Reviews (2)

Do Research Before Paying 150.00 For This!!!!!
I've found info on-line stating that Quatermass and the pit / Quatermass 2 is coming back in print on July 27th 2004. Can't say for sure if this info is correct. But you might what to look around before you get taken advantage of.

Finally! Hammer Horror Classics Available...Two for One!!!!
I have been waiting for the re-release of these movies, especially the final movie in the trilogy, Quatermass and the Pit, for a long time. I saw both of these as second billed movies way, way back when I was young......Quatermass 2(called "Enemy From Space" in the U.S.A.), when I was really young, and Quatermass and the Pit (called Five Million Miles to Earth...) when I was a teen. Both movies are super creepy, in the old fashioned sense........not a lot of fantastic special effects, but enough to keep the stories moving along. The effects are certainly powerful though, and really well done considering.........they are a tribute to the incredible talent at work making these films, and they are great examples of Hammer Films at their best. Both are good, well written, original stories, with the emphasis on acting and great directing. It is great storytelling.....and unfortunately some of the last of the great films to come out of Hammer Studios. Standout acting from all involved, and that is the key to believing these stories.......pretty fantastic stories, played straight all the way through. Professor Quatermass is such a great character, with a long history in British film and TV..... and Brian Donlevy in Quatermass 2 and Andrew Kier in Quatermass and the Pit are standouts. Anchor Bay does such a good job with these old film releases.....if you are a Sci-Fi nut, this is certainly a double bill you would be proud to have in your collection. Great job, and thank you Anchor Bay!! Finally!!!
ENJOY!!!!! ... Read more

Amazon.com

When it was first broadcast in 1975, there had never been a more lavishly produced science fiction TV series than Space: 1999, a British production whose budget for the first of its two seasons ran an astounding 3.25 million pounds. What keeps us fans enthralled after all these years has only partly to due with the first-rate production values, the plausibly constructed spaceship models, and expert special effects. The tone of the show is one of scientific dispassion, setting it apart from its TV sci-fi predecessors such as Star Trek, whose mood was more convivial. Our heroes here are in dire circumstances that require cool heads as a survival trait. Those circumstances: the 311 crew members of Moonbase Alpha experience a cataclysm that causes the moon to break away from Earth's orbit and travel endlessly through space, turning our heroes into unintentional explorers. No TV series has created a more palpable feel of hard science fiction than this. Of course the show is not without its detractors; it has been soundly lambasted for its many scientific errors. No less august a figure than Isaac Asimov criticized the show for its premise in the opening episode, "Breakaway," which had nuclear explosions on the "dark side of the moon" somehow propelling it out of Earth's orbit and flying through space without regard to any physical laws. In "Earthbound" (included in this set), aliens traveling to Earth state it will take them 75 years to reach their destination, making one wonder why it didn't take the moon that long to encounter the aliens. While these are serious complaints, fans tend to remember the scientific seriousness of the series and the sense of awe created by the many strange creatures and phenomena that the crew members encounter on their journey through the galaxy. In addition to "Breakaway" and "Earthbound," this set includes "Matter of Life and Death," "Black Sun," "Ring Around the Moon," and "Another Time, Another Place." --Jim Gay ... Read more

Reviews (61)

Possibly the worst written Anderson series
The four Gerry/Sylvia Anderson series with which I am familiar ("Thunderbirds", "Captain Scarlet", "UFO", and "Space 1999") all have much in common. At their best, they have high-spirited adventure, good character situations, campy humor, and gee-wiz sets, costumes, and gadgetry. At their worst, they have jaw dropping logical flaws, stock footage overused to the point of obvious inconsistency, and excruciatingly painful sci-babble.

"Space 1999" has some of the coolest sets and gadgetry, and it's hard not to fall in love with them. Despite critics to the contrary, I feel the acting is overall quite competent. However, the episodes tend to be so unflinchingly immersed in trademark Anderson sci-babble that at times I find them almost impossible to sit through. This is a classic and unforgivable example of a show trying to be more cerebral and failing miserably because it substitutes sheer, almost random BS for science and logic. By all means rent these discs, but don't bother to buy them.

WOW!
Where has this show been all my life? I just discovered it on DVD and I'm very excited about it! Great cast, excellent scripts, and striking FX! I will can't wait to see the other episodes of this series.

black sun on DVD
Black Sun is my all time favorite episode of Space 1999 and it looks wonderful on DVD. Space 1999 was a very unique Sci-Fi program and it remains largely misunderstood. One reviewer notes that only when facing certain death do the Alphans come alive, but that's the point: These are highly trained soldiers who must focus entirely on their duties in order to survive. They are trapped inside the Alpha base, which is described as both a barracks and a prison, and are always close to death.
Only under unusual circumstances can the Alphans let down their emotional guard. Black Sun is an unusual circumstance in which they are powerless to avoid destruction. Having exhausted all options, Bergman shares his inner thoughts and feelings with Koenig, who has tears in his eyes, and they make a final toast. It's a wonderful scene which demonstrates just why fans love this show so much.
Black Sun is a great episode of a great series.

