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| 1. The Saint, Set 1 Director: Peter Yates, David Greene, John Krish, Robert Tronson, Pat Jackson, Jim O'Connolly, Anthony Bushell, Robert S. Baker, John Kruse, Roger Moore, James Hill, Michael Truman, Jeremy Summers, John Paddy Carstairs, Leslie Norman, Robert Lynn (II), John Ainsworth, David Eady, John Gilling, Ernest Morris | |
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Reviews (11)
Although the colour Saint episodes are better known, I prefer the original black and white shows that were available in syndication. When NBC got involved with showing The Saint as a midseaon replacement show, the budget was upped to make them in colour. The Saint is a durable character who has survived many incarnations, including radio. As a dubious reviewer remarked, in films George Sanders did not originate the character, but he certainly defined it in some half dozen films - and real Saint fans all know it. Although others have their opinions, I feel Roger Moore fits the character of The Saint much better than he ever did James Bond. And if Bond fans are buying this series because of Moore, they will be happy to see a lot of supporting players from the Bond films as guest stars - including Lois Maxwell (Bond's Miss Moneypenny). The episodes included here, and in Set 2, had previously been available from Columbia House's Subscription library, but it will be good to see them on DVD. And here's hoping the black and white episodes are soon to follow.
Roger Moore's portrayl of "Simon Templar" was suave, debonair, and comedic at times (much like The Saint was in the books). In fact, his sarcastic humour with Inspector Teal and other policeman is spot on with the novels. He loved to walk a tightrope between law and crime, but always had an alibi. Moore captures his buccaneering attitude deliciously. Upon watching these episodes, you can see how much of The Saint he put into his Bond role. While he may never have been as violent or ruthless as he was in the books, you really get a sense of the Saint's carefree, adventurous nature. Finally available in America and in series order (based on when the episodes appeared on American television that is). These collections contain the episodes filmed in color, and they look fantastic. As the series continues to see new releases, perhaps they will include the earlier black and white episodes as well. Edwin Astley's loungey score has never sounded clearer. As part of the bonus material, you get the original U.S. trailers for each episode and a nice photo gallery. "The History of The Saint" section, is just some text, and hardly a bonus. You'd be better off picking up the Saint film collection (Turner Classic Movies) with a nice 30 minute Saint history documentary if you really want to learn about the famous "Simon Templar." Better yet, go to (website) and learn everything there is to know. This collection is a must have for any Moore fan. Keep buying them up so that they will release more in America.
This set includes the first six color episodes of the series. The episodes are: The Queen's Ransom - set in Monte Carlo; Interlude In Venice - set in Venice (featuring Lois Maxwell - Moneypenny in the Bond films); The Russian Prisoner - set in Geneva; The Reluctant Revolution - set in San Paul, Brazil; The Helpful Pirate - set in Hamburg and the Convenient Monster - set in Scotland. In spite of the shortcomings mentioned above the shows are enjoyable to those who do not have fond memories of the original airings. What was lacking in special effects what made up for in writing and acting. The stories all have an O'Henry like twist, just when you think it's over or you have solved the problem something else pops up and changes everything. In addition many actors who appeared here went on to other larger roles, so there is the bonus of seeing them 'when'. I think that anyone who remembers enjoying these shows when they ran on broadcast TV will enjoy they again those who are much younger, ie under 25, may not get so much out of it. One additional note - these hour long episodes are just over 50 minutes long, not today's 42!
