Reviews (3)

Morse is actually quite funny throughout this film
Extremely well written, this mystery has Morse and Lewis on the trail of a murderer when all the evidence points to death by natural causes. In the course of the story Morse must deal with all sorts of wealthy American tourists, and one wonders whether this film had any impact on the screenwriters of GOSFORD PARK. Whether it did or not, and whether the actors are really Yanks or not, the cultural clashes are more overtly funny than this series usually gets, Morse is very nearly Basil Fawlty in several scenes.
By this time in the series, Whatley and Thaw were really hitting their stride and their natural ease with each other made these films entirely believeable. Dexter set out to write these stories because he thought he could do a better job than what he had read in the genre, and he did just that. Morse and Lewis are every bit the match for Holmes and Watson.
Anyway, this is a great story, brilliantly written for the screen, and one in which Morse's caustic humour is let run rampant over each and every person with whom he collides. Oh yeah, a jewel is stolen and a woman is dead. Who done it..... that would be telling.

Content good, DVD quality poor
The Inspector Morse series is one of the great British TV mystery programs of all time. "The Wolvercote Tongue" is a decent adaptation of Colin Dexter's "The Jewel That Was Ours," although the book is better. The stereotypical American characters are grating, but this episode is still worth watching for the wonderful performances of --and chemistry between-- actors John Thaw and Kevin Whately. My real complaint about this DVD, however, is with the overall presentation. While I'm grateful to BFS Video (an apparently low-budget operation in Canada) for finally bringing the Morse series to DVD in the US, they've done an incredibly poor job on the DVD transfer and with the packaging of the handful of Morse DVDs that they've released to date. Among other things, the video quality is poor. It looks something you'd get when you put your VCR to the lowest recording grade possible. Second, the unbelievably cheesy BFS Video logo and theme song that assaults the eyes and ears at the start of each DVD is an embarrassment. BFS can't seem to even get the cover photo of their products right. On some of their other Morse DVDs, they use photos that have nothing to do with the particular episode and/or are printed backwards. For this early Morse program, however, they go one further and use a photo that was not only taken many years later, it's from a DIFFERENT SHOW ENTIRELY, namely John Thaw's barrister series from the 1990s, Kavanagh QC. BFS- if you're reading this, kindly fire your products marketing people, as they clearly don't know anything about Morse. There are dozens --if not hundreds or thousands-- of fans out there like me who will gladly help you do things properly, and for no charge! There's no excuse for such shoddy work. Morse fans deserve better.

Rage, rage against the dying of the light.....
The WOLVERCOTE TONGUE is a pin that fits into a buckle-an elaborate and beautiful Anglo-Saxon buckle of the sort excavated at Sutton Hoo. The bejeweled tongue is the most beautiful part of the buckle that once clasped the waist of a mighty lord. The matching buckle is on exhibit in the fabled Oxford University Ashmolean--the oldest museum in England.

The tongue, long ago separated from the buckle, is owned by a rich American woman who has traveled with a group of tourists to Oxford, where she plans to present the pin to the Ashmolean. The afternoon of the presentation, after too much touring about the city has tired her, the woman goes to her hotel room to take a nap from which she will never awake. Her husband discovers her body and that the Wolvercote tongue has gone missing. Never fear, Endeavor Morse, Detective Chief Inspector of the Thames Valley Police and his trusty sidekick Sgt. Lewis are soon on the case.

This is a lovely film, and a vicarious thrill for Anglophiles who have spent hours and hours in Oxford or wish they had. The colleges, the shops, walking along behind Merton, the Botanical garden, punters on the Thames, the Ashmolean-it wouldn't matter to me if the plot made sense or not (it does), or whether the characters were fully developed or not (they are). Oxford's gleaming spires in the dying light of the afternoon sun and John Thaw-who could ask for anything more. ... Read more

Reviews (1)

No the wonder church attendences are falling!
Morse travels out of the city of Oxford into it's suburbs to try to track down the murderer of a church warden inside the church. During the course of his enquiries he becomes attached to the part-time cleaner, Ruth Rawlinson, not realising at the time of her key role in the mystery.

This is a curious perspective on Morse. At the church he seems smitten by Ruth at first glance and in a way the episode is about Morse persuing Ruth until he apparently succeeds only to be thwarted.

Service of all the Dead has all of the trappings of Colin Dexter's Oxford - the central role of ritual, social class, and the little details which make these shows so good - in this case the idea that there could be tramps in Oxford ( a recurring theme), the cycle riding middle classes, volunteerrism and carers. All good ingredients.

This particular drama is one of the most gruesome with six deaths all together. Also novel is the fact that the opening scene is found to be a set up. A lot of the death's seem to be red herrings too, to throw us off the scent.

There is a particulary sensitive scene which has some relevance to contemporary events in a different church where Morse perceives the vicar as a paedophile. Later on the child in question is found murdered although the exhumation of the body is not filmed.

Service of all the Dead is a gripping thriller replete with issues of blackmail, infidelity, revenge etc. Throughout it all Morse holds true to his feelings for Ruth and, despite the revelation that she loved someone else, he offers her a helping hand which, if discovered, could cost him his livelihood and his liberty.

As one of the characters puts it, an alpha. ... Read more

Reviews (3)

Almost unwatchable
As a serious fan of the Emma Peel era I was excited to find these "Cathy Gale" era videos on sale. Unfortunately, the production values of the episodes I've tried to watch (from Set 4) are just awful. Shaky hand-held camera work, unintelligible sound, dreadful sets, terrible acting by all but Macnee and Blackman. Save your money!

Early adventures for Steed
For all the fans of The Avengers familiar with the Emma Peel/Tara King era of the show, these early episodes featuring Cathy Gale and Venus Smith may come as something of a disappointment. In fact, fans of the later shows may find it hard to believe that they are even part of the same TV series!

After the initial run of 26 episodes featuring Police Surgeon David Keel and his cohort John Steed had aired in the UK in 1961/62, the producers of the program opted to bring Steed to the forefront of the action and give him a number of different "assistants." Thus, for season two, 26 further episodes were made and broadcast in 1962/63 featuring Steed abetted by Martin King, Venus Smith or Cathy Gale. Mrs. Gale turned out to be the most popular and successful foil for the suave agent, and the other characters did not return after season two. Unlike the later Peel/King stories which were all made on film, these studio based TV shows are much more reliant on dialogue and plot than visual elements, and can be somewhat heavy going as a result.