YES!
THANKS A&E FOR PUTTING SPACE 1999 ON DVD!
THE FIRST EPISODE GETS THE WHOLE SHOW STARTED WITH THE MOON BLASTING OFF INTO SPACE AND I LOVED THE ZOMBIE LIKE ASTRONAUTS IN THIS EPISODE TOO! SET 1 ALSO HAS CHRISTOPHER LEE AND EPISODES LIKE 'BLACK SUN' WHICH SIMULATE WHAT IT'S LIKE TO BE ON QUALITY LSD. THINGS DRAG AT TIMES AND I WISH THE ZOMBIE LIKE ASTRONAUTS IN THE FIRST EPISODE ACTUALLY ATE THEIR VICTIMS, BUT OTHER THAN THAT I'M REAL HAPPY WITH THIS SET. GREAT SHOW!

really 'out there'
Critics have often not been kind to Space 1999. The program is often accused of having wooden actors because the performers are portraying military and scientific types in a tense situation that they deal with seriously. There's plenty of action, but again some critics fail to be impressed and write it off as just a display of special effects. The weirdness and mysteries presented in the show have often been viewed as bad story telling, and the Alphans have no mission other than to survive and that tends to be viewed as a lack of anything significant happening. Space 1999 is entertaining and exciting if seen as a hybrid of disaster movie and 2001. The moon is hurtling through space and things look grim for the people on it as they struggle for survival and encounter confusing 'far out' alien weirdness. They try to maintain their military and scientific bearing , but their true fear and confusion are visible below the surface and can be incredibly intense. These are great perfomances, the action is exciting, and the weirdness and mystery of it all is compelling. By season two, which I also enjoy, changes were made so that the program was more of a kid oriented adventure show and the Alphans had grown more used to their life on Alpha, but both the tense/trippy atmosphere of season one and the more jovial/comic book vibe of season two can make for entertaining viewing. ... Read more

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Despite its melodramatic title, which carried on a '50s doomsday naming convention, this taut 1961 English science fiction thriller offers an object lesson in the power of story over special effects. When both the Soviets and the West detonate nuclear tests simultaneously, the seismic double whammy jolts the earth off its axis and onto a new orbit sending it fatally closer to the sun--a fate that writer-director-producer Val Guest views from the street-level perspective of its principal characters, rather than an off-world vantage point. The street in question, however, is London's Fleet Street, the venerable hub of its newspaper and tabloid publishers, and the hard-nosed reporters growing realization that their number is up carries its own stark punch. Edward Judd is Peter Stenning, a rugged, appropriately grim reporter, Leo McKern is tough but compassionate editor Bill Maguire, and Janet Munro is Stenning's love interest, in an elfin, sexy turn that's a striking contrast to her best-known turn in Disney's Darby O'Gill and the Little People. With an effects arsenal that consists largely of a spray bottle to apply beads of "sweat," Guest and his small but crack cast are surprisingly effective, and the cold war plot hook still works, thanks to its uncomfortable proximity to more contemporary environmental terrors. --Sam Sutherland ... Read more

Reviews (17)

A definite must-see!
This is one of my all-time favorite films, available at long last in widescreen format on DVD! Intelligent and classy, The Day the Earth Caught Fire isn't my usual so-bad-it's-good fare, but a movie you'll actually enjoy watching.

Reporter Edward Judd uncovers a nefarious cover-up on the part of the government: the Earth's been knocked out of orbit by atom bombs, but the powers that be want to keep the lid on the news to avoid mass panic...which of course happens anyway. Janet Munro sets the screen on fire as the sexy temp who spills the beans to Judd, doing her first nude scene after leaving Disney. Leo (Rumpole) McKern as Judd's fellow reporter is his excellent, lovably irascible self. Some very effective special effects

The DVD includes commentary by producer/director/co-writer Val Guest, and features tinted opening and closing scenes as shown in some theaters.

Very highly recommended.

I've got the marshmellows...
The Day the Earth Caught Fire (1962) has impressive credentials, given that it was co-written and directed by Val Guest, the man who brought to the screen such classic films as The Quatermass Xperiment (1955) and The Abominable Snowman (1957).

Peter Stenning (Edward Judd) is a down on his luck newspaper man, struggling with the difficulties of his recent divorce, maintaining a relationship with his young son, and taking up the drink a bit more often than he probably should, all having a negative effect on his once upwardly mobile career and his life in general. To top things off, London begins suffering a heat wave like it's rarely seen before. Not only that, but it seems all around the world strange phenomena has been occurring from flooding, earthquakes, drought, freak snowstorms, typhoons, etc. All coming on the heels of news that within the past week the Soviets and the Americans both detonated atomic devices larger than had ever been seen before.

Leo McKern plays Bill Maguire, an associate and close friend at the newspaper where Peter works, and begins to develop a theory about what's going on, but is not able to confirm anything as the government has kept a tight lid on what it knows, handing out canned responses to an ever questioning press and public. Peter, while trying to squeeze some information out of a government office, meets Jeannie Craig (Janet Munro), a worker within the office who sometimes operates the switchboard receiving calls. Peter starts putting the moves on her, but she isn't very responsive...at first.

Soon the temperature starts rising, lakes and rivers start drying up, and government enforced water rationing measures are put into effect. Facts about the current condition are sketchy as the government is still not very forthcoming, but Jeannie overhears some startling information she is hesitant to share, but is unable to keep it to herself. She shares it with Peter, after making him promise that it would only be between them, to which quickly releases the information to his newspaper. One may think Peter quite the cad, but given the enormity of the information, he really had no choice. Jeannie finds herself in hot water as she is discovered as the 'leak', and Peter finds himself on the outs with Jeannie for the betrayal. What was this startling information? What is the government hiding? What's causing the all the natural catastrophes? It's not too difficult to figure out, but the film does offer a few surprises you may not see coming.

Despite the low budget, director Guest does an amazing job creating a world on the verge of an apocalyptic nightmare. The focus on the newspaper and its' staff, working feverishly to uncover facts and report accurately while the world is falling apart around their ears gave a unique view into the genre. The main characters in the film were nicely developed, but not always likeable, adding a realistic sense. Also, the documentarian style used in many of the scenes served nicely to give the viewer more of a sense of dread, as if this was something that could really happen, or was really happening. Shot primarily in black and white, there are a number of scenes at the beginning and the end in color, but use an orangish gel to create a creepy and oppressive effect. The effects are decent, but are used in a complementary effect, taking a back seat to the substantial, intelligent, sparkling and well thought out plot.