Ah me! 'tis strange that some should take to sighing, | |
| 2. The Saint, Set 2 Director: Peter Yates, David Greene, John Krish, Robert Tronson, Pat Jackson, Jim O'Connolly, Anthony Bushell, Robert S. Baker, John Kruse, Roger Moore, James Hill, Michael Truman, Jeremy Summers, John Paddy Carstairs, Leslie Norman, Robert Lynn (II), John Ainsworth, David Eady, John Gilling, Ernest Morris | |
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Reviews (5)
The character, the literary creation of Leslie Charteris, has a somewhat nebulous origin. It is said that Simon Templar, motivated by his own sense of justice, took whatever action he deemed necessary, to correct what he perceived were injustices in the world. This usually involved one of the "ungodly" being robbed, or somehow taught a lesson. Somewhere the victim would usually find a note, containing a short message warning them to learn their lesson. Instead of a signature, there would be a drawing of a stick man figure with a halo, the familiar finger pointing "Saint" logo. While Templar was suspected of committing these acts, his guilt was apparently never proved. In eluding his victims and all manner of law enforcement, he achieved a notorious reputation, and the nickname of "The Saint". "The Saint's" image was cleaned up for television, where he appeared as basically a virtuous character. While his questionable past is often alluded to, specific reference to any criminal activity was avoided. He is presented as a noble figure, to whom committing a criminal act for mere personal financial gain would be simply unthinkable. Crime must not be seen to pay. "The Saint" does not fit nicely into any particular category, blending the qualities of an adventurer, a detective, and a secret agent. Without a fixed setting, or any regular supporting cast, it falls squarely on Roger Moore to capture and hold the viewers' interest. And he comes through with flying colors, almost single handedly carrying each episode, and maintaining the continuity of the character, no matter what the location, or the situation he finds himself in. This is actually quite an achievement, and one that is easy to overlook, because Moore does it so smoothly. DVD Sets 1 and 2 contain the program's first color episodes, supposedly presented in the order they were originally broadcast. These collections are a good representation of typical "Saintly" adventures. We find Simon Templar cavorting throughout Europe, and also appearing in Latin America. Being such an adaptable fellow, he becomes involved in adventure in a variety of ways. Part of the fun, is trying to figure out exactly what kind of trouble old Simon has gotten himself into this time. Favorite episodes from Set 1, are "The Russian Prisoner", with Simon involved in intrigue with the KGB, and "The Convenient Monster", where "Nessie" figures in the conclusion of a story of involving murder and deception. The best from Set 2, would be "Paper Chase" featuring "The Saint" on a rescue mission in East Germany, and "Locate and Destroy", probably the most violent episode in the collection, with Simon on the trail of a ruthless ex-Nazi. If you are not familiar with this series, you may not find it to be your cup of tea, for "The Saint", like "The Avengers", is something of an acquired taste. If you are a fan, then these sets should be part of your collection, with Set 2 grading out a bit ahead of Set 1. While they may not the best "Saint" episodes, they are the first available on DVD. Picture quality is excellent, colors are true to the original quality, and the images are sharp. A TV series set in a different location each week presents special challenges, and production values are pretty good considering this. The difference between location and studio shots are obvious, but typical for the times. The audio level however, could stand to be cranked up a bit, to match the music level. One negative is the lack of substantial bonus materials. No printed matter, not even a booklet with a detailed series retrospective. All you get are episode previews, and a few stills. Not much, considering the premium price. This is basically the same minimalist treatment given to "The Avengers". Lacking extensive bonus material, I wish A&E would maximize the medium and package at least four episodes per disc, instead of just three. The studios should remember that the predominant audience for these collections, are the dedicated fans of the program. This is often a niche market, and the faithful really do deserve their best effort. Finally, one oddity is that actor Ivor Dean, who was wonderful as "Inspector Teal", is listed as being part of the "regular cast" on both sets, but does not appear in any of the 12 episodes. Hopefully we will actually see "Claude Eustace" in future releases.
Roger Moore's portrayl of "Simon Templar" was suave, debonair, and comedic at times (much like The Saint was in the books). In fact, his sarcastic humour with Inspector Teal and other policeman is spot on with the novels. He loved to walk a tightrope between law and crime, but always had an alibi. Moore captures his buccaneering attitude deliciously. Upon watching these episodes, you can see how much of The Saint he put into his Bond role. While he may never have been as violent or ruthless as he was in the books, you really get a sense of the Saint's carefree, adventurous nature. Finally available in America, this is the second collection released thusfar, in series order (based on when the episodes appeared on American television that is). Both collections contain the first episodes filmed in color, and they look fantastic. Edwin Astley's loungey score has never sounded clearer. As part of the bonus material, you get the original U.S. trailers for each episode and a nice photo gallery. "The History of The Saint" section, is just some text, and hardly a bonus. You'd be better off picking up the Saint film collection (Turner Classic Movies) with a nice 30 minute Saint history documentary if you really want to learn about the famous "Simon Templar." Better yet, go to www.saint.org and learn everything there is to know. This collection is a must have for any Moore fan. Keep buying them up so that they will release more in America.