A&E is releasing these stories in a somewhat confusing order, and has started with season three. The first two sets released, Avengers 64 1 & 2, feature the LAST six episodes of season three. Next comes Avengers 63 sets 1 & 2 which comprises of the first half of the season. Next up in the release order is 63 sets 3 & 4 which precede 1 & 2 in running order and in fact feature the last seven stories from season two, plus the first from season three. Confused? Ultimately, it doesn't really matter, since thankfully there's no real reason to watch the stories in chronological order anyway.

What is interesting is the development of the production standards. 63 sets 3 & 4, featuring the latter stories from season two, are far more rudimentary in terms of production quality. The sets are extremely small and sparse; The direction very slap-hazard; Camera work shoddy; Sound is extremely poor; and the acting is negligible. With no budget for editing or reshooting, all the actor's fluffs and goofs stayed in. Steed's character is far less suave and sophisticated then he became later during his familiar role alongside Mrs. Peel, and the relationship with Mrs. Gale in particular is at first downright hostile with very little warmth between the two. He seems to get along much better with Miss Venus Smith, a night club singer who he engages at various gigs to act as his eyes and ears. Venus is a very odd character, and played strangely, but enthusiastically by Julie Stevens. She looks about 12, sings like she's forty, and dresses like anything in between. She also seems extremely naïve and it's hard to imagine why Steed engages her to help him at all. The far more intelligent and elegant Mrs. Gale does eventually warm up to Steed, and in the season three stories where she is the exclusive companion to him, their relationship develops nicely and they become much warmer and closer to each other.

The production values on season three are also much better than the earlier episodes. The sets became larger and more elaborate. The direction, lighting and sound improved greatly and the acting was much less wooden. Some editing was clearly allowed on these later stories, whereas the earlier ones clearly were broadcast as if they were live. There's a terrific blunder in "Six hands across a table," where Cathy is called "Ros" in one scene, and both actors realize the mistake, but keep going.

The quality of the DVD's is somewhat disappointing, even accounting for the age of the material and the production values mentioned above. It may not be the case, but it certainly appears that A&E have made no attempt whatsoever to re-master the original tapes, and the flaws, jumps, scratches and sound blips are too numerous to mention. Virtually every episode on 63 sets 3 & 4 are hampered by picture and sound flaws and defects. Things do improve for 63 1 & 2 and 64 1 & 2, but the quality is still disappointing. Mind you, it appears they have done nothing to clean up the Tara King episodes either!

As a big fan of the series, I wouldn't even consider not having these episodes in my collection, but if you're looking for the wacky camp humor and the tele-fantasy of the Peel/King eras, these stories may not be for you.

The Best!!!!!!!!
This was the best DVD set that I ever bought! This set is a must-have for true Avengers fans. The picture is crisp and this will be a part of your collection forever. ... Read more

Reviews (1)

improbable plot
I have viewed and own numerous DVD entries in the Inspector Morse series. This particular mystery is not especially appealing, in that it revolves around a somewhat implausible combination of university/religious politics, eating disorders, and a weight loss organization which goes to extreme lengths to protect its reputation and profitability. Ultimately, even the death which represents the subject of the investigation turns out to be unconnected to blatant criminal activity. Compared to other entries in the series, FAT CHANCE is one of the less interesting stories.

M. Williams ... Read more

Reviews (1)

absence of virtue
This entry is excellent, especially since the key factors which identify the villain do not emerge until very late in the mystery. Absence of virtue could easily describe this mystery, as most of the principals in this story have significantly flawed characters and/or dark secrets. Morse's tendency not to suffer fools gladly is prominently displayed, as illustrated by his relationship with journalists who focus unusual attention upon him while covering multiple murders in the same wealthly family. Morse is also confronted with dealing with a temporary Chief Superintendant while his own boss is on vacation. The frustration level of Morse is palpable as he is faced with a vexing case, intrusive journalists, and a less than empathetic supervisor. In the end, however, the cerebral approach of Inspector Morse is vindicated. One thematic element which makes this story satisfying is that to one degree or another, all of the culprits get what they deserve. ... Read more

Reviews (6)

New color era for Steed and Mrs. Peel
Following the huge success of the first filmed series of The Avengers, starring Patrick MacNee as debonair British agent John Steed and his cool, sophisticated partner Mrs. Emma Peel, the producers opted to make the next batch of 26 episodes in color, to be broadcast in 1967. In order to accomplish this, foreign backing was necessary, and the American networks were approached. The US had broadcast the black and white season four as a mid-season replacement, and were interested in moving forward with a color season in prime time, however they only provided enough backing for 16 episodes initially. Another challenge was that Diana Rigg was not particularly keen to film another season of the show, and demanded a huge salary increase in order to secure her participation. She got the money, but it was made clear it would be her second and last season with the show.

Apart from the use of color film, there were other subtle changes to the show for this fifth season. Both Steed and Emma were given new apartments and Mrs. Peel a much more stylized wardrobe. The device of ending each story with the two leads driving off in a variety of vehicles was abandoned and instead a tag scene was used to introduce each story, where Steed informed his partner that they were needed in a variety of humorous ways. Each story title was also given a two-line subtitle. After completion of the first batch of 16, the American backers did provide finance for a further 16 but asked for both the subtitles and tag scenes to be dropped, and also requested that Mrs. Peel's wardrobe became more recognizably en vogue.

After only 8 episodes were completed, producers Brian Clemens and Albert Fennell left the show after a disagreement and the new producers opted not to continue with Mrs. Peel and began their own interpretation of the show. It wasn't long before Clemens and Fennell were back in charge, but the 67 series ended with "Mission highly improbable," although Rigg was brought back in 1968 for the one-off "The forget me knot," to introduce her replacement Tara King. This episode is included in this release as a bonus episode.

In terms of storylines, acting and the wonderful interplay between the two leads, there is little difference between this color season and the preceding black and white stories and the show had really reached its zenith by this point. Certainly in terms of popularity and ratings, it was never as successful again. Interestingly, several of these stories are in fact remakes of earlier episodes from the Mrs. Gale era. "The joker," "The correct way to kill," and "The $50,000 breakfast," are all remakes, whereas "The return of the Cybernauts," is a sequel to an earlier Steed/Mrs. Peel adventure.

Fans of The Avengers will of course be delighted to have these discs, and I'd highly recommend them to any other fans of the sci-fi/fantasy genre, and indeed fans of the 60's spy format. If you've ever seen the dreadful movie featuring Ralph Fiennes and Uma Thurman, don't let that put you off. These stories are the real McCoy!

Pop Goes the Weasel
If you fondly remember that great British import that we watched on TV way back in the 60s then you no doubt know about the content of what you are getting. You are more likely concerned about the quality of the product. Like John might say to Emma, "You scratch my back and I'll scratch your back. Just watch the hat please." John and Emma are back and are here to stay via DVD technology. Being on DVD, the aesthetics about the actual episodes are not in question here. More appropriately one may ask how they look. They look good, very good, excellent in fact. Great 60s pop culture.