The wide screen print provided by Anchor Bay Entertainment looks beautiful, and the audio is quite good. The listing of features on this site claims a full screen format is available here, too, but I didn't see it. Special features include a commentary by director Val Guest and journalist Ted Newsom, TV spots, a theatrical trailer, radio spots, a still gallery (with a couple of pretty racy photos of Janet Munro), and a biography of director Val Guest. If you're looking for big bang effects to cover an inconsequential plot, like the more recent films Independence Day (1996) or The Core (2003), then you'll be disappointed here. If you're looking for an effective, thought-provoking science fiction thriller with lots of meat and little filler, then this is a great choice.

Cookieman108

A disaster classic from England...
With the summer hoopla of the end-of-the-world saga "The Day After Tomorrow" smashing theaters, I'm reminded of one of the great disaster films of all time. You probably haven't heard of the 1962 flick, as it was made in England of all places. But it was a brilliant little suspense drama, told from the viewpoint of a bustling London newsroom. Called "The Day the Earth Caught Fire, this terrific disaster drama did not have great box office success, but critics rightfully regarded it as a diamond awaiting discovery. The special effects are minimal, as we see littered abandoned streets, thick London fogs, a few burning buildings and drunk beatniks dancing on cars.

The beauty of this film is emphasis on story and character rather than special effects. British science fiction from this period leaned towards respectability, and "The Day the Earth Caught Fire's" writer/director Val Guest was responsible for many of these films. His "The Quatermass Experiment" began the trend in 1955, and he continued with "Quatermass II: Enemy From Space" (1957) and "The Abominable Snowman" (1957).

"The Day the Earth Caught Fire" has been a favorite of mine because most of the intense drama is played out in the confines of the newsroom. Edward Judd plays a down-on-his-luck reporter suffering the trauma of divorce, writer's block and alcoholism. His buddy and mentor, wonderfully played by Leo McKern, covers for him and even writes a few stories under his friend's byline. The dialog crackles in "The Day the Earth Caught Fire," and alert viewers will find themselves rewinding the film just to catch lines a second time. Witty conversations move at a quick clip, reminiscent of Howard Hawks' classic overlapping dialog in "The Thing" (1951) or "His Girl Friday" (1940).

Judd stumbles upon the story of the century as he discovers a paranoid meteorological scientist attempting a cover-up. With temperatures rising to record numbers, twisters forming in London and floods wrecking havoc across the globe, Judd realizes something is amiss. It appears the Soviets and the West detonated nuclear tests simultaneously, and the double-barreled explosion knocked the earth off its axis. Our doomed planet is moving closer to the sun.

Judd finds time to romance the lovely Janet Munro, a part-time phone operator at the newspaper. The scene where she and Judd consummate their attraction is surprisingly sexy. Due to an oppressive heat mist fog which shuts London down, the two fledgling lovebirds find themselves stranded at Munro's apartment. With temperatures hovering around 90 degrees, they strip to their underwear as night begins to fall. A bedside phone rings, Judd speaks to the newspaper, and the sweaty pair end up in each other's arms.

I love the frantic activity of the newsroom as reporters scurry to make deadline. These British reporters go about their job with energetic professionalism, the scenes as realistic as any seen in the classic newspaper film "All the President's Men." Arthur Christiansen, an actual newspaper editor, plays himself. He has the best line when he asks a reporter for a story. The reporter snidely replies, "Isn't it too late to still be writing stories?" Christiansen answers, "It's never too late for a good news story well written."

"The Day the Earth Caught Fire" predates global warming and other environmental terrors by several decades. It's a shockingly good film for those unacquainted, with some of the best dialog ever written for the genre. By most accounts, "The Day After Tomorrow" is all special effects and little dialog. With "The Day the Earth Caught Fire," you get all dialog and little special effects.

It's never too late for a good film well written.

Hammer sometimes made good movies....
Val Guest's script and direction are effectively handeled in this movie, that looks a bit more like an expanded Twilight Zone episode, rather then a movie, but the strength of the screenplay and cast make this a good movie to watch as the Earth's days are numbered in a story that is an effective protest against nuclear weapons testing.

A 1950s Story for Our Times
I saw this film as a 15 year old in 1958 living in a west-of-London suburb and, with the Campaign for Nuclear Disarmanent movement at its height, it resonated as loudly as a church bell. Not only that I was fascinated by how newspapers operated and this film gave me a, probably eroneous glimpse, inside that world, the film laid out a highly convincing scenario. Yes, the film suffered from a massive lack of budget but the British film industry was in crisis (when isn't it?) and there were no bankers for this type of honest story. And yes, Britsh actors were just coming out of the Noel Coward stereotype and finding their angry young man 'Look Back in Anger' feet, so weren't the hottest acts in town but this film made its own small contribution to honesty in acting as well as story telling. It's as much an anti-nuclear arms/war classic as "On The Beach". It's brilliant. ... Read more

Amazon.com

When it was first broadcast in 1975, there had never been a more lavishly produced science fiction TV series than Space: 1999, a British production whose budget for the first of its two seasons ran an astounding 3.25 million pounds. What keeps us fans enthralled after all these years has only partly to due with the first-rate production values, the plausibly constructed spaceship models, and expert special effects. The tone of the show is one of scientific dispassion, setting it apart from its TV sci-fi predecessors such as Star Trek, whose mood was more convivial. Our heroes here are in dire circumstances that require cool heads as a survival trait. Those circumstances: the 311 crew members of Moonbase Alpha experience a cataclysm that causes the moon to break away from Earth's orbit and travel endlessly through space, turning our heroes into unintentional explorers. No TV series has created a more palpable feel of hard science fiction than this. This set includes the episodes "Missing Link," "Guardian of Piri," "Force of Life," "Alpha Child," "The Last Sunset," and "Voyager's Return." --Jim Gay ... Read more

