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| 1. The Assignment Director: Christian Duguay | |
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| 2. The Art of War Director: Christian Duguay | |
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Amazon.com Reviews (56)
Another problem is the films awful plot. For some reason, the Wesley Snipes character seems to have ESP. In one scene, he comes into a room where his partner had been beaten and murdered. Then, just by looking at the room, he sees everything replay in his head. In another scene, the character sees some guy coming out of a resturant. He notices that the asian guys is carrying a back-pack. He then drives through the resurant, grabs the back-pack, and throws it out the window where upon it explodes. Talk about police intuition (or maybe all asian guys carry bombs). As before, this wouldn't be a problem if the character actually had ESP but it's just kind of dumb here.
Another nice thing about this movie is that it seems to understand the nature of post-Cold War politics. Nations now clash with treaties, trade agreements, and capitalist aspirations. By addressing issues such as the WTO, human traficking, and China's emerging status as an economic superpower, I got the distinct impression that the screenwriters actually read the newspaper. Ultimately, the plot doesn't quite hold up, but it's an admirable effort. Snipes does a great job, never lightening the tone by playing to the cheap seats. By playing it straight he makes the film that much more believable. His fight scenes--including the end shootout feating slow-mo bullet-time--are both thrilling and plausible in a way that "The Matrix's" cgi-enhanced action can't manage. Finally, the film just *looks* great. Director of Photography Pierre Gill plausibly passes off a lot of Canadian locations as Hong Kong and New York. He gives these cities a glossy sheen, a convincing grittiness, and a neon readiance, depending upon the scene. All in all, I think if the movie had featured Tom Cruise or Keanu Reeves it would have been much better received. Too bad, since Snipes blows both of them off the screen. This one is definitely worth a look.
This is an espionage, spy thriller with Snipes as a U.N. security agent. The plot centers around a conspiracy to thwart American-Chinese trade negotiations. There are double & triple crosses galore & this film has the feel of an updated film-noir classic, MTV style. If you like well-made martial-arts films as much as I do, "The Art of War" is for you! ... Read more | |
| 3. Screamers Director: Christian Duguay | |
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Reviews (35)
Based on Philip K. Dick's short story Second Variety, this story plays on the theme of what is real. A mining colony on Sirius 6B went on strike because of radiation released by the mining operations. The company did not like that and the two have been at war for ten years. The miners managed to survive by creating screamers, underground flying buzz saws. Now the company wants peace. Both sides have found out that the war is a lie and want to band together. The trouble is the screamers have an automatic production facility and it has started turning out new versions. Properly advertised this could have been a pretty big film, but it wasn't. Instead it was lost in obscurity. But if you like Philip K. Dick, the man behind Total Recall and Blade Runner, then you will get a kick out of this movie (and all of the surprise twists in the plot).
When the robots reach that human-like point of development, they no longer simply focus on breeding and staying alive as a collective race. Now the ROBOTS start slaying each other for reasons that humans find all to understandable - love and personal desire. Yes, there's the tension as you keep thinking "what will the NEXT robot look like". You begin to examine the actions of each character, wondering if he or she is a robot too. The line between "real human" and "mechanical device" becomes blurred. At one point Hendricksson grabs Jessica's hand and slices it open on purpose, to see if she really is human or a robot. She bleeds, and he apologizes profusely - leading to them falling in love. But of course the blood was fake - this was merely the next evolution in the robot progression. And it brings to mind the classic line, "If you prick us, do we not bleed?" (Shakespeare, Merchant of Venice, Act 3, Scene 1). Given the large number of other Shakespeare quotes in the movie, the symbolism was quite apt. It was impressive that Hendricksson treats the people around him with casual disregard many times - but the robots are showing emotions. The humans are often brusque and untalkative - but the robots make insightful comments drawing from Shakespeare and other great thinkers. It is almost the robots who are the better race here - they have managed to wipe all the humans off the planet, evolved themselves to higher levels, and have their sights set on Planet Earth next. In that sense, Screamers is VERY much like Blade Runner, making us really think about how we would differ from intelligent robots - and if we would measure up. A movie to watch over many times.