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| 3. The Saint, Set 3 Director: Peter Yates, David Greene, John Krish, Robert Tronson, Pat Jackson, Jim O'Connolly, Anthony Bushell, Robert S. Baker, John Kruse, Roger Moore, James Hill, Michael Truman, Jeremy Summers, John Paddy Carstairs, Leslie Norman, Robert Lynn (II), John Ainsworth, David Eady, John Gilling, Ernest Morris | |
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Amazon.com Reviews (2)
VOLUME 5: Flight Plan (4) Escape Route (4) The Persistent Patriots (4) VOLUME 6: The Fast Women (2) The Death Game (3) The Art Collectors (2) To Kill A Saint (3) The Saint, Set 3 is a collection with a good variety of stories, with something for most tastes. Volume 5 features episodes with a more of and edge, while Volume 6 is a bit lighter. More of the action is centered in England, and so we see more interplay between the Saint and Inspector Teal. If you liked the first two sets, you will probably like this one even more. Highly recommended. ... Read more | |
| 4. The Saint - The Early Episodes, Set 2 Director: Roger Moore, David Greene, John Krish, Robert Tronson, Pat Jackson, Jim O'Connolly, Anthony Bushell, Robert S. Baker, John Kruse, Roger Moore, James Hill, Michael Truman, Jeremy Summers, John Paddy Carstairs, Leslie Norman, Robert Lynn (II), John Ainsworth, David Eady, John Gilling, Ernest Morris | |
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Reviews (1)
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| 5. The Saint, Set 7 Director: Peter Yates, David Greene, John Krish, Robert Tronson, Pat Jackson, Jim O'Connolly, Anthony Bushell, Robert S. Baker, John Kruse, Roger Moore, James Hill, Michael Truman, Jeremy Summers, John Paddy Carstairs, Leslie Norman, Robert Lynn (II), John Ainsworth, David Eady, John Gilling, Ernest Morris | |
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Reviews (2)
Volume 13: (Disc 1) Where The Money Is (Episode 112): Rating (4) - An obnoxious film producer enlists The Saint to help get his kidnapped daughter back. Simon is off to Paris to act as the go between, and deliver the ransom. The Saint's wits are put to the test as he roams the French countryside pursued by a band of desperate men, in this episode directed by Roger Moore. Vendetta for the Saint (Episodes 113 and 114): Rating (5) - This two part adventure is based on Saint creator Leslie Charteris's last novel. While in Naples, Simon comes to the aid of an English tourist. When the man turns up dead, The Saint begins to investigate into the mysterious past of a Mafia don. The trail leads to Sicily, where the Saint becomes the marked for death, eventually becoming a prisoner of the Mafia. After a daring escape, The Saint returns with a vengeance to save the day, in one of the finest adventures in the series. Volume 14: (Disc 2) The Ex-King of Diamonds (Episode 115): Rating (4) - On the Riviera, a deposed king intends to use a rigged card game to raise funds to buy a shipment of weapons. The Saint teams with a wealthy Texan, and an expert in gambling probabilities, to foil the bold and daring gambit. The Man Who Gambled With Life (Episode 116): Rating (3) - A rich industrialist is dying, and has selected Simon Templar to participate in a dangerous experiment. The Saint, never one to be made a pawn, looks to take control of the situation, and derail the masterplan, in this slightly off the wall episode. Portrait of Brenda (Episode 117): Rating (4) - In London, Simon discovers a murdered artist, and begins investigating his death. Mystery revolves around a portait, a spiritual guru, and a dead singer, with a couple of lovely ladies thrown into the mix. Ivor Dean makes his final appearance as police inspector Claude Eustace Teal, lending a helping hand in this adventure that maintains the suspense until the very end. The World Beater (Episode 118): Rating (3) - The final episode of the series finds Simon Templar behind of wheel of a rally racing car. Intrigue and sabotage abound, as The Saint prepares to drive in a high stakes road rally. A woman from his past makes an appearance, bringing excitement into his life. The episodes in this collection feature some excellent writing and acting, taking this long running series to a conclusion strongly. After this, Roger Moore would again return to television, teaming with Tony Curtis, in The Persuaders. He would then assume his most famous role, after being chosen to succeed Sean Connery as the new James Bond, debuting in Live and Let Die in 1973.