Reviews (25)

Find the Yeti
This is another fine Hammer movie. Peter Cushing is a botanist on an expedition to the Himalayas in search of the Yeti (Abominable Snowman). Forrest Tucker joins Cushing in the search but Tucker is out to capture and exploit the creature and he doesn't care who gets hurt. One of the Yeti's is killed, Tucker is killed in an avalanche, and the Yetis let Cushing go unharmed.

The movie is well photograph (black and white); the DVD has excellent picture quality and is widescreen.

The Best non Horror Hammer Film ever Made.
There is something really refreshing about The Abomitable Snowman, made in 1957. It's not a low budget cheesy horror film that Hammer Films would regretfully only come out with later. This movie benefits from creative direction from director Val Guest, a good screenplay, and a cast of fine actors led by Peter Cushing and Forest Tucker. It was actually filmed in the Swiss Alps, but it still passes for the Himalayes quite effectively. The movie maintains a mysterious atomosphere throughout the story as the final climax between the scientist and the Yeti shows us that the creatures are really quite gentle after all. This movie belongs more in the genre of science fiction.

Man and what eludes him...
This film, much like the Val Lewton-produced movies of the 40s ('Cat People', 'The Seventh Victim'...), belongs to the 'B-cinema of the unseen' - the low budget becomes an asset, and evocating the unknown becomes more important than bluntly showing it. This aspect is especially meaningful here, given the movie's elusive title character. The quest of the film's protagonists symbolizes the general ambition to reach what lies beyond man and his reason; it is the search of mysterious, potentially dangerous knowledge. When the adventurers appear to have reached their goal, deception always ensues and the quest still goes on; the conclusion itself is more open-ended than it may initially seem. It is through the characters' contact with Orient (both its people and environment) that they gradually stop to consider themselves the measure of all things. Man's smallness in the cosmos is illustrated in two ways throughout the film: on the physical plane, Val Guest's widescreen compositions often transform men into ants roaming about in a vast world; on the spiritual plane, the interior scenes show the characters' fears of the unknown take over. Concise and intelligent, this film should be seen.

Superb on all counts!
Kneale's script, Guest's direction and the talents of the key players combine to create a sense of wonder and mystery that is often attempted, but rarely brought to the screen as successfully and as forcefully as this. We don't know till the end what "may lie in the high valleys", but we are artfully exposed to every philosophy concerning the desire of man to see, as head porter Qusang says, "What man must not see". The head Lhama (Arnold Marle) feels this knowledge should be left alone to run its own course, Rolleson (Cushing
) wishes to study it for the advancement of mankind, the American adventurers (Forrest Tucker and Robert Brown) want to exploit it for personal gain, Rolleson's wife advocates a healthy fear of it and the impressionable McNee is driven to madness in an attempt to understand it; something for everyone. Add an evocative score and this one amounts to nothing less than cinamatic genious. Don't miss it!!

One of my fave old movies
I am an old movie buff and this one ranks right up at the top of my list of favorites. It is funny how your perception changes over the years. I remember this movie scaring the bejesus out of me as a child. Now, I appreciate the quality of the film making and am really awed by the fact that this film was made prior to all the special effects technology. The acting had to be superb during the 50s because the effects were so limited. This movie definitely delivers the solid acting. It pulls your emotions into the story and has you loving, hating, and wanting to throttle the various characters.

I love the psychological tension. You do not have to see the yeti to be afraid. You sense he is always lurking just outside the camera's view. I prefer that to special effects wizardry in creating monsters. I much prefer the psychological tension to the visual scare.

This movie is well worth the cost of the DVD. Order your copy today and refresh your appreciation for the old movies that pre-date special effects wizardry. ... Read more

Amazon.com

Set 3 of Space: 1999 contains six more first-season episodes from Thunderbirds creators Gerry and Sylvia Anderson's 1975 British series. The castaways on Moonbase Alpha, led by Commander John Koenig (Martin Landau), continue their drift through the universe, where they encounter fantastic planets, oddball races, and cataclysmic perils. In "Collision Course," Koenig must rely on "a thing called faith" when the moon seems headed for a too-close encounter with a massive planet. Unfortunately, the faith of his crew, including Chief Medical Officer Dr. Helena Russell (Landau's Mission: Impossible costar and then wife Barbara Bain) and Professor Victor Bergman (Barry Morse, who relentlessly pursued David Janssen on The Fugitive) is lacking, and they mutiny. In "Death's Other Dominion," the Alphans arrive at an ice-encrusted "lost paradise" planet, on which survivors of "the Uranus expedition of 1986" seek the secret of eternal life, and dissidents rise up to stop them. "The Full Circle" explores the nature of man when the Alphans encounter a race of cave dwellers. In "End of Eternity," the Alphans learn not to "interfere with other people's justice" when they unwittingly free an evil and quite unstoppable alien(Peter Bowles, much more civilized as Penelope Keith's friendly nemesis in the popular Britcom To the Manor Born. The cautionary "War Games" might better be called "Mind Games," as Commander Koenig considers whether to launch an attack against alien spaceships. One of Landau's favorite episodes, "The Last Enemy," is a Middle East allegory that finds the Alphans literally caught between two perpetually warring planets. Space: 1999's then state-of-the-art special effects hold up well, less so the deliberate pacing. But these fan-favorite episodes are a must for all earthbound Alpha devotees. --DonaldLiebenson ... Read more

