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| 1. Poirot Set 6 Director: Ross Devenish, Edward Bennett, Richard Spence, Peter Barber-Fleming, Andrew Piddington, Ken Grieve, John Bruce (II), Brian Farnham, Renny Rye, Andrew Grieve, Stephen Whittaker | |
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Description THE THEFT OF THE ROYAL RUBY International relations are at stake as Poirot hunts for a stolen Egyptian royal jewel. THE AFFAIR AT THE VICTORY BALL When two revelers at a lavish costume ball are murdered, small but telling clues lead Poirot to the killer. THE MYSTERY OF HUNTERS LODGE Poirot must find a murderer among the members of a quarrelsome hunting party. DVD SPECIAL FEATURES INCLUDE biographies of Agatha Christie and David Suchet, cast filmographies and Agatha Christie materials. Reviews (5)
This marvelous DVD contains three(!) of the hour-long episodes of the Adventures of Hercule Poirot: The Theft of the Royal Ruby - Season 3, episode 8 (February 24, 1991) - When a priceless jewel is stolen from a foolish Egyptian prince, the government turns for help to Poirot. The Affair at the Victory Ball - Season 3, episode 3 (January 20, 1991) - When a man is murdered in a crowded costume party, and no one saw who did it, Poirot begins to exercise his little gray cells. The Mystery of Hunter's Lodge - Season 3, episode 10 (March 10, 1991) - Poirot's visit to a millionaire's hunting party turns tragic when he gets a near fatal cold. But, when the host is found brutally murdered, Poirot realizes that only he can bring the perpetrator to justice. This is a great DVD, one that I highly recommend to anyone who loves a good mystery, or just loves excellent drama. It's great!
The Affair At Victory Ball - This episode combines a great atmosphere, intriguing characters, and chilling murder, with many great plot devices inclucing the six coustumed-characters and the final radio broadcast. While at first I thought this awkward, in the end I love it cause it just captures how much Poirot loves to show off, and I love the comment made about the broadcast at the end. GREAT TELEVISION! - 5 stars The Mystery of Hunter's Lodge - Some repetitive plot devices, but still solid and Poirot's "One can Leave!?" comment has becomoe a staple in the quotes I say way too much. - 4 stars Box Set Overall score (Not an Average) - 4 stars
As a fan of radio, "The Affair at the Victory Ball," with its broadcast-focused climax is great fun and "The Mystery of the Hunter's Lodge" is classic Poirot. My personal favorite in this set, though, is "The Theft of the Royal Ruby," because it's one of the uncommon cases where we get to see Poirot without his familiar sidekicks. David Suchet is always marvelous as Poirot, but here he makes the fullest use of the full spotlight. And, if three great Poirot mysteries wasn't enough to make me happy, Acorn Media has included an excellent little guide-book to the show with this set called "The Poirot Casebook." Not only did it give cast and credits for the many episodes of the series, it included quotes, trivia and an introduction written by David Suchet. I don't know if this is a limited time offer, but if you're a fan of Poirot, this book is a must-have item. "The Theft of the Royal Ruby" starts with both Miss Lemon and Hastings away (probably a holiday for Pauline Moran and Hugh Fraser) and Poirot all ready to spend Christmas alone with a box of chocolates. He is urged by a high official to retrieve a priceless ruby that a young and arrogant Egyptian prince has foolishly lent to an adventuress who vanished with it. The way in which it is retrieved halfway through the episode is stretching things a bit too far; and Poirot's plot to trip up the thieves is even more far fetched. A lot of fun, but not a really successful episode. "The Affair at the Victory Ball" involves Commedia dell' Arte costumes; and somehow the Detective's explaining the solution over the radio simply does not work. The business of cocaine abuse among the upper classes, though, always has its effect; and by a coincidence, Acorn Media released this set at the same time as the Peter Wimsey "Murder Must Advertise," which also deals with drugs in the England of that period. "The Mystery of the Hunter's Lodge" uses the by now familiar device of the attractive woman disguised as a homely one, but it is the most satisfactory of the three. Although the relationships between the characters at the lodge are revealed sporadically during a hunt in which the dialogue is difficult to follow, this episode comes closer to film noire than does any other in the series and that makes it unusual. Although I feel bad being so negative in this review, I realize that we have the 16th to 18th dramatizations of Christie's short Poirot mysteries and that most of the better ones have already been used. Still the production values and the acting are superior to the relentless realism of what now passes for "crime" television series and I must give it the top rating. If it suffers in comparison, it is only in comparison with the earlier offerings in this same series!
