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| 1. Cloak & Dagger Director: Richard Franklin | |
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Reviews (19)
mpaa rating :pg, for violence. Also recommended : Mercury Rising-(action/adventure), The Client-(drama), FROM:MCA Universal Pictures, Comments & Questions? Please mail to : Chad Nicholson 2203 Apricot Glen Austin, TX 78746
Henry Thomas plays Davey Osborne, a kid whose whole world revolves around his spy toys. He even has an imaginary friend, super-spy Jack Flack, who assists Davey on all of his assignments. One day, Davey witnesses a real murder. Before the victim dies, he hands Davey a Cloak & Dagger video game and gives him a number that Davey believes to be the score to beat to find out its secret. Unfortunately for Davey, the body is gone by the time he gets back with the cops and no one believes him. Soon, Davey is playing spy for real with the help of his imaginary friend, Jack. The movie is fairly predictable, but is fun and engaging nonetheless. The villians are over the top, the imaginary friend is full of himself, and the heroes are kids who have no one else to turn to. As I said before, this is a great movie to plug in after a hard day at work when all you want to do is unwind.
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| 2. Fantasm Director: Richard Franklin | |
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Description Directed by Richard Franklin (PSYCHO II, CLOAK AND DAGGER, FX 2) under the pseudonym "Richard Bruce", FANTASM was one of the first softcore films to showcase a cast of hardcore porn actors and actresses. With a classic cast of adult film stars like William Margold, John C. Holmes, Candy Samples and Rene Bond, FANTASM will help you explore "the innermost mechanisms of the female mind"
Oh, who are we kidding? Just watch it for the nudity and sex! FANTASM
one of the sexiest, bawdiest, hottest and downright funniest sex comedies of all-time! Look for the sexy sequel, FANTASM COMES AGAIN, also available from Synapse Films. SPECIAL FEATURES: Reviews (2)
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| 3. F/X 2 - The Deadly Art of Illusion Director: Richard Franklin | |
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Reviews (6)
Unlike the first film, F/X 2 raises Brian Dennehy's participation significantly, giving him many opportunities to engage in droll wit. He manages the role with style and honesty. The exchanges with Joanna Gleason as the Ass't DA are quality Dennehy. Gleason herself adds a lustre to the film, providing an engaging contrast to Rachel Ticotin's role as Tyler's girl friend. F/X 2, likes it predecessor, is a timeless film. The repeated themes of corrupt cops and Mafia intrigues doesn't make this film boring. Quite the opposite, showing how prevalent and wide ranging their activities can be, both for good as well as sinister reasons. This film is worth a place in your inventory, if for no other reason than Brown's performance. He's a quality actor when given the opportunity - and this film was an even better expression of his worth than the original.
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| 4. Visitors Director: Richard Franklin | |
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Description Reviews (4)
Georgia speaks to Robby aboard the Nordic Prince. He tells her that one of his crewmen hanged himself in the bilges. Later he tries to get a warning to her about the bilges but she looses his signal. It seemed to me that the filmmakers had two different ideas for the causation of the hallucinations but they never followed up on either. It could have been a really good horror picture or adventure film if they'd cut the horror element. Overall it was confusing and has no real resolution to the paranormal phenomenon. Not recommended!