A great classic!
I remember watching the Avengers on TV 7-8 years ago when A&E was showing them. Now, I am glad to say that I can own this series. The Avengers have always been based on intelligent scripts, witty dialogue, and suspense. This set is no exception. This set contains very classic, very different episodes from the Avengers: suspense thrillers, psychological games, and good old espionage. I highly recommend it.

One of the best TV shows ever
I am thoroughly impressed with A&E's reissue of the Avengers series. Never have these episodes looked so good: the color is sharp, the sound crisp, and the shows themselves are as witty and fun as you remember. Yes, the "extras" are skimpy but to have three episodes on one disc is worth the sacrifice

Absolutely top-notch
The VHS (digital enhanced) version is beautiful. Vivid colors and seamless cuts. Looks as good as the day it was broadcast. Of course, the series is 5-stars plus (no doubt about that). ... Read more

Reviews (3)

Unlucky in love??......
Dear Inspector Endeavor Morse of the Thames Valley Police in Oxford England (the late John Thaw) is a good police officer. When he isn't dectecting, he's home listening to Wagner or Turandot on the phonograph and drinking whisky. On duty, he may often be found having a pint of dark bitter at a pub with Sgt. Lewis (Kevin Whately). Morse does have his problems with the opposite sex, however. He meets attractive women left and right, but they always seem to have a dark secret. Sooner or later, he is embroiled in their problems.

In THE DEAD OF JERICHO, Morse encounters the lovely Anne Stavely (Gemma Jones, SENSE AND SENSIBILITY) a fellow member of an Oxford community choir. One evening after choir rehearsal, Anne invites Morse back to her new flat in the recently gentrified Jericho section of Oxford. One thing leads to another, and soon Morse discovers Anne has troubling secrets she won't share with him.

The day of the choir concert, Anne does not show up. Morse drives to her flat only to discover Thames Valley Police SOCO (Scene of crime officers) at hand. Who killed the victim, or was it suicide? Who was the young man staying with Anne who kept a copy of "Oedipus Rex" beside his bed? And what about the nosy neighbor--did he see something he should tell the police? Morse soon steps into sticky ethical waters as he is no longer a disinterested bystander. His difficulties grow more complex by the hour as he discovers death, backmail, and other illicit activities in Jericho--all involving Anne.

This is an excellent DVD and a good recording of the original TV show. My DVD has a little documentary of the "Making of Morse" showing locations around Oxford. A definite plus for Anglophiles.

The best introduction to Morse
Not necessarily the best episode ever, this definitely gives you a good view of Morse's personality, and endears him to you immediately.

The first time I ever was arrested by Inspector Morse
One cold rainy night in England with nothing to do I turned on my television (only four channels available) and found a new show called Inspector Morse. I have always been a fan of the detective story in print and had read extensively in the genre. Similarly I was a great action buff, with one of my favorites being the Streets of San Francisco (I wonder why that is not available on tape or DVD?).

At first, the pace of the drama was slow and a little bit irritating but I recognised John Thaw from that superb action show, the "Sweeney" and Patrick Troughton as the irrepressible second Doctor Who. It did not take long before I was hooked by the simple device of trying to figure out whodunnit. Usually in these things, especially Columbo, it does not take that long to figure out but in this case it was clear that there were red herrings and little cul-de-sacs aplenty to intrigue the viewer.

The main character was often morose and grumpy, with no time for the trivia of life and did not bear fools gladly. Unlike most other shows, this Morse did not pander to popular culture, utilizing it to sell the show. Instead it was clearly aimed at a more highbrow audience yet through a medium that was often the subject of disdain in those circles.

Pretty soon the two hours of leisurely paced drama was over and that was IT. As I lived near Oxford I sought out the locations on my next visit. It took some time to digest the content of the drama over and above the story itself, the insider's view of the contradictions of the city of Oxford, the juxtaposition of town and gown etc.

But getting back to the story itself. This is more of a movie than a TV show. It is a gripping, compelling piece of police drama set against a backdrop of relative opulence and wealth as well as against a working class city background. It is a story of a dreaming city, of intellectuals and academics, a story of the mundane, of passions and secrets. It is the story of a man of Oxford and at once against the rituals and spectacle that the University has to offer.

At the end of this show, I came quietly. I have had the pleasure to have enjoyed every minute of Morse - being entertained and perplexed until the final moment when the killer is revealed.

This is a great introduction to a marvellous run. One last thought - how measured and appropriate the incidental music and theme are.

Full marks all round! ... Read more

Amazon.com

"The Empty House"
Did Sherlock Holmes survive his apparent demise at the hands of Professor Moriarty in "The Final Problem"? Clearly so, as his resurrection three years later in this story is a dramatic and happy event--though it causes his old friend Dr. Watson (Edward Hardwicke) to faint at the sight of him. Jeremy Brett is outstanding as the famed sleuth, whose return from what Sherlockians call the Great Hiatus is challenged by one of Moriarty's most murderous lieutenants (Patrick Allen), already a killer on the run in London. The action is swift and exciting, and the colorful reentrance of Holmes into the life of Dr. Watson is a highly memorable event. With Rosalie Williams in a more extensive part than usual as the wonderful Mrs. Hudson, Holmes's Baker Street landlady.

"The Abbey Grange"
"We have not yet met our Waterloo, Watson, but this is our Marengo, for it begins in defeat and ends in victory," says Sherlock Holmes, in the midst of a bloody mystery with significant moral and ethical implications. Holmes and Watson are summoned to the Abbey Grange, where Sir Eustace Brackenstall has been brutally murdered, apparently by a local gang of thieves. But the case proves much more complex, and ends with one of Holmes's rare but decisive and personal interpretations of justice. An early episode in the new onscreen association of Brett and Hardwicke (who ably replaced the departed David Burke), the two actors seem as perfectly meshed as their allied characters. This fine production is as enjoyable for the casual viewer as it is for the most dedicated Sherlockian. --Tom Keogh ... Read more

Reviews (12)

We are so glad to have you back, Mr. Holmes
While it is wonderful to have Sherlock Holmes back among the living, the real star in this video is the introduction of Edward Hardwicke as Watson. He is so comfortable and bemused as the teller of Holmes adventures that you believe him to be Watson. The screenplay is a bit uneven at points. It's almost as if the short story was unnaturally stretched to fill the time slot. But despite all that, Jeremy Brett is in top form as he keeps Holmes barely one step ahead of Moriarty's thugs and the infamous air guns.