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| 2. Poirot Set 1 Director: Ross Devenish, Edward Bennett, Richard Spence, Peter Barber-Fleming, Andrew Piddington, Ken Grieve, John Bruce (II), Brian Farnham, Renny Rye, Andrew Grieve, Stephen Whittaker | |
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Amazon.com Reviews (3)
One of the most endearing features about this series as well as the others that follow is the humor value that is omnipresent throughout most of the series. Not only are the mysteries difficult to solve (most of them anyways), but the Christie's writing shines through giving the characters lovely quirks that spark laughter often during the episodes. You might find yourself distracted from the mystery itself by getting caught up in the comedy. The nuances come out perfectly and brilliant acting all around leads to one of the best shows ever produced for television. I can't find anything at fault with the series. AcornMedia is not known for their superior picture quality, but this first in the series is actually a great transfer. If you enjoy a bit of British comedy, a good mystery, and all around outstanding entertainment, you should start collecting the series. You won't be disappointed!
The Disappearence of Mr. Davenheim - Decent, but not great this one seems way to similar to Conan Doyle's "The Man With The Twisted Lip" to me, but not as good. - 3 stars The Veiled Lady - Better than the first, but somewhat silly all throughout with a strange, but minor, flaw in the solution. Also the chase scene near the end was too drawn out. - 3.5 stars The Lost Mine - Perhaps a glimpse of the greater future of the Poirot series, this one shines with a more interesting case and a more interesting solution. Also, watching Poirot and Hastings play Monopoly is priceless - 4 stars Box Set Overall score (Not an Average) - 4 stars
But now Acorn Media is reissuing them in complete versions, with the two hour features on DVD and the shorter ones on VHS. Both series are a delight. The acting genius of David Suchet is enhanced by his usual supporting cast (Hugh Fraser as Hastings, Philip Jackson as Japp, and Pauline Moran as Miss Lemon), the wonderful guest casts, the done-to-perfection ambiance of time and place--the late 20s and early 30s--with all those fabulous art-deco buildings they have managed to find and populate. The first boxed set of 3 episodes contains "The Disappearance of Mr. Davenheim," "The Veiled Lady," and "The Lost Mine." In the first, you might spot a bad flaw in the solution. The second set includes "The Cornish Mystery" (with a genuine "blonde hussy"), "Double Sin" (with a Sweet Young Thing in Distress), and "The Adventure of the Cheap Flat" (with a neat reversal on the plot of Doyle's "The Red Headed League"). And if too many solutions depend on Poirot overhearing by chance some remark early in the story, well that should teach you to be more alert to these things on future viewings. Also if Poirot is not above breaking the law with a little forced entry now and then, well so did Sherlock Holmes. Very amusing sleuthing for one and all--and a very welcome relief to the grizzly "modern" mysteries now being shown with extreme close-ups, whispered dialogue, and as much gore as possible in each frame. ... Read more | |
| 3. A Touch of Frost - Season 1 Director: David Reynolds (III), Roger Bamford, Sandy Johnson, Roy Battersby, Herbert Wise, Alan Dossor, Paul Harrison, Adrian Shergold, Don Leaver, Anthony Simmons, Graham Theakston, Paul Seed, John Glenister, Peter Smith, Robert Knights, Ross Devenish | |
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Description A Touch of Frost is one of Britain's most successful detective series and stars award-winning actor David Jason as Detective Inspector Jack Frost, a policeman with a knack for attracting trouble. Set in the dreary town of Denton, Frost approaches each case with his characteristic dry wit and a sense of moral justice. A Touch of Frost Season One includes: In "Care and Protection," Frost investigates a missing child case, as his terminally ill wife languishes in bed. A chance digging turns up a 30 year-old skeleton chained to a strongbox. A former bank employee with links to the strongbox is murdered and Frost must find his killer. In "Not with Kindness," Frost grieves for his recently deceased wife, whose visiting sister from the States makes his life unbearable. Frost searches for a missing teenager and a victim of threatening phone calls wakes in the night to find her home engulfed in flames. In "Conclusions," an elderly man is killed in a hit-and-run that involves a prominent local official's son. A casino is robbed of the night's takings. An armed and dangerous fugitive takes a pair of hostages. Episodes: Care and Protection Not with Kindness Conclusions Reviews (4)
The series opens with Frost's wife on her deathbed. Even in such a situation (perhaps, indeed, because of it--for Frost does not handle personal tragedy well), he is unable to spend the time at his wife's side that is expected. While this may sound rather morbid and depressing, I must emphasize that overall the series is not. Certainly, the crimes that are committed are serious and tragic, but like the Inspector Morse series (a series with which this one compares well), the episodes are punctuated by quite a healthy dose of humour, and like Morse it is primarily character humour. In other words, it arises out of the idiosyncrasies in the inspector's character, which become more apparent as we become more familiar with the character. In Frost's case, apart from his questionable tactics, he's extremely disorderly, and his dedication to his work is matched only by his loathing for paperwork--a trait which often has him at odds with his punctilious boss, Superintendent Mullett. Indeed, Frost is perennially ducking into doorways or skipping out of the office in attempts to avoid the unwelcome confrontations. One thing Frost does not have, unlike Inspector Morse, is a regular "Sergeant Lewis" in tow; rather, he has a different sergeant assigned to him for almost every episode. One aspect which, in my opinion, makes A Touch of Frost such a good series is the powerful punch of irony that usually occurs at the end of each episode. Often one can really sympathise with the killer or at the very least understand his or her motivation. Sometimes we find that it's one trifling incident--someone in the wrong place at the wrong time--or a petty misunderstanding that sets the wheels in motion for a tragic outcome. Often it seems that the bringing of the criminal to justice is the greatest injustice. In conclusion, this is a well-acted and an extremely well-written mystery series--one with quite hard-hitting stories, thus making the comic relief all the more welcome. It is a series which I recommend very highly to fans of British mysteries in particular--if you enjoy shows like Inspector Morse, for example, or have enjoyed PBS's erstwhile Mystery! series, I'm sure you'll enjoy this one. I would, however, go so far as to recommend this series to anyone looking for a superior quality mystery series, British or otherwise. Personally, I've always wondered why it was never made a part of PBS's Mystery! series, for it was certainly worthy of inclusion.