Amazon.com

Isaac Asimov reportedly described Space: 1999 as "scientifically preposterous." That hasn't stopped Thunderbirds creators Gerry and Sylvia Anderson's 1975 British series from gaining a devoted cult following. Still, after watching the six episodes included on this two-disc set, one has to concede that (entertaining though they are) Isaac may have been on to something. In "The Troubled Spirit" Moonbase Alpha Commander John Koenig (Martin Landau) resorts to a little "bell, book, and candle" to exorcise a crew member's destructive spirit. "Space Brain"--or, as it is known to series aficionados, the one with all the foam--finds the Alphans desperately seeking a way to communicate with a cosmic intelligence. As Professor Bergman (Barry Morse) observes, "This is either a practical joke or something very interesting." You be the judge. Leo McKern (Rumpole of the Bailey) guest-stars in "The Infernal Machine" as the aged companion to Gwent, an odd-looking plundering spacecraft. In the "can't we all just get along" episode, "Mission of the Darians," guest star Joan Collins looks good for a 900-something alien, one of 14 who survived a mammoth ship's nuclear-reactor explosion. The same can't be said for the other onboard savages whom the Darians use for transplants. "Dragon's Domain" puts new life into the ancient myth about St. George, as crewman Tony Cellini is reunited with a real-life nightmare in the form of a tentacled beast. In "Testament of Arkadia," which closed out Space: 1999's first season, crew members Luke and Anna are determined to live as a futuristic Adam and Eve and "make fertile" a barren planet. As for Moonbase Alpha, it would drift through the universe for just one more season. --Donald Liebenson ... Read more

Amazon.com

Fans of Space: 1999 (and there are many of them) are lavish in their praise for British producer Gerry Anderson's mid-'70s sci-fi series. They rhapsodize about provocative, seriously scientific story lines, expensive production values, the presence of star (and future Oscar^® winner) Martin Landau, and more. But there are others who look at the series' glacial pace, loopy costumes and makeup, cheesy sets, primitive special effects, stilted dialogue, and self-serious tone and wonder what planet those rabid fans are from.

Set 6 of the digitally remastered series, containing six episodes (numbers 31 to 36) on two discs, offers plenty of evidence to support both arguments. On the one hand, there are some intriguing ideas, weighty themes, and good writing here, as in "New Adam, New Eve" (episode 34), in which Koenig (Landau) and company confront the very existence of God himself, or "The Rules of Luton" (episode 31), in which Koenig and Maya (Catherine Schell) find themselves in deep trouble on a planet where plants are the dominant life form. But too often those virtues are hamstrung by poor execution, as in "Luton," where our heroes must battle three absurd-looking and -acting aliens. Smart sensibility, silly look and feel: this is the Space: 1999 paradox. And the truth is that nowadays, when advanced film technology is making even the early Star Wars films look dated, many of these episodes seem positively quaint.

DVD bonus features include a three-minute "making of" featurette (on the first disc), a gallery of production stills (on both discs), and interactive menus. Some material that was not seen in the original U.S. broadcasts has been restored. --Sam Graham ... Read more

Description

Sexual high jinks ensue when four sexy, mini-skirted cuties arrive in London, all hoping to brush up on their English. After signing on at the Overseas Employment Agency, they are given somewhere to stay in exchange for simple housework chores. Due to their poor English, it's not long before each of them ends up in some rather compromising situations! This is classic British Sexploitation at its best! ... Read more

Reviews (1)

Ouch.... I just don't like it, but it'll be in my collection
Though I collect this movie as an eccentric genre of British 70's, I really don't like it. Looks like series of "Carry on...." british classic comedy movies. It tell you story about 4 overseas girl in London who seek for job, while studying language & culture, of course with all sexplotation. If you like british 70's, you'll like this movie. I mean you will enjoy the sound of carribean light jazzy, that make me laugh.

I think I got this recommendation from Amazon since I look for movie of Me Me Lay, a pretty Asian-English who appear on Jungle Holocaust. Really, I was amazed by her appearance as a cannibal in JH and hope I got the same or more appearance since this film 5 years earlier than JH. But I was dissapointed seeing her cubby cheek. O, she really magnificent in JH, but make me sick in this movie... ... Read more

Amazon.com

Laurence Harvey is a brash hustler with a stream of snappy patter who takes bongo-playing crooner Cliff Richard out of the coffeehouse and into the big time in this sardonic spoof of the cynical star-making industry. Set amid the sleazy strip clubs and bustling nightlife of London's Soho district, Expresso Bongo is a fab bit of show-biz lampooning that loses its bite and its momentum when it leaves the lively streets for the claustrophobic offices and penthouse suites of the professional music industry sharks. It's still a marvelous time capsule of Britain's pre-rock pop-music scene, and the cast is terrific. Fast-talking Harvey is a dynamo as the small-time opportunist, with Sylvia Sims as his worldly stripper girlfriend growing weary of his schemes and Yolande Donlan as the savvy but aging American sex symbol plotting her comeback on the back of Harvey's naive new star. --Sean Axmaker ... Read more

Reviews (7)

Temple's template?
This look at the British rock'n'roll scene, circa 1959, HAD to have inspired Julien Temple's "Absolute Beginners", right from its opening nightime shots swooping through London's Soho coffee bar/club scene to its depiction of naive show biz beginners with stars in thier eyes and savvy talent agents' hands in thier wallets. The late great Laurence Harvey portrays the classic success-hungry hustler/"manager" stereotype with the kind of cheeky chutzpah that remained unmatched until Ray Sharkey's astounding performance in 1980's "The Idolmaker". The elfin Cliff Richard plays it straight as Harvey's "discovery", the hilariously named 'Bongo' Herbert. Great footage of the original "Shadows" group, including guitar whiz Hank Marvin (whom Jeff Beck and Jimmy Page have cited as a seminal influence). The smart, bitchy dialog is better written than most U.S. "youth" films of the era ("The Girl Can't Help It" and "Rock Rock Rock" may contain priceless performance footage, but tend to sport somewhat sophmoric scripts). DVD notes: The Kino release has the best picture I've ever seen of the film, but the oversaturated sound makes much of the dialog unintelligable and some of the "brassier" songs unlistenable. A real hoot for music geeks.