Sherlock Holmes is back!!
When Conan Doyle wrote the "Final Problem" it was supposed to be his last chronicle as he was tired of the character. But through public pressure he brought back the first Consulting Detective. In this adventure we find out that Sherlock Holmes didn't die with his "evil counterpart" but had to stay in hiding in order to evade Dr Moraity's accomplices. When the story starts, years has gone bye since the "death" of Mr Holmes and a crime gets the attention of Holmes old cohort, Dr Watson. A murderer is afoot, and nobody knows who he is and why he kills. You can guess who comes a calling. The scene where Sherlock reveals himself alive to Dr Watson is right out of the book and brought off in great fation. This is an exellent sequel to the "Final Problem" where Sherlock Holmes retakes his place in London as it's most famous Detective and ties off any loose leed left in the earlier story. As per usual Granada Television rendition of this story is visually astonishing in the period details and scenes and Mr Brett depiction of Holmes is right out of the book. If you saw "Final Problem" this a must see. If you haven't, get both

We love it
With Sherlock Holmes dead at the Reichenbach Falls, Watson returns to his daily life. But, three years later, when Holmes suddenly appears in his examining room Watson receives the shock of his life. But, it's not time for happy reunions; Holmes is on the track of a major villain, and he is in need of his able assistant. Once again, the game is afoot!

Every once in a while, an actor comes along who not only plays the role of Sherlock Holmes, but actually redefines the role. In 1984, veteran actor Jeremy Brett (1933-95) actually did it yet again! This fifty-minute episode, the Empty House, was episode one of the third season, and originally aired on July 9, 1986. (By the way, if you like Jeremy Brett, you can see him in an entirely different role in My Fair Lady (1964) as Freddie Eynsford-Hill!)

I loved this tape and think that any fan of Sherlock Holmes, or just plain fan of mysteries, will love it, too. My family and I highly recommend it to you!

Excellent DVD
These two stories may not be as involved as some contemporary mysteries involving modern forensics, but Holmes' use of rational deduction and the forensics of his time (late 19th Century) is grand. If you are a true mystery fan, this is the place to begin--and return to again. Conan Doyle was a superb story teller.

The first story involves Holmes reappearance following his reported death at the hand of his arch enemy. Conan Doyle "killed" his dectective because he was tired of writing Holmes serials for the newspaper, but Holmes fans were so outraged and heartbroken the author was forced to resurrect him.

This volume marks Holmes "return" following the notorious "fall" in the Alps only to find himself pursued by a crony of his dead arch enemy (Professor Moriarity). The second tale involves the death of the owner of the Abbey Grange--who did it? Was it his Australian wife, her nanny, or the three villans the wife says hit her and tied her to a chair. Holmes is back in fine form and the "game's afoot" he tells Watson. The film includes the live depiction of illustrations from the Sherlock Holmes books we read as kids.

The DVD version of these two Sherlock Holmes tales is excellent. I love the reenactment of past times where every detail is faithfully depicted down to the steam from the locomotive engines and being able to see the detail with clarity is a pleasure.

Jeremy Brett is Sherlock Holmes
I am once again transfixed on my television and I have gleefully tossed out all my home tapes of the PBS series - they were horrible quality. What can I say...like a kid in a candy store..which episode do I watch next...were all life's problems so easy to deal with... I have most all of the old B&W ones in various 'collections' but...to me...there has been no Holmes like Mr. Brett. I would definitely recommend any and all of these episodes to EVERYONE!! A true 'must see'. Superb! I have them all up to date as far as I know but I am hoping for more releases. ... Read more

Reviews (1)

GREAT
Its a great movie if you like suspense and action. I love it when the guys head catches on fire! ... Read more

Reviews (2)

Excellent episode....
DECEIVED BY FLIGHT, made in 1989, is one of the better Morse dramas. Morse (John Thaw) is more light hearted in this film than some of the later episodes and it is a joy to see him interact with the other actors including his Sgt.'s child. He actually engages in a bit of prank-playing with Robbie (Kevin Whately) who, forced to go 'undercover' as a porter at one of the local colleges at Oxford, finds himself "watching" Morse's parked car as part of his duties.

The gist of the story is that an old boys club called 'The Clarets XI' is in town for an annual cricket match. One of the members, as well as the team coach are former classmates of Morse. The player-friend approaches Morse for a get-together lunch which turns out to be fish and chips on a park bench near the Thames. Morse senses that his former flatmate has something important to share but he can't quite bring himself to the point of telling Morse what it is. As they part, the friend mentions a Zen saying that involves the sound of one hand clapping and a dead student. Later, the friend turns up dead as a result of suicide. Or was it suicide. Soon Morse believes the man was murdered and he is on the trail of the killer. Was the killer his beautiful wife who could have been having an affair with one of the other cricket players? Was it one of the other cricket players? And what about the couple named Foster who behave suspiciously by asking Robbie the porter for a key to the dead man's room.

This episode has it all-great scenes of Oxford and its environs; Morse and Robbie struggling over the cricket match versus classical music on the various office, car, and other radios at hand; Robbie showing he can play cricket as well as any upper class ponce; a really interesting cricket match (I finally realized the pitcher is trying to hit the little poles behind the batter); Morse sleeping through the cricket match; and Morse falling for the wrong woman. The cast includes some familiar faces such as Daniel Massey, Amanda Hillwood, Sharon Maughan, and a very young Nathaniel Parker.

A complicated mystery for amateur sleuths to solve.
Deceived by Flight is one of author Colin Dexter's favorite televised Morse mysteries. Having seen at least twenty or so of these fine programs, I agree with his judgement.

The performances are uniformly excellent; not just Morse, played reliably and well by the fine actor, John Thaw, but also the supporting cast, particularly Kevin Whately as his able assistant, Sergeant Lewis, and Sharon Maughan as Kate Donn, television hostess and wife of slain barrister Anthony Donn. The plot is complicated and the clues are difficult for even Morse to decipher. Apparently Anthony Donn has committed suicide on the eve of his participation in a cricket match at Oxford. Morse doubts that his old friend deliberately killed himself and begins questioning suspects. As we soon find out, much more is at stake in this mystery than the death of an aging cricket player.

Cricket is part of the fun of this mystery. Much time is spent discussing the sport (Morse would prefer to listen to his music) and we also get to see it played. Sergeant Lewis goes undercover as a porter and expert batsman. At the matches another murder takes place and now Morse must try to determine if there are connections between the two deaths.

