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| 1. Garfield - The Movie Director: Peter Hewitt | |
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Reviews (70)
The movie starts out with a few scene-setting vignettes, brief unconnected tales much like the Jim Davis comic strip the movie was lifted from. But right away something is amiss. Jon, Garfield's human, isn't presented as a complete loser. He lives in a very nice house in an unspecified part of the midwest that looks suspiciously like Oak Park or a similar John Hughes location. The furnishings are tasteful and reasonable quality. And Jon isn't completly incompetent in his day to day actions. And what's worse, Jon's unrequited feelings for Garfield's veterinarian, Liz, are not thrown in his face (as per the strip) but returned within the first 20 minutes. The vet character is just as wrong as Jon; both are cute, thin, and dress well. Jon should be a zhlub, Liz should be strictly business. Here, Jon's a heartthrob and Liz dresses like she's on her way to a disco. Wrong, wrong, wrong! The major plot point is okay (evil cable-TV animal show host kidnaps Odie after dog wins a blue ribbon, Garfield rescues him), the animated Garfield is done well, and the status quo is preserved. My kid liked it okay. But I would not advise anyone over 12 to watch this unless accompanied by an interested elementary schooler. 14 June 2004 by mad-haus
For all I care, they can wear dunce caps on their heads (ha ha.)
If this film resembles anything, it's one of those bad Disney talking animal movies from the '60s. Plot modus operandi: Animal with extraordinary abilities is abducted and exploited by evil, greedy big city person, other animals and/or animal owners must come to the rescue. Yawn. I wouldn't even mind the uber-generic plot contrivances if they were spruced up with some decent gags, but you could count this film's laughs on one finger. What Garfield really needed was a punch-up by a bunch of Simpsons writers. I wouldn't mind buying Chris Beck's (Buffy) fun but rather standard score if I came across it in a bargain bin somewhere, but barring that unlikely scenario I'm likely not going to go out of my way to track down a promo. Even his work here remains more of a "Meh" than a "Hmmm... neat." ... Read more | |
| 2. Tales from the Crypt - The First Season Director: John Herzfeld, Mick Garris, Ramon Sanchez, Randa Haines, Richard Donner, William Friedkin, Walter Hill, Gary Fleder, Larry Wilson, Peter Hewitt, Jack Sholder, Peter S. Seaman, William Malone, Michael Thau, Russell Mulcahy, Joel Silver, Peter Medak, Tom Mankiewicz, Mary Lambert, Fred Dekker | |
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Reviews (4)
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| 3. Princess of Thieves Director: Peter Hewitt | |
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Reviews (17)
But this is the kind of children's film -- presumably made FOR girls -- that I absolutely detested as a child, and I think most pre-teen and adolescent girls would ultimately feel the same way. It sets up a scenario where you THINK you are going to see a high-spirited and adventuresome girl actually getting to ride horses/shoot arrows/fight etc....but what you actually end up with is a super-pretty model-type actress who wears mascara and lip gloss in Sherwood Forest, has a perfect fashion model figure and doesn't actually get to do much in the way of action. Much of the movie's action scenes (and plot) surround Robin Hood (Stuart Wilson) or other characters. The thrust of the plot surrounds not Gwyn's own adventures, but her desire to be with her mostly absentee Dad. Very wholesome, but not very interesting. Obviously this was made for TV or cable and it has a painfully low budget look, with most of the movie shot in close ups (eliminating the need for much in the way of extras or sets). The quality and staging of the fight scenes and archery is especially lame and unprofessional looking. But the lameness is evident in other ways that are really unnecessary, even from a $$ point of view: such as when Gwyn decides to disguise herself as a boy, she has to cut her hair. It appears that Ms. Knightley's own hair at this point was cut in a chin-length bob. So when her character first appears with long hair, we can assume it's hair extensions...therefore, it shouldn't pose any problem to actually SHOW her cutting her (fake) hair! But the director skips this pivotal scene (showing the character transforming from girl to "boy") and just lets us see the strands of hair hitting the floor. I feel a bit mean-spirited picking on a movie so obviously simple and low budget, as they obviously didn't have a lot of resources to work with. But there is a real need for adventure films for girls, and this is just so bland, disappointing, and utterly without personality or viewpoint. Only worthwhile for die-hard Keira Knightley fans, who'd like an early look at her, pre-fame. ... Read more | |