What first struck me when watching it was how real everything looked. David Jason, in the title role, looks like a real cop, the town looks like a real town and the people act like real people. The situations are dramatic but you always believe in the characters. Frost is a sloppy, intelligent, gruff and thoroughly likable character in spite of, or maybe because of, his rough edges. The mysteries are literate and manage to get their point across without being horrifically graphic. (Though there is violence and some innuendo and a very brief glimpse of a breast, I can't recommend this show for children) "Care and Protection"- When the young daughter of a local woman goes missing, Frost is called in. Relieved, since he is dealing with a terminally ill wife, Frost sets to work. But when a decades old corpse with a severed arm and a suitcase attached is discovered during the search for the girl, Frost finds himself dealing with two cases at once. In this episode, he is teamed up with the fairly amiable but spoiled nephew of the superintendant. Very good episode that deals with the triple drain on Frost's emotions, his dying wife, a cold case he didn't want and the missing child whose chances for survival decrease as time passes. "Not With Kindness"- Following the death of his wife, Frost is at odds with her Americanized sister. Meanwhile, a papergirl's body is discovered in a graveyard and she may or may not be a victim of rape. The subplot deals with an affluent couple who are being harassed by phonecalls and and deadly practical jokes. Frost is partnered with an even sloppier career cop who has an irritatingly happy family life. A rather sad episode that deals with the dangers of grief. "Conclusions"- A fatal hit-and-run leads Frost to the spoiled rotten son of a mamber of parliament. Meanwhile, there has been a robbery at a local casino and an armed and dangerous fugitive is loose in the area. When a patrolman is brutally murdered, the manhunt is on. Frost is partnered with a surley new transfer who has a perfectly rotten homelife and a brooding manner. He's almost too surly for Frost! I highly recommend this series to all fans of cozies who are ready to try something a little more serious and to any mystery fan, especially if you want something a little more realistsic than is offered in this country.
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| 4. Poirot Set 9 Director: Ross Devenish, Edward Bennett, Richard Spence, Peter Barber-Fleming, Andrew Piddington, Ken Grieve, John Bruce (II), Brian Farnham, Renny Rye, Andrew Grieve, Stephen Whittaker | |
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Description Dead Man's MirrorAt a fine furniture auction, Poirot loses in the bidding for an art deco mirror but wins a new client willing to part with the mirror for Poirots services. DVD SPECIAL FEATURES INCLUDE biographies of Agatha Christie and David Suchet, cast filmographies, and Agatha Christie materials. Reviews (1) "Dead Man's Mirror" concerns a ruthless millionaire who outbids Poirot on a mirror at an auction and then dangles the item as bait for the detective to investigate a case of fraud. There is much ado about inheritances, a second (unsigned) will, possible murderers, dinner gongs, and shots behind locked doors. And if the ending is far fetched, who cares? This one needs total concentration. "Jewel Robbery at the Grand Metropolitan" is lighthearted and contains a wonderful spoof on the mystery plays popular in Christie's own time. You will enjoy not only the usual good characterizations by the supporting cast but also the very imaginative camera shots inside a chest of drawers. "The Case of the Clapham Cook" hangs on a hoax that is a bit overly complicated, since the perpetrator could have accomplished his aims in a far less roundabout way; but then there would have been no plot. The use of disguises, fine in the original stories, often does not work on video, because it is too easy to spot the face behind the beard. All in all, superior viewing for an evening.