The age-old battle between management and labor finally erupts into open warfare when the corporations involved in mining operations on distant planets decide to strike back when miners refuse to work after a spate of radiation induced deaths. The managers--now formed into an economic bloc called the NEB--decided to retaliate with atomic strikes on mining bases on Sirius 6-B, thereby turning the planet into a desolate plain populated by increasingly diminishing numbers of soldiers on both sides. The commander of the "good" guys, if there are any good guys, is Hendricksson (Weller), a miner turned soldier rapidly tiring of the attrition warfare raging on the planet. A message that the war may soon be over allows Hendricksson and his men a brief respite from their miseries until a shuttle crash lands near their base. The only survivor of this mission tells Hendricksson some disturbing news about the situation on earth, information that contradicts what he thought he knew about the cease-fire. In an effort to discover just what in the heck is going on, Weller's character, with the survivor from the shuttle crash in tow, sets out across the planet's surface to meet with the leader of the enemy forces. It is a risky mission but a necessary one. If things go well, Hendricksson and his fellow soldiers may yet get off this miserable ball of dirt. Significantly complicating matters are the screamers, nasty little pieces of military hardware cooked up on earth for the miners to use against the NEB forces. Essentially, these tools of death are small machines bristling with saws and razors that cruise beneath the soil looking for unprotected soldiers. Only a grunt wearing a special bracelet that sends an "I'm O.K." signal to the screamer will be safe; all others are fair game. Even worse, after some ten years in use the screamers have somehow mutated underneath the earth, so much so that even the miners know little about the devices anymore. Not only does Hendricksson have to trek through the dangerous landscape of Sirius-B, he also must worry about what the screamers are doing. By the way, the radiation levels on the planet are still so high that anyone venturing outside for an extended period of time must smoke a special type of cigarette to neutralize the toxins building up in the body. By the time Hendricksson reaches the enemy base he realizes things are going on that bode ill for himself and his men. Mutated screamers wiped out NEB headquarters except for three hardy souls who somehow managed to survive. When Hendricksson makes a horrible discovery about his own base, he resolves to get off the planet any way he can. The conclusion to the movie is well done, to say the least, as is the entire movie. I enjoyed "Screamers." The movie is a lighter on the action than you would expect from a movie about an intergalactic war, and a little cheap on the set pieces, but director Christian Duguay wisely works within his budget to create a movie loaded with bleakness and despair. The snowy, desolate atmosphere of the nearly abandoned planet looks like it was shot on the dark side of the moon (it was Canada, apparently). The interior shots of the enemy base and the desperate escape the characters make from this fortress added even more claustrophobic mood to the movie. When the end of the film finally rolls around, you find yourself praying that Weller's character will escape from the planet and finally make his way back to earth. Throw in dashes of gory violence, the interesting effects work of the screamers, and Weller's hard-bitten performance and you have the makings of a minor cult classic. I have never read anything written by Philip K. Dick, so I cannot speak to the compatibility of this movie with the story it came from, but "Screamers" functions exceedingly well as a stand alone picture. The DVD doesn't offer very many extras, unfortunately. Only a trailer for the film and a choice between fullscreen and widescreen presentations graces this disc. A commentary from Weller would have been nice but is not a necessity in order to enjoy the film. Watching "Screamers" makes me want to check out some of Philip K. Dick's books. I have heard great things about him, along with some weird things about his personal life, which gives me reason to believe reading some of his writings would be worthwhile. In the meantime, I will probably rewatch "Screamers" a time or two. ... Read more | |
| 4. Joan of Arc Director: Christian Duguay | |
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Reviews (103)
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| 5. Live Wire Director: Christian Duguay | |
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Description Reviews (13)
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| 6. The Hunger: Vampires Director: Jean Beaudin, Adrian Moat, Daniel Grou, Jason Hreno, Tony Scott, Jim Kaufman, Patricia Rozema, Jake Scott, Russell Mulcahy, John L'Ecuyer, Darrell Wasyk, Howard A. Rodman, Chris Hartwill, Tom Dey, Christian Duguay | |
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Reviews (7)
If this is the kind of stuff that turns you on, you should up your dosage of Prozac. I could have written better stuff. And chances are, you could too.