Georgia Perry is 25 years old and an avid sailor. She sets herself on the biggest challenge of all: Sailing around the world non-stop. The rules are that she is not allowed any company except for her cat, must not ever set foot on land and have no contact with the outside world except with her boyfriend by radio transmission. The journey is expected to take about 5 months. By the time "Visitors" begins, Georgia is already about ¾ of the way around the world and seems to be doing just fine, except for the occasional bouts of loneliness. Throughout the film, we see clips of Georgia's life before she decided to set sail. All indications point to a happy life and fine relationship with her parents and her lover. And then the noises begin...At night while trying to sleep, she hears footsteps on the deck, and distant voices. Her cat talks to her. Her dead mom pays a visit. Slowly but surely, Georgia is going insane. And the flashbacks get darker and darker. At first the flashbacks were all happy but as the film progresses we are shown clips of Georgia's past that indicate her life was far from the rosy picture painted on earlier. It is this sudden transformation from happy sane Georgia to tormented soul Georgia that makes the film as creepy as it is. The descent into madness is not sudden, but gradual. What "Visitors" lacks in action and pacing it more than makes up for with atmosphere, atmosphere that changes as Georgia's mood changes. The bright blue sky, crystal clear water and warm sunshine of the opening sequences are quickly replaced with the violent roar of the sea, pitch black darkness and dense fog as Georgia's feelings of dread increase. Aussie actress Rhada Mitchell pretty much has to carry the picture by herself, and does a fine job. One of the challenges I found of watching this film is that it's so weirded out and hallucinatory that we are left to wonder what is real and what's not, and are never offered any explanation, not even at film's end. The appearance of Georgia's dead mother as a hallucination is a given, but how about the boatload of pirates? Or the aborigenese midnight lover? If not real, then how come Georgia woke up with a hickey? All in all, a fine little film but not for those looking for coherence or logic. It's not one of those films where the pieces fall neatly in place by the end. Whether the threat is real or imagined is up to the viewer to decide.
Georgia Perry (Radha Mitchell) is on the last log of the first sole female around-the-world cruise by a yacht. She is not to set foot on the land during the course, and if she uses the engine, she is disqualified instantly. But now her yacht is not moving at all, because of the dead calm that seemingly stopped everything around the ship. She can only talk to her cat (her only partner), and to the finace waiting for her in Australia through the radio. However, Georgia hears some strange sound, and sees the figures of the person(s) who should never be on board. What does that mean? "The Visitors" is not a horror film. The film actually tries to include many factors -- thrills, symbolism, meaning of life, etc. -- and achieves none of them. The reference to poetry (S.T. Coleridge) is clumsy or insignificant, and the frequent flashbacks to the heroine's past only detract the claustrophobic suspence of the story. Possibly as psychological thriller it works best, but also it misses potential that the orginal premise has. Incredibly, there are many (at least three) scenes in which Radha Mitchell's character is in bikini (but her skin does not seem tanned much). How the filmmakers thought about the scenes, I leave it to you, but it certainly does not hurt. Radha Mitchell shows pretty good acting as the lead, and her meeting with her beloved dad (Ray Barrett) is even touching. Suzannah York's nervous mom is also convincingly portrayed, so while watching I started to think that the filmmakers should have thrown away any "horror" part of the film, and the end result would have been much better. As it is, "The Visitors" remains as it is, just an OK thriller. If you really want to see a thriller on the lonely boat, see the Aussie film "Dead Calm" starring Nicole Kidman and Billy Zane. That was really scary.
As you watch this film you will notice that you spend an incredible amount of time looking at this woman's armpits and up her nostrils. ... Read more | |
| 5. Road Games Director: Richard Franklin | |
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Reviews (13)
The story follows an American truck driver working in Australia, hire to drive a load of slaughtered hogs from Melbourne to Perth across a desolate stretch of highway. Stacy Keach plays Quid, an intelligent, self-educated man who is keenly observant of his surroundings, trading quips with his companion, a pet dingo that travels with Quid in his cab. Seems there's a serial killer stalking female victims, and Quid begins to suspect a green van he's seen on the roadways. Soon Quid picks up Hitch (Jamie Lee Curtis), and things begin to unravel at an alarming pace. Quid quickly finds himself a suspect, set up by the real killer, in the spate of grisly murders, and must not only clear his name, but also save his own life, as the mysterious stranger in the green van soon goes from being pursued to being the pursuer with the backdrop being some really beautiful wide-open Australian scenery. Think this sounds like an Alfred Hitchcock movie? Well, that's exactly what the director was going for and he achieved his goal very nicely. He manages to build the suspense and maintain it throughout the movie, driving it to one of the more exciting conclusions within a film I've seen in a long time. Another nice touch is the way he directly avoids showing the violently visceral aspects of the killer's crimes, only alluding to them. There are many wonderfully, slyly humorous moments littered throughout the film as the director gradually tightens the screws on the viewers. I found the scene with Quid and Hitch at the rest stop/gas station especially grueling. Along with a beautiful, wide screen presentation, Anchor Bay provides a number of interesting features including an audio commentary by producer/director Richard Franklin, a 20 minute featurette with the director and actor Stacy Keach, a trailer, talent bios, original storyboards, a poster and still gallery, a wonderful five page insert on the movie, and even the original screenplay available on DVD-ROM. If you enjoy thoughtful, well-directed thrillers chocked full of suspense and a minimal amount of violence, then see this movie. It'll be worth your time. If you like this one, I might suggest Duel (1971), Breakdown (1997), or Joyride (2001).