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| 5. Poirot - Set 10 Director: Ross Devenish, Edward Bennett, Richard Spence, Peter Barber-Fleming, Andrew Piddington, Ken Grieve, John Bruce (II), Brian Farnham, Renny Rye, Andrew Grieve, Stephen Whittaker | |
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Description
Reviews (2)
"Murder in the Mews" is the strongest entry with its twist on "the murder set up to look like a suicide" element. Toss into the salad the caddish Major (James Faulkner), the pompous politician (David Yelland) engaged to the victim, and the best friend (Juliette Mole), and you have all the ingredients for a solid whodunit with a good red herring. "The Adventure of Johnnie Waverly" telegraphs its solution too early in the proceedings for any interest to build up except for the question of How rather than Who. Also the precautions taken to prevent the crime are too unrealistic for credibility. "Four and Twenty Blackbirds" again uses a bearded character, which in series such as this one too often means someone in disguise. I am not revealing too much, since Poirot knows this halfway through, but the criminal in this case was simply too careless and there are "too many clues." A nude artist's model with a sense of humor, however, does not hurt. But mind you, these are still fun to watch as Suchet penguinwalks circles around Chief Inspector Japp (Philip Jackson).
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| 6. Poirot Set 11 Director: Ross Devenish, Edward Bennett, Richard Spence, Peter Barber-Fleming, Andrew Piddington, Ken Grieve, John Bruce (II), Brian Farnham, Renny Rye, Andrew Grieve, Stephen Whittaker | |
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Reviews (3)
"Triangle in Rhodes" (1937) bears a strong resemblance to "Evil Under the Sun" (1941), and the solution to the former is more credible. Hastings is absent from this episode and the scenery is gorgeous. Be sure to see "Evil" with Ustinov as Poirot and Diana Rigg as the victim for comparison purposes. Hastings (Hugh Fraser) is back in "Problem at Sea," in which some of the characters are more interesting as believable humans than in most of the Poirot tales. You might guess not only the guilty party but even the modus operandi early on; and while Poirot's forcing a confession from the murderer is a little overdone, this is (correct me if I'm wrong) the only Poirot story in which he is strongly criticized for being "cruel." | |
| 7. A Touch of Frost - Season 6 Director: David Reynolds (III), Roger Bamford, Sandy Johnson, Roy Battersby, Paul Harrison, Herbert Wise, Alan Dossor, Ross Devenish, Adrian Shergold, Don Leaver, Anthony Simmons, Graham Theakston, Paul Seed, John Glenister, Peter Smith, Robert Knights | |
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Description | |
| 8. Poirot Set 7 Director: Ross Devenish, Edward Bennett, Richard Spence, Peter Barber-Fleming, Andrew Piddington, Ken Grieve, John Bruce (II), Brian Farnham, Renny Rye, Andrew Grieve, Stephen Whittaker | |
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Reviews (4)
HERCULE POIROT HELPS YOU STEP OUSIDE THE BOX
The Adventure of the Egyptian Tomb - Great! Quite different from all preceeding episodes, and while a more complex solution would have been nice, the build-up makes the episode wonderfully multi-faceted! - 4.5 stars The Under Dog - Well, this was the under dog of this set, but it's actually pretty good. Again, the solution was just a little too simple for my taste, but I did like the "Trapped behind the curtain" bit. - 3.5 stars Yellow Iris - It's hard to say how much I like this! Probably only the third episode in which the music really hit home with me (the other two being the Cornish Mystery and Double Sin) and the whole recreation of the murder scene, and flash back, and the murder's Pshycological moment thing were intertwined incredibly well! BRAVO BRAVO BRAVO! - 5 stars Box Set Overall score (Not an Average) - 5 stars "The Adventure of the Egyptian Tomb" starts with a wonderful mixture of old newsreel footage and newly filmed studio shots of an Egyptian tomb being excavated and the entire premise bears more than a passing similarity to the Karloff film "The Mummy." As always, a little subplot is added to the original scenario that somehow ties in thematically (and now and then dramatically). The seeming curse on all those who attended the original opening of the tomb is killing them off but in very dissimilar ways. By putting his own life in the hazard--though not very deeply, as it turns out--Poirot forces the culprit to show his hand. As with all of the episodes in this series, the production values are high. "The Underdog" concerns British businessmen who don't mind turning a profit even if it is with Nazi Germany. The scenes at the chemical plant are imposing, the red herrings well cooked up, and the acting up to standard for these productions. If the murder scene is a bit overly crowded (even for Christie), it does give us a chance to see the crime from several points of view and the cast manages to keep things on the serious side of what is nearly a French farce of people hidden behind doors and curtains. Even Miss Lemon's abilities as a hypnotist help Poirot to gather the clues in this one. "Yellow Iris" has Poirot caught up in a coup d'etat in Argentina and actually arrested for espionage, all of which prevents him from solving a murder at a French restaurant owned by an Italian in Buenos Aires. While his demonstration of how the first murder was done leaves one a little incredulous (are intended murder victims all such good actors on the spur of the moment?), the psychological assumption of the killer is quite clever, making one think, "Yes, it would work!" For some reason, the box shows Poirot as he appears in an episode slated for Set 8. A little Acornian production slip up? Still, three examples of top notch little-gray-celling.