In Fly By Night we see an unusual vampire. The vampire and a woman suffering shell-shock are locked up in a hospital's padded room. She recognizes the vampire for what he is and tries to help him, hoping he can help her. A little confusing (how did everyone die in the flashback?). A Matter of Style has a young man discover that he is a vampire. He is assigned a mentor who tries to teach him the ropes (shape-changing, killing and even sex). A fun story. Necros is another different type of vampire. A man falls for a beautiful woman who is in the company of an old man that some call Necros. Some say his is a vampire while others claim he is the devil himself. A strange tale but with a major hole (what happened to the earlier disappearances?). Footsteps is an arty tale of a woman plagued by her nature to kill and those who always seem to track her down (it is not clear if she is vampire, werewolf, or something else). But in Paris she meets a strange man who may be able to redirect her future. As this is a Showtime show, there is plenty of nudity and sex so these tales are not suitable for all.
Produced by Ridley Scott (of "Blade Runner" and "Alien" fame) and his brother Tony, and hosted by Terence Stamp in the 1st season and David Bowie in the 2nd, the series was always well-filmed and produced but somewhat hit-or-miss in its scripts and acting. Nudity is a staple. The Vampires DVD is the best of the four I own. It features the following episodes: 1) Fly By Night - wild man black vampire helps a woman trapped in a padded cell in his own demonic way 2) A Matter of Style - stars Chad Lowe as a virgin vampire whose mentor, Carmilla, teaches him the ropes 3) Necros - William Cobb is on vacation when he catches a glimpse of Helma, a breathtaking creature who captures his imagination. She has a companion, a frail old man who, according to folk law, is Necros, a dead thing that feeds upon the living. Should Cobb pursues his desires or heed the warnings of the town folk? A night of unbridled passion reveals the terrifing truth. Directed by "Highlander"s Russell Mulcahy from a story by Brian Lumley. 4) Footsteps - Claire is a beautiful woman who travels the world attempting to save her voracious appetite for gourmet food and the men to dine with her. She devours food and lovers all over Europe until in Paris, she meets Patrick, a vegetarian, who challenges her to her very core. How can the ultimate carnivore build a relationship with a quintessential vegetarian? From a story by Harlan Ellison.
A collection of short 'vampire' stories I thought the first very erotic, until it's untimely end. One of the stories deals with a vampire who in the throes of passion developes not only a tail, but a very long tongue which she uses to drain her lover's life-force. Very strange, but still rather sexy - but pointless - she is collecting near mummified men for her partner's bridge games !?! (I kid you not!) A mixed bag of some interesting some erotic, but still all over I think this is worth missing.
As well as Stamp being *wonderful* to watch, the stories are a lot of fun - more ... than horror & fangs, but tightly told and some very fine performances from the actors. The production (from "Scott Free Productions", that would be Ridley & Tony to you) is classy - very easy on the eye throughout. Bon appetite! ... Read more | |
| 7. Extreme Ops Director: Christian Duguay | |
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Reviews (21)
The characters -- Devon Sawa ("Final Destination"), Bridgette Wilson-Sampras, Rupert Graves, Rufus Sewell, Joe Absolom, Jana Paranske -- are hired to make a promotion video for Japanese client. (Inexplicably, only Ms. Wilson-Sampras is American among the main cast. Devon Sawa is Canadian.) They are going to travel to the Alps, all camping out in the construction site of a resort hotel up on a lonely mountain. But when this rag-tag team encounter a group of terroists (don't ask me why), they are forced to use their skills for extreme sports to survive the deadly fight against them. The story is silly, but not bad. "Cliffhanger" was silly -- you know, Sly must have been dead within five minutes with that clothes -- but not a bad actioner after all, giving a series of great stunts. And "Extreme Ops" offers some great stunts, and actors are certainly doing their jobs. See, for example, Devon Sawa hanging from the tail of the train, strapped to it by ropes. You can see people doing skateboarding on a moving train, behind a moving train, and so on. But the drirector Christian Dugay arrange them in a meaningless way, editing so badly that you just don't know what is going on particularly in the first scenes about the canoe riding. To make matters worse, as the film reaches its climax, you will see the cheesy CGIs, a crazy soldier with bad acting, and some ridiculous tactics that the characters use to protect them from the killers, all of which tell that the film is running out of tricks, and this feeling kills the excitement this kind of film should offer. Not so bad as some people say, but "Extreme Ops" tells us why "XXX" is a great fun -- charisma of Vin Diesel, sexy Asia Argento, and great stunts aptly shown on the screen, all of which lack here. Trivia: "Yana" is played by Liliana Komorowska, wife of director Christian Dugay, and she can be seen many of his films like "Screamers."