I think most viewers who watch the Morse series of films like to put their detective caps on and follow the clues carefully to see if they can arrive at the answers before Morse. Deceived by Flight will keep even the best armchair detectives struggling with clues until the satisfying conclusion of this fine program. ... Read more

Reviews (1)

The Last Enemy
This one has more humor than any of the others I think.Morse is really going for women in these one. He has a toothache and its pretty funny. So I suggest you get a sotch and enjoy this epiosde. ... Read more

Reviews (1)

Morse in God's Own Country?
Promised land begins, rather unpromisingly, with Morse and Strange observing a funeral and identifying in the grand tradition of detective movies the villains. A nod to the old Thaw series, the Sweeney, the show continues in this vein for a while as the boundaries are established, of getting the final villains, the possibility of a gang's release.

Morse is ordered to revisit a supergrass to try to uncover evidence which would resolve both the issues. The snitch has begun a new life in the equivalent of the witness protection scheme so everything appears to be straightforward.

On the eve of their departure, Lewis is more than a little miffed at having to forego his vacation, a burglary occurs at the local freesheet newspaper and in the grand Holmesian tradition, nothing is stolen.

Off our intrepid heroes set for Lewis to discover that the person they are visiting was transplanted to Australia.

There are some spectacular shots of the countryside which dwarf the car that they are driving and which serves to give a sense of perspective on the vastness of the country. In a vignette Morse discovers that he has not brought his beloved opera tape with him to play on the long drive. Lewis, searching for an alternative discovers country music, Australian style, on the radio. This again underscores the notion of Australia as a new country shaking off her connections to Britain.

On arriving at their destination the sterotypical portrayal of Australian men as boorish, gambling, womenisers is presented in a scene where Morse and Lewis venture into the local bar. In a very funny moment, Lewis orders a beer while Morse contents himself with an orange juice - a reversal of the usual position - which moves on to a condemnation by Morse of non-real ale and a perception by the locals that Morse is possibly homosexual.

The plot develops with a mysterious stranger driving a camper, the stoolie's wife is both hostile and yet welcoming. Her husband has disappeared, nothing new in that, and Morse and Lewis expend considerable energies in the search.

As the programme develops the stereotypical views of the country and it's people are challenged and they are shown to be warm, sociable, and open minded.

In the conclusion, in front of the Sydney Opera House, Lewis has resolved his issues by remaining in Australia to be joined by his wife. Morse is left in solitude with his ticket to the opera, a tragic figure who is unable to articulate his feelings.

This Morse does not have the usual twists and turns and in many ways is one of the most approachable of the shows. Regardless it is still terrific entertainment and well worth the five stars. ... Read more

Reviews (11)

I love Jeremy Brett!
Okay, maybe I'm partial because of my deep and undying love for Jeremy Brett, but I love every video in this series. This one is a little skimpy on Brett-time, and it's not clear who some of the characters are. I think this comes from extending one of the shortest stories in the Canon into a two-hour movie. But if you want to see Holmes as a weepin', kissin' fool, this is the film for you. This is one of the only episodes where Holmes shows anything approaching deep emotion, and I love it just for that. And Jeremy Brett. (Yeah, I know he's dead. If I ever learn how to revive people...never mind.)

Very underrated
This late-era Jeremy Brett is typical of the period; there is a certain style to these later episodes that is quite appeaing. Those who only know the earlier episodes will probably find them unrecogniseable.

"Master Blackmailer" is directed very stylishly. Even though this can be pretentious (like in "The Eligible Bachelor"), in this case I like it. I like the oipening scene where the butler rescues the compromising lketter from the fire (to give it to the master blackmailer of the title). At first all you can see is the butler's employer, with what looks like his shadow behind him. After a few moments you realise that it isn't his shadow - it is the shadow of his butler, projecvted somehow behind him. When the letter is thrown into the fire the shadow seems to reach towards it; a reference to Nosferatu.
This shot can mean many things. Perhaps it means the butler is so close to him that he is barely noticed - that he is invisible (because discreet). Or the shadow could represent the Count's unconscious - he secretly WANTS the letter to be found.

I like the actor who played Milverton too. His mannerisms are very much my image of the fellow from the short story.
Jeremy Brett and Edward Hardwicke are very impressive here.

The episode as a whole is surprisingly close to the original story, despite its odd style and length. The final confrontation between the Countess and Milverton is played out exactly according to the description in the book - movemewnt for movement, word for word - and it's very dramatic indeed!

This program has been underrated, and ought to have a much better reputation. Certainly the good reviews given to its two companion pieces - The Last Vampyre and The Eligible Bachelor - are less deserving! The Eligible Bachelor, especially, I don't like - I think it is pretentious and silly, though I understand what it is trying to say.
The Master Blackmailer is one of the best Holmes episodes of the Jeremy Brett series, and is definitely worth seeing.

Outstanding Holmes film
Outside of The Eligible Bachelor, The Master Blackmailer (TMB) is the 2nd best of the Holmes films from Granada. Taut and suspenseful, and one of the best played villians since Eric Porter's Moriarty.

While it is primarily more of a caper like than detective outing in this one, it nevertheless has more action and even a love sequence of sorts involving Brett and a housemaid.

Again, not the best place to start with Brett's Holmes series, but it is certainly one of the most cherished of episodes and entertaining one.

Catch this one.

Not a mystery, a drama (and a good one)
If you go into this movie expecting to see Holmes fall in love, or to see a deep and profound mystery slowly unravel, you will be disappointed. If, however, you watch with an open mind something that strays far from the usual clues-deduction-resolution-story, you might find that you enjoy this immensely -- as I did.

What it does offer in terms of plot is a coherent, wholly believable story that smacks of reality much more strongly than Holmes' usual, more flamboyant exploits. There are ethical issues that arise, centering not only around a flawed and hypocritical society, but around the actions of Holmes himself. He commits several illegal acts and at least one immoral one; it is interesting to see him struggle with his choices, trying to justify them and, in the end, failing (at least in his own eyes, as guilt prompts him to censor Watson's writing).

Milverton is played superbly -- he is a wonderful character to hate. Watson's role is minimal, but his verbal echoing of Holmes' conscience is important. As for Holmes -- people have mixed feelings about his seduction of the maid. Personally, I think this episode offers wonderful insight into his character. He does not fall in love; what he does do is confront the immorality of his own actions and the innocence of the girl whose naive affection for him is something he simply is not prepared to deal with. Holmes is a cold man; the implication in this film is that his childhood was equally cold and lacking human affection (listen to the conversation he shares with Watson outside Milverton's house). There is a reason the maid affects him so much. And a good part of it is his conscience -- which becomes evident if you listen closely to what prompts his emotional reaction to her ("Are you a burglar?" Yes, you are Holmes. Yes, you're using her for information. And she just offered to marry you. Don't you feel like a bastard?)

