. A shaven-headed Willis grimaces and grits his teeth through the entire film, making Jimmy about as adorably wacky as Travis Bickle. And why not? After all, "The Whole Ten Yards" is almost as rib-tickling as "Taxi Driver."
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| 12. Doc Hollywood/Grumpier Old Men Director: Howard Deutch | |
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| 13. Melrose Place Director: Anson Williams, Gabrielle Beaumont, Frank South, Nancy Malone, James Darren, Richard Lang, Jeffrey Melman, Jack Wagner, Richard Denault, David Rosenbloom, Rob Estes, Steven Robman, Howard Deutch, Paul Lazarus, Parker Stevenson, Janet Greek, Barbara Amato, Daniel Attias, Jefferson Kibbee, Chip Hayes | |
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| 14. Ultimate Comedy DVD Collection (30-pack) Director: Howard Deutch | |
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