Sharp Showbiz Satire.
WOW ! Talk about mixed reviews ! I gather from some of the reviewers that certain parts of the original film--apparently Laurence Harvey had some songs--are missing in this version.
Sorry--I find it difficult to miss what I have never seen in the first place. As long as the Cliff Richard numbers are included, I suspect most people will be satisfied.

This is a highly entertaining film, and while Laurence's singing may be "missing in action", his acting as the ultimate hustling, unethical, desperate showbiz manager is terrific. Whether it's 1959, when the film was made, or 2003, one suspects that success in the world of pop music does dictate that "nice guys will finish last". Harvey's character is certainly not a "nice guy", but his brash, "silver-tongued" persona becomes, thanks to a great actor, sympathetic to the viewer. As his long-suffering girlfriend, Maisie the Stripper, Sylvia Syms matches Harvey's performance as the only type of woman who would stick with this manic guy for more than five minutes !

An incredibly young Cliff Richard is "Bongo" Herbert, Harvey's big "discovery". This was not Cliff's first film, but it was his first major role, and he was well-cast as a naive young singer who just performs "for kicks", until he learns the ways of a ruthless world. One more point for music fans--you will also see Cliff Richard's legendary backing group, the Shadows, in the coffee bar scene, before they became big stars in their own right.

The film captures the atmosphere of London's more sleazy areas, circa 1959, as well as the excitement created by a new force in music--rock n' roll. Of course, if there is one ingredient that lifts this movie over many others of the same type, it is the script--this one really crackles !

The picture is widescreen, black and white and the quality is good, rather than great--sound, of course, is mono.

Overall, a classic satire on the music business and the exploitation of artists. Recommended.

Expresso Bong.....Oh
An on target black and white satire of the 1950's pop music scene with only one problem. The music isn't all there. As I remember it , there was at least one other song in the original cinema release and it's omission removes some of the bite from the whole. Overall, a bit of a let-down considering that there wasn't much music to start with, although Cliff Richard does get a reasonable look-in. (Can you believe that he was really nineteen at the time ? He only looks about fourteen here.)Anyway, it is still worth having a look at but I imagine that those expecting to see the same film that they saw all those years ago are going to feel disappointed.

The Same Shoddy Piece of Goods
Forget about stars. Kino's DVD of "Expresso Bongo" is the same mangled version that appeared on VHS a couple of years ago. Three
songs performed by Laurence Harvey are missing. I e-mailed Kino about this abridgement at the time. Mr. Gonzalez is quite correct in calling Kino's cut a "Reader's Digest" version of the film.I was hoping Harvey's numbers would be restored for the DVD version but I see I will have to make do with my murky off-the-air video recording.

Bohemian Madness
Laurence Harvey as Johnny Jackson is appealing, cool and wild. This movie is just one great period piece of a time and place long gone. What a ride in 50s London! Spellbinding. ... Read more

Amazon.com

Fans of Space: 1999 (and there are many of them) are lavish in their praise for British producer Gerry Anderson's mid-'70s sci-fi series. They rhapsodize about provocative, seriously scientific story lines, expensive production values, the presence of star (and future Oscar® winner) Martin Landau, and more. But there are others who look at the series' glacial pace, loopy costumes and makeup, cheesy sets, primitive special effects, stilted dialogue, and self-serious tone and wonder what planet those rabid fans are from.

This two-disc set includes the first six episodes of the show's second season.Episode 25, "Metamorph," introduces Maya (Catherine Schell), a shape-changer and scientific wiz who, after witnessing her nutty dad's dastardly deeds, defects to join our Moonbase Alpha heroes. "Journey to Where" (Episode 29) finds Koenig (Landau) and Helena (costar Barbara Bain) returning to Earth--specifically, and bizarrely, 14th-century Scotland--while "One Moment of Humanity" (Episode 27) sees the evil Zamara (Billie Whitelaw) and her android cronies trying to learn the violent ways of humans. Intriguing ideas, occasionally rather lame execution. In other words, there's plenty here to justify the points of view of the show's adherents and its detractors.

DVD bonus features include production stills, TV promotional spots, and interactive menus. All episodes have been digitally remastered, and some material that was not seen in the original U.S. broadcasts has been restored. --Sam Graham ... Read more

Reviews (20)

