Description

Seasons 1 and 2 of the 4-time Emmy Award-winning Drama available together on DVD. ... Read more

Reviews (2)

Excellent Episodes. Not so great extras
The DVD version of this series is dangerous because the story arch is so compelling you'll find yourself sitting and watching episode after episode unable to stop just to see what happens next. If you've already seen the shows you'll watch them in great anticipation of those dynamic character moments contained in each episode (Yo-Yo Ma at the White House, sparing between the Bartletts, the moment when Donna learns of the President's medical condition). It's incredibly enjoyable to spend time with these characters and Mr. Sorkin's writing tickles us and touches our hearts such that we're reluctant to leave this amazing world and these equally amazing people who populate it.

The unfortunate part of the DVD package is the extras. The commentaries are just plain awful. They are stilted, awkward and boring, offering very little insight into the making of the show, backstage with the actors or any technical information - or what we're all hoping for -- some real gossip. In the published scripts of the show, Mr. Sorkin has written introductions which provide fascinating anecdotes about what was going on around the construction of the script and/or what was the inspiration for the story. That doesn't happen on the DVD. The outtakes or gag reel is short and not very satisfying. And where are the taped interviews with the actors and show's creators? I wonder if the departure from West Wing by Mr. Sorkin and Mr. Schlamme (which seemed to happen not be their choice) has created a situation in which pulling together some meaningful documentary regarding this significant television drama undoable.

Buy the DVDs to watch the episodes over and over (and you will, I'm sure). Buy the published scripts for the real "behind the scenes" stuff that adds a bit of color and depth to an already deeply colorful and moving television show.

Fantastic First Season & Superb Second Season
I didn't start watching The West Wing till early in the second season, but it quickly became my favorite show (replacing Aaron Sorkin's other masterpiece, 'Sports Night', which had just been dropped by ABC). It was killing me that I'd missed so many episodes, so I was ecstatic when I heard that Warner was finally releasing the first season on DVD! Having the episodes on DVD is great, even for episodes you've seen. If you've seen The West Wing, you know how rapid-fire the dialogue is; with DVD, it's easy to back up a few seconds to catch a line you missed.

Sorkin is an amazing writer. He is able to weave a compelling and entertaining storyline involving real issues facing our country and world. The characters debate those issues in a way that illuminates both sides of the argument. You'll likely find yourself thinking, 'I'd never looked at it that way', at least a couple times every episode. It may be fiction, but it is fiction that inspires hope that our political system CAN work.

The show is definitely a thought-provoking drama, but that certainly doesn't mean it's dry or boring. There is a huge dose of witty banter and a fair share of light-hearted sub-plots in every episode. Great writing, great acting, great sets and music, all come together to form what has become my favorite TV show ever. Get these DVD's to get caught up on early episodes you missed, or to revisit the incredible beginnings of this masterpiece.

SEASON ONE:
Pilot
Post Hoc, Ergo Propter Hoc
A Proportional Response
Five Votes Down
The Crackpots and These Women
Mr. Willis of Ohio
The State Dinner
Enemies
The Short List
In Excelsis Deo
Lord John Marbury
He Shall, from Time to Time
Take Out the Trash Day
Take This Sabbath Day
Celestial Navigation
20 Hours in L.A.
The White House Pro-Am
Six Meetings Before Lunch
Let Bartlet Be Bartlet
Mandatory Minimums
Lies, Damn Lies and Statistics
What Kind of Day Has It Been?

SEASON TWO:
In The Shadow of Two Gunmen (Part 1)
In The Shadow of Two Gunmen (Part 2)
The Midterms
In This White House
And It's Surely To Their Credit
The Lame Duck Congress
The Portland Trip
Shibboleth
Galileo
Noël
The Leadership Breakfast
The Drop In
Bartlet's Third State of the Union
The War at Home
Ellie
Somebody's Going to Emergency, Somebody's Going to Jail
The Stackhouse Filibuster
17 People
Bad Moon Rising
The Fall's Gonna Kill You
18th and Potomac
Two Cathedrals

(You can look up an episode guide if you want a quick summary of the plots; I didn't want to spoil any surprises here. My favorite guide is at epguides.com.) ... Read more

