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| 21. Stargate (Special Edition) Director: Roland Emmerich | |
![]() | list price: $19.98
(price subject to change: see help) Asin: B00005NB8J Catlog: DVD Sales Rank: 26021 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (168)
Once upon a time, 1928 to be exact, archeologists discovered a strange disc buried in the sand of Egypt. The next thing we know we are in the present, and Egyptologist Daniel Jackson (James Spader), is having his colleagues walk out on him as he explains his radical theory about the ancient Egyptians and their language. But then a mysterious old woman (Viveca Lindfors) gives him an invitation to travel to a secret military base buried beneath the Rocky Mountains to do translations. Jackson has nothing else to do, so he shows up, immediately corrects all the mistakes and figures out all the mysteries, and the next thing we know he is being shown the Stargate. He then joins a military group led by Colonel Jack O'Neil (Kurt Russell), who has been recalled back to active duty to find out where you go to when you step through the Stargate. The answer is you go to the other side of the known universe where you discover a desert planet where an alien who was known as Ra (Jaye Davidson) by the ancient Egyptians is lording it over the local humanoids. This movie is mostly eye candy. Being shot on a desert planet means that it has lots of scenes shot in bright sunlight, which really is unusual for a science fiction film, where they tend to be dark and murky. "Stargate" brings back the same sort of ideological tension between scientists and the military that we enjoyed during the 1950s with films like "The Thing From Another World," as Jackson is all excited to explore a brave new world and O'Neill is looking for an excuse to blow everything up with the nuke in the big suitcase. Truth about this movie is that it the ideas are a lot better than than the execution. The idea of the Stargate is a nice way of circumventing the laws of physics that scoff at warp drive and other narrative necessities to a good space yarn. It is not a far leap of logic to get from this one Stargate to the idea that there are others, and there is also the nice corrollary that this system explains why there are so many humans scattered throughout the galaxy where they all live on oxygen breathing planets. Beyond that the television series picks up on the Jackson-O'Neill dyad, reducing it to the idea that one is an academic and the other is a warrior and never the twain shall meet. Of course Richard Dean Anderson's O'Neill is even quirkier than Spader's Jackson, while Michael Shanks's Jackson starts off even more humorless than Russell's O'Neill. But it all works, so why quibble? The original "Stargate" ends up being more about style than substance, which is why it is so interesting that the television series could find something substantial upon which to build a television series. If you have yet to see "Stargate" in any version, then you are strongly urged to proceed immediately from this 1994 film to the first season of "Stargate SG-1." Even if you find this film tedious, just get through it and move on to the good stuff. You could not pass go and head directly for season one of "Stargate SG-1," but you really need to know the players and some of the rules of the game before hand.
Good: Being a fan of Stargate SG-1, I wanted to own the original movie as well, and when the ult. ed. was released, knew it was time to buy. I watched the director's cut, and was amazed. There were added scenes, as well as extended existing scenes. These changes really gave me a better understanding of how things in the tv show came to be the way they are, such as the relationship between Jack O'Neill and Daniel Jackson. In the director's cut, we see more interaction between them. We also get more into the head of Jack, and better understand just how messed up he really is after the loss of his son. Bad: The only disappointment I have with the ult. ed. is that there were no 'gag reels' or bloopers, or other deleted scenes included. I enjoy watching these on other DVDs I have, and would have loved to have seen them for Stargate. Overall, I'm glad I added this DVD to my collection. My only wish is that the Stargate SG-1 DVDs included behind the scenes or blooper reels as well.
There is NOTHING to make this DVD stand out from any of the numerous previous releases. Save your money! Sure the director's cut is great - but it's on what, three previous releases?
Of course, this film really doesn't have much to do with the actual stargate conspiracy, but it is interesting, nonetheless. Kurt Russell does, believe it or not, an excellent job with his role and manages to balance a powerful character in this film. Now, for this DVD. Firstly, the DVD is cheap. That's always a plus. However, all the DVD has on it is the movies: I was pretty much expecting there to be what MOST DVD's have (-ie, traliors, interviews, etc)...I was disappointed to find that this edition did not contain any theatrical trailers. There is, however, a short side-film about the Stargate and the prospect of there even being one.