YEAR 2-BETTER THAN YEAR 1!!!!!!!
Season two of Space 1999 has finaly arrived and it looks better than ever! I have never seen a year two episode that wasnt worn out and scratchy, the pristine quality makes you think your seeing these episodes for the first time. There are more bonuses than the previouse disks but still no "making of" documentary. A and E has again done a great job, making the wait worth it ...
Lets hope A and E puts out more bonuses and the special "MESSAGE" episode!
Season two begins with the addition of Maya, in the episode The Metamorph. After escaping her evil father she goes to live on Moonbase Alpha. Maya has the power of molecular transformation-she can change into any lifeform in the blink of an eye. Space 1999 was one of the first-maybe THE FIRST-television series to have a morphing character, and this was way before computer animation! Her changes were feats of camera work, who can forget her eye! The Exiles is about an alien Bonny and Clyde who hold Alpha hostage. Maya does a really cool midair transformation into a panther. One moment of humanity is about robots who want to learn to kill so they can eliminate their human masters. This episode sizzles with sex! Tony and Helena are pitted against each other and end up almost killing each other. Journey to Where is about time travel going amok. This episode has much in common with many first season episodes and even ends on a grim philosophical note. The minatures of Earths' future cities are very well done and realistic. The Taybor is about a trader who will stop at nothing to get Maya- and who can blame him!
If you want the best of weird and cool sci-fi Space 1999 season two is it.

good escapist TV
I've always thought that the start of both seasons of Space 1999 weren't as much fun as the episodes that came after them. Set 5 has some good episodes and some good moments, but sets 6,7, and 8 are much more fun. As the start of season two, this set has both it's share of draw-backs and it's fun moments.

I wont waste space reviewing every episode, but I will say that The Metamorph is one of my faves! Catherine Schell is introduced as Maya in this one. New theme music, cast members, costumes, and sets are introduced as well. Dr Bergman is gone, and the main control center has now been moved underground. Maya helps to fill the void left by Bergman, and after episodes like War Games the new location of the control center makes good sense. Smart move Koenig.

Space 1999 sets 2,3,4,6,7,8 are my favorites, but 1 and 5 are important to the show and to finish your collection. There are some good epsodes in both so check them out. While you are at it, try the Space 1999 novel The Forsaken by John Muir. It sheds more light on just what happened between the program's two seasons and is an excellent read.

Some fun episodes, but poor sound too
Some of the episodes in this set have inferior sound. It's not unlistenable, but it is sub par. Fortunatley, I don't find it too distracting, but it's too bad they didn't make the sound as wonderful as the picture quality. Apart from the sound problems, I enjoyed this set.
This set contains shows from the second season of Space 1999 which was a more ridiculous season, but there are many guilty pleasure episodes here. My favorites include:
"The Metamorph" which is the first episode of the second season and introduces the new theme music and show opening. I like it. We also get a new command center, some new costumes, and the introduction of Tony and Maya. Tony brings some great humor to the show and he keeps trying to make beer. You have to admire a guy who tries to make beer and maintains a sense of humor while the moon is hurling through space. Catherine Schell is lovely as Maya the Psychlon and Maya can turn into all kinds of living creatures which is fun. She's also the sexiest woman with side-burns ever! Brian Blessed plays Mayas dad Mentor.
"The Exiles" has some very suspenseful moments as 50 missiles suddenly begin to orbit the moon and the intercepting of one of them for further study is pretty tense. There's a great sense of mystery for the first half of this episode, but then it turns silly, but I like silly. "Journey to Where" is a bit of Time Tunnel like adventure with a good performance by Freddie Jones, and "The Taybor" is extremely goofy and features some scantly clad female Alphans, and Maya turning into Mr Hyde. I wont comment on the disco dancing horny android epsiode, or the episode with the living rocks. These aren't the most realistic or brainy TV episodes ever, and Set 5 is the low point of the Space 1999 DVD sets, but there are plenty of fun moments in this one and let us never forget that Catherine Schell is the sexiest woman with side-burns ever.

loved season 2
Season two of Space 1999 is a great deal of fun if you understand exactly what to expect. Expect CHEESE with your Space 1999 and plenty of it. I think season one was great, but no matter how many times you watch a train roll down a track there's just something more compelling about a train wreck. Season 2 is a weird combination of quality elements and wacky cheesy elements that makes for entertaining viewing.

very fun stuff
It would be easy to rip this show to pieces and there are plenty of reviews here that do just that, but I have a blast watching these episodes with friends. It's a wonderful mix of cool stuff, decent acting and writing, dubious acting and writing, and just plain silly stuff that both amuses and brings back the fun of being a kid and watching this sort of monster/space adventure show. My friends and I never saw the show when it was on tv, but it's the kind of thing that the kid in us adore and it's very funny when it isn't fantastic stuff. These episodes are all over the map, but they never fail to entertain. ... Read more

Reviews (3)

LACKLUSTER CRIME DRAMA....
An American thug blows into Manchester, England for a "job" and causes a crisis with the police and his former cronies who thought he was "out of business". Considering this is a Hammer production and directed by Val Guest, this is pretty tepid stuff. The film is so crisp and clean (even in the action sequences) it looks as if Guest was afraid to get his hands dirty. I can't call this "noir" at all. It's too sterile looking and the key noir elements aren't here. No shadowy suspense, no "dames" (as the package contends)--just ordinary looking wives and a middle-aged barmaid who looks like someone's mother, and no psychological conflict for any of the characters. Just hum-drum goings on with the cops-after-a-crook stuff. The acting is capable and the film looks great on DVD. Too bad it isn't better. With all the noir crime dramas that need to be on DVD and all the other Hammer films that SHOULD be on DVD by now---I found myself watching this and wondering "Why?" And by the way, despite the misleading title and the moody jazz score, there is no implication in this film that "hell is a city". It looks like quaint merry old Manchester, England having a busy day.

British Cops and Robbbers Noir
Hell is a City is a pretty good crime flick. Even though it is formulaic (cop vs. robber, heist, manhunt) the performances, setting and direction make it an interesting film for folks who like this kind of stuff.