Amazon.com

You wouldn't want to spend much time with the folks from David Rabe's play Hurlyburly. Asensation when it played on stage (with marquee names Harvey Keitel and William Hurt), Rabe's tale of thecocaine-influenced days of Hollywood in the 1980s is a bitter rambling of what humans do with too much drive, power, and money. Robin Williams's joke about cocaine being God's way of telling you have too much money certainly comes into play here. A few days in the life of casting agent Eddie (Sean Penn)and his friends (separated by a year) take place in Eddie's posh L.A. bungalow. Here he and his roomie Mickey (Kevin Spacey) talk nonstop about sex and power, syntax and meaning. Into this wash comes a charitable bigwig (Gary Shandling), a street kid (Anna Paquin), and Eddie's rudderless friend, the violent Phil (Chazz Palminteri). If there is a central story to be found, it's Eddie's drive to fall in love with Darlene (Robin Wright Penn), who finds this world exciting--or at least intoxicating.

This is not the bunch to invite over to your house, and many might even want to skip the two-hour film with its talky, pathetic prose. These characters would probably be despicable even if they weren't addicted to some narcotic. And the talk is endless; conversations that finish with a door slam are taken up moments later on the cell phone (a nice updating touch by Rabe). What draws big-name actors to Rabe's work is the chance to work on one's raw acting talent. Penn and Palminteri fit their roles like gloves, and Spacey again proves he is one of the most watchable actors around. Every nuance, bad pun, and irrelevant slip of Spacey's wicked tongue has a brutal kind of poetry here in a film that can be admired but not loved. --Doug Thomas ... Read more

Reviews (69)

beautiful
What you must know going into this movie is that you will not be passive about it. You will either love this movie or you will hate it. Many people say it drags on, lacks plot, etc, but I completely disagree. It is a movie about modernism, post modernism, post post modernism, all those absurdities of modern artists, especially existentialism. This is a movie about the next lost generation, people living in a world with no comfort for those who find it goes by too fast for them to find anything to feel passionate about. These people are searching for something, anything, to crave, and we as the viewers simply are introduced to a splice of their thoughts, hopes, dreams, etc. Anna Paquin is amazing in one of her first starring roles since The Piano; her progress as an actress is nothing short of spectacular. Meg Ryan finally sheds her ever-present cuteness and dares to take a role completely unlike any of her others, and does it impeccably. The chemistry between Sean Penn and Robin Wright Penn is gripping as always, as they slip into new, absurdly off-center roles. Kevin Spacey is stunning. I love that this movie was created by many of the actors in it, I love the intelligence and creativity they gave it. This is one of my favorite movies, but it is clearly not for everyone.

One word... WOW!!!
I stumbled across this movie "by accident", flipping through the channels like many young Americans, and somehow I stopped dead in my tracks when I got to Hurlyburly. I was attracted to the movie initially by the top-notch actors, but after viewing it from start to finish at that one sitting, I found myself wanting to see it over and over again.

Sean Penn takes his "bad boy" reputation to another level in this well written screen adaptation of the play of the same name. He is so beleivable as Eddie that one might think he isn't even acting at all! That is when you realize you are truly watching one of the best actors in the business. Kevin Spacey, what can you say? He is just as impressive as ever in his role as the cynical Mickey, truly showing his great range and talent as an actor. Chazz Palminteri and Garry Shandling are also stunning in their respective roles as Phil and Artie. Cameos from Meg Ryan, Anna Paquin, and Robin Wright Penn help round out one of the absolute best acting lineups I have seen in a long, long time.

One of the true triumphs of the movie is the excellence to which it is written. The dialogue can be vulgar and lewd at times, but it remains poetic while doing so. The fact is that the world we find ourselves watching is in fact vulgar and lewd, out of control and senseless, but when you step back for a birds eye view, what you find yourself watching is a spin off of today's society. The dialogue, though drug induced in the film, speaks loud and clear to the viewer and watching these characters live their somewhat failed lives while analyzing every bit of it in an eloquent way is ironic, but breathtaking.

There is no "middle ground" with this movie, however. You will know right away whether you are going to love it or hate it, but all serious movie fans and fans of true acting in general, owe it to themselves to at least give this picture a chance.