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| 22. Universal Soldier Director: Roland Emmerich | |
![]() | list price: $9.98
(price subject to change: see help) Asin: B00005O6Y3 Catlog: DVD Sales Rank: 27795 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (32)
In fact, this film was done during Van Damme's increasing popularity. Van Damme and Dolph play two 2 vietnam Vets who kill each other during the Vietnam War. Actually the scene in Vietnam are intense and well directed. Dolph, plays the psychotic and vindictive Staff Seargeant from the Army who wants to kill any Vietnamese (guilty or innocent) in path. When Van Damme, tells the Sergeant that it's time to pull out , the crazy Sergeant sees him as a traitor and proceeds to beat up his comrade while Lungren tries to save the innocent Vietnam girl the Sergeant is holding hostage. Eventually all of them die, or so we think. The military eventuallys finds the dead bodies, but instead sends the Sergeant and Damme into a secret biochemical, regenerative expirement in which dead military soldiers are being revived as security soldiers known as the "Universal Soldiers". The project at first is a success, but when Van Damme, starts recalling memories from his past, he remembers how his bloodthirsty Sergeant kills and all hell breaks loose. It also reminds of the Robocop movie with Peter Weller, in which a dead cop is resurrected as a crime busting machine, but as the machine stars recollecting his past memories, the machine starts becoming more human. The film has so many big budget stunts and fist fights and kickboxing action that you'll have to watch it a couple of times to appreciate the full value of this great sci fi film. The other's film stars is the beautiful and sexy Alley Walker, who plays the reporter who joins Van Damne on his fight against the Universal Soldier. Great critics like myself, remember Alley Walker from the great crime drama show "Profiler" on Nbc which lasted about 5 years. Alley's character is great to watch, here character is very beautiful and has alot of humor and pizazz.
Jean-Claude Van Damme stars as Luc Deveraux, an American solider who is murdered in the line of duty during the Vietnam War by his deranged commanding officer, Sgt. Andrew Scott (Dolph Lundgren). Three decades later, Deveraux resurfaces as a Unisol, a human being that has been genetically juiced for combat by the U.S. armed forces. When his memory returns, Deveraux deserts the Universal Solider program with the psychotic Scott in hot pursuit. Lundgren returns as the "antagonist," a role he successfully played earlier in his career as Ivan Drago in Rocky IV and would later undertake in Johnny Nmemonic. Here, he plays it to he hilt, playfully shouting typical action movie dialogue - "Are we having fun yet?" - and reveling in his character's sinister plunge into post-traumatic stress disorder. From the outset, director Roland Emmerich builds the tension that is so often lacking in today's action films. Lundgren is sinister and proves himself in the opening scene as a formidable match for Van Damme. As the film progresses, his descent into evil becomes more and more entertaining. Emmerich's approach succeeds at building the tension for the ultimate showdown. The audience wants to see this confrontation by film's end -- and it's worth the wait. The DVD has few extra features, but what options that are present -- theatrical trailer, production notes, etc. -- are more than satisfying for an action film more than a decade old.
And this movie is based on an extremely cool idea: a secret government project to use the reanimated corpses of dead soldiers as 'UniSols' ('UNIversal SOLdiers'). They're like killer combat zombies -- equipped to receive commands remotely, impervious to pain, quick to heal, and pretty much unstoppable although they tend to overheat if they stay active for too long. The plot: Jean-Claude Van Damme and Dolph Lundgren were in Viet Nam together, Lundgren wacked out and started killing innocent civilians, Van Damme tried to stop him, and they wound up killing each other. (This is all in the first five minutes of the film.) Their corpses were packed in ice and shipped off to the UniSol project, and after the opening credits roll, they're on an antiterrorist mission as part of a S.W.A.T. team from hell. But a few things start to jog their memories, and it isn't long before the two of them are at it again . . . You don't have to be a particular fan of the Muscles from Brussels to enjoy the concept here, but Van Damme is actually pretty effective in his role. At any rate the story is briskly paced and about as believable as stuff like this ever gets. It's nicely done if you like this sort of thing (which I do). Ally Walker does nicely here too, as a newswoman who winds up accompanying Van Damme in his, um, travels. If you enjoyed her in _Profiler_ (as I did, and I stopped watching the show after she left), you'll like her in this. An entertaining action-SF flick, then, and a cut above the usual 'B-movie' fare. This probably isn't Emmerich's best work (it seems to me to try a little too hard to be _The Terminator_), but it's well done.
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| 23. Ghost Chase Director: Roland Emmerich | |
![]() | list price: $24.99
our price: $22.49 (price subject to change: see help) Asin: B000059H8V Catlog: DVD Sales Rank: 44720 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Description Reviews (2)
A movie you won't love cause of thrilling special effects (there aren't any) or a million dollar budget (there isn't)- but for a nice, dazzling story, funny actors & quotes (Fred rules !) and the cutest ghost you've ever seen (ok he might look a bit like E.T. but whatever). And the starting song says it - "Imagination - that's all i want from you !" Joining Warren (the symphatic [dumb] type - eating cornflakes with beer for breakfast) and Fred (the nerdy inventor - always full of weird ideas)in the quest for some money to pay their bills is a cheeky adventure with a lots of gags and ghostly appearances(butler louis is still my number one movie ghost). Seeing that picture makes we want to hit Emmerich upside the head for creating a superficial plot and charakters like in "Godzilla" where this movie shows that he KNOWS how to do it. Maybe all this money clouded your mind, Roland ? This is movie for the whole family - entertaining, funny and cute. You maybe ask yourself now if you should give this flic a chance. "Yes and no." "What do you mean with .. yes and no ?" "Heavy losses on both sides." "Great ..." You'll love it or hate it. Find out for yourself.