I would not recommend this as a starting point for viewers new to the series. While it is a good movie in its own right, it depends on characters that have been developed over many hours in other episodes; Holmes' and Watson's behavior have more meaning when viewed with prior knowledge of their characters.

Absent from the end is a humorous scene with Lestrade -- a pity, because Holmes-Lestrade interactions are always entertaining. By the end, however, the film has set such a dramatic and melancholy tone that humor seems not to fit, so perhaps it is for the best.

If you enjoyed other Holmes episodes with Brett, you will probably enjoy this one. It is the best of the feature films, and one of my favorite episodes.

pretty good
I found this one to be surprisingly good. I wasn't sure what to expect after having read mixed reviews, but I enjoyed it. It did get off to a slow start, but after about 20 minutes it became pretty good. Most of the pastiche scenes work fairly well in the film and do not seem like padding.

The writing isn't quite as strong as in the earlier episodes, but it isn't awful either and there are enough cool scenes in the film that make it well worth watching in spite of anything that may be lacking in the writing.

Also, Jeremy Brett was good in this film. He wasn't as spectacular as in the earlier episodes but he was still very good and if you have enjoyed his performances in other episodes, you will not be disappointed with him here.

And, as another reviewer pointed out, Holmes does not fall in love in this film. I suppose that it could be interpreted that way, but I did not feel that Holmes was in love with Milverton's housemaid in this movie no more than I felt that he was in love with her in the short story.

Overall, this is a pretty good film and if you have enjoyed other episodes in this series, then I would highly recommend seeing this one as well. ... Read more

Amazon.com essential video

A toast to A&E for releasing this two-volume set of vintage episodesfrom the fourth season of The Avengers. The Avengers debuted in Great Britain in 1961 (predating the James Bond films), but it was not until the late 1960s that it found a welcome home in the United States. Unlike other baby-boomer-era series, The Avengers was not widely syndicated or officially released on home video. This may be one reason why these rarely seen episodes seem as cool as when they first aired. Another reason, of course, is Diana Rigg in her signature role as the ravishing Emma Peel, partner to Patrick Macnee's urbane, umbrella-toting spy John Steed who is every bit his equal in dispatching villains or engaging in provocative banter. What makes this collection of particular interest is that these episodes introduced Mrs. Peel. Steed andMrs. Peel were the Mulder and Scully of their time; they investigated extraordinary goings-on in the most ordinary locales, such as a seaside town populated by sinister imposters, in "The Town of No Return" or a department store that has been rigged with a nuclear bomb, in "Death at Bargain Prices." Also included is "The Cybernauts," which was the first Avengers episode to be broadcast in America. It is representative of the series' best, with its automated assassins and a colorful madman who plots to install an electronic dictatorship. Other episodes are the haunting "Castle De'ath," "The Gravediggers," and "The Master Minds." All are in glorious black and white and highly recommended. --Donald Liebenson ... Read more

Reviews (7)

Deadly Dame Peel.
I have been a huge fan of this series since first seeing it as a kid. My admiration has not diminished for this groundbreaking series. Leave it to the classy Brits to come up with the first "strong woman" of television. The first time I saw Diana Rigg as "Mrs. Emma Peel", I was hooked. Don't get me wrong, I loved Patrick Macnee as "John Steed", so cool in his fabulous English suits and walking stick. But, it was Mrs. Peel that had me fascinated. Oh, the excitement I'd feel when she donned one of her skin-tight body suits, then you KNEW a battle was soon to follow. One of the best things about this series, and one that was remarkable for that time, was the equality of both their characters. Steed had total respect for Mrs. Peel, and she got him out of many scrapes, usually dispatching her opponent with a few karate chops. To see a woman, indeed an incredibly sexy woman, display strength, power, intelligence, and beauty, all in one portrayal, was absolutely unheard of at that time. What they had is called CHEMISTRY, and, it is rare. Though partners against the evil forces that be, who used their brains as much as their physical prowess, their underlying flirtation with each other via witty repartee never waned, and was a big part of their success. I must admit to sadness when Diana Rigg's Mrs. Peel left the series. I tried to get into the new character, a lovely Brit girl whose name was, I think, Linda Thorson(?). But, no, Mrs. Peel was irreplacable, my heart was broken, and I, like many, abandoned the series from that point on. Though this dvd contains one of my favorite episodes, "The Cybernauts", I still intend on getting the entire "Mrs. Peel" collection, it's on my future "must-have" list. This series also had one of my all-time favorite intros, it excites to this day. Maybe those younger will not totally appreciate the lack of computerized special effects of this time period. But, for me, there was more excitement, beauty, and intelligence in Diana Riggs Mrs. Peel than in any Anjelia Jolie opus. Mrs. Peel remains the personification of Strong Woman, against whom all other strong-woman-glamour-pusses are measured.... yet pale. The one whose beauty, brains, and power were made to be worshipped, and, worship her you shall!

New partner for Steed
These DVD's from A&E represent the best known and certainly the most popular era of the long running British TV fantasy-adventure series "The Avengers." Made between 1965 and 1966, all 26 episodes of the fourth season of the show are available here on eight discs in four sets, or two at a time.

When Honor Blackman (Mrs. Cathy Gale) left the series after season 3 to take up the lead role in the Bond movie "Goldfinger," the producers had already made the decision to start filming the series, moving it out of the TV studio and giving it a much glossier and dynamic feel. John Steed (Patrick MacNee), the debonair British government agent stayed on and his new partner was devised by the production team to be another tough, all-action girl with "Man Appeal." M-Appeal (geddit?) Elizabeth Shepherd was cast as Mrs. Emma Peel and two episodes were filmed before it was mutually agreed that she didn't meet the expectations of the production team. A quick replacement was sought and in stepped Diana Rigg. A TV legend was born.

The relationship between Steed and Mrs. Gale had always been haughty to say the least. With the introduction of the widowed (or seemingly) Mrs. Peel, the relationship between the two leads became much closer with a great deal of sexual tension. Mrs. Peel was as intelligent, quick thinking and emasculated as her predecessor, and initially at least shared her penchant for leather outfits, but she was also certainly softer and more readily prepared to act as Steed's partner in their adventures.

The stories were certainly becoming much more fantasy bound, and the use of diabolical masterminds and organizations with bizarre acronyms became the norm for the stories from this series on. The fantasy and sci-fi elements of the show were highlighted more than before and the fashions and design of the show took on a much more stylish and indeed 'stylized' look. The success of these elements was immediate, and huge ratings in the UK followed, plus overseas transmissions of the show followed for the first time. Such was their success indeed that another 26 episodes were soon commissioned, this time to be made in color.