"I can not stand this semantic insanity anymore!"
I like to find one quote from a movie to use as the header in my reviews - something that is hopefully interesting and perhaps funny, and indicates my feeling toward the movie. The quote is from Darlene (played by Robin Wright Penn) in response to boyfriend Eddie's (Sean Penn) argument about why she can not like Chinese and French restaurants equally.

In most scenes, coke-head Eddie's anger comes from nowhere, but he must try to make it sound as if he's talking about something. Long speeches and big words do not necessarily make a point. Although his room-mate, Mickey, played by Kevin Spacey dishes out speeches as well, it is less overwhelming and makes a little more sense. Perhaps it is because he does not do nearly as much drugs as Sean Penn's character. Another role played by Chazz Palminteri was offensive. It had one note to it, which was to yell, then yell some more, then get physically abusive with women. Anna Paquin's appearance as a street urchin passed off by Artie, played by Garry Shandling, was interesting and not her normal type of character.

The acting was pretty good. The point, plot, and characters were not. One interesting scene was a conversation that was started face-to-face, then continued at different locations via cell-phones over the course of the day.

DVD sound and picture were good. Has 2 OK commentaries.

As Eddie said on more than one occasion..."blah, blah, blah."

Fun yet disturbing.
I was surprised I hadn't heard of this film before, considering the box-office draw of the actors involved. I then realized after putting it on that it was more of a 'vanity' picture. A literary book rather than a 'blockbuster' novel. It's taken from a play, is of course very theatrical and allows the actors involved to flex a bit more of their acting muscle than they would have been given in a conventional Hollywood movie. It's a very masculine play and is quite satirical on the nature of men's emotional inadequeces. Whether they be childish emotions (Sean Penn, Chazz Palminteri) or just plainly non-emotional (Kevin Spacey, Garry Shandling). It also makes no disguise of the characters' blatent mysoginy, exploring the darker side of the male psyche with comedic results. The fast-paced, intelligent dialogue makes it a pleasant change from the usual mid-west subject matter.

I started to feel slightly relieved when I thought that this mightn't be an exploration of men's psychological make-up, but rather a satire on Hollywood movie executives. However concern started creeping back in when I realized these could be some of the brains behind what we consume on TV and at the movies.

One can only wonder who gets it?
Who gets it? All the critics who raved and gave this movie a 5? Or the rest of the world who gives it a 1? I mean, I could see certain people giving it a 3 for the acting...I have to disagree with those who say it's boring, though. It's not so much "boring" and "pointless" and "pretentious." You can watch it in short doses, just like you can watch a train wreck, but you catch on really quick that none of the characters have any redeeming qualities and they are headed very slowly to nowhere.

If that's what you like in a movie, this is your movie. ... Read more

Reviews (4)

Affecting Drama From Anthony Drazan
Is the wish for love greater than the need to hate? An interesting question posed by, and the complexity of which is examined in this film about the effects of the decisions we make during the course of our lives, and how those decisions ultimately affect our families and loved ones. Based on the semi-autobiographical novel by Sheila Ballantyne, "Imaginary Crimes," directed by Anthony Drazan, stars Harvey Keitel as a widowed father raising two young daughters in 1950s Oregon. Ray Weiler (Keitel) is no role model for fathers, however. In fact, in the words of the author, "Never has a man less equipped for parenthood tried so hard." And failed, she should have added. Ray is not a "bad" man, per se, but he's a dreamer and a schemer, following one deal of a lifetime after another that, up until the day she died, kept Valery (Kelly Lynch) and their daughters, Sonya (Fairuza Balk) and Greta (Elisabeth Moss) living in a one room basement apartment. To the very end, Valery was always a "technicality" away from what she wanted most: A home of her own. And when she died, that dream apparently died with her. Ray's dreams, however, continued; as did the dark clouds his lifestyle cast over the Weilers, beneath which they were forced to live every day without hope or respite. A dreary life, indeed, for two young girls with nowhere to turn.