Two ultra-cheap filmmakers (art reflects life) have a great idea for a movie and rope in an unwilling but attractive starlet and make up a Muppet-like monster based on the photographs of a long-dead grandfather's butler. A rival studio producer wants to blow up the grandfather's house as the climax to his big budget movie so the butler's ghost comes back to possess the Muppet doll to lead them to hidden billions in the cellar. It's not a bad film, by no means, it's quite cringeworthy in places but inconsistently entertaining. There are no big name stars or SFX but that is made up for with bizarre plotting and storyline. This film is more in the style of Roland Emmerich in his Making Contact/Moon 44 days. But if he had the budget he gets these days who knows what this film might have ended up as. I give it 3/5 for weirdness, plot and defying convention. The DVD is in Mono and is cropped to fullscreen instead of the theatrical 2.35:1. ... Read more | |
| 24. El Patriota (The Patriot) Director: Roland Emmerich | |
![]() | list price: $19.94
our price: $17.95 (price subject to change: see help) Asin: B00006AUI0 Catlog: DVD Sales Rank: 49017 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (762)
Part of the credit should probably go to screenwriter Robert Rodat who, as Saving Private Ryan proved, surely knows which patriotic buttons to push. Whoever should be credited, there's not a false move in this rousing three-hour tribute to American spirit. When they say "They don't make 'em like that anymore," point to this one as an example of how it can still be done. And who knew Mel Gibson still had any actorism left in him? As Benjamin Martin, a reluctant war veteran who is finally moved to fight in the Revolutionary War when a redcoat kills one of his sons, Gibson sheds his familiar love-me mannerisms like an old winter coat. He never relies on cutesy tics, and not once does he strike a false note. His character elicits laughter, tears, and bloodshed, and for the first time in years, Gibson emotes an honest-to-gosh person on the screen. The movie's basic point--stated outright by Martin early on in the story--is that the Revolutionary War was won by wily militiamen who served as a direct counterpoint to the straight-on British manner of battle. But that's about the only thing in the movie which is stated so blatantly. The dialogue, rather than being laden with jingoism, is appropriately sparse, letting the movie's considerable action tell the story. And as such, this movie is a perfect argument against gratuitous movie violence (despite its R rating)--it shows the devastating effects of war (Martin loses a great deal of his family, one by one) and yet doesn't linger on its horrific effects. Gibson's magnificent underplaying and Rodat's spare screenplay seem to have invigorated the rest of the cast as well. Everyone from Jason Isaacs (the British colonel with a bug up himself about Martin) to Tom Wilkinson (terrific as British warlord Gen. Cornwallis) to Trevor Morgan (the actory smart-aleck in The Sixth Sense) as one of Martin's sons, seem just as juiced up as Gibson is. I haven't told a great deal about the plot, have I? (I haven't even touched upon Caleb Deschanel's beautiful cinematography, or John Williams' best movie score since E.T.) And this is as it should be. Please just trust that you should devote nearly three hours to one of the most perfectly realized movie visions you're likely to see for a long, long time. The Patriot is rated R, mostly for very graphic violence, though in context, a PG-13 would be far more appropriate. Its only dramatic effect is to get kids talking about the story, an opportunity that I'd imagine most history teachers and parents would welcome.
I wish I didn't waste my time with this movie! Please, please watch something else! There are so many better (historical or otherwise) movies!
Althoug the movie keeps its period piece/costume drama visuals, in the dialogue you can find traces of modernism. For example, in one scene, Mel Gibson sits with his wife and asks "Can I sit here ?" and she replies in comedy tone "Hey it's a free country.. or that is it will be". Much of Mel Gibson's own influence is in this movie. He did not direct this movie although he could have easily done so. The fighting scenes, the battles, the gunfights and the violence is very Mel Gibson in nature (he is after all responsible for such films as Braveheart). The portrayal of the British is of course biased since it's on the American side we're sympathezing with. Cornwallis is a man we love to hate-rude, arrogant and cruel. The other British in the film are also portrayed as very nasty. The message of patriotism, love of family and home is all quite strong here. But it does make a good film if you're into this period, if you want to see Mel Gibson doing a historic piece and as the hero which he always does so well in. Mel Gibson, though much older now, is still a great actor and provides much romantic/sex appeal. On DVD, the movie is loaded with extra features including commentary and "Making Of" segment. ... Read more | |
| 25. Stargate (Special Edition) / Moon 44 Director: Roland Emmerich | |
![]() | list price: $22.98
(price subject to change: see help) Asin: B00005NX19 Catlog: DVD Sales Rank: 45919 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (2)
Moon 44 predates Stargate and is much more low-budget. It is darker and a little bizarre. The premise: send a bunch of fresh-faced boy cyberjockeys to live on a mining colony in space with a bunch of burly violent convicts and team them up to pilot spaceships to defend the colony. That's not a recipe for trouble, oh no. There's even a creepy shower scene. And people wondered why they paid Jaye Davidson $1 million to do Stargate? Uh huh.
"Moon 44" is a good movie...and "Stargate" speaks for itself...GREAT! ... Read more | |
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