Often referred to as "Rear Window" on the road, self-proclaimed Hitchcock enthusiast Richard Franklin has directed a quaint, low-budget thriller with a likable (although quite unusual) lead actor in the role of Frustrated Hero. Pat Quid (Stacy Keach--who is indeed a man) is driving across Australia in a meat truck when he thinks he's noticed a strange happening--a man in a van seems to be burying a bag in the middle of a desert in Australia, and when he is noticed he climbs back into his blue van and speeds away into the distance. Pat puts this event into the back of his mind when he decides against regulations to pick up a wandering hitchhiker named Pam Rushworth (Jamie Lee Curtis), who has run away from home in an effort to escape her famous father's life. The two bond together on the road and have some fun playing various games--until she is kidnapped by the same strange man in a van. At first, Pat thinks he's just being paranoid--he even starts to think that Pam left him for the man. But then he realizes that Pam has indeed been kidnapped, and he suspects that the strange man in the van might be a notorious serial killer who has been killing young women and scattering their body parts miles apart from each other. After the police offer no help, Pat takes matters into his own hands and sets off on a quest to bring back Pam to safety and apprehend the killer before he can strike again. Some twists and turns ensue, although nothing very surprising. If this were a mainstream horror film with an overblown budget and big-name actors, I'd probably give "Roadgames" a bad rating. But this is the type of pleasant, likable low-budget thriller that is easy to watch and knows it's nothing more than a shadow of greater film noir mysteries/thrillers like "Rear Window" or "The Third Man"--the type of film that thrusts its hero on a one-man venture into the heart of darkness in order to find out the truth. Stacy Keach is strikingly likable as the lonely trucker who talks to his own pet dingo as he drives along, contemplating all types of conspiracy theories about serial killers and mysteries. What could definitely become tiring--listening to a man talk to his dingo for the majority of a movie, that is--actually becomes quite fun. Keach is funny, nice, and just...likable! Too bad his career was put on hold years later after he got arrested for smuggling cocaine... The director, Richard Franklin, is a huge Hitchcock fan--and it shows. This film is like a sort of remake of "Rear Window" and other such mystery-thrillers. It's loads of fun and an easy watch. (Trivia note: Franklin directed "Psycho II," the sequel to Hitchcock's 1960 classic original.) I can definitely say that this film is most like "Breakdown," the Jonathan Mostow movie starring Kurt Russell as a man who loses his wife to a trucker and tries to get her back, even though there seems to be no evidence of her disappearance. But unlike the great "Breakdown," this film doesn't wither away in the second half and turn into a disappointing movie--it remains strong throughout, and yes, it has plenty of nods towards Hitchcock. (Check out the magazines Curtis starts sorting through--there he is!)
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| 6. Link Director: Richard Franklin | |
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Reviews (3)
It's one of my Guilty-Pleasures all thanks to Anchor Bay who brings alot of Great Horror and Sci-fi movies including some Good Guilty Pleasure movies from the 80's, and this one is like a cross between " Monkey Shines" and " Psycho".
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| 7. Psycho II Director: Richard Franklin | |
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| 8. Patrick Director: Richard Franklin | |
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| 9. Beauty and the Beast (TV Series) Director: Beth Hillshafer, Bruce Malmuth, Victor Lobl, Gabrielle Beaumont, Peter Medak, Michael Switzer, Frank Beascoechea, Christopher Leitch, Jack Arnold, Alan Cooke, Thomas J. Wright, Daniel Attias, Gus Trikonis, Paul Lynch, Richard Franklin, Ron Perlman, Kenneth R. Koch | |
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Reviews (3)
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