The stories have supposedly been digitally re-mastered for these DVD releases, and indeed the picture quality is pretty impressive, but there is still sparkle and dirt on the prints that may detract from the quality for some viewers. The 26 episodes are presented in the same order of their original UK transmission. Unfortunately, as with all the A&E Avengers releases, there are no extras at all. Not even production notes. However, there are menus included, which are nicely done.

This for me is the very best season of the show, with great style and wit accompanying the excellent scripts, direction and production values. I'd certainly recommend this release to anyone.

The Awesome Avengers
This Avengers is a must have DVD!Steves Helarious! Emma Rocks! It's an all round funny show.

The 3 Worlds of John Steed
John Steed must have felt like Gulliver in the three worlds of Kathy Gale, Mrs. Emma Peel and Tara King. 'The Avengers" was a popular 1960's British fantasy-adventure series that focused on the exploits of a male-female duo in the service of the British government. The series underwent several changes of its female lead but its one constant male lead was John Steed always portrayed by the debonair Patrick Macnee (Originally the John Steed had two male partners but that format eventually changed). Kathy Gale portrayed by Honor Blackman became Steed's first female partner. However, when Honor Blackman departed the series and Diana Rigg entered as Mrs. Emma Peel, the show became an international sensation. Rigg brought sophistication, wit, charm and beauty, which hid her lethal and highly visual judo and karate abilities. Macnee and Rigg complemented each other beautifully with their carefree witty and charming exchange of dialogue. The show distinguished itself with bizarre and futuristic villains and fantastic plots. Popular at the height of the James Bond craze, the show was able to distinguish itself with its simply over-the-top visual style. Laurie Johnson's catchy and sophisticated main title theme matched the visuals of the show and still conjures up an image of the series when listened to today. When Diana Rigg left the series, Linda Thorson entered as John Steed's new partner Tara King. The series soon went off the air in the United States. It was a shame because the episodes with Tara King were quite good. The King episodes seemed to be a little more down to earth and contained some very good writing and intricate plotting. In any event series definitely left its mark amongst the finest. These DVD copies are gorgeous and they sound great in Dolby Digital 2.0 Mono.

Look Steed 2 Volumes
John and Emma are back and are here to stay via DVD technology. Being on DVD, the aesthetics about the actual episodes are not in question here. More appropriately one may ask how they look. They look good, very good. If you relish a series like "The Avengers" or "Twilight Zone" you no doubt know about the content of what you are getting. You are more likely concerned about the quality of what you are getting. Like Emma might say to John, "Can I borrow your umbrella? Thank You Mother. ... Read more

Reviews (6)

Below average storyline
The only way I can describe this story satisfactorily is to call it "Sherlock Holmes on acid". Sherlock is having nightmares that are actually premonitions of his next case. It's time to hang up the deerstalker when we see Holmes having psychic visions and running about the street in his nightgown. It's not only Sherlock Holmes who's having a bad day here...it's a great looking production, but the storyline and direction ensure that that the audience is just as confused as the Great Detective.

As far as the two lead performances go, Jeremy Brett is in very bad shape here. He was unfortunately extremely ill in the last few years of his life as he was battling heart problems and manic depression. In this story, we can see the effects the damaging drugs he was prescribed were having on him...he is bloated, his movements are sluggish, and he has trouble getting through his lines without wheezing. It's a tribute to Brett that he was still able to continue as Holmes at this stage of his life, but it's hard to enjoy this story (and the follow up series, The Memoirs Of Sherlock Holmes) seeing this once vibrant actor at such a low ebb.

Edward Hardwicke is in good form as Watson here. Since his introduction in The Empty House from The Return Of Sherlock Holmes (also available from Amazon on a single DVD and in the series box set), Hardwicke proved himself to be the one dependable and consistent element of the Granada Holmes series right through to its end. Changes in production staff, budgets, and Brett's health problems all impacted sometimes negatively on the series...but Hardwicke could always be counted on to give a great performance. He was really the backbone of the Granada series throughout most of its run and he deserves a great deal more credit than he usually recieves.

I view this story more as an interesting curio than a serious addition to the screen adventures of Sherlock Holmes as produced by Granada. It's unfortunate that the series didn't end with The Master Blackmailer as everything that followed was mostly mediocre, and as tired and out of sorts as its star.

A Sherlock Holmes Masterpiece
This was the last of the full-length Sherlock Holmes films produced by Granada featuring Brett and Hardwicke. And it is also the best.

Veering away from a more conventional approach, Eligible Bachelor (EB) features a more artsy and filmic approach by Peter Hammond, and in improving the original short story by Doyle, Trevor Bowen managed to wring out an exceptional script that turns the light hearted tone of the original into a dark, almost gothic masterpiece.

Brett is at his best and considering his health problems at the time, his performance was just sensational. The production values were at its best and unlike the lackadaisal Last Vampyre, EB is gripping, and suspenseful till the end.

As a full-length film, it is perhaps the best of almost all Sherlock Holmes filmes out there, atmospheric and authentic, but with the additional of the best Holmes and Watson ever to grace a screen.

This may not the best place to start with Brett's Holmes, but it is certainly the pinnacle of an outstanding series that easily the better of 90 percent of all Hollywood films being released now.

A Masterpiece.

Too Little Holmes!
The trouble with the lengthened 2-hour Sherlock Holmes films with Jeremy Brett was that they often wound up boring. This one is pretty good, and a little spooky, but parts of it have too little Holmes.

A masterpiece of the time
This film left me cliff- hanging. The first time I watched it I couldn't go anywhere. I stayed right in front of my TV and watched. It is a confusing story for there are many people but they all connect in the end. Brett is one of my favorite people to play Sherlock Holmes. This is a treasure.

