Reviews (22)

A Forgotten Film From The Master Of Suspense
Lifeboat where do i begin? well for starters i guess it would have to be that this is one of my all time favorite Films from Alfred Hitchcock. But to most people they have never heard of Lifeboat. Yeah it was one of his early works but one of his best. Most people when they think of Hitchcock they think of Psycho ans The Birds and Vertigo. But this is better than the birds. It has a human story and ever increasing the tension. In a by gone era of hollywood when movies were grand in spectical not budget.

Lifeboat is about a freighter that is heading to New York. But is sunk by a German U-boat and in the opening scenes there is Tallulah Bankhead in a lifeboat all by herself with all of her belongings. Then one by one they pick up more survivors the tension increasing when they pick up a crewman of the U-boat. Only Hitchcock would make his backlot movie with fake clouds seem so real and make a the ocean look vast and barren. He also manages to elict good performances from Bankhead,Walter Slezak, Canada Lee and others.

I would highly reccomend that you check out this film from the master of suspense. this is not to be missed of put of. It is very suspensful i mean would you come to expect less from Hitchcock.

SEE THIS MOVIE I BEG YOU.

Lesser Known Hitchcock
Lifeboat isn't as famous as some of Hitchcock's other films, but it deserves to be seen today. It's a chance to see Tallulah Bankhead, who if anything, had a very interesting screen presence. She was an original. It's also a chance to see a very human portrayal of an African American character (Canada Lee) at a time when Hollywood rarely did that. There is also a lot of commentary about the Germans and the war, which given the time when this film was made (during the war), makes it all the more fascinating. The performances are good (including a very young Hume Cronyn), and Hitchcock manages to keep the action moving despite having so limited a space in which to do so. If you like Alfred Hitchcock, this is one you should see.

BANKHEAD -- HITCHCOCK
Tallulah Bankhead was one of the 20th century's best actresses, taking over from Ethel Barrymore as the Toast of Broadway and the London stage. She made few films, and this is her best role. (For a very long time the joke was that Bankhead's stage roles were taken over by and became film hits for Bette Davis. Certainly that's true with Hellman's THE LITTLE FOXES.) Here, one has the opportunity to observe how an actress of supreme talent, handles a role in which everything is shown; in which practically nothing can be hidden. Every would-be actress ought to study not only what she does, but more importantly, what she doesn't do, for as a stage acress par excellence all through her younger years, some movie people thought her too big for the screen. Probably she wasn't, but simply needed a good director. Here, she got the best in the business, and the results show.

Hitchcock was fascinated with women, with actresses, and particularly beautiful ones. And, if Connie's beauty here, is not young, and fresh, it is nevertheless, compelling. She is like a thoroughbred mare among mules and cab nags in an auction pen of chance. She stands out because of her breeding. She has lines. Her costume? A white silk blouse, good nylons, a full-length mink coat, and a diamond bracelet. And, of course, that wonderful mane of hair.

If you study Hitchcock, it would make a wonderful double bill to see LIFEBOAT and STAGE FRIGHT close together. Here, he studies Bankhead; in STAGEFRIGHT he studies Dietrich; two fair-haired actresses of wildly differing personal style, but of exceptional power and interest. And, what they have in common and what both display in these two films, is their unusual, and unusually expressive voices. Bankhead was a famous radio actress for many years, as well as a stage star. Dietrich too was a radio actress, and all her life was a singer and recording artist. The trick in working with an artist with an exceptional voice, is to carefully trim and arrange the dialogue in such a way as best to show off the voice's characteristics.

Admirers of Lesbian Chic might want to imagine what Ann Sheridan, or Barbara Stanwick, Rosalind Russell, Ruth Hussey or Lizabeth Scott or any one of a number of others might have done with this "Contralto" role: You know, the wise-cracking, hard boiled newspaper dame. The role is a Type, very popular during the 30's, and with a lesser actress and a lesser director, we might have gotten a good movie out of the material, but not a black-and-white masterpiece, like this one. After all, what if CASABLANCA had been cast with Ronald Raegan and Heddy Lamarr?

You can watch this movie over and over. A director's tour de force, the trick, I think, is to watch for Hitchcock's cutting sequences; the way he manipulated the editing around the actors' speeches within the episodes. Extremely clever. So good, the seams are nearly invisible.

Its a great propaganda movie, but of an unusual kind; far subtler than most. Its a great Camp, or G/L movie, but again, far subtler than most. Its a great Murder movie too, etc., etc...

Great.
'Lifeboat' is a great film by the late Alfred Hitchcock. He is really truly a master of filmmaking and very few directors could make such a fantastic story from such a limited setting. Not many people know of the film, but one should definately check it out.

Hitchcock in a Tank?
A very nice ensemble cast delivers the claustrophobia in this
"Lifeboat"

Heather Angel and Henry Hull always seem to be least recognized in this drama although thw whole cast is seemless .

Bill Bendix could walways play comedy or drama with equal terms.
I think a Dick Cavett story on Bankhead and Chico Marx may be in order. " Chico said " I want to ... You" and Bankhead , always the wit said " and so you shall young man" !