| 4. Bill & Ted's Bogus Journey Director: Peter Hewitt | |
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Reviews (45)
As the movie opens, the whole world is Bill's and Ted's oyster. They have their own apartment, they are in love with the princess babes they rescued from mediaeval England in the first movie, and the Battle of the Bands is all set to take place the following night. As they already know from Rufus (George Carlin) of the future, their performance at the Battle of the Bands will change the entire world and quickly lead to a blissful future for mankind in which everyone is excellent to each other. In that happy future, Rufus is teaching a class with the aid of such historical figures as Bach, Edison, and the killer guitar player from Faith No More. Then, from out of the blue, the classroom is taken over by gunmen led by Rufus' old crotchety gym teacher Chuck De Nomolos. The man's hatred for Bill and Ted and the way of life they brought into permanent being is so strong that he sends two evil Bill and Ted robots back in time to ruin the lives and future of Wyld Stallyns before they can really even begin. The robots are pretty successful, actually killing the good Bill and Ted. Here begins the truly bogus journey of our heroes, as they face the Grim Reaper himself, get an up close and very personal look at the depths of Hell, and journey to heaven to meet God Himself. It takes more than a well-coordinated Melvin attack on Death to bring them back to life, but they never waver from their determination to come back, save the babes, kill the evil Bill and Ted, and play most triumphantly at the Battle of the Bands. I love the ending of the movie; it has little shame in its pursuit of utter goofiness, and I admire that type of commitment to inanity for the sake of entertainment. The whole scene takes about fifteen minutes, but the guys put on one heck of a show at the Battle of the Bands. The fun doesn't even stop when the credits begin to roll because we are treated to a number of magazine and newspaper headlines of the future chronicling the many successes of Bill and Ted and the somewhat troubled rock and roll career of Death. I love this most non-heinous, totally excellent movie. If you want comedy, look no further than Bill and Ted's Bogus Journey.
The story starts out in San Dimas, CA 2688 at Bill and Ted University. Rufus (George Carlin) is teaching a seminar class and the evil Chuck De Nomolos invades with his private army. With him are two evil robots of Bill and Ted who he sends back through time to kill them before they become superstars. We find the Wyld Stallyns (Bill, Ted, Elizabeth, and Joanna) auditioning for the battle of the bands contest. Of course they stink, but they still get a shot in the contest. That night after Bill and Ted propose to their girlfriends, the evil twins call the good Bill prettending to be Joanna and dump them. So the evil twins show up prettending to be helping them by bringing them to the desert where the evil twins said the girls were. Instead they throw them off a cliff and the good ones are dead. Then they wake up in the after-life seeking revenge and then Death shows up (William Sadler). He tells them to come with him and they ask him if they can come back to life. Deaths says they must challenge him to a contest and if they win, they go back to life and if not they stay in the after-life. So they ditch him by melvining him (otherwords, a wedgie). So, they go Ted's parents for help and Ted's step-mom, Missy and her spiritual group send them to hell. So they are stuck in their own personal hells that revolve around the bad things they did in life. After the two being chased by a evil colonel, a evil easter bunny and Bill's grandma, they decide to challenge Death. Now on with the games. They play Battleship and of course Bill and Ted win. Death is a poor sport and makes them play best 2 out of 3. Then he loses again in Clue and he says best of 3 out of 5. Then he loses in electronic football. Bill: "Best of 7?" Death: "DAMN RIGHT!" The last game is Twister. He loses and decides to take them back to life. They go to heaven, and find two alien scientists to help them build two good robots of themselves. Now they have built the robots and they are at the Battle of the Bands where the evil ones are. So they destroy them at the concert. Chuck De Nomolos shows up to finally kill him themselves. He loses and Death melvins him (Wedgie). They play at the concert and win. The song they play is KISS's very own "God Gave Rock and Roll To You II" that they released for the movie and for their Revenge album in 1992. This movie isn't as exciting as the first but definately a great sequel. Take the Bogus journey with Bill and Ted.