Told through the reminiscences of Sonya (with Balk providing effective voice-over narration), the story unfolds with the help of flashbacks which reflect the turmoil of young Sonya and Greta's lives with Ray. The sequences involving Valery are especially poignant, and presented with such care and subtly that it enables you to feel and share her every disappointment-- and there were many. You also share her joy at winning a simple raffle at the neighborhood movie theater, where she would escape with Sonya every Wednesday night. And when Sonya points out the fact that her mother cried at every film, no matter what it was, it says volumes about Valery's state of mind and the despair and unhappiness with which she lived, yet masked so convincingly in front of Sonya. It's also easy to understand the bond between the sisters, formed as a means of steeling themselves against the unconscionable neglect of their father. Though not physically abusive, the pain he inflicted on his daughters psychologically was immeasurable. Yet they stood by him; perhaps because they had nowhere else to go and no one to whom they could turn.

Filmed on location in Oregon, the film has a wistful, almost dreamlike quality that successfully reflects the era it depicts, as well as the overall mood of the story, aided in no small part by the atmosphere director Drazan creates. He renders a touching sense of injustice that keeps the viewer acutely aware of the helpless and seemingly inescapable situation in which the girls are forced to remain, and he makes the girls so readily accessible that it is easy to emphasize with them. And it makes you realize that even as big as the world is, everybody lives within their own little part, and it's different for every individual. The world of your next door neighbor may not resemble the world in which you live in any way, shape or form; and because of that, need often goes undetected and want thrives.

As Ray, Harvey Keitel is outstanding, giving a restrained and understated performance that allows you to like him and hate him at the same time. This is a complex character that Keitel develops extremely well, showing you the schemer and the con-man, but also giving you something of an indication of what lies beneath. This is a man capable of disciplined introspection, yet too selfish to do what he must know is the right thing by his family. He's a man who is past believing in himself, but has actually fallen victim to his own con and is unable to let loose of his irresponsible dreams. It's a strong performance, through which he paints the picture of a desperate man, who has no idea of just how desperate he is until it's too late. And the saddest thing about it is the effect it has on Sonya and Greta.

Giving an affecting performance, as well, is the young Fairuza Balk, whose dark beauty and intensity make her perfect for the role of Sonya. She has such expressive eyes that they veritably serve as a window into the soul of her character, which nevertheless seems to emerge from a very private place, and one that gives it definition. Like Keitel, Balk's performance is rather restrained, which gives even more power to her already mesmerizing screen presence. She makes you understand how her circumstances have affected her, which she subtly conveys in the way she relates to those around her, including Greta. There's a sense of the exceptional about Balk, who in an industry filled with young actors seemingly just off the production line, remains unique and has served herself and her career well by exploring some diverse characters in such films as "American History X," "Things To do In Denver When You're Dead," "The Waterboy" and possibly her most definitive role, as that of the young witch in "The Craft." Sonya is one of her more down-to-earth characters, and she delivers her quite well.

The supporting cast includes Vincent D'Onofrio (Mr. Webster), Diane Baker (Abigail Tate), Chris Penn (Jarvis), Amber Benson (Margaret), Annette O'Toole (Ginny) and Seymour Cassel (Eddie). Thought provoking and emotionally involving, "Imaginary Crimes" will take you to a dark place, and it's one that may be all too familiar to some who see this film. This is no happily-ever-after fairy tale, but a very real look at some hard facts about the world in which we live and the people who surround us, and the necessity of reaching out to those who just may be in need.

Imaginary Movie
Even a great actor like Harvey Keitel cannot save this film. Mr. Keitel does the best with what they give him which is almost nothing. Keitel is the patriarch of a family that suffers through his continuous schemes to make money, most of them centered around non-existant mining operation swindals. If you're going to make a movie about con games then at least tell us something about them - that might make a movie interesting! If Keitel's unconventional attempts to earn a living are meant as a backdrop for a story about family relationships, fine, give us inter-personal drama, but we don't get that either. This film drags along and is simply forgetable and regretable. Nothing happens in this film - NOTHING.

Willie Loman with daughters
This is a great movie. I'm amazed that it got made and done so well. First kudos go to Sheila Ballantyne who wrote the novel. A story like this cannot be made up in committee or by hiring the hottest screen writer in town. It has to be lived. There's no question that Ballantyne lived it. And then it has to be understood in the light of love before it can be shared with us. And she did that.