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| 9. Poirot Set 2 Director: Ross Devenish, Edward Bennett, Richard Spence, Peter Barber-Fleming, Andrew Piddington, Ken Grieve, John Bruce (II), Brian Farnham, Renny Rye, Andrew Grieve, Stephen Whittaker | |
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Amazon.com Reviews (5)
Having said that, Acorn should not be proud that this is the best technical quality they can produce. Basically, these shows on DVD look no better than mediocre VHS; perhaps less than mediocre. The imagery is neither sharp nor crisp; dark scenes have a sort of permanent haze over them; they're almost in a monochrome, washed out with little color to the wonderful period scenery and sets. I believe the shows were shot on film, which means negatives must exist. One has to wonder if the negs were lost or damaged, and these DVDs were made from secondary or tertiary sources. At any rate, I would love to know the story of how these video transfers came to be. Whatever the reason, it's too bad that such a great series is being represented this way on DVD.
Double Sin - This one combines great character interaction as well as a great mystery. The solution is great, and even the background music is good! If this episode has any flaws it's that the Miss Lemon side-plot seems out-of-place, but that doesn't really detract from the episode at all - 4.5 stars The Adventure of the Cheap Flat - Another great mystery with a tad of a plot stretch. There are some enjoyable side-characters in this one like an American FBI agent and a club-owner who never picks up his phone. Just as good as the first two, rounding out this set rather nicely! - 4.5 stars Box Set Overall score (Not an Average) - 5 stars
But now Acorn Media is reissuing them in complete versions, with the two hour features on DVD and the shorter ones on VHS. Both series are a delight. The acting genius of David Suchet is enhanced by his usual supporting cast (Hugh Fraser as Hastings, Philip Jackson as Japp, and Pauline Moran as Miss Lemon), the wonderful guest casts, the done-to-perfection ambiance of time and place--the late 20s and early 30s--with all those fabulous art-deco buildings they have managed to find and populate. The first boxed set of 3 episodes contains "The Disappearance of Mr. Davenheim," "The Veiled Lady," and "The Lost Mine." In the first, you might spot a bad flaw in the solution. Hint: how long was the playing time of the average 78 rpm disc back then? The second set includes "The Cornish Mystery" (with a genuine "blonde hussy"), "Double Sin" (with a Sweet Young Thing in Distress), and "The Adventure of the Cheap Flat" (with a neat reversal on the plot of Doyle's "The Red Headed League"). And if too many solutions depend on Poirot overhearing by chance some remark early in the story, well that should teach you to be more alert to these things on future viewings. Also if Poirot is not above breaking the law with a little forced entry now and then, well so did Sherlock Holmes. Very amusing sleuthing for one and all--and a very welcome relief to the grizzly "modern" mysteries now being shown with extreme close-ups, whispered dialogue, and as much gore as possible in each frame. ... Read more | |
| 10. Poirot Set 5 Director: Ross Devenish, Edward Bennett, Richard Spence, Peter Barber-Fleming, Andrew Piddington, Ken Grieve, John Bruce (II), Brian Farnham, Renny Rye, Andrew Grieve, Stephen Whittaker | |
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Reviews (4)
I have already posted my general comments about this series on the webpages for the first four sets, so let me cut to the chase. "The Tragedy of Marsdon Manor" begins comically enough with a would-be mystery writer of an inn owner summoning Poirot to solve a baffling case that happens to be fictional. Naturally a real death takes place under what seems to be supernatural circumstances; and the production does indeed create a wonderfully English country manor spooky-ness that makes this worth watching. Never mind that the solution involves all sorts of twists that verge on the incredible; but to invert the aphorism in "Sleuth," this is Inspector Fiction, not Inspector Fact. "The Double Clue" is exceptional in that it shows Poirot emotionally involved with a suspect, a fascinating (at least to him) Russian countess who might or might not be involved in a series of jewel thefts. Japp is honestly in fear of losing his job unless the thefts are stopped, while Miss Lemon and Hastings do their own sleuthing as Poirot spends time with the countess. "The Mystery of the Spanish Chest" has a plot within the plot, so to speak, rather far-fetched. However, the presence of actor John McEnery and the opening surreally filmed dueling sequence more than make up for any storyline inconsistencies. Again, it is always instructive to compare these dramatizations with the originals; but the former stand up very nicely on their own.