The first movie was a success. The second isn't as exciting, although it does have its moments, but it is still a totally bogus movie. All the old characters appear, the princesses, the dads, Missy, and some great new stars, William Sadler playing the Duke of Spook, the Doc of Shock, The Man with No Tan, Death himself, the Grim Reaper. He is terrific in this movie, moreso towards the end, where he comes out with a excellent line: "You might be a king or a little street sweeper, but sooner or later you'll dance with the reaper." You've gotta love that line. Not since Chasing Amy etc, has a movie come out with great end credits. (If you like the final song, you'll probably watch the credits right to the end, if you don't, you won't!) Here are some examples of what appears in the end credits to Bill & Ted's Bogus Journey: "Be Excellent to Each Other and Party On." I hope there will be a third Bill & Ted movie. The best bit of both movies has to be the newspaper/magazine covers towards the end. If you read the headlines, they're pure class! If you haven't seen these movies, you must. They're before Keanu really hit the big time, when all he could do was goofy (and sexy at the same time!), and when Alex really didn't look like he'd hit puberty yet!
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| 5. Tom and Huck Director: Peter Hewitt | |
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Reviews (20)
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| 6. The Borrowers Director: Peter Hewitt | |
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Reviews (21)
The miniaturization effects didn't seem particularly advanced - I wasn't wowed by any technical advances I saw. But I would say that they were very imaginably used, making for some cute scenes that were refreshing. They were also carefully done, minimizing the "fakey" feel and letting you concentrate on the story. The DVD version has a cool "making of The Borrowers" featurette that shows how the special effects were done, which is fun to watch after you've seen the movie.
The movie is based upon a series of books by Mary Norton about a race of small people who live in the cracks and walls of the world and are known for borrowing things from humans (or beings). The story centers around one borrower family who are the last of their kind in an old house. Their existence is threatened when the evil Mr. Potter sees to kicking out the being inhabitants in order to knock the house down. There then follows a series of adventures as borrowers and beings alike try to save the house from destruction. The weak points in the movie concern anachronisms. For the most part the movie is set decades ago as in the books. But annoying anachronisms pop up such as a cellular phone and an in-door ice maker. Considering the vintage of the vehicles on the street these items really stand out. But despite the anachronisms the movie remains entertaining with some very good performances from Goodman and the rest of the cast.
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| 7. The Borrowers Director: Peter Hewitt | |
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(price subject to change: see help) Asin: 6305035105 Catlog: DVD Sales Rank: 37880 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com Reviews (21)
The miniaturization effects didn't seem particularly advanced - I wasn't wowed by any technical advances I saw. But I would say that they were very imaginably used, making for some cute scenes that were refreshing. They were also carefully done, minimizing the "fakey" feel and letting you concentrate on the story. The DVD version has a cool "making of The Borrowers" featurette that shows how the special effects were done, which is fun to watch after you've seen the movie.
The movie is based upon a series of books by Mary Norton about a race of small people who live in the cracks and walls of the world and are known for borrowing things from humans (or beings). The story centers around one borrower family who are the last of their kind in an old house. Their existence is threatened when the evil Mr. Potter sees to kicking out the being inhabitants in order to knock the house down. There then follows a series of adventures as borrowers and beings alike try to save the house from destruction. The weak points in the movie concern anachronisms. For the most part the movie is set decades ago as in the books. But annoying anachronisms pop up such as a cellular phone and an in-door ice maker. Considering the vintage of the vehicles on the street these items really stand out. But despite the anachronisms the movie remains entertaining with some very good performances from Goodman and the rest of the cast.