(As an Avengers' fan, I could not help but note how Set 7, like the other color episodes, feature several also The Avengers' co-stars, hereafter identified with an asterisk.*) In particular Volume 13 features two episodes that each has two unique treats. The first, "Where the Money Is," features Moore as actor-director. (As a music performer-educator, I became intrigued by Moore's directing philosophy that music should enhance, and not overshadow, action and dialogue.) Kenneth G. Warren* does an excellent job playing a bossy American film director. Sandor Elis* plays the head of a kidnapping trio that includes Derek Newark*. These actors are among the many superior co-stars who made this episode work - in spite of Templar's cheesy last line that perhaps could have been scratched. Episodes 2 and 3, the Leslie Charterlis-based "Vendetta for the Saint," stars the late Ian Hendry*, who played "Dr. Keel" of The Avengers 1961-62 season. "Vendetta" gives us Avengers' fans, who feel loss over having only two of Hendry's episodes available, an entertaining look at this dynamic actor. In "Vendetta" Hendry plays the Italian-American Mafia don Alessandro Gestamio. Templar, upon reading about the death of a British banker at Gestamio's hands, sets out on a one-man war against the Mafia itself, and discovers Gestamio himself has a secret he dare not let the Mafia know. Look for star performances from several actors including Aimi MacDonald*, Steven Plytas*, and a young Rosemary Dexter. Volume 14 begins with "The Ex-King of Diamonds" (Willoughby Goddard) whose baccarat skills have a sinister core and even more sinister purpose. In this episode Templar is assisted by a mathematical genius (Ronald Radd*), his available daughter (Isla Blair), and a Texas oil billionaire (Stuart Damon). Helpful to me was the explanation by the math professor of baccarat to an inquisitive American tourist (Araby Lockhart). Jeremy Young* continues his excellent character work as a chauffeur/co-conspirator. "The Man Who Gambled with Life," millionaire scientist-megalomaniac Keith Longman (Clifford Evans*), seeks to lure Templar into a chilling (no-pun intended) experiment. This episode features a hilarious nod to the Emma Peel Avengers' era by Templar and Longman's younger daughter Stella (Jayne Soffiano). It is also the weakest in Set 7 due to its rushed ending. In addition, the timing during the dialogue between Templar and Longman is rather slow. If the producers had made this a two-part, two-hour movie, I believe it would have flowed better. Set 7 concludes with a bang as Templar drives "The World Beater" in a car rally with high stakes for a desperate father-son car-building team (James Kerry and Eddie Byrne), an auto mogul (George A. Cooper*), and a former girlfriend named Kay (Patricia Haines*), who has secret schemes behind her need for speed. As always, Templar wins the race that puts mogul, father and son in pocket, uncovers the truth, and beats the villains at their own game. Those who like racing will not be disappointed: the excitement on and off the road are for all to see, as well as some hilarious moments when Templar makes Kay push and dig his car out of the mud! For the 60's Simon Templar-Roger Moore fans, I believe Set 7 of The Saint is an overall good buy. In our day where acting talent seems based on violence, voyeurism and vulgarity, today's mass media producers should take note that companies like A&E can revive and sell these quality classic shows, and still profit substantially. For people like myself who seek alternatives, the rebirth of The Saint, The Avengers, and other like shows on video and DVD have granted us a welcome refuge, and provided us entertainment redemption. ... Read more | |
| 6. The Saint - Set 5 Director: Peter Yates, David Greene, John Krish, Robert Tronson, Pat Jackson, Jim O'Connolly, Anthony Bushell, Robert S. Baker, John Kruse, Roger Moore, James Hill, Michael Truman, Jeremy Summers, John Paddy Carstairs, Leslie Norman, Robert Lynn (II), John Ainsworth, David Eady, John Gilling, Ernest Morris | |
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Reviews (1)