"The Double Clue" is a bit of a tearjerker--jewels vanish, Japp's job is on the line, and Poirot is beginning to fall for one of the suspects, neglecting his job. Hastings and Miss Lemon attempt to salvage the investigation, but without Poirot they are going to have trouble. The end is sad, and this is the first of the Poirot shows to indicate that Miss Lemon might have more than professional feelings for her employer. "The Mystery of the Spanish Chest" is a strange story about love, deceit, jealousy, honor, and lots of swords. A man is found stabbed in a "Spanish Chest"--and even Poirot is being checked out. This includes the excellent scene where Poirot, along with a friend, end up dancing the Charleston (with very bad grace) "The Tragedy of Marsden Manor" is a particular favorite, with an elderly man dying unexpectedly and leaving a beautiful young widow who is being attacked by a ghost. The actress playing Lady Marsden is downright chilling at times, such as when she is staring up at the trees, and this story includes a man asking Poirot to proofread his mystery novel. ... Read more | |
| 11. Poirot - Set 8 Director: Ross Devenish, Edward Bennett, Richard Spence, Peter Barber-Fleming, Andrew Piddington, Ken Grieve, John Bruce (II), Brian Farnham, Renny Rye, Andrew Grieve, Stephen Whittaker | |
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Description The Case of the Missing Will Poirot is the executor of a revised will that disappears when its author dies suddenly. The Adventure of the Italian Nobleman Hastings decision to buy an elegant Italian car coincides with a case involving an Italian count. The Chocolate Box A trip home to Belgium with Japp causes Poirot to reopen a case that he failed to solve 20 years earlier. Reviews (2)
The Adventure of the Italian Nobleman - again more complex than many of the earlier cases, and it's nice to see the comic antics of Miss Lemon and Hastings in full-blast again! - 4.5 stars The Chocolate Box - Very well done, and unique among all the episodes! Great flash backs, and great characterizations between Poirot and Japp! I loved how they explain the pin he's been wearing all through the series. One wonders if they thought ahead or if including it was an afterthought. I haven't read the original story of this one, so I'm interested to know if the pin was Agatha's idea, or the episode-writers'. - 4.5 stars Box Set Overall score (Not an Average) - 5 stars
But setting aside the originals, here are three excellent mysteries, each with a little something special. In "The Case of the Missing Will," we have a good deal of upper class British male anti-feminine feelings as a background to a murder designed to disinherit everyone mentioned in a will by stealing it and bringing up the possibility of a long-lost heir. The actual solution ties in nicely with the patriarchal theme set up early in the episode. "The Adventure of the Italian Nobleman" finally brings in "an admirer" for the usually machine-efficient Miss Lemon and plays up Hastings' love for automobiles. Here too, an early incident--the purchasing of the car-- comes full cycle to a "gag" at the end to create a symmetry that would please Poirot himself. The running theme here is the rise of Mussolini and Italian criminal organizations that pre-date the Mafia (as we are told by the dialogue). Possibly "The Chocolate Box" is the most special of the entire series of short episodes. Here we have flashbacks of Poirot when he was in the Bruxelles police force, trying to prove that a death by "natural causes" was indeed a murder. Naturally those involved are powerful people and Poirot's superior tries desperately to get him to stop looking into the case. Many years later, when Inspector Japp is called to Bruxelles to receive an award, Poirot finally gets to resolve things in a most surprising way. Here the background theme is religion and its tie-in with politics. Only two more sets to go. And look for the DVD versions of "The Mysterious Affair at Styles" and "One, Two, Buckle My Shoe," also issued by Acorn Media. ... Read more | |
| 12. Poirot Set 4 Director: Ross Devenish, Edward Bennett, Richard Spence, Peter Barber-Fleming, Andrew Piddington, Ken Grieve, John Bruce (II), Brian Farnham, Renny Rye, Andrew Grieve, Stephen Whittaker | |
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Reviews (5)
On the plus side, all three stories in Set 4 are lavishly produced with period attire and fully-elaborated sets, and thoughtful cinematography. On the minus side, nothing close to the same competence went into the plots. "The Million Dollar Bond Robbery" recounts how bearer bonds disappear en route from London to New York aboard the Queen Mary. The story is so full of implausibilities and outright holes that one wants to weep. (Quasi plot spoilers ahead.) For starters, the mise en scene is unconvincing. What bankers in their right mind would ship such a quantity of bonds (worth over $20 Million in today's money) in a mere briefcase left unattended by a solitary bank official in his stateroom? These people never heard of armored vaults or professional security guards? Much is also made of the fact that only a few people have keys to the briefcase (thereby supposedly limiting the list of possible culprits), when in fact any thief would simply take the whole briefcase. Once you appreciate that the bonds could be stolen without benefit of one of the authorized keys, the whole storyline is revealed as a Rube Goldberg concoction of gross proportions, using a pathetically convoluted scheme entailing many risks, when a much simpler plan would have done the job much more easily and safely (for the thief). Then there's the person who needs to be in two different places at once, and is able to shift from Place A to Place B and back again with truly impressive ease, like Captain Kirk beaming up. And if this person had to be in B as part of the grand plot, why the appearance in A? There was no need for it. Wait, the appearance in A did serve a purpose after all; it was so Poirot could notice the clue that solved the case. . . "The Plymouth Express" concerns a jewelry theft and murder aboard a train. This, too, evidences extraordinarily shoddy plotting. And, let's not forget, there is no need whatever to commit this particular theft and murder aboard a train, exposing the perpetrator to many potential witnesses, not to mention requiring eight hours on a train (out and back) - not the most clever of getaway plans. There was ample opportunity to rob and kill the victim back in London. Worst of all, the solution to this case is pulled straight out of a hat. All we're told is that Poirot was able to identify the perpetrator by studying his secretary Miss Lemon's "files". That's it? The third story, "Wasps' Nest", succeeds a little better than the other two, though it still leaves much to be desired as a whodunit. Here, at least, the murder plan is interesting and plausible. However, the motive for the murder is somewhat of a stretch, and the story development is also spun out of thin air. Poirot in effect makes a series of lucky guesses, based on no clue discernible to the audience. No little grey cells at work here, just one guess after another to move the story along. Agatha Christie would not approve.