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| 8. Tales from the Crypt - The Robert Zemeckis Collection Director: John Herzfeld, Mick Garris, Ramon Sanchez, Randa Haines, Richard Donner, William Friedkin, Walter Hill, Gary Fleder, Larry Wilson, Peter Hewitt, Jack Sholder, Peter S. Seaman, William Malone, Michael Thau, Russell Mulcahy, Joel Silver, Peter Medak, Tom Mankiewicz, Mary Lambert, Fred Dekker | |
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(price subject to change: see help) Asin: 6305558132 Catlog: DVD Sales Rank: 13016 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com Reviews (3)
The first story, "And All Through the House," is definitely the scariest of the three. It's about a disgruntled wife who murders her husband on Christmas Eve, only to have a madman dressed in Santa garb show up to deliver her just deserts. It is a particulary frightening morality play not only because it warns that "what goes around, comes around"; it also makes a multi-faceted statement about innocence and youth, as it is the murderous woman's little daughter who ultimately lets "Santa" into the house. Larry Drake delivers a delectably deranged performance as the insane Saint Nick. (This has proven to be one of the most enduring stories from the original E.C. Comics series, as it was also previously dramatized in 1972 as one portion of an excellent five-part British flick entitled TALES FROM THE CRYPT. In that version, Joan Collins--DYNASTY's Alexis Carrington Colby--played the part of the homicidal wife.) In the second story, "Yellow," Kirk Douglas is a stone-hearted, by-the-book WWI General and, his son, Eric Douglas, is a craven Lieutenant under the General's command. Embarrassed by his "yellow" progeny, the General engages his son in an insidious course of action that will save the young man's reputation as well as allow the General himself to save face. Although the ending is easily predictable, the acting is top-notch and the depiction of WWI is fairly gruesome (for TV, anyway), and it all adds up to an engaging and suspenseful drama. This is definitely the strongest episode of the trio, though not as scary as the first. The last of the three offerings, "You, Murderer," is also the weakest. It covers the last day in the life of a business exec who, altered via plastic surgery to hide from a dark past, is blackmailed and then offed by his cuckolding wife and her lover. Though the plot is a bit cliche and its ending predictable, the episode does, nonetheless, have a few interesting aspects: one, the story is told via flashbacks from the point of view of the already-dead exec; two, á la plastic surgery, the exec is the spitting image of Humphrey Bogart; and three, great performances are delivered by Isabella Rossellini (daughter of the real-life Bogart's CASABLANCA costar Ingrid Bergman) and character actor John Lithgow. The episode's biggest flaw is the special effects, which are primarily computerized insertions of Bogart film-clips á la FORREST GUMP. Unlike in GUMP, the effects come across as embarrasingly cheesy, and the manner in which they are utilized is very awkward to the flow of the narrative. Still, it's an entertaining entry for CRYPT, just one that is not up to par with the other two on this disc. One minorly disappointing aspect to the DVD overall is the fact that there are no extras on the disc. Some HBO or syndication promotional spots or an interview with Zemeckis would've been nice, or maybe even a behind-the-scenes short featuring our gregarious host, The Crypt Keeper. Still, this DVD is well worth the expense, especially for fans of TALES FROM THE CRYPT or fans of the horror genre in general. At Amazon.com's asking price, the cost is less than $5 per episode, and that's cheaper than the cost-per-episode charged for many TV shows in either VHS or DVD format!
I hope this is just the first in a long running set for this series, but it doesn't look like it. This DVD contains the three episodes done by Robert Zemeckis. And All Through the House" (1989), remided me of the 'Tales From The Crypt - Have A Scary Little Christmas' CD I've had for quite a while. Basically the same backdrop of the story told on the CD is here, except for the 'Mother' killing her husband. Anyhow, that's how it starts, but what the poor mother does not know is that an escaped lunatic is on the prowl. "Yellow" (1991), A dang good yarn if I do say so eh kiddies? Martin Sheen's excellent in this story of a san who cannot live up to his father's aspects of courageousness. "You, Murderer" (1995), is really wierd. Stars Humphrey Bogart, Sherilyn Fenn, and some other famous personalities and basically the tale is in Bogart's voice. He is dead (murdered actually) but can still see what is happing around him, hear everything, and worse feel everything! Pretty good set. Some great stars in these episodes and I really loved the episode 'Yellow'. Hopefully more will be produced as I love the whole series.
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