Weird, Creepy & Good
Sherlock ain't looking so good, at least not at first! He's having premonitory nightmares, which Watson says is impossible according to the "new" Freudian dream theories. He's wandering the streets of London. He's disgusted by everything: pygmies! written requests for help! Watson's requests for him to eat! He even confesses to a sickened Watson about being grievious about Moriarity's demise, missing Moriarity's combination of science, crime and evil. Holmes has lost all interest--in anything--until a mysterious veiled woman drops off a note stating, "What about Helena and Maud?" The apathetic Holmes had entrusted Watson to handle the preliminaries of the Eligible Bachelor Lord Robert St. Simon's missing wife case; but the mystery woman's note jolts him, and off he goes! The overtone of the entire movie is more morbid and creepy than not; however, it is well worth watching. Some of the best features are watching Holmes' recurring premonitory nightmare unfold; and watching Holmes rise up from his state of utter disgust, drug abuse, starvation, nightmarish, reclusive illness to his shining, exuberant, egotistical, and compassionate crime-solving and victim-freeing state. The plot was a bit disjointed during the first third or so; however, it nicely jelled in latter. I was somewhat dismayed that the plot would allow the "missing" bride Hettie to reproach Lord St. Simon (her most recently wed husband) about his previous wives all alone, but by the end of the scene, one understands her need to have done so. ... Read more

Amazon.com

"The Devil's Foot"
One of the most interesting stories in the Sherlock Holmes canon, "The Devil's Foot" finds the Great Detective's friend and ally, Dr. Watson (Edward Hardwicke), pressuring the exhausted sleuth (Jeremy Brett) into joining him on a vacation on the Cornish coast. Instead of relaxation, however, Holmes and Watson encounter one of the most horrifying multiple murders they have yet come across. Though our heroes nearly die from Holmes's effort to prove the cause of death, they carry on until Holmes finally unmasks the identity of the culprits--and then makes a controversial decision about the fate of one. Brett and Hardwicke excel as Sir Arthur Conan Doyle's famous team, who are under more duress than usual in this fascinating tale.

"Silver Blaze"
Sir Arthur Conan Doyle caught a fair amount of flak for getting a lot of details wrong in this story about the training and racing of horses. Nevertheless, it is one of his most popular yarns and makes a fine basis for this vigorous 1988 episode from the Granada Television series about Sherlock Holmes. The Great Detective and Dr. Watsonhurry to Devonshire, following the murder of a trainer and the disappearance of Silver Blaze, a swift horse heavily favored to win the big-money Wessex Cup. Holmes takes some snarly barbs from Blaze's rich owner in stride--though he has his revenge on the arrogant fellow later. The mystery is a keen one and the solution is among Doyle's most inventive. Brett and Hardwicke are at their best as the dynamic duo.

"The Bruce Partington Plans"
A junior clerk working for Britain's defense planning dashes off in the middle of a date with his fiancée, and turns up dead along some railroad tracks--apparently having been pushed from a train while carrying several secret documents related to England's development of a submarine warship. Was he a traitor? If so, who killed him? The case is brought to the attention of Sherlock Holmes and his Dr. Watson, by none other than Mycroft Holmes (Charles Gray), brother of the Great Detective and indispensable repository of government business. Sherlock's conclusions, however, prove there is more to the truth than meets the eye. Brett, as always, is the perfect Holmes while Hardwicke is the ideal Watson for the latter years of their crime-fighting career. A strong story with some of the sleuth's most impressive investigatory work, "The Bruce-Partington Plans" is a worthy part of the long-running Granada Television series, based on Arthur Conan Doyle's famous character. --Tom Keogh ... Read more

Reviews (1)

Excellent Holmes, excellent television...
These three Holmes episodes are a good variety of Holmes stories, and possibly might be the best DVD for the starting Holmes viewer. Brett and Hardwicke make the best Holmes/Watson ever seen on screen. The adaption of the Conan Doyle stories to TV work perfectly and are some of the best written, directed and acted television made yet.

Particularly memorable are the drug sequences in Devil's Foot, along with the story's very odd and lucid atmosphere. Bruce Partington is one of the best episodes since it has brilliant interaction between Sherlock, Holmes, Mycroft, and Mrs. Hudson, Sherlock's ever working, ever chiding house keeper. This story based around stolen plans for a top secret submarine puts Holmes through his greatest odds against a case with a thinnest thread to begin. And it is also the case with the greatest political conseqences for the world. It seems everytime the highest level of government calls on Holmes he winds up going to the furthest extreme, such as the cat burglery he commits in this episode. Arthur Conan Doyle's writing plays on so many levels and in Bruce Partington it is particularly adept because he writes about the arms race and balance of power in Europe that would eventually snap into World War One. His stories of Holmes also persevere because of the underlying optimism of his Britain; he writes the main criminals as generally rich and priviledged while the average man might be grubby, unrefined and ignorant, is extremely loyal and hardworking. It is no doubt why these are classic literature, and now classic television. ... Read more

Amazon.com

This special, four-episode volume unhappily brings the Mrs. Peelchapter of The Avengers to a close. "The Positive-Negative Man" is a shocking tale about an electronically charged killer dispatching members of a scientific research team with one touch of his finger. Steed (Patrick Macnee)and Mrs. Emma Peel (Diana Rigg) get a dose of high voltage, and the story is deliciously tense at times (who doesn't remember being a kid and squealing when somebody threatened to poke you with a finger?), but the wacky plot keeps matters from getting too serious. Good surreal fun and delightfully sexy. "Murdersville" is a dark tale about a quiet English town in which nearly all the residents participate in killing for a fee. Mrs. Peel discovers this the hard way when an old friend inadvertently leads her into danger there--some of it quite medieval, as in a tense scene where Emma nearly drowns in a witch's ducking pool. Highlights include a phone ruse in which our beautiful heroine foils her captors by calling her "husband John" to reassure him, and a climactic fight that manages to make pie-throwing a deadly art. "Mission Highly Improbable" follows, a wild story about a miniaturization device being used by villains to shrink their enemies to pocket-size--at which point they can be tossed into the trash or washed down a drain. The action gets even more fun when Steed and Mrs. Peel, at different times, are themselves made tiny and have to make do in a world of giant--though ordinary--objects such as pens and telephones. Finally, there's "The Forget-Me-Knot," in whichMrs. Peel's replacement on the show and in partnership with Steed is introduced: Tara King (Linda Thorson). The script concerns a traitor within the intelligence organization and his henchmen, who are using a memory-killing drug on their victims. But the strongest moment anyone watching this show will remember is a coda in which Steed and Emma say goodbye. Crushing! --Tom Keogh ... Read more

Reviews (2)

SHOCKING POSITIVELY SHOCKING
Shocking! Positively shocking! No, I am not referring to the comment that Sean Connery made after he electrocuted an undesirable in his bathtub at the beginning of "Goldfinger." No, I am referring to "THE AVENGERS" episode, "The Positive-Negative Man" in this set. I am also referring to the episode, "The Forget-Me-Knot" where Mrs. Emma Peel portrayed by the exquisite Diana Rigg departs from the series and is replaced by Tara King in the person of the lovely Linda Thorson. Shocking! That episode has something to do about introducing memory loss on some unsuspecting chap or something. I seem to have forgotten. Now where was I? Oh yes, poor Patrick Macnee! I don't think that debonair John Steed will ever recover from all these different female partners or should I say work associates! I mean going up and down stairs, forgetting one's umbrella and all that! Really! Good show all around!

Enter Tara K