Second kudos go to Tony Drazan who directed and interpreted. It can be seen that he loved the story and he wanted it to be beautiful, and he made it so. He picked the dearest, sweetest girls to play the parts of Sonya and Greta at various ages. And he had to have the right man for their father, a flawed man, like all of us, a man doing the best he can, a man with values that don't really work, a man who lost his young wife to cancer and was left to raise his two daughters alone, a man like Arthur Miller's Willie Loman who had big dreams never realized, a man neither hero nor villain; in short a man who had to be played with delicacy and without maudlin sentiment. Harvey Keitel fit the part, that of a schemer and a dreamer and a self-deluded hustling con man, and did a fantastic, flawless job.

Fairuza Balk, who played Sonya was wonderful, and Elizabeth Moss as Greta was adorable beyond expression, and so beautifully directed. The girl who played the young Sonya was not only excellent, but looked enough like Fairuza Balk to be her younger sister: perfect casting. And Kelly Lynch who had a limited role as the mother was exquisite.

The interaction between the father and the daughters was painfully veracious, filled with real-life tension and heart-breaking disappointments, but done without abuse and without any of the dysfunctional family sicknesses so often expressed these days. We see his failure as a father on one level, and yet in the end we see through the eyes and the voice of Sonya a greater truth: in spite of his weaknesses he actually succeeded as a father. In fact we see that whether he knew it or not, the one thing that he did right in his life, although he wavered plenty, was bringing up his girls against the great odds of his defective character. And the love shown him by his daughters, so beautifully projected by both Balk and Moss, was wonderful to experience since it is so seldom seen these days when the usual style is to trash men and their part in the family. And the nonexploitive, nurturing and loving role of Sonya's English teacher, played with a fine delicacy by Vincent D'Onfrio, was a much-needed change from the usual cinematic use of teachers as sexual lechers. In this movie we can see that men are people too.

I should mention that the screenplay by Kristine Johnson and Davia Nelson was carefully crafted to showcase the story dramatically, and to warn you that this is a tear jerker. It starts a little slow, and seems a touch old fashioned, but stay with it: it's a beautiful movie, one the best I've ever seen.

Fairuza Balk is wonderful
Even as young as she was here, Fairuza Balk was wonderful in this movie. Harvey Keitel, one of the best character actors around, also did a wonderful job. Wonderful movie!! ... Read more

Reviews (5)

the end of a great show
Season 5 of the West Wing marked the end of Aaron Sorkin as a writer and Tommy Shlamme as a producer of the show. This season suffers greatly from the change.The show used to be about the day to day workings inside a fictional White House.This season is all about dealing with crisis, from the resulution of the kidnapping of Zoey to the death of of a long time character, to the shutting down of the federal government.etc. etc.While some of these storylines were entertaining and some downright awful(documentary ep.), it wasn't the least bit believable and seemed very similar to all the other dramas on network tv.This is clearly the weakest season of once great show, they got things going in the right direction again during season 6, but the glory days are behind us unfortunatly.

West Wing Season 5
Being from the UK I already own this DVD,
We do get them earlier than the US does, on average it's about 6 months earlier, however the US versions get extras when they are released, whereas the UK and other parts of the worlds versions do not get any.(Also ours tend to be about twice as expensive!)
So it's a tough decision wether to get it early without extras or wait and get them.

As far as the season goes, sure it is different from the first four, it was always going to be after Aaron Sorkin left.
The season opener is fantastic, the piece of music at the end will give you that same feeling as any of the best moments of the last four years.

Over all that are some great moments in this season; there are some weak moments too, but this is still the best written, best acted, witty, intelligent and engrossing piece of television around at the moment. (Oh yeah, the moment with big bird is hilarious)

Amazon UK has it!!!
Why is it that Amazon UK has already released this title but Amazon US hasn't???

Worth it!
In my opinion, this season was really the end of the decent episodes of west wing. Shortly after the first few, aaron Sorkan left, and WW has spiraled downword until it has reached the point that it has for season 8. I would love to get the 5th season, especally for the beginning where Bartlet's daughter was kidnapped (well the conclution from the cliffhanger season 4)
I and many more West Wing fans agree. We would love to see this season on DVD in the near future.

best tv seris.!!
watch all the other 4 seasons, when ever i start, i'll have to finished all before i can funtion to other thing,that's how the show track me to it,please relases the season 5 asap,or even better,relases all of it,please!! ... Read more