The Million Dollar Bond Robbery - This is actually the highlight of the trio and features much enjoyable footage with the Queen Mary. As well as a rather good solution. - 4 stars. The Plymouth Express - This is very well done and draws more emotion out of you than most episodes, but is still lacking. The plot just seems too simplistic when set against other episodes. Still the footage of the murder is chilling and you really feel for the victim's living relatives by the end. - 3.5 stars Wasp's Nest - It's always nice to see them try something different, but this episode just didn't click with me. I've seen them all many times and I just can't get used to this one, even though I like the "solution." - 3 stars Box Set Overall score (Not an Average) - 4 stars Collector's set 4 contains two similar and one quite unusual episode from the immensely popular British television series. Without wanting to reveal the solutions, I can only say there is a marked similarity in those of "The Million Dollar Bond Robbery" and "The Plymouth Express." The former is quite different in detail from the short story, which runs only 8 pages in my "Hercule Poirot's Casebook" and thereby pretty well represents the changes necessitated by inflating short mysteries into full hour episodes. The second is a few pages longer and the television version is more faithful to the original. Although you do not have too much sympathy for the murder victim in this one, the shot of the body and Poirot's description of the deed itself is chilling. One of the better entries, to be sure. "Wasps' Nest" is the most unusual of all the mysteries in this series. Again, I must not reveal too much, but we have a very nasty Poirot suffering from having no case at hand and berating himself for looking at a new situation concerning a friend in a most negative light. Of course, his suspicions are confirmed and he sets out not to solve a killing but to prevent one. But I must say no more. What is doubly fascinating is that the original story takes place only between Poirot and the person in question. So what you see in the final scene of the video is pretty much how the original story is handled. It is also one of the slower moving of the episodes. Do not forget that the most excellent | |
| 13. Poirot Set 3 Director: Ross Devenish, Edward Bennett, Richard Spence, Peter Barber-Fleming, Andrew Piddington, Ken Grieve, John Bruce (II), Brian Farnham, Renny Rye, Andrew Grieve, Stephen Whittaker | |
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"The Adventure of the Western Star" - There's a legend about twin precious stones, the eyes of an idol in the Far East, having long been separated - the Star of the East and the Western Star - and of what is fated to happen when they meet again. The Western Star resides in the famous Yardley collection in England, while the Star of the East belongs to an actress about to film on the Yardley estate... "How Does Your Garden Grow?" The old lady wrote to Poirot on a matter requiring such discretion that she would not commit it to a letter. Alas, she died before her commission ever reached him... "The Kidnapped Prime Minister" - Viewed solely on its own merits, an interesting case. Viewed as an adaptation, however, it is flagrantly unfaithful to the source; the writers seem to have had a free hand in adjusting matters to make a more dramatic and puzzling story. The action now occurs between wars instead of during WWI, so the motive has altered and the kidnappers by necessity are a somewhat different group than in the original story. Written early in Christie's career, the victims and witnesses were just stage props leading up to one of Poirot's flashy conjuring tricks, with no depth or personality. While this worked in short story form, I can see the inherent difficulty in adapting it for the screen, so while I ordinarily deplore heavy revision, I concede the need for it here. Not to put too fine a point on it, the revision helped this story no end, and it's much more interesting on video than in its original form.