The plot, such as it is, involves an extreme sports team, filmming a commercial, using gold medal skier Chloe Weston (Bridgette Wilson), outrunning a man made avalanche. As the director (Rufus Sewell), his cameraman Will Flaky, (Devon Sawa), and the rest of the crew settle in, they get more than they bargained for. The team inadvertantly stumble upon a Serbian warlord, and his cohorts hiding out in an unfinished resort, atop a mountain. Sort of like Die Hard on a ski slope if you will. Now, I can accept that premise if done right. Sure, the plot is nothing new, therefore, it's all about excution. The main problem with the film is that it takes at least 50 minutes for the central plot to take hold. Up until that time, the movie concerns itself with dopey subplots about love connections, and hackneyed character conflicts. The action sequences are nicely staged but there's not enough of them to carry the film's plot. The cast somehow manages to muddle through. Poor director Christian Duquay should have seen that this film was trouble from the start. I think Paramount knew they had a stinker on their hands and had no faith in the movie. The powers that be decided not to include any extras about the movie itself on the DVD. What else do you get, you ask? Viewers can watch Extreme Ops in either the widescreen or fullscreen formats. A trailer gallery with "previews" for Star Trek Nemesis and Abandon is all there is. Extreme Ops isn't even a good bad film. It doesn't really qualify as a guilty pleasure either...
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| 8. Joan of Arc Director: Christian Duguay | |
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Reviews (103)
Rarely does a TV movie come along that is as well conceived as its mega budget says it should be. Absolutely stunning battle scenes (especially for a TV production), rich location shooting and a superb cast make Joan of Arc unquestionably one of the best TV movies ever made. But what crowns Joan of Arc as a "5 star" production is it's outstanding lead, Leelee Sobieski. Perfectly cast, Sobieski brings qualities to the French saint never seen before - an innocent, yet strong and commanding personality, a "virginial" presence, a face resembling something of a saint/angel/renaissance painting plus not to mention that she was "actually" the right age to play the legendary teenage warrior. Sobieski's performance is so exceptional, she holds the entire 4 hours together, and at the same time, leaves other Joan of Arc interpretations by the likes of Ingrid Bergman and Milla Jovavich in her wake. Definitely the best TV movie I've ever, and a far better bet than Luc Besson's/Milla Jovavich's version...
The long time of this movie made me wonder if it was going to drag but if anything this movie drew me in from start to finish and here is why: The good acting by the cast members, the great scenery and the selection of Leelee Sobieski as the innocent "Maid of Lorraine". She brought something to this movie that drew you in. Her facial expressions and even the ending still stays in my mind. Wow! It's unexplainable but I love the movie. It was done very well and I'm impressed that it's a TV movie. The movie gets an A+. What about the DVD? Well, since this is a TV movie, I didn't expect too much from the DVD. The audio was good and the video was good but at times I saw some lines on the screen on parts where there is a lot of action. The production notes were nice to see but I have to give the DVD a D- for no significant extras. It appears Sobieski had much to say about the part according to the production notes, why not include a featurette then? Or even the television commercials or promotional features. So, yes...the extras rating gets a D-. But you know what, the movie is wonderful and it deserves to be seen and due to it's size, DVD is the way to go. "Joan of Arc" a definite A+. This DVD is Highly recommended!
However, there is some good acting in this movie, especially from Peter O'Toole - he brings humanity to a character that could have easily been a one-dimensional, generic bad guy. Is it a great movie? no Is it entertaining? Yes - and you get the bonus of watching a real pro like O'Toole show you how its done.
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