Slezak on the other hand was always an actor who used his rubber face to great effect. Watch out for waves and few script flaws but stay dry ! ... Read more

Reviews (3)

Hitch's Mix....Suspense and Humor...
This review refers to the Platinum Disc Corp DVD edition...

From 1936..."The Secret Agent". You'll find Hitch's unique sense of humor well intergrated with the suspense in this terrific film about espinoge at the onset of WWI. A recluctant spy is recruited to kill an enemy spy. He is given a false name and a fake wife to keep up appearances. He goes after the target, but does he have the right man? Could there be another who is the real culprit? And what a cast.. John Gielgud stars with Madeline Carroll,Robert Young and Peter Lorre(fabulous as always) as his very strange accomplice.Other notables to look for include Lilli Palmer and Michael Redgrave.

The transfer of this nearly 70 year old film by Platinum is decent, but probably not as good as some of the more expensive editons. The picture is nice and clear but there are quite a few scratches.The sound in Dolby Dig is clear and distinguishable. I did find it to be very viewable and perfectly enjoyable.It includes a short trivia quiz of the film, a bio of Sir John Gielgud and a few chapter stops.It comes in a nice jewel case, with an insert that also includes the same extras that are on the disc.

Where's Hitch.....alas, there seems to be no appearance by Sir Alfred here.

I would recommend this editon of "Secret Agent" to Hitch fans who want to build up their collection without spending too much.

enjoy...Laurie

Often-overlooked Hitchcock is worth several viewings!
SECRET AGENT was Hitchcock's follow-up to the hugely successful THE 39 STEPS, and continues that film's explorations of moral ambiguity and instability of identity. A very young John Gielgud portrays Edgar Brodie, an English soldier whose identity is deliberately eliminated by the government so his talents may be put to use as a professional spy under the name of Richard Ashenden. His mission: travel to Switzerland and execute a German spy before he crosses the Swiss border. Ashenden's accomplices in this state-sanctioned murder are the bizarre and campy bisexual "General" (Peter Lorre), who claims to be Spanish but is obviously nothing of the sort, and Elsa (Madeleine Carroll) a rather bloodthirsty woman assigned to play Mrs. Ashenden, who seems to have become an agent just to get a few thrills. Elsa's gung-ho mindset changes rapidly when the little group deceives and assassinates the wrong man. Elsa distracts the man's wife by asking for German lessons while Ashenden and the General take him on a mountain trek from which he will not return. Although the General actually does the killing, Ashenden is complicit in the unwitting crime, and seems to accept it as a matter of course. This murder sequence is extremely suspenseful, cross-cutting the male plot with the gradual realization of the doomed man's wife that something has happened to her husband because of the increasing agitation of the man's faithful dog. At the moment of the killing, the dog breaks out into eerie, unforgettable howls. After this event, Elsa realizes that what she thought was a game was actually in deadly earnest, and she tries to stop Ashenden from going through with the actual muder of the real agent, whose identity is uncovered almost by accident. The final sequences, including a fire alarm in a chocolate factory and a stunning train wreck, result in the deaths of the German agent and the General, leaving Elsa and Ashenden free to marry and quit the spy business. As another reviewer has noted, there is a strange and disquieting undercurrent of homosexuality among all the major male characters, who seem to be more interested in each other than any of them is in Elsa. Indeed, Madeleine Carroll has almost nothing to do in the last half of the film, and the usual sexualized banter between Hollywood lovers is actually given to Ashenden and the General! Indeed, Ashenden seems oddly reluctant to touch Elsa throughout the film and their love scenes are awkward at best. I can't say whether any of this was deliberate on Hitchcock's part, or whether was simply the result of casting a trio of homosexual or bisexual actors as the male leads, but the function of this choice undercuts the usual romance angle that we find in this type of story and renders the conclusion quite unbelievable, which perhaps makese sense, considering that no one in the world of this film is what he or she seems to be on the surface. Still, this is a surprisingly accomplished film which, despite some jarring shifts in tone, is watchable throughout. By the way, the film is supposedly set in 1916 and the events it chronicles deal with WW I, but don't you believe it for a second! The costumes and decors are strictly mid-30's, as is the language! Hitchcock obviously wished to comment on the moral choices forced on people by the deteriorating international situation of the times, and it isn't much of a stretch to relate these people to choices present only in the 1930's!

An Odd Little British Curio From The Master Of Suspense!
Another one of Hitchcock's early British films. Made just one year after Hitchcock's classic 'The 39 Steps'. Hitchcock's trademarks and usual suspense are greatly tampered making a more comic (?) film with some tense sexual undercurrents. John Gielgud, who is a master in stage acting and one of the most respected performers since Olivier stars as the secret agent who is sent to knock off an assassin. There are some surprising homosexual undercurrents to his character, he has the opportunity with Madeline Carroll but never does anything about it. Peter Lorre is also memorable as the Spanish (?) assassin, a bit too over the top at times but still delivers. The accents are extremely thick and lots of close-ups of letters and messages make the plot hard to follow at times. Madeleine Carroll also stars, Hitchcock had used her as the icy blonde who charms Robert Donat in 'The 39 Steps' just one year earlier. Less suspenseful than most of Hitchcock's other films and has a lot less to offer. One of the master of suspense's lesser efforts. From a scale of 1-10 I give this film a 5! ... Read more