The Adventure of the Western Star - More typical Poirot. It's easy to get used to how wonderful these are and start treating their greatness casually! My favorite part of this one is Hastings and his China-man! - 4 stars The Kidnapped Prime Minister - Ireland gets some of the lime-light in this one as Russia did in the first. My favorite part of this one is when Miss Lemon is trying to remember the name of the castle! - 4 stars Box Set Overall score (Not an Average) - 4 stars
But now Acorn Media is reissuing them in complete versions, with the two-hour features on DVD and the shorter ones on VHS. Both series are a delight. The acting genius of David Suchet is enhanced by his usual supporting cast (Hugh Fraser as Hastings, Philip Jackson as Japp, and Pauline Moran as Miss Lemon), the wonderful guest casts, the done-to-perfection ambiance of time and place--the late 20s and early 30s--with all those fabulous art-deco buildings they have managed to find and populate. I have already commented on the first two sets (see those webpages). This third entry contains "The Kidnapped Prime Minister," "The Adventure of the Western Star," and "How Does Your Garden Grow?" The first offers a plot (in both senses of the word) that has been copied in many a mystery since then, and the red herrings are quite good. The second reveals its r.h. half way through, and still holds some surprises. The last is a good old Christie murder story in which all the villainous characters turn out to be...well, see for yourself. I keep asking myself if the reason that I keep watching these episodes over and over is the superb acting, the marvelous décor, the other way around or both in equal measure. I will guess at the last.(...) ... Read more | |
| 14. Poirot Set 12 | |
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Reviews (1)
The three stories in this last set are a cut above average (and that average is pretty high in this series). "The King of Clubs" involves the murder of a detestable film producer and opens with a very funny and technically fascinating sequence of a movie set during the era of the early talkies. Note especially the use of matte for special effects. While you might find the "solution" not quite satisfying, the whole thing is a lot of fun. "The Dream" suffers as most television versions do of stories that involve one character made up to resemble another one. A little subplot is added concerning Miss Lemon's need for a decent typewriter and Poirot's strangely obtuse reaction to her demands. Again the opening sequence around the assembly line of a great pie factory with its female workers in fetching blue and white uniforms is beautifully done. "The Incredible Theft" does have a double turn of events at the end and a pretty good car chase preceding it. And it is in this episode that we learn from Hastings that Chief Inspector Japp talks in his sleep as he relives past arrests! It is little touches like this that have made the series such a success, not to mention the fine acting of leading and supporting actors and the impeccable period designs. Set 12 is a worthy ending to a fine set of video recordings from Acorn Media. ... Read more | |
| 15. Agatha Christie's Poirot Director: Ross Devenish, Edward Bennett, Richard Spence, Peter Barber-Fleming, Andrew Piddington, Ken Grieve, John Bruce (II), Brian Farnham, Renny Rye, Andrew Grieve, Stephen Whittaker | |
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Amazon.com The Murder of Roger Ackroyd opens with a retired Poirot cursing at vegetable marrows in his country garden.When his old friend is found stabbed in the neck, Poirot begins an investigation that reunites him with Chief Inspector Japp (Philip Jackson) and uncovers a chain of furtive phone calls and secret romances.Unfortunately, the restructuring necessary to adapt the story from text to film takes away some of the shock value of Christie's original ending, which caused quite a controversy when the book was first published in 1926. Lord Edgware Dies finds Poirot reopening his London office with the help of Miss Lemon (Pauline Moran) and Captain Hastings (Hugh Fraser). As they celebrate their reunion, Japp quips that there's "only one thing missing... the body." Right on cue, a corpse turns up just moments later. Most of the suspects are actors by profession, but Poirot's "little gray cells" are able to penetrate the murderer's disguise--though only after two more victims heighten the suspense. The acting is impeccable and the sets are as lavish as ever in both of these adaptations. The main characters' delight in being reunited is sure to be matched only by the delight of Agatha Christie fans who now have two more episodes to add to their collection. --Larisa Lomacky Moore Reviews (6)
This two DVD set includes "The Murder of Roger Ackroyd" and "Lord Edgeware Dies". The producers set these stories as taking place after previous episodes. This decision was probably made on account of how much older the actors look. While Poirot and Inspector Japp have aged gracefully, both Captain Hastings and Miss Lemon show their years. The Murder of Roger Ackroyd is one of Agatha Christie's most famous novels, but it translates poorly on the screen. It is impossible to go into details without giving away who the murderer is, but suffice it to say that the surprise of the novel is greatly diluted here. There is also a wistful sort of sadness that permeates the entire story, with none of the charm of the earlier episodes. There is also a feeling that the production was rushed, and that the actors feel uncomfortable in their roles. Thirteen at Dinner is a much better production. All the old favorite characters are re-united here and some of the charm/humor missing in the first story is present here. There is also a greater sense of locale. This episode feels more populated and the variety of locations along with the complexity of the story helps keeps this moving along at an entertaining clip. If you have the opportunity to purchase the two DVDs seperately, definately choose Thirteen at Dinner and forget about Murder of Roger Ackroyd.
The Murder of Roger Ackroyd - Not the best and most intriguing murder ever done, but seeing Japp and Poirot back in action was done, and the climax was just plain thrilling! - 4 stars Lord Edgware Dies - This is probably one of my three favorite Poirots ever! (The other two are "One, Two, Buckle My Shoe" and "Yellow Iris") The case is great, complex, intriguing, fascinating, and I love the drum beat music when someone's about to be killed! If this is the finale to the whole series, it's a great one! Brave! - 5 stars - I heard they're still making more though, so that's good news!
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