Volume 9: (Disc 1) The Gadic Collection - Episode 98: Rating (4) The Best Laid Schemes - Episode 99: Rating (3) Invitation To Danger - Episode 100: Rating (4) Volume 10: (Disc 2) Legacy For The Saint - Episode 101: Rating (4) The Desperate Diplomat - Episode 102: Rating (3) The Organization Man - Episode 103: Rating (3) The Double Take - Episode 104: Rating (2) The Saint Set 5 starts out very strong, but finishes with some lackluster episodes. Still the collection is one of the better ones in the series. The best of the episodes have a no-nonsense approach, with a harder edge, solid action, and some excellent fight scenes. Overall, the writing is good, and not played for laughs. The bevy of beauties is better than average too, with a few ladies below age thirty for a change. As usual, look for Roger Moore's double in most second unit (location) shots. One note about the episode numbers. Though there are a few different listings for the program, the listing used is one that most closely matches the "broadcast order" sequence that A&E is issuing them in. Episodes were not always released in the order they were produced or filmed. Fans of the Saint, are invited to view my other reviews of the series. ... Read more | |
| 7. The Saint, Set 4 Director: Peter Yates, David Greene, John Krish, Robert Tronson, Pat Jackson, Jim O'Connolly, Anthony Bushell, Robert S. Baker, John Kruse, Roger Moore, James Hill, Michael Truman, Jeremy Summers, John Paddy Carstairs, Leslie Norman, Robert Lynn (II), John Ainsworth, David Eady, John Gilling, Ernest Morris | |
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Amazon.com Reviews (5)
For one thing, there are no subtitles. Generally, with The Saint that is not a problem - except when the music drowns out certain key dialogue, or an actor does not speak clearly (star Roger Moore is known for his lazy drawal), and of course there are often times when a character will phrase something in British slang with which American audiences may be unfamiliar. But worse than that, there are mistakes on the boxes. Take Set 4. The box says there is a photo gallery and a history of the Saint included. There is not. Perhaps it is just as well. That History of The Saint is included on Set 2. Now I can't be misinterpreting it - it says "...nearly 100 Saint novels and stories followed, half of which have never been translated into English..." Huh? Are these people crazy or just incompetent? I have all the Saint books and stories and they are all in English. I am sure they were written in English. If they think they were written in some other language, why don't they identify what it is? And they also play fast and loose with the facts in the Roger Noore biography and filmography they provide. Do yourself a favor and just watch the shows and ignore their extra "bonus features". They are no bonus. _
VOLUME 7: The Counterfeit Countess (4) Simon And Delilah (2) Island Of Chance (4) VOLUME 8: The Gadget Lovers (3) A Double In Diamonds (3) The Power Artists (2) When Spring Is Sprung (4) The Saint, Set 4 is a collection with some good stories, and others that are not so well written, but are still entertaining. While there are some fine moments, I would rate Set 3 or 2 above this one. Still it is a must have for any big time fan of the "famous Simon Templar". What about future releases? I believe there are two episodes from 1967, six from 1968, and thirteen from 1969 left to be released. These include the two part features, "The Saint and the Fiction Makers" and "Vendetta for the Saint". It will be interesting to see how they are packaged. There are also 71 black and white episodes yet to be released on DVD as well. I hope the folks at A&E will keep working hard to ensure that, The Saint will be back! ... Read more | |
| 8. The Saint - Set 6 Director: Peter Yates, David Greene, John Krish, Robert Tronson, Pat Jackson, Jim O'Connolly, Anthony Bushell, Robert S. Baker, John Kruse, Roger Moore, James Hill, Michael Truman, Jeremy Summers, John Paddy Carstairs, Leslie Norman, Robert Lynn (II), John Ainsworth, David Eady, John Gilling, Ernest Morris | |
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Reviews (3)
Volume 11: (Disc 1) The Time To Die - Episode 105: Rating (2) The Master Plan - Episode 106: Rating (5) The House On Dragon's Rock - Episode 107: Rating (2) Volume 12: (Disc 2) The Scales Of Justice - Episode 108: Rating (5) The Fiction Makers (Parts 1 and 2) - Episodes 109 and 110: Rating (3) The People Importers - Episode 111: Rating (4) The Saint Set 6 contains some excellent episodes, and also some poor ones. On balance the positives outweigh the negatives. If you're a collector you will probably want this set, otherwise you may wish to consider The Saint Set 3 or 5 first. As usual, look for Roger Moore's double in most second unit (location) shots. One note about the episode numbers. Though there are a few different listings for the program, the listing used is one that most closely matches the "broadcast order" sequence that A&E is issuing them in. Episodes were not always released in the order they were produced or filmed. Fans of the Saint, are invited to view my other reviews of the series and a separate review of "The Fiction Makers".
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