Lost gem unearthed
"Hell Is A City" is a little-known Hammer film that garnered some of the company's best reviews at the time of its release in 1960. It was nominated for two British Academy Awards, for Best Screenplay (Val Guest) and Best Actor (Stanley Baker). The DVD from Anchor Bay is a beautiful black-and-white transfer, with crisp, sharp images. The cast is superb, and the pacing is excellent. Donald Pleasance (Halloween, Escape from New York) has a small role as a bank president who finds a little surprise in his attic.
The film comes with an alternate, "happier" ending that didn't sit well with writer/director Guest. However, I believe it's the first Hammer film released on VHS or DVD that comes with a second ending. If you're a Hammer fan, or a fan of film noir, you'll want "Hell Is A City" in your library... ... Read more

Reviews (24)

Excellent Paranoid Science Fiction from Hammer
One of Hammer's relatively few sci-fi thrillers, and a sequel to the Quatermass Xperiment, this film is a minor classic of cold chilling paranoia. Adapted by Nigel Kneale from his classic BBC serial, this film has a basic premise similar to Invasion of the Body Snatchers, but taken into very different directions. Not to give too much away, but the joy of this film is not in watching the alien plot to take over earth unfold, it's in watching Professor Quatermass uncover the already widespread conspiracy. Photographed in beautifully stark monochrome with a great pseudodocumentary approach, Quatermass 2 is a great example of the sort of sci-fi/horror hybrid that became popular later with films like Alien and, along with the other two films in the series and the sadly unavailable The Damned, one of Hammer's best attempts at science fiction.

If ever a Movie deserved a Remake...This is it!
Quatermass 2 (pronounced like equator and not quarter) is utterly flawless. This DVD B/W film is superbly vibrant and crisp. The dialogue however seems to drown on occassion while conversely the accent music will send you seeking a lower setting on the volume control. This was one of the scariest movies I can remember from my youth when it was titled "Enemy from Space", and believe it or not, it still maintains some of its punch.

The movie starts with Quatermass avoiding a car accident with a young couple, one of which is delirious with a strange V-shaped blister on his face. Quatermass, averting the accident, lends his assistance. In trying to ascertain the delirium of the man, the women tells Quatermass they heard "falling" sounds. She gives him a medium size rock she says her friend was investigating when it exploded in his face. The name of a town where the blister was received is mentioned.

Quatermass is a rocket scientist with a government grant-supported research facility to build a rocket to colonize other planets. Unfortunately he has chosen nuclear propulsion to power the untested rocket. The idea of a mishap during launch or recovery has caused the government to withdraw support of his project.

Upon his return to his facility, Quatermass notices that his radar dish is pointed abnormally low to the ground. Quatermass indignantly chastises his top two scientists for the low radar dish and gives them the broken rock from the accident for classification. The scientist do not get to explain that have been tracking a continuous cascade of objects to the earth about 90 mile away. Quatermass, realizing his anger is over his concerned for the lack of funding for the project apologizes and moans over a 3D model of a colonization facility envisioned for the moon. The fellow scientist are informed of the lack of future funding as Quatermass leaves to confer with his nuclear engineers at the nearby launch pad.

The next day, when Quatermass returns, another scientist questions him about the rock. He tells him he cannot classify it and that it is cylindrical in shape both inside and out. When asked where he got it from, they are informed of Quatermass' near accident. When the name of the town is mentioned the scientists realize that this is the approximate landing location of the tracked falling objects. They check a map and Quatermass and one of the scientist travel to the area the next day.

Upon arrival at the area the road forks into two directions. The fork to the map-indicated town is government-posted as NO ENTRY so they take the other fork which leads to an abrupt end of the concrete roadway. Getting out of the car, Quatermass warns his young assistant not to walk beyond the concrete for fear of government placed security mines. They get back into the car and to go back to the other fork. As they leave the scene, in the distance, armed uniformed personnel wearing gas masks emerge from the surrounding foilage.

Disregarding the government postings, they take the other fork. On a high ridge, Quatermass gasps. His assistant peers through Quatermass' window and says "Oh no!". In the distance is a fully functional replica of their 3D moon colonization facility, two miles square, surrounded by security fencing with three overpowering pressurized domes about 200 feet high. They get out seeing ruins they surmise must be the missing town. They also discover small rocks like the one given Quatermass scattered all over the hillside. Some of the "rocks" are old, some recent and all broken except one buried in the ground. The assistant digs it up as Quatermass protests to "leave it alone".....In the distance the loud echo of a siren begins

Its not my intention to narrate the complete story but as you can see, the plot compounds marvelously. The backgrounds are time-neutral, even the characters suits are even back in style. Vehicles are vintage and could be considered old, but current. Scenes (in London particularly) are somewhat devoid of anachronisms so much that if this film were colorized you could almost imagine a CG team cleaning up those period giveaways and updating this original film. But what the hey, this is truly a classic and if ever a movie deserved a remake, this is it. You could say, this is not rocket science.

This is Hammer?
I couldn't even get past the first half hour of this movie before turning it off ... deeply disapponted. It looks like bad 50's American sci-fi, it's hard to believe that this is a Hammer film. Buy this film if you like "The day the Earth Stood Still" or other cheese like that.

Overrated
I got this video after reading the various viewer responses and found it tedious. Britain has provided us with some terrific Sci-fi movies despite low budgets, but this one has all the tension of an uncooked sausage and generally looks pretty silly - the costumes are dated, the characters cliched, and the "monster" is too silly for words. I place this film right down there with the worst of American 50's black lagoons!

As dull as it gets
I love old movies--gothic, sci. fi.--you name it. But I was very disappointed in this one. I could just go on and on, but suffice it to say that except for the crisp b&w filmography this movie has no (zero) redeeming qualities about it whatsoever. It's not even "funny bad." I wish I could give zero stars, but one is as low as it is allowed to go. How sad. ... Read more